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When the Vatican Edition began coming off the press in the first decade of this century, its

strongest supporters did not


perhaps expect it to last until the distant 1960.
These are the words of Monsignor Francis P. Schmitt, published in 1959 in Caecilia Magazine. I can mimic his words now,
at the close of 2008, when I mention how, when Canon Jules Van Nuffel and his confreres started harmonizing Gregorian chant in the
1940's (so as to keep busy and not be drafted into the Second World War, according to a student of Peeters), they never dreamed that in
sixty years it would be so sought after that all 2,700 pages would have to be carefully scanned and preserved online. Nor would they
have imagined that the impetus for this would come, not from professional musicians or college professors, but from ordinary folks who
love chant and want to give the very best to God.
May our Savior grant that we not only enjoy this wonderful work of art, but (more importantly) allow its beauty to help us
pray and live the Holy Texts, so carefully decorated and ornamented by this lovely musical garment.
Jeff Ostrowski, 10 October, 2008

CONTAINED IN THIS PDF FILE:


(1) Preface by Dr. Daniel Politoske
(2) Index of the current NOH volume
(3) Information on how to donate and make
possible more projects like this one
( Please note: no amount is too small )

(4) Introductory material by Monsignor Jules


Van Nuffel, producer of the NOH
(5) Instructions on how to sing from the
pure Vatican Edition of the chant
( The NOH corresponds to the rhythm of the pure Editio Vaticana,
not the rhythmic markings in the Liber Usualis )
Download the 1908 Vatican Graduale for free here:
http://www.musicasacra.com/

(6) Some tips on how to use PDF documents

Corpus Christi Watershed thanks Dr. Daniel Politoske for


providing the original NOH books that were scanned, and
providing a Preface.
Corpus Christi Watershed thanks Mr. James Ridley for
designing the beautiful new covers that enshrine these
wonderful Gregorian accompaniments. E-mail Mr. Ridley

Novargani
O
H armonia

Dear friend of the Catholic arts,


If you appreciated downloading
the Nova Organi Harmonia instantly
and totally free of cost, please consider
making a donation to Corpus Christi Watershed,
the 501(c)3 non-profit Catholic Artist Institute that made this project possible.

We operate solely on your generous donations!


Please note: No donation is too small.
* * Donate to Corpus Christi Watershed here: http://corpuschristiwatershed.org/
Watershed also owes a debt of thanks to the initial donors who made this project possible. Thank you!

The Nova Organi Harmonia is based on the pure Vaticana rhythm of the Vatican Edition
Graduale, and a short essay on that rhythmic method can be found on the next few pages.
To see how the Nova Organi Harmonia compares to other chant accompaniments, please visit:
http://chabanelpsalms.org/introductory_material/modus_operandi_modal_accompaniment.htm
Finally, Corpus Christi Watershed thanks the three men who were most responsible for the Nova
Organi Harmonia: Abbot Joseph Pothier, Canon Jules Van Nuffel, and Maestro Flor Peeters.

The Rhythm of the Vatican Edition


In the Vatican edition, the morae vocis shall be indicated by a blank space of
equal and unchanging width, and four sorts of bars shall be used . . . .
Resolution no. 8, noted in the minutes of the Commission for the Vatican Edition (29 June, 1904)
Combe, The Restoration of Gregorian Chant: Solesmes and the Vatican Edition, 272.

In spite of the confusion that has existed since its introduction more than a century ago, it must be
understood that the Vatican Edition of Gregorian chant is truly a rhythmic edition. With one exception,
the pure Vatican Edition notates the rhythm by the same means that Dom Joseph Pothier's Liber
Gradualis employed. This is quite natural because (1) Dom Pothier was in charge of creating the Vatican
Edition; (2) his publications were in wide use at the time; and, most importantly, (3) it was ultimately
decided to use Pothier's Liber Gradualis and Antiphonale as the basis for the Vatican Edition.
Furthermore, large sections of the Preface to Pothier's Liber Gradualis1 were adopted verbatim for the
Preface to the Vatican Edition.2
The Vatican Edition presupposes an equalist interpretation. Since the late Renaissance, the
mensuralist interpretation (which assigned different time values to chant notes with different shapes) had
been accepted as the correct rhythmic interpretation of chant, and this was a great obstacle to Pothier's
work of Gregorian restoration. Today, one can easily see the way the melodies were sung during the
nineteenth century by comparing the chant notation of the corrupt Gregorian editions to the
corresponding organ accompaniment books (written in modern notation).3 Here is an example:

HABERL/PUSTET 1884 Graduale : Page [52] : Mass II for a Virgin/Martyr

SCHILDKNECHT 1892 Page [50] : Mass II for a Virgin/Martyr

Having studied the Medieval manuscripts, Pothier became convinced that the notes were shaped
differently in the Medieval manuscripts to make them easier to sing, not because they were intended to be
sung with the rhythm of the measured music of Renaissance polyphony (with longa, brevis, semibrevis, etc.). A surprisingly explicit reminder of Pothier's view was published in the Vatican Preface:

1 Both the 1883 and 1895 editions.


2 The now legendary Preface to the Vatican Edition will be referred to as the Vatican Preface. This article focuses on the
second part of the Vatican Preface, which gives the Rules for Interpretation.
3 Thousands of pages of chant accompaniments were published in the nineteenth century, especially by Friedrich Pustet.

I. The Rhythmic Notation


The rhythm of the Vatican Edition is not notated by means of dots, lines, dashes, or differently
shaped neums. The rhythmic notation is more subtle, and sometimes leaves room for interpretation by the
choir director. The first rhythmic sign used in the Vatican Edition is the bar:

Before 1. and 4., a ritardando is often taken. Pothier himself seemed to favor a pronounced
ritardando before the final division (as evidenced by the few precious recordings we have of him
conducting chant). Before 2. and 3., a smaller break is required.
The duration of the ritardando is not specified, and this has led to various interpretations. One of
the major differences among the different schools is what to do with a spondee coming before a bar
(whereas all are in agreement when it comes to a dactyl in the same place).4 There are literally thousands
of examples like this one in the Kyriale, Graduale, and Antiphonale:

Some schools will always double the length of both notes on nbis (A & B). Other schools tend
to lengthen only the final note (B). Some schools treat each individual case differently. Some schools
claim to give a slight emphasis to the tonic accent of nbis (A) and a longer length to the final note (B),
but this is difficult in practice.
In conclusion, Dom Pothier seems to have left it up to individual choir directors to decide the
length of each ritardando before the different bars.

II. The Melismatic Mora Vocis


If one knows that about the ritardando required before the various bars, one can sing through
almost the entire Kyriale and Antiphonale without a single problem. However, the Graduale is quite
different, because of its numerous melismas.
As the Vatican Preface explains, the blank space of a notehead or more in the Vatican Edition
indicates that one must insert a mora vocis (that is, a ritardando and/or pause). To distinguish this type of
mora vocis from the ritardando that is required before a bar, the term melismatic mora vocis will be
used henceforth.5
4 A spondaic word has the accent on the penultimate syllable (e.g. Pter). A dactylic word has the accent on the antepenult
(e.g. Flius).
5 What is remarkable is that the Vatican Preface was not issued with the Vatican Edition Kyriale (1905), but with the Vatican
Edition Graduale (1908). This is akin to publishing a vehicle's operating instructions three years after issuing the vehicle
itself. The thought may have been that singers would know to apply the same rules they had been applying to the Pothier
books. Still, this approach seems open to criticism: why not clearly state the rules of rhythmic interpretation when the
Vatican Edition Kyriale was first published? It is unanimously accepted that the Vatican Preface rules for interpretation

For example, the following example has no melismatic mora vocis, since there are no melismas
with the space of a notehead or more (remember that the syllables change at the star, so it is not a
melisma):

This example is also devoid of any melismatic morae:

However, the following example would have a mora vocis at the arrow (because it has a blank
space of a notehead or more). However, that is the only melismatic mora vocis present. There is not a
melismatic mora vocis at either of the places below a star, because those instances have a change of
syllables, and there can be no melisma where syllables change.

This example has a melismatic mora vocis on the neum above the word nos (because there is the
blank space of a notehead or more at the arrow):

apply retroactively to the Vatican Edition Kyriale (and, as mentioned above, there are very few melismatic morae in the
Kyriale anyway). It seems probable that the Preface was not issued in 1905 (with the Kyriale) due to internal
disagreements among members of the Pontifical Commission (of which Pothier was the president). However, this
fascinating history will not be treated here, since it is the subject of several books. In this author's view, the most valuable
sources (available in English) treating this history are:
Combe, Pierre. The Restoration of the Gregorian Chant: Solesmes and the Vatican Edition. Trans., Theodore
Marier. The Catholic University of America Press: Washington D.C., 1969.
Wagner, Peter. Der Kampf gegen die Editio Vaticana Pamphlet. Graz: Styria, 1907. Published in English as
The Attack on the Vatican Edition: A Rejoinder. Caecilia 87 (1906): 10-44.

The following example shows the way an editor who put the Vatican Edition into modern notation
(there were many such editors!) chose to notate that melismatic mora vocis:

DR. F. X. MATHIAS 1911 Graduale

For the sake of curiosity, we include Pothier's editions:

Dom Pothier's Liber Gradualis (1883)

Dom Pothier's Liber Gradualis (1895)

When singing, it can be difficult to instantly know where a melismatic mora vocis is indicated.
For example, there is a melismatic mora at the star but not at the arrow in the following example. Above
the star, imaginary noteheads are added for the reader to verify that there truly is at least one notehead
of blank space:

In the following example, there are three melismatic morae (indicated by arrows). However, there
is not a melismatic mora at the star, because there is not the space of a notehead or more.

III. Different Schools and Interpretations


The student who carefully studies the various editions of the Vatican Edition will notice several
things:
(1) Because the rhythm of the chant depended on the spacing, no publisher was allowed to change
the official text in any way. In a note from the Vatican publisher,6 publishers were reminded that they
must adhere strictly to the spacing of the official Vatican Edition when it comes to melismas. They were
also reminded that the space is measured against the custos at the end of the line when the melisma is
interrupted and must continue on the next line.7 Still, instances can be found where publishers got
6 This note is provided at the end of this document, courtesy of Monsignor Hayburn.
7 Most publishers did not want to bother doing that, so they almost always end a melismatic line with some kind of bar.

sloppy, and, in spite of the injuction from the Vatican, altered the spacing between the notes in
melismas. In such an instance (i.e. where different editions have different spacing), one must have
recourse to the Vatican Press edition to find out whether a melismatic mora was intended.
(2) Most of the editors felt that Vatican Edition was not practical when it came to the notation of
the melismatic mora vocis, so many invented their own system of notation, which was then superimposed
on top of the Vatican Edition. This is understandable, since (as eluded to above) it often happens that the
only way a singer can tell if a melismatic mora vocis was intended is to place the book by one's nose and
gaze outward. Doing this makes it possible to see whether there really is the space of a notehead.
(3) The idea of space indicating the mora vocis is foreign to modern musicians, but makes more
sense when one considers this excerpt from the Preface to the Vatican Edition:

In other words, the sections of the melisma are apparent to the ears when one hears morae, while
the same sections are apparent to the eyes when one sees spacing. Dom Pothier dwells on this idea at
length in the Preface to his Liber Gradualis.
(4) There are often discrepancies between the various editions. Incidentally, out of all the editions,
the Solesmes editions published by Dom Mocquereau are the least faithful when it comes to adherence to
the Vatican rhythm.8

IV. Additions and Subtractions from Pothier's Rhythmic Notation


In Pothier's original Preface to his Liber Gradualis, he said that if more space is given for a
melismatic mora vocis, the pause should be longer and vice versa. This seems to have been abandoned
with the publication of the Vatican Edition (and could possibly be explained in principle9 by the quote
given at the start of this document).
However, there is one thing that did not appear in Pothier's Preface, but was added in the Vatican
Preface, namely example (D):

8 The explanation for this is that Dom Mocquereau was trying to match the St. Gall rhythmic markings, rather than adhere to
the Vatican Edition. Solesmes published several pamphlets clearly stating this fact (cf. Plainchant and Solesmes, by Paul
Cagin and Andr Mocquereau, published in 1905).
9 N.B. the words equal and unchanging.

With regard to example (D) and the explanation for it, it must be understood that this was a very
poorly phrased section of the Vatican Preface and has led to serious consequences. As a matter of fact,
the Latin wording employed could be translated as either preceded by or followed by a neum
subordinate to it.10 Some editors translate it as preceded by while others translate it as followed by,
with obvious (conflicting) results. Furthermore, in example (D) Dom Pothier left the required notehead of
space, but the explanation does not require that space. Suffice it to say that each and every edition treats
instances of example (D) differently, and many are internally inconsistent. Furthermore, one cannot have
recourse to the earlier Pothier editions for clarification because (as stated) this rhythmic rule was
mysteriously invented for the Vatican Edition.
When the student finds different interpretations for melismatic morae in the different editions, one
need not necessarily infer sloppiness or ill intentions. Sometimes, the editor was doubtless trying to be
rhythmically consistent (when the same melodic passage occurs in more than one Proper, for example). It
is also possible that some editors were trying to correct what they perceived to be typos in the Vatican
Edition, and having recourse to the earlier tradition of the Pothier books in use for decades. The fact
that the Vatican Edition contains errors cannot be denied, and typos are entirely understandable,
considering how quickly these massive volumes were published. In his book, Joseph Gogniat11 has
pointed out some indisputable Vatican Edition typos; for example, the inconsistent application of
liquescents.
Finally, with regard to the rhythm of the quilisma, it could be noted that the Vatican Preface seems
to allow for the possibility of lengthening the first note (as has become traditional) when it says:

V. Who Produced the Vatican Edition?


Much confusion exists with regard to whether the Catholic Church officially adopted the
Solesmes Edition of the chant for the Vatican Edition. To understand the true state of things, one must
realize that Dom Joseph Pothier entered the Solesmes congregation in 1859 and published his Liber
Gradualis in 1883 along with several other important works on chant. In 1893 Dom Pothier was
appointed Prior of Ligug, a Solesmes daughterhouse. Then, in 1895, he became Abbot of St. Wandrille,
another Solesmes daughterhouse. When Dom Pothier left Solesmes, his student Dom Mocquereau took
over where he left off, and quickly started experimenting with different methods of publishing chant as
well as modifying many of Pothier's ideas. It is enlightening to study these early Mocquereau editions
and note the evolution of his notation, sometimes changing from month to month. As stated above, Dom
Pothier used his editions as the basis for the Vatican Edition (especially the Graduale and Antiphonale).
In this sense, one can say that the Vatican Edition was the Solesmes chant, because Pothier published
his seminal works while at Solesmes.
10 The writer owes this linguistic point, along with so much of his knowledge and interest in this subject, to a humble servant
of Christ who will be rewarded in secret. (Matthew 6:6)
11 Little Grammar of Gregorian Chant: to Propagate the Principles Contained in the Vatican Edition. Fribourg: Switzerland,
1939.

To give just one example of the ways Dom Mocquereau departed from his teacher, this excerpt
from Mocquereau's 1903 Manuale should suffice:

VI. Looking Back at the Vatican Edition a Century Later


To Dom Mocquereau belongs the credit for advancing the scientific studies of Medieval chant
manuscripts in an unparalleled way, and his scholarship in this area remains totally supreme even to this
day. This seems to have been acknowledged to some extent even his own time, and one example would
be the eyewitness account given by Father Alexander Grospellier describing the visit of the Vatican
Commission to the Solesmes paleographical workshop in September, 1904:
Although some entered the scriptorium with some residual caution and defiance, they left
with confidence in their souls and with praise on their lips for Dom Mocquereau and his
worthy team.12

However, when it comes to the assimilation of all available manuscripts, the scholarly impetus and
rationale for the equalist interpretation of rhythm and restored melodic text from the Middle ages, the
artful combination and musical adaptation of (literally) the whole Gregorian repertoire into a consistent
whole accepted by the musical community, and the conquest over every form of political and
ecclesiastical opposition to produce the Vatican Edition, the credit here belongs to Dom Pothier. Pothier's
editions of chant, officially adopted by the Church, have been sung, studied, and loved by hundreds of
millions of Catholics.13 Now that our Holy Father, Benedict XVI, has called for a renewal of the liturgy,
interpreters of the Vatican Edition may consider singing the chant according to the rhythm that Abbot
Pothier originally envisioned. Indeed, on 30 September, 2008, when the Church Music Association of
America generously released the preliminary version of the 1908 Graduale for free download on its
centennial, the traffic was so overwhelming that the server actually crashed. In his wildest dreams, while
painstakingly hand-copying manuscripts of Gregorian chant, could Dom Pothier ever have imagined that?
12 Combe, The Restoration of Gregorian Chant, 291.
13 Many more Catholics than have ever sung any other edition of chant throughout history.

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NOVA

ORGANI

HARMONIA

AD GRADUALE
IUXTA EDITIONEM VATICANAM

A RECTORE
UNA CUM PROFESSORIBUS
Mechliniensis Interdirecesani Instituti Musicre Sacrre
composita ac aptata

EDITIO TERTIA

Pars II

PROPRIUM DE TEMPORE
A PASCHA AD ULTIMAM DOMINICAM POST PENTECOSTEN
Ad dominicas, a Pascha ad Pentecosten inclusive, harmonia auct. Jul. V ANN U F F E L
Ad ferias, harmonia auct. Jul. V Y V E R MAN
A feria II post Pentecosten ad finem anni ecclesiastici, harmonia auct. Mar. de JON G

MECHLINIlE, H. DESSAIN

NOVA

ORGANI
AD

HARMONI.A

GRADUALE

IUXTA EDITIONEM VATICANAI'v1

A RECTORE
UNA CU~I PROFESSORIBUS
Mechliniensis Interdirecesani Instituti Musicre Sacrre
composita ac aptata

EDITIO TERTIA

Pars II

PROPRIUM DE TEMPORE
A PASCHA AD ULTIMAM DOMINICAM POST PENTECOSTEN
Ad dominicas, a Pascha ad Pentecosten inclusive, harmonia auct. JuI. V ANN U F F E L
Ad ferias, harmonia auct.

Jul. V Y V E R MAN

A feria II post Pentecosten ad finem anni ecclesiastici, harmonia auct. Mar. d e JON G

MECHLINllE, H. DESSAIN

Imprimatur
Mechlinire, die 27 februarii 1962
P. THEEUWS, Vic. Gen.

N 179-11

NOVA ORGANI HARMONIA


AD

GRADUALE
INTRODUCTIO, auet. Jul. VAN NUFFEL.
Pars I

PROPRIUM DE TEMPORE, a dominiea I Adventus ad Sabbatum sanctum;


ad dominieas harmonia, auct. J ul. VAN NUFFEL,
ad ferias, auet. Jul. VYVERMAN.

_ Pars II

PROPRIUM DE TEMPORE, a Paseha ad ultimam dominieam post Penteeosten;


ad dominieas harmonia, a Paseha ad Penteeosten inclusive, auet. Jul. VAN NUFFEL,
ad ferias, auet. Jul. VYVERMAN,
a feria II post Penteeosten ad finem anni eeclesiastiei, auet. Mar. de JONG.

Pars III

PROPRIUM SANCTORUM;
a 29 novembris ad 31 maii, auet. H. DURIEUX,
a 1 junii ad 26 novembris, auet. G. NEES.

Pars IV

a) COMMUNE SANCTORUM, auet. Fl. PEETERS,


b) MISSlE VOTIV lE, auet. E. DE LAET,
c)

Pars V

MISSlE PRO ALIQUIBUS LOCIS, auet. E. DE LAET.

