South Pacific - Full Orchestra

Full Orchestral Score
Richard Rodgers Oscar Hammerstein II
South Pacific
Lincoln Centre Revival Production 2008
South Pacific
Orchestrations By Robert Russell Bennett
Music By Richard Rodgers

Lyrics By Oscar Hammerstein II
No. 1 Overture
PICOLLO
Maestoso
h=60 Cantabile
n [1]
[5]
n
4
&b
Flute
4
ff
>
4
&b
Oboe
C n
ff
>
#4
C #
Clarinet in Bb
&
4
sfz
ff
>
#4
Clarinet in Bb
&
sfz
ff
>
Bassoon
? 4
b4
>
>
>
J
b >
J
>
J n
ff
Horn 1 in F
&
C
sfz
4 #
4
ff
Horn 2 in F
&
4
4
>

>

>

>
J
>
J
>
J
C #
ff
f
Horn 3 in F
&
4
4
>
>
>

>
J
>
b
J
j >
#
ff
f
>

#4
Trumpet 1 in Bb
>

>

>

>

>

J
j>

>
>

j>

&
4
#4
&
4
#4
&
4
Trumpet 2 in Bb
Trumpet 3 in Bb
ff
>

>
>
Trombone 1.
>
#
J
j >

j >
b
b >
J
j >
#
# >
J
>
>
C #
>
C #
ff
>
ff
>

? b4
>
b
J
j >

>

>
J
4
ff
sf
>
? b4
Trombone 2.
4
? b4
Tuba
4
>

>

>
J
b >
J
>
J n
n >
ff
sf
>
>
>
ff
Maestoso
[1]
[5] Cantabile
Muffled Dr.
Timpani F-C
Timp
?
Percussion
4
4
fp
fp
>

>

# n
C n
>
mf
4
&b
4
MMMOMMMM
ff
Harp
Violin A
>
? b4
n
4
&b
2
&
loco
# n
n
n
CJ
4
ff
Violin B
n
4
&b
n
CJ
loco
4
ff
Violin C
n
4
&b
n
CJ
loco
4
ff
Violin D
n
4
&b
loco
n
CJ
C J &
4
ff
Bb4
Viola
4
ff
Violoncello
? b4
>

>

>
>
J
b >
J
n >
J

C n

n ?
f
ff
4
Double Bass
? 4
b4
>
>
C
sf
ff
Lincoln Centre Revival 2008
10
11
12
Fl.
b b b
b nb
n
b # n
n
&
J
14
b b b b
n b n b b
b b
[13]
FLUTE
n n
mf
- - #
& b #
Ob.
b b n b
b b w
n b
mf
b # n b b
n b b
b n
#
Cl. 1.
n b
&
mf
- - #
#
Cl. 2.
& #
# n b b n
b b b b

mf
Bsn.
? b #
&
Hn. 1.
b b b
Hn. 2.
& #
Hn. 3.
& #
#
& #
Tpt 1.
n b
#
&
Tpt 2.
n b b
#
& #
Tpt 3.
Tbn.
? b n
? b #
Tbn.
Tba.
?b
mf
[13]
Perc.
b
nb
b
bn
b b n
b
b n
nn
n
b
~~
?
& b # n
n
b
b # n
&
n
b
~~~
~
~~~
~
Hp.
Vln. A

n
~~
# n
b
&
n >
mf
Vln. B
b b b
# n
n b
&
Vln. C
b b b
# n
n b
&b
n >
mf
n >
mf
# n
&b
Vln. D
b b b
n b
n >
mf
n
B b #
b b b
n b
pizz
n
b
Vla.
n
n
mf
? b # n
Vc.
pizz
b b b
n n
n
b
J J
Pizz
Db.
?b
15
16
17
18
b b b b
n b b b
b b
Fl.
&b
b b n b
b b b b
n b n
Ob.
&b
b b b
b n b b b
b b
b b b b
n b b
b
n b b
b b n b
b n
Cl. 1.
#
&
# n b b n
b b b b
n
Cl. 2.
#
&
# n b b n
b b b b b
Bsn.
? b #
b b b
b n b b b
b b
&
Hn. 1.
&
Hn. 2.
& #
Hn. 3.
#
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
Tbn.
?b
Tbn.
?b
Tba.
Perc.
&b
n
b
n
b
b n n
b n n
Hp.
? b b n
b n
# >
Vln. A
&b
Vln. B
&b
Vln. C
&b
Vln. D
&b
# >
# >
# >
b n
Bb
Vla.
n
b
Vc.
b
?b
Db.
?b
19
&b
Fl.
20
22
n b n b n b
n b n b n b n b
n b n
23
24
[21]
> b
b n b b b
b b n b n # n
&b
Ob.
b b b
# n b b b n b
b
#
&
Cl. 1.
> b
b n b n b
b b b n n
#
&
Cl. 2.
> b
Bsn.
? b b
b
w
Solo
& b
Hn. 1.
mf
Hn. 2.
& #
Hn. 3.
&
#
Tpt 1.
&
Tpt 2.
&
#
w
#
Tpt 3.
&
w
?b
Tbn.
#w
?b
Tbn.
Tba.
?b
w
p
[21]
Still Muffled
4
j
#

J J J J
#
J J J J
Perc.
&b
b n
marcato
Hp.
? b b n
marcato
pizz
n b
&b
Vln. A
j
j j

j j
b j j

j
# j j j

j j

j j j j j j j j

#

j j

j
j j

j
# j j j

j j

j j j j
j j
# j j
j j

marcato
pizz
n b
&b
Vln. B
j j
j b j j j

marcato
pizz
n b
&b
Vln. C
j j
b j j

marcato
pizz
n b
&b
Vln. D
j j
j b j j j

marcato
b
Vla.
B b n
Vc.
?b
j
n
J

J
j

#

J J

J J J J
#
J J J J

J J
j j j j

marcato
n
b b
b
J
J
marcato
Db.
?b
25
26
27
28
29
30
31
32
[33]
&b
Fl.
&b
Ob.
>
n
sfz

>
#
Cl. 1.
&
sfz
>
Cl. 2.
&
sfz
n
Bsn.
?b
>
sfz
# #
&
>
&
>
#
>
#
sfz
>
#
Cresc.
sfz
&
Tpt 1.
Cresc.
Hn. 3.
sfz
Cresc.
Hn. 2.
Hn. 1.
&
sfz
poco a poco cresc.
>
#
#
#
Tpt 2.
& w
sfz
>
#
#
Tpt 3.
&
sfz
w
w
n
Tbn.
>
?b
sfz
poco a poco crec.
n
?b w
Tbn.
bw
n >
sfz
Tba.
?b
>
bw
sfz
ff
[33]
Timp.
Perc.
Muffled Dr.
p Cresc. poco a poco
& b j j j j

? b j j j j

j j j j
& b j j j # j

Hp.
j j j j

j j j

j j j j
b j j j
b

# n
n
&
Arco
n
Vln. A
j j
j
j

j j j

poco a poco cresc
n
Vln. B
j j
j
j

j j j

poco a poco cresc
Arco
n
Vln. C
j j j j
& b j j j # j

j j
j
j

j j j

poco a poco cresc
Arco
n
Vln. D
j j j j
& b j j j # j

j j
j
j

j j j

Arco
j j j j
& b j j j # j

# n
n
poco a poco cresc
Arco
Vla.
j j j
B b

j j j j

J J J
n
J &
poco a poco cresc
Arco
Vc.
? b j j j j

b
J J J J J J J

mf
poco a poco cresc

Arco
n
Db.
?
b J J J J
b j j j
J J J J
poco a poco cresc.
sf
34
35
Fl.
&b
Ob.
& b n
36
#
& #
Cl. 1.
37
38
39
40
b b b
b n b n n
# n
n
J n
#
b
#
b
n b
41
molto rall.
#
&
Cl. 2.
Bsn.
?b
-- #

#
b
&
Hn. 1.
Hn. 2.
& #
b b b
b
Hn. 3.
& #
#
& #
Tpt 1.
n b
#
& #
Tpt 2.

n b b
,
#
&
Tpt 3.
Tbn.
?b
Tbn.
? b n
Tba.
?b
molto rall.
Snare on
4
# n
n
&b
b
nb
Perc.
b
b n
Hp.
2
?
&b
&b
Vln. A
&b
&b
Vln. D
Vla.
&b
&b
b
bn
&
# n
b b b
n b
# n
b b b
n b
# n
b b b
n b
n
#
b b b
n b
n
#
b b b
n n
b b n
b
Vln. C
Vln. B
# n
n
b
# n

Bb
Vc.
Db.
?b
42
44
45
46
47
48
49
50
51
52
53
54
VIVO
2
4
&b
Fl.
> >
> [43]
J J J
> >
J J
n > # >
J J
> > n
> >
b >
J
[55]
b
b bb
> >
bbbb
>>
bb
bb
ff
f
&b
Ob.
2 >
4J
> >
J J
> >
J J
> >
n # J
J
> >
b J n J
> b >
J J
b > b >
J J
> > > >
ff
>
#
Cl. 1.
2 J
4
&
> >
J J
> >
J J
# > >
J J
b > >
> > > >
ff
>
#

&
Cl. 2.
2 J
4
> J>
J
> >
J # J
> >
J J
Bsn.
. . . . . . . . . . . . . . .
2
J
4
?
b
&
Hn. 1.
. # . . . .
. # n . # .
. . . . .
. . . .
. . .
2 . . . . . . # # # .
#

4
Cresc.
. # . . . .
. # n . # J b >
J
ff
. . . . . .
>
# # # # J
>>
>
ff
> >
>
> b >
>
> bb b
b
>>
n
bbb
> >
bbb
> b >
bbb
>>
b
bb
> >
ff
f
2
4
&
Hn. 2.
. . . . . . .
. . . . . .
. . . . . .
# # # #
. . . . . .
>
# # # # b j
ff
Cresc.
f
Hn. 3.
. . . .
. . .
2 . . . . . .

4
&
. . . . . .
# # # #
. . . . . .
>
# # # # b j
Cresc.
ff
f
#
&
Tpt 1.
2 J>
4
> >
J J
> >
j
J
> >
# J # J
>
J
>
n J
> > > >
ff
cresc.
f
>
2 J
4
#
&
Tpt 2.
> >
J J
> >
j j
> >
# j
J
> >
J b J
bb
>>
> >
j j
> >
b b
J J
bb
>>
> > > >

bb b
b
> >
n > # >
J J
cresc.
f
2 >j
4
#
&
Tpt 3.
> >
j
J
> >
j j
#
cresc.
SOLO
2
4
?b
Tbn.
>
J
> >
J J
> >
J J
> >
J J
> >
j j
> >
j j
> >
j j
b > b >
J J
ff
cresc
f
? b
Tbn.
2 >
4J
> >
J J
> >
b J b
J
>>
n
> > bb b
b
ff
cresc
f
Tba.
2 >j
4
?b
> >
j j
> >
b j j
b
>>
n
bbbb
cresc
ff
Perc.
[43]
VIVO
2 j j j
2
j

j j

ff
f
Cresc.
&
2
4
[55]
Big Boom Snare
>j

J
>
ff
bbbb
LMLOLLML
Hp.
& b
2
4
PIZZ
Vln. A
2
4
&b
^^^ ^^^
^^^ ^^^

^ ^^ ^ ^ ^
# # n #
arco
^ ^^ ^ ^ ^
# # n #
bbbb
bbbb
bbbb
bbbb
bbbb
> > > >

bb
bb
> >
> > > >
ff
cresc
f
arco
PIZZ
Vln. B
2
4
&b
^^^ ^^^
^^^ ^^^

^ ^^ ^ ^ ^
# # n #
^ ^^ ^ ^ ^
# # n #
> >
> > > >
ff
cresc
f
arco
PIZZ
Vln. C
2
4
&b
^^^ ^^^
^^^ ^^^

^ ^^ ^ ^ ^
# # n #
^ ^^ ^ ^ ^
# # n #
> >
> > > >
ff
cresc
f
arco
PIZZ
Vln. D
2
4
&b
^^^ ^^^
^^^ ^^^

^ ^^ ^ ^ ^
# # n #
^ ^^ ^ ^ ^
# # n #
ff
cresc
f
> >
> > > >
PIZZ
arco
2
4
Bb
Vla.
^^^ ^^^
^^^ ^^^

f
^ ^^ ^ ^ ^
# # n #
^ ^^ ^ ^ ^
>
# # n # b
J
ff
cresc
PIZZ
arco
Vc.
?b
^ ^
^ ^
^ ^ ^^ ^ ^ ^ ^ ^ ^ ^^
2 ^ ^ ^ ^ ^ ^ ^ ^ # # n # # # ^ n^ #^ b ^ b >
J
4 f
cresc
> > bb b
b
ff
PIZZ
Db.
?
b
2
4
#
# n #
#
# n # b
>
b
J
cresc.
f
ff
bbbb
56
57
58
59
60
61
62
63
>
Fl.
> > >

bb b >
& b
Ob.
> > >>

bbb
b
&

>
>
Cl. 1.
# > > > >

b

&b
Cl. 2.
b n > > # > n >

b
&
Bsn.
? bb b > > n > b > n >

b
>
b > > > >

& b b #
Hn. 2.
> >>
b >
& b b n # n b
67
68
n n b
69
70
> > > > > >
bb
j >> >>> >

bb
> > > > > >
b n b n b
#
nn
b b
# n
> > > > > >

J
nn
> > > > > >
bb
> > > > >>

n b # n
>
b n
J
> > > > >>

n b n b #
66
> > > > >>

b b
65
>
Hn. 1.
64
n b
sf
>
n b j
sf
b > > >>

& b b n # n
Hn. 3.

> > > > >>

n b b

>
j

sf
b
n
,
b
&b
Tpt 1.
> > > >
> > >>

b
b
& #
Tpt 2.
.j
.j
> > > > >>

> > > > >>

n b #
nn
j >

. .

nn
. .
n
nn
n >
J
. .
n b
bb
>
j
. .

bb
. .
b
bb
b b
sf
,
b > > >>
& b n # n
Tpt 3.
.j
> > > > >>

# n n b #
n b > b > > > n
>
j

sf
Tbn.
> >>
? bb b n > n b
b
Tbn.
? bb b > b > n > > 

b
Tba.
? bb b > b > n > >

b

j j

J J
?
Perc.

b
& b bb
>

> > > > >>

b b
> > > > >>

j >
b

b
b

4
j j

J J
4
j j
J J
B. Dr.
>
>
>
> >
bb
bb
Hp.
b
& b bb
Vln. A
bbbb
>

>

>
>
>
>

>
^
> >
>

&
&
bbbb
Vln. C
&
bbbb
Vln. B
>
>

>
>

>
^
>
>
^
>
>
&
>
^
> >
Vla.
B bbbb
>
>
>
>
Vc.
? bb b
b
Db.
? b
b bb
Vln. D
>

>
bb
> > > > > >
bb
> > > > > >
bb
> > > > > >
bb
> > > > > >
bb
>
J n
. .
n
bb
J b >
b . .
> > > > > > n

b b
>
> > > > > >
^
>
>
bbbb
b b
Pizz
> > > > >>
b b
bb
Fl.
[71]
>
bb
&
72
73
74
75
76
77
78
79
80
81
82
83
ff
&b
Ob.
Cl. 1.
b >
>
ff
# n b #
>
R
&
ff
<n> >
Cl. 2.
&
<n>
J
b # n # n
n >
R
ff
<n> >
>
Bsn.
>
>>
? bb
j j

j j
>r

ff
&b
Hn. 1.
>

# n b #
>

R
ff
&b
Hn. 2.
>

b b n b
>r
n
ff
4
&b
Hn. 3.
>
^. ^.
>
r
ff
> >
>>
j j j
Tpt 1.
&
^. ^.
b
R
ff
>>
> >
j j j
Tpt 2.
&
^. ^.
b
# <n>
<n>

R
ff
Tpt 3.
>>
> >
<n> j j j

&
^. ^.
n

R
>
R
f
ff
> > > >

J J
J
? bb
Tbn.
>. >.
n b
ff
 > >

? bb
Tbn.
> >

J J J
n
J
>. >.
>r

ff
Tba.
? bb .j
.
.
j j
>. >.

>
r
ff
[71]
?
j j j j j
J J J J J
Perc.
>
bb
>
>>

>
>
&
>
j
j j .r

JJ J J R
>.
ff
>.
R
ff
Hp.
bb
&
Vln. A
>

>
>
>
bb
&
>
bb
Vln. B
&
>
>
>

?

>

>
>
J
>

>
>
>.

ff
ff
>
>
bb
Vln. C
>

>
>
>

>
>
&
ff
>
>
bb
Vln. D
&
ff
n >
>
B bb
>
Vla.

>
>

J
>.

R
ff
#
Vc.
? bb j >
<n>
>
>
>. >.
>.

R
ff
Db.
.
? bb j
.j
.
J
>. >.

>.
r

ff
84
Fl.
b
&b
86
[85] Andante
4 # J
87
88
89
n b b
J
J
# n
J
J
n b b
J
J
# n
J
J
# # # J #
. j

. j
j
j
n # j
j
j j j
j
j
# # # J #
. j
b
.
j j
j j

j j
j b j

j
j
nw
Appass
n # # n
J
LOCO
n b
4
mf
b
&b
Ob.
Cl. 1.
&
4
4
4
4
n # # n
J
#
J
mf
j
#
mf
Cl. 2.
4
4
^
w
&
j
#
mf
Bsn.
? bb
4
4
fp
- -3 - - - #
#
&b
Hn. 1.
4
4
3
# n #
n
n
b
3
3
mf
&b
Hn. 2.
fpp
- -3 - - - b n
4
4
# b
# #
3
mf
&b
Hn. 3.
fpp
- -3 - - -3
n #
4
4
n
n # 3
mf
Tpt 1.
&
4^
4w
fpp
#w
fp
Tpt 2.
&
4^
4w
#w
fp
Tpt 3.
&
4^
4w
b
#w
fp
? bb
Tbn.
4 w^
4
n w^
fp
? bb
Tbn.
4 w^
4
^
nw
fp
Tba.
? bb
4^
4w
-- b
-- -
nw
fp
fp
[85] Andante
Timp
4 j
Perc.
b
&b
? bb
4
4
4
4
b
n
n b
J
J
# n
J
J
n b
J
J
# n
J
J
apass
n b
J
J
# n
J
J
Hp.
apass
4
4
Vln. A
b
&b
^j

4 ^j
4
Vln. B
b
&b
Vln. C
b
&b
4
4
^j

Vln. D
b
&b
4 ^j
4
B bb
4 j
4
apass
apass
n b
J
J
# n
J
J
n
J b J
# b n
J
J
# b n
J
J
Vla.
? bb
Vc.
4
4
^j

Appass.
n b
J
J
f
arco
Appass.
^
Db.
? bb
4 j
4
fp
90
Poco rall.
b b
&b
Fl.
92
93
94
[91] Gay Waltz
[95]
b
3 J J J
J ## J
J
96
97
98
99

J J J J

J J
4
f
b
& b b
Ob.
Cl. 1.
&

3 j j b # ##
J
J
J
4 f
f
j
J J J
j
J
3 J J J #### J
4 J

J J J J

J J

J J J J

J J
mf
Cl. 2.
&

3 j J b #### J
J
J
4
mf
Bsn.
? b
b
3
4 mf
3
4 mf
3
4 mf
3
4
&b
&b
Hn. 2.
&b
Hn. 3.
Hn. 1.
##
###
###
###
mf
Tpt 1.
. 3 .j - .j - j b . . - . - b # ####
J
J
J
J
J J
4 mf
f
. - . 3 .j - .j - .j - .j - j j # #### j j
J
4
f
&
Tpt 2.
&
j j

j j

j j

J J
mf
4
j ##
3 .j - .j - .j - .j - .j - .j # # j j
4
f
Tpt 3.
&
mf
? bb
Tbn.
b
3 J b J J J # J ## J J
4 J J
f
mf
? bb
Tbn.
> > >
3
4
>
##
mf
2
Tba.
? bb
3
4 
##
mf
[91] Gay Waltz

3
4
Poco rall.
Perc.
mf
[95]

Cresc.
f
b j
& b
3
4
? bb
J
3
4
b
bb
Vln. A
&
Vln. B
b
& b b
Hp.
mf
j

##
##
b #
3 J J J b J J J
J ## J
4 mf
f

J J J J

J J
3 j j J J b ##
J
J
J
J
4 mf
j
J J J
j
J
b #
3 J J J b J J J
J ## J
4 mf
f

J J J J

J J
3 j j J J b ##
J
J
J
J
4 mf
f
j
J J J
j
J
b
bb
Vln. C
&
Vln. D
b
& b b
B bb
Vla.
Divisi j
b
j
3 J J b J J J
J ##
J J
4 mfJ
f
j
J
j
J
Vc.
? bb
3 
4
##
f
mf
Pizz
Db.
? b
b
4
mf
cresc.
##
100
101
102
103
104
##
Fl.
&

J
J
#
& #
j
j
Ob.
Cl. 1.

J
J
##
& ##J
##
& # # J
j
J
Cl. 2.
105
106
107
110
109
[111]
108
? ##
Bsn.
Hn. 1.
##
& #
##
& #
Hn. 2.
##
& #
Hn. 3.
##
& ##
Tpt 1.
##
& ##
Tpt 2.
Tpt 3.
##
& ##
? ##
J J J J
J J
J J

J J J
j j

j j j j j j j
J
j j j

j j

j j j j j j j j

J J J J J J J J
j j

J J
Tbn.
f

? ##
Tbn.
> >

>
> >

>
2
? ##
Tba.
#
& #
? ##
##
Vln. A
&

J
J
Vln. B
#
& #
j
j
Perc.
[111]
Hp.
##
Vln. C
&

J
J
Vln. D
#
& #
j
j
B ##
Vla.
j
J
j
J
j j
J J
j j
J J
? ##
Vc.
? ##
Db.
112
113
115
116
117

J J J
J J
J
J
J
J j j
J
J

J J J
J J

J J J
J J
Fl.
#
& #
Ob.
#
& #
Cl. 1.
#### J
&
##
& ##J
Cl. 2.
114
118
119
120
j
j
j

J
J
J
j
J
J
121
122
123
? ##
Bsn.
Hn. 1.
##
& #
##
& #
Hn. 2.
##
& #
Hn. 3.
##
& # # J J
j j

##
j j
& ##
j j

Tpt 2.
##
& ##
j j

Tpt 3.
? ##

J J
Tpt 1.
J J J J
J J
J J
j j

j j j j j j j
J
j j

j j j j j j j j

Tbn.
J J J J J J J J

? ##
Tbn.
2
? ##
Tba.
#
& #
? ##
##

J J J
J J
Vln. A
&
J
J
J
Vln. B
#
& #
J j j
J
J
j
j
j
##

J J J
J J
Vln. C
&
J
J
J
Vln. D
#
& #
J j j
J
J
j
j
j
Perc.
Hp.
B ##
Vla.
j
J
j
J
j
J
j
J
j j
J J
? ##
Vc.
2
? ##
Db.
124
125
126
128
129
#
& #
Fl.
Ob.
#
& #
##
n
& ##
Cl. 1.
##
n
& ##
Cl. 2.
##
& #
##
& #
##
& #
? ##
Bsn.
130
131
132
133
n
n
[127]
134
135
n n
n
n
n n
n
n
Hn. 1.
Hn. 2.
Hn. 3.
####
Tpt 1.
. . .

. j . .
n
. . .
n
.
n
solo
. .

. .

&
##
& ##
Tpt 2.
##
& ##
Tpt 3.
. .
.
n n
. .

. .

n . .
? ##
. .

. .
. . .

. .

. .
. .

. .

. .

. .

. .

n .
. . .
. .

. .
. .
. .
. .

Tbn.
? ##
. .

. .
. . .

. . .
n
. .
. .
Tbn.
? ##
Tba.
[127]

nn
Perc.
##
n
n
&
Hp.
? ##
##
n n

n n

n n
n n
n n
Vln. A
&
Vln. B
#
& #
n n
##
n n
n n
n n

&
Vln. D
#
& #
n n
n n
B ##
. .

? ##
? ##
Vla.
. .
n n

Vln. C
. . .
j
n . .
. .
. .
Vc.
Db.
136
137
138
139
140
141
142
144

J J

J J

J J

J J
j
J
j
J

J J

J J

J J

J J

J J

J J
#
& #
Ob.
##
& ##
n
J
Cl. 1.
##
& ##
Cl. 2.
? ##
Bsn.
147
#
& #
146
[143]
Fl.
# #
145
Hn. 1.
##
& #
###
Hn. 2.
&
##
& #
Hn. 3.
. j. .

. . .

. . .

Tpt 1.
. . .

. . .

. . .

Tpt 2.
#### . . .

&
Tpt 3.
## . . .
& ##
. . .
#
. . .

> > >

j j n j
n
j >j > >j

n
## .
& ##
> > >

j n j
J

J J
j
n
j j
. . . . . .
#
j j
. . .
j j

j j

j j

. .
? ##
Tbn.
SOLI
? ##
<#> . .
> n > J>

J
Tbn.
ff
2
? ##
Tba.
Perc.
## <#>
<#>
&
? ## <#>
# # n j
#
[143]

Hp.
##
Vln. A
&
Vln. B
#
& #
##
Vln. C
&
Vln. D
#
& #
B ##
? ## <#>

J J

J J

J J

J J
j
J
j
J

J J

J J

J J

J J
j
J
j
J
j j
J J
Vla.
Vc.
n -J
J
j
J
j
J
? ##
Db.
148
Fl.
#
& #
149
J
J
J
150
151
152
153
154
155
156
157
158
159
160
161
162
. 163
> > b . b >
p cresc
#
& #
Ob.
j
j
j
ff
ff

Cl. 1.
ff
> > . . >

b b
p cresc
##
& ##J
J
J
ff
> > b . >
ff
ff
p cresc
##
j
& # # J J
Cl. 2.
> > . # >

n
ff
ff
p cresc
? ##
Bsn.
^ ^ b ^ > >
b
p cresc
Hn. 1.
##
& #
> > . .
# n
p cresc.
f
4
##
& #
Hn. 2.
> >
. .
n b
p cresc.
##
& #
Hn. 3.
. .
> >
f
p
p cresc.
##
& ##
Tpt 1.
^ >
p cresc
f
##
& ##
Tpt 2.
j j

<#>
^
>
b
f
p cresc
4
##
& ##
Tpt 3.
j j

^ >

f
p cresc
>

? ##
>
>
>
>
>
# >
> >
>

Tbn.
p cresc
? ##
Tbn.
> > >

>

f
p cresc
2
? ##
Tba.
pp cresc
8
Perc.
> > >

>

f
> >
>

p Cresc.
f
##
#
#
&
Hp.
? ##
##
Vln. A
&
J
J
J
>
>
>

p cresc
##
Vln. B
&
j
j
j
n n

# > >
>
p cresc
##
Vln. C
&
J
J
J
>
>
>

p cresc
#
& #
Vln. D
j
j
j
n n

# > >
>
p cresc
B ##
Vla.
j
J
j
J
^ >
>
p cresc
n
? ##
Vc.
p cresc.
arco
? ##
Db.

p cresc.
> >
>

f
164
#
& #
166
.
.
.
b . b . b . b .
>
Fl.
165
167
. b . b .
168
. >
. b
[169]
> Moderato
bbbb 4

170
w^
171
172
173
4
3
cresc.
ff
##
Ob.
.
.
> b . b . . b . b .
. b . b .
. . >
b
fp
p
To Eng. Hn.
>
w^
bbbb 4
&
4
p
Cl. 1.
cresc.
ff
.
>
#### b
&
. . # . b . . . # . b . .
fp
n ^
w^
. . >
bb
4
4
ff
#### >
Cl. 2.
cresc.
. . . .
n #
. n . # .
. . .
n
. . b >
fp
4<n>^
4
bb
&
# w^
cresc.
3
ff
Bsn.
.
.
.
.
? ## ^ b b . . b b .
. b . .
b
. . b >
.
##
& # n
. n . . . # . n . .
^
w
. . >
#
bbb
> > > > j

4 - n- - -

4
> > > > j

4 - n- - -

4
ff
. .
. . .
##
& # n b n b
. . .
n b
. . >
b
bbb
. .
. . .
##
n
& # n
b
b
. . .
n b
. . >
n
ff
cresc.
Hn. 3.
4 ^
4
ff
cresc.
Hn. 2.
bbbb
fp
p cresc
Hn. 1.
fp
> > > > j

4 - n- - -

4
bbb
ff
cresc.
To Cup mute
^
# # >
& ##
Tpt 1.
. . . . .
n n
. n . n .
. . ^
n
bb
4
4
^
w
ff
fp
p cresc
To Cup mute
## >
& ##
Tpt 2.
. . . . . . . .
b n n b n
. . ^
n
^
bb
4
4
^
w
fp
p cresc
ff
To Cup mute
## >
& ##
Tpt 3.
. .
. . .

. . .

. . ^
ff
bb
4
4
^
#w
p cresc
fp
>
? ##
. . b . . .

. b . .
. >
. b
Tbn.
w>
>
4
bbbb
solo
4
3
p cresc
? ##
>

Tbn.
ff
. . b . . .
b

. b . .
b
. . b >
p cresc
? ##
Tba.
>

fp
bbbb
4 >
4
n w>
ff
. . . . .

b b
. . .
b
b
. . >
b
fp
bbbb
4 ^
4
>
w
p cresc
ff
>

?
Perc.
fp
[169] Moderato
4
4
#
& #
bbbb 4
^
w
ww
mf
Hp.
LMMOMMML
mf
? ##
##
4
bbbb
.
.
. b . b .

. b . b .
.
.
&
p cresc
##
Vln. B
4
>
Vln. A
>
. . b . . .
.
. b .
. .
&
- ---- bbbb 4
4 n
f
- ---- bbbb 4
4 n
> > >

^
ww
>
j
> > >

>
j
p cresc
.
.
. b . b .
>
. b . b .
.
.
##

Vln. C
&
p cresc
##
Vln. D
>
. . b . . .
.
. b .
. .
&
- ---- bbbb 4
4 n
f
- ---- bbbb 4
4 n
> > >

>
j
> > >

>
j
>
J
>
w
w
p cresc
f
B ##
>

. .

. b . # .
.
. b .
. .
Vla.
- ---- bbbb 4 n
> > >
4
p cresc
f
? ## ^
. . b . . .
b

. b . .
b
. . b >
Vc.
4 >
bbbb j
4
>
w
p cresc
? ##
Db.
>

. . b . . .
b

ff
. b . .
b
. . b >.
cresc.
ff
fp
bbbb
4 >
4
w^
w
fp
174
Fl.
175
176
177
178
179
180
n # n
bbbb
&
bbb
English Horn
b
& b bb
Ob.

n # n
p
- - - - #- - - - - - - -
b
&b
Cl. 1.
- - - - - - - - n- - - -

b
&b
Cl. 2.
#
Bsn.
? bb b
b
Hn. 1.
b
&b b
b
&b b
Hn. 2.
>
b
>
n
>
n
>

b
>
n
>
b
&b b
Hn. 3.
b
Tpt 1.
&b
Tpt 2.
&b
Tpt 3.
&b
To Cup mute
? bb b
b
Tbn.
b
? bb b
b
Tbn.
Tba.
? bb b
b
Perc.
b
& b bb
nn
n
n
Hp.
b
& b bb
Vln. A
? bb b
b
b b
b
& b bb
b
& b bb
b
& b bb
Vln. D
Vln. C
Vln. B
Divisi
Vla.
Vc.
B bbbb
? bb b
b
? bb b
b
Db.
182
Fl.
[181]
bb b J
& b
b
&b b J
Eng. Hn.
bb
Cl. 1.
&
Cl. 2.
b
&b
? bb b j
b
Hn. 1.
b
&b b
Hn. 2.
b
& b b b J
Hn. 3.
b
&b b
Bsn.
183
184
186
j
n
n
J
#

J
j
#
j
#
j
b
185
soli Cup
bb
Tpt 1.
&
mf
soli Cup
,
bb
Tpt 2.
&
mf
soli Cup
,
bb
Tpt 3.
&
mf
solo
, n
? bb b
b
Tbn.
mf
Tbn.
Tba.
? bb b
b
? bb b
b
[181]
?
Perc.
bbbb
&
mf
Hp.
? bb b
b
b
& b bb
pizz
Vln. A
p
pizz
Vln. B
b
& b bb
p
pizz
Vln. C
b
& b bb
p
pizz
Vln. D
b
& b bb
p
(Unis.) pizz
Vla.
B bbbb
B bbbb
Vc.
pizz
Db.
? b
b bb
187
Fl.
188
b
& b bb
189
j
w
190
191
192
b
&b b
Eng. Hn.
b
&b
Cl. 1.
j
w
b
&b
Cl. 2.
j
w
Bsn.
? bb b
b
b
&b b
Hn. 1.
b
&b b
Hn. 2.
b
&b b
Hn. 3.
Tpt 1.
b
&b
,
b
&b
Tpt 2.
,
3
&b
Tpt 3.
#
w
? bb b
b
Tbn.
w
3
Tbn.
Tba.
? bb b
b
? bb b
b
?
Perc.
b
& b bb
Hp.
? bb b
b
b
& b bb
b b

Arco
Vln. A

espressivo
Arco
b
& b bb
Vln. B
n
espressivo
Arco
b
& b bb
Vln. C

espressivo
Arco
b
& b bb
Vln. D
n
espressivo
Arco
B bbbb
Vla.
B bbbb
Vc.
3
Arco
Db.
? bb b
b
193
194
195
196
Fl.
b
& b bb
.
.
.
.
198
199
200
201
202
[197]
n n # n # >
ff
molto cresc.
b
&b b
Eng. Hn.
>
n n # n #
nnnn
ff
molto cresc.
b
&b
Cl. 1.
. . . . . . .

>
##
w
ff
. . . . . . .

b
&b
Cl. 2.
>
##
ff
Bsn.
? b
b bb
>

nnnn
ff
Hn. 1.
b
&b b
>

ff
molto cresc.
b
&b b
Hn. 2.
>

w
ff
molto cresc.
b
&b b
Hn. 3.
>

n
w
ff
molto cresc.
- . . - -
b
&b
Tpt 1.
##
mp
##
b
&b
Tpt 2.

mp
##
b
&b
Tpt 3.
mp
? bb b
b
Tbn.
nnnn
mp
? bb b
b
Tbn.
>

nnnn
ff
molto cresc.
>
Tba.
? bb b
b
nnnn

ff
molto cresc.
[197]
Bells
Perc.
&
b
& b bb

b b b b b b b
p
SOLO
nn
nnnn
nnnn
Hp.
? bb b
b
b
& b bb
Vln. A
n n # n # >
nnnn
w
ff
molto cresc
b
& b bb
Vln. B
>
n #
nnnn
w
molto cresc
ff
n n # n # >
b
& b bb
Vln. C
nnnn
w
ff
molto cresc
b
& b bb
Vln. D
>
n #
nnnn
w
molto cresc
ff
Divisi
B bbbb
Vla.
>

n n b
>
molto cresc
nnnn
ff
B bbbb
Vc.
>
molto cresc
w
Db.
? bb b
b

molto cresc
nnnn
ff
>

ff
nnnn
204
Fl.
[203] Broad
#
&
205
206
207
&
Eng. Hn.
## <#>
Cl. 1.
&
Cl. 2.
#
& # <n>
?
Bsn.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
f
Open
##
Tpt 1.
&
f
Open
#
& #
Tpt 2.
f
Open
##
Tpt 3.
&
Open
Tbn.
f
Tbn.
f
Tba.
[203] Broad
Timp
?
Perc.
f
&
Hp.
espressivo
Vln. A
&
f
divisi
ww
ww
Vln. B
&
espr.
f
#
espressivo
Vln. C
&
f
divisi
ww
ww
Vln. D
&
espr.
f
Vla.
&
espr.
f
Vc.
f
Db.
208
Fl.
209
# w>
210
211
212
&
Eng. Hn.
&
# w^
& #
Cl. 1.
# ^
& # w
Cl. 2.
Bsn.
Hn. 1.
# >
& #w
j
w
# >
& #w
Hn. 2.
w
# >
& #w
Hn. 3.
#
& #
Tpt 1.
#
& # #
Tpt 2.
#
& #
Tpt 3.
Tbn.
3
?
J
Tbn.
?
Tba.
?
Perc.
&
Hp.
Vln. A
#
J
&
3
3
Vln. B
&
#
Vln. C
&
3
3
Vln. D
&
Vla.
&
Vc.
3
Db.
213
214
215
Rall.
Fl.
[217]
U
216
Very Broad
218
>

>

>

>
&
3
ff
Rall.
# w
Eng. Hn.
&
3
ff
#
& #
Cl. 1.

ff
##
Cl. 2.
&
ff
n
?
Bsn.
> > >

ff
Hn. 1.
#
&
ff
U
#
Hn. 2.
&
ff
Hn. 3.
&
n
ff
>
#
& #w
Tpt 1.
#
& #w
&
sf
>
> > >

