Frederator POSTERS March 2010 DRAFT 3

ORIGINAL
CARTOON
POSTERS FROM
FREDERATOR
STUDIOS
EDITED BY ERIC HOMAN AND FRED SEIBERT
©2010, JoeJack Inc. All rights reserved.
ChalkZone, The Fairly Oddparents, Fanboy & Chum Chum,

Nickelodeon, Nicktoons, Oh Yeah! Cartoons, and Random!
Cartoons ©2010, Viacom Intl., Inc. All rights reserved. Used
with kind permission.
Adventure Time with Finn & Jake, Cartoon Network, Cow

and Chicken, Dexter's Laboratory, Dino, George and Ju-
nior, Johnny Bravo, The Powerpuff Girls, The Worm, Hard
Luck Duck, Pfish and Chip, and Yuckie Duck: TM & © 2010,
Cartoon Network. A Time Warner Company. Used by kind
permission.
Frederator Studios and the Fredbot Frederator robot are

registered trademarks of JoeJack, Inc. All rights reserved.
The Frederator Fredbot robot designed by Arlen Schumer.

Frederator logo designed by Adams-Morioka,
Beverly Hills, California.
All rights reserved, including the right to reproduce this book

or portions thereof in any form whatsoever.
First Frederator Books printing 2010

2 Original Cartoon Posters
Frederator Studios
Kicking off the singular Frederator

experience required quite a character, and
thanks to one --illustrator/designer
extraordinaire Arlen Schumer-- we got the
other --our singular company robot,
the Fredbot.
When Arlen gave us the gift of a company

birth notice, he crossbred some severely
bushy eyebrows, Gigantor's nose, and our
fascination with the influence of modern
poster innovator Frank Kozik. Master
artist Patrick Raske provided the color and a
Michigan silkscreen printer was engaged.
Frederator Studios, with assistant Stephanie

Stephens, came to be in North Hollywood
on January 6, 1997, with our first cartoons
released in 1998.
1997
Arlen Schumer: illustration & design
www.arlenschumer.com
Patrick Raske: color
Silkscreen
9" x 11"
Frederator Studios 3
Frederator New Year's Posters
The last 30 years haven't been kind to commercial posters, broadcasting

and the internet have made them virtually extinct. But art poster series
are alive and well with a vibrant following and Frederator likes being
part of that select group with our (sometimes) regularly released New
Year's posters.
New Year's 2002
Frederator's expantion to a New York

office around the turn of the century seemed
like a perfect moment to inagurate our New
Year's poster program. And our expanded
personnel roster (for building out media on
the internet) suggested the perfect execution.
Patrick Raske pulled off this digital take on an

old school letterpress poster, often associated
with boxing, circuses, and old rock'n'roll and
country music concerts.
2002
Patrick Raske: art direction,
design & production
Digital
13" x 20"
New Year's 2003
"This poster was my personal greeting card

to the animation community. I met tons of
artists, producers and executives because of
it. It really opened a ton of doors for a young
cartoonista like myself.
"And as far as the actual design, it was able

to showcase all my favorite Mexican things:
Lucha Libre, Dia de los Muertos, Mariachis,
Catholic iconography, Posada typography
and hot Mexican women. It was an incredible
honor to have been asked to design it.
"Gracias Fred!
"Jorge Gutierrez"
2003
Jorge R. Gutierrez:
illustration & design
www.mexopolis.com
Silkscreen
Production and printing:
Mexopolis, Tijuana, Mexico
14.5" x 22.5"
New Year's 2004
Animation artist and writer

Eugene Mattos (known as
Genoooooooooooooooooooooooooo! to his
friends) has a knack for robots. When it came
time to reinterpret Arlen Schumer's original
robot, we knew where to turn.
2004
Eugene Mattos: illustration
Offset
William Dunnigan: production
13" x 20"
New Year's 2006
Artist Frank Olinsky and Frederator founder