KYRIALE et MISSA PRO DEFUNCTIS;


auetorum nomina in fine uniuscuiusque Missre huius Partis inseribuntur.

Pars VI

MISSlE PROPRllE DIffiCESIUM BELGII;


a) Missre proprire pro direcesi Meehliniensi, auet. Fl. PEETERS,
b) Missre proprire pro aliis direeesibus Belgii, auet. Jul. VAN NUFFEL.

Pars VII -

AD LAUDES VESPERTINAS;
hymni a dominiea I Adventus usque ad festum S5. Corporis Christi exel.,
auet. Jul. VAN NUFFEL,
hymni a festo SS. Corporis Christi ad uItimam dom. post Penteeosten,
auet. Mar. DE JONG,
Commune Sanetorum, auet. Jul. VYVERMAN,
Proprium Sanetorum, auet. H. DURIEUX,
hymni de SS. Sacramento, auet. Fl. PEETERS,
hymni de B. Maria Virgine, auet. G. NEES.

Pars VIII -

NOVA ORGANI HARMONIA AD VESPERAL:;


dominiea ad Vesperas et Completorium, Propriurn de Tempore et Propriurn Sanetorum,
auet. Jul. VAN NUFFEL.
Commune Sanetorurn, auet. Jul. VYVERMAN.

Aartsbisdom Mechelen

De Zeereerwaarde Heer Kanunnik Van Nuffel


Bestuurder van het Lemmensgesticht.

Mijnheer de Kanunnik,

Met grote voldoening begroeten wij het verschijnen van NOVA ORGANI HARMONIA,
waarvan gij het zo vurig betracht opstel tot een goed einde hebt kunnen leiden.
Zulk omvangrijk werk kon slechts ondernomen worden met de medewerking van uitnemende
meesters, vertrouwd met de gregoriaanse melodieen, en onder de krachtdadige leiding van een hoofd,
sinds lang tot deze taak voorbereid en met een vurige Hefde tot de gewijde muziek bezield. Bovendien
was het nodig, om de strengste eenheid van zienswijze en van Hjnen te verzekeren, dat de toonkun
digen tot dezelfde school van godsdienstige muziek zouden behoren. Het Lemmensgesticht te Mechelen
is een der zeldzame artistieke middens dat aan deze voorwaarden voldoet; het heeft de verheven en
allernuttigste zending willen aanvaarden onze kerken te begiftigen met een orgelbegeleiding, di,~ aan
de eisen van de liturgie en van de kunst beantwoordt en tegeHjkertijd in het bereik ligt van .'11 de
talenten. Iedereen weet welke schitterende verdiensten het Lemmensgesticht op het gebied v~.n de
gewijde muziek veroverd heeft : de uitgave van NOVA ORGANI HARMONIA is een nieuwe uiting van
zijn dele en vruchthare werkzaamheid ten bate van de goddelijke eredienst.
Sinds hijna vijf.en-twintig jaar bezielt gij deze werkzaamheid, Mijnheer de Kanunnik, met
uw geestdrHt, met uw verheven idea.'11 van godsdienstige kunst en met uw voortdurend streven naar
hoger volmaaktheid. NOVA ORGANI HARMONIA, vrucht van uw initiatief en van uw volhardende
inspanningen, zal het gedenkteken zijn van dit merkwaardig jubileum.
Is het weI nodig wensen uit te brengen voor de bijval van uw werk ? Het beantwoordt zozeer
aan de verwachtingen van zovelen, dat het voorzeker uiterst welkom zal zijn in de meest uitgehreide
middens. Voortaan zullen de harmonieen, waarvan uw uitgave de overschrijving brengt, levend worden
en opstijgen onder de gewelven van de heiligdommen; zij zullen deelnemen aan de meest verheven
handelingen van de katholieke liturgie, haar stem versmelten met de smeek en dankgebeden van
de Kerk, de diepste gevoelens van de godsdienstige ziel vertolken.
Uit ganser harte zegenen wij het werk dat verschijnt in ons bisdom, de christelijke kunste::laars
die hun taIentvoBe medewerking verleenden en al degenen die het zuBen benuttigen in het begeleiden
van de gregoriaanse zang.

t J. E. Card.

van ROEY,

Aartsbisschop van Mechelen.

Archeveche de Malines

A Monsieur Ie Chanoine Van Nuffel,


Directeur de rInstitut Lemmens.

Monsieur Ie Chanoine,

Nous saluons avec nne vive satisfaction la publication de 181 NOVA ORGAN I HARMONIA, dont
vous avez reussi a achever la composition tant desiree.
ffiuvre de grande envergure, elle ne pouvait etre entreprise que par la collaboration de mahres
excellents, familiarises a vee les melodies gri;goriennnes, et sous 181 forte directiion d'un chef prepare de
longue date a cette tache et anime d'un !uIte fervent de la musique sacree. Encore fallail-iJ, pour
assurer la plus grande unite possible de vues et de ignes, que les compositeurs appartiennent it la rneme
ecole de musique religieuse. L'Institut Lemmens de Malines est un des rares centres artistiqucs qui
realise ces conditions; il a vouIu assumer la haute et tres utile mission de doter nos eglises d'un
accompagnement d'orgue, a Ia fois conforme iJ Ia liturgie et a 1'art et accessible ii to us Ies talents.
Personne n'ignore les merites eclatants que cet Institut s'est deja acquis dans Ie domaine de la rnusique
sacree : I'edition de la NOVA ORGANI HARMONIA est une manifestation nouvelle de sa noble et
feconde activitf: au service du culte divino
Voici bientot vingt-cinq ans que vous ammez cette activite, Monsieur Ie Chanoine, de votre
impulsion ardente, de votre haut ideal d'art religieux et de votre volonte de fairc toujours mieux.
La NOVA ORGANI HARMONIA. fruit de votrc initiative et de vos efforts perseverants,
monument cornmemoratif de ce remarquahle anlliversaire.

seLl

Ie

Est-il besoin de former des vu:ux pour Ie succes de votre leuvre '? Elle repond si bien a
I'attente d'un grand nombre qu'elle est assur{'e de trouver Ie meilleur accueil dans les milieux les plus
etendus. Desormais, les harmonies dont votre puhlication apporte 1a transcription, prendront vie ct
s'eIeveront sous les voutes des sanctuaires dies s'associeront aux actes les plus sublimes de la liturgic
catholique, meleront leurs voix aux prieres, aux supplications, aux actions de graces de l'Eglise, e"primeront les sentiments les plus profonds de Lime religieuse.
De grand Cleur nous benissons l'leuvre qui voit Ie jour dans notre diocese, les artistes chn;ticns
qui y ont prete leur concours talentueux et tous ceux qui s'lOn inspireront dans l'accornpagnement tlu
chant gregorien.

t J. E. Card.

van ROEY,

Archeveque de Pvlalines.

v0

0 R WOO R D van Z. E. H. Kanunnik VAN NUFFEL, zie Pars I, b1. IX.

VOORBERICHTEN
I. OVERSCRRUVING VAN DE GREGORIAANSE MELODIE
a) De gregoriaanse melodienoot wordt verbeeld door het teken _
b) De liquescentnoten of vloeinoten : cephalicus en epiphonus, door een zwart punt van kleiner
formaat ~

c) De ruitnootjes, ancus vormend, door zwarte puntjes van even klein formaat

d) De afzonderlijke virga wordt verbeeld door een zwart punt gevolgd door een klein
puntje _.
e) De mora vocis , insgelijks door een zwart punt gevolgd door een klein puntje _.
f) Ret quilisma door het teken

ltV

g) De groepen worden door verbindingstekens afgelijnd. Deze beantwoorden getrouw aan de

neumatiek van het Graduale romanurn.


h) Pressus minor wordt aangeduid door een verbindingsteken tussen de laatste en de

noot van beide groepen

,~erste

-~Jr"),

i) Salicus wordt onderscheiden van scandicus , door verdeling van het


over de tweede noot van salicus die het accent draagt

verbinding~,teken

j) Oriscus wordt door een zwarte noot van gewoon formaat verbeeld en onderscheiden
van mora vocis na de groep

k) Wanneer quilisma voorkomt in de tweede helft van een samengestelde groep, verwijst het
verdeeld verbindingsteken tevens naar de noot die het quilisma" voorafgaat

1) Distropha en tristropha worden onderscheiden


tekens

door

_~

afzonderlijke

verbindings-

G ;;-.
II.

SCHRUFWUZE AANGEWEND VOOR BEGELEIDINGSSTEMMEN"

a) In de begeleiding wordt naast het zwarte punt - slechts het teken 0 gebruikt. Dit
teken heeft een onbepaalde waarde, en geldt steeds tot het inzetten van de volgende noot in dezelf
de stem.
b) Wanneer een begeleidingsstem zich aansluit bij een andere stem, wordt deze stemvoering
aangetekend door een dwarsstreep .
Deze dwarsstrepen worden niet zelden aangewend om de verdubbeling van stemmen te
vermijden, die het orgelspel compliceren.
c) Wanneer de basnoot van een akkoord wordt overgenomen door de noot in tenor in het
volgend akkoord, wordt deze stemvoering door een stippellijntje aangewezen, enkel om de aandacht te
vestigen op het vereiste legato .
d) Item wanneer tenor van het voorgaand akkoord, basnoot wordt in het volgend akkoord.
e) Wanneer bas en tenor een gemeenzame noot vormen, dan wordt zulks door een dubbele noot
aangetekend.
f) Wanneer dan deze twee stemmen unisono voortlopen, bepalen we ons bij het schrijven van
een enkele noot.
III.

UITVOERING

a) De begeleiding onderstelt een steeds aangehouden" orgelspel, behalve bij bet einde van
elke grote periode, aangeduid door een grote deelstreep getrokken door de twee notenbalken. Bij al de
de andere rusttekens : namelijk de vierde en de halve deelstreep, die getrouw overeenkomen met die
van het Graduale Romanum, moet het laatste akkoord nauw verbonden blijven met het eerste akkoord
van de volgende zinsnede (1).
b) De organisten zuBen weI die passages onderscheiden welke zich gunstig lenen tot een
pedaalbegeleiding. Deze zijn over het algemeen de in brede ligging" geharmoniseerde delen. De
passages echter in enge ligging" zijn minder geschikt om met pedaal te worden uitgevoerd, zoals
b.v. de eerste inzet van het Alleluia , waarvan de herhaling in brede ligging zich dan best leent
voor het pedaa1. Dc enge ligging treft men ook niet zelden aan bij de inzet van het vers" ni!! het
Alleluia ", alsmede bij de inzet van het tweede deel van het Graduale ".
0) Uitzonderingen hieraan doen zich voor bij gebeurlijke afwisseling van solo en koor, overeenkomstig met de
verandering van klavieren, zoals b.v. bij de herhaling van het alleluia .

f N T ROD U C T f 0 N de Mr Ie chanoine VAN NUFFEL, voir Pars I, p. IX*.

INDICATIONS
I.

PRATIQUES

TRANSCRIPTION DE LA MELODIE GREGORIENNE

a) La note de Ia melodie gregorienne est figuree par Ie signe ,

b) Les notes liquescentes au notes coulees: cephalicus et epiphonus, par un point rand, nair et
d'un format plus petit

e")

c) Les losanges formant un ancus par des points noirs de meme format ..-:-.
d) La virga isolee par un point noir suivi d'un petit point

_.

e) La mora vocis aussi par un point nair suivi d'un point nair
f) Le quilisma pa r Ie signe

,.

IW

g) Les groupes sont demarques par des ligatures; elles repondent fidelement it Ia neumatique
du Graduale romanum.
h) Le pressus minor est indique par une ligature entre Ia derniere note du premier groupe et
la premiere note du groupe suivant '~.''-./
i) Le salicus se distingue du scandicus par Ia coupe de Ia ligature sur la deuxieme note du

salicus qui regoit l'accent

j) L' oriscus est figure par une note noire de format ordinaire

et se distingue de Ia mora

vocis apres Ie groupe ~


k) Quand un quilisma se trouve dans la se<onde partie d'un groupe compose, fa ligature coupee
renvoie egalement it la note qui precede Ie quilisma ~
1) Les distrophre et tristrophre, quand elles se
speciales

n
II.

suivent,

sont

marquees

par

des

ligatures

NOTATIONS

ADOPTEES

POUR

LES VOIX

D'ACCOMPAGNEMENT

a) Dans l'accompagnement, nous employons, a cote du point nair Ie signe 0 . Ce signe


a une valeur indeterminee et compte jusqu'it l'entree de la note suivante dans la meme voix.
b) Quand une voix d'accompagnement passe it l'unisson avec une autre voix, nous indiquons
cette marche des voix par une ligne transversale.
Nous faisons un usage assez frequent de ces lignes transversales pour eviter Ie
redoublement des voix qui complique Ie jeu des orgues.
c) Quand Ia fondamentale d'un accord passe au tenor dans l'accord suivant, ce mouvement est
marque par un pointille, uniquement pour appeler l'attention sur Ie legato requis.
d) Item quand Ia note du tenor devient la fondamentale de l'accord suivant.
e) Quand la basse et Ie tenor passent it l'unisson, nous l'indiquons par une note doublee.
f) Lorsque ensuite ces deux notes continuent it l'unisson, nous nous bornons it ecrire une seule
note.

III.

EXECUTION

a) Notre accompagnement suppose toujours un jeu d'orgue lie, sauf a la fin de chaque grande
periode indiquee par une grande barre passant par les deux portees. A toutes les autres pauses: au
quart de la barre et it la demi-barre, qui correspondent exactement it celles du Graduale Romanum, Ie
dernier accord doit rester etroitement uni au premier accord de la phrase suivante (1).
b) Les organistes discerneront sans peine les passages qui se pretent avantageusement it l'accompagnement de pedale. Ce sont generalement les parties harmonisees en position large. Par contre, les
passages en position serree conviennent mains it ce genre d'execution, comme, par exempJe, 1a premiere
intonation de l'Alleluia (ou la reprise en position large se prete d'autant mieux it la pedale). La
position serree s'emploie assez souvent it !'intonation du verset apres l'Alleluia, de meme qu'it celIe de la
deuxieme partie du Gradue!.

a cette norme lors de l'alternance eventuelle du solo et du chreur, correspondante au changement de clavier, par exemple a la reprise de l' Alleluia.

(1) Exception est faite

D~~

PROPRIUM

TEMPORE

PARS II

DOMINICA RESURREC110NIS.
Re_sur _

re_ xi,

ad _ hue

et

~um,

te _ cum

Intr.

IV.

III

Ie

al

la:

po

su

al

su

sti

per

-me

rna _

go&-

nurn

tu

-e-

-~

am,

?7

Ie

I~

"6-

........--r----~,,__,

la:

----

77

----hi _ lis

ml_l"a

fa

est

cta

en

SCI

lI"

ti

7'J

-----/
tu

a,

(;J

61

- ItI_

al - Ie

__o,---y

o ~

Ie

al

ia,

lu

0 _Y~

ri~~n

PARS II.

la.

o
r>

- -

2
~ Ps. D6 _ mt _ ne

pro_ bit _ sti

--- _-----'-

......

<

_ gno _ vl _ sti

ses _ SI

me- am.

Gl6 _

rl

San _ eto.

me,

co _ gno _ vi

et

_ sti

me: * tu

co

'-

Sic _ ut

6 _ nem me _ am,

Pa _ tri,

e _ rat

et

re _ sur _ re _ cti _ 6

et

et Spi _ ri

Fi _ Ii _ 0,

prm_

ci _ pt _

et

0,

nem

tu

nunc,

et:

-------------- -...-"'-------,,--.....
I

sem_per,

et

sre_cu_la sae_Gu_16 _ rum.

"6-

A _ men.

-di

G-rad.

II.

es,

quam fe - cit

(~~~~~~~~~~~~~~~~~ii~~i~~~~
..

~~-...-

--......

"6-

,,--....

PARS II

3
D6

1\ ~ ~

ml

j
Q

tJ
u

~-""

""'-

--

-"'-

"'-------

mus,

....

a.

In

mUT

Ire _ te

et

,.~

te

ex_ sul_

nus:

-'

_ _~

~---....--19-

0"-"""'0

<9

'\

t. Con-fi

- t6 -

ml _01

D6

no

Inl

I
~

!J
<
u

~/

------~

~~"\9::~-=--~

-:

qu6

am

m -

.-..
u

PARS II

.--- -

bo

~
I~
~

nus:

qu6 _ ni_ am in

sre

4
cu .Ium

mi. se

ri _ c6r _

<

di _ a * e

JUS.
I

AI _ Ie _

lu

la,

* al .Ie . Iii

VII.

t.

Pas.cha no

strum

Ii

_.~----,;

.-.~~~~
$

im _ mo.

........

='1:

Iii

(~~~~~~~~~~---~~.~

-----,.-.,,-(~~i~~$~~~::~~~~~~~~-59-~~~~~D:Q.~~-92-~~~!~!~~~~~~-6~6=~

PARS II

5
tus

est

----069-

.101

!!

!J

Chri

"

stus .

VI

--

---

Non repetitur Alle!llia, sed statim additur,

Vi _ cti _ ma:

A _ gnus

re _ con

enn _
I

PARS II

re _ de _ mit

_CI

Hi _ xe .

J,j

pa.5r:ha _ Ii

re

Ii . a

vii

lou _ des

ves:

1m _ rno_ lent Chri.sti _

'

ChrLstus

pec.ca _ t6_ Te!>.

mi.dln.do

dux

VI

tl;e

in - no _

Mors et

cens

Pa _ tri

ta

du.61_10

VI _

m6r.tu -us,

a _ m.

le.gnat

VI.VUS.

6
no_ bis Ma _ ri _ a,

Die

quid

VI _

dl_sti

In

vi _ a?

Se - pul_ erUlill

Chri.sti

vi _ yen _ tis,

et gI6-ri_am vi_di

'-'

te_stes,

"""'----------

su_dcLri_um,et ve_stes.

An _ ge _li _ cos

re_sur_gen_tis:

Sur_re_xitChri-stusspes me_ a:

pne _

------/'"

_ ee _det

os

Sll _

in

Ga _ Ii _

lae _ am.

Sci _ mus Chri_stum sur _ re _ xis _ se'


~

!.i

<

m6r _ tu -

IS

ve _ re:

tu

no_ bis, vi _ ctor Rex,

mi _ se _ re _ reo
I

men.

AI- Ie_Iii _ la.


I

PARS II

Tn _

JJ,

ra

vit,

mu

tre

et

e _

qUI

re _ sur _ ge _ ret

dum

.61

--

ci _

De

us.

al

Iti_ ia,

Ie
'\

JJ,

Pa_scha

est Chri_ StU8#

COIllBl.

VI.

aL

PARS II

no_strur'1

it' _ 111

1a:

_ ta

Clue

e _ pu _

Ie _ mm

In

zy

Iii

al- Ie

ve

sm _ ee _ rl _ ta _ tis et

1015

_ la,

al _ Ie

_ ri

lu _ ia, al _ Ie
I

ta

tis,

Iii

la.

ter _ ram flu_en

tem

FERIA SECUNDA.
In _ tro_ dti _

lae et

D6 _

101 _

nus *

In

lu _ la:

Ie

al

mel,

vas

xit

I
- .... _./~

<

.---...... ---.

-6'-

-9-

-9-

_ per

sit 10

----

-9-

re

ve

r;~~

-9-

-9-

stro,

al _ Ie _ ltI _

la,

16--"""

lu _ la.

al _ Ie

~--'_.7
--- ..-~ ....-----""',./"

Ps. Can _

........ ...--...f"

fi _ te _ mi _ni D6 _ mi _no,

et

"If

-~

.--

in _ va _ ea _ te

no _ men

---

e _ JUS:

.t2a

....