ff
sf
>
> > >
##
Tpt 3.
ff
> > >

#
3
3
Tpt 2.
ff
sf
> > >

#
Tbn.
3
ff
n
?
Tbn.
fp
> >

fp
Tba.
> >

ff
Very Broad
[217]
Timp
> > >

Cymb.
Perc.
ff
U
~~~
~
Hp.
n b
Vln. A
www
~~~
~
&
ff
~~~
~
BIG GLISS
&
w>
&
ff
b
w
Vln. B
&
ww
ff
Vln. C
w>
&
3
ff
b
w
Vln. D
&
ww>
ff
w>
Vla.
3
ff
Vc.
> > >

#

ff
Db.
> > >

ff
219
220

>
221
222
n b
b n b
#
223
Uw
>
J
Fl.
Segue
&
sf
fff
> > >

#
>
&
Eng. Hn.
> >

>
> >

Cl. 1.
- - - n b
b
n b
- - - n b
b
n b
ff
To Ob.
>
J
sf
fff
#
>
& #
pp
U
w
pp
Uw
ff
>
J
sf
pp

>
#
& #
Cl. 2.
U
w
ff
>

J
sf
pp
ff
Uw
> > > > >

fff
> >
# #
&

>
> > >

b
> >

>
> > >

b
> >

> > >

n
> > >

b
> >

> > >

n
> >

Bsn.
Hn. 1.
sf
pp
#
& #
U
w
fff
ff
>
J
sf
fff
Hn. 2.
pp
U
w
ff
>

J
sf
pp
ff
> > >

#
#
& #
Hn. 3.
U
w
>
j
fff
sf
> > > > > >

#
& # #
Tpt 1.
> >
>
> >
pp
Uw
ff
to harmon
>
J
pp
fz
ff
fff
> > > > > >

#
& # n
Tpt 2.
> > >

b
> >
#Uw
> to harmon
J
pp
fz
ff
fff
> > > > > >

#
#
& #
fff
> > >
? # > > >
Tpt 3.
> > >

b
> >

to harmon
>

J
U
w
pp
fz
ff
>
> >
> > >

b
> >

> >
Uw
Cup mute
>
J
Tbn.
fz
pp
ff
fff
?
Tbn.
> > > > > >

>j

U
w
fz
fff
Tba.
ff
pp
> > > > > >

fff
> > >

b
> >

>
j
w
fz
ff
pp
?
Perc.
> > > > >

w
fz

loco
# n b b
# b b
j

pp
Segue
^j

Uww
ww
&
sff
Hp.
&
Vln. A
&
Uw
ww
^

J
>

U>
fff
fz
Vln. B
&

b
# # n b b n

b
fff
fz
Vln. C
&

b
# # n b b n

b
fff
Vln. D
&
# n b
# b n b
fff
ff
>

J
pp
ff
>

U>
w
fz
pp
U>
pp
ff
>

U>
w
fz
pp
B
Vla.
> > >

b #
fff
> > n >

b
> >

U>
w
w
ff
>

J
pp
sf
ff
?
Vc.
> > > > > >

#
> > >

b
> >

>
j

w
w
fff
sf
?
Db.
> > > > > >

> > >

b
> >

pp
ff
>j

U
w
sf
fff
pp
ff
N0. 2

Lyrics by Oscar Hammerstein II
Opening
Orchestrations by Robert Russell Bennett
(Dites Mois)
(Ngana, Jerome)
[9] l'antique
J
J
Soli Semplice
& c
Flute
10
fp
J
J
Soli
&
Oboe
& #c
Clarinet in Bb
j
J
j j

r
w

p
mf
## c
&
Clarinet in Bb
fp
mf
.j
. .
.

c
Bassoon
mf
&
Horn 1. in F
#
Horn 2. in F
&
Horn 3. in F
&
#
HARMON MUTE
## c
Trumpet 1 in Bb
&
. .
. .
b
p
HARMON MUTE
## c
&
Trumpet 2 in Bb
. .
. .

p
HARMON MUTE
## c
&
Trumpet 3 in Bb
.
.

.
.
b
Trombone 1.
p
Trombone 2.
?
Tuba
[9] l'antique
Semplice
Timp
.
Percussion
. .

pp
&
Voice
& c
ww
.
j
ww
. .
b
b
Harp
.

J
~~~~~j
w
& c
Violin A
w
. . . .
. . .
j J J
p
fp
sf
divisi
~~~~~j
&
Violin B
sf
& c
Violin C
w
PIZZ
fp
~~~~~j
w
b
sf
w
PIZZ
fp
divisi
~~~~~j
&
Violin D
sf
w
b
w
PIZZ
fp
Viola
Pizz.
b
J
n
p
Pizz.
c
Violoncello
j
b

p
pizz
c
Double Bass
dimin.
11
Fl.
&
Ob.
&
12
13
14
15
16
17
18
19
20
J
J
J
J
J
J
J
J
b J b
j j

j
J
j j

j
J
b J b
#
& #
Cl. 1.
#
& #
Cl. 2.
?
Bsn.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
#
#
?
Tbn.
?
Tbn.
?
Tba.
High Bells
?
&
Perc.
b b
J
etc.
. .
b
b
. .

. .
b

&
Voice
. .
. .
#
n
#
n
. .
n
n
&
. .
b
b
. .
n
n
. .

Hp.
Vln. A
&
Vln. B
&
.j

Vln. C
&
Vln. D
&
B
Vla.
. . . .
. . . .
j J J J
. .
# J
J

n #
n #
. . . .
. . . .
j J J b
J
. . .. . . . .
j J
. . . . . . .
j

Vc.
Db.
21
22
23
24
26
28
29
30
31
Safety (if needed)
Fl.
&
Ob.
&
J J
J
J
J
j
n J J
j
J J
.j

j
J
## .j
& #
Cl. 1.
[25]
n J J
J
[27]

SOLI
mp
SOLI
# .
& # j
Cl. 2.
.
j
j j
Bsn.
mp
? # .
.

J
J
J
.
. .
.

mp
. .
. .
b
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
#
#
##
&
Tpt 1.
mp 2nd x
#
& #
Tpt 2.
. .
. .

mp 2nd x
##
. .
. .

&
Tpt 3.
mp 2nd x
. .
. .
b
Tbn.
mp
[27]

?
Tbn.
?
Tba.
&
Perc.
[25]
Ngana &
&
Voice
Jerome:

Di - tes - moi
&
j
j
b
p
pour qoui
SOLO

La vie est
bel
le,
Di - tes - moi
Hp.
{
Vln. A
? #
J
.j . .
o

&
Vln. B

& # j
Vln. C
j
& #
Vln. D

& # j
Vla.
J
J
. . . . . . . . .
.
.
.
. . . . . . . .
.
J j

b
j
j j j

. . . . . mp
ARCO
.
. . . . .
. 1 st X only
.
j

j
b
j
j j j

mp
j
j

J J

J
&
p
ARCO
n b

p

PIZZ
n #
p
ARCO
PIZZ
n #
n b

p

b
n

ARCO
n
PIZZ
mp
? #
J
Vc.

J
J
mp
pizz
Db.

mp
32
33
34
35
36
37
38
Poco rit.
39
40
41
42
a tempo
&
Fl.
pp
To Eng. Hn.
&
Ob.
##
&
Cl. 1.
. .
. .
b b # n w
pp
. .
. .
#
& #
Cl. 2.
Bsn.
. .
.

p
.
b . .
b
nw
. # n w
.
#
. .

.
.

.
.

. .
.

.

.

.

#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
?
Tbn.
?
Tbn.
?
Tba.
Poco rit.
Perc.
&
Voice
&
pour quoi
la vie est
gaie?
Di - tes - moi
a tempo
j
b J b
pour quoi
Chere ma - d'moi - sel
b b
J
le,
Est - ce - que
par - ce - que
vous
m'ai
mez?
&
Hp.
&
b b
J
j
b J b
pizz
&
Vln. A
j
w
ARCO
pizz
&
Vln. B
b n #
b b
ww
b ww
pizz
&
Vln. C
j
w
j
b J b
ARCO
pizz
&
Vln. D
b n #
ARCO Divisi
Vla.
b b
. . .
b b
ww
b ww
Divisi
Unis.
pizz
w
w
ARCO
pizz
?
Vc.
w
w
Db.
DIALOGUE
cue:
NelliE: "Oh, that was taken before I knew what rain and heat and mud
could do to your complexion. But it isn't rainy today.
Gosh, it's beautiful here.
No. 3
Music Under Scene

Orchestrations by Robert Russell Bennett
Allegretto
&
Flute
pp
#
& #C
&
Oboe
Clarinet in Bb
#w
pp
#
& #C
Clarinet in Bb
pp
Trumpet 1 in Bb
#
& #C
#
& #C
Trumpet 2 in Bb
#
& #C
Trumpet 3 in Bb
Bassoon
Horn 1. in F
&
Horn 2. in F
&
Horn 3. in F
&
#
#
?
Trombone 1.
?
Trombone 2.
?
Tuba
Timpani
Allegretto
?
Percussion
&
Harp
?
arco
sordini
3
Violin A
.
& C
pp
sordini
w
soli
arco
&
Violin B
pp
sordini
.
.
arco
C
&
Violin C
pp
sordini
& C
Violin D
w
soli
arco
pp
arco
w
.
Viola
pp
arco
Violoncello
pp
C
Double Bass
DIALOGUE
cue to continue:
Nellie: "They all do over at the fleet hospital."
6
10
11
SEGUE AS 1
Fl.
&
Ob.
&
#
& #
Cl. 1.
#
& #
Cl. 2.
?
Bsn.
#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
Tbn.
Tbn.
Tba.
Timp.
SEGUE AS 1
?
Perc.
&
Hp.
&
Vln. A
.
b
. .
b
U
w
ww
U
ww
U
w
divisi
&
Vln. B
w
&
Vln. C
.
b
w
-
w
.
b ww
.
. .
b
divisi
&
Vln. D
w
B
#w
b ww
ww
Vla.
U
ww
U
w
U
w
Vc.
Db.

No. 4
A Cockeyed Optimist
10
11
12
13
[9]
CON ANIMA
4
&b C
Flute
UU

UU

UU

pp
English Horn
&b C n
English Horn
. .
#C
. .
. .
. .
&
Clarinet in Bb
p
pp
#C
UU

&
Clarinet in Bb
#w
w
p
pp
?
Bassoon
w
bC
bw
UU

pp
#w
#C
#C
#C
?bC
bC
?bC
Horn 1. in F
&
Horn 2. in F
&
Horn 3. in F
&
Trumpet 1 in Bb
&
Trumpet 2 in Bb
&
Trumpet 3 in Bb
&
Trombone 1.
?
Trombone 2.
Tuba
[9]
CON ANIMA
Percussion
Nellie:
&b
Voice
U U

When the
sky
is

bright ca - na - ry
yel - low
for - get
ev - 'ry
&b C
Harp
bC
divisi
&b C
Violin A
" UU

pp
divisi
& b C
Violin B
pp
divisi

&b C
Violin C
"U
" U
w
w

w
"U

"U
pp
divisi
& b C
Violin D
pp
divisi
B b C
Viola
n
Unis.
# n
.

p .
.
p
.

p .
.
p
.

.

.
.
.

.
.
.

.
.
b
.

.
.
.

.
.
.

.
.
.

.
.
n
.

.
.
.
.
.

.
.
.
.
.
.
.
.
.
.

.
.
.
.
.
.
.
. .
.
.

b
.
.
.
.

.
.
b
.
.
.
.

.
.

mp
pp
arco
?bC
Violoncello
"U U
n
arco
Double Bass
pp
#w
pp
?bC
w
w
pizz
" U U
14
15
16
17
18
19
20
21
22
23
24
26
[25]
&b
Fl.
j
j
#
pp
&
Eng. Hn.
#
&
Cl. 1.
.j

&
Cl. 2.
.
j
?
Bsn.
#w
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
Tbn.
?
b
Tbn.
Tba.
?b
[25]
?
Perc.
& b b
Voice
cloud I've ev - er
&b
seen
n
So they
call
me
cock - eyed
>j
j

op
ti mist,
Im - ma - ture
and in - cur - a - bly
heard
peo - ple
rant and rave and
green!
I have
Hp.
?b
.
.
.
b
& b
.
.
.
.
.
.
& b b
.
.
.
b
& b
.
.
.
.
.
.
& b b
Vln. A
Vln. B
Vln. C
Vln. D
.
.
.

.
.
.
.
.
.
b

.
.
.

.
.
.
.
.
.
b
Vla.
.
.
.
.
.
.
Bb
Vc.
?b w
.
.
.
.
w
w
.
.
.
.
.
.

.
.
.
.

b
.
.

.
.
.
.

b
.
.

.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.

.
.
.
.
.
.
.
.
.
.

.
.
.
.
.

.
.
.
.
.
.
.
.
.
.

.

.
.

.
.

.
.

.
.
.
.
.
.
.
.

w
w
.

.
.
.

.
.
.

.
.
.

.
.
.

.
.
.
.

.

.
.
.

.
.
.

.
.
.

.
.
b
.

.
.
.

.
.
.

.
.
w
w
#w
pp
Db.
?b
27
28
29
30
31
32
33
34
35
&b
Fl.
j
#
36
37
38
w
p
&
Eng. Hn.
.j

#
&
Cl. 1.
.
j
? w
b
w
w
&
Cl. 2.
Bsn.
39
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
Tbn.
?
b
Tbn.
Tba.
?b
?
Perc.
>j
j

&b

Voice
bel - low
that we're done

and we
b
might as well be
dead
But I'm
on
ly
cock - eyed
op
?b
Vla.
.
.
.
.
.
&
b
.
.
.
.
.
.
.
.
.
.
& b n
.
.
.
.
.
.
&
b
.
.
.
.
.
.
.
.
.
.
& b n
.
.
.
.
Bb

Vc.
?b w
ti mist,
&b
Hp.
Vln. A
Vln. B
Vln. C
Vln. D
Db.
.
.
.
.
.
b
.
.
.
.
.
.
.
.
.
.
b

.
.
.
.
.
b
.
.
.
.
.
.
.
.
.
.

b
.
.
.

.
.
.
.
.
.
b

.
.
.

.
.
.
.
.
.

.

.
.
.

.
.
.
.

.
.
.
.

b
.
.

.
.
.
.

b
Divisi
.
.
.
.
.
.
.
.
.
.

.
w
w
w
w
w
?b
.
.
.
.
.

.
.
.

.
.
Unis.
.
And I
.
.

.
.

can't
get it
in - to my
head.
.
.

.
.

.
.
.
.
.

.
.
.
.
.
.
.
.
.
.

.
.
.
.
.
.

.
.
.
.
.
.
.
.
.
.

.
Divisi
Unis.
.
.
.
.
.

.
w
w
w
.
.
.
.
40
42
[41]

43
45
46
47
Slow
48
50
[49]

PRIMO TEMPO
&b w
Fl.
44
51
52
# n nw
&
Eng. Hn.
# # #w
#
& w
Cl. 1.
w
w
w
w
#w
#w
#w
#w
#w
#w
#w
#
&
Cl. 2.
w
w
Bsn.
?b w
#w
#w
#w
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Cup mute
- -
- -
- -

#
&
Tpt 1.
Cup mute
&
Tpt 2.
Cup mute
&
Tpt 3.
Cup mute
?b
Tbn.
- - #
pp
Tbn.
Tba.
?b
?b
[41]
Slow
[49]
PRIMO TEMPO
Perc.
&b
Voice
Hp.
&b
?
b
hear the hu - man
race
Is
fall - ing on it's
face
And
has - n't ve - ry
#

#
w
far
to
go,
But
# n
n
n

bill
And
#w
#w
#w
#
#w
n n n n
sell - ing me
# n
?b
Db.
Is
Vln. D
ev - 'ry whip - poor - will
?b w
Vln. C
# n
Vc.
Vln. B
Vla.
Vln. A
.
.
&

.
.
.
.
& b
.
.
&b
.
.
.
.
& b
.
.
Bb
#w
#
#w
53
54
55
56
58
59
60
61
62
63
64
65
[57]
Fl.
&b w
Eng. Hn.
& w
Cl. 1.
#
& w
nw
bw
#w
Bsn.
&
Cl. 2.
nw
?b w
#w
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
&
Tpt 3.
. . . . .
?b
Tbn.
?b
Tbn.
?b
Tba.
[57]
?
Perc.
&b
Voice
tell - ing me
&b
it
just
ain't
Hp.
so.
life is

just a bowl of
jel - lo,
And ap - pear
more in - tel - li - gent and
smart
n
But I'm
stuck
(like a
Vln. B
&b
n b
Vln. C
&b
Vln. D
& b
n b
Divisi
say
Vln. A
Db.
I could
&b
Vc.
Vla.
B b n
? b nw
?b
.
.
.
.
.
.
.
.

.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.

b
n

.
.
.
.
.
.
.
.
.

.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.

b
n

.
Unis. .
.
.
.
.
.
.
.
.
b b
.
.
.
.
.
.
.
.
.
.
b
.
.
.
.
.
b b
.
.
.
.
.
.
.
.
.
.

b
#w
.
.

.
.
.
.

.
.

.
.
.
.

.
.
.
.
.
.
.
.

w
.
.
.

.
.
.
.
.
.
b

.
.
.

.
.
.
.
.
.
w
w
66
67
68
69
70
71
72
73
74
&b
Fl.
b n
n #
76
&
Eng. Hn.
75
#
w
&
Cl. 1.
#w
# #
w
#
&
Cl. 2.

w
w
n # <n> w
?
Bsn.
b
.
&
Hn. 1.
.
n
pp
&
Hn. 2.

pp
&
Hn. 3.
. . b
pp
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
?b
Tbn.
. -
p
Cup mute
?b
Tbn.
Tba.
?b
?
Perc.
&b
Voice
dope)
&b

with a
thing
called
hope,
And I
can't
get it
out
of my
heart.
Hp.
Vln. A
Vln. B
Vln. C
Vln. D
Vla.
n
n
?b
.
.
n b n
&b
.
.
poco a poco cresc
.
.
& b b
w
n #
poco a poco cresc
.
.
n b n
&b
.
.
poco a poco cresc
.
.
& b b
w
n #
poco a poco cresc
.
.
Bb
n b n b w
#
n
bw
this
bw
Not
poco a poco cresc
Vc.
?b w
n # n
poco a poco cresc
arco
Db.
pizz
poco a poco cresc.
77
78
79
80
81
82
83
84
86
Dialogue
. -
[85]
. -
b .
. -
&b
Fl.
mp
. -
. -
b .
.
-
. -
&
Eng. Hn.
mp
. #
. -
&
Cl. 1.
mf
# . -
. -
.
#
.
# -
&
Cl. 2.
mf
Bsn.
?
b
mf
&
Hn. 1.
mf
&
Hn. 2.
mf
&
Hn. 3.
mf
# . -
b
.
b
&
Tpt 1.
w
.
. #
w
to open
mf
to open
# . &
Tpt 2.
mf
to open
# . &
Tpt 3.
mf
? b . -
Tbn.
.
#
. #
.
nw
.
b
. b
mf
?b
Tbn.
?b
Tba.
w ~~~
w ~~~~~ U
~
[85]
?
Perc.
&b w
Voice
heart.
&b
?b
Hp.
sordini

&b
Vln. A
mf
ppp
sordini
ppp
& b
Vln. B
ww
ww
ww
p
sordini

&b
Vln. C
mf
ppp
sordini
& b
Vln. D
ww
ww
ww
p
Pizz.
Divisi
B b
Vla.
Unis.
arco
> U

ppp
sordini
mf
ppp
Pizz.
arco
?b
Vc.
nw
sordini
> U

ppp
#w
mf
arco
Db.
?b
>. pizzU arco

sordini
w
ppp
87
88
89
90
91
92
93
##
##
&b
Fl.
n
#
Eng. Hn.
&
Cl. 1.
&
Cl. 2.
&
#
#
Bsn.
?b
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
##
##
##
?b
Tbn.
?b
Tbn.
Tba.
&b
&b
?b
Perc.
Voice
Hp.
&b
Vln. A
&b
Vln. B
&b
Vln. C
&b
Vln. D
Divisi
Bb
Vla.
w
Vc.
Db.
?b w
?b w
Unis.
DIALOGUE
cue:
EMILE: "...what were you running away from?
No. 5

The Scene Continues
Lento espressivo
&b c
Flute
&b c
Oboe
#c
#c
bc
#c
#c
#c
?bc
Trombone 1.
?bc
Trombone 2.
?bc
&b c
?bc
Clarinet in Bb
&
Clarinet in Bb
&
?
Bassoon
Horn 1. in F
&
Horn 2. in F
&
Horn 3. in F
&
Trumpet 1 in Bb
&
Trumpet 2 in Bb
&
Trumpet 3 in Bb
&
Tuba
Lento espressivo
?
Percussion
Harp
sordini
b b
& b c b b
Violin A
- - U

pp
soli
U
w
b b
- - U

U
w
&b c
Violin B
mf
sordini
& b c b b
Violin C
pp
soli
& b c b
Violin D
mf
sordini
bw
U
w
U
w
Bbc
Viola
bw
pp
sordini
? b c bw
Violoncello
pp
Double Bass
?bc
7
Almost Segue
&b
##
Fl.
&b
##
Ob.
####
####
##
###
###
###
####
####
####
#
Cl. 1.
&
Cl. 2.
&
?
Bsn.
Hn. 1.
&
Hn. 2.
&
Hn.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
##
Tbn.
?b
##
Tbn.
##
&b
##
?b
##
?
Tba.
?
Perc.
Almost Segue
Hp.
&b
Vln. A
U
w
##
U
w
##
U
w
##
##
#w
U
w
&b
Vln. B
&b
Vln. C
#w
&b
Vln. D
Bb w
ww
U
ww
##
Vla.
?b w
U
w
##
Vc.
Db.
?b
##
No. 6
Twin Soliloquies

(Nellie, Emile)
DIALOGUE
cue:
EMILE: "Would you like some cognac?
Nellie: "I'd love some."
##
4
Flute &
4
## 4
Oboe &
4
#### 4
Clarinet in Bb &
4
#### 4
Clarinet in Bb &
4
? ## 4
Bassoon
4
##
& #
4
4
### 4
Horn 2 in F &
4
### 4
Horn 3 in F &
4
##
Trumpet 1 in Bb & # # 4
4
#### 4
Trumpet 2 in Bb &
4
#### 4
Trumpet 3 in Bb &
4
? ## 4
Trombone 1.
4
? ## 4
Trombone 2.
4
? ## 4
Tuba
4
Horn 1 in F
10
11
[3]
Moderato
Percussion
[3]
Moderato
4
4
4
4
Nellie:
#
& #
Voice
Emile:

Won - der how I'd feel,
##
&
4
4
? ##
4
4
##
Liv - ing on a hill - side, Look - ing on an o - cean, Beau - ti - ful and still.
This is what I need,
# #
# #
This is what I've longed for, Some - one young and smil - ing Climb - ing up my hill!
Harp
# #
sordini
&
Violin A
4
w
4 pp
# ww
# ww
ww
ww
# ww
# ww
ww
ww
ww
ww
ww
ww
# ww
# ww
n ww
ww
ww
ww
4>
w
4 pp
>
w
4w
4 pp
sordini
##
&
Violin B
4
w
4 pp
sordini
##
&
Violin C
4
w
4 pp
sordini
##
&
Violin D
4
w
4 pp
sordini
B ##
Viola
4w
w
4 pp
sordini
? ##
Violoncello
? ##
Double Bass
Lincoln Centre revival 2008
Sim.
w
w
w
w
12
14
15
16
17
18
19
20
[13]
##
21
Poco accel.
22
&
Fl.
### 2
4
pp
#
& #
Ob.
### 2
4
pp
##
& ##
Cl. 1.
####2
#
w
w
4
pp
##
& ##
Cl. 2.
####2
#
w
w
4
pp
? ##
Bsn.
### 2
#w
4
pp
Mutes
Hn. 1.
##
& #
####2
w
nw
4
ppp
Mutes
###
####2
&
Hn. 2.
w
ppp
Mutes
##
& #
Hn. 3.
nw
nw
ppp
# ##
& #
Tpt 1.
# ##
& #
Tpt 2.
# ##
& #
Tpt 3.
? ##
? ##
? ##
Tbn.
Tbn.
Tba.
[13]
4
####2
4
####2
#
4
####2
#
4
####2
#
4
### 2
4
### 2
4
### 2
4
Poco accel.
2
4
Perc.
Nellie:
#
& #
Voice
Emile:
###
w
n
We are not a - like.
##
&
Prob - a - bly I'd bore him.
He's a cul - tured French - man,
I'm a lit - tle hick.
n
n
Young - er men than I,
Off - i - cers and doc - tors, Prob - a - bly pur - sue her,
She could have her pick.
# #
# #
2
4
n
n
### 2
4
Hp.
? ##
#
& #
Vln. A
# #
4
### 2
ww
w
n ww
n ww
w
w
ww
#
& #
Vln. B
ww
#
& #
Vln. C
nw
nw
nw
nw
nw
ww
nw
ww
4
### 2
4
### 2
ww
w
n ww
n ww
w
### 2
#
& #
Vln. D
### 2
ww
nw
ww
ww
ww
ww
nw
nw
nw
ww
nw
w
w
ww
nw
4
### 2
B ##
Vla.
? ##
n ww
nw
n ww
4
### 2
nw
Vc.
? ##
Db.
nw
nw
w
nw
#w
#w
nw
nw
w
4
### 2
4
24
25
26
27
28
29
30
32
33
Allegretto
A tempo
###
[23]
2
Poco
rit.
[31]

&
Fl.
4p
##
& #
Ob.
2
4
## 2
& # ##
Cl. 1.
## 2
& # ##
Cl. 2.
? ###
2
4
##
& ##
2
4
2
4
#### 2
Hn. 3. &
4
#
## # 2
#
Tpt 1. &
4
#
## # 2
#
Tpt 2. &
4
#
## # 2
#
Tpt 3. &
4
? ### 2
Tbn.
4
? ### 2
Tbn.
4
? ### 2
Tba.
4
Bsn.
Hn. 1.
# ##
& #
Hn. 2.
[23]
?
Perc.
##
& #
Voice
2 Nellie:
4
Won - der why I
[31] A tempo
Poco rit.
2Allegretto
Emile:
feel
Jit - ter - y
and
jump - y!
am like a
school - girl,
Wait - ing for
a dance.
Can I ask her
now?
am like
##
& #
2
4
? ###
2
4
##
& #
2

4 p
#
.
.
.
.
2

4 n# n#
2

4 p
#
.
2
4 n#
Hp.
Vln. A
Vln. B
Vln. C
Vln. D
##
& #
##
& #
##
& #
B ###
Vla.
2
4 p
n#
n#
4 marcato
? ### 2
Db.
4p
n#
? ###
n#
n#
Vc.
Segue as one
34
35
36
37
38
Slow
###
&
Fl.
40
[39] Allegretto
4
###
4
To Ob.
###
&
Ob.
<#>
##
& # ## <n>
Cl. 1.
# ##
& # #
Cl. 2.
###
j
#
4
4
####
4
4
####
#
J
n
4
4
? ###
4
4
###
##
& ##
####
# ##
& #
####
Hn. 2.
##
& ##
####
Hn. 3.
##
& # ##
####
Tpt 1.
# ##
& # #
####
Tpt 2.
##
& # ##
####
Tpt 3.
? ###
###
? ###
###
? ###
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
Hn. 1.
###
[39] Allegretto
4
Bsn.
Tbn.
Tbn.
Tba.
Slow
Perc.
4
Segue as one
###
&
Voice
be
her
an
have
school
boy!
What will
swer?
Do
###
4
4 w
chance?
#
#
###
&
4
4
? ###
4
4
##
& #
###
###
Hp.
Vln. A
##
& # n#
##
& #
Vln. B
Vln. C
##
& # n#
Vln. D
j
#
j

n#
j
#
n#
j

j
j

j
4
4w
4
4w
4
4w
4
4w
###
w
###
w
###
w
###
w
Divisi
B ###

Vla.
12
? ###
Vc.
? ###
Db.

J

J

J

J
4
4 ww
4
4 pw
4
4 pw
###
ww
###
w
###
w
No. 7

Unspoken Thoughts
- - - - - -
###
- - - - -
- [7] w
&
Flute
p poco a poco cresc.
##
& #
Oboe
- - - -
- - - - -
nw
nw
##
& # ## c w
Clarinet in Bb
nw
w
w
# ##
& # #c w
Clarinet in Bb
Bassoon
- - - - - -
- - - - c
? ###
- n
- n

Open
####
&
Horn 1. in F
n-
n-
<#> w
poco a poco cresc.
Open
####
&
Horn 2. in F
poco a poco cresc.

Open
####
&
Horn 3. in F
- -
- - - -
poco a poco cresc.

sweetly
open
mp
####
Trumpet 1 in Bb
&
#c
- - - -
mf poco a poco cresc
####
&
#c
Trumpet 2 in Bb
# ##
& # #c
Trumpet 3 in Bb
open
open
? ###
->
-> ->
#
Trombone 1.
mf
? ###
? ###
Trombone 2.
Tuba
[7]
?
Percussion
##
& #
n >
>
>
> # >
poco a poco cresc.
Harp
? ###
###
&
Violin A
>
>
>
- - -
n >
- - - - -
poco a poco cresc.

divisi
###
- - - c
&

- - poco a poco cresc.
### c - - -
&
Violin B
Violin C
poco a poco cresc.

divisi
###
- - - c
&

- - - poco a poco cresc.
- - - - #
#
B # c
Violin D
Viola
- - - - - -
- - -
- - - - - - -
- - - - -
- - - - - - - - - - -
- - -
- - - - -
n
-
n
-
n
-
n-
n-
- -
- - - - -
- -
- -
n
-
n
-
- - -
- - - # #
- - - - - -
- - - # #
- - -
poco a poco cresc.
-
? ###
- -
n -
- -
nw
n - -
-
Violoncello
poco a poco cresc.
? ###
Double Bass
cw
poco a poco cresc.
nw
nw
- #
11
###
[10]

12
13
14
w^
15
nnn
fp
ff
w^
nnn
fp
ff
w^
&
Fl.
f cresc
##
& #
Ob.
ff
f cresc
ff
####
#
# #
&
Cl. 1.
ff
####
# w
&
##
##
fp
ff
w^
nnn
fp
ff

f cresc
Cl. 2.
fp
ff
w^
ff
f cresc
? ###
Bsn.
w
b
f cresc
####
&
Hn. 1.
ff
n n
w>
f cresc.
##
& ## w
Hn. 2.
ff
n n n
fp
ff
>
w
fp
ff
>
w
fp
ff
w^
fp
ff
ff
f cresc.
## - - - - - & ##
Hn. 3.
n n
ff
f cresc.
# ## - - - - - -
& # #
Tpt 1.
- - - - -

ff
cresc
##
##
& # ##
##
Tpt 2.
##
& # ##
##
Tpt 3.
->
? ###
->
-> # ->
->
# n
# -> n #
nnn
Tbn.
f cresc.
ff
fp
ff
? ###
nnn
? ###
nnn
Tbn.
Tba.
[10]
? Timp
Perc.
ff
fz
f
##
& #
ww
w
ww
w
ww
ww
w
www
w
nnn
ww
ww
nnn
ff
Hp.
? ###
###
&
Vln. A
- - - - -
- - - - -
f cresc
###
- - - - &
#
- - - -- - - ###

&
Vln. B
Vln. C
- #- - - -
- - - -- - - - -
- - - - &
#
- - - -- - - - B ###
Vln. D
Vla.
- #- - - -
- - - -- - - - - -
Uw
fp
w
w
fp
ff
nnn
fff pp
U
ww
u
nnn
f cresc
fff pp
ff
f cresc
###
ff
Uw
fp
w
w
fp
ff
nnn
fff pp
U
ww
u
nnn
f cresc
fff pp
ff
ww
>
U

fp
fff
>

fp
fff
fp
fff
nnn
f cresc
>
? ###
>
> # >
>
# >
n n
Vc.
nnn
f cresc
? ###
Db.
ff
b
w
n
f cresc.
ff
nnn
No. 8 Intro:
Some Enchanted Evening

Lyrics by Oscar Hammerstein II
DIALOGUE
cue:
EMILE: "One waits so long for what is good...and when at last it comes,
one cannot risk to lose, so...
one must speak and act quickly"
1
Moderato
Rall.
Segue
w>
w>
&
Flute
w>
w>
&
English Horn
#
& #
Clarinet in Bb
pp
#
& #
Clarinet in Bb
>
w
#
pp
>
w
w>
#
p
w>
Bassoon
pp
p
Horn 1. in F
&
Horn 2. in F
&
Horn 3. in F
&
Trumpet 1 in Bb
#
& #
#
& #
Trumpet 2 in Bb
#
& #
Trumpet 3 in Bb
?
Trombone 1.
?
Trombone 2.
?
Tuba
Moderato
Rall.
Percussion
&
#
#
pp
Harp
sordini
- -
- - -
&
Violin A
>
pp
sordini-
&
Violin B
>
- -
U
w
U
w
pp
sordini
- -
- - -
&
Violin C
pp
>
U
w
pp
sordini
- -
&
Violin D
- -
>
U
w
pp
Viola
>
ww
pp
>
w
>
ww
pp
ww
U
w
U
w
Uw
pp
sordini
>
w
Violoncello
pp
w>
Double Bass
# w>
pp
Segue

No. 9
1
Slowly with expression
Flute
>
>
4
&
4
#w
>
4
4
&
English Horn
>
#w
## 4
&
Clarinet in Bb
w^
#4
& #
Clarinet in Bb
^
w
4
p
#
Bassoon
4w
4p
4
4
4
4
4
4
#4
& #
Horn 1. in F
&
Horn 2. in F
&
Horn 3. in F
&
Trumpet 1 in Bb
4
#4
& #
4
Trumpet 2 in Bb
#4
& #
Trumpet 3 in Bb
4
? 4
Trombone 1.
4
? 4
Trombone 2.
4
? 4
Tuba
4

Timp: G&C
?
Percussion
&
Voice
4
4
4 Emile:

4 #
Some en chant - ed eve
ning,
You may see
a stran
ger,
You may see
a stran
ger
4
&
4p
cross
Harp
4
4
- - - - #
sordini
Violin A
- - - -
4
&
#
4 mf
divisi
- - - - #
loco
loco
4
&
4 p
Violin B
ww
ww
- - - - #
sordini
- - - - 4
&
#
Violin C
4 mf
divisi
- - - - #
w
loco
loco
4
&
4 p
Violin II
sordini
- #- - - -
4
B
4p
Viola
ww
ww
- #- - - -

- #- - - -
sordini
#
?
4w
4p
4
4p
Violoncello
Double Bass
10
11
12
13
[9]
&
Fl.
3
w
#
&
Eng. Hn.
3
3
##
&
Cl. 1.
#
& #w
Cl. 2.
?
Bsn.
MUTE
&
Hn. 1.
pp
&
Hn. 2.
pp
MUTE
&
Hn. 3.
pp
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn. 1.
?
Tbn. 2.
?
Tba.
[9]
?
Perc.
&
Voice
crowd
ed room,
And
some how you
know,
you
know
se her
a-
w
e -
ven
then
That
some - where you'll
n b
&
Hp.
3
n b
<>
<>
loco
j
&

<>
j
&
Vln. B
Vln. C
<>
&
Vln. D
loco
3
w
#
loco
loco
3
&
Vln. A
3 w
Vla.
Vc.
3
?
Db.
14
15
16
18
19
20
[17]
&
Eng. Hn.
#
& #
Cl. 1.
#
& #
?
Bsn.
# n
Cl. 2.
b #
&
Fl.
w
#
n-
b-
#-
&
Hn. 1.
mp
&
Hn. 2.
w
pp
mp
#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 3.
&
Tpt 1.
?
Tbn. 1.
?
Tbn. 2.
?
Tba.
[17]
?
Perc.
a -
gain.
Some en - chant - ed
eve
ning,
some - one
may
be laugh
ing,
&
b
b
gain and
&
Voice
Hp.
<>
violin solo senza
senza for violin solo
&
Vln. A
loco
loco
&
Vln. B
b #n
<>
&
Vln. C
DIVISI
#
n
loco
loco
&
Vln. D
b #n
Divisi
Vla.
b b#n
# n
w
#
Vc.
?
Db.
21
22
23
24
26
[25]
Fl.
&
Eng. Hn.
&
# #
3
w
#
& #
Cl. 1.
#
& #
Cl. 2.
Bsn.
&
Hn. 1.
&
Hn. 2.
w
MUTE
mf
&
Hn. 3.
pp
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn. 1.
?
Tbn. 2.
?
Tba.
[25]
?
Perc.
&
Voice
You may hear her laugh
ing
cross
crowd
ed room
and
night af - ter
night,
as
strange
as
it
&
Hp.
sord.
sulg
&
Vln. A
3 w
tutti
3
(Div)
&
Vln. B
3
w
3 w
sord.
sulg
&
Vln. C
tutti
3
(Div)
&
Vln. D
3

w
3 w
Vla.
Vc.
3
?
Db.
27
28
29
30
31
34
35
[33]
. . . . . . . SOLO

&
Fl.
32
36
pp
&
Eng. Hn.
mf
3
#
& #
Cl. 1.
- -
mf
pp
3
##
&
Cl. 2.
mf
?
Bsn.
w
.
w
.
pp
.
.
-
-
.
mf
&
Hn. 1.
pp
pp
&
Hn. 2.
&
Hn. 3.
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn. 1.
?
Tbn. 2.
?
Tba.
[33]
Marimba
(Low Xylo)
&
Perc.
p
3
&
Voice
b
n
her
laugh ter
will
sing
&
of
Hp.
n b
in
your
dreams.
SOLO 8va' s

w
w
sound
The
seems
Who can ex plain it,
who can tell you why?
Fools give you reas ons, Wise men nev - er
&
Vln. A
mf
3
&
Vln. B
ww
ww
ww
ww
mf
3
&
Vln. C
mf
3
&
Vln. D
mf
3
Vla.
mf
Senza
Vc.
mf
Db.
mf
37
38
40
[39]
#
41
42
43
&
Fl.
cresc. molto
mp
#
& # # n #
Eng. Hn.
# #
ff
cresc molto
mp
#
#
& # #
Cl. 1.
ff
cresc molto
#
& # n n #
Cl. 2.
ff
cresc molto
mp
ff
cresc molto
mp
&
Hn. 1.
mp
?
Bsn.
ff
mp
cresc. molto
#
&
Hn. 2.
ff
mp
cresc. molto
&
Hn. 3.
ff
mp
Cup mute
cresc. molto
#
& # n #
Tpt 1.
#
ff
cresc molto
mp
Cup mute
#
& # #
Tpt 2.

ff
cresc molto
mp
Cup mute
#
& # # n # # #
Tpt 3.
ff
cresc molto
Cup mute
legato
# # n
Tbn. 1.
ff
cresc. molto
mp
Cup mute
# n
Tbn. 2.
ff
cresc. molto
mp
Tba.
[39]

Timp
Cresc. molto
&
Voice
mp
?
Perc.
mf cresc. molto
try.
mf
ning,
When you find your true
love,
When you feel her call
you
&
Hp.
PLAY
# # #
# #
ww
ww
&
Vln. A
ff
cresc molto
(DIV) Senza
&
Vln. B
## n#
ff
cresc molto
f espr.
PLAY
# # #
ww
p
# #
&
Vln. C
ff
cresc molto
(DIV) Senza
&
Vln. D
## n#
ff
cresc molto
Divisi
f espr.
f espr.
# ## n #
# n #
ww
f
#
&
cresc molto
ff
Vla.
f espr.
Vc.
cresc molto
ff
mp
Db.
cresc molto
ff
mp
44
45
# w^
48
[47]
w
&
Fl.
46
49
&
Eng. Hn.
## w^
&
Cl. 1.
# ^
& # w
Cl. 2.
w
w
Bsn.
#
#
Hn. 1.
# >
& #w
mf
# >
& #w
Hn. 2.
w
f
mf
# >
& #w
Hn. 3.
mf
##
&
Tpt 1.
n
f
##
& #
Tpt 2.
##
&
Tpt 3.
Tbn. 1.
3
Tbn. 2.
Tba.
[47]
?
Perc.
cross
&
Voice
crowd
ed room,
then
fly to her
side
and
make
her
your
own,
&
n b
Hp.
3
<>
n b
loco
&
Vln. A
&
Vln. B
<>
loco
&
Vln. C
&
Vln. D
&
Vla.
Vc.
3
?
Db.
50
51
52
53
&
Fl.
54
55
Dimin.
&
Eng. Hn.
dimin
3
#
& #
Cl. 1.
dimin
3
#
& #
Cl. 2.
dimin
?
Bsn.
dimin
&
Hn. 1.
Dimin.
&
Hn. 2.
dimin
&
Hn. 3.
dimin
#
& #
Tpt 1.
dimin
#
& #
Tpt 2.
dimin
##
&
Tpt 3.
dimin
Tbn. 1.
dimin
Tbn. 2.
dimin
Tba.
dimin
Marimba
&
Perc.
your
life
you
may
dream
all
lone.
Once
you
have found
her,
SOLO 8va's
through
all
or
&
&
Voice
Hp.
1st solo
&
Vln. A
pp
dimin
1st solo
&
Vln. B
ww
ww
pp
dimin
&
Vln. C
dimin
&
Vln. D
ww
ww
dimin
1st
- solo- (Sord.)
-
B
Vla.
3
pp
dimin
Vc.
dimin
?
Db.
dimin
56
57
58
59
60
61
Rit.
Uw
&
Fl.
pp
&
Eng. Hn.
#
& #
Cl. 1.
U
w
w
pp
#
& #
Cl. 2.
U
w
Uw
w
pp
Bsn.
pp
U
w
&
Hn. 1.
pp
#
Hn. 2.
&
Hn. 3.
&
Tpt 1.
#
& #
#
U
nw
pp
#
& #
Tpt 2.
U
w
pp
##
&
Tpt 3.
Uw
?
Tbn. 1.
pp
U
w
Tbn. 2.
pp
U
?
Tba.
w
p
Rit.
Perc.
&
Voice
&
pp
nev - er
let
her
go.
&
Once
you
have found
her,
nev
er
let
her
go!
ww
ww
Hp.
&
Vln. A
Uw
w
ww
u
2nd solo
GLI ALTRI SORD.
Uw
w
u
&
Vln. B
pp
DIVISI
SORDINI
U
ww
u
&
Vln. C
ww
pp
U
ww
&
Vln. D
pp
- - - -
- - -
Uw
ww
w
ww
Vla.
pp
Espress.
Vc.
Db.
w
U
w
No. 10 Encore:
1
Flute
English Horn
Clarinet in Bb

#
4
&
4 mf
# 4 #
&
4 mf
#4
& #
4 mf
w
#w

cross
4 mf
? 4
Bassoon
4 mf
4
4
&
Horn 1. in F
#4
& #
Clarinet in Bb

#w
mf
4
4 mf
#4
&
4 mf
#4
& #
4
&
Horn 2. in F
Horn 3. in F
Trumpet 1 in Bb
#w
#4
& #
Trumpet 2 in Bb
4
## 4
Trumpet 3 in Bb &
4
? 4
Trombone 1.
4
? 4
Trombone 2.
4
? 4
Tuba
4
#w
?
Percussion
&
Voice
4
4
4 Emile:

4 #
ning,
love,
you
4
&
4 mf
4
4
4w
&
4 mf
w (senza outside)
4 sordini
&
4 mf
sordini (senza outside)

w
4
&
4 mf
w (senza outside)
4 sordini
&
4 mf
(senza outside)
4 sordini
w
4 mf
Violin B
Violin D
B
Viola
4
4 mf
Violoncello
Double Bass
#w

#w
p
4
4 mf
sordini
w
Violin C
sordini (senza outside)
Violin A
Harp
10
11
12
13
14
15
16
[9]
Fl.
&
&
Eng. Hn.
#
& #
Cl. 1.
#
& #
Cl. 2.
?
Bsn.
&
Hn. 1.
#
&
Hn. 2.
#
&
Hn. 3.
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn.
?
Tbn.
?
Tba.
[9]
?
Perc.
&
Voice
crowd
ed
room,
SOLO
&
& b
Hp.
fade at cue
&
Vln. A
w
fade at cue
&
Vln. B

b
fade at cue
&
Vln. C
w
fade at cue
&
Vln. D
b
fade at cue
Vla.

# n b #
fade at cue
3
w
Vc.
p
Db.
fade at cue
18
19
20
21
22
23
24
[17]
Fl.
&
Eng. Hn.
&
#
& #
Cl. 1.
#
& #
Cl. 2.
?
Bsn.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn.
?
Tbn.
?
Tba.
[17]
?
Perc.
&
Voice
&
Hp.
&
Vln. A
&
Vln. B
&
Vln. C
# n
Vc.
Db.
Vla.
&
Vln. D
26
27
28
29
30
31
32
[25]
Fl.
&
Eng. Hn.
&
#
& #
Cl. 1.
#
& #
Cl. 2.
?
Bsn.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn.
?
Tbn.
?
Tba.
[25]
?
Perc.
&
Voice
&
Hp.
dimin e rall
&
Vln. A
# n
ww
ww
dimin e rall
&
Vln. B
dimin e rall
3
&
Vln. C
dimin e rall
&
Vln. D
dimin e rall
Vla.
dimin e rall
3
?
w
Vc.
3
?
Db.
dimin e rall
dimin.
Orchestration By Robert Russell Bennett
No. 11
Finaletto - Scene I
("Dites Moi" reprise)
DIALOGUE
cue:
Ngana: "Nous chantons bien aussi."
[3]
Allegretto
cw
&
Flute
mp
pp
&
Oboe
Soli
## c w
&
Clarinet in Bb
mp
Soli
#
& #c w
Clarinet in Bb
mp
?
Bassoon
Horn 1. in F
&
Horn 2. in F
&
Horn 3. in F
&
#
CUP mute
To open
. .
#
& #c
Trumpet 1 in Bb
. .
b
mp
To open
## cCUPmute . .

&
Trumpet 2 in Bb
. .

mp
To open
## cCUP mute . .

&
mp
CUP mute .
.
? c
Trumpet 3 in Bb
. .

. .
b
To open
Trombone 1.
mp
Trombone 2.
?
Tuba
[3]
Allegretto
Percussion
Ngana &
Jerome:
&
Voice
+ Emile:
Di - tes - moi
& c

mp
Harp
.
.

. .
b
b
.
.

PIZZ
pour - qoui
La
vie
est
bel
la
vie
le,
Di - tes - moi
pour - quoi
est
&
ARCO
&
Violin A
mp
PIZZ
ARCO
ARCO
PIZZ
& c
Violin B
mp
n #
PIZZ
ARCO
&
Violin C
mp
ARCO
PIZZ
ARCO
PIZZ
& c
Violin D
mp
ARCO
PIZZ
n #
ARCO
Divisi
PIZZ
Viola
mp
Senza
PIZZ
Violoncello
pizz
?
Double Bass
mp
Immediate Segue
10
12
[11]
13
14
15
16
17
18
Poco rit.
&
Fl.
.
b
&
Ob.
. . . .
b # n
.
#
.
#
.
.

.
.

.
.

. .
pp
##
. .

&
Cl. 1.
. .

pp
#
& #
Cl. 2.
. .

pp
b . .
Bsn.
. .

nw
b . . # n w
.

.

pp
#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
#
#
?
Tbn.
?
Tbn.
?
Tba.
[11]
Poco rit.
Perc.
Immediate Segue
&
Voice
gaie?
Di - tes - moi
pour - quoi
Chere
ma
b
J
-
m'ai
mez?
d'moi - sel
b b
J
le,
Est - ce - que
par - ce - que
vous
.
.

&
Hp.

&
b b
J
PIZZ
&
Vln. A
b b
J
PIZZ
&
Vln. B
&
Vln. C

b ww
j

ww
PIZZ
b b
J
PIZZ
&
Vln. D

b ww
ww
w
w
Unis.
Vla.
ARCO
PIZZ
PIZZ
?
Vc.
.
#
w
w
Db.
No. 12

Bloody Mary
1
Allegro
&
Flute
bbb 2
10
11
12
13
14
15
[2]

16
1.
4
b 2
&b b
Oboe
4
2
Clarinet in Bb & b
4
2
Clarinet in Bb & b
4
? bb 2
Bassoon
b4
open
2 > > > >

J
4 ff
b
&b
Horn 1. in F
> >>
>
J
J
pp
> >> >

J
J
ff
pp
ff
j
b n
j
b
j
b
pp
open
2
4
&b
Horn 2. in F
> >> >

j
j > >> >

j
ff
pp
> >> >

j
J
ff
pp
ff
pp
open
2 > > > >j

4 ff
b
&b
Horn 3. in F
> >> >

j
j

pp
> >> >

j
j
n b
ff
pp
ff
pp
open
2
4
&b
Trumpet 1 in Bb
> > > >j
j > > > >j

j > > > >j

pp
ff
ff
pp
ff
open
2 > > > >j

4
&b
Trumpet 2 in Bb
j > >> >

j
j > >> >

j
pp
ff
ff
pp
ff
open
2 > > > >j

4
&b
Trumpet 3 in Bb
> >> >

j
j

ff
>
> > >
J
J
ff
pp
open
? bb
Trombone 1.
>
2 > > >
b4
J
ff
pp
> >> >

j
j
n b
ff
>
> > >
J
J
pp
ff
pp
j
b
ff
open
? b 2
bb
4
Trombone 2.
> > > >

J
ff
Tuba
? bb
>
j > > >
pp
2 > >> >

b 4 j
pp
j > >> >

j
pp
[2]
>j > > >j

J
J
> >> >
ff
ff
j > > > >
ff
> >> >

j j
ff
pp
ff
Allegro
2
4
?
Percussion
j

J
j >j > >

J
J
> >>
pp
>j

J
>
j

J
ff
j >j > >

J
J
> >>
pp
>j

J
>
1.
j

J
j

J
ff
Men:
b
&bb
Voice
2
4
j

J
Blood - y
Her skin is
b 2
&b b
Ma - ry is the
ten - der as
girl
I
Di - mag - gio's
love.
glove.
j

J
Blood - y
Her skin is
Ma - ry is the
ten - der as
girl
I
Di - mag - gio's
love.
glove.
j
J
Blood - y
Her skin is
Ma - ry is the
ten - der as
girl
I
Di - mag - gio's
love. Now
glove. Now
ain't
ain't
that too damn bad!

that too damn
J>
4
Harp
? bb
b 2
&b b
Violin A
2
b4
4
b 2
&b b
4
b 2
&b b
4
b 2
&b b
4
B bbb 2
4
? bb 2
b4
Violin B
Violin C
Violin D
Viola
Violoncello
tuba
Double Bass
? bb
> > >
2 J
b4
f
> > > >

J
> > > >

J
Dialogue
17
18
19
20
2.
[21] On Cue
22
23
24
25
26
27
28
29
30
31
32
b
&b b
&b
Cl. 1.
&b
Cl. 2.
? b
bb
Hn. 1.
>>>
b
b
&

Hn. 2.
b >>>
& b
Fl.
&
bbb
Ob.
Bsn.
ff
>

J
ff
Tpt 1.
Tpt 2.
Tpt 3.
sf
ff
>j

ff
>
U
>

ff
U
>

ff
U
>

>
>
>

J
ff
j >
pp
U
> >> >

j

pp
U
> >> >
j
>>>
&
ff
>>> p
&b

sf
p
>>>
&b

p
sf
>>>
&b

ff
>

J
bb
Hn. 3.
U
> >> >

J
pp
>
>
>
>
>
j
>
j
pp
pp
ff
pp
>
>
>
j
>
j
j > >

pp
ff
j > >
pp
ff
> >
j
n b
j
b
pp
pp
> >j

>
>
>
j
>
j
j
b
ff
pp
ff
ff
pp
> >j

> >> >

j
j
n b
ff
j > >

ff
j > >

ff
> >
j

> > > >

J
J
ff
> >> >
j
J
pp
> >> >

j
j

> > >j
>> >
J
>> >
j

pp
pp
ff
ff
? bb
Tbn.
> > >

b
ff
>>
? bb >
b
Tbn.
U
> > > >

J
ff
U
> > > >
J
ff
Tba.
pp
ff
? b >>> b b
pp
U
> >> >

j

ff
>
> > >
J
J
ff
>
j > > >
ff
pp
ff
pp
> > > >

J
J
ff
j > > > >

J
pp
j > >> >

j
ff
ff
pp
> >> >

j
j
ff
[21] On Cue
Dialogue

J
?
Perc.
2.
Cymb.
U >j > > >j

J
J
j j >j >

J J
J
> >
&
Voice
bbb
pp
>
>
>j

J
>
j j >j >

J J
J
> >
ff
pp
>
>
>j

J
>
j j

J J
ff
Men:
bad!
Blood - y
Ma - ry's chew - ing
be - tel
nuts.
She

J

is
al - ways chew - ing
be - tel
nuts,
Blood - y
Ma - ry's chew - ing
be - tel
b
&b b
? bb
b
&b b
Vln. A
b
&b b
Vln. B
b
&b b
Vln. C
b
&b b
Vln. D
B bbb
Vla.
? bb
Vc.
Hp.
b
tuba
Db.
? bb
> > >

J
U
>
J
f
> >
>

J
> > >
>

J
> > >
>

J
DIALOGUE
cue:
Bloody Mary: "Fo' dolla'. Send home Chicago
to saxy sweetheart.
She make wave like this. (cue dance)
33
34
35
36
37
39
40
41
43
44
45
47
48
49
Dance
[38] Rit.
U>
>
> > >
&
Fl.
bbb
[42]
J nnn
[46]
[50]
Ob.
Cl. 1.
U
> > > > >
nnn
J
Cl. 2.
U
> > > > >
J ##
Bsn.
>
# j
ff
J ##
ff
> > > > U>

b
&b
j nnn
>
j
#
Hn. 1.
>
# j
? bb
ff
&b
>
# j
ff
U
> > > > >
&b
b
&b b
>
# j
ff
#
J
>
# j
> > > > U

#
J
> > > > U

U
> > > > >
#
j

#
J #
> > > > U
bb
&
Hn. 2.
j j

f
Hn. 3.
b
&b
Tpt 1.

&b
j j

f
& b b
> > > >j

mf
Tpt 2.
&b
Tpt 3.
? bb
b
Tbn.

J
f
U
>
> > > >
U
> > > > >

U
> > > > >
? bb
Tbn.
> > > > U>

##
> > > >

j
mf
j
#
#
> > > >

j

mf
J n n >j >j >j >j >j > > >j >j >j > > >j >j >
n

J
>
>
>
>
> >>
> >
> > > > > > >j
nnn j j j j j
j j j
b
J
f
ff
Tba.
? bb
Perc.

J J
> > > > U>

f
[38]
>

J
>Rit.

>
>
>
>
> >>
> > > >>
j nnn j j j j j
j

ff
[42]
[46]
U>
Cymb.
>
Muffled
2
2
j
j
j
j
j j

J
J J
J
J
u J
> >
j j

[50]
.j .j

.J .J
ff
f
b
&bb
Voice
nuts, And she
don't
use
Pep - so - dent!
Now
ain't that too damn
nnn
bad!
b
&b b
nnn
? bb
nnn
J U n n n
Hp.
b
>
ARCO
bb
& b
Vln. A
> > > > U
f
ARCO
b
&b b
Vln. B
b
&b b
> > > > U
U n n n
J
> > > > U
J U n n n
U n n
n
J
nn
J
>
ARCO
Vln. C
>
f
ARCO
Vln. D
b
&b b
Vla.
B bbb
>
f
ARCO
>
> > >

> >
>
U
>
> U
.
.
j j

f
.
.
j j

.
.
j j

f
.
.
j j

f
.
.
j j

f
f
> > > > U>
ARCO
? bb
Vc.
2
4
nnn j
J
j
j j

j j

f
ff
ARCO
> > > > U
play!
Db.
? bb
.
.
n n n j j j j j j j j j j j j
J
ff
51
# j
>
>
n j

>
# j
j
## # n nj>
&
>
# j
&
Ob.
&
Bsn.
j
#
j
#
&
# j
>
>
#
& # # j n n j
>
? # j n b j
Hn. 1.
54
Fl.
Cl. 2.
53
n j>

Cl. 1.
52
# j
>
j
55
# j
56
57
58
>
59
# j
n j>

>
n j

>
# j
# j n
nj>
J
>
# j
>
j
#
# j
>
# j
j
#
j
#
>
j
#
>
# j n
J
n j
>
# j n
J
b j
>
# j
j
#
# j
j
#
# j
# j
j
#
64
> > >

> >
>
j
# # # n #

>
>
# > # > # n # > >
J
#
>
j
n
65
>
j
b
> > >

> >
>
j
# # # n #
#
>
> > >
# # # n # > >
J
n
j>

> >
> > >
# # # n # >
J
>
> > >

> >
>
j
#
# # n #
>
nj
63
>
j
n
n
62
>
j

n
n
61
>
>
# > # > # n # > >
J

>
>
j
60
&
Hn. 2.
>
j
#
j
#
#
& #
##
Tpt 2.
&
Tpt 3.
#
& #
Hn. 3.
&
Tpt 1.
>> > >

j
>> > >

j
>> > >

j

>> > >

J
>> > >

b j
?
Tbn.
>> > >

j
>> > >

J
>> > >

j
> > > >j

#
>> > >

j
n
>> > >

J
>> > >

b j
>> >
#
> > >
>j

> > > >
SOLI
?
Tbn.
.
.
.
.
.
J J J
J
J
> >>

> >>
?
Tba.
j j j j j j

j
j j j j j j j j
.j .j

.J .J
?
Perc.
>> > > > >>

J J
&
Voice
&
Hp.
Vln. A
Vln. B
Vln. C
Vln. D
&
. .
. .
. .
. .
j j j j j j j j

&
. .
. .
. .
. .
j j j j j j j j

&
. .
. .
. .
. .
j j j j j j j j

&
. .
. .
. .
. .
j j j j j j j j

. .
.
.
. .
j j j j j j

. .
.
.
. .
j j j j j j

. .
j j

. .
. .
. .
j j j j j j

. .
. .
. .
. .
j j j j j j j j

. .
.
.
. .
. .
j j j # j n j j j j

. .
. .
. .
j j j j j j

Vla.
. .
.
.
. .
j j j j j j

. .
.
.
. .
j j j j j j

. .
j j

. .
. .
. .
j j j j j j

. .
j j

. .
. .
. .
j j j j j j

. .
j j

. .
. .
. .
j j j j j j

.
. j
J
.
. j

J
.
. j
J
.
. j
J
.
.
j j

.j

.j

.j .

.j .

>
> > > J

.j

.j

.j

.j .

.j .

>
> > > J

>
> > > J

>
> > > J

.j . > > > >

J

j
j j
J j j
j j
J J J J J J J J J
> >>
j
.j .j j
j j
J j j
j j
j
j
J J J J J J J
> >>
j
Vc.
?
Db.
.j .j .j .j
.j .j .j .j

67
[66] > >
# j j
&
68
# j
> >
# j j
j
#
> >
# j
Cl. 1.
#
& #
> >
#
& # # j j
j
#
Cl. 2.
> >
j j
#
# j
> >

Fl.
&
Ob.
?
Bsn.
# j j
69
70
71
72
#
&
Hn. 2.
&
>
b
>
jn
>
#

>
#
>
j >

>
J
>
J
>
n
>
> > >
j
# J j b j b j b
>
>
#

j >

>
>
#
>

J
>
J J
>
j
>
# j J
>
>
>
j
b
> >
jn
jn
>
>
n n
# > >

>j >
#
& # # j j
Tpt 2.
## > >
&
> >
#
& #
Tpt 3.
j
#
>
# j J
>
j
>
n
>
>
n
>
>
>
>

>
>

>
> J
>
> J
#
J J
# j #
J
>
#

>
>
J
# n
>
j j
<#> n # n
Tpt 1.
80
&
Hn. 3.
>

J
79
> >

78
>

J
>
# j J
>
# j
77
>

#
>j
76
b >
>
b
Hn. 1.
75
> J
# j
>
J
J
74
>
>
J
>
J J
73
> > > > > >

>

>
>
>
>

n
#

soli
Tbn.
soli
> >

Tbn.
soli
4
?
Tba.
[66]
Snares (Watch)
?
Perc.
j j
J J
j j
J J
&
Voice
&
Hp.
> >
&
Vln. A
> >
&
Vln. B
> >
&
Vln. C
> >
&
Vln. D
> >
Vla.
Vc.
?
Db.
# n
# n
# n
# n
# n
j j j j
j j
J J J J
>j
>j
J J
>j
>j
>j
>j
J J J J
>j
J
>j
J
81
>
b >
83
[82]
n j
bbb J
>
Fl.
&
Ob.
&
b >
>
>
b >
>
>
Cl. 1.
&
Cl. 2.
#
& #
>
b >
Bsn.
#
&
Hn. 1.
# j
> b >
bb
b J
>
bb
> >
b
>
n >
85
bbb
##
84
n j
B J
n j
87
86
# j
n j
n j
n j
>
ff
Hn. 2.
>
>
n
#
&
>
bb
>
ff
> >
n b
#
&
Hn. 3.
>
bb
>
ff
Tpt 1.
##
&
Tpt 2.
>
>
b
>
>
>
>
>
n
>
>
>
b
>
>
##
&
Tpt 3.
>
n >
#
& #
>
>
>
>
J
b
bb
>
>
>
b
>
bbb J
> >
b
>
bbb
[82]
Tbn.
b >
>
Tbn.
>
b
?
Tba.
?
Perc.
bbb
bbb
&
Voice
>
>
>
>
>
&
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
Hp.
&
Vln. B
Vln. C
Vln. D
.
b
bb
.
bbb
.
b
bb
>
>
&
>
b
>
>
&
>
b
>
>
&
>
b
>
>
&
>
b
b >
>
b >
> b >
bbb J
> b >
bbb J
Vln. A
bbb
.
bbb
Vla.
Vc.
b >
?
Db.
bbb
>
.
.
>
>
>
>
>
.
.
>
>
>
J
>
>
>
>
.
.
.
>
88
89
90
91
92
93
Fl.
j
j
bb # n J J
b
&
b
&b b
Ob.
&b
Cl. 1.
&b
Cl. 2.
j n
j
B bbb J J
Bsn.
J
J
J
~~~~
J
j
j
~~~~
J
J
J
J
J
b
&b
Hn. 2.
b
&b
Hn. 1.
96
95
94
~~~~
b
&b
Hn. 3.
Tpt 2.
&b
&b
>
J
>
J
>
J
Tbn.
Tba.
? bb
? bb
>
>
>
>
>
>
>
Tbn.
j

>
J
>
? bb
&b
Tpt 3.
Tpt 1.
Cymb.
j

J J
?
Perc.
b
&bb
Voice
b n
&b b
>
j

J J J
j
j
j
j
j
j j
j

J J J J J J J
b

J
j
j

J J
>
j
J
>
Hp.
b
&b b
Vln. A
b n n
&b b
Vln. B
b
&b b
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
J
J J
J J
J J
J J
J J
J J
J J
J J
J J
J J

J
J
J J

J
j

J J

J
J

J
J
J
J
J
J
J
J
J
J
J
J
J
J
divisi
bb n n
b
&
Vln. C
>

J
>
J
divisi
bb
& b
Vln. D
.
B bb
Vla.
? bb
Vc.
Db.
? bb
>

J
>
>
> j
J
j
J
>
>
No. 13
There Is Nothing
Like A Dame
DIALOGUE
cue:
Sailor: "...heard the GI's were coming. That's why!
It ain't boar's teeth...It's women!"
1
10
11
12
[9]
Allegro
2
b
&
4 pp
Flute
2
4
# 2
& # b
4
b b j
J
J J
14
[13]
###
###
####
#
15
dimin.
&
Oboe
Clarinet 1. in Bb
j
j
n b
dimin.
dimin.
pp
# 2
& #
Clarinet 2. in Bb
pp
2
4
?
Bassoon
b n
J
####
j
j
#
j
j b
j
n
b n
n
b n b
f
b n b
J
J
j j j b j j j j b b
###
n
J b
b
b n
dimin.
2
4
&
Horn 1. in F
j # j
dimin.
####
2
4
&
Horn 2. in F
j
j
#
p
2
4
Dimin.
#
&
Horn 3. in F
####
####
# 2
& #
Trumpet 1 in Bb
Dimin.
####
#### ^ ^
#
####
4
f
# 2
& #
Trumpet 2 in Bb
4
## 2
&
4
Trumpet 3 in Bb
Dimin.
Dimin.
^ ^
#
2
4
? 2
Trombone 2.
4
? 2
Tuba
4
###
Dimin.
^
?
Trombone 1.
###
[9]
###
&
2
4
2
4
###
&
MNMOMNNM
<#>
<#>
Dimin.
f
Voice
Dimin.

mf
[13]

2
4
Allegro
Percussion
Dimin.
# ^
###
Dim.
pp
Harp
2 b j
&
4 pp
2
4
###
###
###

J
PIZZ
Violin A
sulla tastiera
PIZZ
2
&
4 b
Violin B
j j j j
n b n b n b b
dimin.
f
pp
PIZZ
&
Violin C
2 b j
4 pp
###
Violin D
sulla tastiera
2
&
4 b

PIZZ
j j j j
n b n b n b b
###
dimin.
f
pp
sulla tastiera
Pizz.
B 2 b
4
Viola
b n b
J
b b j j
J
J
###
dimin.
pp
?
Violoncello
4 pp
b
J
n b
J
b b J b b
J
J
J J
J
J J
PIZZ.
?
Double Bass
2
4
> # > # #
>
>
>
#
b b b n
#
>
>
###
> b b
PIZZ.
Dim.
PIZZ.

Dim.
16
18
19
20
21
22
23
24
25
26
27
28
###
29
30
31
# [32]
[17]
&
Fl.
###
&
Ob.
J
p
2
# ##
& # #
Cl. 1.
pp
2
##
& # ##
Cl. 2.
pp
SOLO
Bsn.
? ###
Hn. 1.
####
&
j
# n
##
& ##
Hn. 2.
n
p
####
&
Hn. 3.
##
.
& # ## J
Tpt 1.
j

f
#
J
p
####
&
Tpt 2.
.
# J
n J
p
.
##
& # ## J
.
? ### J
Tpt 3.
Tbn.
? ###
# .
J
Tbn.
J
p
f

n
J
J
p
f
# ^ ^
n

J
p
? ###
Tba.
Dimin.
[17]
[32]

Perc.
f
Sailor:
###
&
Voice

We got
##
& #
Seabee:
Billis:
Sailor:
sun- light on the sand, we got moon - light on the sea, We got man- goes and ba - na - nas You can pick right off a tree, We got vol - ley ball and ping pong And a
What ain't we got?
lot of dan -dy games...
All:
#
J
J
We

ain't got dames!
Hp.
? ###
##
& #
Vln. A
12
###
&
Vln. B
&
Vln. C
12
##
& #
B ###
p
4
Vln. D
###
Vla.
p
? ###
? ###
Vc.
Db.
n J
f
33
34
35
37
38
39
40
41
42
43
44
45
46
47
[36]
###
49
#
J
48
&
Fl.
dimin.
###
&
Ob.
# J
p
dimin.
2
# ##
& # #
Cl. 1.
Cl. 2.
##
& ##
Hn. 1.

Bsn.
dimin.
? ###
dimin.
##
& # ##

dimin.
j
#
p
##
& ##
# ##
& #
Hn. 2.
Hn. 3.
Dimin.
j
n
p
j

Dimin.
##
& # ##
Tpt 1.
# J
p
dimin
####
&
Tpt 2.
n J
dimin
####
#
&
Tpt 3.
? ###
Tbn.
? ###

J
dimin

J J J
dimin.
# .
n J
p
Tbn.
n J
p
Dimin.
? ###
Tba.
j Marine:

[36]
4
Perc.
Dim.
##
& #
Voice
We get
###
Sailor:
Stewpot:
Soldier:
Seabee:
Sailor:
Billis:
All:
#
J
J
pack - a - ges from home, We get mov - ies, we get shows, We get speech - es from our skip - per And ad - vice from Tok - yo Rose, We get let - ters doused wit' poi - fume, We get diz - zy from the smell... What don't we get?
&
You
Hp.
? ###
##
& #
Vln. A
12
dimin.
4
##
& #
Vln. B
dimin.
4
###
&
Vln. C
12
dimin.
4
##
& #
Vln. D
dimin.
4
B ###
Vla.
p
dimin.
4
? ###
Vc.
dimin.
4
? ###
Db.
dimin.
n J
50
51
53
[52]
54
55
###
U
#
&
Fl.
U
n
57
[56]
^
58
61
62
63
fp
60
59
pp
##
& #
Ob.
nU
fp
pp
##
& # ##
Cl. 1.
U
n
U
n
# >
J
U
#
U
#
pp
ffz
##
& # ##
Cl. 2.
U
n
>
J
ffz
pp
? ###
Bsn.
nU
pp
####
&
Hn. 1.
>
J
ffz
^
J

. . . .
. .
. .

. .
####
&
Hn. 2.
####

##
& # ##
&
Hn. 3.
Tpt 1.
ffz
##
& # ##
Tpt 2.
^
J
ffz
# ##
& # #
Tpt 3.
>
>
. .
. .
. .
. .
. .

. .

. .

. .
. .

>.
J
ffz
? ###

p .
.

Tbn.
ffz
? ###
Tbn.
>.
J
ffz
? ###
Tba.
>.
j
No - thin'
in the
world,
ffz
[52]
U
^j[56]
O
J
Perc.
sfz
Billis: (like a recit.)
###
&
Voice
"U

know damn well!
##
& #
" U
We_got_nothin'_to_put_on_a_clean_white
U
#
U
"
" U
suit for.
What_we_need_there_ain't_no_substi
tute for.
> There is
no - thin' like a
dame
ff
SHORT
Hp.
? ###
###
# U
divisi
ARCO
&
Vln. A
U
#
U
n
&
PIZZ
>j

^

J
ARCO
divisi
pp
ARCO
ffz
ARCO
##
& #
Vln. B
U
n
p
divisi
PIZZ
divisi
U
n
U
#
U
n
U
n
^j

pp
ffz
ARCO
###
&
Vln. C
PIZZ
divisi
U
#
^

J
ARCO
divisi
pp
ffz
##
& #
Vln. D
U
n
p
divisi
PIZZ
divisi
ARCO
U
n
U
#
^j

U
n
ARCO
pp
ffz
PIZZ
ARCO
B ###
Vla.
^j

ARCO
pp
ffz
PIZZ
^

J
ARCO
? ###
nU
Vc.
ARCO
pp
ffz
? ###
Db.
nU
>
J
ffz
PIZZ.
ARCO
64
65
66
67
68
# #
n n
###
69
71
[70]

72
73
76
77
78
79
75
[74]
&
Fl.
dimin.
2
###
# # n n
&
Ob.
dimin.
SOLO
####
#
&
Cl. 1.
# # # n #
# ##
& # #
Cl. 2.
dimin.
dimin.
2
Bsn.
? ###
Hn. 1.
##

& ##
Hn. 2.
##
& # # #
Hn. 3.
##
& # ##
Tpt 1.
&
Tpt 2.
&
Tpt 3.
? ###
dimin
J
dimin
soli
####
Dimin.
####
Dimin.
##
& # #
j

dimin.
p

J
dimin
Tbn.
f
dimin
? ###
#
J
Tbn.
f
dimin
4
? ###
Tba.
Dimin.
[70]

[74]
Perc.
Dim.
Marine:
##
& #
Voice
There is
##
& #
no - thin' you can name
That
is
an - y - thin'
like
dame.
Seabee:
We feel
Professor:
rest - less, we feel blue, We feel lone - ly and, in
brief, We feel ev - 'ry kind of
feel - in' but the
Hp.
? ###
###
PIZZ
&
Vln. A
dimin
PIZZ
##
& #
Vln. B
dimin
PIZZ
###
&
Vln. C
dimin
PIZZ
##
& #
Vln. D
dimin
PIZZ
B ###
Vla.
#
f
#
p
dimin
PIZZ
? ###
Vc.
? ###
Db.
f
dimin

f
Dim.
p

p
80
81
82
83
84
85
86
###
87
88
#
J
89
91
[90]
U
n
&
Fl.
92
U
#
U
n
U
n
U
#
nU
p
pp
###
&
Ob.
#
J
pp
>
>
## >
& # ## # n # #
Cl. 1.
n n
J
n
J
####
&
Cl. 2.
pp
p
pp

? ###
Bsn.
n
J
pp
####
&
Hn. 1.
# ##
& #
##
& ##
Hn. 2.
Hn. 3.
&
Tpt 1.
Tpt 2.
##
& # ##
# ##
& # #
Tpt 3.
? ###
? ###
? ###
####
Tbn.
Tbn.
Tba.
[90]
?
Perc.
All:
##
& #
Voice
feel - in' of re - lief.
##
& #
We feel hun - gry as the wolf felt When he met Red Rid - ing Hood...
What
Stewpot:
Billis: (like a recit.)
J
J
don't we feel?
We don't feel
" U
good!
"
Lots_of_things_are_beautiful_in_life,_but,
"U

broth - er
"
There_is_one_particular_thing_that_is_nothin'
whatsoever_in_any_way,_shape_or_form_like_any
Hp.
? ###
###
divisi
U
#
U
n
U
nn
U
#
U
#
U
n
U
nn
U
#
nU
nU
ARCO
12
&
Vln. A
J
J
pp
divisi
ARCO
###
&
Vln. B
j
n
U
#
pp
divisi
ARCO
###
12
&
Vln. C
J
J
pp
divisi
ARCO
##
& #
Vln. D
j
n
J
U
#
pp
ARCO
B ###
Vla.
J # J
pp
ARCO
? ###
Vc.
4
? ###
Db.
j
n J
j
n J
ARCO
93
95
^
Fl.
## U
& #
Ob.
## U
& #
Cl. 1.
#### U
& # #
96
97
[94]
fp
98
99
100
101
102
103
104
105
106
# #
n n
107
108
>
>
^
J
>
>
ffz
## U
& # ## n
Cl. 2.
^
J
ffz
^
J
? ### U
Bsn.
>
ffz
####
####
####
Hn. 3.
&
U
Tpt 1.
# ##
& # #
&
Hn. 1.
&
Hn. 2.
^
J

p .
.

ffz

. .
. .
.
. .

>
n
>
# n

>

#
. .

>
p
f
####
#
&
Tpt 2.
^
J
ffz
. .
.
.
. .
. .

. .
>

p
f
##
& # ##
Tpt 3.
^

J
. .

. .

. .
.
.

>

? ###
? ###
ffz
>
J
>
Tbn.
sffz
>
J
>
Tbn.
sffz
? ###
Tba.
>.
j
ffz
^j [94]
O
J
?
Perc.
sfz
12
p
All:
###
&
Voice
There is noth - in' like a
>
oth - er.
##
& #
dame...
Noth - in'
in the
world!
dame.
There is noth - in' you can name
That
is
an - y - thing
like
ff
p
Hp.
? ###
&
>
j
divisi
PIZZ
Vln. A
U
###
&
^

J
ffz
## U
& # n
Vln. B
p
divisi
PIZZ
^j

> >

ARCO
ARCO
ffz
>

PIZZ
U
###
&
Vln. C
^

J
divisi
ffz
## U
& # n
Vln. D
B ###
Vla.
^j

ARCO
ffz
PIZZ
p
divisi
PIZZ
^j

> >

ARCO
>

p
divisi
Unis.
ARCO
ffz
> >

p
ARCO
PIZZ
^

J
? ### U
Vc.
ffz
>
PIZZ.
? ### U
Db.
>
J
ffz
109
Fl.
111
> [110]
### > > > #### J
#
&
112
###
&
Ob.
117
. .
. .
. .

. .
. .
. .
. .

118
119
120
121
122
123
124
>>
>
> > ##### J
116
# # > > > > bb b J>

bb
& # ##
? ###
Bsn.
115
. .
. .
. .

.
.

p.
.

Cl. 2.
114
> > > > # ##

# #
>
#### > > > > bb b J
bb
& #
Cl. 1.
113
. .
. .
. .
. .

pp
Hn. 1.
# # > > > > #### # >

# J
& ##
.
.

. .
. .
. .
. .

. .
. .
. . . .
. .
.
. . .
n
pp
f
# # >>>> # # #>
& # # # ## J
Hn. 2.
.
.
. .
. .
. .
. .

. .
. .
. . . .
. .
.
. . .
n
pp
f
. .
. .
.
.
. .
. .
. .
. .
. .
. . . .
.
. . .
# # > > > > #### # >j
& ##
f
p
pp
f
>
>
. .
>
>
.
.
.
.
.
.
#
>
## #
j
j
b
& # bbb J
Hn. 3.
Tpt 1.
#### > > > > b b > . .

& # b b b J
p
#### > > > > bb b >j . .
bb
& #
p
. # .
>
>
>
>
>
#
#
? ##
## # J
#
p
. # .
>
>
>
>
>
? ### ####
# J
Tpt 2.
Tpt 3.
Tbn.
Tbn.
mf
. . . .
b n
mf
. . . .
n
n . . # . n .
Tba.
#### >j
#
mf
Perc.
. .

mf
. .

mf
n . . n . .
. .

? ###
. .

<#>

. .
mf
[110]
j

J
j
O
pp
f
Tenor Solo:
##
& #
Voice
####
#
Noth - in' else is built the same!
Noth - in'
in the
world
Has a soft and wav - y frame
like
of
dame.
the
sil - hou - ette
SOLO
###
####
&
n
#
J
p
DOUBLE IN
TWO HANDS
Hp.
? ###
###
> > Pizz. ^

> > ##### J
&
Vln. A
####
#
J
ARCO
. .

pp
Pizz.
###
&
Vln. B
> > > > # ## ^ j

# #
divisi
ARCO
# ## n
unis
. .

pp
f
###
&
Vln. C
> > Pizz. ^

> > ##### J
f
ARCO
. .

pp
Pizz.
###
&
Vln. D
> > > > # ## ^ j

# #
divisi
ARCO
# ## n
unis
. .

pp
f
Pizz.
Arco
B ###
Vla.
> > > > # ## >

# #
ARCO
. .
Pizz.
Arco
? ###
Vc.
>>
> > ##### J
pp
? ###
Db.
#### >
# J

pp
DIALOGUE
cue to continue:
Nellie: "Well, good-bye Luther."
[136]
125
127
128
129
130
131
132
133
134
135
137
138
139
140
141
142
143
Piccolo
####
#
&
Fl.
^ [126]

# j
Solo
U ##
J #
###
###
>

J
&
####
&
Ob.
^
# # j
U #
##
J
&
U #####
J
# # >
& # ## J
sf
&
Cl. 1.
bbbb
^
j
b n
sf
b
& b bbb
Cl. 2.
Bsn.
j
n
^
? #### # j
U #
j ## ##
####
&
>j
#
>
J
? ###
>
Hn. 1.
# ## #
& # #
Hn. 2.
# # # j>
& # ## #
j
#
j U # ##
#
sf
sf
j U ##
#
# ## >
& #
J
sf
## >
& # # n j
##
j # #

U U # ##
#

# ## >
& # # J
# ## #
& # #
>
j
#
>
bb
& b b b nj
Hn. 3.
Tpt 1.
sf
# ## >
j
& #
sf
to harmon
####
#
sf
>
b
& b bbb nj
Tpt 2.
to harmon
####
####
#
&
>j
#
sf
Tpt 3.
>
bb
&b b b
j
n
? ####
j
#
to harmon
####
####
#
&
>
# <n> j
sf
Tbn.
U ##
J #
? ###
p
j
#
? ####
Tbn.
>
J
sf
j
#
##
? ###
#
j ##
? ###
>
J
p
sf
U
? ####
Tba.
j
#
>
j
sf
[126]
Perc.
[136]^
j
O
J
sfz
pp
All:
(whistle)
Bass Solo:
####
&
Voice

There is
###
###
&

ab - so - lute - ly noth - in' like the frame of a
dame.
##
& # ##
###
? ####
###
####
###
##
& #
? ###
###
>
J
Hp.
&
Vln. A
>
# # j
&
p
##
& # ##
Vln. B
####
&
Vln. C
j
#
>
# # j
ff
U

p
U

###
##
& #
###
###
##
& # ##
Vla.
>
J
divisi.
. . . . . . . . . .
.

p
divisi
ff
U

p
U

. . . . . .
. . . .