Fred Seibert have been friends since they met
on a dirt hill in Fred's backyard in October
1955. They've grown up to collaborate
hundreds of times, notably on the iconic
MTV logo.
When Frank wasn't sure he could meet our

three week deadline, but three days later this
appeared in our email boxes. A sculpture of
styrofoam, plastic cups, straws, and
cardboard, it also marks the first time our
robot was christened, in Frank's simple,
unique way, the "Fredbot."
And to complete a circle, production and

printing contractor Will Dunnigan was the
third childhood neighbor who lived in
between Fred and Frank.
2006
Frank Olinsky: sculpture,
art direction & design
www.frankolinsky.com
Offset
13" x 20"
CFA winner Jessica Borutski & Freddie
New Year's 2007
Channel Frederator, the world's first cartoon

podcast, debuted in November 2005 and
quickly we met thousands of new, talented
animators from around the world. To
celebrate, we inaugurated the Channel
Frederator Awards in Hollywood, where
lucky winners would receive their very own
"Freddie" statues.
World class animation artist and designer

Frank Rocco agreed to design the awesome
Freddie sculpture and program cover
illustration. We loved it so much that
program designers Adams-Morioka adapted
the image into our annual
New Year's poster.
2007
Frank Rocco:
computer generated illustration
www.gorocco.com
Adams-Morioka:
www.adamsmorioka.com
Offset
18" x 24"
New Year's 2008
2008 was a big Frederator year, the 10th

anniversary of the release of our first
cartoons. Finally, our tongue in cheek slogan,
"Original cartoons since 1998," would have
some meaning behind the humor.
Naturally, we turned to our closest

design partners of the decade, Sean Adams
and Noreen Morioka, to help memorialize in
art direction. In their careful, but never too
serious, manner, they oversaw every detail of
the soda/beer can illustration right through to
the gorgeous silkscreen production. It's been
seen framed in more offices than any of our
other posters.
2008
Adams-Morioka: art direction,
design, illustration & production
www.adamsmorioka.com
Silkscreen
24" x 36"
Hatch Show Print & Frederator
The 1996 national board meeting of the American Institute of Graphic

Arts was held in Nashville, Tennessee, down the street from the storied
Hatch Show Print, the country music home of wood block printing.
Fred Seibert fell in love with the place and its chief designer and
archivist Jim Sherraden. Frederator has had Hatch Show design and
print over a dozen of its posters in the last 13 years, usually to celebrate
the end of a season of cartoon production.
Oh Yeah! Cartoons
What better way to celebrate our second big

idea incubator (notable for the first appear-
ances of Butch Hartman's The Fairly
Oddparents and Bill Burnett's & Larry
Huber's ChalkZone) but to fit 39 modern
cartoon titles on a limited edition poster with
old fashioned wood block typography? For
our first collaboration we asked Hatch Show
for their 'classic' look, and it became the
perfect remembrance for all of our animation
creators to sign at the wrap party.
And here's where Frederator introduced the

slogan "Original Cartoons since 1998," the
catch being it actually was 1998. We're all
about original talent and their original ideas,
and we wanted to have a little fun. They're
cartoons, after all, yes?
1998
Hatch Show Print:
design & production
www.bit.ly/HatchShow
Letterpress
13" x 22.25"
Oh Yeah! Cartoons
1999
Hatch Show Print: design & production
Letterpress
13.75" x 22.75"
Oh Yeah! Cartoons
2000
Letterpress
13" x 22.75"
Random! Cartoons
By the end of the first decade of the 21st

century our cartoon incubators seem to have
taken on a legendary life of their own,
having spawned over a dozen series. Random!
Cartoons started life as Oh Yeah! Cartoons,
Season 4, but took on its own identity, fitting
for a new century.
Random's already spawned to monster hits,

Eric Robles' Fanboy & Chum Chum and
Pendleton Ward's Adventure Time, and with
them a new cartoon vocabulary, both visually
and comedically.
2007
Letterpress
13.25" x 22.5"
ChalkZone
2003
Bill Burnett & Larry Huber: creators
www.billburnett.com
www.madanimationprofit.blogspot.com
Letterpress
13" x 22"
The Fairly OddParents
After almost 80 shorts, creator Butch

Hartman concocted the first OddParents TV
movie with head writer Steve Marmel. Hatch
Show concocted the commemorative.
2003
Butch Hartman: creator
www.butchhartman.com
Letterpress
14.25" x 23"
Oh Yeah! Cartoons
It had been five long years since we'd last

recruited talent for our shorts programs that
incudbated the great talent of the cartoon in-
dustry, and we were concerned that animtion
talent had forgotten the hopes our cartoons
represented. (As it turned it we had no wor-
ries.) These next two posters were meant to
be community reminders.
2005
Frederator: design & production
www.frederator.com
Digital
27" x 41"
Oh Yeah! Cartoons
2005
Frederator: design & production
www.frederator.com
Digital
27" x 41"
Nicktoons Film Festival
Fred Seibert created this film-festival-on-