..a.

g
.

06-

......

PARS"

9
an _ nun _ ti _

Ii _ te

in _ ter geo_ tes

pe _

ra

e _ JUs.

G16_ ri _

II(~.~~~~~~~~
lJ

........

~'-"""

Pa _ tri, et
/

Fi _ Ii _

et

0,

Spi _ ri _ tu _

--

~~

San _ cto~ Sic _ ut

e _ rat In pnn_

-.a-

(~~~~V~~~~~~~~~~'~~~~Q~~tJ~~~-9-~:::~~
~,/'~~~~~
_ cl _

pI _ 0,

et

nunc, et

sem_per, et

di _

u ~ Ha-c

Grad.
II.

sre_cu_la sre..cu _ 16 _ rum. A_men.

_ es,' etc. p. 2

t.

Dicat nunc Is_

lJ

In

Il

01

am

bo

nus: qu6 _

01_

am

"'----~

PA RS \I

10

In

eee

CU

_lum

I
_______

"",-----/--.T

(I

~~

rl _

c6r

~ ...------.......... ~-,.....-.,

di _ a e

JUS.

~.

-.------.----"

6>

il-----

,
hi _ ia, * al _ Ie

Al _Ie

VIII.

lILia.

.....

t.

dit

de

cce _

--~

An_ ge

10:

et

lu~ D6 _ mi _ m

ac _ ce

des_ cen

dens re _ v61

....

1,T-'-'---

- PARS II

11
vit

18

- ---- .

pi _ dem,

et

se _ de

bat

su - per

e - um.

.a.

Sequentia. Vlctimre paschali, cum Alleluia in fine, ut supra in Dominica PaschG?, p. 5.


An _ ge

lus

D6

dit

--..--..

ffil

de

de-seen

ere

--..

xit

10,

_ bus:

+.

PARS"

_ OJ

Quem quae

mu _ Ii

ri _ti~.

12
xit,

sur - re

sic _ ut

Iii

Ie

al

Sur _ re

* D6

xit

rnl _ nus,

di

xit,

la.

et

:ru _ it

ap-pa

Comm.

VI.

Pe

tro,

lti _

Ie

al

la.

.a..

"

....

..-.....

FERIA TERTIA .
A _ qua *

S8

pi

en _ ti

ae

po.ta _ vit

os,

ell_

Intr.

VII.

.Ll -

Ie _ hi

18:

fir_ rna

bi _tur

il

lis,

et non He _cte

tur,

----+-

----===::

-.--"
..........-'-------~" '-""---------..>'~-'~
.....-.....,.......--......
".n
12.
__
~....

PUS II

13
al -

jJ,

'.J

lu _

Ie

(,}

os

-----

ter . num,

al _ Ie

In

re_

0-

.-..,.--------

jJ,

ex _ al _ t~ _ bit

et

13:

lu

la,

al

l~

Ie

13

IiPs. Con -

.Ll

fl' . t<c_ ml'

,
an . nun _ ti . a . te

nl

no ,

in _ ter gen_ tes

'"

'.J

D6 - ml' -

'"

et

In _ vo _ ca' _ te

pe ora

-9-

Fi _Ii _

0,

et Spi .rl _ tu_

JUS.

----...
~

......

-~/

Pa_tri, et

no - men e

San _ eto.

Sic _ ut

GI6

JUs'.

%~

e _ rat

In pnn_

'

- CI _ pI

_ 0,

et nunc, et

sem_per,

et

s~.cu_la

SIle.

cu

16.rum. A _ men.

jJ,

--Q-

PARS II

14

.Ll

-II

es, * etc. p. 2

di

Hree

t.

Di.cant nunc, qui

D6

sunt

no:

ml

<

quos red.

~ ~

mit

de

rna_nu

ni _ bus

In_

_ ml

eon_gre _ ga

vit e -

<
u

{
_ os.

'.J

c9-

c9-

<

PARS II

15
AL Ie _ lu

18,

al _ Ie _ hl

la.

1.

_G---06

pul

rol _ nus

ero, qUI pro no

I
go

-9-

-----&

....

~ i~~-9-~_-9-

-------:--e~~

or~o

-------,.,

-------...

,(~~~~~'>~:_7"T
~~~'=""~""'"=""~~
bls

pf~n

pe

dit

In

li _ gno.

------ '--

-,9-

<

PHS II

..

16

Sequentia. Victimre paschidi, cam Allelll.ia in fine, at sapra in Dominica Pasch(l!, p. 5.


In _ t6 _ nu

~"

I
!.J

09-

<

dit

de

pGl

----

nus,

"

09-

et

Al _ tis

--

"---------,,

--------

------ -,

....

.---.....--...

runt

mus

Sl

"6-

.....

al _ Ie
I

....

.......

"

a _ qua

fon_ tes

ap _

et

"6-~"6-

-e-

==E

..<

am:

cern su

----~ .

ru _

ml

D6

10

'" de cre

vo

09-

pa

it

-......

rurn,

la.

--- --I

---'---------_.../ ~ ------

".....--..."

.......

Si

con _ sur

_ re _ xis _tis'" cum Chri _ sto,

",""

qure sur

Comm.

VII.

liARS II

17
8um aunt quae

ri _ te,

lu _

Ie

al

la,

u _

bi

"

FERIA QUARTA.
Ve _ oi

te

be

ne _

di

cti

al _

Ie

lu -

i,

Pa _ tris me

Intr.

VII.

Ll

per _ CI/ _ pI _ te

----.

gnurll,

------.,-

------

~.

re

n~

../'

....-........ .--.._,

......

la:

quod vo _ bis

-....-

-(T

-<-I

...---...-

t
.Ll

pa

ra _ tum

I
0

.--..-....

PARS II

ab

est

rr----

-y;

gl

o - n

-"'>,

ne

""" -

mun _ di,

/-....-

18
al _ Ie

ia,

hi

Iu

al _ Ie _

is,

Iu _

al _ Ie

18.

liPs. Can -

ta _

te

06 _ mi _no

can _ ti _cum

no _ vum:

can _ ta

le

l(~~~~~~~~~~----'J

----.....-

..--$:
-9-

06 _ ml _ no

o _ mOls ter

.u fI

G16

ra .

____

_ rl _ a Pa_tri, et FL Ii_o,

----+
.'JII:.

------

..
..
----------

---I~
:.1'---

!J

J.l

et

Spi _ ri

tu

San _ eto.

et
J.l

++

nunc, et

<J

sem _per,

et

!J

"

e _ rat

_ pI _ 0,

.-""....

'--

lD

sae_cu _18 sae_cu

di

.u fI Haec

ut

----

--

,,--...

Grad.
II.

Sic _

.!2.

!J

,.-...

-9-

16_rum. A

"_....___v

-es,

etc. p. 2

[neo.

- ,,..

.....--..........-.

t. Oex_te - ra
~

- -

--..!2.

---

PARS II

19

mJ

_ OJ

fe

cit

VJr

tu

<

tern,

dex _ te _ ra

u
U

..
mi _

D6

"9-

,.-..,/

-..."

~
n

ta

al

ex

'<......

01

_ vit

me.

~'<.._-----/

I
I

PAR8 II

20

- Ie

Al

III

...
'--'"

~-

Iu

,.

la.

I
~

!J

---------

[1 ......... -

.c;I

""9-

"'it-

....

Sur _ re

u_

------

~--.....

xit

-6-

D6.

--

-9-.-

'--'"
n--:O
(;

re,

mLnus ve

..-

~~

al - Ie

- -----

VIII.

la,

et

.~~

pa _ru _ it *

ap

----t-

.a ~

Pe

tro .
I

..,

!J

f-~"

~~~-

--.

II

~.

~.....--......-

Sequ8ntia. Victimre paschaIi, cum Alleluia in fint, at supra in Dominica Pasch(l!, p. 5.

ml

nus:

et

Ii

Por. tas cce

plu - it

il _ lis

a -

pe

ru it

man _ na,

D6

ut

e -

PAIl8 "

21

- de

_ rent:

pa

nem

pa _ nem

ea

-9-

An. ge _ 16

--.. ..,...

ho

vit

'J

-~

mo,

man_du

rum

.--('.,1

r::J-......----('.,I-...-.
-I')

il

dit

lis:

!J

de
I

~('.,I~

Ii

ere

-6--....--

.-t':)

Iii

al.le

la.

....:?"

<

('.,I

I')

-......----

0-....-9---"--Y_.

"9-

~-..

t':)

-~-

..

n'"-b~

Chri - stus

re . sur.gens ex

mor _ tu _

Jam non m6

18,

Comm.

VIII.

al _ Ie _ lu

la: mors il

_ Ii

(;)

bi

tur,

!J

PARS II

al

Ie _ lu

mi _ nA

---- ......-..-...
- -

do _

ul_ tra non

(;)

al _ Ie

18,

.------..- >"
I

'-----~

lu

la.

+ _______-9"0

22

FERUlQUlNTA.
* ma.num tu

Vic _ tri _ cern

p~-

am, D6_ mi - ne, lau - da - ve - runt

Intr.

VIII.

rl _ ter,

al- Ie _Iu

la:

+
-+'---"""-6-

qui_ a

sa

pI _ en

...

;0

ti - a

----+
~

rJ' -_______

~
-~

""---'"
a

ru _ it

pe

tum, et lin_guas

mu

os

!J

+-

.a.~

-6-

- ti _ urn

Ie _ cit

di

tas,

ser

.. ... -

10 -

- .a. -

J!.

al _ Ie _ lu

Ian_
ii

...!r

:z::=::=

la,

(~~~~~~~~~~
----- ~ "-..--,. -. . . . ----.. ----=---.a.
'--""

(~~~~~~~~~~~~gl~
al _ Ie

ia. Ps. Can_ ta _ te

D6_ mi_no elm _ ti _ cum no _ vum:

--

".

qUI _

mi _ra _ bi

Ii

_ a

Ie _cit.

PARS II

23
Spi _ rl

et
I
~

.Q

- tu

San _ eto. '" Sic _ ut

e _ rat

/"">

----

12.

09-

prin _ ci _ pi _

In

0,

-6r~
o

nunc, et

et

!J

"--'

.J2.

sem _ per,

et

10

--....

8~ _

eu _ la

sae _ eu

---

.a.

es, etc. p.

di

16 _ rum. A_men.

..

.~

t.

Grad

II.

11

_ dem,

quem re _ pro _ ba _ ve _ runt

ae_di _ fj _ can

tes,

ll-~

est

<

PA RS II

hie fa _ etus

La _

pl_

24
In

an

put

ca

'

Ii:

gu

est

D6.

ml _ no

fa

...

.~

ctum est,

et

hi . Ie

ml

In

cu _ lis

no

stris.
I

........}'.-

----

~---

11

Al _ Ie

la, * aI.Ie

Iu

(~~~~~~~6~~~
.. v _ v
-----

--

H.

hi

_ la.

t. Sur _ re _ xit

Chri_stus,

....

PARS II

25
ere _

qUI

H hu

-9........11

a _ vit

rna _ no

CT

~----

6 _ mn;

* ge_

........-......

ne

mi _ SeL tus

est

n.

-----

-9-

n~.~o

et

8:

...

.....,..-......

Sequentia. Viclimre paschali, cum Alleluia in fine p. 5.


In

di

strae,

ve

so _ lern _ ni _ t~

tis

D6

di _ cit

mr -

...-'y,

Z-9~,

J";~

nus,

c.I~r.I

o
-

In _

du

'<:;;;;,f"

...........

~am

ram

vos

ter

flu _.en
'--'"

PARS II

In

tern

---"-.-

26

et

lac

J.l

mel,

al _ Ie

--If-------ji---

--

Po_

Ius

pu

* ac -

nis,

ti

qUI _ SI

'T;,

Comm.
VII.

_ lu

la:

vIr _ tu _ tes

te

qUI

vos

de

JUs,

al _Ie

......
.
~------- -----

te -

bris

ne

vo

wi
"

a
~

,--...

J U

,it t;.

-----

..- ti

an_ nun_

,
_ ca

"
..--.

vit

In

ad

mi _

ra _

bi _" Ie

Iu _ men

,,-

PARS II

27

FERIA SEXTA.
e _ os

E _ dli _ xit

D6

rOl _

nus

I ntr.

cos

e _

-------

al

- Ie

_0______-

o_~

la:

Iii

et

In _

"-

Dl1

--

IV.

spe,

In

.......

.a:-',

.-0

..

rum

o _ pe _ ru _

it

rna

re,

al _ Ie _ Iii _ la,

- ---- ----.......

lu

al _ Ie

.....

?'J

ia,

~--

~_a
ia. Ps.

lu

aLle _

ate

gO

At _ ten _ di _ te p6_pu_le me_us

Ie _ gem

I
<

- me _ am:*

in _ eli _

na _te

au_rem vestram

In

ver _ ba

TIS

me _

I.

... .

PARS II

28

GI6

~ fl

Fi

Pa _ tri, et

Ii _

et

0,

tu

Spi _ ri

San _ cto.

,.--,
~,

!J

.a-%

---

e _ rat

Sic _ ut

ID

prin_ci _ pI _ 0,

see _cu _

la

nUIIC,

et

sem -per.

In

et

I et

sae - cu _ 16 _ rum.

A - men.

.. .

---------- - di

qUI

es,

* etc. p. 2

ve_

.....

.-

nit

in

n6
0

.......

PARS II

II:'!

rr

29
mi

ml _

m:

De _

nus,

liS

D6

et

il _ Iii

Xlt

bis.

no

Ai-Ie _ Ju

aJ - Ie _ hi

la,

VIII.

t.

__ ...

l)

II

r--

JR:)-..---

'--.-

---

009-

.....

CI

te

- ......._------ .
<

...

Oi -

In

gen _ ti

Lus:

qUI_

D6 _

-PARS"

30

Ii

gno.

Q...J..- ..,-:::..----

~~~

" ....-...

~,~,/-

--...

.-..

Sequentia. Victimre paschflli. cum AlIeUiia in fml p. 5.


E

rit

bis

vo

hie

di

es

Offert.
VI.

lis,

me- mo_ rl - a

_lu -

la:

et

di. em

fe

al _ Ie

sturn

ee - Ie _ bra

bi

t
!J

___...r;

<

6.

"-

'----'""',,--"

-"

...-........~-~

80 _

tis

r-

61

-....-'
Ie

mnem

D6

ml - no

in

pro-ge - ni _ es

ve

PARS II

31
_ stras:

Ie . gl

ti _ mum

_ em,

al

lu

Ie

_ ter

sem _ pI

.....--.....

num

.......... <

I~

al _ Ie

la,

di

_ ia,

al _ Ie

la

Da.

est

ta

ml

- hi

mnls po

te

stas

ece _

In

-+-

Co lIun.
l.

_. 10

PA RS II

-z!=1: =z

et

In

ter

//~'

_ ra,

al

- le

lu

18:

e _

un _ tes. do.

..

32

ce

o _

te

mnes gen

ba - pti _ zlln_ tes

tes,

et

os

in

SPI _ ri _

tus

hi

ia.

--

SABBATO IN ALBIS.
E - du _ xit

D6 - mi

nus

* p6 - pu - lum "u
~

urn

...........

w. :

In
~

Intr.

VII.

ex

sui - ta -

ti

lu

al - Ie

ne,

la:

<

et

Ie -

ctos

su

os

in

Ire _ ti

ti

a,

PARS II

u,.

33

al _ Ie

D6 _ mi

It'!

_ no,

la,

et

al _ Ie

hi

In _ vo _eel _ te

la. Ps. Con _

no _ Illen e _ JUS:

..

fi _ te _ml _ nt

an _ nun _ ti _

a _te

Il*~
l.L

in_ter gen_tes

pe _ fa

{' I '
,-,,0

JUS.

_ n

~ /~.

7J

Fi_

_ a Pa_tri, et

-::-

<

(~~~i~l.l~'---'~~~~~~~~:~~~~~~~'~~:~"---"""~~~~~I~-t'T~~~-+~~~~~-e-~.~~~~~~
~

# _ 11 _

0,

et

Spi _ ri _ tu _

San _ cto.

,.

SIC

ut

...
__

er

nunc, et

sem _per,

In

sre-cu_Ia see_cu

_ 16_ rum. A

_ men

<
It

...--.

Ab hac dIe usque ad sabbatum Quatuor Temporum Pentecostes inclusive. in omnibus


Missis. non dicitur Graduale: sed quatuor Alleluia cum duobus Versibus ordine infrascripto;
in Vigilia Pentecostes et post quamlibet Lectionem in Sabbato Quatuor Temporum eiusdem.
unum Alleluia dicitur cum unico versu. Alio tempore usque ad Septuagesimam. quando dicitu!'
Graduale. dicuntur tria Alleluia post Graduale. bis ante Versum. ec semel post Versum : cum
autem dicitur Sequentla. Alleluia, quod dicendum esset post Versum. dzcitur post Sequentiam.

PARS II

34
Iii

Ie

Al

* al _ Ie

la,

VIII.

lti

la.

--

-6-

t. Hrec

di

es,

quam fe

cit

D6 _ ffil

..

ous:

..a..
),

ex - sui
I

-----_.-/

te _ mur *

:::::_---

te

"

-- --

mus,

et

lre_

a.

PARS II

Ie

Al

lu

la.

IV.
I

j. Lau _ da

pu

_ te

----

<

e
I

---

{
!J

D6 ~

...

PARS II

D6 -

JI

lau _

ml-nUrTI,

da

men

-6'

09-

-------

;; n

ml

00 _

te

~~'---

--------

CJ

I'}

OJ.
I

-------~

~-9-

--

--

'"

'"9-

"

,.,--r;

"

~'"

Sequentia. Victimre paschMi, cum AllelClia in fine p. 5.


Be

di

ne _

ctus

qUi. ve

nit

1111

f}

--------...-

---- -""--:..--- --

Offert.

VIII.

......

I!!"",=-", .~.--

n6

!J

ml

ml

111:

---------:-9'"------~

D6

ne

,n

v~o

~-~~~-"j-~~,-....

-be _ ne _ di

i
<

XI _

vo _ bis

mus

01:

ffil

De

do _ mo

--~n

al _ Ie _ hi

--- ----------.-

..g:::---6-

a.

J!.

_ nus,

mi

D6

us

-- -

bis,

de

la,

et

il _ lu

_ xit no

al _ Ie

l'A R8 II

37

lu _ ia.
--

<

Olnes qUI

In

Chrl

ba_ pti _

sto

za _ti

:--..

"9-

----.... . - "

'-.....-.....

"-

(;

'--

"

9s~

Chri

stis,

(1_ _-

sturn

In

du

'<_y-------:.<.. .

la

Q~"--.,_~'---' u --.::'-~.

-9-

rJ

atis, aL le_ lti

n ---.
'7

DOMINICA IN ALBIS
IN OCTAVA PASCHJE.

mo_ do

Qua_ si

* ge

oi _ t-i in _hin.tes, al_ Ie _ 11'1 _

la:

fntr.

VI.

<

ra

ti _

O<t

bi _ les,

Sl _

ne

do _ 10

Jar.

?7,~

...........-=-t -.
"

con _ eu _ pi _

sci _ le,

al _ Ie _

lu

la,

H.R8 II

al _ Ie _

lu _ ia,

77. ______

.--==--....

38

!J

al _ Ie

.-

ie. Ps. Ex

lu

-r;

..-

JU _

bi _ lit _ te

suI

ta

te

------

]a _ cob.

GI6 _

11

qa

nO_Etro:

'"

a.~~

De -

ad _ju _t6 _ ri

De_o

51

.-

Pa_tri, et Fi - Ii _0,

-----+

----et

Spi _ ri _ tu _

nunc, et

sem-per,

San_ cta. '" Sic _ ut

et

s~

_ cu_ la

e _ rat

S8e_CU

prin _ ci _ pi _ 0,

et

.16 _ rum. A_men.

f
~ Dicitur Gloria in excelsis in hac et sequentibus dominicis post Pascha, etiam quando
infra hebdomadam adhibetur Missa dominicae praecedentis.
Al _ Ie _ 1.'1
ia, '" al _ Ie _ lu

....

'?1

VII.

_ la.

/--------...
o

PARS II

;-.

; r-

39

t. In

di _ e

re _ sur

re _ cti _ 6 _ nis

me

ae,

di _ cit

D6_mi

nus,

dam vas *

Ga_li _ lae

..

am.

~----'

In

ce

prre

--.-I

--..

--

Al_ Ie

VII.

~.,

1"-"'---"-'"

PARS 1/

40
di _ es

ste _ tit

'] II

0)

..

Je

_ sus

In

me

rum. et

su

. . -.-,:u

eto.

iii

nu

di _

di _ xi t ;

--

clau _

_I S

SIS.

di _ sci _ puJ6 .. rum

Pax

vo

bis.

~.