&
j
#
>
B ##### j
#
>

J
. .

ff
Vln. D
divisi
###
##
& #
>

J
. .

. . . . . .
. . . .

divisi.
. . . . . . . . . .
.

ff
Pizz.
###
B ###
Arco
p
sf
Pizz.
Arco
>
j
#
? ####
Vc.
j U #
##
? ###
>
J
p
sf
PIZZ.
ARCO
? ####
Db.
j U #
##
? ###
>
J
p
sf
DIALOGUE
cue to STOP:
PROFESSOR: "THEY'VE GOT 'EM."
DIALOGUE
cue to continue:
STEWPOT: "....THEY CAN HAVE 'EM."
Vamp
144
145
146
147
148
149
151
152
154
155
156
Vamp
VOCAL
###
&
Fl.
[150]

[153]
Flute
2
###
&
Ob.
####
&
Cl. 1.
p
4
##
& # ##
Cl. 2.
2
? ###
Bsn.
##
& ##
Hn. 1.
##
& ##
Hn. 2.
Hn. 3.
##
& ##
Tpt 1.
# ##
& # #
##
& # ##
Tpt 2.
##
& # ##
Tpt 3.
? ###
? ###
? ###
[150]
4

Tbn.
Tbn.
Tba.
Vamp
8
Perc.
##
& #
Voice
j j
J J
[153]
Marine:
Sailor:
(whistle fall off)
So sup
pose a dame ain't bright, Or com - plete - ly free from flaws, Or as
##
& #
? ###
###
Hp.
&
Vln. A
.
.
. .
. .

. .
. .
. . PIZZ
n# n
PIZZ
pp
p
PIZZ
PIZZ
##
& #
Vln. B
##
& #
Vln. C
. .
. .
.
.
#

.
.
. .
. .

. .
. .
. .
n

pp
PIZZ
PIZZ
. .
. .
. .
n# n
pp
p
PIZZ
PIZZ
###
&
Vln. D
. .
. .
.
.
#

. .
. .
. .
n

pp
p
PIZZ
PIZZ
B ###
Vla.
pp
p
4
? ###
Vc.
pp
? ###
Db.
pp
157
###
158
159
160
161
162
163
164
167
168
[165]
#
&
Fl.
166
###
&
Ob.
170
[169]
171
172
####
&
Cl. 1.
n J
f
4
####
&
Cl. 2.
? ###
Bsn.
n J
Hn. 1.
##
& ##
j
# n
> . .
J
. .

.
.
. .

p
sf
####
&
Hn. 2.
####
open
####
&
Tpt 1.
.
. .
>j .
.
.
. .

sf
&
Hn. 3.
.
. .
>j .

p
#
J
sf
n J
> > >

J
> > >

J
.
.
. .

> > > >
>
> > >>

>
> > > >
>
> > > >
>
> > > >
>
open
####
&
Tpt 2.
p
f
open
####
#
&
Tpt 3.
J
p
? ###
Tbn.
? ###
Tbn.
>j > >

f

n J
> > >

J
n J
> > >

J
p
f
? ###
Tba.
[165]
[169]
j

Perc.
f
Sailor:
Soldier:
###
&
Voice

faith - ful as
###
#
J
bird - dog, or as kind as San - ta Claus... It's a waste of time to wor - ry o - ver things that they have not;
All:
Be thank - ful for
&
the
things they
>
>j

>

J
got!
ff
Hp.
? ###
###
&

12
&
Vln. A
f
4
###
&
Vln. B
>
j
###
12
&
Vln. C
>

J
f
###
&
Vln. D
>j

B ###
Vla.
>
j
Pizz.
? ###
Vc.
? ###
Db.
>
J
Arco
sf
>
J
>
sf

n J
> >
>

173
###
174
175
176
178

[177]
180
181
# # n j
&
Fl.
179
182
184
185
186

J

J
. . . . . . . . . . j

[183]

.
.
[187]
###

&
####
& #
Ob.
Cl. 1.
n
# # n
. . . . . .
####
& #
Cl. 2.
. .
.
.
? ###
Bsn.
. . . . . ...
j
. .
. .

. . .

Hn. 1.
#### . . . . . . . . . .

&

. .
. .
. .
. . . .
n
. .
.
j
J
J
.
.
j J
. . . .
. .
. .
. .
# n
.
.
. .
.
.
. .
.
# ##
& #
p
.
.
.
.
.
.
.
.
.
#
## #

&

p
#### >j >

& #
Hn. 2.
Hn. 3.
Tpt 1.
.
. .
. .
. .
. . . .
TO Str. Mute
pp
TO Str. Mute
## > >
& # ## j
Tpt 2.
pp
TO Str. Mute
# ## >j >
& # #
Tpt 3.
pp
? ###
Tbn.
> >
J
TO Str. Mute
? ###
Tbn.
> >
J
? ###
Tba.
[177]

Perc.
[183]
[187]
j Xylon n n
j
&
n n n n
J
p
All:
##
& #
Voice

There is
noth - in' you can name
That
is

an - y - thin'
dame!
like
There are no
###
&
books
like a
cresc. poco
Hp.
##
& #
###
&
Vln. A
PIZZ
ARCO
p
ARCO
###
PIZZ
&
Vln. B
divisi
p
PIZZ
ARCO
###
&
Vln. C
p
ARCO
###
PIZZ
&
Vln. D
divisi
p
Arco
B ##
PIZZ
Vla.
? ###

PIZZ
Vc.
p
Poco a poco cresc.

PIZZ.
? ###
Db.
J
p
J
Poco a poco cresc.
188
###
Fl.
&
##
& #
Ob.
189
190
191
##
& # ##
Cl. 1.
##
& # ##
Cl. 2.
192
193
194
[195]
# ##
& #
Hn. 1.
Hn. 2.
##
& ##
Hn. 3.
# ##
& #
Bsn.
200
201
202
204
[203]
205
206
. . .
199
198
197
? ###
196
.
.
j J
12
16
12
16
20
Str. Mute
##
& # ##
Tpt 1.

J
J
J
J

J
J

J J
j
J
open
f
f
Str. Mute
# ##
& # #
Tpt 2.
open
j

J
j
j
j

J
J J
j j
f
f
Str. Mute
##
& # ##
Tpt 3.
open
j
j
j j
j
j
J
J
j j

J J
. .

Str. Mute
? ###
J J
? ###
? ###
J J
J J
open
J J
Tbn.
Tbn.
Tba.
[195]
[203]
&
Perc.
##
& #
Voice
dame
And noth - in' looks like a
# #
& #
dame.
There are no drinks like a
J J

J J
J J
J J
dame
And noth - in' thinks like a
dame.
Noth - in'
acts
like a
dame
Or at-
Hp.
? ###
ARCO
divisi
###
J J
&
Vln. A
ARCO
###
Vln. B
&
Vln. C
##
& #
ARCO
ARCO

J
J

J J
-
J

J J

J J
-
J
divisi

J
J
divisi
J J
J J

J J
divisi
###
B ###
? ###
? ###
&
Vln. D
J J

J J
4
12
16
Vla.
12
16
Vc.
Db.
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
Rit.
###
Fl.
&
##
& #
Ob.
Cl. 1.
##
& # ##
Cl. 2.
##
& # ##
? ###
> > > # > > >
# #
J
# #
#
J
#
J
Bsn.
224
# #
J
#
J
223
A
tempo
##
& ##
Hn. 1.
##
& ##
Hn. 2.
##
& ##
Hn. 3.
####
&
Tpt 1.

J
J
#
J
pp
####
&
Tpt 2.
-j -j

&
Tpt 3.
-j -j

ff
poco a poco cresc.
pp
####
# #
J
<n>
J
> # > # > > > # >
ff
poco a poco cresc.
j
#
> > > >> >

pp
poco a poco cresc.
? ###
J J
#
J
ff
# #
J
Tbn.
p
ff
? ###
Tbn.
ff
poco a poco cresc.

8
? ###
Tba.
12
16
poco a poco cresc.
Rit.
A tempo
Timp
4
#
J
by
put - tin' him
near
girl - y,
wo - man - ly,
fe - male,
fem - i - nine
&
Perc.
##
& #
Voice
tracts like a
dame.
There ain't a thing that's
wrong with
an - y man
here That
can't
be
#
#
cured
##
& #
dame!
#
J
#
J
Hp.
4
? ###
###
###
-
J
-
J
#
J
-
J
#
J
-
J
&
Vln. A
&
Vln. B
###
&
Vln. C
###
&
Vln. D
# #
J
# #
J
Divisi
B ###
? ###
Vla.
Arco
- -
Vc.
Arco
? ###
Db.
EXIT
SEGUE EXIT
<>
225
###
226
###
&
Fl.
228
[227]
###
&
229
230
231
mf
###
&
Ob.
&
mf
Cl. 1.
U
#
#
& # ##
Cl. 2.
#### U
& #
^
j
^
j
##
& # ##
mf
####
&
mf
? ###
Bsn.
^j

? ###
mf
#### U
Hn. 1.
&
>
j
Hn. 2.
## U
& ##
>
j
## U
& ##
>
j
# ##
& #
##
& ##
mf
mf
Hn. 3.
##
& ##
mf
Tpt 1.
U
^
####
& #
Tpt 2.
U
#### ^
& #
Tpt 3.
U
#### ^
& #
##
& # ##
mf
^
j
##
& # ##
mf
^
j
##
& # ##
mf
U
^
? ###
>
j

U
^
? ###
>
j

? ###
>
j
? ###
Tbn.
? ###
mf
Tbn.
mf
? ###
Tba.
mf
?
Perc.
>j

[227]

mf
##
& #
Voice
Hp.
U
~~~~
~~~~
###
~~~~
&
~~~~ j
~~
U
? ###
###
Vln. A
&
Vln. B
##
& #
##
& #
Vln. C
##
& #
Vln. D
<>
U
##
& #
##
& #
>
j
>
j
<>
U
mf
? ###
###
loco
opt 8va
&
mf
##
& #
mf
loco
>
j
>
j
>j

loco
U
#
#
B #
Vla.
##
& #
loco
opt 8va
j

J
mf
##
& #
mf
Divisi
B ###
mf
? ###
>j

? ###
>j

Vc.
? ###
mf
PIZZ.
Db.
ff
? ###
mf
232
233
234
235
236
237
238
239
###
&
Fl.
##
& #
Ob.
n n n
J
##
& # ##
Cl. 1.
##
& # ##
Cl. 2.
? ###
Bsn.
Hn. 1.
##
& ##
# ##
& #
Hn. 2.
####
&
Hn. 3.
# ##
& # #
Tpt 1.
##
& # ##
Tpt 2.
####
&
Tpt 3.
? ###
Tbn.
? ###
Tbn.
p
? ###
Tba.
Perc.
j

J
you
can
name
That
j

J
is
an - y - thin'...
n#
j
n
Mary:
##
& #
Voice
##
& #
There
is
noth - in'
n #
#
Hp.
E A #
E#
? ###
##
& #
Vln. A
#n
###
&
Vln. B
##
& #
Vln. C
#n
###
&
Vln. D
B ###
Vla.
j

J
#n
j
J
? ###
Vc.
p
? ###
Db.
No. 14

Mary and Lootellan

DIALOGUE
cue to continue:
Billis: "Emile de Beque?
Cable: No, but I'm going to.
Bloody Mary: Hey Lootellan!"
DIALOGUE
cue:
Cable: "No, I'm even crummier than that. I'm a lieutenant.
Bloody Mary: Lootellan?
Cable: Lootellan."
DIALOGUE
cue to continue:
Billis: "Officers can get launches
and go over there."
Lento misterioso
& C
[1]
>>
#w
& C
>>
#w
Flute
Uw
U
> >
#w
&
sfz
Wait
>>
#w
Uw
U
> >
#w
&
mf
[10]
Wait
>>
#w
sfp
Clarinet in Bb
mf
>>
#w
## solo
C
&
[7]
sfp
Oboe
sfz
>>
#w

Wait
## U > > # w
&
Uw
solo
sfp
#
& #C
Clarinet in Bb
C
Bassoon
sfz
mf
#
& #
Uw
#
& C
Horn 1. in F
sfp
mf
+
bw
U+
bw
sfp
#
& C
Horn 2. in F
+
w
& C
Horn 3. in F
# U
&
&
U+
w
sfp
&
U+
w
U+
w
sf
mf
##
#
& #
#
& #
#
& #C
Trumpet 2 in Bb
#
& #C
Trumpet 3 in Bb
U+
bw
sf
mf
#
& #C
Trumpet 1 in Bb
sf
U+
w
+
w
mf
sfp
sfz
&
?
Trombone 1.
?
Trombone 2.
?
Tuba
[1]
[7]
U
[10]
Lento misterioso
Percussion
BRUSH GLISS
& C
b b
b b
&
6
MMLOLNLL
B|,E|,F#,G|,A|
ppp
Harp
sordini
& C
Violin A
# w
U
w
&
U
# w
U
w
U
b ww
U
w
U
b ww
U
ww
sf dimin.
sfp
sordini
C
&
Violin B
>
b ww
ww
ww
ww
U
ww
b ww
&
>
b ww
&
U
# w
mf
sfp
sf dimin.
sordini
C
&
Violin C
# w
U
w
b ww
ww
sf dimin.
sfp
sordini
C
&
Violin II
>
b ww
ww
ww
ww
>
b ww
>
ww
&
mf
sfp
sf dimin.
sordini
Viola
>
ww
ww
ww
ww
U
ww
ww
sfp
mf
sf dimin.
sordini
Violoncello
- - w
?
Double Bass
11
12
13
14
Solo
&
Fl.
pp
&
Ob.
#
& #w
Cl. 1.
#
& #
Cl. 2.
?
Bsn.
Hn. 1.
&
Hn. 2.
&
Hn.
&
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn.
?
Tbn.
?
Tba.
?
Perc.
b b b b b b b b b b b b b b b
&
6
Hp.
pp
&
Vln. A
pp
&
Vln. B
&
Vln. C
pp
&
Vln. D
pp
Vla.
at point
Vc.
b w
b w
b w
pp
Db.
b w
pp
15
16
Fl.
& bw
Ob.
&
#
& #
Cl. 1.
#
& #
Cl. 2.
?
Bsn.
Hn. 1.
&
Hn. 2.
&
Hn.
&
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
b b

b b

b b

b b

?
Tbn.
?
Tbn.
?
Tba.
?
Perc.
&
6
Hp.
Vln. A
&
Vln. B
&
Vln. C
&
Vln. D
&
Vla.
b w
b w
Vc.
?
Db.
DIALOGUE
cue:
Billis: "Shut your big fat mouth!"
17
18
20
[19]
U
&
"
&
Fl.
> > #
> > #
sfz
&
Ob.
&
Segue
sfz
#
& #w
Cl. 1.
# U
& #
> > #U
sf
#
& #
Cl. 2.
?
Bsn.
#
& #
>
sfz
&
Hn. 1.
# U
&
U+
b
sf
&
Hn. 2.
U+
&
sf
&
Hn.
U+
&
sf
#
& #
#
& #
Tpt 1.
#
& #
#
& #
Tpt 2.
#
& #
#
& #
Tpt 3.
# U
Str. mute
Seque to cup
Tbn.
mf
sfz
mf
sfz
Str. mute
Seque to cup
Tbn.
Tba.
[19]
?
&
Perc.
b
b b
b
U
b b b
&
Segue
&
6
Hp.
?
w
&
Vln. A
?
U
&
sf
&
Vln. B
sf
&
Vln. C
&
&
sf
&
Vln. D
&
sf
Vla.
sf
b w
b w
Vc.
?
Db.
No. 15

Bali Ha'i
cue:
Segue from NO. 14
1
10
11
12
# # # #
b n n
Moderato
4
&
4
Flute
4
4
#4
& #
4
# #
&
English Horn
Clarinet in Bb
n
p
## 4
&
Clarinet in Bb
b n n
4
4
?
Bassoon
b b b
b b b
p
mute
4
&
4
Horn 1. in F
marcato
marcato
marcato
n
p
mute
marcato
marcato
marcato
4
&
4
Horn 2. in F
b n n n

p
mute
marcato
marcato
marcato
#
Horn 3. in F
Trumpet 1 in Bb
Trumpet 2 in Bb
Trumpet 3 in Bb
Trombone 1.
4
&
4
#4
& #
4
#4
& #
4
#4
& #
4
? 4
4
?
Trombone 2.
?
Tuba
# # # #
4
4
4
4
Percussion
Moderato
Vibraphone
(no fan)
# n
4
4p
Mos' peo - ple
live on a line - ly
is

Lost in the
mid - dle of a fog - gy
sea.
Mary:
4
4
&
Voice
&
4 j
4
land
mf
Harp
let ring
4 j
4

Mos' peo - ple
long for a - nud - der
is
land
sordini
4
&
4w
Violin A
p
sordini
&
Violin B
4
4w
p
sordini
&
Violin C
4
4w
p
sordini
&
Violin II
4
4w
p
Unis.
Unis.
divisi
sordini
B
Viola
divisi
Pizz.
Pizz.
4 j
4
- - - b # #
divisi
Pizz.
Arco
Arco
- - - # # # #
Arco
j
n
- - - - -
b b b
p
sordini
Pizz.
Pizz.
?
Violoncello
Pizz.
Arco
4 j
4
Arco
- - -
- - - - - b
Pizz
- - - # # # #
Arco
j

n
- - -
p
Pizz
?
Double Bass
4 j
4p
arco
pp
- - - - -
arco
Pizz
- - - - - b b b
arco
13
14
15
18
[17]
#
&
Fl.
16
#
#
19
#-
#w
#
& #w
#w
#w
Cl. 1.
&
w
#
#
p
6
Eng. Hn.
20
#w
p
#
& #w
Cl. 2.
# n
?
w
Bsn.
#-
&
Hn. 1.
&
Hn. 2.
pp
#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 3.
&
Tpt 1.
?
Tbn.
?
Tbn.
?
Tba.
[17]
?
Perc.
&
Voice
One where dey know dey would lak
&
to
be.
Ba - li
Ha'i
ww
ww
www
ww
w
ww
w
ww
w
w
may
# #
ww
ww
Hp.
# #
call you,
#
c
An - y
night,
an - y
# #
# #
day.
In your
&
Vln. A
&
Vln. B
&
Vln. C
&
Vln. D
B
w
Vla.
Unis.
ww
Vc.
w
p
?
w
Db.
21
22
23
24
26
[25]
# # # n
&
Fl.
b b b n
#
#
6
6
#
b
&
Eng. Hn.
n b
#
& # #
Cl. 1.
#w
#
& #
Cl. 2.
?
Bsn.
#w
&
Hn. 1.
#
& #
Hn. 2.
pp
#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 3.
&
Tpt 1.
?
Tbn.
?
Tbn.
?
Tba.
[25]
?
Perc.
&
Voice
n b
heart
You'll hear
# #
&
Hp.
? # #
it
call you
Ba - li
Ha'i
Will
"Come a - way,
come a - way."
# #
# #
# #
whis - per
On de
& #
Vln. A
b b b
b b b
n b
&
Vln. B
n b
& #
Vln. C
&
Vln. D
Vla.
B #
? #
Vc.
Db.
27
28
29
30
31
32
[33]
6
5
#
#
&
Fl.
# # # n n
b b b n
n #
6
6
#
& #w
Eng. Hn.
? #w
w
Bsn.
n b b
#
& #
Cl. 2.
#
& # w
Cl. 1.
Hn. 1.
&
Hn. 2.
&
open
&
Hn. 3.
pp
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn.
?
Tbn.
?
Tba.
[33]
?
Perc.
&
Voice
wind
Of
sea;
"Here am
# #
&
de
n # n
own
spe - cial
I,
Your spe - cial
is - land!
Come to
me,
come to
me!"
Your
# #
#
n
3
Hp.
? # #
divisi
& #
Vln. A
n b
divisi
ww
&
Vln. B
b b b

divisi
& #
Vln. C
n b
divisi
ww
&
Vln. D
b b b

Solo
Vla.

marcato
? #
> > > >

Vc.
mf
- - - -
Db.
34
35
36
&
Fl.
37
38
39
40
42
[41]
#
#
3
3
6
&
Eng. Hn.
# b
#
& #w
Cl. 1.
#w
w
w
bw
#
& #
Cl. 2.
?

Bsn.
Hn. 1.
&
Hn. 2.
&
#
?
&
Hn. 3.
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn.
?
Tbn.
?
Tba.
[41]
?
Perc.
&
Voice
hopes,
Your
own
#
spe - cial
dreams
Bloom
&
on
de
w
ww
hill
side And
w
ww
shine
in
de streams.
b www
try,
You'll
# #
&
Hp.
?
#
&
Vln. A
&
Vln. B
ww
&
Vln. D
w
w
w
w
# #
bw
bw
#
ww
find me
Where de
ww
&
Vln. C
If you
ww
# #w
#
ww
ww
# #w
Tutti
> >

> >
# #
Vc.
?
Db.
- -
- -
Vla.
- - - -
- -
ww
ww
- - - - -
- - - - - - - b
43
44
45
46
47
48
[49]

#
#
&
Fl.
# # # n
n n b
b b
#
& #
Eng. Hn.
n b
#
& #
Cl. 1.
#w
#
& #
Cl. 2.
#w
? #
Bsn.
Hn. 1.
&
Hn. 2.
&
?#
Hn. 3.
cup mute
##
&
Tpt 1.

pp
cup mute
##
&
Tpt 2.

pp
cup mute
##
&
Tpt 3.

pp
cup mute
Tbn.
pp
cup mute
Tbn.
pp
Tba.
[49]
?
Perc.
&
Voice
sky
Meets de
"Here am
# #
&
sea,
n b
Come to
me!"
Ba - li
Ha'i,
Ba - li
I,
Your spe - cial
# #
#
is - land!
# #
Come to
me,
&
wwww
n
3
Hp.
#
c
? # #
www
w
divisi
& #
Vln. A
b n
n b
w
w
divisi
ww
&
Vln. B
& #
Vln. C
b b
b
#
w
w
b
b
b n
n b
divisi
w
w
divisi
&
Vln. D
b b
w
w
Divisi
Vla.
? #
Vc.
Db.
50
51
52
54
[53]
w
&
Fl.
55
56
57
58
59
60
61
p
solo
Eng. Hn.
#
&
Cl. 1.
& #
mf
Cl. 2.
Bsn.
#
& #
open
> >

> >

.
.
^ ^

&
Hn. 1.
open
&
Hn. 2.
?#
&
Hn. 3.
#
& #
Tpt 1.
##
&
Tpt 2.
pp
^ ^

pp
2
##
&
Tpt 3.
^ ^

pp
.
.

> >

.
.

Tbn.
f
pp
2
?
> >

.
.
b
.
.
n
Tbn.
f
pp
Tba.
[53]
?
Perc.
&
Voice
Ba - li
www
www
ww
Hp.
w
w
&
Vln. A
Some
day
you'll see me,
Ha'i,
&
Ha'i.
^ ^

f
v v
w
w
Float - in' in
short
de
My
sun - shine,
p b
.
.

n
.
.

.
.

bw
w
w
w
nw
w
w
w
w
w
head
stick - in'
out F'um a low - fly - in'
&
Vln. B
ww
ww
ww
cloud.
.
.
b

.
.

bw
w
b ww
ww
ww
You'll
hear
w
w
bw
w
p
b ww
n
n
w
w
ww
p
w
w
&
Vln. C
ww
bw
w
ww
nw
w
w
w
w
w
bw
w
&
Vln. D
w
w
ww
ww
^ ^

v v
ww
ww
mf
ww
b ww
ww
ww
b ww
bw
w
p
n
n
ww
p
B
Vla.
b ww
mf
n ww
b ww
n ww
b ww
ww
b ww
> >

> >
^ ^
^ ^

Vc.
w
?
Db.
me
.
.

b
mf
ww
w
w
62
63
64
65
66
67
68
69
70
71
72

&
Fl.
cresc.
&
Eng. Hn.
cresc.
2
#
& #
Cl. 1.
n
b n
cresc.
#
& #
Cl. 2.
n n
cresc.
Bsn.
b b
Mutes
&
Hn. 1.
cresc.
Mutes
&
Hn. 2.
b n
cresc.
Mutes
&
Hn. 3.
n
b
cresc.
2
#
#
& # n
Tpt 1.
cresc
2
Tpt 2.
#
& #
Tpt 3.
#
& #
b b
b b
Tbn.
2
?
Tbn.
?
Tba.
? Cymb.
~
Perc.
#w
pp
Cresc.
&
Voice
call you,
&
Sing - in' through
.
.

de
sun - shine,
Sweet
and
clear
as
solo
can
be.
"Come to
me,
Here am
I,
Come to
me!"
If you
w
w
Hp.
nw
& w
Vln. A
w
w
w
w
ww
ww
cresc.
ww
b ww
n ww
&
Vln. B
b
b b
cresc.
nw
& w
Vln. C
w
w
w
w
cresc.
ww
b ww
n ww
&
Vln. D
b
b b
cresc.
Unis.
n ww
n ww
b ww
B
Vla.
ww
ww
cresc.
Vc.
?

Db.
b
b
74
Fl.
[73]
>
#
&
75
77
n b b
# n # n n b n
n b b
fp
>
## n
&
n b n
n b n
n b
fp
n b b n
#
b b
n b
## >
&
n #
#
fp
Bsn.
Cl. 2.
b n b b b
fp
Cl. 1.
78
n
# n # n b
# >
& #
Eng. Hn.
76
Hn. 1.
#
& #
n b b
#
& #
Hn. 2.
&
Hn. 3.
p
f
>
## #
pp
# >
& #
Tpt 2.
&
Tpt 1.
pp
# >
& #
f >
Tpt 3.
pp
Tbn.
f
pp
>
?
Tbn.
Tba.
[73]
>
? j
Perc.
f
&
Voice
Meets de
sea,
try,
You'll
# #
&
find me
Where de
sky
# #
"Here am
I,
Your spe - cial
is
# # #
land!
Come to
Hp.
? # #
&
#
#
Vln. B
&
Vln. A
# #
b b b
# J b
# b
# n
#
#
#
&
Vln. C
&
Vln. D
#
J b
# b
# n
#
#
J #
Vla.
? #
Vc.
f
Db.
79
80
82
83
84
86
87
88
89
90
Piu mosso
# n b b n
[81]
w
- - - U [85]
&
Fl.
6
to oboe
#
& #
Eng. Hn.
n b
#
& #
Cl. 1.
#
& #
Cl. 2.
w
# n # n b n
? #
Bsn.
dimin
#
& b
Hn. 2.
#
& #
Hn. 3.
#
& #
Tpt 1.
#
&
Hn. 1.
w
w
#
& #
Tpt 2.
#
& #
Tpt 3.
w
?
Tbn.
Tbn.
pp
U
?
Tba.
w
pp
Piu mosso
[81]
?
&
Perc.
&
Voice
b
me,
n b
Come to
me!"
Ba - li
Ha'i,
Ba - li
[85]
Vibr. (No Fan) U
n U
Ha'i,

Ba - li
Ha'i.
solo n
#
&
#
n
n
ww
ww
www
ww
w
Hp.
? #
ww
w
w
w
& #
Vln. A
n b
ww
ww
ww
ww
ww
b ww
pp
divisi
div
ww
ww
&
Vln. B
w
w
& #
Vln. C
n b

pp
ww
ww
ww
ww
ww
b ww
pp
divisi
div

pp
ww
ww
&
Vln. D
2
ww
B #
Vla.
ww
pp
Vc.
- - -
- - -

J J
pp
Db.
w
w

pp
DIALOGUE
cue to continue:
Billis: "What do you say, Lieutenant?"
91
92
94
95
96
97
98
99
100
102
[93]
[101]

&
Fl.
103
pp
&
Eng. Hn.
1st solo
##
&
Cl. 1.
##
Tpt 1.
&
#
& #
Tpt 2.
#
& #
Tpt 3.
#
& #
Cl. 2.
?
Bsn.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
?
Tbn.
?
Tbn.
?
Tba.
[93]
[101]
&
Perc.
Billis:
(sings)
&
Voice
Ba - li
Ha'i
may
call you,
An - y
night
an - y
&
Hp.
ww
ww
ww
ww
ww
&
Vln. A
ww
&
Vln. B

ww
ww
ww
ww
ww
ww
&
Vln. C
#
#
&
Vla.
n b
Vc.
?
Db.
ww
b b b w
b b b w

J J
Vln. D
104
105
106
107
108
110
111
112
113
114
115
[109]
&
Fl.
b b
b #
w
pp 3
dimin.
&
Eng. Hn.
#
& #
Cl. 1.
n b
b n
b #
# n
pp
dimin.
#
& #
Cl. 2.
solo
Bsn.
pp
Open
&
Hn. 1.
w
w
pp
Open
&
Hn. 2.
pp
#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 3.
&
Tpt 1.
?
Tbn.
?
Tbn.
?
Tba.
[109]
Perc.
&
Voice
&
day.
In your
n b
heart
You'll hear it
call you,
"Come a - way,
Come a - way."
&
pp
Hp.
b
b
&
Vln. A
n b
&
Vln. B

&
Vln. C
b b
#w
w
n b
# ww
&
Vln. D
b b
B
Vla.
#b b n
#w
w
ww
ww
Vc.

?
Db.
DIALOGUE
cue to continue:
Billis: "...and everybody gets to know everybody pretty well."
116
118
[117]
&
Fl.
119
120
121
&
Eng. Hn.
#
& #
Cl. 1.
#
& #
Cl. 2.
Bsn.
&
# U
w
Hn. 1.
&
# U
w
Hn. 2.
Hn. 3.
&
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
Tbn.
?
Tbn.
?
Tba.
[117]
Drums
&
Perc.
Billis:
(sings)
&
Voice
Ba - li
Ha'i
Will
whis - per
on
am
de
wind
Of
de
sea,
"Here
Your
spe - cial
&
Hp.
&
Vln. A
&
Vln. B
&
Vln. C
&
Vln. D
B
Vla.
?
Vc.
#
>
>
>
>
#
#
Db.
122
123
124
125
126
127
128
&
Fl.
&
Eng. Hn.
#
& #
Cl. 1.
w
b
#
& #
Cl. 2.
b n
pp
w
pp
bw
Bsn.
&
Hn. 1.
#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 2.
&
Hn. 3.
&
Tpt 1.
?
Tbn.
?
Tbn.
?
Tba.
?
Perc.
n b
to
me
Come
me!"
&
Voice
is - land!
Come
to
&
Hp.
&
Vln. A
n b
ww
ww
&
Vln. B
&
Vln. C
n b
&
Vln. D
Vla.
B #b
ww
ww
#b
Vc.
Db.
NO. 16
Cable Hears "Bali Ha'i"
DIALOGUE
cue:
Brackett: "Meet me in my office in about one half an hour, Cable.
Cable: Yes, sir.
Brackett: Come on Bill! Maybe we'll get into this war yet!"
1

Soli
Moderato
& c
Flute
U >
# w>
>
"
# w>
Piccolo
- - # w
cresc.
- - # w
Soli
c
&
Oboe
>
#w
>
"
#
& #c
Clarinet in Bb
# w>
cresc.
- #w

mf cresc.
## c
ff
- #w

&
Clarinet in Bb
mf cresc.
>
"
c
Bassoon
# w>
ff
- #w

mf cresc.
mf
>
#
& c
Horn 1. in F
>
#w
mp
>
#w
w
cresc.
#
Horn 2. in F
&
Horn 3. in F
&
- #
ff
- #
ff
- #
str mutes
ff
## c
Trumpet 1 in Bb
&
mp
str mutes
## c
&
Trumpet 2 in Bb
mp
str mutes
#
& #c
Trumpet 3 in Bb

mp
str. mute
- - #

Trombone 1.
cresc.
str. mute
Trombone 2.
cresc.
mp
c
Tuba
mp
cresc.
Moderato
Timp
Percussion
ppp
Cresc.
&
Voice
###
###
& c
# # # # # # #
###
# # # # # # #
### wwww
p
MNLOMLNN
Harp
cresc
###
###
c
&
###
###
###
###
sordini
### wwww
ww
ww
ww
&
Violin A
ppp
sordini
&
Violin B
cresc
ww
ww
ppp
sordini
ww
cresc
ww
ww
ww
&
Violin C
ppp
sordini
&
Violin D
cresc
ww
ww
ppp
ww
cresc
sordini
Viola
&
ppp
cresc
sordini
#
B
Violoncello
ppp
cresc
sordini
c
Double Bass
ppp cresc.
10
- - #
<#>
11
13
[12]
U
J
U
J
&
Fl.
ff
- - #
<#>
&
Ob.
ff
## # w
SOLO
U
J
&
Cl. 1.
## # w
U
J
&
Cl. 2.
nw
#w
- #
? <#>
Bsn.
U
J
BR
ff
pp
#
& <#> w
Hn. 1.
#
& <#> w
Hn. 2.
#
& <#> w
Hn. 3.
U
J
U
J
U
J
#
## <#>
&
Tpt 1.
ff
&
Tpt 2.
##
ff
&
Tpt 3.
##
ff
-
? <#>
-
J U
- - #
to cup
Tbn.
ff
U

J
?
w
Tbn.
ff
U
j
?
Tba.
ff
?
w
Perc.
U

J
[12]
Low Bells
&
ppp
ff
Cable:
Ba - li
Ha'i
may
call
you,
&
Voice
# b
b # 7
An
n 7
&
G6
E|7
Hp.
<#> ww
&
ff
Vln. B
<#> ww
&
<#> ww
&
Vln. D
&
<#> w
#b ww
b ww
ff
ww
#b ww
bw
ppp
#w
n ww
n ww
nw
pp
pp
n ww
pp
wo
?
n ww
pp
ppp
U
"
J
b #
pp
Vc.
b
b # # b
pp
ww
ww
ppp
ff
Db.
pp
ppp
ff
Vla.
ww
ppp
ff
<#> ww
&
b ww
ppp
ff
Vln. C
b
b
Vln. A
&
wo
14
15
Fl.
&
Ob.
&
#
& # n
Cl. 1.
#
& # nw
Cl. 2.
#w
B
Bsn.
#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
?
Tbn.
?
Tbn.
?
Tba.
Perc.
&
Voice
&
night,
An
day,
b # 7
# b
In
n 7
n
your
&
G6
E|7
Hp.
&
&
Vln. A
Vln. B
Vln. C
Vln. D
b b
#
b ww
b b
b
# # b
b b
#
n
n
n ww
n ww
& #b ww
n ww
bw
2
?
Vc.
wo
?
Db.
n ww
& #b ww
b ww
&
Vla.
wo
16
17
Fl.
&
Ob.
&
#
& # n
Cl. 1.
#
& # nw
Cl. 2.
#w
B
Bsn.
#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
?
Tbn.
?
Tbn.
?
Tba.
Perc.
&
Voice
&
you'll
hear
it
call
you:
heart
b #
# b
7
7
"Come
&
G6
E|7
Hp.
&
Vln. A
Vln. B
Vln. C
Vln. D
b b
&
b b
b
# # b
b ww
b b
#
n
n
n ww
n ww
& #b ww
n ww
Vla.
2
?
Vc.
wo
?
Db.
n ww
& #b ww
b ww
&
wo
18
19
[20]
Fl.
&
Ob.
&
Cl. 1.
#
& # n
Cl. 2.
#
& # nw
#w
#w
B
Bsn.
#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
?
Tbn.
?
Tbn.
?
Tba.
[20]
&
Perc.
way,
Come
&
Voice
way!"
Ba
li
Ha'i,
Ba
li
7
7
b #
# b
7
7
&
all naturals
G6
E|7
Hp.
Vln. C
Vln. D
b ww
b b
#
n
n
ww
& #b ww
b ww
&
n ww
n ww
ww
ww
& #b ww
n ww
ww
&
Vln. B
b b
b
# # b
n ww
Vln. A
b b
&
Vla.
2
?
Vc.
wo
?
Db.
wo
w
21
22
23
&
Fl.
Segue
Cl. 1.
#
& #
Cl. 2.
#
& # #w
B
Bsn.
&
Ob.
#
& #
#
& #
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
Tpt 2.
cup mute
pp
#
& #
Tpt 3.
cup mute
Tbn.
pp
cup mute
Tbn.
pp
Tba.
pp
Perc.
&
Voice
&
Segue
Ha'i,
Ba - li
Ha'i.
n
n
&
G6
G6
Hp.
Vln. A
&
Vln. B
&
Vln. C
&
Vln. D
&
n
n
ww
ww
ww
ww
ww
ww
ww
ww
ww
ww
ww
ww
B
Vla.
Vc.
Db.
&

No. 17
Change of Scene
(Company Street)
cue :
segue from No16
1
[5]
Tempo di Blues
&
Flute
bbbb 12
8
b 12
& b bb
Oboe
8
b
&b
Clarinet in Bb
b
&b
Clarinet in Bb
12 j j
8 mf
12 j j
8 mf #
j j
b
j
j

j j
b
j
j

# j j
j j

# j j
j j

p
4
Bassoon
? b b 12 >j n j
bb 8
J
mf
b
&b b
12
8
Horn 1. n F
b
&b b
12
8
Horn 2. in F
b
&b b
12
8
Horn 3. in F
12
8
&b
Trumpet 1 in Bb
cup
bb
&
Trumpet 2 in Bb
12
8
j j
b
j j
b
mf
b
&b
Trumpet 3 in Bb
12
8
-

J
J
cup
? bb b 12
b 8
Trombone 1.

J
J

J
J
solo n j
mf
cup
? bb b 12 n J J
b 8
Trombone 2.
n
J
J
mf
4
Tuba
? b 12 >j
b bb 8 J n j
mf
[5]
Tempo di Blues
4
?
Percussion
12
mf
&
bbbb 12
8
TACET
Harp
? bb b 12
b 8
bbbb 12
sordini
Violin A
&
j
j

j
n
8
mf
sordini
Violin B
b 12
& b bb
j
j

j j
b
j
j

j j
b
j
j

mf
sordini
Violin C
b b 12
&b b
j
j

j
n
8
mf
sordini
Violin D
b 12
& b bb
j
j

j j
b
sordini
B bbbb 12 n j j
8 mf

J J
j
j

n j j
j j
b
j
j

J J
j
j
n
mf
Viola
Violoncello
? bb b 12
b 8
pizz
? bb b 12 J> J J J J> J J J J> J J J J> J J J J> J J J

Double Bass
b 8
J
J
J
J
J
mf
p
10
b
& b bb
Fl.
b
& b bb
Ob.
j
b
b
&b
Cl. 1.
&b
Cl. 2.
<#>
j
b
j
j

j
#
j
j

j
j

j
j

j
j

j
j
n
j
b
? bb b
b
b
&b b
Hn. 1.
b
&b b
Hn. 2.
b
&b b
Hn. 3.
Tpt 1.
&b
Bsn.
n j
opt to end

J
J
j
#
j
j

b
&b
Tpt 2.
opt to end
bb
Tpt 3.
&
Tbn. 1.
? bb b
b
Opt
b
J
Opt
? bb b
b
bb
&b b
? bb b
b
bb
&b b
Tbn. 2.
Tba.
? bb b
b
?
Perc.
Hp.
Vln. A
Vln. B
Vln. C
bb
&b b
j
b

J
J
j
j

j
b
Vla.
B bbbb <n>
Vc.
? bb b
b
? bb b J>
b
j
n
j
b
j
j

J
J
j
j

j
n
j
j

j
n
bb
&b b
bb
&b b
Db.
Vln. D
j
n
j
n

j

J
j

J
j
b

J
j
j

J
J
j
j

j
b
j
j

j
j
n
j
b
n
n >
n > b
b
J J J J n J J J
J J n J J J
J J b J> J J J b b J> J J J
J
J
J
J
11
12
14
[13]
Fl.
&
bbbb
b
& b bb
Ob.
b
& b 
Cl. 1.
j
n
j
b
b
&b
Cl. 2.
j
n
j
b
? bb
bb
b
&b b
Hn. 1.
b
&b b
Hn. 2.
b
&b b
Hn. 3.
&b
Tpt 1.
Tpt 2.
b
&b
&b
Tpt 3.
Tbn. 1.
? bb b
b
Tbn. 2.
Bsn.

? bb b
b
? bb b
b
Tba.
b
J
b

J
J
[13]
bb
&b b
? bb b
b
bb
&b b
Perc.
Hp.
Vln. A
j
j
b
b

Vln. B
Vln. C
bb
& b b 
bb
&b b
j
b
j
b
bb
& b b 
Vla.
B bbbb
Vc.
? bb b
b
Db.
j
b
j
n
? b b >
b bb J
J J J b J>
J
j

J
j

J
j
j
b
b

j

j
n
J J J b J>
J
Vln. D
j
b
J J J b J>
J
J J J
J
15
16
b
& b bb
Fl.
b
& b bb
Ob.
2
b
Cl. 1.
&b
Cl. 2.
&b
2
b
? bb
bb
b
&b b
Hn. 1.
b
&b b
Hn. 2.
b
&b b
Hn. 3.
Tpt 1.
b
&b
Tpt 2.
&b
Tpt 3.
&b
Tbn. 1.
? bb b J
b
? bb b
b
Tbn. 2.
? bb b
b
bb
&b b
? bb b
b
bb
&b b
Bsn.
b
J
j
n
Tba.
?
Perc.
Hp.
Vln. A
b
J
j
n
j
b
Vln. B
Vln. C
bb
& b b 
bb
&b b
b
J
j
b
j
n
Vln. D
bb
& b b 
Vla.
B bbbb
Vc.
? bb b
b
Db.
? b b
b bb J
j
n
n
J
>
J
b
J
n
J
>
J
DIALOGUE
cue to fade:
Billis: "Lieutenant, you and me are going on a boat trip
whether you like it or not!"
17
18
20
Vamp till fade
Fl.
&
bbbb
b
& b bb
Ob.
[19]
2
b
&b
Cl. 1.
j
n
j
b
2
b
&b
Cl. 2.
? bb b
b
b
&b b
Hn. 1.
b
&b b
Hn. 2.
b
&b b
Hn. 3.
Tpt 1.
&b
Bsn.
b
J
b b
nj
j
n
&b
? bb b
b
Tbn. 1.
? bb b
b
Tbn. 2.
? bb b
b
[19] Vamp till fade

b
& b bb
? bb b
b
bb
&b b
Tpt 2.
&b
Tpt 3.
Tba.
?
Perc.
Hp.
Vln. A
Vln. B
Vln. C
Vln. D
bb
& b b 
bb
&b b
j

j
bb
& b b 
Vla.
B bbbb
Vc.
? bb b
b
Db.
b
J
b b
j
b
j
n

nj
j
n
j
b
>
? bb b b J n J J J
b
b
J
b b
j
n
j
n
j

J
>
J b J n J J J
J
j

J
j
b
j
n
j
b
J
J
>
J b J n J J J
>
b n J J J
J
No. 18
Company Street
(Continuation)
DIALOGUE
cue:
Harbison: "Realistically, they could last about a week."
1
Tempo di Blues
&
Flute
bbbb 12
8
b 12
& b bb
Oboe
8
b
&b
Clarinet in Bb
b
&b
Clarinet in Bb
12 j j
8 mf
12 j j
8 mf #
j j
b
j
j

j j
b
j
j

j
j
#
j j

j
j
#
j j

Bassoon
? b 12 >j
b bb 8 J n j
mf
b
&b b
12
8
Horn 1. in F
b
&b b
12
8
Horn 2. in F
b
&b b
12
8
Horn 3. in F
Trumpet 1 in Bb
&b
12
8
12
8
b j j
Trumpet 2 in Bb
b
&b
cup mute
b j j
mf
cup mute
b
&b
Trumpet 3 in Bb
12
8
j j

j j

mf
cup mute

J
J
? b b 12
bb
8
Trombone 1.

J
J
-
J
J
solo n j
mf
p
cup mute
? bb b 12
b 8
Trombone 2.
n
J
J
n
J
J
mf
4
Tuba
? bb b 12 >j n j
b 8
mf
Tempo di Blues
4
?
Percussion
12
8
mf
bbbb 12
8
? b b 12
bb
8
b 12
& b bb
&
Harp
sordini
Violin A
j
j

j
n
8
mf
sordini
Violin B
b 12
& b bb
j
j

j j
b
j
j

j j
b
j
j

mf
sordini
Violin C
b 12
& b bb
j
j

j
n
8
mf
sordini
Violin D
b 12
& b bb
j j
b
j
j

j
j
n
j
j

n j j
j j
b
j
j

J J
j
j
n
mf
sordini
Viola
B bbbb 12

J J
8
mf
Violoncello
? bb b 12
b 8
pizz
Double Bass
n
n
n
n
n
? bb b 12 J> J J> J J> J J> J J> J
b 8
J
J
J
J
J
mf
10
b
& b bb
Fl.
b
& b bb
Ob.
j
b
b
&b
Cl. 1.
&b
Cl. 2.
<#>
j
b
j
j

j
#
j
j

j
j

j
j

j
j

j
j
n
j
b
? bb
bb
b
&b b
Hn. 1.
b
&b b
Hn. 2.
b
&b b
Hn. 3.
Tpt 1.
b
&b
Bsn.
n j
opt to end

J
J
j
#
j
j

b
&b
Tpt 2.
opt to end
bb
&
Tpt 3.
j
j
n
b
J
Opt
opt to end
Tbn.
? bb b
b
Tbn.
? bb
bb
? bb
bb
bb
&b b
? bb b
b
b
& b bb
Opt
Tba.
?
Perc.
Hp.
Vln. A
Vln. B
Vln. C
b
& b bb
j
b

J
J
j
j

j
b
Vla.
B bbbb <n>
Vc.
? bb b
b
? bb b J>
b
j
n
j
b
j
j

J
J
j
j

j
n
j
j

j
n
b
& b bb
b
& b bb
Db.
Vln. D
j
n
j
n

j

J
j

J
j
b

J
j
j

J
J
j
j

j
b
j
j

j
j
n
j
b
n
n >
n > b
b
J n
J n
J J b J> J b b J> J
J
J
J
J
11
12
13
14
b
& b bb
Fl.
b
& b bb
Ob.
b
& b 
Cl. 1.
j
b
j
n
b
&b
Cl. 2.
j

j

j

j

j
n
j
b
? bb b
b
b
&b b
Hn. 1.
b
&b b
Hn. 2.
b
&b b
Hn. 3.
&b
Tpt 1.
Tpt 2.
b
&b
Tpt 3.
b
&b
Bsn.
2
2

b
J
Tbn.
? bb
bb
Tbn.
? bb b
b
? bb b
b
bb
&b b
Tba.
b

J
J
? bb b
b
b
& b bb
?
Perc.
Hp.
Vln. A
j
j
b
b

Vln. B
Vln. C
b
& b bb 
b
& b bb
j
b
j
b
b
& b bb 
Vla.
B bbbb
Vc.
? bb b
b
Db.
j
n
? bb b b J>
b
j
b
>
J
b J
J
j

J
j

J
j
j
b
b

j

j
n
>
J
b J
J
Vln. D
j
b
>
J
b J
J
15
16
b
& b bb
Fl.
b
& b bb
Ob.
b
& b 
Cl. 1.
j
b
2
b
&b
Cl. 2.
? bb
bb
b
&b b
Hn. 1.
b
&b b
Hn. 2.
b
&b b
Hn. 3.
Tpt 1.
&b
Tpt 2.
&b
Tpt 3.
&b
Bsn.
b
J
j
n
Tbn.
? bb b J
b
? bb
bb
Tbn.
? bb
bb
b
& b bb
? bb b
b
bb
&b b
Tba.
?
Perc.
Hp.
Vln. A
b
J
j
n
j
b
Vln. B
Vln. C
bb
& b b 
bb
&b b
b
J
j
b
j
n
Vln. D
b
& b bb 
Vla.
B bbbb
Vc.
? bb b
b
Db.
? b b
b bb
j
n
>
>
DIALOGUE
cue to fade:
Nellie: "I'll show you what I think of that idea.
Cable: Well, don't say I didn't warn you."
17
18
19
20
Vamp till fade
Fl.
&
bbbb
b
& b bb
Ob.
b
& b 
Cl. 1.
j
b
j
n
j
b
2
b
Cl. 2.
&b
? bb b
b
b
&b b
Hn. 1.
b
&b b
Hn. 2.
b
&b b
Hn. 3.
Tpt 1.
&b
Tpt 2.
&b
Tpt 3.
Bsn.
b
J
b b
nj
j
n
&b
? bb
bb
Tbn.
? bb b
b
Tbn.
? bb b
b
b
& b bb
? bb
bb
bb
&b b
Tba.
Vamp till fade
?
Perc.
Hp.
Vln. A
Vln. B
Vln. C
Vln. D
b
& b bb 
b
& b bb
j

j
b
& b bb 
Vla.
B bbbb
Vc.
? bb b
b
Db.
b
J
b b
j
b
j
n
nj
j
n
j
b
>
? bb b b n
b
b
J
b b
j
n
j
n
j

J
>
J b n
J
j

J
j
b
j
n
j
b
J
J
>
J b n
>
b n
*(INSERT)*
No. 18a my girl back home

(*optional insert*)

DIALOGUE
cue:
Nellie: "well isn't there somebody waitin'
for you......be home?"
1
Flute
#4
&
4
#4
Oboe &
4
#4
Clarinet in Bb &
4
#4
Clarinet in Bb &
4
? #4
Bassoon
4
10
11
[4]
molto Moderato
solo
n #
#4
&
Horn 1. in F
4
#4
Horn 2. in F &
4
#4
Horn 3. in F &
4
#
Trumpet 1 in Bb & 4
4
#4
Trumpet 2 in Bb &
4
#4
Trumpet 3 in Bb &
4
? #4
Trombone 1.
4
? #4
Trombone 2.
4
? #4
Tuba
4
Percussion
[4]
molto Moderato
4
4
4
4
cable:
Voice
&
girl
back
home,
i'd
eyed
kid,
My
lot.
we
al - most
for - got!
blue
liked
her
got
en
#
Voice
&
4
4
#4
&
Harp
4
? #4
4
MMMOMNMM
1st solo
#4
Violin A
Violin B
&
4 mp
#4
&
4
Violin D
Viola
4
#4
&
4
B #4
4
J j
- -
-

-
J
pp
Violin C
- -
-

-
J
pp
#4
&
-
- -
-

J
j J
-
- -
-
J
pp

pp
j J j
j J j
J j
J j
pp
pizz
? #4
Violoncello
4
? #4
Double Bass
4
pp
. pizz . . .
pp
2
2
2
. . . .
. .
12
13
14
16
17
&
Fl.
15
18
#
&
21
>
>

>

22
. . . .
J J J J
. . . .
J J J J
. . .
j j j

20
r
#
>
.

Ob.
19
r
#
&
Cl. 1.
&
Cl. 2.
.
>
?#
Bsn.
.
.

&
Hn. 1.
&
Hn. 2.
&
Hn. 3.
mf
.
.
.
>
p
.
.
>
p
>
mf
fz
mf
fz
fz
#
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?#
Tbn.
?#
Tbn.
?#
Tba.
?
Perc.
un - cle and dad
a - ble,
&
Voice
were
glad:
and
gaged,
both
fam - 'lies
was told by my
that
if
i were clev - er and
they'd make me a part of a
part - ner - ship,
ca - ble,
ca -
ble,
and
#
Voice
&
#
&
Hp.
?#
# J
&
Vln. A
-
- .
.
.
n
>
fz
>
fz
>
fz
>
mf
fz
>
j
#
mf
.
.

Vln. C
-
#
j
- .
&
J
-
- .
# J
J
&
Vln. D
-
#
j
- .
&
J
.
.

Vln. B
.
.
n
.

.
mf
j.
#
mf
- .
B # j J
Vla.
.
.
n
.

.
mf
fz
>
arco
?#
Vc.
.
.
J
mf
fz
>
fz
arco
? # .
Db.
.
.
J
mf
pp
23
>.
>.
Fl.
#
&
Ob.
#
&
24
25
>
# >. .
J
pp
26
mf
>.

>.
>.
#
>.
>.
27
28
29
30
31
. . . . .
mp
>
.
J
. > n .
mf
32
. . . . . . > .
# n
mf
pp
#
&
Cl. 1.
mf
>.
mp
>.
J
pp
mf
. . . . .

.
j
3
. . .
n # n
mf
pp
>
>
. b .
#
&
Cl. 2.
>. >.
n J
pp
Bsn.
mf
>.
? # .j .j .j j
pp
.
j
.
J
mf
n
pp
>
j
&
Hn. 1.
pp
&
Hn. 2.
Hn. 3.
&
Tpt 1.
#
&
>. >.
# J
Str. Mute
>.

>.
pp
mf
Str. Mute
>.
#
&
Tpt 2.
pp
Str. Mute >.
#
&
Tpt 3.
>.
>. >.
#
mf
>.

pp
>.
>.

J
mf
Str. Mute >.

b >.
?#
>.
n >.
J
Tbn.
pp
mf
?#
Tbn.
?#
Tba.
. .
Xylophone
.
?
>
&
Perc.
pp
&
Voice
#
J
ca
ble!
how
far
n.
j.,
they
way
phil - a - del - phi - a,
p.
a.
prince - ton,
how far are
from
Voice
&
&
.
j
. .
>
Hp.
pp
?#
arco
Vln. A
&
J #
J
pizz
.
J
. .
>
#
p
pp
pp
arco
Vln. B
&
-
J
pizz
.

J
. .
>
p
pp
pp
arco
pizz
Vln. C
&
J #
J
.j

. .
>
#
p
pp
pp
arco
pizz
Vln. D
&
J
J
B#
Vla.
.
j
.j
. .
>
pp
pp
>j
n
pp
pp
mp
2
w
?#
Vc.
.
J
pizz
.
J
2
Db.
?# .
.
#
.

mf
pizz
n
33
34
35
36
^
. .
37
>.
38
39
40
41
42
43
>
# >. .
J
&
Fl.
&
Ob.
#
&
Cl. 1.
j
#
j
#
pp
#
&
Cl. 2.
j
#
j
#
>
.
n . . . ^
pp
?#
.
j

pp
&
Hn. 1.
mp
>.
>. >.
# J
mf >.
>.
>. J
mf
p
>
>.
>. .
b n J
mf
p
>.
.j
.j
j
pp
mf
>.
. . ^
p
pp
>.
. . ^
.
n
p
Bsn.
>.
. .

j
.
#
&
Hn. 3.
&
Hn. 2.
.
#
#
Tpt 1.
&
Tpt 2.
&
>.
j
. .

j
p
. .
mp
mf
>.
j
>.
j
>. >.
#
J
>. >mf
.
# J
mf
&
Tpt 3.
>.
j

>.
mf
str. mute
?#
>
# >. J.
Tbn.
mf
str. mute
?#
Tbn.
>. >.
J
mf
?#
Tba.
&
Xyl.
#
&
Voice
co - co - nut
palms
and
#
ban - yan trees
and
co - ral
sands
and
tonk
i -
nese!
&
how
# #
&
?#
Hp.
Vln. A
^
. .

#

mf
. .

n .
#

& #
>.

# n
Vln. C
# .
>.

>.

Vln. D

#
J
& #
B # #
?#
Vla.
Vc.
n.
n
w
way
lit - tle rock
p.
a.

-

# n
J
w
J
>.
>.
>.
b
n
>. >.
J
pp
far
>.
>. >.
#
J
pp
# #
&
mp
pp
Vln. B
&
prince - ton,
#
Voice
-
J
J #
J
J
J
n w
>.
j

>.
>.
>. >.
.
n
pizz
f
n .
^. . pp .
>. p arco
#
j
j j j
mp
arco
pizz
.

arco
>. solo
#
^
.
.
.
.
j j # j j

p
arco
Db.
?#
.
.
.
j j # j
pizz
>.
j n
44
45
46
47
48
49
50
51
q = 140
rit.
rall.
meno mosso
. . . . .
. > n .
^
. .
>
. . .
&
Fl.
mf
p
p
. . . . .

# . > n .
&
Ob.
mf
. . . . .

# .
& j
Cl. 1.
3
. . .
n
# n
j
#
p
.
n .
mf
p
pp
Cl. 2.
Bsn.
# .
& j
.
? # J
j
#
. . ^

>
>
p
p
pp
>
j
&
Hn. 1.
n .
. . .

p
. . .
p
. . >
p
pp
&
Hn. 2.
&
Hn. 3.
>
. . .
&
Tpt 1.
. . . >

&
Tpt 2.
. . >

&
Tpt 3.
?#
Tbn.
?#
Tbn.
?#
Tba.
rall.
meno mosso
rit.
q = 140
Xylophone
&
Xyl.

mp
mf
&
Voice
# j
j.,
how
far
are
they
from
co - co - nut
palms
and
Voice
# .j
&
how
far
are
they?
from
.
.
co - co - nut
ban - yan
&
palms
and
trees
and
co
ban - yan
trees
ral
and
co
ral
w
tonk
i -
nese!
Hp.
pp
and
?#
sands
>
.
sands
n
and
tonk
mf
.

i -
nese!
^
.

arco
pizz
Vln. A
Vln. B
# .
& J
# .
& J
pp
. pizz .
>
.
n .
#
pp
p
>
arco
n
#
pp
pp
p
arco
pizz
Vln. C
Vln. D
Vla.
# .j
&
# .
& j
.j
#
pp
. pizz .
>
.
pp arco
>
.
# n
n .
#
pp
pp
>j
n
pp
p
pp
Vc.
.
? #
J
pizz
arco
ww
Db.
? # J.
arco

rall.
52
53
54
55
56
57
58
59
60
61
UNDER DIALOGUE
2.
1.
>
Fl.
&
Ob.
&
#
Cl. 1.
&
Cl. 2.
&
Bsn.
?#
Hn. 1.
#
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
#
&
Tpt 2.
#
&
Tpt 3.
?#
>

Tbn.
pp
>

?#
Tbn.
pp
?#
Tba.
UNDER DIALOGUE
To Timp. Timpani
# ? >
&
Xyl.
rall.
1.
2.