television for the late night audience on this
new 24 hour cartoon network.
The INTERspectacular team gave the logo

and this poster just the right touch of
the weird that the event needed to attract
serious short filmmakers from around
the world.
2004
Michael Uman & Luis Blanco: design
www.interspectacular.com
Digital
12.5 x 19.5"
Channel Frederator Awards
Leslie Cabarga started as a world class

professional before he was out of high school,
and his illustrations, logos, fonts, and books
have made him a legend. We were lucky to
meet him during our brief relationship with
Kitchen Sink Press, and turned to him when
it came time to design the 2nd Channel
Frederator Awards in 2008. Next New
Networks' Rachel Garcia thought the New
York City location and Freddie statue
screamed for a Fritz Lang Metropolis theme.
Leslie's morhping of the two is an
all time classic.
2008
Leslie Cabarga: art direction
www.lesliecabarga.com
Digital
18" x 25"
Channel Frederator &

Next New Networks
Frank Olinsky was commissioned by Next

New Networks (Channel Frederator's
distributor) to design a series of limited
edition posters for advertisers and friends of
the company. The only limitation was that all
the images had to be created with his hands,
a slam dunk for a resourceful artist
like Frank.
He referred back to the Fredbot he created

for our 2006 New Year's poster, and laid it
out in an homage to a famous Elvis
Presley singles collection. But it wasn't 'hand'
enough, so Frank took a marker and retraced
all the robots.
We loved the mess.
2009
Frank Olinsky: design & illustration
www.frankolinsky.com
Offset
14" x 22"
Channel Frederator
Filmmaker and artist Ben Ross has a special

place in Channel Frederator history, hav-
ing submitted his film "Lunch Time" to our
second episode. After graduating from SVA in
New York he interned at our distributor Next
New Networks (and eventually made films at
Frederator Studios) where he illustrated this
gorgeous sui generis Fredbot poster for the
network's second birthday.
2007
Ben Ross: design & illustration
www.benisadork.com
Digital
27" x 24"
At Frederator, we love back-in-the-day style

title cards, no matter how our network
overseers feel about them. Luckily, our
creators feel the same way we do, like Butch
Hartman did when he made this poster from
the first season of his juggernaut that is
The Fairly OddParents.
2003
Digital
11" x 14"
There were no bigger pop stars in the world

than 'N Sync when one of their singers, Chris
Kirkpatrick, graciously agreed to guest star in
FOP's "Shiny Teeth."
2002
George Goodchild: character design
Digital
17" x 26"
Ten years on, new episodes of The Fairly

OddParents are still wowing audiences across
the world. And given how quickly these two
promotional posters disappeared at the 2009
San Diego Comic-Con it's clear the fanboys
and fangirls feel the same way.
2009
Ernie Gilbert: illustration & design
www.ernie-gilbert.blogspot.com
Digital
15" x 20"

2009
Ernie Gilbert: illustration & design
Digital
15" x 20"
A company promotion
by Nickelodeon
Creative Resources
A (huge hit) movie in three parts,

"Wishology" deserved the special treatment
it was given by Butch Hartman's art team for
this poster.
2009
Ernie Gilbert: illustration
Kaz Aizawa: painting
www.artdive.blogspot.com
George Goodchild: art director
Digital
11" x 14"
ChalkZone
Bill Burnett & Larry Huber created our

ChalkZone series (an Oh Yeah! Cartoons
spin-off) with a singular visual palette
created by art director Carlos Ramos. We
wanted a commemorative that reflected the
show's special world and turned to longtime
colleague Frank Rocco.
2004
Frank Rocco: illustration
www.gorocco.com
Bill Burnett & Larry Huber: creators
www.billburnett.com &
www.madanimationprofit.blogspot.com
Will Dunnigan: production
Offset
15" x 23"
My Life as a Teenage Robot
Rob Renzetti first created his teenage robot

as an Oh Yeah! Cartoons short in 1999. In
2003, MLaaTR went on to
become Frederator's third spin-off series.
Partnered with art director Alex Kirwan, Rob

put together a world class art department,
including character designer Jill Friemark,
whose robot icons persisted in logos,
postcards, and, of course, posters.
2003
Jill Friemark: illustration & design
www.animatrixie.deviantart.com
Rob Renzetti: creator
Digital
12" x 24"
Poster comp
illustrated by
Alex Kirwan
My Life as a Teenage Robot
"For our first movie-length special we wanted