~~~~~~~---~~~~.~

?7

Offertorium. Angelus Domini, p, 11.


Mit _ te

"

rna _ Hum tu _ am.

et

co _ gnosce

10 _ ca

;C:===--I
;

PARS IT

it
no _ Ii

et

la:

in _ ere _ du

es _ se

Ius,

-0> ' - -

al _

---'

Mr _ se

Intr.
IV.

fl

rr

u'-

co'r _

n.

b6~~

ver

la :

u"__'u

--cae

b6~6

ple_ na

nI

- bo

est

De

Ii

fir _

rna _

ti

lu

ra.

J..l

l!)

PARsn

Ps.

ai_Ie

sunt.

Ex _

....

1~

_ _ _/u'--'v'---' U '--

fl

(t)

rnl

-~u

al - Ie _ lu

ter _ fa.
.IJ

POST PASCHA.

dr' _ a * D6

.-'u

ra.

u,

,"-,c.

.._-----...

DOMINICA

lu

Ie

aI _ Ie _ Iu _ I a

lis,

lu _ ra.

al _

sti

D6_

Ie

--'-.

suI

ta _ te

JU -

In

rnr. _ no:

""

42
re _

de _ cet

ctos

coL lau

u'--

R . Ii _ 0,

et

-"" '---------~

.~
et

_ dli

CIa _ ri _ a

ti _ o.

Pa _ tri. d

......u

Spi _ ri _ tu _

e . rat in prin_c1 _ pi

San _ cto.* Sic _ ut

_0,

- -

nunc.

et

sem _ per.

et

sre_cu.la

In

It.i

la,

s,~_cu_16

_ rum.A_men.

'" at _ Ie

In.

_ hI

la.

a-'......

Y.

Co

gno_

ve _

runt

,;-.

PARS

II

43
pu

_ Ii

In

fJ

06

fra _

cti

r5

ml _ num Je _ sum

pa _ n1S

ne

,
lu

Ie

la.

I.

y. E _ go
-..;

.0

0--

u.

sum

-..-.0

pa

stor

-u,-"o

'""'''-"''

bo
-..;~().

nus:

'-

./

~~,.,~,.,~.'~n~)~,.,,,-......,n

PARsn

ves

scunt me

me

as

et co _ gno

me

le.

J,I

I
~

<

"--'"

""',"-"Y'

Offert.

U---...-"

---,..,""--""'n..--.,.,

n~

De _

{;.oI~

'" De _

us.

us

me

us.

ad

te

~~~~~~~----B-

"--'

_ ____''

n.

PARS II

45
no_ mi _ ne

tu

Ie

va

bo

rna

nus

me_

..
_

al _ Ie

as,

hi

la.

go

et

eo

sum

gno _ seo

"

stor

pa

ves

bo

me

al_ Ie _lti

nus,

as,

et

co _ gno _ scunt

al _ Ie _ lli

re,

me

la

me

~-----~

Ie _ lli

al

la

la.

DOMINICA ill. POST PASCHA.


Ju _ hi

_ lei

te

De

"am _

nIS

ter _ ra.

al_ Ie -

Intr.
VIU.

PARS II

lu -

la:

46
di _

psal ~ mum

te

n6

gl6

te

da

la :

III

CI _

l
<

0 .....

..

lau _ di

.-/"'I!:::l

-9

CI

De _ 0,

te

06 _ mi _ ne! ..,

In

JUS,

u'-__.......P ' - /..

--

Ie _ lU

al

la,

e _ JUS, al _ Ie

OJ

_ am

(;,/--

ml _

al _ Ie _ IU

Ps. Di _

_ la,

quam ter _ ri _ bi _ Ii _ a

mul _ ti - tu _ di _ ne

al

sunt

IU _ ia.

Ie

6 _ pe _ ra

vir _ tu _ tis tu _

tu -

a,

men_ ti _

If

en_

n-

tur ti _ bi

In _

ml

CI

tu.

I.

GilLri _ a

Pa _tri, et

Fi _1i _ 0

----+

..--...-0'---'0"'__

..-/-,0

_______

rr--n:--

PARsn

47

,"

@.

<

et

Spi. ri -

-JJ

-----.,.)

'6l-

et
"

tu

San. cto. Sic.

e _ rat

ut

prin _ d

In

_ pi _ O.

nunc. et

,<Ie _ cu _ la

sem _ per. et

sre _ cu _ 16 . rum. A _ men.

.
ALle. lu _

" ai. Ie .Iu _ la.

la.

II.

..,. Re. demp. ti _ 6

nem

'---------- -----

si t

su _

Dei

TIll

o.

nus

III

p6 _ pu _ 10

v " ' _ _ ' v '---

--..-'u

"--------_../'

PARsn

48
Al _ Ie

IV.

lu

la.

.Q

6'

te

1(.0 _ por

bat

pa

-so <

sturn, et

Chri

ti

re _ sur _ ge _ re

mor _

rz:
tu

..,

--'u'__'u---....-u

IS,

ta

et

In

tnt

:;

C7___

./?;r--

,--

--

g\6

re

t)

'--

0
0

_ am * su _ am .

PARS II

-49

;0

Il

u'__

~)

..-/v--.?

t)

Offertorium. Lauda anima, ut in Feria VI. Quatuor Temporum Pentecostes, p. 97.

M6

di _ cum,

*'

et

non

VI

de- bi _ tis

me, al _Ie

_hi

la

Comm.
VllI .

fJ

te _ rum mo

di

cum

et

de - bi _ tis

VI

me,

qUi

va_do ad

Pa_trem, al- le_lu_ia,

Iii

ai_Ie

_ la.

I
-9

-9'---

--/..

-9

DOMINICA lV. POST PASCHA.


Can _ tii _ te

Intr.

VII.

PARS II

Do _

ml _

no

* can _ti
'---'"

cum no -

'--'

vum.

I.a~n~o~

50
81 _ Ie
~

__

hi

18

0'----

-~

Ii _

bi

fe _ ci t

..../..

-------... b~6-

D6 _ ml

ml _ f8

qUI _ 8

_ nus.,

a1

III

_ Ie

con.spectum

18.

f
fe _ ve Iii

ti _ urn

am,

su

-,

SI _

81 _ Ie

_ III

dex_te _ ra

e _

. '"

JUS:

et

81 _ Ie

bi

la.

q-9

jus _ tt

vit

hi

u
.....-..

ia.Ps.Sal_ vii _vit

'''--'"''
-,

ti _ am

b-9

bra _ chi_urn san _ ctum e _ jus.

Glo_ri _ a

<

,
.
p a _ tn,
et

Fi .1 i _ 0 ,

et Spi _ rI . tu _ i

San _ cto. ,. Sic _ ut

e _ rat

In

prrn _

PARS II

51
cI _ pI . o.

f) lot -

et

nunc.et

q-&

s~

sem.per. et

cu

_Ia

v____..._v

sre. cu.16 _ rum.A.men.

q-9-

?7

f~~----~~~~~-~~~~~E~~~b~9--"~~.~
Ie _ 16

AI

... al

_ la.

'------_/

IV.

_ la.

y. Dex. te

J.l

ra

tli

-.:;p

q9

tem

dex te

"0-

--------...~

~ J+

- vit

06. ml

ra

'"0_

~(

--,'"0,--

vIr _

cit

nJ

ex

al

.-.".

___7'7

0..

- la -

,..--....

me.

PARsn

fe

De

r.

52
Al _ Ie

lu

la.

I.

~)

ex

gens

re _ sur

Chri _ stus

tu - is,

Jam

mor_

non

mo _ n _ tur: mors

leo

-6'--1

PARS IT

53

ml _

uI _

Ii

il

na

* non

t ra

do _

bi _ tur.

'---------_/

.-

Offertorium. Jubilate Deo universa terra, Pars I, p. 123.

Dum

ve _

Spi _

eli _ tus

ne

rJ_

Comm.
VIII.
e

fl

1-

tus

Vte

to,

PARS IT

fI

et

ta

tis.

de

JU

il _ Ie

sti

ar

t i_a,

gu _ et

et

de

mun _ dum

ju_di _

de peeea_

CI.

0,

54
al _ Ie

la,

hi

al _ Ie

lu

---.

---

lal

~~

..........,

DOMINICA V. POST PASCHA.


Vo _

JU _ cun. di _

cern

ta. tis

an

_ nun.ti

Ii te,

Intr.
III.

et

au

Ii

di

te

al _ Ie

_ tur,

que ad

us

hi

181

mum ter _

ex _ tre

-&

,..--.,,,...-....

08-

-9-

08-

9,

_ rae :

Ii _ be

ni _ vit

D6 _ mt nus

po _

pu .Ium su _ urn.

PARS II

55
Ie _ lu

at

la.

III

al

Ie

Iii

_ te

no _mi _ni

e _

Ps.ju _ bi

la.

De _

om _

OIS

,
<

ter _ ra:

di _ ci _ te

" psal _ mum

da _te

JUS,

gl6 _ n _ am

..

di

e _

GI6 _ ri

IUs.

Pa _

tri,

et

Fi _ Ii _

et

0,

I
-~
so:

IJ. - ri -

San _ eto.

tu -

Sic _ ut

e _ rat

In

prin.ci _ pi _

0,

et

nunc,

et

fJ

sem

per,

et

In

s.r _ cu

_ la

sae

- cu

PARS IT

rum.

A - men.

@).-'
.Q

16

.Q

-~

-9

56
ia , '" al _ Ie

lu

Iii _

I.

y. Sur _ re

xit

-.

il . \6

Chri _ stus . et

f}

no

bis.

quos

re

xit

....

de

mit

, ..
san

gUl

ne

'" su

o.

PARS II

57

I'

iU

la.

vn.

--+-

'f. Ex. i

fj

f)

---

....

...-

'-.../

VI

Pa

./u'-""u'--'u_____u ~

'-"-

rr

tre.

e-

et

PARS II

dum:

..

ve

mun

e-

te

rum

58
mun

re _ lin

dum,

I
o,,----

C/

et

va

-o

----..

--....-do

" ad

'------_/

----

",

----~

Pa

trem.

Be _ ne _ di

ej _ te

gen

tes

D6

ml _ num

De

Ollert.
II.

-9

ti'

~---....

--....

strum. et

..-...

ob_ au _ di . te

-9

vo

r'Q

-...
~
::::t,

cern

PARS II

59
qUI

ad

VI

nl _ mam

jt

po _ SU

com_mo _

de _ dit

non

et

tam,

me _ am

ve _

rJ

pe _ d.. .,

fJ
t}

me

GI~'J

-.9-

non

-9----.:fr

~~

be _ ne _ di

Oti :

,/

mo _

--::..

ctus

--

ml _ nus,

77

'="

....-

de _ pre _ ca _ t i _ <5

vi I

D6

nem

---

me

am,

mi. se _n _ cor

et

fJ

!.J

-J'

PARS IT

al

me,

"7-

u
r;

GI~

-9-

Q.

--

di

su

am

am

- Ie

hi

GI~D~O,,-0,

--

--/~

'--

la.

u,----,,--'09-

..

60
06 _

Can_ til _ te

'* al

no,

ffil

lti

Ie

la:

Camm.
II.

can _ til

06 -

te

ffil

be - ne - di

no,

CI

te

no

t;;;:;' )~

,~.

fJ

be

JUS:

ne

nun

--

t i_Ii
77

-...-0 ..... _

0'-

men

Q~

di

em

sa

Iu -

ta

re

-e-___-9______

JUS,

..".

t2

,
.

al
I

--

Ie - lu

0,-

..

la,
9

Ie

, al

'~

n~

hi

o'---'u

la.

rF

t)

PARS IT

6\

IN LITANIIS MAJORIBUS ET MINORIBUS


AD MISSAM.

Ex _ au _ di _ vit

" de

tern _ plo

san _ cto

su

vo

cern

Intr.

IV.
o

me

et

am

jus.

T.P. At _ Ie

-=====--=========-

PARS

cia

mor

9......

me

ill

::~~=--.~ wL

.-.-~
.... ----0-

_ us

ia.

con

in.

al
Ie-

- 0 . ~-..=~
~

z<

_ spe -

_ Ie
.

e1fS. &;;
0______

0 _______0

62
.u

06 _ m i _ne

la, Ps.Di _ Ii _ gam te

- Iii
--Y"----_.

for _ t i_ttl _ do

me _ a :

--,0

06 _ ml _ nus fir _ rna _ men.tum me_ urn. et

et

Ii _ be _ ra _ tor

(;16. rl _ a

me _ us.

re _ fu gl _ urn

Pa_tri.et

me _ urn.

Fi

Ii _ o.

----t

.-....-.
-="'"'""

et

fJ

e>

, ..

Spi _ TI _ tu

nune. et

-r

sem _ per.

San _ eto,-

et

In

Sie _ ut

sk _ eu _ la

0,,---

--

e _ rat

In

sre _ ell _ 16

~o

&

prin_ci _ pI _ o.

mm. A

men.

~ In hac Missa non dicitur Gl6ria in excelsis.

Tempore paschali dicitur Alleluia. alleluia. j- Propltius esto. D6mine. Pars IV. p. 203.
Extra tempus paschale, graduale Liberasti nos. D6mine. ut infra. p. 256; deinde Alleluia.
alleluia. Yr Propltius esto. Pars IV. p. 203.
Post Septuagesimam, omissis Alleluia et W sequenti. dicitur Tractus De Necessitatibus
meis, Pars I. p. 185.

PARS

6;
bor D6 _ ml _ no

..

Offert.

o _ re

mls

nJ

VI.

me

rum

-. .
r-------------,.---,

8-

-G-

8-

t)

da _ ho

lau _

um,

Ii _ sti

qllit

tit

.~

dex

ad

..

te

ram

---+

pe

pall

-.I

-&
61

flS,

~,

-&

yam

sal

ut

fa

ce _ ret

quen _

per _ se

~~/--~~. .~-G-

bus

ti

@)

'-

~.Q...

PAHS

----Z-

Ii

nl

malTJ

me

'-'

d2

Z~~-:e

am.

T.P_ AI-

a"---'
0

lu

la.

t)

* et

Pe _ ti _ te,

et

ve

In

ac

CI

-e

tis

pI

pul

't9;:

- e -

tur

...

bis :

vo

'o q~

ti t

ac -

77___

----n--n

pul

fl

CI

san

et

pit:

qUI

ti

pe

Jj

v~

.Y
r

"----"

--..

u'-

I_~

om

.c2...-....f

P",

qu~_rit

e _ mm qUi

ms

- e

in

nit:

--..

~/'U

- tur, T,P.AI

'-:-.~-9

=::lIII:::::=

=::;:::::::'

ve

~e-

pe.

3-9

-------.'- -

___v

f);;

77,_,;'~

G'

a _ pe

_,0"--,,,

"---

.j.!

-----+

:I4=

et

te,

sa

O+,g

"'"
-

--+I--

Ie

V''--''u''------'

-=-,"

PARS

IN VIGILIA ASCENSIONIS.
Missa dicitur de Dominica V. post Pascha. p. 54.

PARS II

66

DO~1INI.

IN ASCENSIONE
Vi _ n

Intr.

Ga

Ii _ Ire

I,

;II

quid ad _ mi _

ra

ml

01

~~~@~~g~~~~~~

VII.

SPI _

CI

quem_ad _

en _ tes

cre _ lum?

mo_dum vi _ di _ stis

lu

al _ Ie

e _ urn

as _ cen. den_tern

18 :

cre

In

(urn,

(~~~~~~~~~~~~~~~.:-=I

fi

- ta

ve

al _ Ie

ni _ et.

_ 16

ia,

""-"'

al _

fj

al_

]u _ hi. la_te

Iii

De_o

ex_sui

-G-

-G-

__

gen_tes ~u_di_te rna _ ni _

ia. A. Om _ nes

vo_ce

----t
O"-"'U

~.

Ie

IU _ la.

Ie

ta_ti_ 6

nls.

bus: '"

Gla _ ri

_ a

-Go

ri-.n-Cl~_

l~~~~~~~~~~~~~~
P<\RS IT

67
Pa_tri.et

nunc. et

et

fJ

Fi_li _

0,

et

SPI_ ri _ tu_

sem _ per. et

/6 _ rum. A

---

sac _ eu

In

..

men.

-Al _ Ie

lli

* al _ Ie

la.

Iii

_ la.

,9

IV.

9;;

fJ

---'

fJ

JU - hi

In

----.-.

- la

'-----'"'
~

ti

-----

11(',

et

ml

---...

-6l-_________+

Do _

.,.,.

nus

vv_____.."'v-..

---,..

In

PARS If

YO

- ---

ce

68

bae.

tu

Ie

Al

16

la.

VnI.

'f. 06

fJ

--

01 _ nus

In

Si _ na

In
I

eta,

san

u _____

tJ

'--"

~~

a _ seen _ dens

.t2

-e-

C":9~

a~

~~

xit

tum, ea _ pti _ varn

al

10

ea _

VI _

ta

tern .