#
&
Voice
#
Voice
&
#
&
Hp.
?#
1st solo
&
Vln. A
n #
p
1st solo
#
&
Vln. B
#
&
Vln. C
pp
1st solo
pp
&
Vln. D
1st solo
B#
Vla.
pp
pizz
? #
Vc.
arco
pp
pizz
?#
Db.
pizz
>

pp
No. 19 I'm Gonna Wash That

Man Right Outa My Hair

DIALOGUE
cue:
Yaeger: "Knucklehead, what's happened? What'd he do?"
1
[5]
Allegretto
####
##
& ##
## #
& # ## C
&
Flute
Oboe
Clarinet in Bb
# ## #
& # # C
Clarinet in Bb
#
p
? ####
Bassoon
pp
mf
# ##
& # #
Horn 1. in F
# ##
& # #
Horn 2. in F
# ##
& # #
Horn 3. in F
Trumpet 1 in Bb
## #
& # ## C
# ## #
& # # C
Trumpet 2 in Bb
## #
& # ## C
Trumpet 3 in Bb
? ####
? ####
? ####
Trombone 1.
Trombone 2.
Tuba
[5]
Allegretto
Brushes
Percussion
wash
that
man
right
pp
Nellie:
####
&
Voice
I'm gon - na
##
& ##
? ####
####
out - a
my
hair,
MNMOMNMM
Harp
PIZZ
&
Violin A
mf
&
Violin B
pp
divisi
PIZZ
####
mf
pp
PIZZ
####
&
Violin C
mf
&
Violin D
pp
divisi
PIZZ
####
mf
pp
divisi
PIZZ
B ####
Viola
mf
pp
pizz
? ####
Violoncello
mf
pizz
? ####
Double Bass
mf
I'm gon - na
10
11
12
####
&
Fl.
mp
####
&
Ob.
mp
2
## #
& # ##
Cl. 1.
2
## #
& # ##
Cl. 2.
2
? ####
Bsn.
##
& # ##
Hn. 1.
##
& # ##
Hn. 2.
# ##
& # #
Hn. 3.
# ## #
& # #
Tpt 1.
Tpt 2.
## #
& # ##
Tpt 3.
# ## #
& # #
cup mute
mp
cup mute
mp
cup mute
? ####
Tbn. 1.
mp
cup mute
? ####
Tbn. 2.
mp
? ####
Tba.
2
4
Perc.
##
& ##
Voice
wash
that
man
right
out - a
my
hair,
I'm gon - na
wash
that
man
right
out - a
my
hair,
And
send
him
on
his
way.
##
& ##
? ####
##
& ##
Vln. A
##
& ##
Vln. B
# ##
& #
Vln. C
##
& ##
Vln. D
Hp.
2
#
B ## #
Vla.
? ####
? ####
Db.
Vc.
13
15
16
17
18
19
20
[14]
####
Fl.
&
##
& ##
Ob.
21
22
J J
j j
2
## #
& # ##
Cl. 1.
2
# ## #
& # #
Cl. 2.
? ####
Bsn.
##
& # ##
Hn. 1.
##
& # ##
Hn. 2.
# ##
& # #
Hn. 3.
Tpt 1.
## #
& # ##
cup mute
j

w
# ## #
& # #
Tpt 2.
## #
& # ##
Tpt 3.
? ####
? ####
V V V

Tbn. 1.
Tbn. 2.
? ####
Tba.
[14]
V V V V

Perc.
# ##
& #
Voice
r

I'm gon - na wave that man right
2
4
out - a my arms,

out - a my arms,
out - a my arms,
And
send him on his
w
way.
# ##
& #
? ####
##
& ##
Hp.
Vln. A
##
& ##
# ##
& #
Vln. C
Vln. D
##
& ##
B ####
Vln. B
Vla.

J J
J J
2
? ####
Vc.
? ####
Db.
24
[23]
####
Fl.
&
Ob.
##
& ##
## #
& # ##
Cl. 1.
25
26
27
29
# w

28
[31]
>
# n
30
> >
n
mp
## #
& # ##
Cl. 2.
w
? ####
Bsn.
>
n
n >
#w
> >
n
>
n >
mp
##
& # ##
Hn. 1.
# ##
& # #
Hn. 2.
##
& # ##
Hn. 3.
.j

Tpt 1.
.
## #
& # ## j
.
j
.
j
>
n
> >

> >
n #
>
>

> >
n
> >
>

mp
4
.
# ## #
& # # j
Tpt 2.
mp
4
.
## #
& # ## j
mp
Tpt 3.
? ####
Tbn. 1.
p
soli
w
? ####
? ####
#w
Tbn. 2.
Tba.
>
> >
n n
Cymb. Choke
j

[23]

?
Perc.
[31]
V V V
mp
##
& ##
Voice
Nellie:
Nurses:
Tear it up!
Tear it up!
Wash him out,
dry him out,
Push him out,
fly him out!
Don't try
to patch it up,
Nellie:
Nurses:
Nellie:
Nurses:

Can - cel
him,
and let him
go!
Yea,
sis - ter!
I'm gon - na
wash
that
man
right
##
& ##
? ####
####
Hp.
ARCO
&
Vln. A
>

> >

solo #
mp
##
& ##
Vln. B
>
>
n nn
>
>

>
>
>
n nn
>
n >
>
>

n > n > >
>
> >
n n
mp
####
&
Vln. C
ARCO
>

solo #
mp
##
& ##
Vln. D
mp
B ####
Vla.
mp
? ####
Vc.
mp
? ####
Db.
mp
32
####
33
34
35
36
37
38
&
Fl.
40
###
[39]
6 j j nj
##
& ##
Ob.
###
6
8
####
#6
2
## #
& # ##
Cl. 1.
2
# ## #
& # #
Cl. 2.
####
#6
2
? ####
Bsn.
###
6 - -J - -J nJ -
8p
# ##
& # #
####
6
8
Hn. 1.
##
& # ##
####
6
8
Hn. 2.
# ##
& # #
####
6
8
Hn. 3.
####
2
## #
& # ##
Tpt 1.
# 6 J J
8
j
J
Tpt 2.
## #
& # ##
Tpt 3.
## #
& # ##
####
####
j
# 6 j j n j
8
p
# 6 j j
8
j
j
? ####
###
6 J J J J
8p
? ####
###
6 nJ
J
8p J J
? ####
###
6
8 p
Tbn. 1.
Tbn. 2.
Tba.
[39]
6 j j
8
2
?
Perc.
V V V
p
Nellie:
####

&
Voice
out - a my hair,
I'm gon - na wash
that
man
right

out - a my hair,
I'm gon - na wash
that
man
right

out - a my hair,
And
send him on his

way.
# ##
& #
? ####
#### #
Vln. A
&
Vln. B
##
& ##
# # # #
R
R
##
& ##
Vln. D
B ####
man don't un - der - stand you,
###
6
8
### 6
8
If you
###
6
8
###
6
8
###
6
8
###
6
8
###
6
8
###
6
8
###
6
8p
Vln. C

n
#### # R # # R # #

&
6 j j nj
If the
Hp.
###
? ####
? ####
Vc.
Db.
Vla.
J J
41
###
Fl.
&
Ob.
##
& #
42
j
n j
43
44
45
46
47
48
49
50
51
52
J J J J

J
J
>
j

n J j J
J
>
j

>
j

n
J J J J
# J # n J
>
j

>
j

# # j j
J

J
j
J
j j j J
j
n n
>
>
j

>
####
&
Cl. 1.
####
&
Cl. 2.
Bsn.
? ### - -J n- -
J
Hn. 1.
# ##
& #
Hn. 2.
##
& ##
j
#
j
j
# n
j
j
# # n
j
n
j j
j
j

J j
# ##
& #
Hn. 3.
Tpt 1.
Tpt 2.
Tpt 3.
##
& # ## J J J J

J J
# ##
j j
j
j
& # # n
j j

j
J
##
& # ## j j j j
j j

j
#
j
j
# # n
? ###
J J J n J

J J
n
J

J
J
? ###
J J n J J

J J
n
J
n J n J
? ###
j
n
n n j
Tbn. 1.
Tbn. 2.
Tba.
n
J
Perc.
j j

j

J
j j
j

J
j
n
j j j

J J J
Nurses:
##
& #
Voice
j
n
fly on
sep - 'rate beams,
Waste no time!

Make a change,
Ride that
man right
off your range,
Rub
n J
J
him out - a the roll call
And drum
him out - a your dreams!
Dinah:
j

Oh
ho!
If you
##
& #
? ###
##
& #
Vln. A
##
& #
Vln. B
##
& #
Vln. C
##
& #
Vln. D
B ###
? ###
Hp.
Vla.
Vc.
arco
? ###
Db.
n
J
n J n J J J
54
Fl.
[53]
###
j j
n j
&
##
& #
Ob.
j j
n j
55
56
j
n j
j
n j
57
58
59
60
61
62
63
64
>
>
j

>
j
>
j

J
J
J J

n
J J J J
>
j

>
j

>
j

>
j

2
4
2
4

J n J j J
2
4
# # j j
J

J
2
4
j j j J
2
4
2
4
2
####
#
&
Cl. 1.
2
####
&
Cl. 2.
? ###
Bsn.
##
& ##
j
#
Hn. 1.
##
& ##
j
n
Hn. 2.
2
4
# ##
& #
Hn. 3.
2
4

J J

J J
J
J
J J
n
J
2
4
# ##
j
j j
j
j
j j
j
& # # n n
j j

2
4
##
& # ## j j
j
j
j j j j
j j

j
#
2
4
? ###
J J
J J J J J n J

J J
n
J
2
4
? ###
J # J n J J J J n J J

J J
n
J
2
4
? ###
j
n
2
4
j j

2
4
##
& # ## J J
Tpt 1.
Tpt 2.
Tpt 3.
Tbn. 1.
Tbn. 2.
Tba.
j
J
J
J
J J
[53]
j j

?
Perc.
j

J
j
j
# n
Nellie, Dinah
& Janet:
Janet:
###
&
Voice
j
j
n j
laugh at dif- f'rent
com - ics,
If you
All:
j
n j
root for
dif-f'rent teams,
Waste no time,

Weep no more,
Show him
what the

door is for!
Rub
Nellie:
n J
J
him out - a the roll call
And drum
j
n
2
4
You
##
& #
? ###
###
Hp.
2
4
2
4
ARCO
&
Vln. A
2
4
pp
ARCO
###
&
Vln. B
2
4
pp
ARCO
###
&
Vln. C
2
4
pp
ARCO
##
& #
Vln. D
2
4
pp
B ###
2
4
? ###
2
4
Vla.
Vc.
pizz
? ###
Db.
n
J
2
4
###
[65] Allegro
2
66
67
68
69
70
71
72
73
74
75
76
77
n .
J
.j
n
78
79
n >
J
&
Fl.
4
f
###
&
Ob.
2
4
n > n .
n . -
J
>
n
J
f
####
&
Cl. 1.
#2
n n
.
J
.
j

4
3
####
&
Cl. 2.
#2
> 3 .
n n j
.j n
n n
4
p
? ###
Bsn.
2
4 p
2 . . . .
4 p
####
Hn. 2.
&
2. .
4 p
##
& ##
2. .
4
Hn. 3.
&
Hn. 1.
. .
.
. .
. .

####
.
j
. .
. . .
. . . . . .
j
.
j
n
. .
j

12
# ## 2
& # #
Tpt 1.
4
f
## 2
& # ##
Tpt 2.
4
f
## 2
& # ##
Tpt 3.
4
? ###
Tbn. 1.
2
4
? ###
Tbn. 2.
2
4
? ###
Tba.
2
4
j

J
[65] Allegro
Brushes
4
2
4
?
Perc.
12
pp
>j

Nurses:
Nurses:
"No!"
'Uh
uh!"
###
&
Voice
2
4
can't
light a
fire

when the wood's all wet!
>
n
Nurses:
You can't make a
but - ter - fly
strong.
You can't
fix an egg
2
4p
? ###
? ###
2
4
###
when it ain't quite good
And you can't
>
n
fix a
wrong!
man when he's

n
J
& J
Hp.
&
Vln. A
2
4
ndivisi
pp
divisi
##
& #
Vln. B
2
4
pp
divisi
###
&
Vln. C
2
4
pp
divisi
##
& #
Vln. D
2
4
pp
Arco
B ###
Vla.
2
4
mf
ARCO
? ###
Vc.
? ###
Db.
2
4 p
pp
2 J J J J J J J J J J J J J J J J J J J J J J J J ^
J
4
80
82
83
84
85
86
87
88
[81]
###
91
mf
###
Cl. 1.
####
& #
Cl. 2.
##
& # ##
? ###
Bsn.
Hn. 1.
##
& ##
r
mf
####
&
Hn. 2.
93
n n
6 j
8 mf
6 n
8 mf J
6 j
8 mf
6 nj
8 mf
&
Ob.
92
[89] A tempo
6 n n nJ n n
J
8 J
&
Fl.
90
j
j
n n J
J
n n n n n n
j
J
# #
n n J n n
n n

J
8
6 j
j <#> j # #
8 <#>
f
####
6 j
j
8 j
&
Hn. 3.
f
str mute
##
& # ##
Tpt 1.
6 j
j n j n n n n
8 n n
mf
####
str mute
Tpt 2.
&
Tpt 3.
##
& # ##
6 j
j n j n n n n n n
8 n n
mf
f str mute
6
8 str. mute
f
6 nj n j n n n n n
J
8 mf
f

? ###
Tbn. 1.
str. mute
? ### n
? ###
Tba.
j n j n n
6 j
8 n n
mf
6 j
8 n n
Tbn. 2.
j n j

n n
n n
[89] Sticks
6 j j j
mf
[81]
?
Perc.
8
mf
Nellie:
##
& #
Voice
J
You
All:
j j

can't put back a pet - al when it falls from a flow - er, Or
sweet - en up a fel - ler when he starts turn - ing sour!
6
8
Oh,
no!
Oh,
no!
solo
###
&
n#
#
n
bn
6
8
6
8
Hp.
? ###
###
espressivo
j espressivo

j espressivo

&
Vln. A
j
6 j
j j j n j n j n j j n j n j
8 n n
mf
###
&
Vln. B
mf
espressivo
###
&
Vln. C
6 j
j j
j j j j
j
b b n n n n b
8 b b j j j
j
6 j
j j j n j n j n j j n j n j
8 n n
mf
###
&
Vln. D
j
6 j
j j j b j b j n j j n n n j b j
8 b b
6 j
8 mf
mf Divisi
espressivo
B ###
n
J
Vla.
j j j j

j j
j jj
# J #
espressivo
? ### <n> n J
Vc.
6 j
j j j n j n j n j
n

J J J
J
8
mf
arco
? ###
Db.
6 nj nj j j n n nJ J J n J n
J
J
J
8
f
94
Fl.
##
& #
96
97
98
99
100
101
102
103
104
105
[95] Ride it
>
J 2
4
##
& #
Ob.
>
# J
2
4
soli
####
&
Cl. 1.
2 ^ ^
4
^ ^
J
^ ^ n^ ^ ^
J
n J
soli
2 ^ ^
4
^ ^
J
^j ^ ^ ^ ^
n
n J n
^
R
^
R
^
R
^
n
R
####
&
Cl. 2.
#
2
Bsn.
? ###
>
j
##
& ##
^
J
####
Hn. 1.
2
4
2
4
n n n J
J
n
j
j
n #
n n # n #
n n # # n
n n n

. . . .
b
&
Hn. 2.
2
4
. . . .

^j
##
& # # #
^
####
#
&
Hn. 3.
Tpt 1.
2
4 soli ride it
n^ #
J
^
R
soli ride it
^ ^
^
2 ^ ^ ^ ^ ^j ^ n^ ^ nj
J
4
^
n
R
2
4
^ ^ # ^ ^ n ^ ^
J
n ^ ^
J
^
R
^

R
. . . .
n
n n
n
J
sfz 2
####
#
&
Tpt 2.
^ #
n n

n n n j
n n n n
sfz 2
soli ride it
^ 2

& #
<#>
^
? ### J
####
Tpt 3.
Tbn. 1.
^ ^
^
2 n n^j ^ ^j n^ #^ ^ n^ ^
j

4
^

R
>
R
2
4
sfz
^r
n #
>

R
f
ride it
? ###
Tbn. 2.
^
J
2
4
n
R
n n
J
f
sfz
? ###
Tba.
^
j

2 j j
4
sfz
?
Perc.
j j
j
j

j j
n

J J J
^j [95] Ride it
2
J 4 J J
mf
###
&
Voice
##
& #
? ###
###
Hp.
&
Vln. A
^

J
sf
###
&
Vln. B
###
&
Vln. C
^j
#

^
J
sf
###
&
Vln. D
B ###
Vla.
^j
#
^j
n

2
4
2
4
2
4
PIZZ
2
n # n n
4
#n
n n
nb
f PIZZ
divisi
2
4 n
PIZZ
2
n # n n
4
n n ## nn
nb nb
#n
n n
nb
f PIZZ
divisi
2
4 n
n n ## nn

nb nb
2 # PIZZ
4
# n
nn
f
PIZZ
? ###
Vc.
^
j
Arco
n n # # n
n n n
R
4f
pizz
? ###
Db.
^
J
2 j j j j j j n
J
J
J
J
J
J
4 f J J J
106
111
112
113
114
115
##
& #
n n n # # n
# # n
& # ##
^
#
Fl.
&
Ob.
####
Bsn.
110
###
Cl. 2.
109
[107]
n n # # n
Cl. 1.
108
^ ^
J
^
J
^j
^ ^
J
^ n^ ^ ^

^
n J
^
R
^
R
n
n
n
^ n^ ^ ^

^
n J
^
R
^
n
R
n n #
# n
n
? ### n # n n n #
J
&
# n #
##
& ##
Hn. 1.
# ##
& #
Hn. 2.
# ##
& #
Hn. 3.
open
^
####
n
J
^ ^

J
^j ^ ^ ^ ^ ^
n
n j
^j ^
n
^j ^ ^ ^ ^ ^
n n
>
> >
J
> n > > >
>
J
>
n > >
J
>
> # > n > >
n ^ ^
J
&
Tpt 1.
^ # ^ ^ n ^ ^

^
J
^
R
^
R
^
n
R
^

R
n n

^r

n #
n n
>
R
n n
n
n n
f
open
####
&
Tpt 2.
f
open
####
&
Tpt 3.
^
n
>
R
f
open
>
? ###
Tbn. 1.
open
? ###
? ###
>

Tbn. 2.
Tba.
[107]

J J
Perc.
n
R
n
J J
##
& #
##
& #
? ###
###
# n
n ## nn
# n
n ## nn
Voice
Hp.
PIZZ
&
Vln. A
n
#
nb
#n
nb
f
PIZZ
###
&
Vln. B
nb
divisi
n
n
f
PIZZ
###
&
Vln. C

f
PIZZ
###
&
Vln. D
nb
divisi
n
n
B ###

Vla.
PIZZ
? ### n
J
Vc.
? ###
Db.
j
J
# n

j
J
nn
Arco
n n # # n
n

J
J

J
J
j
j

n
J
J
TEMPO I
116
###
117
118
n n
120
[119]
6 j j n j
&
Fl.
121
122
123
124
j
n j
6 j j nj
8 mp
j
n j
6
8
125
126
>
j

>
j

>
j

>
j

>
j

>
j

>
j

>
j

mp
###
&
Ob.
n n
# # n
& # ##
Cl. 1.
>

mp
####
&
Cl. 2.
? ###
Bsn.
>
# n # n
6
8
mp
6
8
mp
n n
Hn. 1.
# ##
& #
8
f
# ##
& #
Hn. 2.
6
8
6
8
6
8 mp J J
j

J
J
J J

J J
6 j j n
J
8 mp
j
j
j j n j
j j

6 j j j
#
8 mp
j
j
j
j j
j j

6 J J
8 mp
n
J
J
J J
J

J J
6 nJ
8 mp J J
J n J J
J
J

J J
##
& ##
Hn. 3.
n
f
Tpt 1.
#### n
& #
>

##
& # ##
>

Tpt 2.
Tpt 3.
##
& # ## n
>

>
? ### n
Tbn. 1.
? ### n
>
Tbn. 2.
? ###
Tba.
6
8
mp
[119] TEMPO I
Brushes j
j
6
8
Perc.
mp
REPEAT ONLY Nurses:
3
##
& #
Voice
j
j j
6
8 n
If his
##
& #
? ###
##
& # n
Vln. A
When you
look for glints and gleams,
Waste no time,
Make a switch
Drop him
j

in
the

near - est ditch.
8
6
8
fish - y
j
n j
Hp.
eyes get dull and
8
Vln. B
Vln. C
Vln. D
##
& # nb
nb
##
& # n
##
& # nb
nb
6
8
6
8
6
8
6
8
n n
R

6
8

? ###
B ###
Vla.
nb
nb
Vc.
? ###
Db.
pizz
6
8 mp
127
###
&
Fl.
128
129
130
J J J J
131
132
>
J
133
134
>
J
>j

136
" # #[135]
##C
###
&
Ob.
n J j J
J
j >
n
##

& # ## J J J J
Cl. 1.
> > > > > > >

J

J
> > > > n > > >
J
J
#### C
#### C#
#
# # #
j
#
& # ## J J j
Cl. 2.
? ###
Bsn.
j j j J
> >
#
J
> >
n j
>> > > >

#
> >>> > > >

# J # J
#### C#
#
>> > > >

n
> >>> > > >

j j
#### C
####
&
Hn. 1.
j
#
j
#
j
n
>

J
> >

J
#### C
#
>j > > > > > >j

> >>> > > >
# #
J
J
#### C
#
#### C
#
#### C#
#
>j > > > > > >j

>j > > > > > >j
#### C#
#
>> > > >

j
#
#### C#
#
> > > > >

J
#### C
> >>> > > >

j j
#### C
>j > > > > > >j

> >>>
n n j j
#### C
mp
f
####
Hn. 2.
&
Hn. 3.
# ##
& #
j
n
mp
f
> >>> > > >

> >>> > > >
j
j j
j
# #
n
mp
f
cup mute
##
& # ## J
Tpt 1.
n
J
j >

>
####
&
Tpt 2.
#
J
##
& # ## # j
Tpt 3.
? ###
n
J
Tbn. 1.
> >
j
#
f
> >
J

>
>
>
>
> > >

> >
j # j
#
> > > J> >
? ###
Tbn. 2.
n
J
> >>> > > >

n j n
f
? ###
Tba.
j
n
[135]
j

J
?
Perc.
>j >j >

j

J J J J
> > >
j j

Cymb.
Brushes
j
j j

J J
J J
"
C V V V V
p
Nellie:
##
& #
Voice
Rub
n J
J
him out - a the roll call,
And drum
j
n
Oh,
ho!
Oh,
ho!

J #
I went an'
####
washed that man right
out - a my hair,
##
& #
#### C
? ###
#### C
###
I went and
Hp.
ARCO
&
Vln. A
PIZZ
>j >

#
>j >j >

#
> >
j
n#
> > >

j j j
#
#### C
p
PIZZ
ARCO
###
&
Vln. B
>j > > > >j >j >

> >>> > > > "

j n j j j

#### C

p
ARCO
###
&
Vln. C
PIZZ
> >
j
#
>j >j >

#
> >
j
n#
> > >

j j j
#
#### C
p
PIZZ
ARCO
###
&
Vln. D
>j > > > >j >j >

ARCO
B ###
Vla.
> >>>
>
j
j j

> >
j

>j >
#
> > >j >j > "

n j

> > >j >j >j"
#
#### C

p
PIZZ
#### C
p
ARCO
PIZZ
? ###
> >>> > > >

n j n j j j
Vc.
> >>> > > > "

j j j j
#### C
#### C
p
arco
? ###
Db.
n
J
> >>> > > >

> >>>
n j n j j j j j j j
pizz
137
138
139
140
141
142
144
145

J J

J J
Fl.
##
& ##
143
##
& ##
Ob.
## #
& # ##
Cl. 1.
pp
## #
& # ##
Cl. 2.
pp
2
? ####
Bsn.
pp
# ##
& # #
Hn. 1.
##
& # ##
Hn. 2.
##
& # ##
Hn. 3.
Tpt 1.
# ## #
& # #
to open
Tpt 2.
## #
& # ##
Tpt 3.
## #
& # ##
cup mute
mp
cup mute
? ####
Tbn. 1.
mp
cup mute
? ####
Tbn. 2.
mp
? ####
Tba.
V V V

2
4
Perc.
Dim.
pp
Nurses: mf
##
& ##
Voice
out - a my hair,
I went and washed that man right

out - a my hair,
And
sent him
on
his
way!
She went an' washed that man right
out - a her hair,
She went an'
##
& ##
? ####
# ##
& #
Vln. A
##
& ##
Vln. B
##
& ##
Vln. C
##
& ##
Vln. D
Hp.
J J
2
#
B ## #
Vla.
? ####
Vc.
pp
? ####
Db.

pp
146
147
148
149
151
####
153
>
>
>
&
Fl.
f cresc.
####
>
>
>
>
n >
n >
>
&
Ob.
f cresc.
2
## #
& # ##
Cl. 1.
>
f cresc.
2
## #
& # ##
Cl. 2.
>
n >
>
n >
f cresc.
2
? ####
Bsn.
>
>
>
>
n >
>
>
Applause Segue
155
154
(Swing it!)
[150]
>
152
n b n
n b b
n
J
n b n
n b b
n
J
n n #
n
n #
n
n J
#
n
b
f cresc.
Hn. 1.
##
& # ##
>
>
n
>
> >
# n
>
>
>
>
>
n
>
^
> #
##
& # ##
Hn. 2.
>
>
n
>
>
n
>
>
>
>
>
n
> >
n
>
>
b
>
> ^
n
####
&
Hn. 3.
>
>

>
>
# n
Tpt 1.
Tpt 2.
# ## #
& # #
Tpt 3.
# ## #
& # #
^
^

>
>
n ^
> >
n
^
>
^
^

^
^
n n
n^
n^
^
^ ^
# #
> >
>
n^
n^
>
>
# ^
n >
>
>
n
>
n >
n >
>
b
f
open
# ## #
& # #
> >
n
^
>
>
n
>
> ^

n n n #
n n
J
to cup
f
open
^
^
n
to cup
j n n #
n n n
#
f
open
open
? ####
to cup
^
^
n
f
>
>
j n n n #
n
#
n
n b n

n J
Tbn. 1.
f
open
? ####
>
>
n
>
Tbn. 2.
f
? ####
Tba.
^
^
n
^
^
2
?
V V V

Perc.
[150] Solo
V V
(Swing it!)
V V V
Cymb.
Applause Segue
f
ppp
####

&
Voice
out - a her hair,
w
w
And sent
him
on
his
way!
She went an'washed that man right
out - a her hair,
w
w
w
w
##
& ##
? ####
####
Hp.
ARCO
>

>
>
>
>
>
n
n
n n n n n n b b
n b
b n
n
n n n n n n b b
n b
b n
n
n n n n n n b b
n b
b n
n
n n n n n n b b
n b
b n
# n#
&
Vln. A
f
ARCO
####
&
Vln. B
>
>

n
f
>
>
n
n
ARCO
>
####
>
>
>
&
Vln. C
f
ARCO
####
&
Vln. D
Vla.
ARCO
2
B ####
>
>

n
f
nn
^
b
b >
? ####
Vc.
J J
arco

^
^
^
n
f
arco
? ####
Db.
^
n
^
^
n
^
n


(Nellie's Encore)
## #
& # ## C
####
##
& ##
&
Oboe
[1]
Flute
2
Clarinet in Bb
2
## #
& # ## C
Clarinet in Bb
2
? ####
Bassoon
##
& # ##
Horn in F
##
& # ##
Horn in F
# ##
& # #
Horn in F
cup mute
2
## #
& # ## C
Trumpet 1 in Bb
# ## #
& # # C
Trumpet 2 in Bb
## #
& # ## C
Trumpet 3 in Bb
? ####
? ####
? ####
Trombone 1.
Trombone 2.
Tuba
[1]
Brushes
C
Percussion
2
V
Nellie:
##
& ##
Voice
C r

I'm gon - na
wash
that
man
right
out - a
my
hair,
I'm gon - na
wash
that
man
right
out - a
my
hair,
I'm gon - na
wash
that
man
right
##
& ##
? ####
####
Harp
PIZZ
&
Violin A
p
PIZZ
####
&
Violin B
divisi
p
PIZZ
####
&
Violin C
p
PIZZ
####
&
Violin D
divisi
p
PIZZ
B ####
Viola
divisi
p
PIZZ
? ####
Violoncello
p
pizz
? ####
Double Bass
11
[10]

####
&
Fl.
####
&
Ob.
## #
& # ##
Cl. 1.
## #
& # ##
Cl. 2.
? ####
Bsn.
##
& # ##
Hn. 1.
##
& # ##
Hn. 2.
##
& # ##
Hn. 3.
Tpt 1.
## #
& # ##
cup mute
Tpt 2.
# ## #
& # #
Tpt 3.
# ## #
& # #
p
cup mute
p
cup mute
? ####
Tbn.
p
cup mute
? ####
Tbn.
p
? ####
Tba.
[10]
4
Perc.
# ##
& #
Voice
out - a
my
hair,
And
send
him
on
his
way.
I'm gon - na
wave
that
man
right
out - a
my
arms,
##
& ##
? ####
##
& ##
Vln. A
Vln. B
##
& ##
Hp.
Vln. C
##
& ##
##
& ##
Vln. D
#
B ## #
? ####
Vla.
Vc.
? ####
J J
Db.
I'm gon - na
12
13
14
15
16
17
. .
####
18
. .
&
Fl.
[19]

J J
mp
##
& ##
Ob.
. .
. .
j j
SOLI
2
## #
& # ##
Cl. 1.
w
mp
2
## #
& # ##
Cl. 2.
2
? ####
Bsn.
##
& # ##
Hn. 1.
# ##
& # #
Hn. 2.
##
& # ##
Hn. 3.
Tpt 1.
## #
& # ##
.
j
j
n
.j

# ## #
& # #
Tpt 2.
.
j
.
j
.
j
.
j
## #
& # ##
Tpt 3.
? ####
? ####
? ####
Tbn.
Tbn.
Tba.
[19]

V V V

Perc.
V V V

V V
pp
# ##
& #
Voice
wave that man right
out - a my
arms,
out - a my
arms,
And
send
him
on
his
way.
Don't try
to patch it up,
# ##
& #
? ####
##
& ##
Hp.
12
Vln. A
16
2
##
& ##
Vln. B
12
##
& ##
Vln. C
16
2
####
&
Vln. D
B ####
Vla.
J J
2
? ####
Vc.
? ####
Db.
20
21
22
23
24
25
26
WATCH FOR CUT OFF
####
Fl.
&
Ob.
##
& ##
## #
& # ##
Cl. 2.
? ####
## #
& # ## n
Cl. 1.
Bsn.
#w
##
& # ##
Hn. 1.
##
& # ##
Hn. 2.
# ##
& # #
Hn. 3.
## #
& # ##
Tpt 1.
# ## #
& # #
Tpt 2.
## #
& # ##
#
J
#w
Tpt 3.
? ####
Tbn.
? ####
? ####
Tbn.
Tba.
WATCH FOR CUT OFF

4
Perc.
# ##
& #
Voice
n
Tear
it up!
Tear
it up!
Wash

him out,
dry

him out,
n
Push
him out,
fly

him out!
and
let
him
Can - cel
him,
go!
Yea,
sis
ter!
##
& ##
? ####
##
& ##
Vln. A
##
& ##
Vln. B
# ##
& #
Vln. C
##
& ##
Vln. D
B ####
? ####
Hp.
Vla.
Vc.
? ####
Db.
No. 21 Intro:
Some Enchanted Evening Reprise

DIALOGUE
cue:
EMILE: "I stepped off that boat into another world
...where I am now...
...and where I want to stay."
1
10
Moderato
w>
w>
&
Flute
&
English Horn
#
& #C
Clarinet in Bb
pp
#
& #C
Clarinet in Bb
>
w
>
w
pp
w>
w>
C
Bassoon
pp
Trumpet 1 in Bb
#
& #C
#
& #C
Trumpet 2 in Bb
#
& #C
Trumpet 3 in Bb
Horn 1. in F
&
Horn 2. in F
&
Horn 3. in F
&
#
#
?
Trombone 1.
?
Trombone 2.
?
Tuba
Moderato
?
Percussion
&
Voice
&
# #

pp
Harp
C
ARCO
- - -
- - -
& C
Violin A
>

J
3
U
ww
ww
ww
ww
ww
pp
ARCO
divisi
- - & C
Violin B
- - -
>
U
w
w
w
p
pp
ARCO
- - -
- - -
C
&
Violin C
>

J
3
U
w
w
pp
ARCO
divisi
- -
C
&
Violin II
- - -
>
U
w
w
w
p
pp
Sord. ARCO
Viola
>
ww
>
ww
pp
>
w
pp
ww
U
w
p
pp
>
w
Sord. ARCO
U
w
Uw
pizz
Violoncello
pp
pp
ARCO
pizz
w>
C
Double Bass
# w>
pp
11
12
13
14
15
16
17
18
19
20
Fl.
&
Eng. Hn.
&
#
solo
##
&
Cl. 1.
p
solo
#
& #
Cl. 2.
?
Bsn.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
#
#
cup mute soli
##
cup mute
pp
soli -
b #
&
Tpt 1.
##
&
Tpt 2.
pp
##
&
Tpt 3.
?
Tbn.
?
Tbn.
?
Tba.
Perc.
Emile:
Nellie:
Emile:
Nellie:
Nellie:
&
Voice
Born on the op - po - site
sides of
a sea
We

are as dif - fer - ent as
peo - ple can be.
w
It's
yet
you want to
true.
And
me.
mar - ry
do.
I've
&
Hp.
&
Vln. A
ww
ww
w
w
w
w
ww
ww
ww
ww
&
Vln. B
&
Vln. C
ww
ww
w
w
w
w
ww
ww
ww
ww
&
Vln. D
-w
Vla.
Vc.
?
Db.
Segue as one
21
22
23
24
25
26
27
28
Poco rall.
Fl.
&
Eng. Hn.
&
#
& #
Cl. 1.
#
& #
Cl. 2.
?
Bsn.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn.
?
Tbn.
?
Tba.
Poco rall.
Perc.
Segue as one
&
Voice
known
you
few
short
weeks
yet
Some
my
heart
and
for - get
All
men
have
met
but
you,
how you've made
oth - er
ev - er
but
you.
&
Hp.
&
Vln. A
ww
ww
ww
ww
ww
ww
ww
ww
ww
ww
ww
ww
w
w
ww
ww
ww
ww
ww
ww
-w
#w
ww
"
"
"
"
#
n
"
divisi
&
Vln. B
&
Vln. C
divisi
&
Vln. D
B
Vla.
Vc.
Db.

No. 22 Reprise:
Tempo I
4
&
w
4 mp
Flute
#
&
English Horn
4 #
4 mp
#4
& #
4
Clarinet in Bb
mp
#4
& #
4
Clarinet in Bb
mp
4 #
4 mp
?
Bassoon
Mute
4
&
4w
Horn 1. in F
pp
Mute
#
Horn 2. in F
4
&
4
Horn 3. in F
&
4
4
#4
& #
4
4
4
4
4
4
Trumpet 1 in Bb
4
#4
& #
Trumpet 2 in Bb
4
#4
& #
Trumpet 3 in Bb
4
?
Trombone 1.
?
Trombone 2.
?
Tuba
Tempo I
?
Percussion
&
Voice
4
4
4 Emile:

4 #
ning,
You may see
a stran -
ger,
You may see
a stran
4
4
cross
Harp
ger
4
&
4
1st solo (senza)
4
&
4
Violin A
tutti (sordini)
mp
sulg
sordini
&
Violin B
4
4 #
mp
1st solo (senza)
4
&
4
Violin C
tutti (sordini)
sulg
mp
sordini
&
Violin D
4
4 #
mp
sordini
B
Viola
4
4 #
mp
?
Violoncello
ARCO sordini
4 #
4 mp
ARCO
?
Double Bass
4
4 mp
10
11
12
13
&
Fl.
3
3
#

J
&
Eng. Hn.
w
mf
3
#
& #
Cl. 1.
#
& #
Cl. 2.
&
Hn. 1.
Bsn.
j
w
&
Hn. 2.
mf
#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 3.
&
Tpt 1.
?
Tbn.
?
Tbn.
?
Tba.
?
Perc.
&
Voice
crowd
ed room,
And
some how you
know,
you
know
se her
a-
w
e -
ven
then
That
some - where you'll
&
n b
Hp.
n b
3
3
&
Vln. A
mf
3
&
Vln. B
divisi
mf
3
&
Vln. C
3 w
mf
3
divisi
3
&
Vln. D
mf
3
Vla.
mf
Vc.
Db.
14
15
17
&
#
&
Eng. Hn.
20
21
22
[23]
#
cres.
19
pp
dimin.
18
. . . . . . . Solo

Fl.
16
# # n #
# #
dimin
ff
cresc molto
#
& #
Cl. 1.
# n #
#
& #
w
.
ff
n n #
ff
cresc
mp
pp
mp
pp
dimin
Bsn.
w
cresc
dimin
Cl. 2.
mp
- .
pp
dimin.
ff
&
Hn. 1.
mp
pp
Dimin.
mp
ff
cresc.
&
Hn. 2.
mp
ff
cresc.
Dimin.
&
Hn. 3.
cup mute
##
. . - . . - . . - n #
&
Tpt 1.
mp cresc
ff
mp
cup mute
##
. . - . .
#
&
Tpt 2.
- . .-

mp cresc
ff
mp
cup mute
#
& #
Tpt 3.
. . - . . - . .-
# n # # #
mp cresc
ff
cup mute
# #
Tbn.
ff
cresc.
mp
cup mute
Tbn.
ff
cresc.
mp
Tba.
ff
cresc.
Marimba
(Low Xylo)
&
Perc.
[23]

ff
mf
Timp
Cresc.
Nellie:
mp
Emile:
&
Voice

gain and
a -
gain.
solo 8va's

&
Hp.
Who can ex plain it,
who can tell you why?
Fools give you reas ons,
Wise men nev - er
try.
Some en - chant - ed
eve
ning,
mp
# # n #
# #
SENZA
&
Vln. A
dimin
&
Vln. B
pp
senza
ww
pp
SENZA
n ## n#
ff
cresc molto
ff
cresc molto

ww
dimin
# # n #
# #
&
Vln. C
dimin
&
Vln. D
pp
senza
ww
pp
senza
Vla.
dimin
Vc.
dimin
w
dimin
- - - n- #-
#
ff
ff
cresc molto
ff
-- - - # ## n #
cresc molto
senza
n ## n#
cresc molto
Divisi
ff
cresc molto

ww
dimin
Db.
mp
cresc.
ff
mp
24
25
26
27
28
&
Eng. Hn.
&
Cl. 1.
#
& #
#

& #
Cl. 2.
J
w^
w^
?
Bsn.
# w>
Fl.
29
>
#w
&
Hn. 1.
>
#w
#
&
Hn. 2.
Hn. 3.
&
#
& #w
Tpt 1.
#
& #
Tpt 2.
w
#
& #
Tpt 3.
Tbn.
w
Tbn.
Tba.
Perc.
&
Voice
love,
&
you
cross
crowd
ed room,
Hp.
ww
#
f
ww
&
Vln. B
espressivo
loco
ww
&
f
ww
&
Vln. D
espressivo
#
Vln. C
loco
&
Vln. A
f
loco
&
Vla.
f
w
Vc.
?
Db.
30
31
32
33
34
35
3
w
3 w
&
Fl.
f
3
3
w
&
Eng. Hn.
f
3
#
& #
Cl. 1.
#
& #
Cl. 2.
w
w
Bsn.
&
Hn. 1.
&
Hn. 2.
w
f
Hn. 3.
&
Tpt 1.
#
& # j
#
& # j
Tpt 2.
#
& #
Tpt 3.
<n>
mp
f
3
Tbn.
f
3
?
Tbn.
Tba.
Perc.
&
Voice
then
fly to her
side
and
make
or
all
through
her
your
own,
your
life you
may
&
n b
Hp.
3
n b
3
3
&
Vln. A
f
3
&
Vln. B
&
Vln. C
f
3
3
3
&
Vln. D
3
3
w
B
&
Vla.
f
3
Vc.
f
Db.
Applause segue
36
&
Fl.
37
38
39
40
41
42
43
. . .

. . . .
45
Uw
mf
dimin.
44
&
Eng. Hn.
dimin
#
& #
Cl. 1.
dimin
pp
##
&
Cl. 2.
U
w
U
w
U
w
w
w
dimin
pp
Bsn.
pp
dimin
. . .
&
Hn. 1.
. . . .
U
w
Dimin.
pp
&
Hn. 2.
#

w
Dimin.
Hn. 3.
&
Tpt 1.
#
& #
U
w
pp
dimin
#
& #
Tpt 2.
U
w
pp
dimin
#
& #
?
Tpt 3.
dimin
Uw
Tbn.
pp
U
w
Tbn.
pp
dimin
U
?
Tba.
w
pp
dimin
Marimba
(Low Xylo)
&
Perc.
Nellie:
pp
Emile:
Applause segue
a -
lone.
dream all
Once you have found her,

nev - er let her go.
Once you have found her,
nev
er
let
her
go!
solo 8va's
&
Hp.
solo arp ad lib
soli divisi
pp
1 solo sord
ww
ww
Uw
w
ww
divisi
&
Vln. B
ww
ww
dimin
&
Vln. A
1 solo sord
pp
&
Voice
Uww
u
pp
Gliatri Sord.
dimin
pp
U
ww
&
Vln. C
ww
dimin
pp
sord
&
Vln. D
ww
ww
U
ww
u
pp
pp
Gliatri Sord.
dimin
divisi
1 solo sord
w
ww
Uw
ww
Vla.
pp
dimin
Glialtri Sord.
Vc.
dimin
pp
Db.
dimin
pp
U
w

No. 23
1
Allegro
Intro "Wonderful Guy"
3
Flute &
4p
3 - - -
Oboe &
4p
## 3
Clarinet in Bb &
4p
## 3
Clarinet in Bb &
4 p

? 3
Bassoon
4p
n #
n
[9] *
b
- . b
10
11
12
3
4
3
4
# 3
&
4
# 3
& #
4
Horn 1. in F
&
Horn 2. in F
&
Horn 3. in F
Trumpet 1 in Bb
# 3
& #
Trumpet 2 in Bb
4
# 3
& #
4
? 3
4
Trumpet 3 in Bb
Trombone 1.
3
4
? 3
Tuba
4
?
Trombone 2.
[9] *
Allegro
3
4
3
4
&
3
4
?
Percussion
Harp
Violin A
&
Violin B
&
Violin C
3
4p
3 . . .
&
4p
3
4p
3
4p
&
Violin D
3 . . .
4p
B
Viola
?
Violoncello
3
4p
.
b
. .

.
b
. .

nb

. . b
pizz
?
Double Bass
3 J
4p
b
J
b J
J
b J
J
b
J
DIALOGUE
cue to continue:
Marshall: "Quiet, she'll hear you!"
13
14
15
16
18
19
20
21
22
23
24
25
26
27
28
[17]
Segue as one
Fl.
&
Ob.
&
#
& # b
Cl. 1.
#
& # n
Cl. 2.
?
Bsn.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn.
?
Tbn.
?
Tba.
[17]
?
Perc.
Segue as one
&
Hp.
Vln. A
Vln. B
Vln. C
Vln. D
b
&
&
b
b
&
&
?
Vc.
? b J
b
J
b
b
Vla.
Db.
U
n
No. 24
&
Flute
bbb 3
4
b 3
&b b
4
3
&b
4
3
&b
4
Oboe
Clarinet in Bb
Clarinet in Bb

10
11
12
[13]

[5]
Allegro
I'm In Love With A

Wonderful Guy
14
15
16
Bassoon
? b 3
bb
4
f
Open
3
4
b 3
&b
4
&b
Horn 1. in F
Horn 2. in F
f
Open

f
Open
3
4
Trumpet 1 in Bb & b 3
4
3
Trumpet 2 in Bb & b
4
3
Trumpet 3 in Bb & b
4
? bb 3
Trombone 1.
b4
? b 3
bb
Trombone 2.
4
? bb 3
Tuba
b4
&b
Horn 3. in F
f
str mute
f
str mute
f
str mute
#b
[5]
Allegro
Percussion
3
4
3
4
[13]
Nellie:
b
&bb
Voice
b 3
&b b
4 MMLOLMMM
ex - pect ev - 'ry
one of my crowd To make
fun of my
proud pro - tes - ta - tions Of
faith in ro - mance
mf
Harp
3
b4
? bb
b 3
&b b
DIVISI PIZZ
Violin A
#b n n
f
p
mf
PIZZ
b 3
& b b
4
Violin B
mf
f
DIVISI PIZZ
b 3
&b b
Violin C
#b n n
f
p
mf
PIZZ
b 3
& b b
4
Violin D
mf
f
PIZZ
B bbb 3
4
Viola
mf
n n #b
# n
pizz
? bb
Violoncello
3
b4
mf
pizz
Double Bass
? bb
3
b4
mf
17
18
19
20
22
23
24
25
26
27
28
[29]

[21]
Fl.
b
&b b
30
31
32
33
Ob.
Cl. 1.
b
&b b
&b

n
f
2
&b
Cl. 2.
Bsn.
? b
bb
Dimin.
Hn. 1.
b
&b
b
&b
Hn. 2.
Dimin.
Dimin.
b
&b
Hn. 3.

n
Dimin.

#
&b
Tpt 1.
&b
Tpt 2.
&b
Tpt 3.
f
Open
? bb
Tbn. 1.
b
mf
dimin
Open
? bb
Tbn. 2.
mf
Tba.
? bb
dimin
#b
[21]
[29]
hear from a
per - son in
pants
Perc.
b
&bb
Voice
And they'll
b
&b b
say I'm na - ive As
babe to be - lieve An - y
fa - ble
dimin
Hp.
? bb
& b b
Vln. A
dimin
#b n
n
f
b
& b b
Vln. B
dimin
#b n n
f
& b b
Vln. C
dimin
b
& b b
Vln. D
dimin
f
4
B bbb
Vla.
dimin
#b
n
f
ARCO
? bb
b
Vc.

Dimin.
dimin
Db.
? bb
b
dimin
34
35
&
Fl.
bbb
36
[37]
b
&b b
Ob.
38
39
40
41
42
43
44
45
46
47
48
49
50
mp
SOLI
&b
Cl. 1.
mp
SOLI
&b
Cl. 2.
mp
Bsn.
? b
bb
<n>
Hn. 1.
&b
Hn. 2.
&b
b
&b
Hn. 3.
&b
Tpt 1.
pp
&b
Tpt 2.
&b
Tpt 3.
Tbn. 1.
? bb
b
Tbn. 2.
? b
bb
to str mute
pp
Tba.
? bb
[37]
?
Perc.
b
&bb
Voice
Fear - less - ly
I'll
face them and
? bb
ar - gue their doubts
a -
way
Loud
&
ly
I'll
n
sing a - bout flow - ers and
spring.
mp
B
Hp.
? bb
b
&b b
&
n
&
ARCO
Vln. A
nn
mp
ARCO
divisi
b
&b b
Vln. B
ARCO
mp
b
&b b
Vln. C
mp
ARCO
divisi
b
&b b
Vln. D
nn
mp
Arco
B bbb
Vla.
Divisi
mp
2
? bb
Vc.
mp
arco
Db.
? bb
b
mp
51
52
54
55
56
57
58
59
60
61
62
63
64
65
66
[53]
Fl.
&
bbb
b
&b b
Ob.
Cl. 1.
& b #
Cl. 2.
&b
Bsn.
# n
? bb
b
&b
Hn. 1.
mp
cresc.
cresc.
b
&b
Hn. 2.
mp
bb
&
Hn. 3.
cresc.
mp
&b
Tpt 1.
&b
Tpt 2.
&b
Tpt 3.
? bb
Tbn. 1.
2
? b
bb
Tbn. 2.
Tba.
? b
bb
[53]
?
Perc.
b
&bb
Voice
<n>
Flat
b
& b b n
ly
I'll
stand on my
lit - tle flat
feet
and
say
Love
is
grand and a
beau - ti - ful
thing.
Hp.
b
&b b
b
&b b
Vln. A
&
>

>

#
<n>
>
b
&b b
Vln. B
b
&b b
Vln. C
<n>
nn
n
>

>

n
>

>
b
&b b
Vln. D
nn
Divisi
B bbb
Vla.
<n>
n
>

>

n
>

2
? bb
Vc.
>

>

n
f
Db.
? bb
b
>

>

67
&
Fl.
68
>
bbb n
70
[69] .
nnn
71
72
73
.
<n> .
.
74
75
76
77
78
79
80
. <n> .
>
&b
Cl. 1.
Cl. 2.
#
J
.
.
.

.
.
.
. .
<n>
.
.
. .
.
.

mf
## .
>
& b #
.
nnn
mf
.
##
#
J
82
Rit.
mf
b >
&b b
Ob.
81
.
.
.
.
. .

mf
2
Bsn.
? b
bb
2
. .
nnn
. . .

2
. . . . .

p
f rit e cresc.
&b
Hn. 1.
cresc.
b
&b
Hn. 2.
Hn. 3.
&
Tpt 1.
<n>
# ^
&b
##
&b
#
J
cresc.
mf
f cresc
&b
f cresc
Tpt 3.
##
mf
Tpt 2.
cresc.
bb
##
mf
f cresc
str mute
n
? bb
Tbn. 1.
nnn
#
J
? bb
Tbn. 2.
nnn
Tba.
? bb
nnn
[69]
Rit.
j V V

Perc.
&
Voice
bbb
nnn
b n > n
&b b
n 8
I'm
not
a - shamed
to
re - vel
The
world
n n n ?
fa - mous
feel
ing
feel.
&
Ab
Hp.
? b
bb

bb n
n
n
b
&
n n n
Vln. A
n nnn
f
divisi
b
n
nnn
& b b
n

pp

b n
n
n
b
& b
n n n
Vln. C
cresc.

f
divisi
b
n
nnn
& b b
n

pp
cresc.
#
J
pp
Vln. D
#
J
pp
Vln. B
cresc.
cresc.
Divisi
n
B bbb n n
n n n
Vla.
j #
J
p
f
2
? bb
Vc.
. .
nnn
. . .

cresc.
. . . . .

pp
f rit e cresc.
Db.
? bb
b
nnn
pp
f rit e cresc.
83
[85] A tempo
>.
b
"

84
Marcato

86
87
88
89
90
91
92
93
94
95
96
97
98
99
&
Fl.
mf
mp
>.
Marcato
&
Ob.
mf
mp
Marcato
##
>.
&
Cl. 1.
mf
Marcato

#
& #
Cl. 2.
mp
>
.
>

mf
Bsn.
mf
mp

marcato
&
Hn. 1.
>.

mp
mf
marcato
>.

#
&
Hn. 2.

mf
mp
marcato
#
&
Hn. 3.
marcato
## n
>.

mf
>.

mp
&
Tpt 1.
mf
## marcato

mp
>.

&
Tpt 2.
mf
## marcato
&
Tpt 3.
mp
>
.
mf
marcato

mp
>.
b
Tbn. 1.
mf
Tbn. 2.
mp
>.

to str mute
won - der - ful
guy!
mf
Tba.
Perc.
&
Voice
[85] A tempo
"
V V

I'm
&
Hp.
{
Vln. A
<> marcato
b
&

&
Vln. B
Vln. C
&
Vln. D
marcato
Vla.
Au - gust,
I'm
as
nor - mal as
blue - ber - ry
pie,
No more a
smart lit - tle
girl with no
heart, I have found me
>

2
>

mf
Kan - sas in
mf
marcato

as
>

mf
<> marcato
b
&
corn - y
>

>

>

mf
marcato

as
>
. .
. . . . . . . .
. .
. .
. .
. .
. .
. .
. .
. .
. .
. .
n

n
mf
p
pizz
ARCO
>
marcato
?
Vc.

mf
marcato
?
Db.
mf
pizz
>

100
[101]
>.
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
&
Fl.
mf
>.

&
Ob.
mf
>.
#
& #
Cl. 1.
mf
p

#
& #
Cl. 2.
>
.
mf
p
Bsn.
>
mf
Hn. 1.
>.

#
&
mp
mf
&
Hn. 2.
>.

mf
mp
>.

&
Hn. 3.
mp
mf
##
>.
&
Tpt 1.
mf
& #
Tpt 2.
>.
mf
>
.
#
& #
Tpt 3.
mf
>.
Tbn. 1.
mf
. .

>.

mp
mf
str mute
speak of that
won - der - ful
guy!
Tbn. 2.
Tba.
[101]
?
Perc.
&
Voice
&
Hp.
>
&
Vln. A
am
in
a con - ven - tion - al
>

mf
p
>

>

dith
er
With a con - ven - tion - al
star in
my
eye,
And you will
note There's a

lump in
my throat When I
>

mf
2
&
Vln. B
&
Vln. C
>

mf
p
>

mf
2
&
Vln. D
>

mf
B
Vla.
. .

mf
ARCO
pizz
>
Vc.
mf
?
Db.
>
b
mf
118
Fl.
[117]
>
&
119
120
121
122
123
124
125
126
127
128
129
130
131
132
J
J
>
&
Ob.
j
J
#
& #
Cl. 1.
#
& #
Cl. 2.
? b
Bsn.
n

n
n
n
# n
J
J
J J
Hn. 1.
&
Hn. 2.
&
&
Hn. 3.
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
# j n j
j # j n
>

Tbn. 1.
>
Tbn. 2.
mp
?
Tba.
[117]
?
j
j

Perc.
&
Voice
I'm as
&
trite and as
gay As
dai - sy in
May, A cli - che com - ing
true!
I'm bro - mid - ic and bright As
moon - hap - py
night Pour - ing
light on the
dew!
b b
bb
b
b

b bb
b b
b
b
# n#
Hp.

J
J
Vln. A
&
b b
&
b b
b b

b
Vln. B
Vln. C
&
b b
&
b b
b b

b
Vln. D
b b
pizz
? b b
B
Vla.

# n#
ARCO
Vc.
p
ARCO
?
Db.
b b
[133]
>.
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
&
Fl.
pp
molto Cresc
>.

&
Ob.
mf
pp
mp
molto Cresc
## >.
&
Cl. 1.
mf
mp
# >.
& #
mf
mp
>
Cl. 2.
Bsn.
pp
molto cresc

pp

molto cresc
pp
molto cresc
mf
Hn. 1.
mp
# >.
&

pp
molto cresc
mf
# >.
&
Hn. 2.
mf
&
Hn. 3.

pp
# >.
molto cresc
pp
#
molto cresc
mf
>.
## to open

&
Tpt 1.
open
mf
pp
open
# >. to open
& #
Tpt 2.
mf
pp
open
## >. to open
&
Tpt 3.
mf
pp
>.
to open
open
Tbn. 1.
mf
mp
open
> to open

Tbn. 2.
mf
mp
Tba.
If you'll ex - cuse an ex - pres - sion I
use, I'm in
love, I'm in
love with a
[133]
?
Perc.
&
Voice
I'm
&
as
corn - y
as
>

Kan - sas in
au - gust,
High as
flag on the
fourth of Ju - ly!
love, I'm
in

love, I'm
in

b b
love, I'm
in
mf
mp
pp
molto cresc
Hp.
&
Vln. A
>

>

mf
mp
pp
&
Vln. B
>

mf

b b
&
>

mf
&
Vla.
b # n
molto cresc
mp
pp
mp
>
b
mf
molto cresc

b b
pp
mp
>

mf
molto cresc

pp
Vln. D
mp
pp
Vln. C
molto cresc
>

molto cresc
Vc.
mf
mp
pp
?
Db.
pizz
>

mf
arco
mp
pp
molto cresc
molto cresc
150
151
152
154
155
[153]
156
157
158
159
160
161
162
&
Fl.
&
Ob.
#
& #
Cl. 1.
#
& #
Cl. 2.
ff
ff
ff
ff
>
? n

>
>

>
>
>

>

>

Bsn.
ff
Hn. 1.
&
Hn. 2.
#
&

J J

J J
j j j j j j j j
j j j j j j j j j j j j
ff
4
j j
ff
#
&
Hn. 3.
ff
& #
Tpt 1.
#
& #
ff
Tpt 2.
j j

ff
#
& #
Tpt 3.
ff
?

Tbn. 1.
ff

Tbn. 2.
ff
Tba.
ff
?
Perc.
>
[153]

V V

ff
won - der - ful
guy!
&
Voice
&
f
ff
Hp.
>
>
&
Vln. A
&
Vln. B
ff
ff
&
Vln. C
&
Vln. D
ff
ff
Vla.
f
>
>
>
>
>
>
>

Vc.
f
ff
Db.
ff
163
Fl.
&
Ob.
&
164
#
& #
?
Bsn.
166
167
168
170
171
172
173
174
[169]
J
J
J
J
j
j

J
J
j
J
J
J
j
J
J
J
>
>
>
>
>
>
>
>
Cl. 2.
# n
#
& #
Cl. 1.
165
>
>
>
>
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
j
j

J
J

J J
j
j

j
j

j j

j
j

j
j

j j

j
j

j
J
j
j

j
j

# n
j
j

>
>
>

J J
j j

j j

j j

j j

j j

j
j
##
&
Tpt 1.
,
##
&
Tpt 2.
,
Tpt 3.
#
& #

?
j
j

> >
>
>
>
>
>
>
>
>
>
>
>
>
>
Tbn. 1.
Tbn. 2.
?