to create a stylish opening title sequence that fit
our pulp-y, sci-fi title. I thought that it would
be neat if all the visuals for the titles evoked the
sensationalistic ballyhoo and graphics of 1950's
sci-fi promotional material. Then, at the end
of the sequence we could pull the camera back
to reveal that all the elements formed a giant
movie poster. Shawn and Joseph Holt worked
hard to help me complete all the individual
pieces used in the animation, and the whole
thing came together rather nicely. As a side
effect, we ended up with an already completed
poster design, which we printed up as a comic-
con giveaway." -Alex Kirwan
2005
Alex Kirwan , Joseph Holt, Shawn Holt:
www.alexkirwan.tumblr.com
www.jholtanimationart.blogspot.com
www.shawnholtportfolio.blogspot.com
Rob Renzetti: creator
Digital
13.5" x 19.5"
Fanboy & Chum Chum
An instant hit upon its debut in late 2009,

Fanboy & Chum Chum was the initial series
to come out of our Random! Cartoons
incubator. As Nickelodeon's and Frederator's
first original CG series, the preview poster
--slated for the 2009 San Diego Comic-Con--
had to be killer.
Luckily, creator Eric Robles is a killer artist.
2009
Eric Robles: creator & designer
Chad Woods: painter
www.chadwoods.blogspot.com
Nickelodeon CG: rendering
Offset
11" x 17"
Adventure Time with Finn & Jake
By the summer of 2009, anticipation was

running high for Pendleton Ward's Adventure
Time series, Frederator's second Random!
Cartoons spin off. The Cartoon Network staff
from Atlanta gathered in California for a
sneek peak, and the AT crew put on quite a
show, including this welcome poster.
2009
Nick Jennings: art direction
www.njennings.com
Phil Rynda: layout & character design
www.rynda.com
Tom Herpich, Natasha Allegri:
character design
www.thomasherpich.com
www.normallife.livejournal.com
Catherine Simmons: color
Digital
27" x 41"
Adventure Time fan art posters
We were shocked when Adventure Time spontaneously inspired

hundreds of fan art tributes five years before the series debuted on
Cartoon Network in early 2010 (the millions of internet video views
for the original short must have helped). One of the show's production
assistants, artist Joseph Game, reached out to his companions at The
Autumn Society (www.the autumnsociety.com) to create faux posters
and say a few words for us.
Dave Perillo draws inspiration for his work

from many of the following sources: 1950's
sci-fi movies, Charles Schultz, Jim Flora, Ray
Harryhausen, Roy Lichtenstein, Jim Henson,
Hanna-Barbera, The Twilight Zone, Alfred
Hitchcock and character advertising icons.
Dave currently resides in the 'burbs of Philly,
works as an illustrator, believes that bowling
is the sport of kings and a bag of Swedish
Fish is a seafood dinner.
"I thought it be cool to do a comic book

inspired cover for Adventure Time, the kind
of cover you might see in a digest size sitting
next to some Archie comics on a rack in five
n' dime."
2010
Dave Perillo: illustration & design
www.montygog.blogspot.com
www.theautumnsociety.com
Digital
24" x 31"
Raised by feral robot wolves in the bacwoods

of northeastern pennsylvania, Tom Whalen
(aka Strongstuff) has a high-pitched
metallic voice in his head directing him to
create all manner of things robotic,
monstrous and heroic.
"My unhealthy addiction to retro design, my

voracious appetite for compact color schemes,
and my mutant ability to see the negative
space all around me helped to craft this
WPA-style travel poster for Adventure Time."
2010
Tom Whalen: illustration & design
www.strongstuff.net
Digital
27" x 41"
"I'm a freelance animator/illustrator, residing

in Victoria, BC Canada. Aside from having
a passion for the arts, I enjoy spending time
with my beautiful daughter Paige. After seeing
the Adventure Time animated short, I knew it
would be one of my number one shows. With
this illustration, I wanted to re-create some
of the whimsy and fresh hilarity that the show
exudes."
2010
Dan Schoening: illustration & design
www.dapperdans.blogspot.com
Digital
27" x 41"
"I'm a graphic designer and I like making

things. I also love Adventure Time because,
well, let's face it: it's totally mathematical.
Need I say more? -Brandon"
2010
Brandon Schaefer
www.seekandspeak.com
Digital
27" x 34"
Born and raised in Ecuador, South America,