PARS

69

..
A

seen

dit

'" De

!n

lJS

JlI

-- ---

Offert
I.

~~~

'--'"

,-

bi

&----&-----&

la

ti

'---..-0

77"

In

Ie

lti

~.

-"

PAHS IT

13
, -

.,c;.

...r;

ce

V(}

0 '-'""

"'7

-e-

:.J~

---...

12:2

.u
,~

~,

nlls

f.

06

ne.

<1

~77--'-

.J!"

....

-61-~-61-,-".

til

bre,

aI

---

70
D6 _ ml

Psal.li _ te

per

su

TJ

cae

no,

los

cae _ 16

,.
qUI

as _

ad

rum

en _ tern, al Ie

lu

18

~ Disbus a feria VI post Ascensionem usque ad feriam VI ante vigiUam Pentecostes


sive, dicitur Missa de festo Ascensionis, ut supra, p. 66, cum Gloria sed sine Credo.

inclu~

DOMINICA POST ASCENSIONEM


au _

di,'" D6

bi

di _ xit

quae _ Sl

VI

vul

tum

tu

urn,

cor

me

um,

vuLtumtu.um D6.mi.ne

PARS IT

71
J.I

re - qui - ram, ne

al

~ J.I
)

Ie

_v_

\u

nus

mt

~,~

quem

tu _ am

u~

v~C/,-"v

?5~C7,---

In

.___7:7

il _ lu _ ml

ti

nil _ ti _

Gl6 _ ri

_ me _ bo?

'"

SIC _

ut

f>

rat

_ a

me _ a.

In

Pa- t ri. et

'"

sa -

pt

FL Ii _ o.

prin_c1 _ pi _ o.

-- "--------------

,
t

PARS 1I

___

lao

Ius

me _ a

et Spi _rl _ tu _ i

et nunc. et
I

me.

'~

San _ eto.

et

v~v

hi

lt~

..

em

,..f-,.,~--y,

al

lJ

CI _

lao

.-v

-----.-

fJ J).Ps. 06 -

fJ .u

fa _

ver _ tas

sa. _ ell _

la

Sir _

---

eu

'-

16 _ rum. A

men.

sem _ per,

72
Al _ Ie _ lu

la,

'" al _ Ie _ III

la.

1.

'f. Re

o _

mnes gen

tes:

gna _ vit

De

us

06 _ ml

se _ det

su_ per
I

-v

_ nus su

se

per

dem

----t

san _ ctam

su

am.

I.

PARS II

73
Non

lin

re

Vos

quam

pha

or

nos

~~ ....
b 09-6h

do.

va

J.l

el

ve -

nl

ad

_0

~~

..-

I")

et

~~

gall _

PARS IT

--!!-- v.

..-

de

u~~

~-- ,...-..,-..,~

hit

---

u~u

vos.

cor

ve

strum.

Offertorium. Ascendit Deus, p. 69.

cum

sern cu'rn

es

IS.

--.-

-e-

e
va

,-~-

,
~

al
.LI

barn e _ os.

16

Ja:

.LI

nI

au

nunc

ad

tern

te

vi:. -

o :

non

go

ro

?:J________77~77 -..-77

ut

tol

las

de

os

rnun

'"-'"""

"----,,

~.--

~-9___-9

-,., .....

'"""'-

--sed

ser -

ut

ves

os

.-

---

rna _ 10,

1J"

al

Ie

.--.... ,.-,

.-..,-

do.

_____V'

@)

hi,

rnl

-~
u

fJ

de _ di _ sti

----------

Ie

'--""

quos

~
~

/1

--&-----'-

hi

la.

--+
---...-'-""
:!:::::::
~

n
@)

al

lu

Ie

la.

.LI
~u

u ____

.-...-u........

___ u

u--.;u
,..,

PARS II

SABBATO IN VIGIIJA PENTECOSTES.

75

Introitus Dum sanctifidltus fuero. de feria IV post dominicam IV. Quadragesimae, addito
duplex Alleluia in fine. Pars I. p. 262.
Gloria in excelsis.
Alleluia ~ Confitemini Domino. Pars 1. p. 345. incipiendo a tertio Alleluia; et in fine non
rcpetitur Alleluia. sed immediate sequitur tractus Laudate Dominum. omnes gentes. Pars I
p. 199.
* ~
E

mit

::Spi

te

tUm tu

urn

Offe rt.

VIII.
o

fJ

-,

cre

et

I -

hun

tur.

no _ va

re

.~n~.~

..-..

fa

bis

et

em

CI

,...-----____
rre :

ter

..
sit

gl6

D6

ml

ill

00-

-----Q

-0-

la.

cu

al

F3

SO

t)

Ie
0"--,,.

PARS II

Iii

la.

76
rna

UI .. ti

fe

11<

sti

tci _ tis

VI

di

comm.(~~~~~~~~~~~~~~~~~~~~~~G~'~~O~~~~~~~C~
V.

Je _

ee _ ba t

flu _ rni _ na

de

sus':

yen _tre

Qui

e _

flu _ ent

JUS

d.it.

ere

me

10

qure

VI

vre.

...------------ ,.-....
Hoc

f'J
~

au _ tern

rant

di

xit

ere _ den

_u""'-""o_.___..
.~~r

de

Spi _ ri _

tes

ee _ ptu _ n

urn,

In

----

tu. quem ae

l_r

.___'0"

'0".......

;..,

al

I"'J'-""

III

la.

PARS

77

DOMINICA PEN'rECOSTES.
Spi _ ri

D6 _

tus

III

OJI

re

- pie

VIII.

quod

ni

con

ti

PAHS II

ha

net

het

vo

et

mOl_ a.

SCI _

al _ Ie

CIS,

al

Ja,

la.

Ie

hoc

en

lu

ti

la,

lu

la.

..-....

lu

al _ Ie

Ie - IIi

al

~~

.Q.,

_ rum.

_ am

-6'--

ter

bern

e.;

Intr.

or

vit

''----'"
~,/-

--.,..

rJ

v~.

~-e-~e~
0

78
sur _ gat

et

fu

gl

ant.

In _ I

et

De. us.

qUI

de _ run t

e. urn,

ml

fa _

CI

CI

JUs;

e _ JUS.

Sic: .

ut

e rat

In

12

et

In

0,

et

nunc,

et

sem

-==>~

'----'"

prin. ci pi

----

,12

-9

s~

_ cu . la

sae _ cu

16

per,

~'---'~

:>.,

rj

rum.

_ mem.

'J

Al . Ie

lu

la.

* al . Ie

lu

la.

PARS

IV.

79

'f.

tum

fI

_ te

--?:J

u'____

Spi _

E _ rni t

cre _ a

urn. et

tu

bttn

"-----_.-'

tur

U~?;7---..J7

_____, _

CI

em

ter

-v.

et

re _ no _

p
n

rce.

0'___ _-'

Al _ Ie

II.

PARS IT

Iii _

18.

~--------

va _ his

80

YVe

Hie genu/lectitur

Spi

San _ cte

fi _

cor_ da

de _

Ii

tu _ <>

_ tus. re _ pIe

_ urn: et

_~

-17

-..-Y

<7,--,<7~G~

':--h~~n

ns

nern

_ rum

In

.e-

15

cen _ de.

aC

~~-9~~$~~~~~
~,~
~~~~~~~",~~~-9
~~
(J

-+-u~u

----n

'>

r;

.e-

...,.

PARS IT

81
San _ cte

01

Spi _ n

_ tus,

Et

e _ mit _ te

roe _

Ii _ tus

------------ '-----

.u

:J

Lu

tu

CIS

~.........

ae

ra

y-

y------~"

n~-

Ve _

urn .

Ve

..

~,

nl

--

I?

mu

da _ tor

OJ

di

Con _ so _ 18 _ tor

pa _ ter

...P

Ve _

Oul _ cis

pti _ me,

nI

....

----

lu _ men cor

hos _ pes

pe _ runl,

?:J.

./

ne _ rum,

pau

di _ urn.

IT!

mae,

' - - - - - - - _ / '---'

Ou Lee

PARS II

In

re

ae _ stu

fri _ ge

tern _ pe _ n _ es,

_ urn.

In

In

I a _ bo _ re

fie _

tu

so _

re

Is

qUI

ti

es.

_ urn.

82

lux

be .

_ tis

Sl

rna.

Re _ pIe

cor _ dis

In

ti _ rna

~~~~~~~~~~---~~

----.......

Ni. hit

La _ va

est

ho _ mi. ne.

10

quod est

Ni

sor _ di _ dum.

hil

Ri _ ga

est

In

quod

no

-------

Xl

_ _~

o~

urn.

n _ dum.

est

------ ----==t

----~--------

fJ U

Sa . na

quod est

sau _ ci - urn.

FIe _ cte

quod

est

ri

Fo . ve

quod

est

fr; _ gl _ dum.

Re _ ge

quod

est

gl _ dum.

de _ vi um .

PARS II

83
ru _

fi _ de _ Ii

IS

_ bus.

In

te

a-----a-----l
r:L

,., .,---- -

na _ n

_ urn,

Da

Vir _

tu _ tis

fJ ..
l!J

ex _

turn ,

Da

per _ en

ne

u'-

gau _ di _ urn .

U ____---...

6-

-~

I
Da

sa _ 111 _ tis

po g- ....

men. AI - Ie _ lu -

~.

-....

.~

0--

me. ri _ tum.

Sa _ crum

:a----------- ------.

====

-9

se _ pte _

con _ fi _ den _ ti _ bus,

18.

U,,-,T
~.

Et dicitur qlJi.'tidle llsque ad sequens Sabbatum inc/listv/!.

Con

fir _ rna

hoc

1<

De _ us,

Offert.(~~~~~~~~~~~~~j~Eg~~~~~~~~~~~-&S~_~
".a

IV.

--o~-

rL:

Q;;I

quod

ra

pe

es

In

bis

no

..... - T o

tern _ plo

tus

tu

o.

quod

est

_
.----------0 o-----=-n'--------_/

PARS li

84

In

f. u
~

Je

[.,1'_

ru

sa _ lem.

~ _________

o..::...--o

hi 6f

ti

7:J~

?7

-6-

_ fe

fJ

J,l -

rent

mll

ges

re

hI _

Ie

_ ne

al

ra.

la,

---------~---'"

est * re _ pen _te

Fa _ ctus

ere .10

de

so

i?
Comm.

VII.

ad _ ve

nus

, . ' - T-~:-:----..
SO;;
_~

en _ tis

spi _ n _ tus ve _ he _ men _ tis,

tes.

Ie

al

16

=tQ
tG
y

se _ den

u _ hi

la:

el

re _ pIe _ ti

rant

rt:

sun! om .nes

u~

- -

9,--,,9

?7~T

-,."-,,

6-

PARS IT

85
Spi_ri _ tu

San_ eto.

10 _

quen

tes

o~0

j,j

H De

al

I.

?5~

_ Ie _ III

rna

Ii _ a

.gna

---------III

al

la.

la.

-e~~--------~---...fr~#

,--::,,----.~---

----y,

FERIA SECUNDA POST PENTECOSTEN.


Ci.hci _ vit e

* ex a _ di

os

pe

fru _ men

ti.

Intr.

II.

al

<

~)

III

Ie

u..

'"-

0-

la:

J'

et

de

"9-

pe

---.. ..-..

t ra

mel

- Ie

u
<~.--??;c:
0
0

OC=Y
sa _

III

tu

_ ni

_ vi t

la.

os,

al - Ie _ hi

a! _

13.

lti

al

Ie

la .

---&-'-"'-'-----~

PARS II

86

Ps. Ex_sul_ tA

te

ad_ ju _

De_o

to _

no _ stro

ri

...

JU _ bi

_ lei _ te

u'--'u

~-n-------""""'n/

De _

}a

GI6 _ ri _ a

_ cob.

. .. . ..

Pa _ tri.

et

Fi _ Ii _ o.

Spi_

et

. .--

,
ri _

tu

San _ eto.

Sic _ ut

e _ rat

prin_ci

In

nunc. et

sem _ per.

et

sre _ cu _ la

In

pi _ o.

sre _ cu _ 16 _ rum. A

et

.~

_ men.

- -.
./

Al _ Ie

III

la.

11<

al _ Ie

PARS II

87

./

'''---'''"

./(.1

que _ ban

0,,-

va

tur

?'J_____

-...

Tl

IS

.a~----

lin

Ii

slo

rna _ gna

I.

------_.-'
o

AIlelCtia.

Veni Sancte Spiritus, p.79.


Sequentia. Veni Sancte Spiritus. Allelui2" p. 81.
Offertorium. Intonuit de ccelo, p. 16.

PARsn

Ii _

'*

88
Spi _ ri _ tus

San _ ctus '" do _

ce _ bit

al _ Ie _ 10

vos.

la :

comm.~~~~~~,,---~~~-,,~. .~~-,~,-~./~~~~~~~E~~~"---,,,~e
VIII.

quae_ cum _ que

di _ xe _ ro

vo _

al _

bis.

Ie _ III _ ia. al _ Ie

10

_.

la.

FERIA TERTIA POST PENTECOSTEN.


pI _ te

CI

Intr.

IV.

*'

cun _ di

JU

ta

tern

~~~~~~~~
..
.

str~.

ve

gra _ ti _ as

qUI

vos

ad

a _ gen _ tes

coe _

Ie

De

sti

_ a

Ie

al

al _ Ie _ hi

o.

re

_ gna

vo

III

la :

la :

ca

vito

:PARS II

89

al _ Ie _Ill _ ia.

-&~9---"y

at _Ie _ hi

la, a I _ le

lu

la.

~"

flPs. At -

..r-.

GI~

-&~9,--,-&--"::"""--B-~--,,9,-,-e-

-y-

po _ pu _ Ie

ten _ di _ te

---

,
(;

In

-6

na -

- eli
Q

te

"-

'---------------------

au _ rem

ve

---~---

Pa _ tri. et

e _ ra t

Sic - ut

'--.--~

stra rn

In

--

Fi _ Ii _ a

gem

me

'--------_.---' ~------

ver _ ba

rlS

me

- I .

...

"0,,-,"..--",

et

~~----~

.-

San _ eta.

tu

et

In

am

9 _________-&

----

,.-

Cia _ ri _ a

Ie

me _ us

nunc.

sem _ pc,r

et

...

et

In

-e-

GI

<

PARS IT

sre -

eu

- la

Sle

cu

.. 16
u

rum.

-B-

~....--..~---------- ~-

men.

90
Al _ Ie

la.

111

'*

al _ Ie

Iii

VIII.

't.

Spi

tus
..,---

,If::::::=
~

-....-; u

"--'"

-,.,

9-

Alleluia.

'v

-'1".----,..,

do _ ce _ bit

San _ ctus

vo

9 _ _

'--' '---'
o~

vos

~
,.,~n::.

qUill _

cum

que di

--n

xe_ ro

bis.

~.

Veni Sancte SpIritus. p. 79.


8equentia. Veni Sancte Spiritus. AllelUia, p. 81.
Offertorium. Portas creli, p. 20.
Spi _ ri

'"

tus

qUi

Pa _ tre

pro _ ce

_ .dit. al _ Ie _Iii ., la:

comm.~~~~~~~~~9-~~~?7.~~~~~~~~~~~~;-!
~rr.

me

cia _ ri

fi _

ca _

bit.

al _ Ie _ lu _ la. al _Ie _ Iii _ i a .

~3
zs;;

PARS

91

FERIA IV. QUATUOR TEMPORUM PENTECOSTES.


dum e _ gre _ de _

De _ us,

re

co _ rar,}

tIS

10

p6 _ pu

ter fa _ ci _ ens

Intr.

III.

Ie

al

o.

tu

16

q.

la:

al _ Ie

.-..,

tans

IS.

In

-",

il

lis.

8-~~

.~

fJ

al _ Ie

lu

la.

,
,

!2

&

fJ Ps.Ex - sur - gat

Iii

- Ie

..

'"' " - ' "--' "---' - ' - "

-n

al
I

tJ..---

'7

---

&

----;;..

De _ us.

-u

hn

dis _

et

SI

pen _ tur

la .

In _

&

-,.

--_

mi _ c i

et

----

gl - ant.

qUI

- de-

---

run t

---

~--.0:::::

PARS

e -

JUS

fu

--.;

.,-",

...

.Q.

8-

bi

hcl

la :

""--"'

~-

<

16

..

fJ

1 _

e _ urn

~.

I~

--

fa

CI

.'-....

rJ

JUS.

. ----j

fl

92

Gl6_ri

Sic _

s~

Pa _ tri, et

_ a

e _ rat

ut

_ eu _

18

In

Fi _ Ii _ 0

prin _ ci _ pI _ 0,

_ eu

sre

Spj _ rl _ tu _

et

nune,et

et

'"

San _ eto.

sem_per,

et

In

16 _ rum. A _ men.
v"--

./---. . .

POSl

Lectionem,

III _

Al _ Ie

18

'"

VIII.

bo DO _ ml

f u -

ti

sunt,

et

nJ

Ii

ere

n _ tu

n s

fir _

rna _

JUS

PARS IT

93
a _ mnIS vIr

-0

'-"

..

tus

'"

e_

6 _ rum.

J.j

_.P..______/~---__-.9 "_''--'

---

Non repetitur AlielOia, sed statim dicitur Gloria in excelcis.


Post Epistolam : Alleluia, alleluia. ~. Veni Sane Ie Spiritus, p, 79.
Sequentia, Veni Sancte Spiritus. Alleluia, p. 81.
bar

Ollert.
II.

In

man_ dil _ tis

tu

IS,

m~~~~~~~~~~~~~~~~~~
. .~~/~~~~~~~~,--,~
6-

qUIe

di _ Ie

___

val

XI

de:

et

Ie _ va

ba

rna

..

.-P

6-

_ nus

me

G'

to'

~6-

ad

as

man_d<i

I
6-

77

'.I

G-

quae

,
,
<

fJ

ta

/----

' '-'~

8-

rJ

a,

tu

..-6 - ~

XI,

al - Ie

PARS II

CI

di _ Ie

-a

0,---,,0

6-

Iu

1a.

94

fJ
Comm.

Pa _ cern me _ am

vo _

do

-"

V.

re _ lin _

bis.

Ie - IiI

al -

0-..-.

18 :

P8 _

Cl~m

-t-~-e-

.Q.

quo vo

al _ I~ - 16

--.-"'"

./

bis.

- ia,

al _ Ie

---

0_,.0"

~.hn

1,."-0

la.

III

"19-

~.bn""----.

FERIA QUINTA POST PENTECqSTEN.


Omnia ut in die Pentecostes, p. 77.

FERIA SEXTA QUATUOR TEMPORUM PENTECOST1E:S.


Re

pie _

a _

tur

* os

me. urn

lau

de

tu

,'I.

can _

ta

re,

Intr.
III.

a1

al _ Ie

(11

Ie

hi

18:

18 :

gau' _

de

ut

pos _ sim

bunt

Iii

bi

PARS II

95
dum can _

a,

me

ta _ ve

_ ro

bi,

aJ _ Ie _ lli

la,

~ ,---------~~

16

la.

Ps,

In

te

~~-----..

Do_mi _ ne

I,

- st i _ t i -

tu

,-

',-

@'J

non

VI,

- be-

II

---,

ra

COD _ fun _ dar

et

me,

In

Ie

ter _ num

n - pe

me,

'"

JU

In

Cia _ ri

_ a

~,

-'"

Pa _ tri,

et

FI _ Ii _

et

Spi _ rl _ tu _

San_ eto.

..

,
PARS

pnn.Cl_

'

et

pl_C>,
I

nunc. et sem.per,

et

In

"Sic _ ut

e _ rat

In

96

I.

'J

~.

J,j

quam

bo_

..
et

Sp~

su _ Ii

VIS

est.

Do - ml

ne.

ri _ tus tu

PARS IT

97

us

In

no

bis!

--

Alleluia. 1t. Veni Sanete SpIritus, p. 79.

Sequentia. Veni Sancte Spiritus. Alleluia, p. 81.


*' a _

Offert.

_ rna

me

m~~~~~~~~~~~~~~~E~~~~~
E~~~~~~~~

IV.

fJ .. -

D6 _ mi

tau _ da

num

bo

D6

.
num

In

----u-----u

-.....

PARS IT

VI

ta

me

u ~ v

a :

ml

98

vos

Non

te

fJ

/l

ve

De

lam

rum.

re_

I,In

quam *

me

or

al. Ie . lu

strum. al _ Ie

III

o.

_ pha

1a

13,

et

quam. di

nos:

ve _ni

gau.de _ bit

_ am

ad

vos

cor

lu

a J . Ie

la.

SABBATO QUATUOR TEMPORUM PENTECOSTES.

ea .

ri _ t as De.

*dif.fu

sa

est

Intr.
III.

PARS II

99
In

di _ bus

cor

no

Ie _ III

aI

stris .

per

la

In

_ ha _

bi _ tan

ri

tern

_ turn e

JUS

In

no

bis.

?s.

Be _

al _ Ie

ne _ die

Ii

lti

nI

rna

la.

rne _ a

al _

Ie

10

06 _ ml _ no

,a.

mnl_d

et

QUce

<

In _

tr a

me sunt.

no_

IlIl _ nl

'an

,
<

Fi _ Ii . o.

et

Spi _ ri _ tu .

cto

--

Siln _ eto.