Tba.
?
Perc.
> > >

>
>
>
[169]

&
Voice
&
>
>
>
>
Hp.
Vln. A
&
Vln. B
&
Vln. C
&
Vln. D
&
b# n n

b# n n

Vla.
>
>
>
>
>
>
>
>
>
>
>
>
>
>
?
Vc.
?
Db.
>
>
>
>
>
175
176
177
178
179
180
181
182
183
184
186
[185]
187
188
. .
. .

. . .
. . .

&
Fl.
&
Ob.
#

& #
Cl. 1.
# n
n
n n n
#
& #
Cl. 2.
n n n
b b
>
>
?
Bsn.
j j

j j

n j j n j j
j j

.j

&
Hn. 1.
2
#
Hn. 2.
&
Hn. 3.
&
Tpt 1.
#
& #
j j j j

j j

##
&
Tpt 2.
# n n

.j
n
##
&
Tpt 3.
.
j
n
p.
j

Tbn. 1.
p
Tbn. 2.
Tba.
pp
Perc.
[185]
b
b
p
&
Voice
&
b
b

b
b
b
b
Hp.
PIZZ
&
Vln. A
p
PIZZ
&
Vln. B
bb n b

bb
PIZZ
&
Vln. C
p
PIZZ
&
Vln. D
bb n b

bb
bb
p
Divisi
PIZZ
Vla.
bb
p
PIZZ
>
>
>
>
>
>
b b
Vc.
p
PIZZ
?

Db.
189
190
191
192
194
[193]
. .
. . .
195
196
197
198
199
200
. . .
j
. . .

. . .

. . .
j
202
[201]
&
Fl.
. . .

&
Ob.
. .

n
p
#
& # n n
n
Cl. 1.
#
& # n n
n
b
? b
Cl. 2.
Bsn.
n
b
&
Hn. 1.
j j j

>>> > >>> >

>>> > >>> >

>>> > >>> >

# n
.j

> > > > > > > >
.j

>>> > >>> >

#
#
Hn. 2.
&
Hn. 3.
&
Tpt 1.
#
& #
j j j
n n
j j j j j

j n
n
J
#
& #
Tpt 2.
j
n
#
& #
Tpt 3.
j
n
p
.
j
>>> > >>> >

p
p
.

J
Tbn. 1.
> > > > > > > >

>>> > >>> >

Tbn. 2.
?

Tba.
>>> > >>> >

[193]

Perc.
>>> >

[201]

pp
Nellie:
(sung, if desired)
&
Voice

I'm
&
b
b
as

corn - y as
Hp.
?
b
b
ARCO
&
Vln. A
p
ARCO
b
& b
Vln. B
# #
ARCO
&
Vln. C
p
ARCO
b
& b
Vln. D
# #
. .
. .
# #

ARCO
B
Vla.
bb
.
.
n
.
. .

ARCO
Vc.
b
b
b
J
p
ARCO
?

Db.
>>> > >>> >

203
204
205
206
207
208
^ ^ ^
^ ^ ^
210
[209]
211
212
[213]

214
215
216
217
&
Fl.
^ ^ ^
& b
Ob.
^ ^ ^
poco a poco cresc.
^ ^ n ^
#
& #n
Cl. 1.
poco a poco cresc.
^ n ^ ^ b ^ ^ # ^ n ^ ^ ^ ^
Cl. 2.
^ ^ # ^ n^ # ^ n^
#
& #n
? b
^ # ^ n^
poco a poco cresc.
^ ^ ^ ^
poco a poco cresc.
Bsn.
> > >

b
> > > > > > > > > >
n b # n

& n
Hn. 1.
> > >

> > >

> > >

> > > >

poco a poco cresc.
poco a poco cresc.
> > >

n
&
Hn. 2.
> > > > > >

n # # n
> > > >

n
mp
> > >

b
> > > >

> > > > > >

b # n # n
mp
#
&
Hn. 3.
poco a poco cresc.

poco a poco cresc.
^ ^ ^
#
& #
Tpt 1.
^ ^ ^
^ ^ ^
poco a poco cresc.
##
^ ^ n^
&
Tpt 2.
^ n^ ^ ^ # ^ n^
^ ^ ^ ^

poco a poco cresc.
^ ^ ^ ^
b # n
>
^ > b >
##
&
Tpt 3.
^ ^
# n
^ ^ ^ ^ ^ ^ ^
# n
poco a poco cresc.
> n > b > > b >
> > > > b
Tbn. 1.
p
poco a poco cresc.
Tbn. 2.
> > >

b
> > > > > >

n b b
> > >

b
> > > > > >

n b b
> > > >

poco a poco cresc.
2
?
Tba.
> > > >

poco a poco cresc.
> > >

Perc.
^ ^ ^ ^ [209]

[213]

poco a poco cresc.

(sung)
&
Voice
Kan - sas
&
in
au
gust,
High as
flag on
the
fourth of
Ju - ly!
If you'll ex - cuse an
ex - pres - sion
use, I'm
in
love, I'm
in
love, I'm
in
love, I'm
in
love, I'm
in
love with
1st Girl:
a
poco a poco cresc.
Hp.
> > >
> > >
^ ^ ^
&
Vln. A
poco a poco cresc.

&
Vln. B
^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
b ^ bb n b # n# n b b
# n # n
> > >
> > >
^ ^ ^
poco a poco cresc.
&
Vln. C
poco a poco cresc.

&
Vln. D
^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
b ^ bb n b # n# n b b
# n # n
poco a poco cresc.

4
> > >
> > >
> # > n >
> > > >
>
> > b
> > n > b > > # > n > > > > b

^ ^ b ^
^ ^ n^ b ^ ^ ^ ^ ^ ^ ^
# n
Vla.
p
poco a poco cresc.
? b
Vc.
p
poco a poco cresc.
?

Db.
poco a poco cresc.
218
219
220
[221]
8
222
223
224
225
226
227
228
230
231
[229]
^ ^ ^
Rall.
232
&
Fl.
ff
8
^ ^ ^
&
Ob.
ff
8
##
> > >
&
Cl. 1.
ff
8
#
& #
Cl. 2.
> > > > > > U

b n

ff
> > >
Bsn.
U>
> > >
ff
# #
> > >
&
Hn. 1.
ff
4
&
Hn. 2.
> > >

ff
&
Hn. 3.
b
#
& # b
Tpt 1.
> > > > > > U

b b n

ff
U
^ ^ ^ ^ ^ ^ >
ff
##
&
Tpt 2.
> > > > > >

b n
U>
n
ff
> > >

##
# n
&
Tpt 3.
ff
? b
> > >
> > > U>

U
> > >
Tbn. 1.
ff
Tbn. 2.
> > > > > > U

b n n n
ff
> > >

b
?
Tba.
b
b
> > > U

ff
[221]
^ [229]
^ ^
V V

Rall.
12
Perc.
Cymb.
ff
I'm in

Nellie:
I'm in

won - der - ful
2nd Girl:
All Girls:
3 more Girls:
love, I'm
in
love, I'm
in
love, I'm
in
love, I'm
in
love, I'm
in
love, I'm
in
love, I'm
in
love, I'm
in
&
Voice
won - der - ful
love with
&
love with
won - der - ful
guy!
ff
Hp.

b b
n
b
b
b
b
U
> > > > > >
8
&
Vln. A
ff
8
> > >

> > > U

&
Vln. B
ff
> > >
U
> > >
&
Vln. C
ff
8
> > >

> > > U

U>
U>
&
Vln. D
ff
8
Vla.
> > > > > >

b n
ff
? b
> > >
> > >

Vc.
ff
?
Db.
b
b
^ ^ ^
b
ff
^ ^ ^ U
No. 25
I'm In Love With A

Wonderful Guy
Encore:
1
10
11
12
13
14
15
16
Allegro
Flute
Marcato
J J J J
3
&
4f
[9]
f
Marcato
4 f J J J J
&
Oboe
Marcato
## 3 n # n n # # J J J J
&
Clarinet in Bb
4f
f
Marcato
# 3
# n n
& # #
Clarinet in Bb
n # J J J J
b
4f
f
Marcato

3 # # b b
J J
J J
4f
?
Bassoon
Marcato
#
&
Horn 1. in F
3 # n
J J
J J
4f
# n
n b

Marcato
3 b # n j j
&
J J
4f
Horn 2. in F
Marcato
#
&
Horn 3. in F
j j
3 # # n
#
j j
4f
Marcato
# 3
& #
Trumpet 1 in Bb

n #
# # b # n b
4f
Marcato
## 3 n # n
&
Trumpet 2 in Bb
4f
## 3 Marcato
# #
&
Trumpet 3 in Bb
4f
solo
Marcato
?
Trombone 1.
3
4f
f
solo
Marcato
?
Trombone 2.
3 # # b b

4f
Tuba
Marcato
~~
4 f # # b b
Allegro
4
Percussion
3
4
Voice
3
4
V V

j j

J
[9]

f
Nurses:
&
I'm
as
corn - y
as
Kan - sas in
3 b #
#
n

4

f
? 3

4
&
Harp
Violin A
Marcato
J J J J
3
&
4f
Marcato

&
Violin B
3
4f
# J J n J J
au - gust, High as
flag on the fourth of Ju - ly!
# n
b # n

Marcato
&
Violin C
3
4f
J J J J
Marcato
&
Violin D
3 # J J nJ J
4f
Marcato
B
Viola

3
J J
J J
4f
b
# b # n b
Marcato
?
Violoncello
3
4f

J J
J J
Marcato
?
Double Bass
3 # # b b J J
J J
4f
18
[17]
19
20
[21]
22
23
24
25
26
&
Fl.
mf
poco a poco crec.

4
&
Ob.
mf
poco a poco crec.

4
#
& # n
Cl. 1.
mf
poco a poco crec.

4
#
& #
Cl. 2.
mf
p
poco a poco crec.
?
Bsn.
poco a poco crec.
&
Hn. 1.
mf
mf
poco a poco cresc.

4
#
& n
Hn. 2.
mf
poco a poco cresc.
&
Hn. 3.
mf
poco a poco cresc.

p
##
&
Tpt 1.
p cresc poco a poco
#
& #
Tpt 2.
p cresc poco a poco
#
& #
Tpt 3.
p cresc poco a poco
? b
Tbn. 1.
p
p cresc poco a poco
Tbn. 2.
p
p cresc poco a poco
Tba.
?
Perc.
[17]
p cresc poco a poco
[21]
4
p
p
Nellie &
Nurses:
&
Voice
&
If
you'll
ex
cuse
an
ex
pres - sion
use,
I'm
in
love,
I'm
in
love,
I'm
in
love,
I'm
in
love,
I'm
in
love,
I'm
in
love,
I'm
in
Hp.
&
Vln. A
p
divisi

4
& #
Vln. B
p
&
Vln. C
p
divisi

4
& #
Vln. D
p
4
Vla.
p
? b
Vc.
p
Db.
mf poco a poco cresc.
27
28
30
31
32
34
[29]
[33]
>
>
>
>
>
35
>
36
12
&
Fl.
ff
8
12
>
>
>
>
>
>
>
>
>
>
>
&
Ob.
ff
>
8
##
12
&
Cl. 1.
ff
8
##
>
12
>
>
>
>
>
&
Cl. 2.
ff
8
>
12
>
>
>
>
>
Bsn.
ff
Hn. 1.
#
& n
>
>
>
>
>
>
U>
>
>
>
>
>
>
U>
>
>
>
>
>
>
>
>
>
>
>
>
U>
ff
4
#
&
Hn. 2.
>
#
ff
&
Hn. 3.
>
ff
##
&
Tpt 1.
>
ff
>
##
>
>
>
>
>
>
>
>
>
>
>
>
>
>
&
Tpt 2.
>
ff
>
##
&
Tpt 3.
ff
>
Tbn. 1.
ff
>
Tbn. 2.
>
>
>
>
>
>
>
>
ff
>
?
Tba.
>
>
ff
[29]
12
16
Perc.
[33]
>
Cymb. Roll
love,
I'm
in
love,
I'm
in
love,
I'm
in
love,
I'm
in
love,
I'm
in
love,
I'm
in
love
with
&
Voice
12
&
won - der - ful
guy!
ff
Hp.
b
b
b
b
n
n
>
>
>
>
>
&
Vln. A
ff
8
>
>
>
>
>
>
>
>
>
&
Vln. B
ff
&
Vln. C
ff
8
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
&
Vln. D
ff
8
Vla.
>
ff
n >
Vc.
ff
?
Db.
ff
No. 26

Introduction Scene 9
Orchestrations By Robert Russell Bennet
Vigoroso
Flute
b >
#
J
6
&
8
n >
6 b
&
8
Oboe
j
#
>
b
>
n
>
>
n^
## 6
SOLI
&
Clarinet in Bb
j
#
j
#
SOLI
## 6 n
&
Clarinet in Bb
8 f
? 6
Bassoon
8 f
#
&
Horn 1. in F
6 b >
8
>
>
^
n
U
#
>
b
>
>
>
b
>
>
>
>
n
>
>
b
>
>
j
#
>
b
>
n
>
>
>
>
n
>
>
n
>
b ^
n^
#
&
Horn 2. in F
6 >
8 n
f
#
&
Horn 3. in F
6 >
8
f
to str mute
open
#6 >
& # n
Trumpet 1 in Bb
8
f
open
to str mute
## 6 >
&
Trumpet 2 in Bb
8
f
open
to str mute
#6 >
& # n
8
Trumpet 3 in Bb
6 b
8 f
? 6
8 f
?
Trombone 1.
Trombone 2.
#
J
?
Tuba
6
8
Vigoroso
Timp.
6
8 f
6
&
8
?
Percussion
Harp
6 b
&
8
6
8
b
Violin A
b ^
#
J
n^
^
b
U
n
U
n
p
f
b
b
6
&
Violin B
b ^
#
J
n^
^
b
8
p
f
bb
6
&
Violin C
b ^
#
J
n^
^
b
8
p
f
Violin D
b ^
6 b
&
8
#
J
n^
^
b
p
b
B 6 b
8
Viola
b ^
#
J
n^
^
b
j
#
p
f
?
Violoncello
6
8
>
>
>
>
Double Bass
6
8
>
>
U>
>
U>
>
>
>
>
>

DIALOGUE
cue:
No.
Harbison: "No, take a couple of days off...
Cable: Unwind?
Harbison: Sure. Take a boat. Go fishing.
Cable: Boat!
2
>
2 #
Moderato
[1]
Flute
4 #
&
4
27
Girls' Reprise of
Bali Ha'i
>
#w
4
4
[9]
b # n
n
#
pp cresc.
mf
4
&
4
Oboe
mf
#4
& #
4
Clarinet in Bb
mf
#4
& #
4
Clarinet in Bb
mf
4
4
?
Bassoon
2 # >
#
4
>>
2
#
#
4
>>
2
#
#
4
2 #
#
4
mf
4
4
#4
&
4
&
Horn 1. in F
Horn 2. in F
>
#- 2 #-
4
mf
2- >
# 4#
>
4 #w
To Eng. Hn.
pp cresc.
>
#
w
4
4f
pp
cresc
cresc.
4 # w>
4
p
f
pp
cresc
4 #w
4f
4 # w>
4f
4 >
4# w
- # -
- #- n- -
pp
p
Mutes
cresc
2
4
2
4
2
4
2
4
2
4
2
4
2
4
Moderato
?
Percussion
p
Mutes
pp
cresc
str mute
mp
# #
cresc
str mute
mp
str mute
#
p
str mute
mp cresc
p
open
to str mute
mf
[1]
4
4
p
Mutes
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
#
Trumpet 1 in Bb & # 4
4
## 4
Trumpet 2 in Bb &
4
## 4
Trumpet 3 in Bb &
4
? 4
Trombone 1.
4
? 4
Trombone 2.
4
? 4
Tuba
4

# #
#
&
#
#
mf
Horn 3. in F
[9]
2 4
4
4
pp
Cresc.
French Girls:
2
4
4
4
#
J
~~
#w
4
&
4
Violin A
2
4
mf
Divisi
4
&
4
Violin B
#
J
~~~~~~~~
2 4
4
4 mf
2 4
b
4
4
&
Harp
4
4
2
4
4
4
b n
Ba - li
Ha'i
# n
b
b
w
w
w
ww
ww
ww
b #
mf
mf
Divisi
4
&
4
Violin C
# ww
2
4
mf
Divisi
&
Violin D
4
4
4
4
ww
ww
ww
ww
ww
mf
w
w
2
4
4
4
w
w
w
w
ww
ww
ww
b #
mf
mf
Divisi
B 4
4
Viola
#w
bw
2
4
4w
4
w
w
n ww
mf
?
Violoncello
4
4
ww
ww
4 # w>
4
Cresc.
>>
2
#
n
b
p
mf
f
pizz
?
Double Bass
4
4
2 4
4
4
pp
cresc.
b
p
# n
MMMOMMNM
w
w
T'ap
mf
#w
w
solo
4
4 #w
? 4
4
~~~~
4
4
~~~~~~
&
Voice
10
11
Fl.

& b #
# n
Ob.
&b
12
13
14

# n b b
n
#
English Horn
15
16
b
b n b
ENG. HORN
n
n
#

&
Cl. 1.
Cl. 2.
Bsn.
#
#
& # # # #
#

n
#
# # #

n n
b # n
b #

# #

#
n b b b n
b #
b
# b n
b
b n
Hn. 1.
&
Hn. 2.
&
b b
J
2
&
Hn. 3.
#
& #
Tpt 1.
n b
&
Tpt 2.
#
& #
Tpt 3.
Tbn.
?b
Tbn.
?b
n b b
str mute
Tba.
?b
?
Perc.
& b n
Voice
pel - le,
&b
Dans le
jour
Dans
la
nuit,
# n
Dans ton
n b
coeur
Tou - jours re - son - ne,
#
n
"Par i -
ci,
Me voi - ce!"
n
n
n
Si
b
b
b
tu
Bb
Hp.
# n
?
b
Vln. A
&b
Vln. B
&b
Vln. C
&b
Vln. D
&b
Bb
n b
b b bn
bn
n b
bn
b b bn
Vla.
Vc.
Db.
?b
?b
b b b
n b
18
Fl.
[17]
b
&
# n
#
# # n
#
&
Cl. 1.
?b
20
21
22
23
#
# n b b n

#
#
24
b
b n b
b
n
n b
n b
# # # #
#
b b # b #
n n n

# # # #
#
#
#
n
n b b b n
# n

#

#
b n b # n
#
n b
b
#
& #
Cl. 2.
Bsn.
&
Eng. Hn.
19
# #
Hn. 1.
&
Hn. 2.
&
b b
J
2
&
Hn. 3.
#
#
& #
Tpt 1.
#
& #
Tpt 2.
#
&
Tbn.
?b
Tbn.
? b n
n b
n b b
n b
Tpt 3.
?
Tba.
[17]
?
Perc.
& b n
Voice
veux
Tu_m'
# n
&b
trouve - ra
Ou le
ciel
Trouve la
mer
# n
Me voi - ci
Me voi - ci."
Ba - li
n b
#
#
n
n
Laisse moi te
pren - dre,
"Par i - ci
n
n
n
b
b
b
b
b
B
Bb
Eb
Hp.
? b # n
# n
Vln. A
&b
Vln. B
&b
Vln. C
&b
Vln. D
#
&b
# n
n
Bb
n n
n n
# n
b b bn
bn
n b
b b bn
n b
bn
Vla.
?b
Vc.
n
#
b b b

n b
Db.
?b
26
Fl.
27
[25]

&b
&
28
30
U
w
31
32
[29]
Solo
Eng. Hn.
Cl. 2.
Bsn.
#
&

?
&
Hn. 2.
&
&
Tpt 2.
#
&
U
w
U
w
w
w
U
w
U
w
U
w
U
w
U
w
#
Tpt 1.
&
Hn. 1.
Hn. 3.
Oboe
#

&
Cl. 1.
U To Ob.
w
to open

to open
U
w
U
w
Uw

to open
#
&
Tbn.
? b n
? b
Tbn.
Tpt 3.
to open
to open
Tba.
?b
U
w
[25]
[29]
Perc.
Ba - li
~
~~~
~
~
~~~
~
~~
~~~
~~~
~~
~~
Fmaj OCEAN
~ ~~~
~~~
n
n
Ha'i.
~~~
&b
b
b
Ha'i,
Uw
Ba - li
~~~
~
Ha'i,
~~~
~
& b
Voice
Hp.
?b
Vln. A
ww
Uw
w
&b
ww
ww
ww
ww
pp
Vln. B
&b
Vln. C
&b

Vln. D
& b
Bb
ww
Uw
w
u
ww
U
ww
ww
Uw
w
u
ww
Uw
w
w
w
Uw
w
U
w
1 Solo
Vla.
b b b
pp
n
Vc.
?b
Db.
?
b
arco
33
34
35
36
37
38
Fl.
&b
b
b n # nw
39
# >
40
>
# w
pp
Oboe
&b
Ob.
b n
pp
#
Cl. 1.
&
Cl. 2.
&
Bsn.
?b
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
Tbn.
?b
Tbn.
?b
Tba.
?
Perc.
&b
Voice
SOLO
&b
b
b
3
ad lib
Hp.
?b
b
b J
&
3
& b ww
Vln. A
b
b
#w
#w
ppp
&b
Vln. B
>
ww
>
ww
ppp
&b
Vln. C
>
#w
>
#w
ppp
&b
Vln. D
>
ww
>
ww
ppp
Tutti
4
Bb
# b b n
Vla.
>
bw
>
bw
ppp
Vc.
Db.
?b
?b
DIALOGUE
cue:
Cable: "Are you afraid of me?
...oh...aver-vouz peur?
Liat: Non... Oui... Non...
1
No. 28
Younger Than Springtime
Vibrato
&
Flute
bbbb 4
4
b b4
Oboe & b b
4
b 4
Clarinet in Bb & b
4
b 4
Clarinet in Bb & b
4
? bb b 4
Bassoon
b4
[3]
w
Andante appassionato
bw
f Vibrato
cresc.
bw
cresc.
espressivo
espressivo
cresc.
cresc.
w
w
f
Mute
Horn 1. in F
b
&b b
Open
4
4
p
f Vibrato cresc.
Open
&
Horn 2. in F
bbb
4
4
f Vibrato cresc.
Open
b
&b b
Horn 3. in F
4
4
f Vibrato cresc.
vibrato
bb
4
Trumpet 1 in Bb &
4
b 4
Trumpet 2 in Bb & b
4
b 4
Trumpet 3 in Bb & b
4
? bb b 4
Trombone 1.
b4
? bb b 4
Trombone 2.
b4
? bb b 4
Tuba
b4
Percussion
b
& b bb
Voice
n-
b-
mf cresc
solo
mf
f
Open
vibrato
-
n-
b-
cresc

[3]
Andante appassionato
4
4
4
4
LMLOLNLL
? bb b 4
b4
Cb
n
n # n # n # n n
R &
R
R
R
n
Harp
f
D
G E
? bb b 4
b4
bbbb 4
espressivo
&
Violin A
4
b b4
&b b
4
Violin B
vibr.
cresc.
f
p
divisi
ww
n ww
bb ww
bbbb 4
4
b b4
&b b
4
B bbbb 4 ww
4p
Violin D
Viola
f vibr. e cresc.
espressivo
b

vibr.
cresc.
f
p
divisi
ww
n ww
bb ww
p espr
ww
f vibr. e cresc.
bb
....

espressivo
? bb b 4
b4
....
....
n
Violoncello
&
p espr
Violin C
vibrato e....cresc.
n
bb
Cresc.
....
....
mf
f
vibrato e cresc.
Double Bass
? bb b 4 w
b4
p
Cresc.
10
&
Fl.
11
>Molto rall.
12
13
15
[14] Lento molto calmo
Rall.
n >
b >
bbbb
w>
sff
>
b
& b bb
Ob.
n >
b >
>
b >
sff dimin
w>
>
>
#
bb
n w>
&
Cl. 1.
pp
sff
bb
17
solo
w>
b >
16
b b
b >
nnn
nnn
nnn
[14] Lento molto calmo
&
Cl. 2.
sff dimin
Bsn.
? bb
bb w
w
n
>
nw
b
w
sff dimin
Hn. 1.
b
&b b
b
& b b n
Hn. 2.
b
&b b #
Hn. 3.
&b
Tpt 1.
>
>
n
>
b
>
>
b >
>
nw
sffz
Dimin.
>
nw
sffz
Dimin.
>
w
sffz
Dimin.
w>
n-
b-
sffz dimin
b
&b
Tpt 2.
n w>
mf cresc
sffz
> open
Dimin.
b
&b
Tpt 3.
sffz
Dimin.
n-
b-
? bb b
b
Tbn.
w>
w
b
sfz dimin
2
? bb b
b
Tbn.
n w>
w
b
sfz dimin
Tba.
? bb
bb
>
nw
b
w
sff dimin
Molto rall.
Rall.
b w
Perc.
sff
b
& b bb
Voice
ppp
b ww
w
wwww
>
w
n n n n n n n n n n n w
b
& b bb
Hp.
D Eb
? b b #
bb R
sff
Db
Bb
>
n >
b >
n w>
nw
>
w
&
Vln. B
bbb
b
&
sff dimin.
>
b >
>
w
>
w
&
Vln. D
b
&b b
divisi
b
sff dimin.
b >
>
b >
>
w
sff dimin.
B bbbb n
Vla.
bb
b >
&
>
bn ww
2
? bb b
b
Vc.
sff dimin
Db.
? bb b
b
sff dimin
pp
n w>
nw
>
sff dimin.
n ww^
n
b
n >
p
divisi
>
bbbb
Vln. C
sff dimin.
b >
divisi
b
n >
>
&
divisi
b >
bbbb
Vln. A
wwww
w
b ww
p
pp
b w
bw
#w
p Sordine
w
w
b w
p
18
19
20
21
22
23
24
25
26
28
29
30
Moderato tranquillo
&b
Fl.
[27]

&b
Ob.
&
Cl. 1.
&
Cl. 2.
Bsn.
?b
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
Tbn.
?b
Tbn.
?b
Tba.
Moderato tranquillo
[27]
?
Perc.
Cable:
&b
Voice
I touch your
&b
hand And my arms grow
strong.
Hp.
4
&b
- - - - - -
w
PLAY (sordini)
&b
Vln. A
divisi-
p
divisi-
soli sordini
&b
Vln. B
b b w
- - - -- - ww
ww
- - - - - - w
w
w
p espres
p
divisi
PLAY (sordini)
&b
Vln. C
p
divisi
soli sordini
&b
Vln. D
- - - - - - - -
ww
b b w
ww
w
w
p espres
Divisi
Bb
n
Vla.
w
p
Sul G
? b nw
Vc.
bw
#w
nw
w
Db.
?b
pp
w
w
w
p
31
32
33
Fl.
&b
Ob.
&b
34
35
36
37
38
39
40
b w
41
SOLI
#
&
Cl. 1.
b b b
#
&
Cl. 2.
j
b
j
bw
Bsn.
nw
?
b
#w

nw
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
Tbn.
?
b
Tbn.
?
Tba.
?
Perc.
&b
Voice
Like a pair of
bird That burst with
song.
& b
? b
Vln. A
<>
--- - - - - b
&
w
My eyes look down At your love - ly
w
face,
And I hold the
w
world
In my em -
brace.
w
w
Hp.
b w
ww
w
# # b w
Vln. B
b ww
& b
b w
Vln. C
<>
--- - - - - b
&
w
ww
w
# # b w
simile
b # n
J
w
w
simile
bw
& b w
Vln. D
Vla.
Bb
Vc.
?b w
bw
bw
b b
b # n
J
#w
#w
Db.
?b w
w
bw
bw
w
w
42
44
[43]

J
&b w
Fl.
45
46
47
48
49
50
52
[51]
b

J
pp
dolciss
&b
Ob.
pp
2
#
&
Cl. 1.
pp
Cl. 2.
& w
Bsn.
?
b
- - - - - - -
w
pp
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
Tbn.
?b
Tbn.
?b
Tba.
[43]
[51]
Perc.
&b w
Voice
Young - er than Spring - time
&b

are you,
Soft - er than star - light
are you,
Warm - er than winds of
June are the gen - tle
lips
you
gave
me.
Gay - er than laugh - ter

are you,
Hp.
Vln. A
?b
w
&b w
ww
pp
Vln. B
&b
pp
Vln. C
w
&b w
- - pizz

pp
Vln. D
&b
w
w
pp
Bb
Vla.
w
pp
Vc.
?b
pp
Db.
?
b w
w
w
53
55
56
Fl.

b
&
J
& b j
Ob.
54
57
58
60
61
62
63
64
[59]
n n
n n
2

# j
&
Cl. 1.
Bsn.
&
Cl. 2.
?b w

- - -
n n
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
Tbn.
?
b
Tbn.
Tba.
?b
w
pp
nw
mf
[59]
?
are you,
An - gel and lov - er,
hea - ven and earth are
you
to
me.
Perc.
&b
Voice
Sweet - er than mu - sic
&b
? w
b
ww
And when your
youth
and
joy
in - vade
my
n

n

j

arms
n

n
And fill my
heart
as
now
they
n

n

Hp.
n n
n n
n n
n n
n n
n n
n n
n n
senza
Vln. A
&b
Vln. B
&b

J
senza
senza
&b
Vln. C

J
senza
&b
Vln. D
Senza
w
w
?b w
w
w
Bb
Vla.
Vc.
n n
n n
mf
Db.
?b
65
66
&b
Fl.
mf
69
70
71
72
73
74
75
n b
mp
J
f
cresc.
&b w
Ob.
68
[67]

J
n b
w
mf
mp
Cl. 1.
mf
&
Cl. 2.
Bsn.
mp
mf
&
&
w
cresc
# nw
mp
Hn. 2.
cresc
mp
# nw
cresc

? b b
Hn. 1.
mp
mf
cresc.
#
&
cresc.
cresc.
mp
&
Hn. 3.
mp cresc.
cup mute
&
Tpt 1.
mf
cup mute
&
Tpt 2.
mf
&
Tpt 3.
?
Tbn.
b
?b
Tbn.
?b
Tba.
[67]
?
Perc.
& b
Voice
do...
b
& b b
w
then...
am
I,
am
An - gel and
I,
lov
er,
hea - ven and earth am
with
you.
mf

nn nbb
mp
Hp.
?b
Vln. A
&b
mf
Vln. B
mp
divisi
&b w
mf
cresc
n b
mp
w
Vln. C
&b
mf
Vln. D
mp
divisi
&b w
mf
Bb
Vla.
cresc
n b
mp

mf
mp
cresc.
Vc.
? b b
mf
n b
f
cresc.
mp
arco
Db.
?
b
mp
cresc.
Appassionato
77
Fl.
[76]
b
&
&
Cl. 1.
79
81
82
83
84
85
[80]

&b
Ob.
78
n n
n n

# j
j

p
mf
Cl. 2.
Bsn.
#
&
mf
?b
# j
n n
mf
&
Hn. 1.
mf
&
Hn. 2.
mf
&
Hn. 3.
mf
#
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?
Tbn.
b
?b
Tbn.
?b
Tba.
Appassionato
[76]
?
[80]
Perc.
&b
Voice

And when your
&b
mf
n n
youth
and
in - vade
my
joy
j

arms
n n

n
n

And fill my heart
as
now
they
n

n

Hp.
?
b

&b
Vln. A
mf

J J

mf
mf

J J
mf
Bb
mf
n n
n n
n n
n n
w
Vc.
n n
Vla.
?b
&b
Vln. D
&b
Vln. C
n n
&b
Vln. B
n n
n n
mf
n n
n n
p
pizz
Db.
?b
mf
86
87
Original Ending
94
89
90
91
92
93
95
96
Piu espressivo
[88]
Fl.
&b
Ob.
&b w
n b
w
#
#
&
Cl. 2.
b
?
Bsn.
&
Cl. 1.
# n
<n>
n b
&
Hn. 1.
# n
mp
4
&
Hn. 2.
mp
&
Hn. 3.
mp
#
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
Tbn.
?b
Tbn.
?b
Tba.
Piu espressivo
Original Ending
[88]
?
Perc.
& b
Voice
do...
b
b
& b
w
then...
am
I,
am
An - gel and lov - er
I,
heav - en and earth
am
with
n b
n b
you.
mf
Hp.
?
b
&b
Vln. A
Vln. B
&b w

J

J
?
&
divisi
w
Vln. C
&b
n b
w
ww
divisi
Vln. D
Bb
? b b
&b w

Vla.
Vc.
n b

ww
n b

arco
Db.
?
b
97
Alternate Applause Ending

94
95
98
96
97
[99]
98
100
101
102
[To Bar 99]
Fl.
&b
n b
"

J
"
J
p cresc
cresc.
w
&b
Ob.
To Eng. Hn.
p cresc
cresc.
#
&
Cl. 1.
# n
"

J
p cresc
Cl. 2.
Bsn.
#
&
w
?b
<n>
p cresc
n b
j"

"
J
j"

"
j
"
j
& w
Hn. 1.
cresc.
& w
Hn. 2.
# n
&
Hn. 3.
cresc.
cresc.
mp
str mute
&
Tpt 1.
p
str mute
&
Tpt 2.
cresc. str mute
&
Tpt 3.
cresc.
str mute
n
?b
Tbn.
n
J
mp cresc
open
Tbn.
Tba.
?b
?b
[99]
Timp.
Alternate Applause Ending
[To Bar 99]
Perc.
pp Cresc.
French Girls:
w
&b
Voice
"
& b
? b
with
n b
n b
you.
Ba - li
j"

Hp.
Vln. A
w
&b
?
&
"
J
pp cresc.
n b
& b ww
Vln. B
&b
Vln. C
ww
ww
"
J
"
J
n ww
pp cresc.
w
ww
ww
pp cresc.
n b
& b ww
Vln. D
ww
ww
n b
Bb w
?b
Vla.
"

J
"

J
n ww
pp cresc.
Vc.
ww
ww
pp cresc.
"
j
pp cresc
Db.
?b w
w
w
j"
w
pp cresc
104
Fl.
[103]
b
&
# n
105
106
107
# n
# # n

# n b b
n
#
108
109
110
b
b n b
n n J
p
English Horn
TO ENGLISH HORN
&b
Ob.
Cl. 1.
#
&
Cl. 2.
&
#
#

# #
Bsn.
b b # b #
n n J
# #
#
#
#
#
b n n
b b # n
#
n b
b
n n
#
?
# # # #
#
# n
n b b
Mutes
&
Hn. 1.
p
Mutes
&
Hn. 2.
&
Hn. 3.
b b
J
p
Mutes
p
to open
#
& #
Tpt 1.
n b
&
Tpt 2.
to open
#
& #
Tpt 3.
n b
Tbn.
?b
to open
Tbn.
Tba.
?b
?b
[103]
?
Perc.
& b n
Voice
pel - le,
Dans le jour
Ha'i
T'ap
# n
&b
Dans la nuit,
coeur
Tou - jours re
#
#n
n
n b
Dans ton
son - ne,
"Par i - ci,
Me voi - ci!"
n
n
n
b
b
b
(Hum)
www
www
ww
Hp.
# n
&b
Vln. A
n b
pp
&b
Vln. B
b b
nb
nb
pp
Vln. C
&b
n b
pp
&b
Vln. D
b b
nb
nb
pp
Unis.
Bb
Vla.
pp
?b
Vc.
n #
b b
n b
pp
pizz
Db.
?b
112
Fl.
[111]
&b
113
114
115
118
120
b n b
pp
117
[119]
b n b
3
pp
n b
n #
&
Eng. Hn.
116
3
3
pp
#
& w
Cl. 1.
w
w
pp
#
& w
Cl. 2.
pp
Bsn.
?b
&
Hn. 1.
# #
j
# n
ppp
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
Tbn.
?
b
Tbn.
?
Tba.
[111]
[119]
Perc.
&b
Voice
#
w
& b ww
w
? b www
Si tu
veux
Tu_m' trouve - ra
ww
w
# www
b www
ww
bw
bw
w
w
Ou le
Hp.
# www
ww
w
&b
Vln. A
&b
Vln. B
&b
Vln. C
&b
Vln. D
B b ww
ww
#
w
ww

- - - -
ww
- - - - - - - b
- -
Vla.
marcato
? b - -
Vc.
# #
arco
pizz
Db.
- - - ?b
pp
- -
- - - -
- -
- -
121
122
123
124
125
126
128
129
130
[127]
w
U
w
U
w
U
w
U
w
U
w
U
w
U
w
U
w
U
w
U
w
U
w
U
w
U
w
U
w
&b
Fl.
& #
Eng. Hn.
#
&
Cl. 1.
#
& #
Cl. 2.
b b
bw
n b
#w
#w
w
n
w
w
Bsn.
pp
&
Hn. 1.
ppp
&
Hn. 2.

ppp
&
Hn. 3.
ppp
open
&
Tpt 1.
ppp
open
&
Tpt 2.
w
ppp
open
&
Tpt 3.
w
ppp
open
Tbn.
ppp
open
Tbn.
ppp
Tba.
w
w
pp
[127]
U
Perc.
ciel
Trouve la
Me voi - ci."
Ba - li
Ha'i,
Ba - li
Ha'i,
Ba - li
Uw
Me voi - ci
pren - dre,
Ha'i.
wwww
www
w
ww
www
w
w
w
w
~~
Hp.
?b
U
w
ww
Uw
w
U
w
ww
Uw
w
& b #
Vln. A
n b
& b
Vln. B
& b #
Vln. C
b b b
n b

Uw
w
ww
ww
Uw
w
U
w
Vln. D
& b
B b n
Vla.
Vc.
?b w
Db.
?b
b b b
arco
~ ~~
"Par i - ci
~~~~
Laisse moi te
~~~
n b
~~~~
&b
mer
~~~~
~~~~
~~~~
~~~~
& b #
Voice
No. 29

I'm In Love With A

Wonderful Guy
DIALOGUE
cue:
NelliE: "...and that exciting native couple who danced for us.
Oh, it's so different from Little Rock!"
Reprise:
q. = 120
10
11
12
13
14
tempo di waltz
3
Flute &
4 pp
3
Oboe &
4
## 3
Clarinet in Bb &
4
pp
## 3
Clarinet in Bb &
4
? 3
Bassoon
4
3
4
# 3
Horn 2. in F &
4
# 3
Horn 3. in F &
4
#
4
## 3
Trumpet 2 in Bb &
4
## 3
Trumpet 3 in Bb &
4
? 3
Trombone 1.
4
? 3
Trombone 2.
4
? 3
Tuba
4
&
Horn 1. in F
q. = 120
tempo di waltz
?
Percussion
3
4
3
4
Nellie:
&
Voice
I'm
in
love
with
won - der - ful
3
4
&
3
4
3
&
4 pp
divisi
3
&
4 pp
Harp
divisi
Violin A
Violin B
non divisi
Violin C
3 ^ ^ ^ ^ ^ ^ ^ ^
&
4 pp
Violin D
3 ^ ^ ^ ^ ^ ^ ^ ^
&
4 pp
non divisi
non divisi
^
B 3 &

4 pp

Viola
pizz
?
Violoncello
?
Double Bass
3

4 pp
pizz
3

4 pp
15
. . .
.
j
J
. . .
.
j
J
&
Fl.
&
Ob.
16
18
19
20
21
22
23
24
25
26
. [17]
.

.
.
27
pp
## .j . . .j . .
&
Cl. 1.
. . .
. . .
#
& # j j
Cl. 2.
pp
. . .
j
?
Bsn.
pp
Open
.
.

. .
.
.

.
.

.
.

.
.
.
.

.
.

.
.

&
Hn. 1.
pp
Open
.
.

&
Hn. 2.
.
.
.
.
.
.
pp
Open
.
&
Hn. 3.
.
.
.
.
.
.
pp
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn.
?
Tbn.
?
Tba.
[17]
?
Perc.
&
Voice
&
Hp.
Vln. A
&
Vln. B
&
Vln. C
&
guy!
am
in
con - ven - tion - al
dith
er
With
&
&
Vla.

divisi
.
Vc.
?
Db.
my
eye,
And
you will
note There's
lump
in
my

.
.
.
.
2
.
.
.
.

in
.
.
.

.
.
.
Arco
star
con - ven - tion - al
Vln. D
. .
j

. .
j

. .
j
.

.

.
.
.
.
.
.
.
.

Arco
. . .
J
28
29
&

&
Ob.
#
& #
Cl. 1.
#
& #
Cl. 2.
?
Bsn.
.
.

#
&
Hn. 1.
31
32
34
[33]
j
. . .
. . .
J
J

pp
. . .
. . .
j j
. . .
. . .
n J
n J j

pp
.j . .
.j . .

b . . .
. . . b
J
J

Fl.
30
# . .
.j . .
.
.
.
.

.
.
.
.
. .
n j

.
.
.
.
. .
j

35
36
37
38
39
40
41
43
>
>
nj
> >
n n
J
> >
42
Hn. 2.
&
Hn. 3.
&
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
.
. . .
j
?
Tbn.
?
Tbn.
?
Tba.
[33]
?
Perc.
&
Voice
throat When
&
speak
of that won - der - ful
guy!
I'm as
j j
b b
trite and as
gay As
dai - sy
b b

b

in
May, A
cli - che com - ing
true!
b b

b

I'm bro - mid - ic and bright As
n

b
n

Hp.
b
divisi
b
> >

b
b J b
&
Vln. A
p
divisi
> b >
> b >
J
p
> b >
b
&
Vln. B
p
divisi
&
Vln. C
bb
divisi
&
Vln. D
.
. .

.
. .
B
Vla.
.j .
.
.
.J .
.
.
bb
p
.
.j . .

b bb b b bb b b

.J . .
p
.
b
b
J .
Vc.
p
Db.
44
45
46
&
Fl.
&
Ob.
47
48
50
51
52
53
54
55
>
> .
[49]
.
>
b
b
R J J

f
> > . .
R J J # j
j
# j b
n
J
56
57
#
& # j
Cl. 1.
>
> .
>
# R J n .
J
n
b
>
# R n > J. . >
b
f
b
#
n
>
##
&
Cl. 2.
?
Bsn.
>

#
# n
&
Hn. 1.
&
Hn. 2.
>

>

>

>
#
>
n
>

>

>

>

>

>
b
>
>
n
>

>
&
Hn. 3.
>
^
##
open
. .
. . .
. .
.
. .
b
. .

^ ^
. .
n
&
Tpt 1.
#
& #
Tpt 2.
^ open
. .
^ ^
^ ^

. .
.
#
##
^ open
. .
&
Tpt 3.
f
open
. .
. . .
. .
Tbn.
f
. .
. .
Tbn.
f
Tba.
Perc.
[49]

^
b

^
#
^
n
^

b
# b
J
J
n
J
#
J
J
n
J
#
J
# b
J
J
n
J
n
J
&
Voice
night Pour - ing
light on the
dew!
moon - hap - py
&
# n

n
Hp.
&
Vln. A
> > . .
R J J # J
f espr.
&
> n > .
#
#
n
R J J
J
# b
J
J
&
> .
>
.
R J J # J
f espr.
> > . .
R J J # J
# b
J
J

Vln. B
f espr.

Vln. C

&
Vln. D
f espr.
4
B
Vla.

# #n n
# n b
?
Vc.
#
J
# b
J
J
n
J
#
J
?
Db.
58
59
60
62
[61]
63
64
65
>
>
>
#
>
&
Fl.
mf
& b
Ob.
>
mf
##
&
Cl. 1.
mf
#
& #
Cl. 2.
mf
? b
Bsn.
mf
&
Hn. 1.
mf
#
n
&
Hn. 2.
mf
&
Hn. 3.
mf
#
& #
Tpt 1.
## n
&
Tpt 2.
p
4
##
&
Tpt 3.
Tbn.
p
Tbn.
Tba.
[61]
Perc.
mf
Nellie:
I'm
in
love,
I'm
in
love,
I'm
in
love,
I'm
in
love,
I'm
in
love,
With
&
Voice
&
mf
Hp.
>
>
>
# >
>
>
>
# >
>
>
>
# >
>
>
>
# >
>
&
Vln. A
>
&
Vln. B
<>
p
loco
& b
<>
& b
Vln. C
Vln. D
>
p
loco
>
p
Vla.
#
#
>
? b
>
>
>
# >
Vc.
p
Db.
mf
66
68
[67]
69
70
71
72
>
73
74
>
##
>
>
>
>
>
# >
>
>
>
>
&
Ob.
>
Cl. 1.
&
Cl. 2.
#
& #
?
Bsn.
&
Fl.
Hn. 1.
&
Hn. 2.
&
>
>
>
&
Hn. 3.
Tpt 1.
#
& #
##
&
Tpt 2.
##
&
Tpt 3.
Tbn.
Tbn.
>
>
Tba.
?
Perc.
[67]
>
>
she
thinks
I'm
Emile:
wond...
I'm
in
love,
I'm
in
love
and
the
girl
that
love,
&
Voice
won - der - ful
guy!
&
>
Hp.
>
>
>
# >
>
&
Vln. A
mf
>
>
>
>
>
# >
&
Vln. B
mf
>
>
>
>
>
# >
&
Vln. C
mf
>
>
>
>
>
# >
&
Vln. D
mf
Vla.
#
#
mf
>
>
>
>
>
# >
>
Vc.
Db.
No. 30
This Is How It Feels
DIALOGUE
cue:
NelliE: "Imagine, leaving all this wonderful champagne! Here, Emile! You have some too.
It's such a waste!
Emile: Here - here's another bottle"
1
b 4
& b bbb
4
b 4
& b bb
4
English Horn
b
&b b
4
4
b 4
Clarinet in Bb & b b
4
? bb4
bbb
Bassoon
4
Clarinet in Bb
b
& b bb
4
4
bb4
Horn 2. in F & b b
4
bb4
Horn 3. in F & b b
4
b
Trumpet 1 in Bb & b b 4
4
b 4
Trumpet 2 in Bb & b b
4
b 4
Trumpet 3 in Bb & b b
4
? bb b 4
Trombone 1.
b b4
? bb b 4
Trombone 2.
b b4
? bb b 4
Tuba
b b4
Horn 1. in F
Percussion
Voice
10
11
[3]
Slowly
[3]
Slowly
Flute

4
4
4
4
Nellie:
b
& b bbb
solo
bbb 4
b
& b
Emile:
This is how it feels
liv - ing on a hill - side.

This is what I need,
n n
n n
This is what I've longed for, Some - one young and smil - ing

here up - on my hill.
4
pp
MMLOMMML
Harp
? bb b 4
b b4
b 4 sordini
& b bbb w
Violin A
4 pp
b 4 sordini
& b bbb w
4 pp
Violin B
b 4 sordini
& b bbb w
Violin C
Violin D
Viola
Violoncello
n n
w
w
n ww
n ww
b ww
ww
ww
w
w
4 pp
bbb 4 sordini
b
& b w
4 pp
sordini
B bbbbb 4 ww
4 pp
w
ww
ww
ww
ww
? bb b 4 sordini
b b4 w
w
w
bw
w
pp
Double Bass
? bb b 4 w
b b4
pp
12
Allegretto moderato 14
15
16
17
18
19
20
22
23
24
[13]
b
b bbbb C
b
& b bb
bbbbb
b
&b b
bbbb
Cl. 1.
b
&b b
bbbb
Cl. 2.
bbbbbb C
Bsn.
? b
b bbb
&
Fl.
Eng. Hn.
bbbb
[21]
b
& b bb
bbbbb
Hn. 1.
b
& b bb
bbbbb
Hn. 2.
b
& b bb
bbbbb
Hn. 3.
b
&b b
bbbb
Tpt 1.
b
&b b
bbbb
Tpt 2.
bbbb
Tpt 3.
b
&b b
? bb b
bb
bbbbbb C
Tbn.
? bb b
bb
bbbbbb C
Tbn.
? b
b bbb
bbbbbb C
Tba.
Allegretto moderato
[13]
?
[21]
Perc.
Voice
bb U
&bbb
U
b
& b bbb
bbbbbb
bbbbbb C

b b
b
b
n b
n

Hp.
Vln. A
? bb b
bb
ten. ten.
b b U "
b
b
& bb
b bbbb C
bbbbbb C ww
n ww
w
w
w
w
b w
w
w
w
w
pp
ten. ten.
Vln. B
Vln. C
b U
& b bbb "
pp
ten. ten.
b b U "
b
& bb

bbbbbb C b b b b

n

bbbbbb C
b w
pp
ten. ten.
Vln. D
Vla.
b U
b
& b bbb " b bbbb C b b b b n
pp

U UU
B bbbbb " bbbbbb C n
pp
Vc.
? bb b
bb
U U

w
bbbbbb C w
pp
nw
w
w
w
w
pp
pizz
Db.
U
? bb b
bb
U U
bbbbbb C
pp
25
26
27
28
30
31
32
[29] OPTIONAL cut to Bar 37 (if needed)
b
& b bbbb
b
& b bbb
b
& b bb
Cl. 1.
b
& b bb
Cl. 2.
? bbb
bbb
b
& b bbb
Hn. 1.
bb
&b b b
Hn. 2.
Hn. 3.
b
& b bbb
Tpt 1.
33
34
35
36
[37]
b
& b bb
b
& b bb
Tpt 2.
bb
&b b
Tpt 3.
? bb b b
bb
Tbn.
? bb b b
bb
Tbn.
? bbb
bbb
Fl.
Eng. Hn.
Bsn.
Tba.
[29] OPTIONAL cut to Bar 37 (if needed)
[37]
Perc.
Voice
b
& b bbbb
b
& b bbbb
Hp.
Vln. A
w
w
? bb b b
bb w
w
w
w
n

b b b
b
& b bbbb
w
w
nw
w
w
w
w
w
b
w
Vln. B
bb
& b b bb

b b b b

b
& b bbbb
Vln. C
b w
Vln. D
b
& b bbbb

b b b b

Vla.
B bbbbbb
Vc.
? bb b b w
bb
w
w
w
w
w
nw
w
w
pp
Db.
? bb b b
bb
38
Fl.
39
40
41
42
43
44
46
[45]

b
& b bbbb
47
48
49
50
Slow
b
& b bbb
Eng. Hn.
b
& b bb
Cl. 1.
w
w
nw
nw
nw
nw
pp
&
Cl. 2.
bbbb
w
w
pp
Bsn.
? b
b bbbb
b
& b bbb
Hn. 1.
bb
&b b b
Hn. 2.
bb
&b b b
Hn. 3.
- -
Tpt 1.
b
& b bb
- -
cup mute
pp
cup mute
b
& b bb
Tpt 2.
pp
cup mute
b
& b bb
Tpt 3.
pp
cup mute
? bbb
bbb
Tbn.
- -
n

- - -
n
pp
Tbn.
Tba.
? bb b b
bb
? bb b b
bb
[45]
Slow
Perc.
Voice
Nellie:
bb
& b b bb
b
& b bbbb
b
n
Emile:
hear the hu - man
race
is
fall - ing on it's
face
And
has - n't ver - y
far
to
Hp.
? bb b b w
bb
b
& b bbbb
Vln. A
w
w
w
w
Vln. B
b
& b bbbb n

Vln. C
b
& b bbbb
w
w
ww
b
& b bbbb n
Vln. D
B bbbbbb
Vla.
Vc.
? bb b b w
bb
Db.
? bb b b
bb
w
w
nw
nw
51
52
A Tempo
Fl.
w
b
& b bbbb
54
55
56
57
58
59
60
62
63
[61] Piu mosso
[53]
w
n n nw
nw
bw
UU

UU

UU

UU

b
& b bbb w
Eng. Hn.
n n nw
w
w
b
& b bb w
Cl. 1.
bb
&b b w
Bsn.
? bb
b b bb
nw
nw
bw
nw
w
Cl. 2.
nw
nw
nw
nw
nw
bw
w
w
w
UU

nw
b
& b bbb
Hn. 1.
bb
&b b b
Hn. 2.
b
& b bbb
Hn. 3.
bb
& b b n
Tpt 1.
b
& b bb
Tpt 2.
b
& b bb
Tpt 3.
? bb b b n
bb
Tbn.
? bb b b
bb
Tbn.
? bb b b
bb
Tba.
UU

[53]
A Tempo
[61] Piu mosso
Perc.
Nellie:
Voice
Nellie:
b
& b bbbb
go.
But
ev - 'ry whip - poor - will
Is
sell
ing me
bill
And
tell - ing me it
just
ain't
so.
U U

I could
say
life is
just a bowl of
jel - lo
U U

I could
say
life is
just a bowl of
jel - lo
Emile:
Voice
bb
& b b bb
bb
n n
& b b bb n
UU
n
Hp.
? bb b b
bb
Vln. A
b
& b bbbb
Vln. B
b
& b bbbb
n n
n
SENZA
n n b
U- U
SENZA
n b
SENZA
Vln. C
b
& b bbbb
Vln. D
b
& b bbbb
n n b
U- U
U- U
SENZA
n b
SENZA
Vla.
B bbbbbb
Vc.
? bb b b
bb
nw
n
w
nw
nw
n n b
nw
bw
U
U
U
U-
w
nw
Db.
? b
b bbbb n n n
U
n

Fl.
b
& b bbbb
64
65
66
67
68
69
70
71
72
73
74
75
76
n w
n w
w
n n
nw
Eng. Hn.
&
bbbb
&
bbbb
Cl. 1.
&
Cl. 2.
bbbb
b
w
Bsn.
? bb w
b b bb
n n b w
Hn. 1.
bb
&b b b
pp
&
Hn. 2.
bbbb
pp
b
& b bbb
Hn. 3.
pp
bb
&b b
Tpt 1.
bb
&b b
Tpt 2.
b
& b bb
Tpt 3.
? bbb
bbb
Tbn.
? bb b b
bb
Tbn.
? bb b b
bb
Tba.
?
Perc.
Voice
b
& b bbbb
And ap - pear
Voice
b
& b bbbb
And ap - pear
bb
& b b bb
smart
smart

But I'm
stuck
(like a
dope)
with a
thing
called
hope
And I
can't
get it
out
of my
heart.
thing
called
hope
And I
can't
get it
out
of my
But I'm
stuck
(like a
dope)
with a
n
n
heart.
Hp.
? bb b b
bb
& b bbbb b b
b n
Vln. A
b
& b bbbb b b n n b n w
nw
Vln. B
bb
& b b bb b b
b n
Vln. C
bb
& b b bb b b n n b n w
nw
Vln. D
B bbbbbb
Vla.
Vc.
? bb b b w
bb
w
w
n b w
n w
n w
w
n n b
arco
Db.
? b
b bbbb
78
Fl.
[77]

bb b b
& bb
Eng. Hn.
& b bbb
Cl. 1.
b
& b bb
79
80
82
[81]

83
84
85
86
87
88
mf
mf
mf

&
Cl. 2.
bbbb

mf

Bsn.
? bbb
bbb
mf
Hn. 1.
bb
&b b b
bw
mf
&
Hn. 2.
bbbb
mf
bb
&b b b
Hn. 3.
&
Tpt 1.

mf
. -
bbbb
to cup mute
mf
to cup mute
&
Tpt 2.
bbbb
.
-
n
mf
to cup mute
&
Tpt 3.
bbbb
bw
.
-
. .
n
. . n
.
bw
mf
to cup mute
? bbb
bbb
Tbn.
.
-
mf
to cup mute
? bb b b
bb
Tbn.
mf
Tba.
? bbb
bbb
[77]
[81]
Perc.
Voice
bb
& b b bb
Not
Voice
this
bb
& b b bb
w
w
nw
heart.
Not
this
heart.
gliss
solo
pp
Vln. A
& b bbbb
~~
Hp.
? bb b b
bb

