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- 27iano_ | rade 3 } ieces & Exercises Trinity Guildhall examinations 012-2014 Contents ‘Anonymous Polonaise BWV Anh. 128 from Notebook for Anna Magdalena ————- og Handet Sonatina HWV 585 —________—— 3 Mozart Menuett in F, K. 5 — es Burgmiller Pastorale op. 100 no. 3 = Mendelssohn Romance =a Sandré Requiem for a Littie Bird —___— Reger ange Frage (Anxious Question), no. 8 from Aus der Jugendzelt op. 17 Nakada ‘Song of Twilight —_—____—_——-— Rollin Jazzy Joey —— —— — Exercises ——________—— _@ Alternative pieces for this grade Bortkiewicz Through the Desert (from Romantic Piano Anthology vol. 1) Schott ED 12912 Grechaninov Nurse's Tale op. 19 no. 8 Schott ED 1467 (from Das Grossvaterbuch (The Grandfather's Album)) Maxwell Davieg No. of Six Secret Songs (fram A Century of Plano Music Grades 1-4) Bosworth BOEOOSI2# Mayer Marche Miniature (from The Joy of Romantic Piano book 1) Yorktown Music Press Y 214 Monn Minuet (from Little Piano Book: rhe Age of J S Bach) Peters EP 445) Oesten Polka-Mazurka op. 155 no. 2 (from Sonatinen — Preparatory Sonatina Album) Peters EP 31 Play da capo repeat and the F major section repeat in the examination] i Rodrigo Cancién del Hada Rubia (from El Album de Cecilia Para Piano) UMP 188? Zilcher Wiegentied (from Nacht und Traume) ‘Schott ED 904 Zipoli Versi (Fugetten) 1 (from Little Piano Book: Masters Before J S Bach) Peters EP 44) sn pieces inthis volume have ben edited with regard to current concept of er formater practice. Fingering, dynamics, articulation and peal parpeoon suggested to assist candidates and ther teachers in developing thelr OW interpretations. Markings in square brackets are esitoria Recamnmended metronome markings are ven asa useful but not definitive, performance .quide forall pieces. Repeats of more than a few bars shouldbe omitted in the examination unless otherwise instructed in the syllabus or in this Trinity music Boake ‘ll da capo and dal segno instructions should be observed, very effort hasbeen made to trace and acknowledge the copyright owners ny ight has been omitted or if any detail Calege London apologises and wil rectify this in any subsequent reprints folowing ratification. incorrect, Tiny Trinity Callege London would ke to thank Jonn Kernber, Pamela Lidar, Michael ‘Round, Peter Wild and John York for their work on this Series Music typeset by Moira Roach and New Notations London. Important Candidates and teachers must refer to the Information & Regulations booklet (wwwsrinityguildhal.co.uk/essentialinformatl farall examination requirements and regulations. Sylabuses and further information can be obtained from your Trinity Gull Polonaise BWV Anh. 128 from Notebook for Anna Magdalena Anonymous Pate (2) 3 pita ‘ 3 2 a s 5 ~ 1s = pa OO 2 Copyright © 201 Trinity College London Sonatina HWV 585 George Frideric Handel (1685-1759) [= 92-100} a (2) G@) 5 4 tr & 3 2 Dynamics and articulation are editorial ee 2 Menuett in F K.5 Wolfgang Amadeus Mozart (756-1791) Menuett {J = 112-126) a) 1 1G 5 4 Ss Dynamics are editorial The repeats shouldbe played in the examination and candidates are encouraged to vary the dynamics the second time, 4 Copyright © 2011 Trinity College London Pastorale op. 100 no. 3 P Johann Burgmiller (0806-1874) Andantino [J.= 63-76] Fe 12 Set oR I~; 1 pedoice camabile >pyright © 201 Trinity College London Poot 5 Romance Felix Mendelssohn (1809-1847) Andante (J = 76-88] sa 23 43 6 Copyright © 2011 Trinity College London Requiem for a Little Bird Gustave Sandré (1843-1916) Adagio (J = 63-72] 4 Copyright © 2011 Trinity College London 7 Bange Frage (Anxious Question) no. 8 from Aus der Jugendzeit op. 17 Max Reger 08734916) Innig, zart + = 46-60 ‘ Ff so 2 ae ON f 5 4 mp espr. <= Sarees 4 19 5 4 aoe ae et 8 Copyright © 201 Trinity College London Song of Twilight Yoshinao Nakada Tranquillo |. = 52-60} 10 ee A hk Th rit. } 5 5 3 ve repeat should be played in the examination, amposer's metronome mark d= 60. 2pyright © 1976 by Ongaku No Tomo Sha Corp, Tokyo, Japan 9 Jazzy Joey Catherine Rollin Copyright © 1995 Alfred Publishing Co, Inc. All Rights Reserved, Used by Permission. ane 16 erie x ae 3 3 i Exercises la. Keeping One's Balance - tone, balance and voicing Con moto |= 108-120] {2 1b. A Little Off-beat - tone, balance and voicing Ritmico [J = 80-92] t 3 de Copyright © 201 Trinity College London 2a. Mountain Mists - co-ordination Dreamil [2 = 69-80] rh. rh. rit, ia *b. Up Hill and Down - co-ordination Moderate Waltz tempo |/= 100-112} fo fo PD HPD * Rd RD Pd. *R & yright © 201 Trinity College London B 3a. Over and Under - finger s wrist strength and flexibility Playfully [J = 76-88) 2 3b. Nimble Jack - finger & wrist strenath and flexibility Briskly [+= 66-76] iat 2 : ie ‘The repeat should be played in the examination. 14 Copyright © 201 Trinity College London