PARS IT

IllS.

...

.-'

.--...

.JI..

'*

,Sic _ ut

e _

Glo_ ri

'---"

.~~

Pa _ tri et

---.

100
et

~
<

J-

nunc. et

sem - per,

et

slie _ cu _ la

---- "----

--

. -----'"

In

s~

16 _ rum. A _ men.

_ cu

,"-

Post I. Prophetiam.

AL Ie _ Iii

la.

VIII.

~.

IJ

Spi _ n _ tus

est

Q.

------

-6-

* qUI'd

,.,

vi _ fi

qUI

VI _

"6-

v~u'--

"

-6-

cat:

~~

quam.

,
Non repetitur Allel(lia.

PARS IT

101

Quando adhibetur forma Missae breviar, hie dieitur Gloria in excelsis. Deinde 'If Dominus
voblscum. etc. Omittuntur Prophetiae II. III. IV et V cum suis versibus alleluiatieis, sed post
Epistolam, loco tractus, dicitur Alleluia.' VenL Sancte Spiritus, ut supra, p. 79, et sequentia
Veni, Sancte Spiritus. cum Alleluia in fine, ut supra, p. 81.

POSI

,
VIII. <

Al _ If'

1IJ

II. Prophetiam.
la .

, ..

~.

Spl _

tus

fJ

JUS

..
Q.

or

na

los.

vit

..,-

o
Q

Non repetitur Alle!(lia


Post III. ProphetillID.

IIi

la.

I.
.----'0
9

,
PARS II

102

,!. Dum com _ pie

di

_ ren _ tur

co

_ te

stes.

Pen

es

rant

o
I

----------

'.

mnes
I

O-'p..._

..l/_ _O :....Jo

"

se

o-o..--.:-p------u~~'__'o

"

pa _ri

_ ter

-----

den .. tes.

.
Non repetitur AllelOia

PARS IT

Post IV. Proplzetiam . Alleluia. XI Veni

Sanct~ Spiritus, p.

79.

Post V. PLOphetiam,

Al_ Ie _ lti _

la

VIU.

~.

Be

ne

06_ mi _ ne

d i _ c tuse s .

..

De

fJ
(0

u~

.."""

"9-

pa _ trum no _ stro _ rum.

el

lau _ dil _ hi _

sa> _ Cll _

Ii!..

---_.-/

Finito Vasu dldtUT C;I'11::a in exceisi'i.


Po,,'t Epl'-Io!([rn Sl'qll 'u: Tr:lcills La:;j"fe D(llJ,"'IIII1. Pars I, p. 332.
Sequentia Veni Sa'lc!e Spiritus, ut in Dominica, p 81. sed in fine non dicituT Alleluia.

P'\RS II

104

D6 _

Offert.

rnl _ ne

'"

De _

111

sa

us

me _ re,

tis

~~~~~~~~~~~~~~~~~~~~~~~---~=:=

VIII.

In

di

...J

cia _ rna

VI.

--~

co _ ram

cte

o_____

-.~o

-9

-6'"~

--.,

..r---,..-

,...........~

...!'"-""'- 1,,,....

te :

-6'"

-..,

'"

_ tret

ti

ni

Sp; _

e _

JUS

n _ tus

au _ dis.
u

me _ a

D6 _

no

et

rnl

u _ bi

al _ Ie - IIi

al _ Ie

ne.

vult

la:

rat

Spl

et

hi

nescls

et

un _ de

vo _ cern

ve _ nj .. at.

....

......

PARS IT

105
va

quo

dat.

Ie _ lu _ ia.

al

"----------'

--x---------.....
----
'"
"'.7

Iii

al _ Ie

al _ Ie _ III _ ia .

la.

.
Post Missam exspirat Tempus Paschale.

IN FESTO SANCTISSIMAE TRINITATIS.


Be_oe_di

eta

sit

vi

sa

"

San

eta

Tri

01

tas.

lntr.

VIII.

fl

at

que

In

_ di

qUI

te -

C<..-..J...I,,--,,-'--'

~~f

fe _ ei t

'------------'

PARS II

tas : eoo _fi

01

'--'

@)
~

00

bis

-----

cum

106

fJ

ml

cor

se n

_ di _ am

am.Ps.

su

Do.

Do .

mi _ ne

mI . nus

-9

,..,

-'"

0"--...,0'__'0

n~..

n~,.r---.n~-----

ttH~~~~~~~~~~~;::;;;;;;;;::::;~
no _ ster; '"

ver

quam

ad.

mi _ ni _ bi Ie

Clo. ri

ter _ ra I

sa

est

no. men

tu

San _ cto. '" Sic - ut

'---'

e _ rat

prin _cl _ pi _ 0

In

::::z:22;

et

nunc. et

~n

sem.per.

,---",'~

o"-'v

,..,---.

-.

Spi.r! .

-.....

et

~
-c:r-

-e~'----"-e

Fi _ Ii _ o.

Pa _ tri. et

u _

tu _ urn

--

---

.....--'

et

s~

In

eu

la

SIE

eu

16

rum.

_ men.

j
~

o~

u"-,,O

....- -

Be. ne

_ di

etus

es.

D6 _ mi

-e

_.

_ ne.

Grad.

V.

Fl\RS IT

107
qUI

bys

II

_tis

sos.

et

se

des

Sll

per

Che_

'------------

_ ru _ him.

fJ

tu_

In

~.

Be. ne _ di

u~'---"u

<
-9

etus

In

fJ

et

--.

lau _

PARS II

In

sre

ne.

ml

Ii.

ere

eu _ la .
I

(.)

to

..Y

n~~.... rP-

Do

es

fir _ rna _ men

d<i _ hi _ lis

-----.Y-....

n--n

~.

?7"'-----"~

108

AI. Ie _ Iii _ Ja,

OJ<

al Ie . lu. _ Ja.

VIII.

..,. Be

D6 _ mi

:J-.

ne

De

pa trum

us

no

di - ctus

es

str6 _ rum,

'---'"

9---"

et

Jau.. da . hi _ Jis

'--.-/

ne

v~o

-9'----"""-9

JIl

In

sre _ cu

_ la.

1'7"--

---"1'7

..
PARS II

]09
Be.

di

ne

sit

etus

lI<

De

Pa

us

Offert.
Uf.

01

ge

01

que

tus

De

*---.fr

Ii

Fi

bo

San

us.

.~c---e

quo _

etus

que

Spi.

tus:

fI

qUI

fe

(.)

-_ cit

su

PARS

no _

bis

am.

eum

Inl

se

fI

c6r _ di .

am

110

Be. ne _ di _

Comm.
IV.

et

CI _

mus

De _

Ii.

co _ ram 6. mm _ bus vi _ yen _ ti _ bus

ml _ se

cae

urn

ri

cor

con.

fi

_ te

di . am

_ bi _

su

mUI

flID.

MISSA D01VIINICJE I. POST PENTECOSTEN


Haec Missa dicenda est diebus ferialibus hebdomadae sequentis.
D6. mi

Intr.
V.

ne,

in

tu - a

ml.se

n cor.di

~a~~~~~~~
...
......,-9

-6>'
_____

m~~@~~~~~~~:~
spe

VI:

ex. suI- t8

vit

cor

me _

urn

PARS II

1 J1
In

f:

lu _ Lit

tu

rI

ca n . til _ bo

0 :

_ _ _.,.,.

<

sa

9~9

-9

..

...---......... .....--.....

,---...~-...~

no,

nIl

it

IJ

06

bo

qUi

na

hi. Ps.

ml

t ri

bu

Us .que.quo Do.mi. ne

0_

bli.vi

1-

77

_ see. ris

me

10

fi . nem? *

us. que .quo

a. ver _ tis

fa ci em tu. am a

me?

fj

---

Clo.ri.a

Pa .. tri. et

Fi_li.o.

.---~------_./

et Spi.ri.tu.i San.cto.*Sic.ut

e.rat

In

pnn.

.. ~

fJ

I -

ci - pI - o.

et

------ ......_ --_/

.--

PARS II

nunc, et sem.per. et

In

sIC. cu .Ia sre. cu.16 rum . A - men.

C'o...... d!Fit.

112
E _

Do _ mi

go" di _ xi :

_ ne.

Grad.
y.

ml _ se

re

re

me

sa .' na

b~

r----

Ii _

OJ

+ ....
+J
?:J

mam

me

-9'-"

--?:J......._=-===
__

am.
I

quo _

"J

OJ

am pee

c8.

VI

bi .

ti

"f.

Be.

tus

<

--=="'--"

,., I

PARS II

113
qUI

10

su _ pc r c _

tel.li.git

num

In
I

-9

D6 _
I

.
PARS II

rnl

_ nus.

di _

f'

pe _ rem

pau

rna
I

'-"
~

et

ge

.Q..

"-"
-9

..Q..

u'---

-9~

----- -

.-/-"
0

o~

114

AI. Ie _ 111 _ la,


O-"'

'AI

--'O-.......---(.)..,J

II.

al . Ie _ hi _ ia.
(.)

":ir~.1 n

".

Ver _ ba

me

u_.___

u,_~.

..

......... . . - -

{IU

per

bus

Cl _

pe.

-+
-4--

"'--""
'9

'}

Do

ml

_ ne:

In _

tel

--+

'"

Ii

.
cI a _mo _ rem

me _ urn.

..

--_.-'
Non dicitur Credo.
Offertorium. Intende voci, Pars I, p. 245.
Communio. Narrabo 6mnia ibid., p. 215.
FERIA V, POST FESTUM S.SMAE TRINITATIS.

IN FESTO CORPORIS CI-IRISTI.


Ci _ ba

_ vit

as

'AI

ex

a _di

_ pe

fru _ men

ti.

I ntr.
II.

PARS IT

115

fJ .u 1-1
~

al

lu

Ie

2)

la:

..

e-

_ _r..I.....

(.,1'-.

pe _ tra,

de

et

-e-~

----~

-'"

e _ 0 s, aI _ Ie _ Iu

_ vit

mel _ Ie

_ 1a.

aI

Ie . lu

la

lu

Ie

al

la. Ps.

Ex. sui. tii . te

ad

- -

I .u

off -

)u.

t6

no - stro! ]u - bi . Iii. te

De.

1a - cob.

Clo. ri

--,09/1

.-

Pa .tri. et Fi .Ii _o.

et Spi.rl . tu _

San _ eta. 11< Sic. ut

e.rat m prin.ci .pi.a,

--

I .u t+

et

nunc,

- -

PARS IT

sem - per,

---.9

~)

<

el

..

ei

III

e-

s? _ eu .Ia

sa: _

Cll

16.

rum. A

_ me n .

116

Ii

eu

'" 6

mm

um

Grad.

VII.

te

et

tu

spe

rant.

das

il

Do _

lis

ml _ ne

scam

In

op _ por.

tu _

no.

PARS IT

117

ns

tu

.Q.

num

ma

1m

am

tu

pies
I

..J

_ mne

a_

mal ..

01

,...-..,

1-

PARS IT

be _ ne _ di

cti _ <5

_ ne.

118

hi

AI. Ie

18,

'* at _ Ie

Vll.

_ lu

1ft

eft

me

ro

ve _ re

- a

gUls

fJ.u+l

~
<

~)

--

tus :

po

-.-,.

qUi

am

me _ us

est

ve _ re

est

man .du

------

~'--'

-~

"

car. rem,

cat

et

bi

bit

'---'

~
me

~~~~~~~~~'~
~
-.9--::'--

.-~
t2

PARS IT

119

san

urn

nem,

gUI _

rna

net,

et

~C-

"---

Si _ on

La\!. da

go

Sal.

va _ to

me

In

..,
In

;;

rem.

o.

P:) .::)
7';j---J7~----7

Lau. da

du .cem et

..

Sequent.
VII.

Jj

1+ - sto - rem.

In

hy _ mnis

et

can. Ii .

CIS.

pa_

Quantum poLes. tan _ tum

au _ de :

Qui _ a

ma. Jar

o _ mnl

lau -

de.

Nec

lau. da. re

sM _ fj .

.
o

PARS II

CIS.

..

120
Lau.dis

the. rna

spe.ei. Ii

lis.

Pa _ ms

VI

vi ta

. lis

...-6-----.:?...

....

vus et

-e-

===!
::~

H6. di

pro.

po _ ni

_ tur.

sa _ ene

Quem in

-e;

~~

ere

nie,

'.

.~
lIr"--,,,

11

fJ 111+
t.l

men.sa

__

11~

Tur _ blr

fra _ trum

__75

du _

de

n~

Da tum

no n am. bl .. gl _ tu r .

e-

~.

II

--

eSit

+....J'
laus

Men.tis

pie. na,

JU _

sit

bi lei ti

so n6 ra,

Oi . es

o.

Sit JU. eun .da, sit

de _

_ mm so. Ie _ mnis

co .

a _ gJ ..

ra

tur

In

qua

men. sre

prJ .. rna

re.

co . Ii

tur

Hu. jus

in. sti . tu ti .. o.

PARS IT

12 1
In

Pha . se

~ 1

hac men.sa

ve

tus

ter . ml _ nat.

::

-e-

Re. gis

no VI

<

f
Um _ bram fu

~l

gat

ve

J<_=_J~'"

?7

.. 1f

n6

tem

VI

-.

-e-~~~

...

Ve . tLl . sta

...

no _ V~

No. vum Pascha

Ie

giS.

. tas.

+--...-'

tas

No ctem lux

11 . ml nat.

.~

..,
...

Quod

coe _ na

In

Chri.stlls ges.sit.

Fa _ ei _ en .dum hoc ex _ pres.sit

Q.

fJ

JJ

In

me _ rno

su

_ fI

am.

Do _ cti

sa. ens

In

sti _ tu _ tis.

-""

..
Il

J.l

1f

PARS II

Pa . nem,VI _ num

In

sa . Iii .tis

Con.se. era. mus

ho. sti am.

122

fJ .u 1

Et

VI _

num

...,

-.-./

~J

ehri _ sti _ Ii _ nlS.

da _ bJr

Dogma

san _

In

gUI _

nem.

Quod

car _ nem trans_it

10

Quod non ea .

Quod non

o~

II~

PIS.

pa _

VI

des.

.c:::::t

-&

IS'

fl .u +!

nt

- mo _ sa

fir _ mat

fi

des. Proo _ tf'r

re

~)
11

- rum
C'

-&

La _ tent

[.I

77

+t

----- '"

res

spe _ CI

ex

Ma - net

_ ml

_ 00

r.'l

ta - men Chri - stus

bus.

IS'

t)

Si _ gnis tan _ tum. et

Ca _ ro

CI

-------

to - tus

Sub

-:::n---.

.Q..

f) .u

di

nem.

--

"'i"

-&

Sub di _ ver _ !lis

I)

or

-&

~ .u 1+

nlS.

bus.

san _ gUls

--=-1"
I

non

re .. bus.

po _

tus:

-8-_ ___-&

-9

_ tra _ que

spe _

CI

e.

./

PARS II

123

,
<

su _ men. te

In _ Ie _ ger

ae .

non

eon. ci _ sus.

el

pI _ lur.

Su _ mit

Non eon .. fni. _ etus. non

di _

VI

SUs:

u _ nus. su _ munt mil .I e

Quan _ tum

sti.

/------.

Vi . Ire

vel

In _

it

Ie:

.......

'~

Su. munt bo. ni.

tan _ tum

.....-....

su _ munt mil _ Ii

ter_

_ tus.

sum _ ptus eon _

Nee

_ ml - tur

...

&~

ta _ men

So r . te

Mors est

su

rna - lis.

In

VI

If'

ta

qua _Ii.

bo

ms

<

fJ

Vi de

sum _ pti _ 6 nts

Quam

sit

dis. par

ex_

.Ll ++
~....~---

PAHS II

...
-&

III S

124
Fra _ eto

Tan _ tum

de _ mum

es _ se

Sd _

sub

era _ men _to

fragmen. to.

Ne

va _ eil _ les. sed

Quan _tum

me _ men .. to

te _ gl

to. to

_ tur .

,.

lIr

Nul. la

scis _ su _ ra

fit

re

Si _ gni

tan _ tum fi t

fra _ ettl _ ra.

t9

Qua

nee

sta _ tus,

nee

sta _ ttl _ ra

Si _ gna _ ti

~
0

ml _ nll _

_ tur .

Ee . ee

pa _ nIS

Ve _ re

pa .

nIS

An _ ge _ 16 _ rum. Fa. etus ei _ bus

fi _ Ii . 0 . rum.

Non

mit .. ten

VI

dus

_ to _ rum:

ca.

nI

bll S

PARS IT

125

In

fi _

prae.

gIl. TiS

SI.

gna.lur,

Cum

I . sa _ ac

1m . mo . la _ tur,

A. gnus Pasehae

de. pu. lil

lur.

Da. tur

pa .

man. na

tri _ bus .

..... ........$--------' ...

Tu

In

nos

pa _ see,

tt'r. ra

VI

no s

tu.

e.

'Ill

re ,

ven. Ii _ urn .

Til

nos

qlll

ho _ na

cun - eta

fac

SClS

vI

de _ re

et

va . les,

Qui nos

PARS ]]

pa.

SCIS

hie

mar. ta .

les

Til _ as

- bi

com.men.sa .Ies,

126

f .u

Co.hre. re . des et so. da.les

Fae san.eta.rum c1_vi.um. A. men. AI.le.lu.ia.

--

11

-9---..J9- ...
I

Sa eer _ d6 _ tes

'AI

D6

ml.OI

Offert.
IV.

in . een sum et

Of - fe

nes

pa

De.

runt

-e-

'"

id . e _

et

~v

san

eti

runt

De .

"'.... _ x

~n-'n~"

It

SU

r--r---

non pol

et

o.

lu

ent

i '\

~ .......

no

--

men e

JUs,

al

Ie

fi').

16 . la .

./-----, ------.....

PARS II

127
es cum _ que .. man _ du ca

Quo. ti

bi _tis

pa. nem hunc.

Comm.

VII.

que

man.du _

ca

ve_ Iii

pa. nem,

vel

bi. be. rit

ca.

Ii . Cf'm

"----------'"
e

ml _ nI

In.

di

gne.

_ us

re

ril

cor _ po

f'1

flS

GO

fJ ~ rt
@

san .

77_

gUi

OJ

Do

ml

01,

..

._v____?7
e

6"

u'"-----'u~.

PARS

al

Ie

?J"

-e-

rr

........

;;

lu

0
J""

la .

77~7f

-.....

128

DOMINICA II. POST PENTECOSTEN


ctus est "

Fa

Do.

mi _ nus

pro _ te _ ctor

me

tu _ di

sal. vum me

us,

Intr.

I.

et

e _ du. xit

me

In

la.

ti

fir.

_ nus

_ be

ra.

rna. men.tum me. urn, et

tor

me

us.

nem:

Glo. ri

re.

fu gl .um

Pa _ tri,

me.um,

et

et

Ii.

F; _ Ii.

o.

----4
~

PARS Il

129

,
I

ef

Sp i

_ ri

San _ eta.

tu_

.. Sic _ ut

e _ rat

In

prin _ ci _ pI _ o.
I

__

u~

@) -

bt'J

./2

u-.-u,--",'""

60"----"0

----,

.r--~----

I~~~~~~~~~~~~~
et

nunc. et

sem _ per,

16 _ rum. A

et

men.

,
Dicitur Gloria in excelsis in omnibus dominicis post Pentecosten: non dicitur antem
diebus ferialibus quando adhibetur Missa domi!lIcae praecedentis.

Ad 06 _ mi

..

num.

durn

tr j

bu

In

Grad.
y.