#
#
~~~~~~
b
& b bbbb
w
w
ww
ww
ww
ww
ww
ww
mf
Vln. B
b
& b bbbb w
mf
Vln. C
& b bbbb
mf
Vln. D
b
& b bbbb w
mf
pizz
Vla.
B bbbbbb w
mf
Vc.
? bb b b
bb
pizz
mf
pizz
Db.

? b
b bbbb
mf


Emile's Encore:
Allegretto
&b C
Flute
mp
&b C
Oboe
mp
#C
&
Clarinet in Bb
mp
mp
#C
&
Clarinet in Bb
mp
mp
Bassoon
?bC
mp
Horn in F
&
Horn in F
&
cup mute
#C
Trumpet 1 in Bb
&
mp
cup mute
#
& C
Trumpet 2 in Bb
mp
cup mute
#
& C
Trumpet 3 in Bb
mp
cup mute
?
bC
Trombone 1.
mp
cup mute
?bC
Trombone 2.
mp
Tuba
?bC
V V V

Allegretto
Brushes
C
Percussion
pp
Emile:
&b
Voice
C r

I'm gon - na
&b C
wash that man right
out - a my hair,
I'm gon - na wash that man right
out - a my hair,
I'm gon - na wash that man right

out - a my hair,
ANd send him
on
his
way.
Harp
?
bC
PIZZ
&b C
Violin A
C
mp
PIZZ
2
&b C
Violin B
mp
PIZZ
&b C
Violin C
mp
PIZZ
2
&b C
Violin D
mp
PIZZ
2
BbC
Viola
C
mp
PIZZ
?bC
Violoncello
mp
PIZZ
?
Double Bass
bC
mp
DIALOGUE
11
Fl.
[10]
b
&
&b
Ob.
#
&
Cl. 1.
12
13
14
>
b
> >
# #
>
n
>
b
>
>
b
b >
>
Bsn.
?b w
&
Cl. 2.
17
16
15
nw
.j

.
j

.
j

.
j
.
j
Hn. 1.
&
Hn. 2.
&
Tpt 1.
#
&
.j

Tpt 2.
#
&
Tpt 3.
#
&
. . .

. . .

. . .
#
. . . n
>
>
>
>
b
> >
b #
>
n
>
b
>
? w
b
Tbn.
>
nw
b ^
Tbn.
?
Tba.
Perc.
[10]
?
Voice
&b
Don't
try

to patch
it up,
b
Tear
it up,

Tear
it up!

Wash
him out,

dry
him out,
b
Push
him out,

fly
him out!
>
>
and
let
him
go!
Yea,
sis - ter!
Can - cel
him,
&b
?b
&b
>
>
>
Vln. A
&b
>
b
>
b
>
Vln. B
&b
>
>
>
Vln. C
&b
>
b
>
b
>
Vln. D
Bb
b >
>
b
>
?b
# >
>
Vc.
?b
>
Db.
Hp.
Vla.
# >
>
#
# >

DIALOGUE
cue:
NELLIE: ...and their mother was a...a...
EMILE: Polynesian.
1
No. 32
Finale Act I
[8] Piu mosso
Poco sostenuto espressivo
[8] Piu mosso
4
Flute &
4
#4
English Horn &
4
## 4
Clarinet in Bb &
4
## 4
Clarinet in Bb &
4
? 4
Bassoon
4
4
4
#4
Horn 2. in F &
4
#4
Horn 3. in F &
4
#
4
## 4
Trumpet 2 in Bb &
4
## 4
Trumpet 3 in Bb &
4
? 4
Trombone 1.
4
? 4
Trombone 2.
4
? 4
Tuba
4
&
Horn 1. in F
Poco sostenuto espressivo
4
4
4
4
&
4
4
&
?
Percussion
Voice
MMMOMNMM
Harp
4
4
sordini
ARCO
4
&
4J
Violin A
>
# j #
j
# b
U
j
j
b b n b b
j
b
>
U
j
b b n b j b
j
b
U
j
b b n b j b
j
b
>
U
j
j
b b n b b
j
b
pp
ARCO
sordini
4
&
4
Violin B
>
>
pp espressivo
ARCO
sordini
4
&
4J
Violin C
>
# j #
j
# b
pp
ARCO
sordini
4
&
4
Violin D
ARCO
4
4
B
Viola
Violoncello
>
>
j b b b b

>
b b b b
pp espressivo
sordini
#w
pp espressivo
sordini
ARCO
>
4
4
#w
>
w
bw
>
b b b
ww
U
ww
U
w
pp
ARCO
?
Double Bass
4
4
pp
10
11
12
13
14
15
16
17
18
19
21
[20]
Fl.
&
Eng. Hn.
&
#
SOLO
##
&
Cl. 1.
#
& #
Cl. 2.
j

p espressivo
w
w
B b J b J n
?
Bsn.
>
w
>
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
#
& #
Tpt 1.
#
& #
Tpt 2.
#
& #
Tpt 3.
?
Tbn.
?
Tbn.
?
Tba.
[20]
?
Perc.
&
Voice
&
Hp.
&
Vln. B
&
Vln. C
&
Vln. D
2
Vla.
j
#
j
#
j
#
j
#
j
#
j
#
j
#
b n
2
?
Vc.
j
#
Db.
&
Vln. A
>
w
b j
NELLIE: Don't come out to

the jeep, please.
22
23
25
26
27
28
29
30
31
Piu mosso
[24]
[32]

&
Fl.
mf
U
w
#
& #
Cl. 1.
> > >

J
mf
sf
> > >

j
sf
> > >
w
U
w
3
w
#
& #
Cl. 2.
Bsn.
sf
&
Eng. Hn.
> > >

J
cresc
sf
cresc
#w
sf
>
&
Hn. 1.
sfz
&
Hn. 2.
cresc.
>
w
w
b
sfz
>
w
&
Hn. 3.
cresc.
sfz
cresc.
##
Tpt 1.
&
#
& #
Tpt 2.
#
& #
Tpt 3.
marcato
---

Tbn.
p
marcato
---
Tbn.
?
Tba.
w
p
Piu mosso
[24]
Perc.
ppp
cresc. poco a poco
>
#w
[32]
sf
&
Voice
&
>

sf
Hp.
>

#
> > >

j
senza
# w
&
Vln. A
b w
sfz
cresc poco a poco

senza
&
Vln. B
b ww
bb ww
cresc poco a poco

sfz
senza
# w
&
Vln. C
b w
> > >

j
sfz
cresc poco a poco

senza
&
Vln. D
b ww
bb ww
cresc poco a poco

senza
Vla.
bw
ww
ww
bb
cresc poco a poco
Vc.
-U
j
b b
Db.
>
sfz
>
n
sfz
b b b
b b
> > >

J
3
w
cresc. poco a poco
b
w
>
#w
cresc. poco a poco

sf
cresc.
33
34
35
36
37
3-
- -
- 3- -
38
39
&
Fl.
ff
&
Eng. Hn.
dimin.
ff
dimin.
w
##
&
Cl. 1.
p
ff
##
&
Cl. 2.
dimin
#w
ff
dimin
?
Bsn.
w
w
ff
dimin
p
&
Hn. 1.
w
ff
dimin.
#
w
&
Hn. 2.
p
ff
#
&
Hn. 3.
dimin.
- -3
ff
dimin
p
open
##
- 3- -
- 3-
&
Tpt 1.
ff
dimin
open
##
&
Tpt 2.
ff
dimin
open
##
&
Tpt 3.
ff
- -3
dimin
p
>
>
>
>
Tbn.
ff
>
>
>
>
Tbn.
pp
ff
pp
?
Tba.
w
w
cresc.
ff
p
pp
Low Bells
Perc.
&
ff
Cresc.
&
Voice
&
ff
dimin
solo
Hp.
&
Vln. A
- 3- -
- 3- -
- 3- -
&
Vln. B
&
Vln. C
ww
pp
ww
ff
p
divisi
ff
pp
ff
pp
divisi
&
Vln. D
- 3- -
>
>
Vla.
ww
ff
->
ww
w
w
pp
w
w
p
ff
3
> > > > >
>
>
>
>
>
>
>
>
>
Vc.
ff
cresc.
dimin
ww
ww
pp
pp
ff
Db.
pp
dimin
dimin
END of Act I
41
42
43
44
45
46
Uw
[40]
w
Allargando
&
Fl.
pp
ff
molto crec.
Uw
&
Eng. Hn.
ff
pp
molto crec.
Uw
##
&
Cl. 1.
pp
Uw
##
&
Cl. 2.
ff
molto crec.
pp
ff
molto crec.
cresc. molto
Uw
Bsn.
ff
U
w
&
Hn. 1.
pp
ff
cresc. molto
U
w
&
Hn. 2.
cresc. molto
ff
U
w
&
Hn. 3.
cresc. molto
#
& #
Tpt 1.
ff
Uw
ff
pp cresc molto
##
ff
pp cresc molto
##
&
Tpt 3.
Uw
&
Tpt 2.
pp cresc molto
ff
> # > > > >
U
w
>
Uw
>
U
w
Tbn.
mf
ff
> # > > > >
Tbn.
pp cresc molto
ff
U
?
Tba.
pp cresc molto
ff
[40]
Allargando
&
Perc.
Timp.
U
w
ff
END of Act I
Emile:
Uw
&
Voice
Once
you
have found
her
Nev - er
you
let
her
go.
Once
have found
her
Nev
er
let
her
gio.
ww
ww
loco
&
Uw
ww
w
ff
pp
cresc molto
Hp.
ww
ww
Uww
ww
w
w
Uw
w
&
Vln. A
ff
cresc molto
&
Vln. B
w
w
w
w
ff
cresc molto
w
w
Uw
w
&
Vln. C
ff
cresc molto
&
Vln. D
w
w
w
w
ff
cresc molto
ww
ww
Vla.
Uw
w ww
u
ff
cresc molto
ww
Uw
w
Vc.
pp
ff
cresc. molto
Db.
ff
cresc. molto
U
w

Orchestrations By Robert Russell bennett
No. 33
1
Entr'acte
7
10
11
12
13
14
q = 197
Tempo di Waltz in 1
3
&b
4
Flute

n n n [9]
J J
J J
mf
n
Oboe
n n
3
&b
4
f
#
Clarinet in Bb
# # #
#3
&

J J
J J
4
mf
f
2
#3
&
Clarinet in Bb
# # #
mf
Bassoon
>
? b3
. . .
b b
>

mf
f
Horn 1. in F
. . . >
b b
>
3
&
4
. . . >
b b
mf
f
&
Horn 2. in F
. . . >
b
3>
4
. . . >

b
mf
f
. . . >

3>
4
f
#3
&
4
#3
&
4
&
Horn 3. in F
Trumpet 1 in Bb
Trumpet 2 in Bb
. . . >

mf
# #
mf
# #
mf
. . . >
b n
#3 >
&
4
Trumpet 3 in Bb
. . . >
b #
mf
f
b . . . >
? b 3 >
Trombone 1.
b . . . >
4
mf
f
. . . >
? b 3 >
Trombone 2.
. . . >
4
mf
f
2
Tuba
? 3>
b4
mf
f
q = 197
[9]
Tempo di Waltz in .1
?
Percussion
3
4
. .

3
4
MMLOMMMM
? b3
4
&b
Harp
3
&b
4f
divisi
Violin C
3
& b n
4f
3
&b
4f
Viola
Violoncello
Double Bass
mf
>
? b3
mf
4f
n
Bb3
4f
>
? b3
4f
divisi
Violin D
2
3
&b
mf
2
Violin B
mf
Violin A
mf
n n
mf
>
>

mf

mf
15
16
18
19
20
21
22
23
24
25
26
28
(h. = h)
3
Fl.
[17]
J

&b
bb C
[27]

[29]
3
n
mf
&b
Ob.
bb C
mf
>
# J n n
&
Cl. 1.
3
#
mf
#
J
&
Cl. 2.
>
3
#
mf
Bsn.
?b
3
n
>
bb C
mf
marcato
&
Hn. 1.
b b

marcato
&
Hn. 2.

marcato
&
Hn. 3.
to str mute
#
&
Tpt 1.

to str mute
&
Tpt 2.
to str mute
&
Tpt 3.
?b
Tbn.
soli
str mute
bb C
?b
Tbn.

f
soli
str mute
bb C
f
marcato
2
Tba.
?b
bb C
(h. = h)
Perc.
[17]
V V

[27]

[29]
V V V
mf
& b

b b

#

#
bb C
Eb
C#
mf
Hp.
?b
Vln. A
&b

bC
b

.
4
. . .

bb C
3 n 3
3
n
mf
Vln. B
& b
3 n 3
b
C
b
3
n
3
n
mf

Vln. C
. .

.
.

&b
bb C
3 n 3
3
n
mf
Vln. D
& b
bb C
3 n 3
3
n
3
n
mf
Bb
. .
.

.
n 3
bb C
3
n
Vla.
mf
Vc.
?b
pizz
bb C
pizz
Db.
?
b
mf
marcato

bb C
marcato
30
31
32
33
34
35
36
3
#
3
#
3
#
bb
Fl.
&
Ob.
&b
37
39
[38]
nw
<n>
8
3
3
#
nw
nw
3
#
&
Cl. 1.
&
Cl. 2.
Bsn.
? bb

& b J J
Hn. 1.
j
j
&b
Hn. 2.
Hn. 3.
&b
2
j
soli
str mute
&
Tpt 1.
soli
str mute
&
Tpt 2.
&

Tbn.

? bb
Tbn.

? bb
soli
str mute
Tpt 3.
2
Tba.
? b
b
Perc.
V V
V V V
[38]
V V V V V V

b
&b
? bb
3
n
3
#
Hp.
<>
b
b
loco
4
PIZZ marcato
3
n
&
Vln. A
loco
Vln. B
PIZZ marcato
loco
3
#
PIZZ marcato
3
n
&
Vln. C
<>
bb
b
&b
PIZZ marcato
b
&b
Vln. D
PIZZ marcato
B bb
Vla.
Vc.
Db.
? bb
? bb
40
41
42
43
44
45
46
48
49
[47]
bb w
Fl.
&
Ob.
b
&b
&
Cl. 1.
b w
n b w
b w
# n w
&
Cl. 2.
b w
? bb
&b
Hn. 1.
&b
Hn. 2.
&b
Bsn.
Hn. 3.
to open
Tpt 1.
&
w
J
&
w
J
to open
Tpt 2.
w
to open
&
Tpt 3.
w
w
? bb
Tbn.
? bb
Tbn.
soli
.
Tba.
? bb
2
?
Perc.
V V V

.
b
[47]
r r r
r r r
r
V V V
b
&b
? bb
b
&b
Hp.
ARCO
Vln. A
ARCO
2
b
&b
Vln. B
ARCO
b
&b
Vln. C
ARCO
2
b
&b
Vln. D
ARCO
2
B bb
Vla.
2
? bb
Vc.
ARCO
b
Db.
? bb
50
51
52
53
n
b
&b
Fl.
54
56
~~~~~~~~~~~~~~~~~~~~~~~ .
w
[55]
f
n
bb
&
Ob.
~~~~~~~~~~~~~~~~~~~~~~~ .
w
~~~~~~~~~~~~~~~~~~~~~~~ .
w
~~~~~~~~~~~~~~~~~~~~~~~ .j
w
f
#
&
Cl. 1.
&
Cl. 2.
Bsn.
B bb b
~~~~~~~~~~~~~~~~~~~~~~~ .
w
&b
>j
>

Hn. 1.
> >

b > n >
> >
b n n
b > > n n
> >

b
> >

sf
&b
Hn. 2.
>
>j
> >
b
sf
&b
Hn. 3.
>
>
j b
> >
b n
sf
open
>
&
Tpt 1.
f
open
b >
&
Tpt 2.
f
open
>
b
&
Tpt 3.
f
open
? bb w
Tbn.
b >
f
open
? bb w
Tbn.
>
b
Tba.
? bb
>
b
>
>
Cymb.
sf ^
Perc.
bb
[55]
> > >.j
&
sf
w^
Hp.
? bb
Vln. A
b
&b

Vln. B
b b
b
&
~~~~~~~~~~~~~~~~~~~~~~~~~~
w
.
J
sf
~~~~~~~~~~~~~~~~~~~~~~~~~~
w
.
n
J
sf
b
bb
b b
sf
&b
Vln. D
B bb b
? bb b
>
>
>
>
>
>
>
n n R
f
~~~~~~~~~~~~~~~~~~~~~~~~~~
w
.
J
sf
Vc.
> > > > > > >

n n
R
f
~~~~~~~~~~~~~~~~~~~~~~~~~~
.
n w
J
sf
Vla.
>
>
>
>
>
>
>
n n R
f
~~~~~~~~~~~~~~~~~~~~~~~~~~
w
.
J
&
Vln. C
>
>
>
>
>
>
>
n n R
b >
J
> >
b
sf
Arco
pizz
Db.
? bb
b >
J
> >
b
sf
57
58
59
60
61
62
64
65
66
Andante
[63]
> >
> > 4
&
Fl.
bb
4
ff
2
b
&b
Ob.
To Eng. Hn.
>
>
> >

ff
> b >
>
>
b
2
&
Cl. 1.
ff
4 w
4 f
4 w
4 f
4 w
4 f
bw
4 w
4 f
nw
b b
nw
&
Cl. 2.
>
>
> >
b
ff
2
Bsn.
? b
b
> >
>
>
b b
ff
soli
&b
Hn. 1.
>
>
>
>
4 w
4 f
ff
soli
2
Hn. 2.
&b
>
.
b
>
b
> >
b b
>
b
>
n
>
>
4 bw
4 f
ff
Hn. 3.
soli
&b
>
>
4
4 fw
ff
to harmon
&
Tpt 1.
>
>
4
4
4
4
4
4
4
4
4
4
ff
&
Tpt 2.
>
J
b >
> b >
ff
2
&
Tpt 3.
j >

>
>
b
>
b >
> b >
ff
? bb
Tbn.
>
J
ff
? bb
Tbn.
>
J
>
b
> >
b
ff
2
Tba.
? bb
>
>
> >

b
b
4
4 w
nw
ff
[63]
>
>
Perc.
4 Andante
4
4
4
Hp.
{
Vln. A
? bb
<>
bb n n
&
4
4
Vln. C
4
4
Vla.
ff
&
4
4
4
4
4
4
4
4
> >
>
>
b b
Vc.
loco
>
>
> >
b n n R> n b n # n
b
&
# b n b
b
n
ff
>
2
>
>
>
B bb
b n
? bb
n n > n b nloco
>
>
> >
b
# n
b
R
&
#
n
nb
b b
ff
<>
loco
b n n
n
#
> >
>
>
b n n > n b
b
R
&

bn b
ff
Vln. D
loco
n b n n
#
> >
>
>
> n b
n
R
b b

ff
Vln. B
b
& b
ff
ff
arco
4
4 f
arco
Db.
? b
b
> >
>
>
b b
ff
4
4 f
67
68
69
70
72
73
74
75
76
Moderato e tranquillo
bb
[71]
##
&
Fl.
English Horn
solo dolce
## #
b
&b
Ob.
mp
dolce
####
&
Cl. 1.
dimin
dolce
####
&
Cl. 2.
#w
dimin
Bsn.
? b
b w
nw
##
###
###
###
Dimin.
Solo
Hn. 1.
& b # n
Dimin.
&b
Hn. 2.
n # #
Dimin.
&b #
Hn. 3.
<n> #
Dimin.
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
####
####
####
##
##
##
? b
b
Tbn.
? bb
Tbn.
Tba.
# n n #
? bb
w
Dimin.
[71]
Moderato e tranquillo
Perc.
dolce
b
& b #
##
Hp.
F
? bb #
b
&b
Vln. A
C#,B,E
##
divisi
##

##
# n
##

# n n #
## divisi

pochiss marcato
divisi
b
&b
Vln. B
# n
pochiss marcato
bb
divisi
##

&
Vln. C
pochiss marcato
divisi
b
&b
Vln. D
pochiss marcato
B bb
Vla.
pochiss marcato
B bb # n
n
?
Vc.
f
Db.
? bb
##

p Dolce
Dimin.
## w
w
w
77
78
80
[79]

##
&
Fl.
81
82
83
84
85
Eng. Hn.
# # -
& #
Cl. 1.
##
& ##w
#-
pp
####
&
Cl. 2.
pp
? ##
Bsn.
- - -
##
& #
Hn. 1.
##
& #
Hn. 2.
##
& #
Hn. 3.
Tpt 1.
# ##
& #
harmon
solo
##
& ##
Tpt 2.
##
& ##
Tpt 3.
? ##
? ##
? ##
Tbn.
Tbn.
Tba.
[79]
?
Perc.
#
& #
Hp.
? ##
##
Vln. A
&
Vln. B
#
& #
Vln. C
&
Vln. D
#
& #
B ##
? ##

? ##
##
Vla.
Vc.
Db.
86
Animato
##
88
[87]
# #
89
90
&
Fl.
91
92
# #
93
94
[95]
w>
mf
##
& #
Eng. Hn.
# #
# #
w>
nnn
f
mf
##
& # # j
Cl. 1.
mf
f
##
& # # j
Cl. 2.
<n>
mf
? ##
Bsn.
# #
# #
mf
f
Hn. 1.
##
& #
nnn
mf
##
& #
Hn. 2.
nnn
mf
##
& #
Hn. 3.
nnn
mf
open
to open
# ##
& # J
Tpt 1.

f sweet
open
to open
####
&
Tpt 2.
f sweet
to open
####
open
&
Tpt 3.
f sweet
? ##
Tbn.
? ##
? ##
Tbn.
Tba.
[87]
[95]
Animato
Drums
Bells
&
Perc.
# #

pp
#
& #
? #
&
mf
Hp.
? ##
##
&
Vln. A
# #
# #

f sweet
mf
#
& #
Vln. B
w>
mf
##
&
Vln. C
# #
# #
w>
mf
#
& #
Vln. D
mf
B ##
Vla.

b
f
mf
? ##
# #
Vc.
# #
w>
mf
f
? ##
Db.

mf
b
f
Applause segue
Fl.
&b J
96
97
98
99
100
101
Rit.
102
103
n b
# n
104
105
106
Uw
Uw
Uw
2
j
&
Eng. Hn.
- -
w
p
#
& J
Cl. 1.
#
j
&
Cl. 2.
# nw
U
w
Bsn.
?
b j
Uw
Hn. 1.
j
&
U
w
& j

Hn. 2.
- - -
- # n
- -
,
# j
&
Tpt 1.
- - - b
U
w
U
w
Uw
&
Hn. 3.
- -
- - - b
p
>
> >
,
#
& j
Tpt 2.
# nw
> > >

Uw
Uw
Uw
Uw
,
#
&
Tpt 3.
?b
J
Tbn.
- n- b- - - -
> > >

#
p
2
?b
Tbn.
- -
> > > b >
Tba.
? b j

U
w
Cymb.
Rit.
? j
J
Perc.
Timp
U
~
B.D. J
Uw
www
Applause segue
&b
?b

b
& J
n
n
w
w
w
w
w
w
Uw
w
Uw
w
Uw
w
Uw
w
Uw
w
Uw
w
Uw
Uw
Hp.
Vln. A
cresc

Vln. B
& b J
n b w
cresc
p
Vln. C

b
& J
Vln. D
& b J
n b w
cresc
p
Vla.
B b J
Vc.

?b
J
- -
cresc
- -
cresc
- n-
- - -
Db.
?
b J

No. 34
1
Moderato marcato
& c
Flute
Opening Act II
ff
&
Oboe
ff
#
& #c
Clarinet in Bb
#
J
#
J
#
J
#
#
ff
#
& #c
Clarinet in Bb
ff
2
> > >
c j j
?
Bassoon
> >

J
>

J
ff
c
&
Horn 1. in F
ff
c
&
Horn 2. in F
#
J
#
J
j
#
ff
&
Horn 3. in F
ff
#
& #c
Trumpet 1 in Bb
ff
#
& #c
Trumpet 2 in Bb
#
J
#
J
#
J
ff
#
& #c
Trumpet 3 in Bb
ff
2
?
Trombone 1.
> > >

c j j
> >

J
>

J
> >

J
>

J
> >
j

>
j

ff
2
?
Trombone 2.
> > >

c j j
ff
2
> > >
j

?
Tuba
c j
ff
Moderato marcato
Timp
j
?
Percussion
c j
ff
&
Voice
&
Harp
&
Violin A
ff
&
Violin B
ff
&
Violin C
ff
&
Violin D
ff
Viola
# # n
# n
# n
# # n

# # n

# # #
#
#
# # # n
#
# # #
#
#

# # # # n
#
# # #
#
# # n
#
# # #
# # #
#
#

#
# # # # n
# # #
#
#

#
# # # # n
#
ff
>j > >j

c
Violoncello
>j >

>j

> >

J
>

J
>j >

>j

> >

J
>

J
ff
?
Double Bass
> > >

c j j
ff
10
12
13
14
[11]
n n
J
Fl.
&
Ob.
&
## <#>
#
J
&
Cl. 1.
j n
J
j
J
j
J
j
J
j
j

j J
j J
j b
J
j
j
j
j # n
#
& #
Cl. 2.
> >

J
?
Bsn.
>

J
b j j j j j j j j
dimin
&
Hn. 1.
b j j j j j j j j

Dimin.
#
& <#>
Hn. 2.
j
#
n j n j j j j j j j
#
#
Dimin.
&
Hn. 3.
j j j j j j j j

#
Dimin.
#
& #
Tpt 1.
j #
J
j n
j n
J
j
J
j
J
#
& # <#>
Tpt 2.
#
& #
Tpt 3.
?
Tbn.
> >

J
>

J
#
J
j
n
b b j
b
J
J
J
b b
J
#
J
J
n
J
J
b
J
?
Tbn.
> >

J
>

J
j
b

J
f
?
Tba.
> >
j

>
j

j
b
[11]
Muffled Sn. Dr.
?

J
Perc.
j j j j j j j j

J J J J

J
J J

J J J J

J
J
Dim.
f
&
Voice
~~~
~~~
&
f
Hp.
&
Vln. A
~~~
Cmaj gliss
>.
#
# #
#
# n
j j j j j j j

dimin
&
Vln. B
>.
#
# #
#
# n
j j j j j j j
n

dimin
&
Vln. C
>.
#
# #
#
# n
j j j j j j j

dimin
&
Vln. D
>.
#
# #
# n n
# n
j j j j j j j
n

dimin
B
Vla.
>.
#
# #
#
n
j j j j j j j

dimin
?
Vc.
> >

J
>

J
b j j j j j j j j
dimin
?
Db.
> >

J
>

J
j j j j j j j j
b
dimin
16
17
18
19
20
21
22
[15]
[23]
Fl.
&
Ob.
&
##
J
&
Cl. 1.
J J
mp
# #
& #
J
Cl. 2.
# n J
# J
J
# j
mp
?
Bsn.
j j j j j j j
j
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
#
& #
J j j
mp
#
& #
Tpt 2.
#
& #
Tpt 3.
# n
J
J R
# b
Tbn.
Tbn.
?
Tba.
[15]
? Soft
Shoe
Perc.
# n
J
#
J

J
J J

J #
J J
J
j
j j j j j j
j
[23]
&
Voice
&
Hp.
?
soli divisi
&
Vln. A

# n
f
divisi
&
Vln. B
.
j
.
j
f
soli
&
Vln. C

f
divisi
&
Vln. D
.
j
.
j
Vla.
mp
Vc.
?
Db.
Presto
24
25
26
27
28
29
30
[31]
bbb
bbb
Fl.
&
Ob.
&
Cl. 1.
Cl. 2.
#
& #
#
& #
# j
j
#

j
# n
j

j j
j j j j

bbb
?
Bsn.
j
j j
j j j
bb
bb
bb
#
& #
#
& #
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
Tpt 2.
. . .
b
n
.j

. . .
.
j
b
b
#
& #
Tpt 3.
. . .
.
b bbb J
Tbn.
. . . . .

J
-
?
bbb
Tbn.
?
Tba.
j
j
j
j

j j
j j j j

. . .
j j b b bbb j j j j
Presto
bbb
bbb
bbb
Perc.
&
Voice
[31]
j j
j

J J
&
Hp.
&
Vln. A

# n
j

n#
# b J
n # n j

unis
bbb
f
&
Vln. B
.j
j
j
j
j j
j
b
j
j j
# n j
divisi
bbb
&
Vln. C
J #
n J
bbb
f
&
Vln. D
.
j j j

j
j j
j
b
j j j j
# n
divisi
bbb
f
divisi
2
B
Vla.
j j j

J J
j j j
b
bb
bbb
Vc.
?
Db.
b
b bbb J
f
Tempo Primo
32
33
J
J
Fl.
&b b
b
&b b
jj

Ob.
&b
Cl. 1.
34
35
36
37
. [39]
. . w
38
. . .

. . .
.
J
&b
Cl. 2.
. . .
J
.
J
j

J
Bsn.
? bb
b
&b
Hn. 1.
b
&b
Hn. 3.
.
& b J
Tpt 1.
.
& b J
Tpt 2.
Tpt 3.
&b
Tbn.
Tbn.
? b
bb
. .
.
.
.
j
. . . . .

J
? bb j j
j j j j
b

.
.
.
.
n
.
.
.
.
.
.
.
.

.
. . . . . . .
.
.
.
j
b
.
.
.
.
#
.
.
.
.
.
.
.
.

. . . . .
.
.
.
J
.j .
.
.
. . . . . . .

. . .
.j .
.
. . . . .
.
? b J
bb
Tba.
b
&b
Hn. 2.
.
. . . . .
n b
. . . . .

J
j j

j j j j

j
j j j J j j j
j
j j
j
j j j j

Tempo Primo
j j
J J

?
Perc.
[39]

b
&bb
b
&b b
? bb
J
J
Vln. A
&b b
.
.
.
. .

J J
Vln. B
b
& b b
. .
.
.
.

J J
Vln. C
&b b
.
.
.
. .

b
& b b

J J
Vln. D
. .
.
.
.

j
j

J J
j
J
Voice
Hp.
Vla.
B bbb
Vc.
? bb
j

J
j j
J
J

b
J J
b
J J
j j
n
J J
j j
b
J
J
j
j

J
J

J
j

J b
#n
J

J b
j b j
J
J
#n
J
j j j
J J
J
j
j
j
#nn J
J
J
j j
b
J J
j
J
j soli unis

J

J
Db.

J J
j
J
J J
J
J J J
? bb J j j
bJ
J
J
J J J J J J J
J
j j
J
J
40
41
42
43
. . .

.
Fl.
. . . w
bb .
& b
Ob.
. . . .
bb
w
b
&

. . . .

Cl. 1.
. . . .
j
J

&b
Cl. 2.
Bsn.
. . . .
J
&b
? b
bb

J
J
.
. . .
j

. .

. .
J
45
46
[47]

b
. . . .
J
44
w
b
b

&b
Hn. 1.
nn
b
& b b
j
n
Hn. 2.
nn
b
& b n b
nn
Hn. 3.
&b

J
b
Tpt 2.
&b
j
b
Tpt 3.
Tbn.
? b
bb
Tbn.
? bb
b
Tba.
? bb
. . .
J
&b
Tpt 1.
j j j j j j j j j

j

J
?
Perc.
b j
[47]
j
j

J
J
Nellie:
b
&bb
Voice
One,
two, three, four,
five,
six,
sev - en, eight
b
&b b
? b
bb
.
.
.
.
.
.
.
j
. . . . .
. . .
b

& b b
n
. . .
. . . . .
.
.
.
.
.
.
.
b
& b b b j J

b R
.
.
.
.
.
.
.
bb . . . . . n . . . j
b
&

J
. . .
. . . . .
.
.
.
.
.
.
.

j

b
J

b R
Hp.
Vln. A
Vln. B
Vln. C
Vln. D
b
&b b
Vla.
B bbb
divisi
Vc.
Db.
? b
bb
? bb j j j j
bJ
J
J
J
j
b J
j

J
j

J
j

J
w
b
j J J J J
J
J J
J
b J
48
49
50
52
53
54
Fast
&b
Fl.
. . . . . .
[51]

J
>
Ob.
. . . . . .
&b
f
. . . . n
j

Cl. 1.
#
&
>
>

J
>

>
>
#
&
Cl. 2.
#
j
. . . n .
>

Bsn.
?b
>
>
>
>
>
>
n
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
>
# n
b n
>

>

Tpt 1.
#
&
. . . . .
J

. . . .
j
.
J
n
. . . . .
j
n
J

>
j
n
>
~~
?b
Tpt 2.
&
Tpt 3.
&
Tbn.
>
>
>
>
>
>
>
>
>
>
>
J
>
>
J
>
>
>
>
>
Tba.
?b
>

>

>
~~~~~~
gliss
>
>
gliss
>
?b
Tbn.
>
>
>
>j >

>
>
j r
Fast
[51]

Perc.
j

J J
sfff
Voice
>
j
&b
&b
?b
Hp.
Vln. A
&b
. . . .
.
J
j >
J
n
>
j j
Vln. B
& b

j R n
&b
& b

j
n
R
j -
Vln. C
.
. . . .
J

. . . .
.
J
j
n
>
Vln. D
Bb
Vla.
Vc.
Db.
?
b
?
b J
.
. . . .

J

J
J
f
.j
.j .j .j
.j .j
j
j
j j
n b J J b
J
J
J
J
.J
.J
.J
.J
f
>
>
>
n
b
>
>
>
J
j -
.j .j

n
.J .J
>
>
>
j
j j
j j
J J J
>
j
J
n
>
n J J
>
n
>
n
No. 35

Entrance of Liat
10
11
12
Con moto
&b C
Flute
&b C
Oboe
#C
#C
?bC
#C
#C
#C
?bC
Trombone 1.
?bC
Trombone 2.
?bC
&b C
Clarinet in Bb
&
Clarinet in Bb
&
Bassoon
Horn 1. in F
&
Horn 2. in F
&
Horn 3. in F
&
Trumpet 1 in Bb
&
Trumpet 2 in Bb
&
Trumpet 3 in Bb
&
Tuba
Con moto
?
Percussion
Harp
?
bC
sordini
&b C
Violin A
pp
sordini
&b C
Violin B
pp
sordini
&b C
Violin C
pp
sordini
&b C
pp
Violin D
bw
sordini
B b C
Viola
pp
sordini
?bC >
Violoncello
pp
Double Bass
? b C -
pp
13
14
15
16
18
19
[17]
&b
4
4
Fl.
&b
4
4
Ob.
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
#
Cl. 1.
&
Cl. 2.
&
Bsn.
?b
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
4
4
Tbn.
?b
4
4
Tbn.
?b
4
4
Tba.
[17]
4
4
Perc.
b b
&b
4p
b b
Hp.
?b
4
4
&b w
Vln. A
& b
Vln. B
4
4
&b w
Vln. C
Vln. D
Vla.
&b
B b
?b w
Vc.
?b
4
4
4w
4
4
n b 4
Db.
U
w
U
b ww
solo I (senza)
4
4
4
n b 4
solo I (senza)
4
4
U
b ww
U
w
U
bw
U
w
Music By Ricahrd Rodgers

No.
DIALOGUE
cue:
MARY: ..."No think about Philadelia...IS NO GOOD!"
1
Moderato
Flute
English Horn
##
& # C
Clarinet in Bb
##
& # # C
Happy Talk
5
[3]
w
#
& # C
36
10
11
12
2
w
ppp
ppp
##
& # # C
Horn 1. in F
##
& # C
##
& # C
Horn 2. in F
##
& # C
Horn 3. in F
Trumpet 1 in Bb
##
& # # C
##
& # # C
Trumpet 2 in Bb
##
& # # C
Trumpet 3 in Bb
? ##
? ##
? ##
Moderato
[3]
Oriental Tom-Tom
C

Clarinet in Bb
? ##
Bassoon
Trombone 1.
Trombone 2.
Tuba
Percussion
ppp
(B.D.)
pp
#
& # C
#
& #
Voice
MNMOMNMM
Harp
? ##
& # C
PIZZ
2
Violin A
pp
ppp
PIZZ
2
##
&
Violin B
C
pp
ppp
PIZZ
2
##
&
Violin C
C
pp
ppp
PIZZ
2
#
& #
Violin D
C
pp
ppp
PIZZ
2
B ##
Viola
PIZZ
C
pp
Senza
ppp
2
? ##
Violoncello
C
pp
ppp
PIZZ
? ##
Double Bass
C

pp

ppp
13
14
15
16
17
18
20
21
22
23
24
[19]
2
w
##
&
Fl.
##
& #
Eng. Hn.
#w
j
#
2
####
&
Cl. 1.
##
& ##
Cl. 2.
? ##
##
& #
Hn. 1.
##
& #
Hn. 2.
##
& #
Hn.
##
& ##
Tpt 1.
# ##
& #
Tpt 2.
##
& ##
Tpt 3.
Bsn.
soli
? ##
cup mute
Tbn.
pp
cup mute
? ##
Tbn.
pp
? ##
Tba.
^
^

2
?
Perc.
^
^ [19]

p
Mary:
#
& #
Voice
Hap
py
Talk, Keep talk - in'
Hap - py
Talk!
Talk a - bout t'ings you'd
like
to
#
& #
? ##
#
& #
Hp.
Vln. A
^
^
#
^
^
n
# #
2
##
&
Vln. B
#
& #
Vln. C
^
^

^
^
#
^
^
^
^
n
# #
2
##
&
Vln. D
B ##
Vla.
^
^

2
^
^
#
^
^
^
^
n
2
? ##
Vc.
>
>
>
>
# n n #
>
>
>
>
n #
? ##
Db.
25
26
27
28
29
30
31
32
33
34
. .
##
&
Fl.
n #
##
& #
Eng. Hn.
36
[37]
n #
w
J J
w
. .
. .
####
&
Cl. 1.
. .
35
nw
n # w
nw
w
p
2
. .
. . .

####
&
Cl. 2.
#w
nw
p
2
. .
? ##
Bsn.
. .
##
& #
Hn. 1.
##
& #
Hn. 2.
##
& #
Hn.
harmon
####
####
. .
. . .
. .
. . .
. .

&
Tpt 1.
p
harmon
&
Tpt 2.
p
. .
. . .
. .
. . .
. .

harmon
####
&
Tpt 3.
? ##
n
J J

J J
. .
. . .
. .
. . .
. .

p
p
. .
. . .
. .
. . .
. .
Tbn.
? ##
? ##
Tbn.
Tba.
[37]

?
Perc.
##
&
Voice
do.
You
j n j

got to have a
dream;
If
you don' have a
dream,
How you gon - na
have a
dream come
true?

Talk a - bout a
Talk a - bout a
#
& #
? ##
##
Hp.
DIVISI ARCO
&
Vln. A
p
p
DIVISI ARCO
##
&
Vln. B
n#

p
DIVISI ARCO
##
&
Vln. C

p
DIVISI ARCO
##
&
Vln. D
n#
p
p
ARCO
B ##
Vla.
# n
p
? ##
Vc.
? ##
Db.

Fl.
#
& #
38
39
40
41
42
43
44
45
46
47
48
49
50
##
& #
Eng. Hn.
solo
####
&
Cl. 1.
####
? ##
##
& #
Hn. 1.
##
& #
Hn. 2.
##
& #
Hn.
&
Cl. 2.
Bsn.
Tpt 1.
.
# ## . .
& #
Tpt 2.
.
## . .
& ##
Tpt 3.
#### . . . . . . . .

&

? ##
. .
. .
.
. .
. .
.

. .
. .
.

. .
. .
.
. .
. .
.
b
. .
. .
.

. .
. .
.

. .
. .
.

2
. .
. .
.

. . . . . . . . . . . . . . . . . .
. .
. .
.

. .
. .
.

. .
. .
.
. .
. .
.
. .
. .
.

Tbn.
. .
? ##
. .
. .
. .
. .
.

. .
Tbn.
p
? ##
Tba.
Perc.
#
& #
Voice
moon
star
float - in' in de
Look - in' like a
sky,
toy,
Look - in' like a

li - ly on
Peek - in' t'rough de branch - es of
a
a
lake;
tree.
Talk a - bout a
Talk a - bout a
bird
girl,
Learn - in' how to

Talk a - bout a
fly,
boy,
Mak - in' all de

Count - in' all de
mu - sic he can
rip - ples on de
#
& #
? ##
##
Hp.
2
Vln. A
&
Vln. B
#
& #
ww
2
ww
ww
w
w
ww
2
ww
ww
ww
ww
ww
w
w
2
Vln. C
#
& #
Vln. D
#
& #
ww
ww
2
ww
ww
ww
2
B ##
Vla.
2
w
? ##
Vc.
Db.
? ##
51
52
54
55
56
##
58
59
[53]
57
&
Fl.
###
j
#
&
Eng. Hn.
#w
#
J
#### w
&
Cl. 1.
nw
w
p
<#>
J
- -
J
- - - -
J
j

J
#w
- -
>
>
? ##
Bsn.
# ##
& #
Cl. 2.
##
& #
Hn. 1.
##
& #
Hn. 2.
##
& #
Hn.
^
^
n
^
# ## ^
& # #
Tpt 1.

J
p
####
^
^

^
^
^
# ## ^
& #
? ## ^ # ^
^
^
^
^
n
&
Tpt 2.
Tpt 3.
j
#
Tbn.
p
? ## ^
Tbn.
^
#
>

? ##
Tba.
[53]
Brushes
Perc.
j

J
##
w
&
Voice
make.
sea.
Hap
py
Talk, Keep
talk - in'
Hap - py
Talk!
Talk a - bout
t'ings you'd
like
w
to
do.
#
& #
? ##
##
Hp.
UNIS
o
Vln. A
&
ww
##
Vln. B
Vln. C
&
ww
UNIS
wo
ww
#
& #
j
# j
J
J

J
J
Vln. D
#
& #
ww
ww
j
# j
J
J
ww
^
^
^
^
j
j
j
j
j
j
#
B # n # # #
J
J
J
J
J
J
p
v
v
v
v
ARCO
w
#w
? ##
>
J
DIVISI
Vla.
Vc.
Db.
^
^
? ## ^ ^ n #
j

J
j j j j j j
J
J
J
J
J
J
j
#
J
60
Fl.
#
& #
61
62
63
64
65
66
67
n #
nw

J
J
68
mf
###
&
Eng. Hn.
n #
mf
####
j
n n
j
w
&
Cl. 1.
#w
####
j
n w
n J
J
j
n
w
J
J
##
& #
Hn. 1.
##
& #
Hn. 2.
##
& #
Hn.
# ## . n .
& #
Tpt 1.
.
n
mf
<#> w
J
B ##
Bsn.
mf
&
Cl. 2.
mf
Tpt 2.
&
Tpt 3.
.
##
& ##
####
mf
mf
? ##
n #
Tbn.
mf
? ##
? ##
Tbn.
Tba.
Perc.
#
& #
Voice
#
You
j
n
got to
have a
dream;
If
you don' have a
dream
How you gon - na
have a
dream
come
true?
#
& #
? ##
##

J
J
Hp.
&
Vln. A
n J
J
leggiero .
. . .
. . . . . . .
J
mf
. . . . .
j
. . . . .J
mf
leggiero . . . .
.
J
J
J
leggiero
j
j
b
J
J
n J
J
##

&
Vln. B
##
&
Vln. C
j
j
# ww
J
J
j
j
n# n n
J
J

mf
leggiero . .
##
&
Vln. D
j b j
J
J
j # j w
J J w
n n j j
#
n J
J
. . .
j
. . . . .J
mf
. . . . . .

. . . . . .
. . . . . .
. . . . . .

. . . . . .
PIZZ
B ##
Vla.
j
j j
n # j
J
J J J
j

J
j
j
b
J
J
#n # n
mf
PIZZ
? ##
b
J
w
w
Vc.
mf
b
? ##
Db.

mf
DANCE
69
##
70
72
[71]. .
. .

&
Fl.
73
74
. . .
75
76
77
. . .
##
& # w
Eng. Hn.
##
& ##w
Cl. 1.
####
&
Cl. 2.
? ##
##
& #
Hn. 1.
##
& #
Hn. 2.
##
& #
Hn.
Bsn.
2
####
&
Tpt 1.
to cup
2
####
&
Tpt 2.
to cup
2
####
&
Tpt 3.
to cup
. .
. . .
? ##
? ##
[71]
DANCE
? ##
Tbn.
Tbn.
Tba.
2
?
Perc.
#
& #
Voice
solo
##
&
mp
Hp.
? ##
##
&
&
Vln. A
PIZZ
. . . . . .j . . . .
J

p
UNIS
.j . . . . .
#
& # j
.J . . . . .J
# . . . . . .
& # J j
Vln. B
Vln. C
PIZZ
. . . .

. . . .

PIZZ
p
UNIS
## .j . . . . .j . . . .

&
.J . . . . .J

B ##
Vln. D
Vla.
PIZZ
UNIS PIZZ
p
PIZZ
? ##
Vc.
? ##
Db.
78
79
##
80
. . .
81
82
84
85
86
&
Fl.
83
. . .
[87].
###
&
Eng. Hn.
2
. . .

. . .

##
& ##
Cl. 1.
j

p
####
&
Cl. 2.
? ##
Bsn.
##
& #
Hn. 1.
##
& #
Hn. 2.
##
& #
Hn.
cup mute
####
&
Tpt 1.
p
cup mute
####
&
Tpt 2.
####
&
Tpt 3.
? ##
Tbn.
? ##
? ##
Tbn.
Tba.
[87]
?
Perc.
#
& #
Voice
##
&
Hp.
#
& #
##
SOLO (ARCO)
2
&
Vln. A
# n n b
n b # # ww
mf
2
##
&
Vln. B
ARCO
PIZZ
#n n # nn # n
b
mf
SOLO (ARCO)
2
#
& #
Vln. C
# n n b
n b # w
#w
mf
ARCO
2
##
&
Vln. D
PIZZ
#n n # nn # n
b
mf
2
B ##
Vla.
PIZZ
p
PIZZ
? ##
Vc.
? ##
Db.
88
##
90
91
solo
92
93
94
## .
& #
Eng. Hn.
##
& ##
Cl. 1.
. .

j
#
j
# j
#
##
j
& # # j
#

Cl. 2.
? ##
95
96
# J
#
J
&
Fl.
Bsn.
89
. .
j
j
j
j
j
n n
n n
n j
##
& #
Hn. 1.
##
& #
Hn. 2.
##
& #
Hn.
. n . .
####
. .
. .

. .

. .

. .

&
Tpt 1.
##
& ##
Tpt 2.
p
cup mute
##
& ##
Tpt 3.
? ##
? ##
? ##
Tbn.
Tbn.
Tba.
?
Perc.
#
& #
Voice
<>
#
& #

J
J
<n>
# J
A#
Hp.
#
& #
##
# J
<n>

# J
# J

J
J
PIZZ
# ww
Vln. A
&
Vln. B
#
& #
#
j
#
j
#
PIZZ
##
Vln. C
&
Vln. D
#
& #
Vla.
# ww
B ## #
? ##
n b #
? ##
n n
Vc.
Db.
97
##
&
Fl.
98
99
100
101
w
J
J
102
104
[103]
105
106
Poco rit.
n b n
108
[107] Poco meno
bbb
mf
###
&
Eng. Hn.
w
J
J
pp
n b n
bb
n b b
mf
####
&
Cl. 1.
j
n n
b n
mf
Cl. 2.
Bsn.
##
& # # j

? ##
pp
j n #
#w
n n
b n b
w
nw
mf
>
b b w
pp
bbb
pp
mf
##
& #
bb
Hn. 1.
##
& #
bb
Hn. 2.
##
& #
bb
Hn.
# ##
& #
. .
. .

. .

. . .

Tpt 1.
. .
. .

Tpt 2.
# ##
& #
. .
. .

Tpt 3.
# ##
& #
bbb
bbb
bbb
mf
. .

. . .

mf
. .

. . .

mf
? ##
? ##
. .
n n b n
. .
b n
n b
. .
n n
n b
b b n b n
Tbn.
>
b b w
Tbn.
p
? ##
Tba.
[103] Tom Tom

Perc.
Poco rit.
[107] Poco meno
mf
##
&
Voice
<>
&
Talk a - bout a
boy
LOCO
##
bbb

J
J
bbb

?
J
J

bbb
n # n
J
J
Hp.
##
&
NON DIVISI ARCO
##
&
Vln. A
n n b n
bbb
mf
pp
NON DIVISI ARCO
##
&
Vln. B
n#
j
n
n b b
bbb
n
b b
b
w
mf
pp
NON DIVISI ARCO
##
&
Vln. C
n # n
J
J
n n b n
bbb
mf
pp
NON DIVISI ARCO
##
&
Vln. D
n#
j
n
n b b
bbb
n b
b b
w
mf
pp
NON DIVISI ARCO
B ##
Vla.
# n
b b n b n bbb
w
mf
pp
ACRO
? ##
n
#
Vc.
>
bb w
bbb w
pp
mf
arco
? ##
Db.
b b
bbb w
pp
109
110
111
112
113
114
115
116
117
118
119
120
121
122
A tempo
&
Fl.
bbb
b
&b
Eng. Hn.
pp
- - - - - - - w
Cl. 1.
&b
- - - - - - - w
Cl. 2.
&b
Bsn.
? b
bb
Hn. 1.
&b
Hn. 2.
&b
Hn.
&b
&b
b n
Tpt 1.
&b
Tpt 2.
&b
Tpt 3.
? bb
Tbn.
b
p
? bb
Tbn.
b
p
Tba.
? b
bb
A tempo
girl:
"Gol - ly, ba - by,
I'm
cuss!"
Perc.
b
&bb
Voice
Say - in' to de
a luck - y
Talk a - bout a
girl
Say - in' to de
boy:
"You an' me
is
luck - y
to be
us!"
b
&b b
? b
bb
b
&b b
Hp.
divisi
Vln. A
n
n
b
b
n#
n
n
b
b
n#
n#
w
divisi
&
Vln. B
bbb
w
w
w
divisi
bb
& b
Vln. C
w
divisi
&
Vln. D
bbb
w
w
w
divisi
B bbb
Vla.
w
w
? bb w
b
? bb w
b
nw
nw
Vc.
w
Db.
w
w
124
Fl.
[123]
b
&b b
125
126
127
128

J J

J J
n n
J

J J
n
J J
129
130
131
n J J
j j
#
J J
j j
b
mp
b
&b
Eng. Hn.
mp

&b
Cl. 1.
mp
&b
Cl. 2.
w

J
mp
Bsn.
? b
bb

J
J
w
J J
b
J
mp
Hn. 1.
&b
Hn. 2.
&b
Hn.
&b
&b
Tpt 1.
j
j
j
j

j
j j j

b #
j
j
j
j

J
J
J
j j j j
j j j j
j
j
j
j

J
J
J
j
n J
mp
&b
Tpt 2.
mp
&b
Tpt 3.
mp
j j
. . . .
b
? bb
b
Tbn.
j j j j j j
J
J
j
j
j
b
n w
mf
? b
bb
Tbn.
b
n b
J
J
J
J J
J
J
J
J
b J
J
mp
Tba.
? b
bb
?
Perc.
[123]

mp
b
&bb
Voice
Hap
b
& b b j
py
Talk, Keep
talk - in'
Hap - py
Talk!"
Talk a - bout
t'ings you'd
got
to
have a
like
w
to
do.
You
b
J
dream;
mp
Hp.
Vln. A
? bb j
b
b
&b b
b J
J
j
j
b
J
J
b J
J
mp
Vln. B
b
&b b
j
b n j
J
J
www
w
J
b J
mp

Vln. C
b
&b b
mp
Vln. D
b
&b b
j
b n j
J
J
www
- -
J
w
J
b J
mp
UNIS SOLO

Vla.
B bbb
-
J
j b j
J
J
- - b J
J
mp
Vc.
? bb
b

J
J
b
J
mp
Db.
? b
bb
mf
132
133
134
135
136
137
138
[139]
CODA
Fl.
b
& b b b J J J J J
n J J J
J
pp
Eng. Hn.
b j j
j
& b b j j
j
n J J J
j j
J J
J
j
b J J J
&b
Cl. 1.
b
J
b
J
pp
Bsn.
&b
Cl. 2.
? b w
bb

J J
J
nw
bw
Hn. 1.
&b
Hn. 2.
&b
Hn.
&b
Tpt 1.
&b
b
to open
j
# w
j
b w
j
b
j
b
to open
&b
Tpt 2.
to open
&b
Tpt 3.
Tbn.
? bb w
b
Tbn.
? bb 
b
Tba.
nw
j

bw
to open
? b
bb
b
J
[139]
CODA
12
Perc.
b
&bb
Voice
have a
dream
come
j

J

J
If
b
&b b
you
don'
have
dream
How
bn
you
gon - na
b b
nn
n
true?
If
j
b

you don' talk
hap
py
Hp.
SOLO
? bb b
b
Vln. A
b
&b b
w

J
pp
divisi
UNIS
Vln. B
Vln. C
b
& b b 
&
bbb
j
J
n j ww
J
b b
n
j
b
J

J
j

J
b ww
w
pp
pp
divisi
UNIS
Vln. D
&
bbb 
j
J
n j ww
J
bn b
j
b
J
j
J
b ww
w
pp
Vla.
B bbb
-
J
- -
J
DIVISI

pp
Vc.
? bb w
b
nw
bw
pp
Db.
? bb b
b

pp
Segue
MARY: ..."is good idea...

you like?!"
140
141
142
143
144
145
146
147
148
149
>
poco rit.
&
Fl.
^
bbb
bw
150
bbb
bb
bbb
bb
bb
bb
bbb
bbb
bbb
w
f
>
bb
&
Eng. Hn.
^
b
&
Cl. 1.
bw
#
w
pp
&b
Cl. 2.
>
f
>
nw
w
f
pp
Bsn.
? bb
nw
>
b
pp
f
>
open
>
open
>
b
&b
Hn. 1.
>
f
b
&b
Hn. 2.
>
bb
&
Hn.
&b
Tpt 1.
&b
Tpt 2.
open
&b
Tpt 3.
>
open
>
to open
? bb
Tbn.
b
open
pp
? b
bb
Tbn.
>
f
Tba.
? bb
>

f
Cymbal
poco rit.
Perc.
>
Segue
b
&bb
Voice
w
J
An'
b
&b b
you nev - er have a
dream
nev
bbb
bbb
>
bbb
>
bbb
bbb
bbb
bbb
Den you'll
er
have
dream
come
True.
>
Hp.
Vln. A
? bb
b
b
&b b
b
b
U
w
Vln. B
b
&b b
Vln. C
b
&b b
U
w
U
w
>
>
Vln. D
b
&b b
U
w
>
Vla.
Vc.
B bbb b
? bb
b
nb
w
w
ww
U
ww
U
w
Uw
>

f >
>j

bbb
bbb
Db.
? b
bb
b

n
>
f
bbb

No. 37
Incidental
(After "Happy Talk")

1
Allegretto grazioso
Flute
&b b C
10
11
12
13
Rit.
-. -. -. -.

Solo
[9]
. . . .

Solo
ppp
Oboe
b
&b b C
SOLO
&b
Clarinet in Bb
pp
Clarinet in Bb
Bassoon
&b
? bb
bC
Horn 1. in F
&b
Horn 2. in F
&b
&b
Horn 3. in F
Trumpet 1 in Bb
&b
&b
Trumpet 2 in Bb
&b
Trumpet 3 in Bb
? bb
bC
Trombone 1.
? bb
bC
Trombone 2.
? bb
bC
Tuba
[9] Rit.
Allegretto grazioso
Percussion
b
&bb
Voice
SOLO
b
&b b C
ww

w
ww
w
ww
w
ww
w
w
n www
www
ww
w
ww
w
ww
w
ppp
Harp
? b C
bb
www
PIZZ
SORDINI
Violin A
ARCO
b
&b b C w
ppp
PIZZ
SORDINI
b
&b b C
Violin B
ARCO
nw
ppp
PIZZ
SORDINI
ARCO
b
&b b C
Violin C
w
w
ppp
PIZZ
SORDINI
b
&b b C
Violin D
ARCO
nw
ppp
PIZZ
SORDINI
B bbb C
Viola
ARCO
w
w
ppp
PIZZ
2
? bb
Violoncello
bC
ARCO
w
w
ppp
Double Bass
? bb
bC
DIALOGUE
cue to continue:
Bloody Mary: "...special good babies."
14
15
16
18
19
20
22
Broadly
&
Fl.
bbb
b
&b b
Ob.
[17]
b
&b b
- - - - >
ff
fp
&b b
- - - >

ff
&b
Cl. 1.
&b
Cl. 2.
. . U

U
&b
Bsn.
? bb
b
&b
25
26
[21]

w
pp
ff
&b
? bb w
b
nw
&b
pp
fp
fp
ff
Hn. 1.
24
fp
ff
23
A tempo
fp
- - - - - - >

- - - - - - >
#
n
- - - - - - >
# n #
- - - - - - - >
- - - - - - - >
n #
fp
- - - - - - - >
# n #
b w
ff
b
&b
Hn. 2.
b
&b
ff
bb
bb
&
Hn. 3.
&
ff
&b
Tpt 1.
&b
ff
&b
Tpt 2.
&b
to cup
fp
to cup
ff
&b
Tpt 3.
&b
ff
to cup
fp
? bb
Tbn.
? bb
b
to cup
- - - - - - # >
ff
VERY BROAD
? bb
Tbn.
Tba.
? bb
? bb b w
b
fp
ff
VERY BROAD
? bb
bbw
>
n
fp
>
ff
fp
Broadly
bbb
b
&b b
A tempo
[17]
? b w>
Perc.
[21]
w
>
n
sffz
&
Voice
bbb
&
n
b
& b b ww
<n> ww
b www
? bb ww
b w
ww
U
www
#
n #
?#
ff
Hp.
Uw
w
? bb
n
senza
Vln. A
U
w
b
&b b w
w
b
&b b
w
w
sordini
>
#
n n
w
nw
w
w
ff
senza
<n> w
bw
b
& b b w
w
>
n n
w
w
ff
senza
U
w
b
&b b w
Vln. C
b
& b b w
w
ww
fp
>
#
n n
w
nw
ww
senza
Vln. D
<n> w
bw
B bbb w
w
U
w
B bbb
w
w
? bb
U
w
b w
? bb b w
b
n ww
>
n #
Db.
? bb
? bb b w
b
ff
bw
w
w
>
n
bw
ww
ww
bw
bw
nw
w
pp
pp
sordini
fp
bw
pp
sordini
fp
ff
ww
fp
ff
senza
Vc.
sordini
>
n n
w
w
ff
senza
Vla.
pp
U
b
& b b w
w
pp
sordini
ff
b
&b b
pp
sordini
U
b
&b b
Vln. B
DIALOGUE
cue to continue:
Bloody Mary: "Stingy Bastard!"
27
28
30
31
32
33
34
[29]
&
Fl.
bbb
36
Moderato
[35]

4
b
J
&
37
38
39
4 pp
b
&b b
Ob.
&b
Cl. 1.
&b
4
j

4 pp
#4
j

&
4w
pp
&b
Cl. 2.
#4
j

&
4w
pp
Bsn.
? bb
? b4
Hn. 1.
&b
Hn. 2.
&b
&b
Hn. 3.
&b
Tpt 1.
nn
4
4
&
4
4
&
4
4
&
4
4
nn
nn
#
#4
&
4
&b
Tpt 2.
#4
&
4
&b
Tpt 3.
#4
&
4
? bb
Tbn.
? b4
4
? bb
Tbn.
? b4
4
Tba.
? bb
? b4
4
Moderato
[29]
[35]
b
&bb
&b
4
4
? b
bb
&b
Perc.
Voice
&
pp
Hp.
? bb
b
&b b
Vln. A
b w
? b4
4w
U
b w
b w
&b
pp
U
b w
U
b w
b
&b b
Vln. B
w
&
Vln. C
b w
b w
bbb
w
b w
b w
&b
&b
4
&b
4
B b 4
4 pp
? b4
pp
pp
&
Vln. D
U
b w
U
w
w
U
w
w
bbb
w
b w
b w
B bbb
Vla.
# ww
? bb
Vc.
b bw
bn ww
n ww
#w
bw
nw
nw
pp
4
pp
Db.
? bb
? b4 w
4p
w
w
40
41
42
44
45
46
[43]
Fl.
&b
Ob.
&b
#
&
Cl. 1.
#
&
Cl. 2.
Bsn.
pp
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
Tbn.
?
b
Tbn.
?
Tba.
[43]
?
Perc.
Cable:
&b
Voice
were
you.
Young - er than Spring - time,
&b
were
you.
Soft - er than
star - light,
Hp.
?b
w
&b
Vln. A
&b
Vln. B
&b
Vln. C

&b
Vln. D
pp
pp
pp
pp
4
Bb
Vla.
pp
?b
Vc.
Db.
?b w
47
48
49
50
51
bw
52
53
54
Fl.
&b
Ob.
&b
bw
Cl. 1.
#
&
Cl. 2.
&
Bsn.
?b
w
w
w
&
Hn. 1.
nw
pp
&
Hn. 2.
pp
&
Hn. 3.
pp
cup mute
&
Tpt 1.
#
Tpt 2.
&
Tpt 3.
&
#
cup mute

?b
Tbn.
pp
Tbn.
Tba.
?b
?b
?
Perc.
&b
Voice
An - gel and
lov - er,
heav - en
and earth
were
you
to
me.
w
&b
n
n
b
b
www
w
www
w
Hp.
?
b
&b
Vln. A
Vln. B
&b
&b
Vln. C
Vln. D
&b
Bb
Vla.
Vc.
?b
Db.
?b
w
w
w
w
w
w
ww
ww
ww
ww
ww
ww
ww
ww
bw
ww
ww
No. 38

Honey Bun
DIALOGUE
cue:
Nellie: "Mademoiselle Lutheria......Billis!"
1
[4] Comodo (dictated)
Broad
"
U
4

4 mf
&
&b
4
4
n b U
Clarinet in Bb
Clarinet in Bb
4
&b
4
Flute
b4
&b b
4
mf
"
bb
English Horn
"
"
mf
mf
Bassoon
? bb
4
b4
"
U

U

"
mf
U
4

4 mf
Horn 1. in F
&b
Horn 2. in F
&b
Horn 3. in F
&b
Trumpet 1 in Bb
&b
4
4
4
4
STR. MUTE
4
4
"
mf
&b
4
4
Trumpet 2 in Bb
&b
4
4
Trumpet 3 in Bb
? bb
4
b4
to str mute
Trombone 1.
U "
mf
to str mute
? bb
Trombone 2.
4
b4
U "

U "

mf
Tuba
? bb
4
b4
mf
[4] Comodo (dictated)
Broad
?
Percussion
4
4
4
4
Nellie:
b
&bb
Voice
My
wait till cut off

then solo
b4
&b b
doll is as dain - ty as a
spar row,
"

Her
j
b
Where she's nar - row, she's nar - row like an
ar - row.
"
n #
fig - ure is some - thing to ap - plaud.
"

And she's
TACET THE REST OF

let it ring NUMBER
AND ENCORE
MMLOLMML
mf
Harp
? bb
4
b4
"
Violin A
b4
&b b
mf
b4
&b b
Violin B
mf
b4
&b b
Violin C
mf
b4
&b b
Violin D
mf
B bbb 4
Viola
4 mf
? bb
Violoncello
n b
b4
harp U
~~~~~~~~~~~
~
~~~~~ ~~~~~
? bb
4
b4
harp U
~~~~~~~~~~~
~
~
~
~
~
~
~
~
~
~~
pp
"
harp U
~~~~~~~~~~~
~
~
~
~~~ ~~~~~
pp
"
U
~~~~~~~~~~~
~
~
~
~
~
~~~~~~
harp
pp
"
pp
"
U
~~~~~~~~~~~
~
~
~
~
~
~
~
~
~~~
harp
pp
mf
pp
"
mf
Double Bass
U "

U
~~~~~~~~~~~
~
~
~
~
~
~
~
~~~~
harp
pp
Allegretto
10
11
13
14
15
16
17
18
q = 127
&
Fl.
bbb
[12]
"C
b
&b
Eng. Hn.
Cl. 1.
&b
^j

^
J
j

w
&b
Cl. 2.
^j
n
^j

j
n
j

w
Bsn.
? b
bb
Hn. 1.
&b
Hn. 2.
&b
&b
Hn. 3.
&b
Tpt 1.
&b
Tpt 2.
&b
Tpt 3.
gliss
str mute
? bb
Tbn.
n b nw
bw
b
3
? bb
Tbn.
b
4
Tba.
? bb
[12] Allegretto
" Brushes
C
Perc.
pp
colla voce
b
&bb
Voice
ad lib.
U
r
n
broad Where a broad should be
broad!
C #
hun - dred and
j
#
one
Pounds of
Bun!
Get a load of
Hon - ey
j
#
fun
That's my
lit - tle
Hon - ey
j

Bun
to
w
night!
b
&b b
? bb
b
&b b
Hp.
Vln. A
"
"
U "

2
"
Vln. B
Vln. C
"
b
&b b
"
b
&b b
"
U "
U "

.j

.j

.j
.j

2
"
"
Vln. D
b
&b b
"
"
Vla.
B bbb
"
Vc.
? bb "
b
? b "
bb
"
"
"
.j

.
j
.j

.
j
.j
.j
.j

.j

.j
.