as Joseph Game, the creature now known as
Chogrin resides in
Burbank, California, working on the hit ani-
mated TV series, Adventure Time. Chogrin's
illustration work is influenced by Ub Iwerks,
The Fleicher brothers, and Osamu Tezuka,
all in which he blends to create his experi-
ments.
"Seeing the original short in 2006,

inspired by Pen Ward's vision and
neo-rubberhose style, I had always wanted to
do a tribute for Adventure Time. Finding out
in 2009 that I would be working on the new
series, I knew it was time to finally do one."
2010
Joseph Game a.k.a Chogrin:
www.chogrin.com
President of the Autumn Society
Digital
27" x 34"
Drinking and Drawing Events
One night, internet animator Dan Meth had a great idea. He

opened a tab at a bar on the Lower East Side of Manhattan with
a light box, a Sharpie, and hundreds of index cards. He was going
to drink beer and draw until he had enough for a film. "Drinking
and Drawing" became the most experimental cartoon in his hit
Frederator series The Meth Minute 39.
It also gave Fred Seibert a 'Eureka' moment. Animators need to

get together more often, so why not set up an actual animation
event? Starting at the 2007 Platform Animation Festival, and
irregularly in cities across America, Frederator has sponsored
a night of jamming artists. 100 intrepid souls draw animation
sequences on eight to fifteen cards and hand off their last drawing
to the next jammer. The cards are scanned, edited, and scored and
there's a cartoon!
Results at drinkinganddrawing.org and Channel Frederator.
Drinking and Drawing
Lee Rubenstein was Dan Meth's producer on

his first bar night and co-produced our initial
New York events. For the first public event
he designed our poster giveaway too. And the
Frederator D+D logo too.
2008
Lee Rubinstein: illustration & design
www.LeeRubenstein.com
Dan Meth: creator
www.danmeth.com
Digital
12" x 17"
Channel Frederator's Community Manager

Jeaux Janovsky brought his distinctive,
California bred, drawing style to New York
and came up with the second limited edition
D+D poster.
2008
Jeaux Janovsky: illustration & design
www.jeauxjanovsky.com
Dan Meth: creator
www.danmeth.com
Digital
12" x 17"
An Australian (by way of London)

expatriate in New York, Elliot Cowan quickly
brings his personality --drawn and verbal--
everywhere. Thankfully, he brought it to D+D
with this poster too.
2009
Eliot Cowan: illustration & design
www.elliotelliotelliot.com
Dan Meth: creator
www.danmeth.com
Digital
12" x 17"
What A Cartoon!/World Premiere Toons
In 1995 BF (Before Frederator), Fred Seibert was the President of

Hanna-Barbera Cartoons, where he launched his first innovative cartoon
shorts incubator, What A Cartoon! on Cartoon Network. He felt that
cartoons and, maybe more importantly, their creators had been unjustly
ignored for too long, and dedicated the studio to publicizing these shorts
in every way possible.
Great posters were the most visible way he could find. Modernizing the
movie studio one sheets that accompanied classic theatrical cartoons,
studio creative director Bill Burnett adapted the original art from the
films into the modern rock poster styles introduced in the early 1990s.
Dexter's Laboratory
What A Cartoon!
Genndy Tartakovsky is one of the most

admired directors in cartoons today. But, the
Dexter's Laboratory cartoon short was his
first commercial film and became the first
original series (and a big hit, at that) on
Cartoon Network.
1995
Genndy Tartakovsky: creator
Jesse Stagg & Kelly Wheeler:
Bill Burnett: Creative Director
Offset
17" x 22"
Cow and Chicken

What A Cartoon!
Dave Feiss' career in animation went back

to the early 80s when he presented one of
the funniest storyboards in the WAC! pitch
process. Cow & Chicken went on to be the
program's second series, and the only one
that spun off a sequel:
I.M. Weasel.
1995
David Feiss: creator
Offset
Johnny Bravo
What A Cartoon!
Animator Van Partible was barely out of

school when he started Johnny Bravo at
Hanna-Barbera. Working with limited
resources and brand new digital technology,
his short became the third WAC! series, and
has been dogged with rumors of a live action
ever since.
1995
Van Partible: creator
Offset
17" x 22"
The Powerpuff Girsl