_ lei

cla _ rna

rer,

VI,

..et

eX

au _

di

vit

me.

bo

'f.

PARS II

06 - mi - ne ,

130
be

m _ mam

ra

me_

L~

bi _ is

qUIS

et

In _ I

gua

lin

----t

do _ 16 _ sa.

AI _ Ie

lli

18,

.. al

_ Ie

l.

_ 1t1

la.

PARS II

13 I

yr. D6 -

_ Ta

\
)

vum

sal

VI

ne

us,

me

us

ml

In

me

spe _

te

fae

..

-~

"------,,.,~

hus

mm

per

se - quell _

------ -----Q.

fJ - ti
fI)

09~.

bus

me,

.~~

Ii

et

be - ra

~~

---.

me.
I

"---"

,--.-....,

..

, --""

,
<

Sic dicitur Alleluia cum suo versu post graduale in omnibus dominicis post Pentecosten,
etiam si Missa domin/cae in [eriis adhibetur.
PARS IT

132

06. mi _ ne

mam

me

am:

, . te . re.
con _ ver

sal. vum me

fac

e.

et

pter

pro

a _ 01

pe

mJ.

se

-=-~

~
<

.u it

cor. di . am

9-----.ft

!J
"

' ....

bo

Comm.

am.

tu

;II

06. mi _ no,

------~

1+ -

bo.

na tri

~~~~~~~~~~:~

n.

II

qUi

bu - it

ml

hi

et

psal.lam

n6

"..---.,

mJ _ 01

---

06 _ ml

II

al

tis

~..

(7

51

ITI1

--77

.-

PARS II

133
FERIA VI. INFRA HEBDOMADAM II POST OCTAUAM PENTECOSTES

IN FES'TO SACRr\'TISSIMI CORDIS JESU.


Co - &1 _ ta _ t i _ 6 _ nes

I ntr.

---------

'*

Cor

dis

'-'

09-

"....--....

".--.......

-&

fJ

ge _ ne _ ra _ t i - 6

~>.....- - - - - - -

ne

ge

----...--

~~

et

ne _ fa

ti

'-""

---n--'yj -;-

JUS

a:;E

-&

f(

Z \,

oem

'n

f
e _

fJ

a _

et

ru _ at

la t

te

mor -

n1-mas

_ os

me. T.P.

fa

In

rum

AI _

I-

Ie

Iii

t
~

la _ te

!u

Ie

lao Ps.

Ex _sul_

u,_ _ _-f-'

-'"

<

al _

la,

~.-

JU _

sli

10

---

-&----:fr_____~
I

u
n

D<Lmi_no," re - ctos de _ eet coLl8u_dLti

_0.

GI(Lri_8

PARS

134

fJ

Pa tri, et Fi.1 i . o.

Spi.r!. tu _ i

et

Sancto. Sic. ut

e. rat

In

prin.ci. pI- O.

. ..--.-..

--l

.. ~

-------------'~

et

nunc, et

sem _ per.

et

-m

sre _ cu

_ la

sre _ cu _ 16 _ rum.

-~

A _ men.

lit

CIS

re

el

ctus

---+
Grad.
I.

de

-....

.a:-

D6

nus.

ml

I==:
.Q

pro _ pter

hoc

Ie _ gem

~---I

da

_ bit

lin

quen. ti

a.

~.

bus

In

Di _

n _ get

VI

man _su _

e _ tos

-~

PARS II

135
In

JU _

d; _ c,

..r-----...

do

0,

bit
I

VI

as

.,

su

as.

--

AI

!II.

PARS 1I

Ie

16 _ la,*al _ Ie

lu _ la.

136

'f.

Ii

Tol

gum

te

JU

urn

me

SU

per

vos

di _

et

SCI _

te

-."---------,-----

ml

_ tis

sum

hu

et

.
I. -

ml _ lis

Cor

de.

et

In _ ve _

OJ

e _ tis

re

qUI _ em

I~RS

II

137
nI

rna

bus

ve

_ stris.

In Missis votivis post Septuagesimam. omissis Alleluia, et Versu sequenti, dicilur

Mi _ se _

'"

et

ga _

nI

cors

ml _ se _

Tract.
II.

ni

tor

'--'"

,
,

mls

mul

f.)

,
<

Ion _

Df) _ ml _ nus,

-,.r-~rf

PARS IT

ml _ se

tum

0 ....

"n

..p,-_,,"
~

/'-

_ cors.

et

138

't Non

pe _

per _

in

tu

@) ---'u.....

que

ne

tur.

fJ

In

ter

num

~-e-~

en

u _____
,.5

u~

r;::-n

'to

bi _ tur.

com. 10' _ na

-e-

0"-,,,

;rze.

Non se - cun

. dum

pee

bis.

stras

ca _ta

ne - que

re

fe

cit

qui. ta

_ tes

no _ stra

se _ cun dum

tr!

bl.l

nt _

it

no

no_

no

PARS If

139
bis.

Tempore adem Puschali,

OIllISSIS

(]raduali et

Tractll,

Alleluia, alleluia.

dicitUT

t.

Tol-

lite, Ilt supril, p. 13::; ; delnde

Ie

At

_ III

fa

VIll.

IQ6~tJ

fl

~.

Ve _ III

te

ad

~--

Q~

~-

eQ~~~

me,

mnes

qUI

la _ bo _ fll
s

PARS IT

140

tis.

et

ra _ ti

_ ne

stis:

et

_ go

u'---

re.

-~.

H _

CI

vos.

am

..

pro _ pe _ n

um

'"

ex _ spe. cta,

,_

VI't

Cor

. .... .. .... ...

~~~g~~~~~~~~~

PARS IT

14 I

et

_ re

su _

,ti

nu

qUI

SI

mu.

non

et

lur

...-

~--_.----

con

non

so _ Ian

fu

_ sta_

it ;

-.

tern

que _ 51

me

VI

el

m.

In

Q..

PAHS

cum con _ tri

me

---"O

142

Tempore vero Pasclzali, in Missis voavis, sic mutatur Ojjertorium


Ho _ 10 _ du

sturn

pee _ ea

pro

et

.........

Nt

'-

Offert.
VL

_ to

non

Ee _ ee

sen

lei

po _ stu

o.

ve _ m

_ ptum est

tune

sti;

de

ca

In

me

ut

di

XI:

Ii

pi _te

fa _ ce _ rem

bri

vo _ lun _ ta

.. tern

am:

tu

_ gem

tu _ am

De _ us

me _ us,

me

vo _

lu _ I

et

di _

Ie

o.

PARS II

143

Cor _ dis

mf'

AI

...--... \

lu

Ie

ia.

.,,--,...

,,........." ,
,--..-'O~9

0.

b~...

..

U _ nus

I a _ tu s

mi _ Ii _ tum .. Ian. ce _ a

e _

a _

JUS

pe _ru

_ it.

Cowm.

con. t i

et

fJ

&Q

VB.

rl U _ 0

~x-

vit

et

san _ gl1ls

qua.

O'----'~7J...y

_------

~,..--...

rl'---"'"

Tempore autem Paschali. in Missis votivis. sic mutatur Communio

s,

qUI,

SI

tit

"

ve _

nI _

a tad

Comm.

VL

fJ

at
I

- Ie

- Iii

- la.

,-

It)

al

- I.-

'--'

-......

lo
.......

a-b.
0.

la.

--

PAHS

me

et

bi

hat

144

DOMINICA Ill. POST PENTECOSTEN

vi _ de

go:

sum

..

hu _ mi

Ii ta

-9__..._-9__..._-6>-___

b6

rem me

um:

0,_:--

..-/-&

---

am,

tem me

di

et

- mit

~~.

te

_:9_

----+
G=

-&---

rz:=::

-~

mm

..

__-9

pee _ ca

ta

me

a,

De

us

-9",---",,-&

~------- '--/-&~. .

77
~

us. Ps. Ad

me

-9

....

te

bn

D6 _ mi _ ne

--

.e--

Ie _ va _ vi

a _ nl mam

r.,;

---"'e9

bn

me. '1m:

-9

=
PARS IT

145

De _ us

me _ us.

te

10

Pa _ tri,

eon.fi .do. non e _ ru.he_scam. Glo.ri _ a

'--"

et

Fi.li_o.

et

Spi.ri _ tU_1

San_eta." SII:. u1

e_ rat

In

prin.ci _ pl.O.

0 . ._ ,

Ie

_"'
et

nunc.

sem_ per.

sre

et

cu. la

S~ _

cu _

t6

_ rum. A _ men.

Ct. _

iP -

ta _ tum

tu

11m

Grad.
VI.

Do

mi.

no.

cl

, .

pse

tp

./

..... _ /

PARS IT

nu _ tri_

146
.,. Dum cia _

I ..
~)

*-

--

ad

rem

06- ml

num.

ex _ au _

,e~

I"J

d. _

vit

.-.

'-"

---

6-

vo _ cern

qUI

rna

"--/

me

ap_ pro_ pin_quant

am

'"

ab

ml

PARS II

147

AI. Ie _ lu

la ,

iJ

I _ Ie _ lu

16.

VIII.

'to

De - us

'1'9-

fJ
~

stUg,

for

-9

-...,-.......

7'J

..

--9

...

C-'

dex

u._.
pa

see

/u

-9~ .

".7'J

_ ti

.~

ens. num -quid

....- - " ,

0----"

-~

-..

/'

ra

pt

ti s

III

tllr

gu

los

di

- es ?

:t~
I~

PARS II

'2_

148
te

'*

mnes.

qUI

no _ ve _ runt

Offert.

m.

f.

urn.

men tu

no

Do_mi

ne

quo _ ni

am

non

.<--..

de

,
,
<

1
)

te ;

(.)

psal

quae _ ren

lin _ qUIs

re

Ii

D6

te

9~'--.

tus

qu '

bi _

ha

.-/-9___..___-6-

5i

In

fl - bl;

no.

ml

tes

ra _

ti _ <>

on

quo _ ni _am

nem

non

pau _ pe

est

0_

rum.

PARS II

149

vo _ bis. '" gau eli _ urn eSI An _ge.lis De-

Di _co

su .

p~r

Comm.
V.

pee _ ea _ 10

u _ no

p~ _

re

nl

Ie n _ t i_a m

<

o___..__------u--.---u'-" D__._D---.P
___

DOMINICA IV. POST PENTECOSTEN.


'"

11. lu _ mi _

na.

ti

me

a.

I nt r.
II.

el

fj
~)

Ius

sa

me

'- ..

-.-P-----..P

ml _

nus

de _

fen _

SOY

me

Ii

,-....--

me

VI

bo?

'--'

r:-

---

06

quem

a.

-...

ae.

quo

tre _ pi _
I

,
PARS 11

da

ho?

qUI

Iri

bu_Iant

me
I

150
mi _ ci

In _

me

10_

I.

- rna

fir

_ ti

SUllt.

--t

ee _

et

non

---+

--

de _ runt.Ps.Si eon.sl. stant ad.ver.sum me ea _ str!l;*

el

ti. me. bit

eor

me.

Pa _ tri. e t

C16. ri a

urn.

Fi _ Ii _ o.

=:::f:
.-0'--

./-

--+

et

Spi _ rI

tu

".I

San

- eto.

''.-.-~

n----.

-..

* Sic _ ut

?7

'9

et

--

nunc. et

sem _ per. et

In

10

prtn

- cI -

PI .. o.

--+
.--

?7

t)c=

'-'
fJ

e _ rat

sae. eu _Ia

~--SIE _

ell .16

:;ft

- rum.

men,

--

Graduale. Propitius esto, Pars I, p. 194.


Al _ Ie _ hi

la, '" a I . Ie _ III

la.

VII .

B\RS II

15 I

JJ

U!=',

---"

'..)

,.

'6'

des

se

qUI

"-""

-"
,,---, ',,------.
Q
-0& '3

.-

.....

:7

per

'----'

..--..

-9
"U

"w",

su

,'"

I-&-~

thro

,!

ill

di _ cas

1J: _

qui _ ta

!I~rn

PARS IT

sto

IU _ lim

pe

rllm

"

152
In

tri _ bu _ la _Ii _ 6

u jf

I
l

.----~--------~
....

---" '--

..

-9~

,,-

11 _ 16

off er t .

ne.

/'

na

ml

'I<

6 _ eu

los

me

~~~~~~~~
----=:::;::;"'""

IV.

os.

In

mor

ne _ quan _ do

ob _ dor

ml

am

a..

di _ cat

In _

,
ffil

PARS If

153
lu _

ad

vcr

'---

D6 _ mi _

_ sus

urn.

--

--'0

'" fir _

nus

rna

men _

tum

me _ urn. et

re-

Comm.

n.

f
(!

gl _ urn

fti

et

Ii

be

.'--"o....___p ~ ~ .

---'

fJ

urn

me

me _

De. us

- - - -

'n

ad

us

ju

ni

tor

me

'~

us :

.-

me

tor

us.

..

DOMINICA V. POST PENTECOSTEN.


Ex _

au _

di

06 ..

ml _ ne

..

vo

cern

me

am.

qua

cia ..

Intr.

IV.

PARS II

rna _

VI

ad

te

ad ..

iu

tor

me _ us

sto.

154
ne

de

re _ lin

- quas

que

ne

me,

"---'

de - spi

Cl

--- ----

fJ

C-'.....----u-..-L'______

--

quem

ti

JJ

me.ho?

~~

,.,

r---,.

ta

us.

("l

Fi .. Ii

-/

et

" 0,

Spi _ r~

tu

=-=
---'

06-~

;.,

---

C-'

n-

6-

r:@

15
,tit:)

me

flS

Pa _ tri , et

.....

CI

......05\..

6-

l:r

v~-:-'-v
.-

CI6- n

l
.@)

lu

sa

us

De

me,

.....

....

1 JJ

- as

Il

San. cta. .. Sic _ ut

e _ rat

In

prm _ CI

JJ.

pi _ a,

et

nunc, et

sem _ per,

sre _ cu

et

_ la

sa'

_ cu

_ 16

rum.

men.

PARS II

155

Graduale. Protector noster, Pars I, p. 196.

AI. Ie III

" al _ Ie _ III

la,

VI.

_ la.

~.

Do _

te

Vir

ne.

ml

t\l

lae _

la

...

bi

u~U-----j

hn

PARS II

_ tur

rf'X

p"_y

156

su

urn

per

ex _ sui _ tli

sa. lu "

ta _ re

tu

bit

ve

he

ter .

Offertorium. Benedicam Dbminum, Pars I, p. 212.

U _ nam

hane
I

-----7"

.--..,.,

/2

-e-

ti

pe

re

--

.a

D6 _

ram

qui

ml _ no,

CU"

ut

In

ha

I:::::::=

e...___
~

..

--.

-"*\""

I:::::::=
.<

PARS It

157
bi _

,,

VI

".

tern

do _

In

mo D6. rnl . m

6,. mni . bus

di

bus

ceo

me

tee

-- --

~)

.~-----

0------,0

-e-

-.

n---n

DOMINICA VI.POST PENTECOSTEN.


ml ~ nus ""

D6

f0r

ti _ til .. do

pie,.

bis

su

Intr.

n.

et

pro. te

Chri

urn

III

etor sa

sti

sal

est

su

f1

po. pu _ lum

vum fac
I

---

-........--

r-;~v"--,,.

-&

-----'

PAH.S IT

ne,

..

v~,,--/(.(

---

tu ,. um, D6,. mi

et

be _ ne die

/'

h~.

---t2
re ,. di ,.

til _ ti

tu

~,

158
et

re _ ge

cu

SI

e.

os

06 ml _ ne

I urn. Ps. Ad te

Ie as

me :

'AI

cl a rna. bo.

ne _ qu~n _ do ta. ce _ as

me

ne

me. us

De us

et

as.

51

ml

o'___

Is _ bor de. scen.den _ ti _ bus

In

la -

cum.

-------u-----o

Pa _ tri. et

CI6 ri _ a

---.. -~-----, ,.-...

FI _ Ii _ o.

et

et

Spi rI _ tu _

nunc. et semI per. et

San _cto.

'AI

s~ cu _\a

Sic _ ut

e _ rat

sre _ cu _ \6 -

In

prin .ci pi o.
----j.

rum. A

- men.

Graduale. Conv6rtere, Pars I, p. 197.


PARS

159
AI. Ie

III

.<

la,

at ..

JI<

Ie

III

la

III

'r.

f.

<

In

te

..

con _

non

VI,

ftJn

dar

ae

In

num

iu

st!

ti

Ii

be .. ra

me,

.
me
I

tu

-e-.'

fJ

In

In

eli

na

ad

me

--+-

et

e..

rJ

rem

tu

pe

au

am,

u.

PARS IT

160

Ie

ac _ ce

ra

ut

ri

pl

as

In

ta _ ber

na .

me.

Ot't'ertorium. Perfice gressus meos, Pars I, p. 143.


Cir. cu

Comm.
VI.

boo

11<

et

im . mo. la . bo

--------~~~~~~~~:~

_ cu

10

can tti

JUS

boo

et

psal

h6

sti _ am ju _ bi _ la _ ti

_ mum di

_ 6

cam

illS:

D6 . mi

.. no.

DOMINICA VB.POST PENTECOSTEN'.


mnes

gen _ tes

11<

pIau _di _ te

I nt r.
VI.

PARS II

J 6]
rna _ m

la

JU _ bi

bus:

te

De

fJ

ex _ su! _ ta _ 1i

vo _ re

In

Do _mi _ nus

nis. Ps. Quo_ni _ am

lJ.

--

ex _

cel_ sus. ter_r! _ hi _lis:

Rex rna _ gnus su _ per

Gla _

_ lri

et

Fi _ II

-':)

Sic _ lit

b~

Spi_r1 _ III

el

0,

Q...

be

e _ Tat

s.r

,
PARsn

San _ clo.

4:

In

be

,Q...

prin _ Cl - PI _ 0,

et

nunc. et

-':)

sem _ per,

et

In

2~

lJ.

ter _ ram.

lJ.

fJ

mnem

--- -

t)

Pa

lJ.

"--'

.--"'~n

e u _ Ia

.~

~f

sre _ eu

_ I,)

1'.

rum.

u'-'
r;

men.

162

fi _ Ii _ I

au _

di

Ie

Grad.

v.

,
<

me:

fJ

Ii _

IUO

_ rem

fJ

'f.

et

i I _ lu _ mi _

na

do - ce _ bo

vas.
-?

lJ

.. ./~'-

'----'

.e-

,.(

I:

_ nl

-....

Do _ mi

........"

. - ..
------'"

:;;:;.-- " - '

Ir~n

---t2-

:::::z:z::::

Ac - ce - di - Ie

rnl

_ nI

el

fa _ ci _ es

ve

slr~

.....-=- z

non

con

fun_den- tur.

PARS IT

163

.AI . Ie _ III

la.

I.

13.

fl

'f. 0

--,0

@)

77

e- -~

--

-----

mnes

-77

piau

gen

di
-G--

fJ

nt
I

PARS II

bus:

164
ju _ bi _Iii _ te

De

ce

vo

~~o,-----,~~~~~~r.;,----,,~r;;
~--.~
(e~~~e~~~~~~~~--...
ex _ sui

Sic

_ ta

ut

'*

6 _

ti

ho _

In

OIS.

10 _ C8U

a _ ri _ e

sto

_ tum

Offert.

v.

et

f}

ra

tau

a _ gno

rum

rum.

Pin

urn ,

gUJ

ut

sic

et

SIC

,.~

......

-e-

In

mil _

fi

---

Ii

at

g
S

-~~o
a

PARS II

165
sa _ cn _

urn

CI

di _ e,

h6

')

fi _

strum

no

pia

ut

con _ spe _ ctu tu

Irl

bi:

ti

ce _ at

qUI _

..

In

con. fli _

est

non

te

06 _ mi

con _ fi

SI

den _ ti bus

ne.

..
-o

In _ eli

"

na

au

rem

t\l

am,

IV.

PARS II

Ie

ra ,

ut

f.;

--

ru

ac _ ce

Comm.

fJ

.-/o.::J

as

no, .

'---'
t.2

-9

,.

.--

....

166

DOMINICA vm.POST PENTECOS1EN.


Su. see

pi.mus.*De

us.

011

se _ ri

_ cOr

rntr.
I.

_ di _

am

tu

se _ clin _ dum

,
I

1
~

no

pie

In

men tu

um

fi

nes

tu

me _

am

In

di _

De

us.

tu

ta

et

~-e-

'"l9

-~~~

na

est

I:

laus

rae : JU - st! _ ti _ a

ter

___"l9____"l9

"-'

tem. pli

dex _ te _ ra

a. Ps Ma _ gnui

tu

06 _ mi _ nUi

~i~~~,,-_~_~_~__~.-/~:9~~~~~~~~~~~~~~~~~~1~~~~~~~~5
~~~~~g~~~e~.a..~~
et

I
<

- P-

lau _ d" bi _ Iii

-tr

01

- mls:

U<..--7 ..

h"

In

CI

vi _ tli _ te

no - itri.