J
p
.j
.
.
.
.
.
j j j j j
.j
.

J
p
.j
.
.
.
.
.
j j j j j
.j
.j
.
.
.
.
.
.
n j j b j j j j
p
Ten.
U "

U "

pizz
Db.
C
p
19
21
22
23
24
25
26
27
[20]
&
Fl.
bbb
b
Eng. Hn.
&b
Cl. 1.
&b
^j
n
&b
Cl. 2.
w
Bsn.
^j

? b
bb
^
J
^j

j
n
Hn. 1.
&b
Hn. 2.
&b
&b
Hn. 3.
&b
Tpt 1.
b
.
J
J
p
&b
Tpt 2.
&b
Tpt 3.
gliss
? b
bb
Tbn.
n b nw
bw
? bb
Tbn.
b
4
Tba.
? b
bb
[20]
Perc.
b
& b b
Voice
r #
I'm
speak - ing of
j
#
my
Sweet - ie
j

Pie,
j
#
On - ly
six - ty
inch - es
high
Ev - 'ry inch is
packed with
dy
na
mite!
Her
b
&b b
? b
bb
.j .
J
Vln. A
b
&b b
.j

Vln. B
b
&b b
.j

Vln. C
b
&b b
.
j

.j

Vln. D
b
&b b
.j
Vla.
B bbb
.
j

.j

Vc.
? bb
Hp.
soli divisi
j b

.
j
.j

.
j
.
.
j b j
.
j
.
j
.
j
.j

.
.
j b j
.j
.j

.j

.

J
.j

.j
.j
.
.
j j
.j
.j

1st only
Db.
.j

.j

.j

.j

.j

.j
.j

.j
.j

.
.
j j
.j
.j
.
.
n j j
.j
.j
.j
.j
? b
bb
29
Fl.
[28]
b
&b b
30
31
32
33
34
35
37
[36]
&b
&b
j
n
b
Eng. Hn.
Cl. 1.
&b
Cl. 2.
Bsn.
? bb
j
j
n
j
n
Hn. 1.
&b
Hn. 2.
&b
&b
Hn. 3.
Tpt 1.
&b
b
to open
&b
Tpt 2.
&b
Tpt 3.
Tbn.
? b
bb
? bb
Tbn.
? bb
2
Tba.
.
j
[28]
[36]
j
j

Perc.
b
&bb
Voice
hair is
blonde and
cur - ly,
Her
curls are
hur - ly
bur - ly.
Her
lips are
pips!
j

call
her
hips:
j
n
"Twirl - y"
and
j

"Whirl - y,"
j
#
# j
She's my ba - by,
I'm her
pap!
b
&b b
? bb
bb . . b . .
b
&
Hp.
Vln. A
Vln. B
Vln. C
Vln. D
Vla.
Vc.
Db.
b
. .
. . . .
b
. .

J
J
.
b
& b b j
. .
bb .
b
&
.
.
j j
b
.
. .
.
.
.
.
j j j j
b
.
. .
. . . .
.
j

.
j
.
b
& b b j
.
B bbb j
.
.
j j
.j
.
j
.
.
.
.
j
j
j
j
b
2
.j
.
j

? bb
b n b J
J
n
J
J
j
j

j
n
j n b j
j
n
divisi

.
.
.
.
j j j j
j
bn b j
J
n J
.
j
unis .j

.j
.j
.j

.
j
? b
bb
38
39
40
41
42
43
45
46
47
[44]
&
Fl.
bbb
b
Eng. Hn.
&b
Cl. 1.
&b
j
b j
bw
j
j
j
j
w
f
&b
Cl. 2.
j
n
j
j
Bsn.
? b
bb
Hn. 1.
&b
Hn. 2.
&b
Hn. 3.
&b
OPEN
&b
Tpt 1.
. . .

. . .

. . .

OPEN
&b
Tpt 2.
OPEN
&b
Tpt 3.
w
? bb
Tbn.
2
b n b w
nw
bw

. str mute .

. .
.

b
f
? bb
Tbn.
2
4
Tba.
? bb
[44]

b
nw
Perc.
Voice
b
& b b #
j
#
I'm her
boob - y,
She's my
trap!
j
b
I am caught and don't want a run 'cause I'm
hav - in' so much
j
b
fun with
Hon - ey
Bun!
.
. .
r
A
b
&b b
? bb
b
&b b
Hp.
b
tutti
Vln. A
.
. .

.
. .

.
. .

.
. .
.
. .

2
Vln. B
b
&b b
bw
nw
f
tutti
Vln. C
b
&b b
2
Vln. D
b
&b b
bw
nw
Vla.
.j
B bbb
.j

.
.
j j
b ww
Vc.
Db.
? bb
? b
bb
49
Fl.
[48]
b
&b b
>
50
>
51
52
53
54
55
57
~~ ~~ ~~
[56]
Eng. Hn.
b
&b
Cl. 1.
^
w
>

>
.
J
^
w
^
w
.

J
^
w
^
w
&b
^
w
^
w
^
w
^
w
^
w
^
w
.
. .
.

j
pp
^
w
&b
Cl. 2.
pp
Bsn.
? bb
Hn. 1.
&b
Hn. 2.
&b
Hn. 3.
&b
Tpt 1.
&b
.
.

. .
.

.
.
j
.
.

b
str mute
pp
str mute
.
. .
.
.
j
&b
Tpt 2.
.
.
.
.
pp
str mute
&b
Tpt 3.
.
.
.
.

.
.
pp
? bb
Tbn.
? b
bb
? bb
?
Perc.
pp
Tba.
. .
.
.

. .
.
.
.
j
.
J
gliss
~~~
nw
bw
. .
.
. .
.
.

j
gliss
[48]
[56]
pp
Voice
.
.
b
pp
Tbn.
.
.
.

~~~w
w
n
b
& b b #
j
#
hun - dred and one
Pounds of
j
#
fun
That's my lit - tle
Hon - ey
Bun!
Get a load of
Hon - ey
j

Bun
to -
w
night!
j
#
I'm
speak - ing of
Sweet - ie
my
j

Pie,
b
&b b
? b
bb
Hp.
divisi
Vln. A
b #
&b b
# j
J
# # j
J
b
& b b n#
j
n#
J
# j
J
j
n# # n#
J
# # j
J
Vln. C
b
& b b n#
B bbb
j
n#
J
j
n# # n#
J
? bb
n b
j
n#
J
# j
J
n#
j
n#
J
Db.
pp
Vc.
n#
pp
divisi pizz
Vla.
pp
divisi
Vln. D
# j
J
pp
divisi
b #
&b b
pp
divisi
Vln. B
? b
bb
pp
58
&
Fl.
59
60
61
62
63
bbb
65
66
[64]

J
67
68
b
&b
Eng. Hn.
^
w
&b
Cl. 1.
^
w
j
j
j
b
2
Cl. 2.
Bsn.
^
w
&b
? bb
^
w
j
j
j
b
Hn. 1.
&b
Hn. 2.
&b
Hn. 3.
&b
.
J
Tpt 1.
&b
&b
Tpt 2.
.

J
.j

Tpt 3.
&b
b
J
.
.
.
.
~~~w
n
? bb
Tbn.
gli
ss.
b
3
p
4
? bb
Tbn.
~~~gliss
nw
gliss
bw
gliss
b
3
gliss
gliss
Tba.
? bb
. .

. . . .
b

. .

Perc.
b
& b b #
Voice
On - ly six - ty
j
#
inch - es
high
Ev -'ry inch is
packed with
j

dy
na -
mite!
Her
[64]

gliss
hair is blonde and
.
j
Her curls are hur - ly
bur - ly.
Her
lips are
cur - ly,
pips!
b
&b b
? bb
j
b # #
b
& b
J
Hp.
Vln. A
b
UNIS
j j j

UNIS
Vln. B
Vln. C
j
b
& b b n# # n#
J
j
bb # #
b
&
J
j j j

UNIS
j j j

UNIS
j
b
& b b n# # n#
J
Vln. D
Vla.
B bbb
? bb
Vc.
arco
j j j

j j j

J J J
b
Db.
? bb
b
69
70
71
73
74
75
77
[72]
Fl.
b
& b b J
[76]

J J J J
78
&b
Eng. Hn.
b j
j j
J J
#
#
# # J
J
J
J
SOLI
~~~~
J J
J J
&b
Cl. 1.
w
w
J
J
SOLI
Cl. 2.
~~
#w
j
J
J
~ ~~
j j
# n b J J
&b
nw
Bsn.
? bb
j j
j j

bw
mf
w
p
Hn. 1.
&b
Hn. 2.
&b
Hn. 3.
&b
Tpt 1.
&b
.
J
# n # j # # J ~~~
~
J
J
J
mf
&b
Tpt 2.
.
# J
.
b
J
j
n n j n n J ~ ~~
~
J

J
mf
&b
j
j
# j # j # # J ~ ~~~
mf
Tbn.
? bb b w
b
? bb b w
b
Tbn.
? bb
Tba.
Tpt 3.
w
w
nw
j

J
Perc.
[72]

[76]

pp
b
& b b j
Voice
call her
hips:
j

"Twirl - y"
and "Whirl - y,"
#
She's
j
#
j
my
ba
by,
I'm
her
j
#
She's
trap!
j
b
pap!
I'm
her
boob - y,
my
am caught and
don't want a run 'cause
I'm
hav - in' so much
b
&b b
? bb
b
&b b
Hp.
PIZZ
Vln. A

j j j j
PIZZ
b
&b b j j j
n
Vln. B
b
&b b
Vln. C
j j
b

j j

j j

PIZZ
j j

PIZZ
b
&b b j j j
n
j j j j
b
Vla.
B bbb j j j
j j n b j j
n
Vc.
? bb
j j
j j
j j
j j
Vln. D
PIZZ
Db.
? bb
b
w
bw
q = 127
79
Fl.
80
b b
&b b J
J
81
83
[82]

84
85
86
( h = q ) (In 4)
87
Come primo (In 2)
b b J
J
4 n #
J
4
b b J
J
4 n # j
4
b
& b b J J
Eng. Hn.
p
3
j
j
&b
Cl. 1.
j
j
4
4
w
w
C n
nw
4
4
# j
j
j
b
f
3
&b
Cl. 2.
j
j
b
j

f
Bsn.
? b
bb
bw
4 b
4
4
4
4
4
&b
4
4
&b
Tpt 1.
&b
Tpt 2.
Hn. 1.
&b
Hn. 2.
&b
Hn. 3.
&b
j
b b j
Tpt 3.
Tbn.

? bb J
J
b
? bb b
b
Tbn.
? bb
4
4
C n
4
4
n b
J
J
4
4
C
n
4 . . . .
4 b
j
j
4 b
4
b
b
Tba.
4 n # j

4
f
q = 127
Hon
Bun!
Perc.
b j
& b b b
Voice
fun with
ey
V V
[82]

V V V

( h = q ) (In 4)
am caught and
don't want -a run,
'Cause I'm
hav - in'
so much
4
4
j
b
4
4
fun with
Hon
b
&b b
? b
bb
b
&b b
ey
b
&b b
Vln. B
b
&b b
Vln. C
? bb
b
? bb b
b
Db.
B bbb
Vc.
b
Vla.
b
&b b
Vln. D
n # j
Bun. (Be - lieve me, son - ny) She's a
cook - ie
who can
4
4
C b
4
4
4
4
C b
4
4
4
4
4 b
4
C nw
4 b
4
w
bw
4
4
4
4
Hp.
Vln. A
Come primo (In 2)
n b
88
89
90
91
92
93
94
q = 127
( h = q ) (In 4)
Fl.
b
&b b J
( h = q ) (In 4)
Come primo (In 2)
4 #
J
4
n n #
4
4
Ub
b bbbb C
b
& b J
Eng. Hn.
4 # j
4
4
4
n # #
bbbbb
bbbb
bbbb
bbbbbb C
Cl. 1.
4
4
4
4
~~~
~~~

&b J
~~
~~~
~
4
4
j
#
C n n b
4 ~~~~~
~
4
~ ~~
~ ~~
& b b J
Cl. 2.
n

f
Bsn.
? b
bb
4
4
4
4
4
4
4
4
bbbbb
4
4
4
4
bbbbb
&b
4
4
4
4
bbbbb
j
&b
4
j
4 #
bbbb
bbbb
bbbb
Hn. 1.
&b
Hn. 2.
&b
Hn. 3.
Tpt 1.
to open
4 ~~~~~
4
n # #
f
to open
Tpt 2.
4
4
C n
4 ~~~~ ~

~~~
~
4
~~~
& b j
f
to open
&b
Tpt 3.
? bb
Tbn.
4
4
4
4
4
4
4
4
b to open
n n #

Open
bbbbbb C
? bb
Tbn.
4
4
4
4
to open

Open
bbbbbb C
gliss
Tba.
? bb
4 . .
4 b
gliss
bbbbbb C
f
q = 127
( h = q ) (In 4)
4
4
Perc.
( h = q ) (In 4)
Come primo (In 2)
Cymb.
4 V V V V
b j
&bb
Voice
cook you
till
b
&b b
? bb
b
&b b
you're
# j
4
4
done. (Ain't be - in' fun - ny!)
4
4
4
4
Hp.
Vln. A
4
4
Son - ny
put
your
mon - ey
On
C b
4
4
my
4
4
4
4
Hon - ey
bbbbbb
Bun!
bbbbbb C
bbbbbb C
4
4
bbbbbb C
bbbbbb C
bbbbbb C
bbbbbb C
bbbbbb C
.
j

bbbbbb C
Vln. B
b
&b b
Vln. C
b
&b b
4
4
4
4
C b
4
4
4
4
Vln. D
b
&b b
4
4
4
4
Vla.
B bbb
4
4
4
4
Vc.
? bb b w
b
4
4
C nw
nw
4
4
f
arco
Db.
? b
bb
4
4
4
4
bbbbbb C
Encore
96
98
99
q = 127
Fl.
> [95]
bb b b C

& bb
>
n [97]

b
& b bbb
Cl. 1.
>
b
& b bb
Cl. 2.
>
^ ^ ^ ^
b
Bsn.
? bb b b C ^
bb
Hn. 1.
bb
&b b b
>
C
n
J
mf
n n
mf
>
mf
>
mf
b
& b bb
n
J
>
>
Eng. Hn.
n n
mf
.j

.j

.

J
.
.

J
J
.j

mf
f
b
& b bbb
Hn. 2.
>
.j

.
j
mf
>
bb
&b b b
Hn. 3.
.j

.
j
f
mf
open
b
& b bb
Tpt 1.
n
J
n
J
mf
open
b
& b bb
Tpt 2.
mf
open
bb
&b b
Tpt 3.
>
? b b bC
bbb
Tbn.
mf
mf

? bb b b C >
bb
Tbn.
^ ^ ^ ^
b
n n
n n
mf
Tba.
? b b b b C ^j
bb
^ ^ ^ ^
b
ff
Perc.
[95]

>
[97]
j

V V J
mf
Nurses:
b
& b bbbb
Voice
j
n
hun - dred and
one
pounds of
fun
That's my
lit - tle
b
& b bbbb C
? bb b b C
bb
>
b
b
& b b bb C
Hp.
ARCO
Vln. A
n
R
>
bb
& b b bb C
f>
ARCO
>
b
& b bbbb C
Vln. C
Vla.
j
J
j

J
n
J
j
J
j

J
n
J
n
R
mf
DIVISI ARCO
Vln. D
mf
>
b
& b bbbb C
f>
ARCO
>
b
B b bbbb C
n
J
mf
DIVISI ARCO
Vln. B
mf
^ ^ ^ ^

mf
ARCO
Vc.
? bb b b C >
bb
n n
n n
b n
mf
ARCO
pizz
Db.
? bb b b C >
bb
^ ^ ^ ^

mf
100
Fl.
101
bbb b n J
b
& b
102
103
104
106
[105]
n
R
n
J
107
n

J
pp
Eng. Hn.
b n
& b bbb J
n
J
pp
b
& b bb
Cl. 1.
pp
b
& b bb
Cl. 2.
b
J
pp
Bsn.
n n n w
? b
b bbbb
Hn. 1.
bb
&b b b
bw

n n
n n
.j
.j

.
.
J J
.
.

J
J
.
.

J
J
.j
.j

.j

.j

.

J
.
.
J
J
.j

mf
4
bb
&b b b
Hn. 2.
.j

.j

.
j
mf
.
.
.
.
n j j b j j
bb
&b b b
Hn. 3.
.
j
mf
>
bb
& b b n J
Tpt 1.
b
& b bb
Tpt 2.
b
& b bb
Tpt 3.
n
b n n w^
J
? bb b b n J
bb
Tbn.
>
n
J
n
J
>
bw
gliss
? b b b
bbb
Tbn.
j
b
~~~~~~~
n n n w
bw

n n
n n
Tba.
? b
b bbbb
Perc.
[105]

j
n
I'm
speak - ing of
my
Sweet - ie
Billis: (solo)
j
b
& b bbbb n
Voice
Hon - ey
Bun!
Get
a load of
Hon - ey
Bun
to
w
night!
Pie,
On - ly
six - ty
b
& b bbbb
? bb b b
bb
Vln. A
b n
& b bbbb J
j

J
Vln. B
j
bbb b
b
& b J
j
b
J
j
J
Vln. C
b n
& b bbbb J
j
J
Vln. D
j
b
b
b
&b b b J
Vla.
n
B bbbbbb J
Vc.
? bb b b
bb
Hp.
Db.
? b
b bbbb
n n w
n
R
ww
n
R
j
b
J
j
J
ww
bw
n
J
j
J
n
J
j

J
j
J
j
J
n
J
n n
n n
b n
108
109
110
111
112
114
Fl.
b n
& b bbbb J
[113]
n
b n
& b bbb J
Eng. Hn.
Cl. 1.
b
& b bb
b
& b bb
b
J
Cl. 2.
116
115
117

J
J J

J
J J
J J
J
J J
J
2
Bsn.
n n n w
? b
b bbbb
Hn. 1.
b
& b bbb
Hn. 2.
b
& b bbb
.j
.j

bw
b
& b bbb
Hn. 3.
.
.
J J
.
.

J
J
b n
.
.

J
J
.j
.j

.
.
n j j
.j
.j
b
b
& b bb
Tpt 1.
Tpt 2.
bb
&b b
b n
str mute
j
J J
solo
str mute
b
& b bb
Tpt 3.
j
b
j
j j

solo
Tbn.
? bb b b
bb
Tbn.
? bb b b
bb
n n w
n
~~~~~~~
gliss n n n w
bw
b n
bw
J J
J
J J
J
2
4
Tba.
? b
b bbbb
Perc.
b b
[113]

All:
j
b
& b bbbb n
Voice
inch - es
high
Ev - 'ry inch is

J
packed with
dy
na
mite!
Her
hair is blonde and
Her curls are hur - ly
bur - ly.
Her
lips are
cur - ly,
pips!
b
& b bbbb
? bbb
bbb
Vln. A
b b b n J
b
& bb
j
J
Vln. B
j
bbb b
b
& b J
Vln. C
bbb b n J
b
& b
j
J
Vln. D
j
bbb b
b
& b J
n
B bbbbbb J
Hp.
j
b
J
j
J
ww
j
b
J
j
J
ww
J J
J
n b
n b
j
j
j
J
J J
J J
J
n b
n b
j
j
j
J
J J
J J
J
Vla.
Vc.
Db.
n n w
? bb b b
bb
? b
b bbbb
bw
118
119
120
122
123
124
126
127
128
129
DRUM SOLO
[121]
b
& b bbbb
"
J
b
& b bbb
b
J J
"
J
b
& b bb
n J J
n b "
J
b
& b bb
j j
"
? b
b bbbb
bb
&b b b
J J n
"
J
Fl.
bbb b J J
b
& b
Eng. Hn.
b

& b bbb J J
J J n
Cl. 1.
b n
& b bb J J
Cl. 2.
b
& b bb # J J
[125]
drum solo
Bsn.
? b
b bbbb
bb
& b b b n
Hn. 1.
j j
b
j "
n b
bb
& b b b #
j j
n n
"
j
bb
&b b b
Hn. 2.
bb
&b b b
j j
n
"
j
b
bb
&b b b
Hn. 3.
str mute
bb
&b b
Tpt 1.
"

bb
&b b
solo -
marcato
Tpt 2.
b
& b bb
Tpt 3.
bb
j
& b b n j
b
J J
Tbn.
n
? b b b J J
bbb
n J J b
Tbn.
? bb b b J n J
bb
Tba.
j
J
? b
b bbbb
j j
n
"

J
b
& b bb
"

bb
&b b
n b "
J
? bbb
bbb
b "
J
? bb b b
bb
? bb b b
bb
"
j j
b j

DRUM SOLO
[121]
j

J
?
Perc.
bb
& b b bb
Voice
j

call her
hips:
j

J
"Twirl - y"
n
and
[125]
4
j

J
bb
& b b bb
b
& b bbbb
Tom Tom Solo
"Whirl - y."
b
& b bbbb
"

? bb b b
bb
"

? bb b b
bb
"
J
b
& b bbbb
Vln. A

b
& b bbbb J J
Vln. B
j
b
& b bbbb n J
Vln. C

b
& b bbbb J J
Vln. D
j
b
& b bbbb n J
Hp.
J J n
j
J
b j "
n b
J
b
& b bbbb
J J n
"
J
b
& b bbbb
j
J
bn b j "
J
b
& b bbbb
J J n
"
J
B bbbbbb
Vla.

B bbbbbb J J
? bb b b
bb
"
J
? bb b b
bb
Vc.
J J
"
J
? b
b bbbb
Db.
? b
b bbbb
j
J
j
J
bn
bn
j
J
j
J
drum solo
130
Fl.
b
& b bbbb
131
132
133
135
[134]
136
137
138
139
140
141
143
[142]
n
J
n
J
J
n J j

J
J
J n J
n J j
mf
b
& b bbb
Eng. Hn.
n
J
mf
b
& b bb
Cl. 1.
mf
b
& b bb
Cl. 2.
mf
Bsn.
? bb b b
bb
n n
n n
mf
Hn. 1.
b
& b bbb
.
j
.j

.

J
mf
b
& b bbb
Hn. 2.
.
j
.j

.
j
mf
b
& b bbb
Hn. 3.
.
j
mf
open
b
& b bb
Tpt 1.
n n nw
j
J n
n j
J
j j

j
J n b
n j j

n

J
J
mf
open
str mute
b
& b bb
Tpt 2.
n n nw
w
mp
mf
open
str mute
b
& b bb
Tpt 3.
n n nw
w
mp
mf
? bb b b
bb
Tbn.
n
J
J
mf
? bb b b
bb
Tbn.
n
J
J
n
J

J
mf
Tba.
? bb b b
bb
[134]
12
16
Perc.
b
& b bbbb
Voice
 
mf
[142]

All:
n j
n j
She's my ba - by,
I'm her
pap!
b
& b bbbb
? bbb
bbb
b
& b bbbb
Hp.
Vln. A
n
J
J
n
J
J
j j
n J
J
n
J
J
j j
n J
J
n
J
J
mf
Vln. B
b
& b bbbb
j
n
J
mf
Vln. C
b
& b bbbb
n
J
J
mf
Vln. D
b
& b bbbb
j
n
J
mf
Vla.
B bbbbbb
n
J
mf
Vc.
? bb b b
bb
n n
n n
mf
pizz
Db.
? b
b bbbb

mf
PLAY 3 TIMES
144
Fl.
bbb b n
b
& b
145
147
n
J
[146]
b
148
149
150
( h = q ) (In 4)
4 n
J
n b
J
4 n
J
4
4 b
j
n
4
Eng. Hn.
b n
& b bbb
b
& b bb
Cl. 1.
n
J
n b
J
b n n
J
J
4
b
& b bb n
Cl. 2.
b
J
n
J
b
J
Bsn.
n b
? bb
b b bb
Hn. 1.
.
b
& b bbb J
Hn. 2.
bb
&b b b
.

J
.
.
b
J
J
4
4
n
n n #
4
4
4
4
bb
&b b b
Hn. 3.

bb
& b b n
Tpt 1.
b
& b bb
Tpt 2.
b
& b bb n
Tpt 3.
? bb b b n
bb
Tbn.
n
J

J
b
J
j
b

J
4
4
4 b
j
n
j
b
n
n
n b
J
4 n j
j
b n j n
n b
J
4
4
n
J
4
? bb b b n
bb
Tbn.
n
J
4
Tba.
? bb b b
bb

n n # n
b 4
pp
p
[146]

Perc.
PLAY 3 TIMES
( h = q ) (In 4)
4
4
V V
Billis:
All:
Voice
b
& b bbbb n
I'm
her
b
& b bbbb
boob
y,
j
n
she's
my
trap!
b
I
am caught and
don't want - a

run,

'Cause I'm
hav - in'
so
much
j
n #
fun
j
#
with
Hon
b
-
4
4
ey
b n n j
Bun! And that's the fin - ish,

done. we hoped you liked us.
run down to the mess hall.
And it's
and we
You'll en-
4
Hp.
Vln. A
? bb b b
bb
b
& b bbbb
n
J
4
4
4 n
J
n b
J
n
J
n n j
J
4 n J
4
Vln. B

b
& b bbbb n
j
b
J
j
n
J
j
j
n b n nb
J
J
n n j
4 b
J
4
Vln. C
bbb b n
b
& b
n
J
n b
J
4
Vln. D

b
& b bbbb n
j
b
j
n
J
j
j
n b n nb
J
J
4 b
4
n
Vla.
B bbbbbb
n
J
n b
J
4
n
Vc.
? bb b b
bb
n n # n
4
n
Db.

? b
b bbbb
n n # n
b 4
4
151
152
153
155
q = 127
Fl.
Come primo (In 2)

b
b
b
C
b
b
& b
(In 2)
( h = q ) (In 4)
[154] Come primo

4
n J
4 pp
&
Eng. Hn.
&
Cl. 1.
bbbb
C
b
bbbb
b
& b bb
Cl. 2.
4
J
4 pp
b
& b bbb
158
C n
b U
4
4
n n n
U
b
4 J
4
4
4
4
4
4
4
4
4
4
U
n

 n n n 
4 pp
n n n
4
4

4 n J C
4 pp
f
( h = q ) (In 4)
C n b J J 4 n J C n n
4 pp
f
? b C
b bbbb
Hn. 1.
157
nw
Bsn.
156
q = 127
b n
4
J
4
C b
f
pp
b
& b bbb
Hn. 2.
4 b C n
J
4
f
pp
bb
&b b b
Hn. 3.
4 j
4
4
4
f
pp
b
& b bb
Tpt 1.
4 j
4
4
4
n n #
4
4

4
4 b
b n b U
n n

4
4
4
4
f
pp
bb
&b b
Tpt 2.
4 j
4
f
pp
b
& b bb
Tpt 3.
? bb b b C
bb
Tbn.
j
n 
b
? b b bC
bbb
Tbn.
Tba.
? bb b b C
bb
4 j
4
n n
pp
4
4p
4 J
4p
4 j
4
C
Perc.
bb
& b b bb
Voice
time to go for
hope that when you
joy your din - ner
b
& b bbbb C
4
4
show
seat ev -
is
and
'ry
one.
Alt:
[154] Come primo (In 2)

C
Nellie:
All:
n J
En - joy your tur - key! And

(Save me some tur - key!)
U

J
put some chest - nut
dress - ing
Cymb.
( h = q ) (In 4)
4
4
4
4
on
our
now the
leave your
each and
j

J
4
4
( h = q ) (In 4)
Come primo (In 2)
Hon - ey
Bun!
4
4
4
4
4
Hp.
? bb b b C
bb
b
& b bbbb C
Vln. A
4 n J
4p
Vln. B
j
bbb b C n 
b
& b
J
Vln. C
b b bC
b
& bb
Vln. D
j
bbb b C n 
b
& b
J
j
J
Vla.
Vc.
? bb b b C n w
bb

4 n J C
4p
f
j
J
4 n nj C bn n
J
4
b
4
4

n n n
n n n

n n n
4
4
b
4
4
4 b C
J
4p
f
4 J
4p
nw
4
4
Db.
4 J
4p
f
arco
? b C
b bbbb
4
4
bw
n n n
4
4
4 n nj C bn n
J
4

B bbbbbb C
4
4
No. 39 You Got To Be

Carefully Taught

DIALOGUE
cue:
EMILE: "What makes her talk like that? Why do you have this feeling,
you and she? I do not believe it is born in you. I do not
believe it.
Cable: It's not born in you."
1
Flute
10
11
12
13
[5]
Allegro
3 #j>
&
4 mf
>
##
3 j
&
4# mf
# #3
& #
4
English Horn
Clarinet in Bb
pp
### 3
&
Clarinet in Bb
4
?# 3
Bassoon
4 mf
pp
mute
##
3
Horn 1. in F &
4
## 3
Horn 2. in F &
4
## 3
Horn 3. in F &
4
##
4
### 3
Trumpet 2 in Bb &
4
### 3
Trumpet 3 in Bb &
4
?# 3
Trombone 1.
4
?# 3
Trombone 2.
4
?# 3
Tuba
4
[5]
mute
mute
Allegro
Sn.. Dr. .(with .sticks)
?
Percussion
3
4 p
3
4
pp
Cable:
#
&
Voice

You've
got
to
be
taught
to
hate
and
fear,
You've got
to
be
taught
year,
It's
got
to
be
from year
to
3
4
&
?#
3
4
3
4
3
4
3
4
3
4
3
4
3
4
Harp
#
&
Violin A
#
&
Violin B
#
&
Violin C
#
&
Violin D
B#
Viola
?#
Violoncello
mf
p
mf
mf
?#
mf
mf
- -
3 - -
4 mf
- - - - -
mf
Double Bass
. . .

. . . . . .

. . .

. . . . . .

. . .

- - - - -
. . .

p
14
15
16
17
18
19
20
[21]
22
&
Fl.
23
24
25
26
#
& #
Eng. Hn.
pp
##
& #
Cl. 1.
mp
###
&
Cl. 2.
j >j

p
j >j
>
j

>
j

>
j

>
j

mp
?#
Bsn.
.
J
mute SOLI
##
+
J
&
Hn. 1.
+

J
pp
mute
#
& #
Hn. 2.
mute
##
&
Hn. 3.
> . . SOLI
+
j
mp
> . . pp

+
J
pp
pp
+
j

+
j
pp
pp
mp
str. mute
###
###
###
> . .

mp
> . .

mp
> . .

&
Tpt 1.
str. mute
&
Tpt 2.
str. mute
&
Tpt 3.
> > >

mp
str. mute
?#
Tbn.
mp
str. mute
?#
> > >

Tbn.
mp
?#
Tba.
[21]

12
Perc.
&
Voice
drummed
in your dear
lit
tle
ear...
You've
got
to
be
care - ful - ly
to
be
taught
taught!
You've
got
fraid
of
peo
to
be
a -
ple
whose eyes
are
&
Hp.
#
&
Vln. A
.

b
.
b

?#
short
&
Vln. B
&
Vln. C
&
Vln. D
B#
Vla.
?#

Vc.
?#
Db.

- - - - - -

- - - - - -

27
28
29
30
31
32
33
34
35
36
38
39
40
[37]
&
Fl.
##
&
Eng. Hn.
^
#
.
j

.
j

^
#
## >
& # j
Cl. 1.
>
j
>
j

## >
& # j

Cl. 2.
>
j

>
j

?#
Bsn.
.
J
Hn. 1.
Hn. 2.
Hn. 3.
+
#
& # J
pp
## +
& j

pp
#
& #
+
J
>

J
to open
to open
pp
+
j
>
j

pp
> . .

> . .

to open
to open
to open
###
###
###
> > >

> > >

&
Tpt 1.
to open
&
Tpt 2.
to open
&
Tpt 3.
?#
Tbn.
to open
?#
Tbn.
?#
Tba.
[37]
8
12
Perc.
mf
&
Voice
odd
ly
made,
and
peo
ple
whose
skin
is a
dif
f'rent shade...
You've
got
j
j

to
be
care - ful - ly
taught!
You've
got to
&
?#
Vln. A
&
Vln. B
&
Vln. C
&
Vln. D
&
.
b

.
b

B#
Vla.
Vc.
- -
?#
Db.

- - - - - -

?#

- - -
Hp.
^

^

be
taught
be - fore it's too
late,
#
#
^

^
#
#

#
#

^

>
#
#

#
#
Be -
41
42
43
44
46
[45]
^
#
#
& #
Eng. Hn.
>
J
>
&
Cl. 1.
48
###
&
Fl.
47
fp
fp
##
& #
Cl. 2.
>

J
>
j
fp
?#
Bsn.
fp
##
Hn. 1.
&
#
& #
Hn. 2.
OPEN
^

J
OPEN ^
j
^
j
^
j
OPEN
#
& #
Hn. 3.
^
j
^
j
##
& #
Tpt 1.
##
& #
Tpt 2.
##
& #
Tpt 3.
?#
Tbn.
?#
Tbn.
?#
Tba.
[45]

Perc.
fore
you
are
six
?#
#
&
Vln. A
#
&
Vln. B
Hp.
#
#
en
or
or
#
&
sev
eight,
to
hate
all
the
peo - ple
&
Vln. C
your
rel
tives
hate...
You've
#
&
Voice
&
Vln. D
B#
2
-
?#
Vc.
?#
Db.
Vla.
*Optional cut to No. 39A
49
50
51
52
53
54
55
56
&
Fl.
##
&
Eng. Hn.
mf
###
&
Cl. 1.
mf
p
p
###
&
Cl. 2.
mf
?#
Bsn.
mf
p
Hn. 1.
# & #
Hn. 2.
## &
mf
mf
# & #
Hn. 3.
mf
##
& #
Tpt 1.
##
& #
Tpt 2.
##
& #
Tpt 3.
?#
Tbn.
?#
Tbn.
?# -
Tba.
mf
*Optional cut to No. 39A
.

J
?
Perc.
to
be
&
Voice
got
care - ful
ly
taught!
You've
got
to
be
care
ful
ly
taught!
&
Hp.
#
&
>
>
n
mf
>
mf
# >
&
#
Vln. C
>
n
mf
>
mf
>
B#
Vla.
&
Vln. D
&
Vln. B
&
Vln. A
?#
p
mf
?#
Vc.
>
>
?#
Db.
mf
mf
>
>

No. 39A
2
CONTINUATION: "Carefully Taught"
10
11
12
Moderato
[1]
Flute
&
4 mpJ
#
[4]
3
4
&
Oboe
14
15
Con moto
[13]
# #3
& #
Clarinet in Bb
4
p
# #3
& #
Clarinet in Bb
4
p
?#
Bassoon
Horn 1. in F
,
#
& #
#
& #
Horn 2. in F
3 >
4 mp
3
4 mp
pp
3
4
mp
##
3
4
mp
### 3
&
4
&
Horn 3. in F
Trumpet 1 in Bb
3
4
3
4
3
4
# #3
& #
Trumpet 2 in Bb
4
# #3
& #
Trumpet 3 in Bb
4
?#
Trombone 1.
?#
Trombone 2.
?#
Tuba
Moderato
Con moto
[1]
[4]
3
4
?
Percussion
(sung only if measures 55-56 of No. 39 are cut)

Cable:
3
4
&
Voice
[13]
Emile:
U

)
I was
taught!
#
&
3
4
?#
3
4
cheat - ed
be - fore
and I'm cheat - ed
a -
Harp
3 j

4 mp
# 3
&
4
&
Violin A
Violin B
mp
#
&
Violin C
3 j

4 mp
#
&
Violin D
3
4
mp
B#
Viola
4 mp
U
?#
Violoncello
3
4 mp
3
4 mp
pizz
?#
Double Bass
16
17
18
19
20
22
23
24
25
26
27
28
[21]
[29]
&
Fl.
poco a poco cresc.
##
& #
##
& #
&
Ob.
Cl. 1.
Cl. 2.
?#
Bsn.
Hn. 1.
#
& #
#
& #
Hn. 2.
#
& #
Hn. 3.
##
& #
Tpt 1.
##
& #
Tpt 2.
##
& #
Tpt 3.
?#
Tbn.
?#
Tbn.
?#
Tba.
[21]
[29]
Perc.
&
Voice
gain
By a mean
lit - tle
world
of
mean
lit - tle
men.
And the one chance for
me
is the life
#
I
know
#
best,
To be here
on an
is - land and to hell with
the
I will cling
rest.
to
this
b n
J J J
J J J
&
Hp.
?#
#
&
Vln. A
poco a poco cresc.
&
Vln. B
poco a poco cresc.

4
&
Vln. C

poco a poco cresc.
&
Vln. D
poco a poco cresc.
B#
Vla.

poco a poco cresc.
?#
Vc.
J J J
poco a poco cresc.
?#
Db.
# #
30
Fl.
&
Ob.
&
31
32
33
34
35
36
##
& # #
Cl. 1.
&
?#
Bsn.
"
"
"
"
###
Cl. 2.
"
Hn. 1.
#
& #
#
>
"
>
n
"
>
"
>
"
"
"
"
"
#
& #
Hn. 3.
#
& #
Hn. 2.
open
###
&
Tpt 1.
p
open
###
>
&
Tpt 2.
p
open
###
>
&
Tpt 3.
p
open
?#
Tbn.
p
open
?#
Tbn.
p
"
"
?#
Tba.
?
Perc.
#
&
Voice
land
like
tree
or
stone,
will
cling
to
this
is
land
and
be
free...
"
is
#
?
and
"
&
&
short
Hp.
"
"
#
#
"
"
#
#
"
^
j
"
#
J
J
J
J J J
J J J
>
>
>
"
"
?#
Vln. A
&
Vln. B
&
Vln. C
&
Vln. D
&
B#
Vla.
?#
Vc.
>
?#
#
Db.
A tempo
38
[37]
#
39
40
Rit.
41
42
Segue
44
43
&
Fl.
&
Ob.
###
&
Cl. 1.
##
& #
Cl. 2.
>
?#
Bsn.
# >
# >
##
>
&
Hn. 1.
>
>
>
#
>
>
#
>
>
#
#
& #
Hn. 2.
>
#
& #
Hn. 3.
##
& #
Tpt 1.
U Segue
sp
##
& #
Tpt 2.
sp
##>
& #
Tpt 3.
sfp
?#
Tbn.
f
?#
Tbn.
>
>
>
?#
Tba.
A tempo
Rit.
[37]
?
Perc.
&
Voice
lone.
&
Hp.
?#
#

&
Vln. A
dimin
&
Vln. B
dimin
&
Vln. C
dimin
#
&
Vln. D
dimin
2
B#
Vla.
f
?#
Vc.
dimin
dimin
^
? # ^
Db.

No. 40
Incidental Bridge
(Dialogue: Joe Cable and Emile)

2
10
11
12
Allegro
[1]
Flute
&
Oboe
&
3
4
3
4
# #3
& #
Clarinet in Bb
4
pp
# #3
& #
Clarinet in Bb
3
4
4
?#
Bassoon
#
& #
3
4
Horn 1. in F
#
& #
3
4
Horn 2. in F
#
& #
3
4
Horn 3. in F
# #3
& #
3
4
3
4
3
4
3
4
3
4
&
?#
3
4
Trumpet 1 in Bb
4
# #3
& #
Trumpet 2 in Bb
4
# #3
& #
Trumpet 3 in Bb
4
?#
Trombone 1.
?#
Trombone 2.
?#
Tuba
Allegro
[1]
?
Percussion
#
Harp
sordini
3
&
4 pp
Violin A
j j
pp
3
4
&
Violin B
pp
sordini
3
&
4 pp
Violin C
j j
pp
#
&
Violin D
3
4
pp
B#
Viola
3
4
pp
sordini
?#
3
4 pp
?#
3
4
Violoncello

J
J
pizz
Double Bass

pp
Segue as one
14
15
16
17
18
19
20
21
22
23
24
25
26
27
Meno
Fl.
[13]
#
&
Ob.
&
28
Rit.
##
& #
Cl. 1.
##
& #
Cl. 2.
?#
Bsn.
#
& #
Hn. 1.
#
& #
Hn. 2.
#
& #
Hn. 3.
##
& #
Tpt 1.
##
& #
Tpt 2.
##
& #
Tpt 3.
?#
Tbn.
?#
Tbn.
?#
Tba.
Meno
Rit.
[13]
?
Perc.
&
Segue as one
pp
Hp.
#
b n
&
Vln. A
?#
# #
n b
b b
b b
n b
b b
b b
divisi
#
n
&
Vln. B
pp
#
b n
&
Vln. C
# #
divisi
#
n
&
Vln. D
pp
divisi
B#
Vla.
b b bb
pp
?#
b b
n# b

b

Espres.
Vc.
arco
b
?#
Db.
pp
b b b
No. 41
This Nearly Was Mine

DIALOGUE
cue:
EMILE: "...I came so close to it...
...so close..."
10
11
[1] Tempo di Waltz espressivo
3
&
4
Flute
3
4
&
English Horn
# 3
& #
Clarinet in Bb
# 3
& #
Clarinet in Bb
4
p
3
4
?
Bassoon
3
4
3
4
3
4
# 3
& #
3
4
3
4
3
4
3
4
Horn 1. in F
&
Horn 2. in F
&
Horn 3. in F
&
Trumpet 1 in Bb
4
# 3
& #
Trumpet 2. in Bb
4
# 3
& #
Trumpet 3. in Bb
4
?
Trombone
?
Trombone
?
Tuba
Percussion
&
Voice
3 Emile:
4
One
3
&
4p
dream
in
my
heart,
One
Harp
? 3
4
#
love to be
liv - ing for,
One
love
to
be
liv - ing for;
3
3
3
&
4 p
Violin A
# n
# n
# n
3
3
3
&
4 p
Violin B
3
3
3
&
4 p
Violin C
# n
#b n
n

n
# n
3
3
3
&
4 p
Violin D
sord divisi
3
4
3
4p
Viola
Violoncello
?
Double Bass
> pizz
3
4p
3
3
>

12
13
14
15
&
Fl.
16
[17]
#
18
19
20
21
pp
&
Eng. Hn.
#
& #
Cl.
#
& #
Cl.
Bsn.
Mute
&
Hn. 1.
#
& #
#
& #
Tpt. 2.
#
& #
Tpt. 3.
Hn. 2.
&
Hn. 3.
&
Tpt. 1.
?
Tbn.
?
Tbn.
?
Tba.
Perc.
&
Voice
This
near
&
ly
was
mine.
One
girl
for
my
dream,
One
#
#
Hp.
# #
&
Vln. A
&
Vln. B
&
Vln. C
&
Vln. D
Vla.
b
b
Vc.
?
Db.
22
23
24
25
26
27
28
29
30
31
Fl.
&
Eng. Hn.
&
#
& # b
Cl.
#
& # b
Cl.
Bsn.
? b
#
& b
Hn. 1.
#
& #
#
& #
Tpt. 2.
#
& #
Tpt. 3.
&
Hn. 2.
&
Hn. 3.
&
Tpt. 1.
?
Tbn.
?
Tbn.
?
Tba.
Perc.
Voice
part - ner
in
par - a -
b
& b
dise.
This
prom
b
b
ise
of
par - a -
dise;
This
near
ly
was
mine.
Hp.
3
3
&
Vln. A
3
3
&
Vln. B
3
3
&
Vln. C
3
3
&
Vln. D
Vla.
b
b
3
3
Vc.
Db.
? b
32
[33]

Fl.
&
Eng. Hn.
&
34
35
36
37
38
39
40
41
42
#
& #
Cl.
#
& #
Cl.
?
Bsn.
&
Hn. 1.
Mute
&
Hn. 2.
p
Mute
&
Hn. 3.
#
& #
Tpt. 1.
#
& #
Tpt. 2.
#
& #
Tpt. 3.
?
Tbn.
?
Tbn.
?
Tba.
Perc.
&
Voice
Close
&
to
my
heart
she
came,
On
ly
to
fly
a -
way,
On
ly
to
fly
as
Hp.
&
Vln. A
&
Vln. B
B
Vla.
Vc.
?
Db.
&
Vln. D
&
Vln. C
43
44
45
46
47
48
50
51
52
[49]
&
Fl.
#
&
Eng. Hn.
Cl.
Cl.
#
& #
#
& #
# # #

Bsn.
&
Hn. 1.
#
Hn. 2.
&
Hn. 3.
&
>
b
#
& #
Tpt. 1.
#
& #
Tpt. 2.
#
& #
Tpt. 3.
?
Tbn.
?
Tbn.
?
Tba.
Perc.
&
Voice
day
flies
&
from
moon
light.
b
b b
Now,
now
I'm
a -
lone,
#
#
Hp.
Vln. A
&
Vln. B
&
Vln. C
&
Vln. D
&
B
Vla.
b b
# #

<n>
-
bb
#
#
Vc.
Db.
53
54
55
56
58
59
60
61
62
[57]
&
Fl.
f
3
&
Eng. Hn.
##
&
Cl.
#
& #
cresc
Cl.
cresc
?
Bsn.
&
Hn. 1.
cresc
cresc.
&
Hn. 2.
cresc.
&
Hn. 3.
#
& #
Tpt. 1.
#
& #
Tpt. 2.
#
& #
Tpt. 3.
?
Tbn.
?
Tbn.
?
Tba.
Perc.
&
Voice
Still
&
dream ing of
par - a - dise.
Still
say
ing
that
Once
near
par - a -
ly
was
dise
mf
cresc
Hp.
&
Vln. A
ff
cresc
divisi
3
&
Vln. B
ff
cresc
3
3
&
Vln. C
ff
cresc
divisi
3
&
Vln. D
ff
cresc
Vla.
cresc
ff
Vc.
f
Cresc.
?
Db.
63
64
66
67
68
69
70
71
72
73
74
75
76
77
78
accel.
[65]
&
Fl.
mf
##
n
#
n #
&
Eng. Hn.
##
&
Cl.
###
mf
#
& #
Cl.
###
mf
?
Bsn.
# #
# #
# #
mf
##
&
Hn. 1.
pp
&
Hn. 2.
##
pp
##
&
Hn. 3.
pp
#
& #
###
Tpt. 1.
#
& #
###
Tpt. 2.
#
& #
###
Tpt. 3.
Tbn.
Tbn.
?
Tba.
Perc.
&
Voice
mine.

&
So
clear
and
deep are my
fan
cies
of
things
wish
were
true.
I'll
keep
re - mem - ber - ing
eve -
nings
wish
I'd
spent
with
Hp.
&
Vln. A
# #
# #
# #
# #
# #
# #
# #
# #
# #
# #
# #
# #
mf
&
Vln. B
mf
&
Vln. C
mf
&
Vln. D
mf
B
Vla.

# ## nn#
mf
Vc.
# #
# #
# #
mf
?
Db.
mf
79
80
82
[81]
# #
83
84
85
86
87
88
89
90
91
92
93
rit.
b n
# #
# #
n b
n b
&
Fl.
n #
#
& #
Cl.
##
& #
Cl.
##
& #
Eng. Hn.
n #
#
& #
Hn. 1.
Hn. 2.
#
& #
b b
?#
Bsn.
n
#
#
& # #
Hn. 3.
n
n
- -
- - n
- n
<#>
<#>
- -
- - -
- -
cup mute
###
&
Tpt. 1.
mp
cup mute
Tpt. 2.
##
& #
###

mp
n n
cup mute
&
Tpt. 3.
mp
cup mute
?#
Tbn.
mp
?#
Tbn.
?#
Tba.
Perc.
#
b
&
Voice
you.
I'll
keep
re - mem - ber - ing
kiss
es
from
lips
I'll
nev
er
own
and
all
the
love - ly
ad - ven
tures
that
we
have
b
b
&
mf
Hp.
?#
divisi
# # n
n b
bb b
n b
bb b
b n
&
Vln. A
divisi
&
Vln. B
bb
b n
divisi
# # n
&
Vln. C
divisi
&
Vln. D
B#
Vla.
##
b
b
b
?#
Vc.
bb
b bn bb bb
#n
b b
n
#n n
b
?#
Db.
94
95
96
[97] Tempo Primo

U U U n
98
99
100
101
102
103
104
&
Fl.
U U U
# # n
& #
U U U
#
& #
Eng. Hn.
Cl.
##
##
& #
Cl.
U U U
##
?#

Bsn.
U U U

Hn. 1.
#
& #
Hn. 2.
#
& #
U U U

U
#
& #
Hn. 3.
##
& #
##
Tpt. 1.
##
& #
##
Tpt. 2.
##
& #
##
Tpt. 3.
?#
Tbn.
?#
Tbn.
?#
Tba.
Perc.
#
&
Voice
nev
er
known.
One
dream
in
my
heart,
&
One
love to
be
liv - ing
b
b
for,
Hp.
?#
# #b
senza
&
Vln. A
senza
&
Vln. B
# #b
senza
&
Vln. C
senza
&
Vln. D
#
B # b
Vla.
?#

U

u
U U U

Vc.
?#
Db.
senza
#b n
senza
n
>
n
>
105
106
107
108
109
110
111
112
[113]
#
&
Fl.
114
&
Eng. Hn.
#
& #
Cl.
#
& #
Cl.
Bsn.
open
&
Hn. 1.
#
& #
#
& #
Tpt. 2.
#
& #
Tpt. 3.
Hn. 2.
&
Hn. 3.
&
Tpt. 1.
?
Tbn.
?
Tbn.
?
Tba.
Perc.
&
Voice
One
love
to
be
liv - ing
&
for;
This
near
ly
was
mine.
One
girl
for
my
Hp.
&
Vln. A
&
Vln. B
&
Vln. C
&
Vln. D
Vla.
n
n
b
b
Vc.
?
Db.
115
116
117
118
119
120
121
122
123
Fl.
&
Eng. Hn.
&
#
& #
Cl.
#
& #
Cl.
Bsn.
Hn. 1.
#
& #
#
& #
#
& #
Tpt. 2.
#
& #
Tpt. 3.
Hn. 2.
&
Hn. 3.
&
Tpt. 1.
?
Tbn.
?
Tbn.
?
Tba.
Perc.
&
Voice
dream,
One
&
#
#
part - ner
in
b
b
par - a -
dise.
This
prom
ise
of
par - a -
dise;
Hp.
? # #
3
3
&
Vln. A
3
3
&
Vln. B
3
3
&
Vln. C
3
3
&
Vln. D
Vla.
?
Vc.
Db.
? #
124
125
126
127
128
[129]

Fl.
&
Eng. Hn.
&
130
131
132
133
134
#
& #
Cl.
#
& #
Cl.
Bsn.
Hn. 1.
#
& b
open
&
Hn. 2.
p
open
&
Hn. 3.
#
& #
Tpt. 1.
#
& #
Tpt. 2.
#
& #
Tpt. 3.
?
Tbn.
?
Tbn.
?
Tba.
Perc.
&
Voice
This
near
&
ly
was
mine.
Close
to
my
heart
she
came,
On
ly
to
fly
a -
Hp.
&
Vln. A
&
Vln. B
Vla.
b
b
?
Db.
?
Vc.
&
Vln. D
&
Vln. C
135
136
137
138
139
140
141
142
143
144
[145]
&
Fl.
Eng. Hn.
Cl.
#
& #
# # #
#
&
#
& #
Cl.
?
Bsn.
&
Hn. 1.
&
Hn. 2.
>
b
&
Hn. 3.