What A Cartoon!
At 22 years old, Craig McCraken was already

in the art department at 2 Stupid Dogs and
on his way to art directing
Dexter's Laboratory when he showed the stu-
dio his student film of The Whoopass Girls.
Some depressing focus groups didn't slow
down the progress of a new name, a spiffed
up design, and a
phenomenon.
1995
Craig McCraken: creator
Offset
17" x 22"
Pfish and Chip

What A Cartoon!
1995
Butch Hartman, Eugene Mattos, &
Michael Rann: creators
Offset
17" x 22"
Dino in "Stay Out"

What A Cartoon!
All of the new folks at WAC! were honored

and a little intimidated when both Joe
Barbera and Bill Hanna agreed to contribute
shorts.
1995
Joe Barbera: director
Offset
17" x 22"
Hard Luck Duck

What A Cartoon!
The first of Bill Hanna's two WAC! shorts,

Hard Luck Duck's classic, razor sharp
comedic timing brought down the house at
the first industry screening for young
alterna-hipsters.
1995
Bill Hanna: creator
Offset
17" x 22"
George and Junior

What A Cartoon!
The first animator to sign up for the

What A Cartoon! project was Pat Ventura.
But, instead of contributing an original his
first time up (those would come later) Pat
wanted a shot at updating Tex Avery's George
and Junior, a theatrical team from the Ted
Turner (the Hanna-Barbera owner)
controlled MGM library. Not your
grandfather's Geo & Jr.,
that's for sure.
1995
Pat Ventura: director
Offset
17" x 22"
Yuckie Duck
What A Cartoon!
1995
Pat Ventura: creator
Offset
17" x 22"
The Worm
What A Cartoon!
1995
Eddie Fitzgerald: creator
Offset
17" x 22"

Frederator POSTERS March 2010 DRAFT 3

Transféré par

Informations du document

Copyright

Formats disponibles

Partager ce document

Partager ou intégrer le document

Options de partage

Avez-vous trouvé ce document utile ?

Ce contenu est-il inapproprié ?

Droits d'auteur :

Formats disponibles

Frederator POSTERS March 2010 DRAFT 3

Transféré par

Droits d'auteur :

Formats disponibles

ORIGINAL

ChalkZone, The Fairly Oddparents, Fanboy & Chum Chum,

Adventure Time with Finn & Jake, Cartoon Network, Cow

Frederator Studios and the Fredbot Frederator robot are

The Frederator Fredbot robot designed by Arlen Schumer.

All rights reserved, including the right to reproduce this book

First Frederator Books printing 2010

Kicking off the singular Frederator

When Arlen gave us the gift of a company

Frederator Studios, with assistant Stephanie

Frederator New Year's Posters

The last 30 years haven't been kind to commercial posters, broadcasting

New Year's 2002

Frederator's expantion to a New York

Patrick Raske pulled off this digital take on an

New Year's 2003

"This poster was my personal greeting card

"And as far as the actual design, it was able

New Year's 2004

Animation artist and writer

New Year's 2006

Artist Frank Olinsky and Frederator founder

When Frank wasn't sure he could meet our

And to complete a circle, production and

CFA winner Jessica Borutski & Freddie

New Year's 2007

Channel Frederator, the world's first cartoon

World class animation artist and designer

New Year's 2008

2008 was a big Frederator year, the 10th

Naturally, we turned to our closest

Hatch Show Print & Frederator

The 1996 national board meeting of the American Institute of Graphic

What better way to celebrate our second big

And here's where Frederator introduced the

By the end of the first decade of the 21st

Random's already spawned to monster hits,

The Fairly OddParents

After almost 80 shorts, creator Butch

It had been five long years since we'd last

Nicktoons Film Festival

Fred Seibert created this film-festival-on-

The INTERspectacular team gave the logo

Channel Frederator Awards

Leslie Cabarga started as a world class

Channel Frederator &

Frank Olinsky was commissioned by Next

He referred back to the Fredbot he created

We loved the mess.

Filmmaker and artist Ben Ross has a special

The Fairly OddParents

At Frederator, we love back-in-the-day style

The Fairly OddParents

There were no bigger pop stars in the world

The Fairly OddParents

Ten years on, new episodes of The Fairly

The Fairly OddParents

The Fairly OddParents

A (huge hit) movie in three parts,

Bill Burnett & Larry Huber created our

My Life as a Teenage Robot

Rob Renzetti first created his teenage robot

Partnered with art director Alex Kirwan, Rob

My Life as a Teenage Robot