#
& #
Tpt. 1.
#
& #
Tpt. 2.
#
& #
Tpt. 3.
?
Tbn.
?
Tbn.
?
Tba.
Perc.
&
Voice
way,
&
On
ly
to
fly
as
day
flies
from
moon
light.
Now,
b b
Hp.
&
&
Vln. B
&
Vln. D
Vla.
&
Vln. C
Vln. A
b b

<n>
bb
Vc.
?
Db.
146
147
148
149
150
151
152
&
Fl.
154
[153]
155
#
& #
Cl.
#
& #
Cl.
&
Eng. Hn.
Bsn.
&
Hn. 1.
&
Hn. 2.
&
Hn. 3.
open
##
&
Tpt. 1.
p
open
##
&
Tpt. 2.
p
open
##
&
Tpt. 3.
open
Tbn.
mp
Tbn.
?
Tba.
Perc.
&
Voice
now
I'm
a -
lone,
&
Still
#
#
dream ing of
par - a - dise.
Still
say
ing
that
par - a -
dise
cresc
Hp.
# #
&
Vln. A
&
Vln. B
&
Vln. C
&
Vln. D
Vla.
#
#
Vc.
?
Db.
Applause Segue
156
157
158
159
molto rall.
[160]
&
Fl.
mf
3
Eng. Hn.
#
&
mf
#
& #
Cl.
mf
&
Cl.
nU
##
mf
?
Bsn.
mf
&
Hn. 1.
mf
#
&
Hn. 2.
mf
#
&
Hn. 3.
mf
#
& #
Tpt. 1.
mf
##
&
Tpt. 2.
mf
##
&
Tpt. 3.
mf
Tbn.
mf
open
nU
Tbn.
mf
mp
Tba.
f
TIMP
?
Perc.
mf
Once
near
ff
ly
was
mine.
&
Voice
&
mf
Hp.
? #
&
Vln. A
mf
3
&
Vln. B
mf
3
&
Vln. C
mf
3
&
Vln. D
mf
B
Vla.
U

u
mf
Vc.
mf
?
Db.
>

Orchstrations By Robert Russell bennett
No. 42
1
After Emile's Solo
10
11
12
13
14
15
16
[9]
Tempo di Waltz espressivo
3
&
4 mf
Flute
# n
# n
3
3
3
&
4 mf
# 3
& #
4
English Horn
Clarinet in Bb
# n
# n
mf
# 3
& #
Clarinet in Bb
mf
3
4 mf
?
Bassoon
3
4
# 3
Horn 2. in F &
4
# 3
Horn 3. in F &
4
#
4
## 3
Trumpet 2 in Bb &
4
## 3
Trumpet 3 in Bb &
4
? 3
Trombone 1.
4
? 3
Trombone 2.
4
? 3
Tuba
4
&
Horn 1. in F
Percussion
&
[9]
Tempo di Waltz espressivo
3
4
b b
4 # b

mf
Harp
3
4
#
#
b
b
b
b
# n
# n
# n
# n
sordini
3
3
&
4
Violin A
# n
# n
# n
mf
sordini
3
&
4
Violin B
3
3
mf
sordini
3
&
4
Violin C
3
3
mf
sordini
3
3
3
&
4
Violin D
# n
mf
sord divisi
B
Viola
3 # b b <n>

4
mf
sordini
?
Violoncello
?
Double Bass
3
4 mf
3
4 mf
# n
# n
3
3
DIALOGUE
cue to end:
EMILE: "Let's go and find Captain Brackett."
18
19
20
21
22
23
24
26
27
28
29
30
Piu mosso
Fl.
[17]
& b
[25]
pp
Eng. Hn.
&
Cl. 1.
&
pp
&
Cl. 2.
#

pp
?
Bsn.
&
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
? b
Tbn.
? b
Tbn.
? b
Tba.
Piu mosso
Perc.
[17]
?
[25]
& b
Hp.
Vln. A
& b
pp
Vln. B
& b
pp
Vln. C
& b
pp
Vln. D
& b
pp
Vla.
no divisi

B b
pp
Vc.
? b
pp
pizz
Db.
?
b
pp
31
32
34
35
36
37
[33]
&b
Fl.
Cl. 2.
Bsn.
&
Eng. Hn.
Cl. 1.
#
&
#
&
?
b
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?
Tbn.
b
?b
Tbn.
?b
Tba.
[33]
?
&b
?b
Perc.
Hp.
&b
Vln. A
Vln. B
&b
Vln. C
&b
Vln. D
&b
Bb
Vla.
?b
Vc.
?b
Db.
n
n
DIALOGUE
cue to end:
EMILE: "Let's go and find Captain Brackett."
Segue (at cue)
38
39
40
[41]
&b
Fl.
42
43
44
&
Eng. Hn.
#
& #
Cl. 1.
#
& #
Cl. 2.
?
Bsn.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
&
?b
Tbn.
?b
Tbn.
?b
Tba.
[41]
?
Perc.
Segue (at cue)
&b
Hp.
?
b
&b
Vln. A
nn
& b b
Vln. B
&b
Vln. C
nn
& b b
Vln. D
B b b
?b
Vc.
?b
Db.
nn
<n>
Vla.
No. 43

The Take Off
DIALOGUE
cue:
Cable: "He'll jump out of his skin.
Emile: I would like to see this kind of a jump.
Come on!"
1
Marcia
6
&b
Flute
#
J
j
#
[9]

8f
6
8f
#6
&b
Oboe
&
Clarinet in Bb
n
J
8f
#6
&
Clarinet in Bb
8f
b
J
6
b
Bassoon
8f
?
2

J
Horn 1. in F
&
6 b n # # # b
J
J
8f
Horn 2. in F
&
6
# n j j
8f
Horn 3. in F
&
6
j
j

8 f # b
#6
Trumpet 1 in Bb
&
j
#
8f
j
n
#
J
pp
#6
&
Trumpet 2 in Bb
pp
#6
&
Trumpet 3 in Bb
j
n
pp
?
Trombone 1.
6
b
8f
> >
pp
#
J
? b6
Trombone 2.
#
J
8f
?
Tuba
pp
6
8 f
Percussion
[9]
Marcia
6
8
f
b J
J
J
J
J
n J
J
J
&
8f
B
Bb
Harp
MMLOMMMM
j
j
j
6

n

& b J

8
J
J
J

6
&b
Violin A
#
J
j
J
j
J
j
b
J
j
b
J
j
J
b
J
b
J
j
b
J
j
b
J
j
J
8f
divisi
6
b
&
Violin B
8f
&b
Violin C
6
8f
divisi
&b
Violin D
6
8f

B b 6 #
Viola
# n n# b n b
#
Senza
? b6
Violoncello
b
J
2

J
8f
Double Bass
? b6
8f
10
11
n
J
n

J
Fl.
&b
Ob.
&b
12
13
14
15
16
18
[17]

19
20
IMITATE MORSE CODE AT CUE
# #
Cl. 1.
&
Cl. 2.
&
Bsn.
? b

J
# J n
J
b b
J
b
J
& n J b J n J
# b
J
J
J
j
j
j
&
Hn. 2.
j
j
j
Hn. 3.
j
j
& j
j
# n b b j
#
&
Tpt 1.
#
&
Tpt 2.
Hn. 1.
#
&
Tpt 3.
j

j

j
n
Tbn.
?b
Tbn.
?b
Tba.
?b
#
J
j #
J
j

12
&b
&b
Perc.
[17]
j
J
Hp.
j

J
j
b b
J
b
J

J
j

J
j
b b
J
Vln. A
&b
Vln. B
&b
Vln. C
&b
Vln. D
&b
j
J
j
J
j
j n b
J
b b
n J b
J
j
j n b
J
b b
2
B b n
Vla.
? b
Vc.
Db.
?b
n b

j
#
J
> >
b j
b n b j
J
J
21
Fl.
&b
Ob.
& b b
22
23
24
26
27
#
J
j
#
Cl. 1.
#
J
n
J
&
Cl. 2.
?
Bsn.
29
[25]
# b b
&
# n
28
b
J
b n
b n
# n
b b
Hn. 1.
& b b
Hn. 2.
& b
Hn. 3.
& b

n

#
& b
Tpt 1.
j
#
#
J
#
J
ff
#
& b
Tpt 2.
ff
#
& n
Tpt 3.
[25]
j

J
n
ff
? b
b
Tbn.
?
b
Tbn.
Tba.
?b
&b
J J
J

J
&b
j
j

Perc.
Hp.
Vln. A
Vln. B
Vln. C
&b
bb
bb
bb
&b
&b
B b bb bb n b
Vc.
Db.
?
b
j
J
b b
j
J
j

J
b b
j
J
b
b
J
j

j

Vla.
? b b
#
J
&b
bb
Vln. D
b b bn
DIALOGUE
cue:
Adams: "Don't want to miss that takeoff.
We'll be going out in waves tonight...waves"
30
31
32
33
1.
"
&b
Fl.
&b
Ob.
"

34
2.
4
4
. . . . . . . . . . . . . . . . . . . . . . . .
4
4
# #
"
"
"
"

"

Hn. 2.
& b
Hn. 3.
& # n
"

&
&
Tpt 1.
# b
&
Tpt 2.
# #
&
Tpt 3.
Tbn.
?b
Tbn.
?b
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
"

J
"

4
4
4
4
4
4
4
4
4
4
"

J
"
J
"

Tba.
?b

Hn. 1.
Oboe (As scene 6 opens, oboe plays imitating radio code

over the fading march)
&
Cl. 2.
&
Cl. 1.
Bsn.
"

1.
Perc.
"

2.

&b
"

4
4
?b
"

4
4
<>
&b
4
4
4
4
4
4
Hp.
Vln. A
&b
Vln. B
"
j
J
"
"

&b
Vln. C
&b
Vln. D
j
J
"
Vla.
"
B b bn b
Vc.
?b
"
4
4
4
4
4
4
4
4
Db.
?b
"

No. 43a
opening scene
&b
Flute
4
4
Oboe
.
4
&b
4
Oboe
.
3
.
3
Oboe (As scene 6 opens, oboe plays imitating radio code

over the fading march)
#4
4
4
&
Clarinet in Bb
4
#4
&
Clarinet in Bb
4
?
Bassoon
&
4
4
Horn 1. in F
&
4
4
Horn 2. in F
&
4
4
Horn 3. in F
#4
Trumpet 1 in Bb
&
4
#4
&
Trumpet 2 in Bb
4
#4
&
Trumpet 3 in Bb
4
? b4
Trombone 1.
4
4
4
4
4
4
4
4
4
? b4
?
Trombone 2.
?
Tuba
?
Percussion
&b
Harp
&b
4
4
Violin A
&b
4
4
Violin B
&b
4
4
Violin C
&b
4
4
Violin D
Bb4
Viola
4
? b4
Violoncello
4
Double Bass
? b4
4
.
3

No. 44 Communication
Established
DIALOGUE
cue:
Adams: "Don't want to miss that takeoff.
We'll be going out in waves tonight...waves"
1
Sempre marcia [2]
4
&
4
Flute
morse cue, tempo completely ad lib

3
3
. . . . . . . . . . . . . . . . . . . . . . . .
4
4
&
Oboe
#4
& #
Clarinet in Bb
4
#4
& #
Clarinet in Bb
j j j
b #
pp
j j j
b #
4
4
4
?
Bassoon
3
b b . . 3 j
J J #
3
b b . . 3 j
J J #
pp
4
4
4
4
4
4
#4
& #
4
4
4
4
4
4
Horn 1. in F
&
Horn 2. in F
&
Horn 3. in F
&
Trumpet 1 in Bb
4
#4
& #
Trumpet 2 in Bb
4
#4
& #
Trumpet 3 in Bb
4
?
Trombone 1.
?
Trombone 2.
?
Tuba
Sempre marcia [2]
?
Percussion
4
4
4
4
4 b . .
4b b
. .
b
b
b
&
pp
LMLOMMLM
Harp
. .
b b
b b
. .
b
b
&
4
4
Violin A
&
4
4
Violin B
&
4
4
Violin C
&
4
4
Violin D
soli divisi
3
3
3
B
Viola
4
4
bb b b j
J
pp 3
3
?
Violoncello
?
Double Bass
4 b . . . b .
4 ppb
4 b . . . b . b . .
b
4 ppb
. .
b
j
# j
J J
.
.
b b
ww
ww
bb b b j
J
3
ww
j
# j
J J
ww
3
4
. . . . . . . .
b b b b b b
. .
b
. .
b b
.
b
. .
b b
. .
b
.
.
b b
. . . .
b b b
. . . . . .
b b b b
10
11
13
14
15
[12]
[16]
3
b b
&
Fl.
pp
3.
.3 .
3.
3.
. . . . . . . . . . . . . . . . . . .
&
Ob.
Tempo ad lib
3
3
##
b j jn j n
&
Cl. 1.
b b
w
w
pp
morse cue, tempo ad lib

3.
3.
3.
3.
# . . . . . . . . . . . . . . . . . . . . . .
& #
Cl. 2.
b
pp
3
w
Bsn.
b b b 3b b
b
J J J
b b
J
3
pp
#
& #
#
& #
Tpt 2.
#
& #
Tpt 3.
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
Tpt 1.
?
Tbn.
?
Tbn.
?
Tba.
[12]
[16]
Perc.
&
Hp.
4
Vln. A
b b
&
pp
3
3
Vln. B
b b
&
pp
3
3
Vln. C
b b
&
pp
3
3
Vln. D
b b
&
pp
3
3
3
bb b bb b j b j j b
b J n b
J
J
3
B
Vla.
ww
ww
ww
ww
bb b b
3
3
3
4
Vc.
Db.
.
? b .
.
b
. .
b b
.
b
. .
b b
. .
b
. .
b b
. . . .
b b b
.
b
. .
b b
.
b
. .
b b
. .
b
cue to continue:
Pilot: "Okay with me. Let's go!"
Stop on Nellie's entrance
17
18
Repeat till cue
j
j
&
Fl.
20
[19] 3
b b

21
22
24
25
[23]
Repeat till cue
3
J >
J
J
dimin.
3
>
j j
j
&
Ob.
b b
dimin.
f
#
& # # j # j
Cl. 1.
b 3
# J >
J
J

b j j # j
p
dimin.
Cl. 2.
Bsn.
#
& # j j
#
?
# j
3
b
j n >
J J
> >
b
> >
b b
&
Hn. 1.
> > > > > > > > > >
b b b b b b b
dimin.
>
b >
b
>

J J J
dimin.
3
b
3
b b 3 # j
J J
. . . .
b
b bb
b b
Dimin.
3
3
j j j >
n
&
Hn. 2.
Dimin.
3
&
Hn. 3.
n b
>
j
j j
Dimin.
3
##
&
Tpt 1.
3
n b
>
j
j
Dimin.
3
3
#
& #
Tpt 2.
b # j j >

Dimin.
3
##
&
Tpt 3.
>
j j
n
Dimin.
Tbn.
3
3
b b
^
J J
Tbn.
dimin
>
b >
b
> >
b
dimin
4
Tba.
> >
b b
> >
b
> [19]

V
Repeat till cue
?
Perc.
dimin
[23]
Repeat till cue
V V
f
4
&
dimin
Hp.
&
Vln. A
.
b
b
.
b
b
. .
. . . .
. .
b
b
b
b
b b b b
b b
j
j
. .
b
b
3
b b
J >
J
J
dimin
3
3
&
Vln. B
j
n # j
>
J J J
&
j
j
dimin
b 3 b
Vln. C
J >
J
J
dimin
3
3
&
Vln. D
j
n # j
>
J J J
j j
<n> J <n>#
J
.
.
? b
b
. .
b
. . . .
>
b
b >
b
b
b
Vc.
> >
b
?
Db.
.
b
.
b
. .
. . . .
> >
b b
b b
f
dimin
3
b . . 3 b b >
J JJ
ww
B
Vla.
w
w
dimin
> >
b
> >
b b
3
bb b b j j j
J J #
J
dimin
p
3
. . . . . . . .
. .
. .3
.
.
b b b b b b b b
b
b b
> > . . . . . . . .
b b b b b b b
dimin
ww
. .
b
. . . .
b
b b
. .
b b
p
. .
b
.
.
b b
. .
. . . .
b b b
No. 45 Communication
Discontinued

DIALOGUE
cue:
Brackett: "Is that all? Can't you get them back?"
1
10
11
12
13
14
15
rubato Andantino
[8]
Rit.
##
3
4
#
& #
3
4
##
& # #C
Clarinet in Bb
#
4 pp
cresc
##
& # #C
Clarinet in Bb
&
Flute
Oboe
4
pp cresc
3
n
4 pp
cresc
? ##
##
& #
3
4
Horn 1. in F
##
& #
3
4
Horn 2. in F
##
& #
3
4
Horn 3. in F
Trumpet 1 in Bb
# ##
& # C
3
4
# ##
& # C
3
4
Trumpet 2 in Bb
##
& # #C
3
4
Trumpet 3 in Bb
? ##
3
4
? ##
3
4
? ##
3
4
Bassoon
Trombone 1.
Trombone 2.
Tuba
rubato Andantino
[8]
Rit.
3
4
#
& #
3
4
#
& #
3
4
? ##
3
4
#
& #
3
4
?
Percussion
Voice
Harp
Violin A
n #
n #
# #
pp
pp cresc
##
&
Violin B
pp
#
& #
Violin C
pp
#
& #
Violin D
pp
divisi
B ##
Viola
C #

4

pp cresc
3

#
n
pp cresc
3
4

pp cresc
3
n # n 4
pp cresc
# #
cresc.
n
pp
2
? ##
Violoncello
C b
3
4
pp
pp cresc
? ##
Double Bass
3 #
4 pp cresc.
cresc.
16
17
18
19
21
22
23
24
25
26
27
29
30
31
32
33
q = 147
Rall.
##
[20]
Allargando (in 3)
> > > > > >
>
> > > > > >
>
[28] Tempo di Valse (in 1)

n
&
Fl.
pp cresc.
#
& #
Ob.
pp
pp cresc.
##
& # #
Cl. 1.
pp
> > > > > >

>
> > >

#
> > >
b
cresc
####
&
Cl. 2.
cresc
Bsn.
? ## n
> > > >
> >
> >
Hn. 1.
##
& #
- - - - -
mf
###
Hn. 2.
&
##
& #
Hn. 3.
##
& ##
Tpt 1.
# ##
& #
Tpt 2.
# ##
& #
Tpt 3.
? ##
? ##
? ##
Tbn.
Tbn.
Tba.
[20]
[28] Tempo di Valse (in 1)
#
& #
#
& #
? ##
##
>
Rall.
Allargando (in 3)
?
Perc.
Voice
Hp.
&
Vln. A
b b n b
<#>
> > > > > >
pp
#
& #
Vln. B
cresc
##
&
Vln. C
b b n b
<#>
> > > > > >
#
>
pp
pp
Vln. D
#
& #
B ##
Vla.
? ##
Vc.
? ##
Db.
n nn n
n
pp
pp
cresc
pp
cresc
pp
cresc
34
##
35
37
[36]

38
39
40
41
42
43
45
[44] >
47
48
49
&
Fl.
#
& #
Ob.
dimin.
>
##
& ##
Cl. 1.
# n
pp
####
dimin.
dimin.
&
Cl. 2.
pp
? ##
Bsn.
46
dimin.
##
& #
# #
##
& #
Hn. 2.
pp
dimin.
>

Hn. 1.
Dimin.
Dimin.
##
& #
Hn. 3.
open
####
>

&
Tpt 1.
mp
f
dimin
open
####
&
Tpt 2.
>

mp
>

dimin
open
####
&
Tpt 3.
#
mp
dimin
>

? ##
Tbn.
mp
? ##
>

Tbn.
? ##
Tba.
[36]
[44] >

Perc.
##
##
Dim.
&
Voice
>

&
.
is s
gl
f
Hp.
? ##
##
>
&
Vln. A
<#>
>
&
Vln. B
<#>
>
&
Vln. D
# n#
dimin
n
#
B ##
##
dimin
n
#
>
#
& #
dimin
n
#
f
Vln. C
##
n
#
>

dimin
Vla.
? ## n

Vc.
Db.
? ## n

dimin
dimin
>

f
dimin
50
51
53
54
55
57
58
59
60
61
62
63
65
( h. = q. )
Fl.
#
& #
[52]
[56]

[64] # n #
6
cresc.
4
##
##
& # #
&
Ob.
6 # #
8f
6
8f
6
8f
cresc.
Cl. 1.
cresc.
####
&
Cl. 2.
8f
n
#
#
cresc.
? ##
Bsn.
>
>
>
>
#
>
>
>
#
Hn. 1.
##
& #
>
> >

>
#
6
8f
6 #
8
n
J
6 #
8
n
J
6
8#
j
n
n
J
cresc.
###
Hn. 2.
&
Hn. 3.
##
& #
cresc.
cresc.
f
4
##
& ##
Tpt 1.
6
8 #
cresc.
####
Tpt 2.
&
Tpt 3.
##
& ##
6 >
8 #
cresc.
Tbn.
Tbn.
>
>
6 >
8
>
cresc.
>
? ##
>
>
#
>
>
#
>
> >

>
>
#
>
>
#
>
> >

>
>
>
>
>
6 #
8
n
J
cresc.
f
? ##
>
cresc.
? ##
Tba.
>
<#>
>
mf
[52]
[56]

>
Perc.
>
#
6 # >
8
>
6 >
8f
[64]( h. = q. )
6
8
Cresc.
ff
cresc.
##
&
Voice

She's in
love, she's in
love, she's in
love, she's in
love, she's in
love, she's in
6
8
love, she's in...
>
##
&
? ##
>
##
##
##
##
B ##
A#
A#
6 #
8 #
D#
Hp.
>
#
#
> >

>
#
#
>
# n #
4
6
8f

6
8
&
Vln. A
>
6 #
8
cresc.
&
Vln. B
cresc.
# n #
4
6
8f

6
8f
&
Vln. C
cresc.
&
Vln. D
cresc.
# n #
4
6
8f
Vla.
&
cresc.
? ##
? >
>
>
Vc.
cresc.
? ##
Db.
>
>
>
cresc.
>
#
>
>
#
>
> >

# >
6
8f
>
# >
6
8f
#
#
66
67
68
69
70
##
71
n # n #
73
>
b > > n > b > n > >
b
>
b > > n > n > n > >
n
>
b > > n > n > n > >
n
##
# n n # n #
&
Ob.
####
# #
2
2
&
Cl. 1.
####
&
Cl. 2.
>
# > > > n > > >
# > > > n > > > >

#
n
J
# >
>
# >
? ##
##
& #
##
& #
n
J
>
>
n
>
<#>
>
<#>
Hn. 2.
j
n
>
n
>
>
>
#
n
J
>
#
###
&
Hn. 3.
n b
>
Hn. 1.
n J #
Tpt 1.
&
Tpt 2.
# ## >
& # #
Tpt 3.
# ## >
& #
>
J J
>j j >
#
# >
# n J
>j j >
n
>
? ##
n >
n
J
Tbn.
2
? ##
Tbn.
n >
J
>
>
# >
J
>j j >
# n
>
n
# >
J
n >
b n n #
J
J
J
J
b n
J
J
J
j
j
j
j
j
j
n # # b J n # n # # b J n #
j
j
j
j
j
j
j
j
n # n # n n # n # n
>
>
b n
# b n
n n n >
n n n >
####
75
&
Fl.
Bsn.
74
[72]
>
b > > n > b > n > >

b
n >
>
J
>j j
#
j
# n #
>
#
j
j
b n j
>
#
# > > > n > > > >
# > > > n > > > #
# > > > n > > > >
# > > > n > > > #
>
>
n b
> >> > >> >

# n
> >> > >>

# n #
>
#
J
b # n
J
J
J
#
J
b # n
J
J
J
4
2
? ##
Tba.
Perc.
#
& #
Voice
n b
>
[72]
>
## #
& #
>
? ## #
Hp.
##
n n # n #
> b > > n > b > n > >

b
&
Vln. A
##
##
&
Vln. B
#n
n n # n #
> b > > >

n b > n > >
b
> b > > n > b > n > >

b
> b > > >

n b > n > >
b
&
Vln. C
##
&
Vln. D
#n
#
& # n # n #
Vla.
# >
? ##
Vc.
# >
? ##
Db.
> >
# > n > > n > >
#
>
# > > n > > > # >
>
>
n b
>
>
b
# # > > > n > > > >

n
# > > > n > > > # >
>
>
n b
n n # n #
76
77
79
80
81
83
84
85
87
88
89
loco
Fl.
> >
<> >
Allargando
> n > > > n > [78]
b
>
>
n
>
b
#
## > b > b
&
[82]
[86]
>
>
Lento
>
b
nn
ff
p
sff
>
>
>
## b > > > b > b n > b > > > >
n #
&
> >
> >
b > n > # > >
n
>
>
#
#### b > n > b
&
Ob.
Cl. 1.
# >
pp
dimin molto
>
ff
nn
sff
n >
>
ff
> >
> > > > > > > # >
>
b
>
>
#
#
n b n b n
# #
& ##
Cl. 2.
>
>
>
>
##
n
sff
p
n >
mf
>
pp
>
##
ff
<n>
p
sff
>
>
#
? ##
Bsn.
ff
##
& # n J #
#
J
#
J
n >
J
>
###
j
j
n # # n J #
###
j
j
j
n # n # #
&
>
Tpt 1.
>
>
>
>
&
Tpt 2.
j
#
n
J
&
Tpt 3.
> > > > > > > > > > > > > > > > ^

>
> > > > > > > > > > > ^

ffp
> > > > > > > > > > > ^

ffp
> > > > > > > > > > > >
? ##
Tbn.
? ##
Tbn.
#
J
>
>
#
#
J
>
>
>>>>
>>>>
>
>>>> >

ff
sfp
>
>
> > > > > > > > > > > > > > > > >
# >
J
>
>
>
J
Tba.
##
##
##
nn
nn
nn
[86]
sfp
ff
>
? ##
ffp
ff
#
J
ffp
>
ff
####
>
#
ff
j
n #
>
ff
####
mf
ffp
n # >
J
>
# # b n n b n
#
& ##
sff
ff
&
ffp
# >
J
Hn. 3.
n >
ff
Hn. 2.
pp
nn
Hn. 1.
mf
>
>
sfp
ff Allargando
Lento
[78]
[82]
Cymb.
Timp.
Perc.
ff
##
sff
nn
nn
nn
pp
&
Voice
##
n #
~~~
&
~~
~~~
ff
gliss down
Hp.
Vln. A
? ##
##
&
loco >
<> > > >
> >
b > b > b > n b n > # > > nn >
>
>
>get mute ready

b
nn
ff
sff
mf dimin molto
loco
##
Vln. B
&
<> > > >

> >>
b > b > b > n b n > # > > >
#
>
n
>
>
nn
b
pp
ff
Vln. C
loco >
<> > > >
> b >
n
b
## > b > b > n > # > > nn >

&
mf dimin molto
>
>
>get mute ready

b
nn
pp
ff
sff
mf dimin molto
loco
Vln. D
<>
> b > >
## > b > > > b > b > n n > # > > >
&
#
>
n
>
ff
B ##
Vla.
>
>

# >
>
>
>
sff
>
nn
b
pp
pp
mf dimin molto
nn
ff
sff
mf dimin molto
Vc.
>
>
>
>
# # # #
Db.
>
>
>
? ## >
# # # #
? ##
ff
fz
nn
pp
mf dimin molto
ff
fz
p
mf dimin molto
nn
pp
cue:
Nellie: "Like the first time we met.
Remember? Remember?"
Poco Lento
91
Fl.
[90]
&
92
93
95
[94]
96
97
99
bbbb
&
[98]
b
b
bb c
100
101
102
103
nw
pp
#
& #
bb
Cl. 1.
&b
#
& #
bb
Cl. 2.
&b
bbbb
&
Ob.
Bsn.
bbbb
b
& b bb c
? bb b c
b
b
&b b
bbb
bbb
b
&b b
bbb
b
&b b
#
& #
bb
&b
Tpt 1.
#
& #
bb
&b
Tpt 2.
#
& #
bb
&b
Tpt 3.
bbbb
? bb b c
b
bbbb
? b bc
bb
bbbb
? bb b c
b
Hn. 1.
&
Hn. 2.
&
Hn. 3.
&
?
Tbn.
?
Tbn.
?
Tba.
Poco Lento
[90]
?
[94]
[98]
Perc.
&
Voice
Nellie:
bbbb
bb
&bb
c
n
Some en - chant - ed eve - ning
When you find your true love,
When you feel him call you
A - cross a
solo
&
bbbb
b
& b bb c
MNMONNMM
pp
Hp.
bbbb
? b bc
bb
bbbb
b
& b bb c w
divisi
sord.
&
Vln. A
U
b
b
pp
sord.
&
Vln. B
bbbb
b
& b bb c
pp
divisi sord.
&
Vln. C
U
b b
bbbb
b
& b bb c ww
ww
ww
ww
ww
n ww
pp
sord.
&
Vln. D
bbbb
b
& b bb c
pp
sord.
B
Vla.
bb b n
bb b n
bbbb
B bbbb c
pp
? 
U
b
Vc.
bbbb
? bb b c
b
pp
? 
Db.
U
b
bbbb
? b c
b bb
pp
104
105
107
108
109
110
111
112
[106]
&
Fl.
bbbb
b
& b bb
Ob.
b
&b
Cl. 1.
pp
b
&b
Cl. 2.
pp
Bsn.
? bb
bb
pp
b
&b b
Hn. 1.
b
&b b
Hn. 2.
b
&b b
Hn. 3.
&b
Tpt 1.
&b
Tpt 2.
&b
Tpt 3.
? bb
bb
Tbn.
? bb b
b
Tbn.
? bb b
b
Tba.
[106]
?
Perc.
3
3
bb
& b b
Voice
crowd - ed
room
Then
fly
to
his
side
And
Or
all through your
you
may
a -
lone.
make him your
own
life
dream
all
solo
&
bbbb
Hp.
? bb b
b
b
& b bb w
SOLO
Vln. A
w
w
3
3
divisi
Vln. B
b
& b bb
ww
Vln. C
bb
& b b ww
divisi
Vln. D
Vla.
bb
&b b
B bbbb
ww
Vc.
Db.
? bb b
b
? b
b bb
Attaca
113
115
116
117
118
[114]
119
120
Andante
Fl.
&
bbbb
Ob.
b
& b bb
solo
mf
b
Cl. 1.
&b
Cl. 2.
&b
? bb
bb
b
&b b
Hn. 1.
b
&b b
Hn. 2.
b
&b b
Hn. 3.
&b
Tpt 1.
&b
Tpt 2.
&b
Tpt 3.
? bb
bb
Tbn.
? bb b
b
Tbn.
? bb b
b
Bsn.
Tba.
[114]
Andante
Attaca
Perc.
b
& b bb
Voice
b
& b bb
Hp.
? bb b
b
b
& b bb w
SOLO
Vln. A
ww
ww
ww
ww
U
w
u
U
bw
ww
U
ww
U
w
U
w
ppp
&
Vln. B
bbbb
ww
U
w
u
U
bw
ppp
b
& b bb w
Vln. C
ppp
b
& b bb w
w
Vln. D
ppp
B bbbb w
Vla.
ppp
? bb b
b w
Vc.
ppp
Db.
? bb b
b
ppp

No. 46
Operation Alligator
Orchestrations By Robert Russell Bennet
1
Tempo di Marcia
####
&
Flute
# #
R

R R

R
n n #
10
n #
[9]
3 # r # n
##
& ##
Oboe
r R R
dimin.
n # n #
R
c r # # n
n #
3
f
# # # #
& # ## c
Clarinet in Bb
pp
dimin.
. .
### # 3
n #
n
# # # n
& # ## c
Clarinet in Bb
pp
dimin.
. .
-
n # R
# n
###
dimin.
pp
3 # # n
R
? ####
Bassoon
c #
n #
n #
pp
dimin
f
####
&
Horn 1. in F
. .
# c
. .

. . . . . . . . . . . 3. . . .
n n #
. .
n
. .
#
. .

. . . . . . . . . . . 3. . . .

. .

. .
n
. .
#
. . . . . .
n ##
. . . . . . .
##

###
#
##
n #
. .

Dimin.
####
#
Horn 2. in F
&
Horn 3. in F
# ##
& # #
. .

Dimin.
f
. .

. .

Trumpet 1 in Bb
## #
& # ## c
Trumpet 2 in Bb
3
#### # c

&
. . . . . . . . . . . 3. . . .
. . . .
. . . . . . .
##
n #

Dimin.
.
.
#
r
r R R ##
n # n # n #

dimin
r . . n # n #
r
r n r n R

dimin
n #
f
3
## #
& # ## c n

f
? #### c n R # n #
Trumpet 3 in Bb
Trombone 1.
r
# n #
dimin

r
r
R
R

n #
? ####
. .
#
Trombone 2.
dimin.
.
.
dimin.
? ####
Tuba
. .
#
. .

f
pp
[9]
Tempo di Marcia
3
c V
Percussion
V V
V V V
####
? ####
####
&
Harp
PIZZ
&
Violin A
pp
PIZZ
##
& ##
Violin B
pp
####
# PIZZ
&
Violin C
pp
PIZZ
####
&
Violin D
pp
PIZZ
B ####
Viola
pp
PIZZ
? ####
Violoncello
n #
pp
PIZZ
? ####
Double Bass
. .
c #
.
.
. . . . . .
n # n #
.
. n # 3
n #
n #
n
dimin
n #
#
pp
11
12
13
14
15
16
18
[17]
#
n n #
&
Fl.
##
& #
Cl. 1.
Cl. 2.
Bsn.
&
Ob.
##
& #
n #
? # n n #

r
n # n

R
R
r
#
#
& #
Hn. 1.
#
& #
Hn. 2.
#
& #
Hn.
##
& #
Tpt 1.
##
& #
Tpt 2.
##
& #
Tpt 3.
?#
Tbn.
?#
Tbn.
?#
Tba.
[17]
?
Perc.
#
&
Hp.
?#
ARCO
4
3
&
Vln. A
ARCO
4
3
&
Vln. B
ARCO
4
3
&
Vln. C
ARCO
4
3
&
Vln. D
#
ARCO
. . . .
# n
n #
# n
n #
B#
Vla.
?#
Vc.

? # n #
Db.
n #
Segue as one
19
20
21
22
23
24
25
26
Vamp
Fl.
&
Ob.
&
SOLO
###
&
Cl. 1.
r
#
pp
##
& #
Cl. 2.
?#
Bsn.
#
& #
Hn. 1.
#
& #
Hn. 2.
#
& #
Hn.
##
& #
Tpt 1.
##
& #
Tpt 2.
##
& #
Tpt 3.
?#
Tbn.
?#
Tbn.
?#
Tba.
B.D. Solo (+ Snare Opt.)
Perc.
pp
#
&
Segue as one
Hp.
?#
Vln. A
#
&
b
w
3
#
Vln. B
&
b
w
3
#
Vln. C
&
b
w
3
#
Vln. D
&
? # n #
Vla.
B # n
#
arco
Vc.
arco
Db.
? # n #

No. 47
Incidental
DIALOGUE
cue:
Brackett: "It's very fine of you, Billis...but you're too late for diversionary activity.
That started this morning before the sun came up."
2
[1]

Flute
&
c
Oboe
&
##
& # c
10
[5]

Clarinet in Bb
pp
##
& # c
Clarinet in Bb
nw
pp
?#
Bassoon
#
& #
Horn 1. in F
#
& #
Horn 2. in F
#
& #
Horn 3. in F
Trumpet 1 in Bb
##
& # c
##
& # c
Trumpet 2 in Bb
##
& # c
Trumpet 3 in Bb
?#
Trombone 1.
?#
Trombone 2.
?#
Tuba
c
Percussion
[1]
B. Dr.

[5]

pp
&
?#
& c
c
&
Voice
Harp
sordini
Violin A
j
# #
pp
sordini
divisi
c
&
Violin B
pp
sordini
&
Violin C
pp
sordini
j
# #
divisi
#
& c
Violin D
pp
pizz
B#
Viola
divisi
Arco
#n
#
pp
pizz
?#
c
Violoncello
Arco
b

#
b
#
pp
pizz
?#
Double Bass
c
pp
poco cresc.
11
12
14
15
16
17
18
19
20
[13]
[21]
&
Fl.
22
j ^
w
pp
&
Ob.
##
& # w
Cl. 1.
#w
#w
##
& #
Cl. 2.
<#> w
?#
Bsn.
Solo
##
&
Hn. 1.
#
& #
Hn. 2.
#
& #
Hn. 3.
solo
harmon
###
&
Tpt 1.
to open
far away sound
###
Tpt 2.
&
##
& #
Tpt 3.
?#
Tbn.
?#
Tbn.
?#
Tba.
[13]
[21]
?
Perc.
j >
w
&
Voice
#
&
Hp.
?#
#
&
Vln. A
dimin
PIZZ
#
&
Vln. B
#
&
Vln. C
j >
w
dimin
PIZZ
&
Vln. D
Pizz
B#
# ##
Vla.
dimin
Pizz
?#

Vc.
#

dimin
?#
Db.
dimin
cue:
Patrolman: "Any questions? Move out!"
23
24
26
28
29
30
31
32
Vamp till cue
Hit it! 3
[25]

&
Fl.
[27]
# # n

R
n n # 3
R
f
3
3
&
Ob.
# r # n
##
& #
&
Cl. 2.
n #
3
# n #
C
C
###

R

n
Cl. 1.
n n # r
n # J
f
3
?#
Bsn.
n #
n #
n #
f
3
&
Hn. 1.
##
j
w
##
&
Hn. 2.
f
3
##
&
Hn. 3.
n #
###
&
Tpt 1.
.
3 # . n-
#
n n #
r n #
j
#

R
R
n #
J

n #
n #
###
&
Tpt 2.
n #
###
&
Tpt 3.
?#
Tbn.
?#
Tbn.
n
n
f
3 # n
n n #
R #
f
3 #
# n #
R
f
3
?#
Tba.
[25]
[27] Hit it!

V V
n #
2
?
Perc.
V V
&
Voice
All:
#
&
Hp.
?#
senza
&
Vln. A
# # n
R
n n #

n n # #
f
arco
senza
n # n #

&
Vln. B
r

# n # #
3
f
senza
# # n
R
&
Vln. C
n n #

n n # #
f
senza
arco
n # n #

&
Vln. D
r n #

#
#
f
unis arco
senza
B#
Vla.
# # n
R
n n #
f
arco
n
?#
Vc.
f
arco
?#
Db.
n # n #
n #
3
n #
n #
34
35
36
37
38
39
40
42
(q=h)
[33]
#
# #
J
J
# J
J
#w
C #
# j j #

j
# J
#w
J
J
w
#
&
Fl.
nw
# #
J
[41]
n
dimin poco a poco to fade
#
&
Ob.
### C

J
J
&
Cl. 1.
R # J #
nw
j n
J n
# #
& # C
Cl. 2.
J j
n b
?#
<n>
nw
#w
C
Bsn.
J
J
R
J
& C
#
& #
Hn. 1.
##
.
#
.
n
Hn. 2.

4
#
& #
Hn. 3.
##
& # C #
Tpt 1.
# J
J
# j #
J
R # J #
j
n
##
& # C
Tpt 2.
j
J
R # j n
n n
##
& # C
Tpt 3.
?#
j j

# J
#
J

C #
Tbn.
# J
J

r j
n
#
#

R # #

j
n
?#
Tbn.
# #

4
?#
Tba.
(q=h)
C
Perc.
[33]
V V V
#
&
Voice
[41]
V V V
C #
j
#
hun - dred and one
pounds of
fun.
That's my lit - tle
j
#
Hon - ey
bun!

Get a load of

Hon - ey Bun to -
night.
Her
hair is blonde and
curl - y,
Her
(PRES DE LA TABLE)
4
&
Hp.
f
like guitar
4
?#
C
&
Vln. A
# #
J
J
# J
J
j j

J
J
# #
J
J
j
j
J J
# J
J
# n ww
C
&
Vln. B
C
&
Vln. C
#
&
Vln. D
#
B# C
Vla.
?#
j j

J

J
#
#
J
J
n b
j
j
J J
# n ww
# J
J
#w
nw
Vc.
3

pizz
?#
Db.
C n
43
44
45
46
47
48
50
Fade out on cue
&
Fl.
#
J
# j
j
#

J J
j
j
j
#
#
J
#
J J
n #
J J
# n
J
[49]
#
J
#
J
2
#
&
Ob.
2
###
&
Cl. 1.
2
###
&
Cl. 2.
2
?#
Bsn.
#
& # b
Hn. 1.
Hn. 2.
#
& #
#
& #
Hn. 3.
j
# n
2
###
Tpt 1.
&
Tpt 2.
##
& #
j
J
j
#
j
#
#
J
j
# j
j
j #

J J
#
J
b n
J
b n
J
n
J J
# n
J
#
J
#
J
2
2
###
&
Tpt 3.
?#
Tbn.
2
?#
Tbn.
j

J
2
?#
Tba.
Fade out on cue
Perc.
j

J
[49]
V
Dim. poco a poco
#
&
Voice
Her
lips are
curls are
hurl - y
burl - y,
pips!
j

call
her
hips
"Twirl -
y"
and
"Whirl - y"
She's
my
ba
j
#
by,
I'm her
pap!
#
&
Hp.
?#

J J
j

J
j
J
j # j n
J J
j
J

J
&
Vln. A
2
#
&
Vln. B
2
#
&
Vln. C
2
#
&
Vln. D
Vla.
#
J
#
J
j n
#
J
j

J
n# n j

J J
#
J
j

J
#
J
j
J
j # j n
J J
j n
#
J
j
J
n# n j

J J
#
J
2
w
j

J
#
J
j
J
j

J
j

J
j

J
#
J
#
J
?#
Db.
#
J
?#
Vc.
2
B#

J

J
51
# #
Fl.
&
Ob.
&
52
###
##
& #
?#
j
#
54
55
56
b
J
Cl. 2.
#
J
b n
b
J
57
&
Cl. 1.
Bsn.
#
J
53
58
#w
bw
w
Hn. 1.
#
& #
n
J
j
n
n
J
j
#
j
n
b
J
b
J
##
&
Hn. 2.
#
& #
Hn. 3.
to cup
###
&
Tpt 1.
#
J
to cup
###
&
Tpt 2.
to cup
###
&
Tpt 3.
? # b n b
j

b n
J
#
J
Tbn.
? # #
Tbn.
?#
Tba.
w
b
Perc.
#
&
Voice
I'm
her
boob
y,
j
#
She's my
trap!
am
caught and
don't want - a
run,
'Cause I'm
hav - in'
so
much
b
J
fun with
Hon
ey
Bun!
ww
w
&
Hp.
4
?#
# #
#
J
j
J
j

J
#
J
j
J
j
J
#
J
b
J
&
Vln. A
&
Vln. B
# #
j
n
J
j
J
ww
b
J
&
Vln. C
&
Vln. D
B#
j
n
J
j
J
ww
b
J
Vla.
?#
bw
w
Vc.
arco
?#
Db.
No. 48
DIALOGUE
cue:
Nellie: "Now come back here, Jerome, and sit down."
1

Finale Ultimo
10
[9]
Moderato
12
[11]
4
&
4
4
&
4
#4
& #
4
Flute
Oboe
Clarinet in Bb
SOLI
mp
SOLI
## 4
&
Clarinet in Bb
4
? 4
Bassoon
4
mp

mp
4
4
#4
Horn 2. in F &
4
#4
Horn 3. in F &
4
#
4
## 4
Trumpet 2 in Bb &
4
## 4
Trumpet 3 in Bb &
4
? 4
Trombone 1.
4
? 4
Trombone 2.
4
? 4
Tuba
4
&
Horn 1. in F
cup mute
. .
. .
b
mp
cup mute
. .
. .

mp
cup mute
cup mute
. .
.

mp
. .
.
mp
[9]
Moderato
[11]
Percussion
4
4
Voice
4
4
Nellie,
Ngana & Jerome:
&
Di - tes - moi
4
&
4
pour quoi
Harp
4
4
&
&
Violin A
4
w
4 pp#
# w
&
divisi
Violin B
PIZZ
4
4
# #
b n b

p
pp
&
Violin C
4
w
4 pp#
# w
&
divisi
Violin D
PIZZ
4
4
# #
b n b

p
pp
PIZZ
B
Viola
4
#
4 pp
?
Violoncello
4
4
. .
mp
PIZZ
#w
pp
mp
PIZZ
?
Double Bass
4
4 pp
Lincoln centre Revival 2008
mp
13
14
15
16
17
18
U
"
20
21
[19]
22
23
24
25
poco rit.
&
Fl.
U
"
. .
. .
b b # n w
p
. .
. .
&
Ob.
##
U
"
&
Cl. 1.
.
#
. .

.
.

##
U
"
U
"
Bsn.
&
Cl. 2.
. .
.

p
.
b . .
b
nw
.
#
. # n w
.

.

U
"
&
Hn. 1.
U
"
U
"
##
U
"
##
U
"
##
U
"
U
"
U
"
U
"
#
&
Hn. 2.
#
&
Hn. 3.
&
Tpt 1.
&
Tpt 2.
&
Tpt 3.
?
Tbn.
?
Tbn.
?
Tba.
U
"
[19]
poco rit.
Perc.
Emile:
&
Voice
j

La vie est
bel
le,
Di - tes - moi
pour quoi
la vie est
U"
gaie?
Di - tes - moi
j
b J b
pour quoi
Chere ma - d'moi - sel
b b
J
le,
Est - ce - que
par - ce - que
.
. n .
. .
.
vous
m'ai -
.
.

&
Hp.
&
&
Vln. A
ARCO
&
Vln. B
n #
"
U

U
(optional)
j "
w

"
PIZZ
ARCO
U
n b
b
U
"
&
Vln. C
ARCO
&
Vln. D
PIZZ
n #
ARCO
n b
PIZZ
Vla.
Vc.
Db.
"
U

U
"

"
U
"
U

b b
J
. . .
. . .
. .
n
PIZZ
j
b J b
PIZZ
w
w
b ww
(optional)
j
b J b
PIZZ
b b
b ww
w
w
w
w
ARCO
Arco
PIZZ
b b
ARCO
PIZZ
PIZZ
w
w
26
Moderato
.
[27]
29
# n
# # n #
# # n #
&
Fl.
28
30
31
32
33
34
[35]
J
## .
&
Ob.
&
Cl. 1.
# .
& #
Cl. 2.
?
Bsn.
. . .
. .

. .

. .

. .

. .

. .

.
#
. .

&
Hn. 1.
mp
. .

&
Hn. 2.
. . .

mp
. .

&
Hn. 3.
mp
##
. .

&
Tpt 1.
. .
b
. .
b
.
n
.
#
. .
n
.
n
.
#
. .
n
. .
b
. .
b
. .
n n
. .
n n
. . .
. .
# n
. . .
#
##
&
Tpt 2.
#
& #
Tpt 3.

. .
n
Tbn.
pp
cup mute
Tbn.
pp
Tba.
[27]
Moderato
[35]
Perc.
&
Voice
mez?
&
p
Hp.
&
ARCO
&
Vln. A
f
ARCO
&
Vln. B
f
ARCO
&
Vln. C
f
ARCO
&
Vln. D
f
ARCO
B
Vla.
f
ARCO
Vc.
f
Db.
End of Act II
36
37
38
39
40
41
43
rit.
b J
.
. .
. .
.
.
.
[42]
w
44
DICTATED
> >
> >
45
U>
w
46
&
Fl.
ff
&
Ob.
b b
J
. . .
n
. . .

.
.

> > > >

U>
w
ff
##
&
Cl. 1.
n J
- #- - -
b > >
> n >
&
Cl. 2.
n J

ff
- - - #
.
.

U
> n > n > b > # w>
Bsn.
ff
.
#
. .
. .

Hn. 1.
&
Hn. 2.
# . .
&

.j

.
#
dimin
.j

dimin
##
U>
w
> > > > U

b
w
ff
> > > > U
b b nw
> > > >

n b
> > > >

b
>

ff
.j
n
>

U
w
ff
#
&
Hn. 3.
.

b # n j
U
w
>

ff
##
&
Tpt 1.
j
# n
J
. to open

open
#
mf
to open
&
Tpt 2.
ff
U
> > > # > # w>
b
n
open
mf
to open
## b . . . . .j
# n
&
Tpt 3.
U>
w
dimin
##
> > > >

ff
open
> > > >

b
n n
U>
w
ff
mf
>
> > >
Open
b
J
to open
U
w
Tbn.
mf
to open
b J b
J
Tbn.
Open
> > > >

b b b
?
Tba.
ff
rit.
#
mf
> >
>
> > > >

b
n
b
mf
[42]
> > > >
Timp.
U
w
ff
U

w
ff
U
w
Perc.
p
ff
End of Act II
&
Voice
b b
J
.
. n .
. .
.
.
.
ww
ww
&
Uww
ww
ff
Hp.
&
b b
J
b J b
J
. . .
n
.
. n .
. . .

. .
.
.
.

PIZZ
w
ww
b
b
ARCO
#
> >
> > b
&
Vln. A
ARCO
j
J
&
Vln. B
. . .

ww
Uw
w
ff
dimin
Uw
ww
w
. . .

> U
> b > > # n ww
PIZZ
dimin
ff
b J b
J
.
. n .
. .
.
> >
> > b
ARCO
PIZZ
&
Vln. C
ARCO
Vln. D
&
j

J

b J b
J
. . .

ww
ff
dimin
Uw
w
. . .

> U
> b > > # n ww
PIZZ
dimin
ff
PIZZ
# .
Vla.
> > > n >

bn b n
ARCO
ff
dimin
Uw
w
ARCO
PIZZ
.
#
> > > bb >
U>
ww
>
Vc.
ff
arco
?

Db.
> > > b >
U
w
ff

No. 49
Exit Music
BROAD
1
10
11
Moderato
&
Flute
bbb c
3
nw
3 w
3
w
f
3
b
&b b c
Oboe
nw
&b
Clarinet in Bb
3
3

Clarinet in Bb
&b
3
3
f
3
Bassoon
? bb
w
J
bc
Horn 1. in F
b
&b
c
w
j
w
b n
b
n
&b
Horn 2. in F
b
&b
Horn 3. in F
c
w
f
3
&b
Trumpet 1 in Bb
c n
- - - j

- - # j
&b
Trumpet 2 in Bb
&b
Trumpet 3 in Bb
? b c n
bb
Trombone 1.
- - j
- - -

J
w
3
w
3
w
? b c
bb
Trombone 2.
n - - -
Tuba
? b c
bb
BROAD
Moderato
?
Percussion
b
&b b c
n
n
Harp
? bb
&
Violin A
b c
n
bbb c
Db
MMLOLMML
b
b
3
w
3
w
3
w
3
w
3
w
3
w
3
w
3
w
w
w
&
Violin B
n
bbb c
&
Violin C
n
bbb c
&
Violin D
n
b
b bc
B bbb c
Viola
ww
? bb
Violoncello
w
bc
w
J
b b
Double Bass
? bb
bc
f
12
13
14
15
16
bbb
Fl.
&
Ob.
bb 3
b
&
3
Cl. 1.
&b
Cl. 2.
3

b
&
18
[17]
n b n
b n
Bsn.
21
22
? b
bb
20
19
nw
b >
bb
# >
>
3
&b
Tbn.
? bb
b
Tbn.
? bb
Hn. 1.
&
Hn. 2.
b
&b
n >
>
#
>
n
b
&b
Hn. 3.
Tpt 1.
&b
Tpt 2.
&b
Tpt 3.
Tba.
? bb
nw
w
[17]
Perc.
b
& b b
#
n
F #A
n
n
B bD
Hp.
{
Vln. A
? bb
3
bb
w
& b
b
F Ab
Bb
divisi
b
&b b
Vln. B
&
bbb
w n
ww
Vln. C
divisi
&
Vln. D
bbb
Vla.
B bbb
Vc.
? bb
b
# #
n n
b >
n >
w n
ww
n >
3
nw
Db.
? bb
23
24
25
26
27
28
29
30
31
32
34
&
Fl.
bbb
>
J
w
3

3
w
[33]

mf
3
Ob.
Cl. 1.
b
&b b
> j
&b
>
J
mf
>
J
&b
Cl. 2.

mf

Bsn.
? b
bb
>

b
&b
Hn. 1.
j
w
. . . . . . .

>

b
&b
Hn. 2.
>

b
&b
Hn. 3.
Tpt 1.
&b
> j
Tpt 2.
&b
>
j
3
w
# w
w
3

Tpt 3.
? bb
Tbn.
? b
bb
Tbn.
Tba.
>
j
&b
? bb
>
J
3
w
Bells
[33]
>
?
Perc.
b
&b b
&b

B bD
Db
Hp.
? bb
bb
b
b
& b
Vln. A
w
ww
w
. . . . . . .

.
.
. . .

. .

mf
w

mf
unis
b
&b b
Vln. B
b
&b b
Vln. C

J w

w
J
3
n b
3
n

mf

mf
unis
b
&b b
Vln. D
w
J
3
n b
3

n

mf
B bbb
Vla.

mf
? bb
Vc.

J w
w
?
b
mf
Db.
? bb
35
36
37
38
39
40
&
Fl.

bbb
43
6
41
[42] n b
n b b
b
b bb
ff
cresc.
n b b
f
6
&
Ob.
bbb
ff
cresc.
n b n b b
bbbb
n b b
mf

&b
Cl. 1.
bb
ff
cresc
b n b b
n b b
f
6
&b
Cl. 2.
bb
ff
b n b b
n b b
cresc
6

Bsn.
? b
bb
bbbb
n b n b b
n b b
5
f
ff
Hn. 1.
b
&b
bbb
ff
mf
b
&b
Hn. 2.
bbb #
p cresc
ff
mf
b
&b
Hn. 3.
bbb
ff
mf
bb
bb
bb
bbbb
bbbb
&b
Tpt 1.
p cresc
ff
&b
Tpt 2.
&b
Tpt 3.
ff
mp
? bb
Tbn.
ff
b
mp
ff

? bb
Tbn.
b
ff
Tba.
? b
bb
bbbb
p
ff
&
Perc.
[42]

f
mf

b
& b b
bbbb
nn
cresc
Hp.

? b
bb
Vln. A
b
&b b
Vln. B

b
&b b
Vln. C
bb
b
&
ff
ff
cresc

B bbb
Vla.
Vc.
n
n
? bb
ff
bbbb
espr.
bbbb
f
ff
Db.
espr.
b
cresc
espr.
n
bbbb
espr.
f

bbbb

? bb
n
bbbb
espr.
f

n

bbbb
ff
cresc
bbbb
unis
ff
cresc
unis
cresc

b
&b b
ff
cresc
Vln. D
bbbb
44
45
46
47
48
49
51
6
&
Fl.
bbbb
b b b
n
b b n b
b b b
b n b n b
b b b
b n b n b
[50] n b
n b n b n
b n b n b
n b b
6
6
5
6
2
&
Ob.
bbbb
&
Cl. 1.
Bsn.
b b b
b
&b b
Hn. 1.
b
& b b n
Hn. 2.
n b b
2
? b
b bb
b n b b b n
b n b n b
&
Cl. 2.
b b n b
2
bb
n b b
2
bb
n b n b n b n
b n b n b
b n b n b
b n b b b n
n b b
b b b
n
n n
# #
n b n b b
n b b
b
&b b
Hn. 3.
b
&b
Tpt 1.
bb
&
Tpt 2.
bb
&
Tpt 3.
? bb b
b
Tbn.
n
? bb b
b
Tbn.
f
4
Tba.
? bb b
b
Perc.
[50]
nn
2
b
& b bb

nn

nn
Db
D
Hp.
? bb b
b
Vln. A
&
n
bbbb
Vln. B
bbb
b
&
Vln. C
&
n
bbbb
Vln. D
bbb
b
&
n
Vla.
B bbbb
Vc.
? bb b n
b
Db.
? bb b
b
b b bn
b n b
b n b
bn
b
n
b b bn
b n b
52
53
54
55
56
57
n
5
Fl.
bbb n b n b n b n
b
&
b n b b
n b b
b b n b
b
n b n b
6
6
5
6
b
& b bb
Ob.
n b n b n b n
n b b
b n b
b n b n b
b
n b n b
b b n b
b n b n b
b n b n b
b b n b
b
Cl. 1.
b
&b
b n b n b n
Cl. 2.
b
&b
b n b n b n
Bsn.
? b
b bb
n b b
n b b
b n b
b n b n b
5
6
b n b
b b b
b
&b b
Hn. 1.
b
& b b n
Hn. 2.
b
&b b
Hn. 3.
b
& b #
Tpt 1.
b
&b
Tpt 2.
n n b
b b
b

n
b n b
b
&b
Tpt 3.
Tbn.
? bb b
b

Tbn.
? bb b n
b
n
n
Tba.
? b
b bb
Perc.
2
b
& b bb
nn
nn
b
Db
Gb
Hp.
? bb b
b
Vln. A
&
n
bbbb
Vln. B
bbb
b
&
Vln. C
&
n
bbbb
Vln. D
bbb
b
&
n
Vla.
B bbbb
Vc.
? bb b n
b
? bb b
b
b b bn
bn
b n b
b n b
b b bn
b
n
b n b
Db.
59
Fl.
[58]
b
& b bb
60
Uw
n
Ob.
ff
Uw
b
& b bb
61
ff
6
Uw
bb
&
Cl. 1.
b n
ff
6
b
&b
Cl. 2.
Bsn.
? bb
bb
Uw
b
n
ff
Uw
6
6
ff
Hn. 1.
b
&b b
U
w
ff
b
& b b 
Hn. 2.
U
w
ff
b
&b b
Hn. 3.
U
w
ff
b
&b
Tpt 1.
Uw

ff
bb
&
Tpt 2.
Uw

ff
b
&b
Tpt 3.
U
w
ff
Uw
j
O
J
? bb b
b
Tbn.
ff
? bb b
b
Tbn.
Uw
ff
Tba.
? bb
b b
U
w

ff
?
Perc.
[58]
U
w
ff
bb
&b b
Hp.
ff
? bb b
b
Vln. A
&
Uw
bbbb
j
J
j
J
j

J
ff
Vln. B
b b
&b b
U
ww
u
ff
Vln. C
Uw
b
& b bb
ff
Vln. D
b
& b bb
U
ww
u
ff
Vla.
B bbbb
Uw
w
u
ff
Uw
Vc.
? bb b
b
ff
Uw
Db.
? b
b bb
ff

South Pacific - Full Orchestra

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South Pacific - Full Orchestra

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Full Orchestral Score

Richard Rodgers Oscar Hammerstein II

Lincoln Centre Revival Production 2008

Orchestrations By Robert Russell Bennett

Music By Richard Rodgers

Lincoln Centre Revival 2008

Lincoln Centre Revival 2008

Lincoln Centre Revival 2008

Lincoln Centre Revival 2008

poco a poco cresc.

poco a poco crec.

p Cresc. poco a poco

poco a poco cresc

poco a poco cresc

poco a poco cresc

poco a poco cresc

poco a poco cresc

poco a poco cresc

poco a poco cresc.

Lincoln Centre Revival 2008

Lincoln Centre Revival 2008

> > > >

> > > >

> > > >

> > > >

> > > >

Lincoln Centre Revival 2008

> > >

> > >>

# > > > >

b n > > # > n >

? bb b > <b> > n > b > n >

b > > > >

> > > > > >

j >> >>> >

> > > > > >

> > > > > >

> > > > > >

> > > > >>

> > > > >>

> > > > >>

b > > >>

> > > > >>

> > > >

> > >>

> > > > >>

> > > > >>

> > > > >>

n b > b > > > n

? bb b > b > n > > <b>

? bb b > b > n > >

> > > > >>

> > > > >>

> > > > > >

> > > > > >

> > > > > >

> > > > > >

> > > > > > n

> > > > > >

Lincoln Centre Revival 2008

> > > > >>

> > > >

<b> > >

Lincoln Centre Revival 2008