---+

=-===

u~v

~r5?,

De _ i

6-0

---.....

--+

PARS

n:

167
san _ etc!

mon _ te

In

}'Is.

,~

GllLri

Pa _ trio

Fi _ Ii

et

0,

.(2------

<

Spi _ ri

et

fJ
~

'-"12

tll

San

~--------

b....,

_ eto.

..

et

nunc, et

sem_per.

'.J~."

4!)

et

In

r.J

E _

sto

ml - hi

s~

e _ ra t

In

prin _ ci

pi _ o.

U ________ U~J

hri'n

fJ

Sic _ ut

_cu _Ja

'-

-6-

111

-.......~

-----

sae _ eu

- 16 _ rum. A

___~-e-____",6

De _ um

pro

----.

men.

!!:..
V

"9-

te

Grad.

V.

eta

cum

rem.

et

I,~

RI

In

10

I.

t:::J'
?J;;/~i
'9

PARS II

'J

vum

me

ut

sal

7:J . ' - - " 6 - _.....

fa

rT'o

CI _

as.

spe _

te

,...-.....

..Q.

non

6-

ra _ VI'

D6 _

ml

~~S:

.a

6--

con_ fun

l~

ne,

ft

.,. De _ us, in

6--

v"--,,V

.Q.~

9~=
..

dar

In

ae -

num.

Al

Ie _ lu

la.

'" al

Ie _ III

18.

VII.

PARS II

169

'f. Ma

gnus

'---"

ml

nus.

I au dci

et

_ bi - I i s

'---------- ------

de.

val

06

In

CI

vi

_ tel _ te

O'-...-/.,---,o~o

~~---~

De

san. cto

JUS

..
PARS IT

I,

'"

In

mon _ te

170

.
Po _

pu

lum

hti

lem

ml

..

sal

_ vum

fd

.'

Offert.
V.
<

Cl

Do

es.

ml

-e-

cu

fJ

1-

_. los

su. pe r _ b6

bis

-,

.
----hu _

rum

quo _ ni

_ am

et

rre.

qUls

ml _

Ii

De

--~------ ..-

us

prae _ ter

te ,

Do

"-Jri. I

PARS IT

171

Gll _ sta _ te

et

VI

de

quo

te.

Comm.

-----------.

III.

_ am

su _

VIS

spe

qUi

Do _ 011

est

nus

be _

a _tus

ral

VI

r,

o .

--

-G---

DOMINICA IX. POST PENTECOSTEN.


Ec _ce
Intr.

us

,..------

V.

De

ml

u
~

PARS IT

nus

sus

ce -

- '--

ptor

ad _

vat

me.

et

Do

---""---'--....-.

est

9 _______-6---6-------...-

I,n

]U

a_

nI

_ rr.re

me

-------

;c:

172
a _ ver _ te

la

ma-

In

ml

me

CIS

IS.

..
10

pro _

\Ie

te

Ps. De _ us

ttl _ a

n ta _ te

clor

In

ju _ di

me

.'::8

me.

tu

_ los.

Do _ m,

us

n6 _ mi _ ne

il

di _ sper .de

tu

sal _ vum me filc ,'"

Cia _ ri _ a

Pa _ tri.

et

et

ne.

In

VIr _

FI _ Ii _ o.

et

tu _ te

Spi_

....

----------,....."....----......

r----

_ rJ. tu

San. cto. '"

t)

Sic. ut

e _ ra t

10

pri n.

CI _ pI

-,

o.

et

-/-----"1'-'.~

nunc. et

___

PARS II

173
sem _ per.

SIE _ ell _ fa

et

06

ml _ ne

Sie _ ell _

06

nll

16 _ rum. A _ men.

nus

no _ ster.

Grad.

V.

bQ

quam

ad _ nil

_ rei _ bi

Ie

est

no_
I

6o~-e-

-----'-

t~~~~~~~~~~~~
_

men

tu

-&'-....

um

II

nl

ve r _ sa

.--/60____._. .'---".'-.-/6o,--",-e-~

,---....

ter

'f.

ra !

Quo - ni -

am

e - Ie

ta

est

9-

PARS

1]

174
ma _ gOi _ fi

_ ceo _ ti

_ a

tu

su

per

los.

cae

u
1 -

Iii _ la,

AI _ Ie

.. al

Ie

II.

hi _

ta

.,. E _ n _ pe

.J

.:-a

me

e-

o
-

- - ----

PARS II

175
us:

f, .. -

et

In

sur
I

--a.rt

.......

gen
7

............ \

-0...-/

ab

~r~

,.-...,~

q.

6-

ti _ bus

In

---

~
~
~

.t2

me

'"

Ii _ be

ra

me.

fJ

J.J.

Offertorium. Justitire D6mini, Pars I, p. 229.


Qui

man _ dli

_ cat" car _ nem

me

am.

et

bi

hit

Comm.

VI.

l.l

san

gUI

nem

me

'--'

~o~n
I

PARS IT

urn,

In

me

rna

v____..__G.I

nt-I,

176
et

go

In

di

o.

06.

cit

rni nus

DOMINICA X. POSTPENTECOSTEN.
Dum

rna _ rem

cia

06 _ rnl _ num.

ad

J!I

ex _ au - di

In t r.
III.

_ vit

,
,
<

vo _ cern

rnl

}-fr

;-

--.-"

et

-&

"6-

Ii _

hu. mi

est

ap _ pro _ pin _ quant

vit

~~~

os.

-~

..--..._~

an _ te

-&-

,,---.....

hi

his qUI

ab

"=

qUI

<

am,

me

sk

ter

T __-U

-&----

num :

net

rna

re

In

------

et

la.

cu

----a

Ja

cta

co

('J

"9-

-....

___'9-

,,-----...., -

----

------..-&~

Q.

.Q.

.......

gl - tii _ turn

-----

tu - urn

In

~-

Do
F==

...
~

PARS II

177
no.

,
<

el

pse

de _ spe _ xe _

el

rlS

Ie

de _ pre _ ca _ ti

_ 6 _ nem

..
10

mi _ hi.

ten _ de

et

.~x _

all _ di

me.

Gln- ri _ a Pa _tri. et Fi.li _ o.


I

-e-

@.l

"

et

Spi _ rl _ tu _

San _ eto.

"

SIC _

uI

e _ rat

111

pnn _

CI

pI _ o.

,..-

,
<

"

fJ

am :

me

et

nunc. et

~em

_ per.

tJ...-'

----

'-""

PARS JI

et

111

-&

SIP _ eu _fa

---

e
"-''-'"

sa>. _ eu

In _ rum. A _ men.

178

eu _sto . di

'" D6

me

ne,

ml

Grad.
l.

ut

pil

6 _ eu

lam

Ii

pu-

urn _

sub

.ll

.,--,,0

77

----....-.,

1r

~.

---

be

?)"

---

n"---')~
L-

_ bra

Iii

rum ttl Ii

pro

_ ge

Irum

te

me.
I

--.

-0.....

......-o~~o

------ --------

q-6--.?

o~o'----"u

~-

PARS II

179

'I. De

)1I

tu

vlIl

di

6 _ ell _ Ii

J,l

~~

lim me

CI

0"-

f,

III _ 0

urn

at

----':;

tu

VI

"--'-

r-zJ

q9

----

V"-"'V

'-...-'

rJ--.,,~J~----.....1

""'---"

"=?:E

de

ant

"

qUI

ta

----'-

'19'---

PAH.S JI

pr6d_e

-'19

180
Iii

AI. Ie

* al _ Ie

la,

16

VII .

18.

de

eet

hyrn _

nus.

De

on

turn

In

Je

ru _ sa

_ lern.

I'L\RS II

18 ]

--~

.u

~
~

, ..

---

Q'-.

:ry

----

Offertorium. Ad te Domine levavi, Pars I, p. 6.

Ai' _ cep

Corom.
IV.

cri _ fi

Iii

'-'

I,

~I;

et

ho _ 10 _

cau

PAHS II

- Ii

51 a,

t\l

----

<Ie,

...---------

ob _ la _ ti _

per

su

urn,

('

Do _

rni

al

nes

til

ne.

182

DOMINICA XI. POST PENTECOSTEN.


De

!nt r.

V.

qUI

11

nl

us

In _

ha _

bi

rnes

In

do

10

In

ta

rno :

-e

r;

t i_to

Ex _ sur _gat

Ps.

SU

fa

re

fo r _

cto

san

De _

0:

Ip

bit

vIr

un

to

tern

0"-.-"_,,-,,,

nern

-e~

.,--......

...-.~

bi

pIe

dis _ si _ pen_tllr

In

I _

SU

rn, _

CI

.---------:ggol

ant,

qUI

a.

0 _

de _ runt

I' _ lIlTI,

fa _

CI

tJ
_

~.

e - JUS:

(Ii _

----f

di

De _ liS, et

da

se

ci t

-&-

et

US,

.-------.-

@)
.Q.

co

.*

~
_ JUS.

PARS II

183

-------..

cI _ pI _ o

I -

.Q.

nunc. pI

et

<;p_

In

(,,-In

_film. A_men.

,.-,.

In

De

Gran.

v.

spe _

ra

V!t

me

cor

'--------

f'l

fJ

ca _ If)

_ te

PARS II

"I

me _ a

me _

urn.

ron

h _

Ie

f'X

fe _

vo _ lun

116 _

_1.1

lu _

iI

184

fJ

'f. Ad

Ii.

il

teo

...--+

06

ITII_ne.

cia _ rna _vi

De

..

~ e-

ne

fl

us

,..-.....-..,~

~~r,-C;

(.1,,-,,'-

e-

Ie

SI

us.

me

(.I

as

ne

dis _

ce

_ das

JI<

me.

~~.

e-,--,,-9
L

-&-...-7

n--"""~~ -~

16 _ Ja. *' al _ Ie

16 _

i'J':::J
~,

la.

VII.

PARS II

185

'f.

Ex - sui C""---

---'

De

fJ

slro

)ll

Ja

~~~

Of'

If'

su _ ml

......-.....

q
r~

c:....

.-..

---

".,~

mum
I

~~~I

'I--~

JU

cum

elm _dum

--. ..

tha

CI

6-

...,..

G.

,.
\"

......~----_.-/

---.Q

PARS II

ra .

6-

fJ

0"_"

~~aa.

psal

te

r;

coh :

.-/,---,,0

tJ

- Iii

a.~ ......

a.

- hi

no

- -

~)

fl

ad _ )u _ 10 _ r I

_---"

......

:
"
-

I~

"..-.....,

G;!39 '3

186

Otfertorium. Exaltabo Ie, Pars I, p. 162.

Ho _ no

1l<

ra

Do

ml _ num

de

sub

tu

Comrn.
VI.

stan _ ti

et

pn _ ml _ ti

de

IS

~~~~~~~~~

----

fru

gum

ut

rum:

ttl

an

im _ pie

_ tm

Co'

~, _

.Q.

tu

tor _ ell

la _ r I
~

~J

red

_ ta

un

-&-.....-ft

Ie.

et

;~......9,....--....
G

no

VI

da

hunt.

o,_./-",---",v

t~~---....~~~/~~~. . .~~~---~~~~.-.-...~~~~~~-~~~~~~~~~~e~~~~~:,~,_~~
.
DOMINICA XU.POST PENTECOSTEN,
ad _ ju - to _ n _ urn me _
us '" In

urn

In

Intr.
VII.

PARS II

181
Do. mi.

de

con. lun

_dan.

el

tur

!lP

re.

Vf _

re.

an

tur

Hl_l.rrll.CI

tl _ na

me

I,

7'

qUI

qllae _ runt

a.

am ./~~. A

nl _ mam me

-ex .......

ver. tan.tur re.trorsnm el

_ _ L - -__

fJ.u

ru. bes - c<lnt,"

qUI

11(\

rni_hi

IlInl

rna. Iii.

1J.u

et

Fi.li.

fj

et

nunc, et

0,

et

-San.eto." Sic-III

Spi.r. - tu_

Sem _ per.

et

In

_ - ' _ U----..

PARS II

Cia

Sie _

cu.la

sae _

e _ rat

ell

Cl

III

16

_ a

Pa _ tri,

0 ....

prio.c1 -

_fum.

pl.O

men.

188
cam"

Be _ ne _ di

06 _ ml _ num

Grad.
VII.

om

nl

~~~~~~~~g~g~
"l9-

6"--,,,o9,,--,,"l9-

~,--,,"',,--,,'"

,.-.,..-.

,......--....,

PARS

189

Do _

ml

no

lau _ da _ hi lur

ma

111

f,.u#_a
e

_.

au .

di

Z;."'"

me

anI

e./

('"

man .so _

......

~/

<'9

----,.
0

el

fJ .u

1:1

len -

PARS 1I

lu r .

-----...

190

. *
la,

lu

la _

lu

al .1 e

-.:;1
r:J

III.

0,--

'--"

~
61,

1- 06

Jj

...-/"'---~.

fj

Jj

ml

I~-

tis

--

~-

VI

et

ae.

-&~

no _

* co

cte

9~

di

Q.

sa

-- -

'-'"
Q

De _ us

ne

rllm

Q::
~

I~

::::=:z:

cia .ma

6-"

'---'"

~,

~,-"

Ie.

u'--

--/

--

'=

",/

PARS II

Prt' _ ca

(' 5 I

Ills

51'S

Offert.

r-:~,_Pe

VIII.
t

cno _ spc _ elll

10

..

Do

ml

De _ i

01

t>

Sll

I-

di

Pre _ eel

XII.

est

IllS

M6 _ y

_ ses

In

con_

PARS II

elll

06

tTl!

01

De _

su

I,

192

_ ra

see _

tu

P~r

ce

fl

(:i

CJ'

po

In

flS

10

pu _

01

r~

m~

-~,.J

, fJ

-"---""

-&

L~

_ sa _ ac

sti

!J

me _ men

ae

tu

--

-6',,-",",.

n~o

....
J8 _

mel.
'-""'-~'--"

S:t

rn-----........

flu.

ter _ ram

A _ bra _ h~

C.J.

et

da _ re

to

Et

qui. bus ju _

cob,

en .

tem

pia _ ell - tus

lac

et

fa

ctus

C--

--- -

est

5g
---I

5'

t2

PARS II

193
nus

ma _

de

Ii

gnl

lil _ Ie

....

quam

xi t

di

fa

po _

re

ce

a.

pu _

10

l~

?".<'

su

6 _ pI' _ rum tu _ 6 _ rum.

De

Do_

mi _ ne.

sa _

Ii

~.u

a_

et

.u

, ,,)

hI _ tur

PARS TI

ra

num

VI

",--,-,,-,,"

te r

qe

'--

I~

ul

Ii _ cet

- 'I

---

e _ d6 _ cas

____

""'-.

pa _ nem de

cor

h6 _

~ ~ - - ""---":~

ml

-e-~

.".--....1")

te r _ ra,

nls :

?;

194
ex _ hi

et

la

pa

h6 _

cor

rns

fa _ CI _ em

ret

ml

6 _ Ie

In

fir _

coll_

nlS

o.

met.

~-------.....--61
0

11 6

DOMINICA xm.POST PENTECOSTEN.


'"

m,

I ntr.

ne,

"-'"

te

sta

r;;

'--'

men.

VII.

--.a..-..

tum

50

urn

tll

-e-

et

Ill.

'-.

_-&

tu _

mas pall _ pe _ rum

---.-

.-/[,1"

:n

0---

:::=::z

fJ.u- O
60-

rum

r;;~~

..-...~

~ Jot
~

Do -

ne

ml

,--r-..

ne,

----

de.
",

re _

lin

quas

10

Ii

nelm : ex _ sur _

ge

",,_t:-'

_~.---...

et

iu '-' ....

di

ca

cau

sam

::w'

I')

tu

am:

r;;'---.......~
0

PARS II

195
et

----

hli

o _

ne

a_

Ut

!\;.

t e.

tus

quae. ren

ces

vo

quid

'.

fJS

:.-'-------------./

11m

.u - ti

e;.

VI S

Iii _ ror

f'Rt

_Ii _

re_ pu

fi _

sli

oem,*

til _

U,

su _ per

vPS

pa

seu _ oc

F; _ Ii _ ",
______

....

SPI

------

r~

nunc. >t

el

JJl

,~

('II

la

'o,lf'

cu

If<

fI\

rn.

rl _

'II. _

sem _ per.

men.

-09

PARS IT

196

Re:

Spl

ce.

'"

D6 _ ml

ne,

Grarl.
V.

tes

In

ta

men

tum

urn :

tu

, -

a.

.-

pe

mas

et

ne

rum

tll

rum

0 _

<5

bli _ vi _ sd
o

fj

tl

ris

..-....---- --r;

'f.

fi

In

.r---".,

Ex - sur _ ge

------

nem.

'--'
".,

;--...

---

e
0

D6 _ ml _ ne.

~~~~~~~~~

"PARS II

197

f'l

di

III

call

ca

~ . -a

".'-'

-9

sam

----

am:

III

--

-......-

--..

r:

-G-

'-"
-G-

r;

"",

me _ mor

e-

",~

r~

op _ prii _ hri

~lo

se r _

vo

rllm

..

'.:Z=--.

PAHS IT

tu _

l)

rum.

\~/!",-,,"

198

AI _ Ie _ It!

'" a I _ Ie lu

la

VII.

'RE~~
j.,
?f

r;;--------~

'f.

D6

m, _ ne.

re

- fu

.--

~~

S:

;e

g,

lim

fa

;;.
==:::;::>

.-:.J

~
r;

---a.

I -

bis

6-

5>;8

....-.
rft
./

a. . . .- . .

no

es
...

'---'

____

~---.....';e,,---

ge _

--

ne

_ rll

_ ti

_ <5

PARS II

199
oe

';)

pro _

ge

L.

~'---n~~

spe _ ra

------

Offert.
II.

di

PARS II

Of' ;

V! .

XI:

oi _ hus

Til

liS.

III

'em

.pO _ ra

In

rna

me _ a.

200

Pa

nem

de

10

ere

sti

'*' de di

------_/bis. 06

ne .

ml

ha. ben tern

om _ ne

Ie _

de

~6---?nC?7;=:ti:=

fJ

I -

eta

II

I -

tum.

et

mnem sa - pel

rem

SLJ

tis.

VI

DOMINICA XIV. POST PENTECOSTEN'.


Pro. te

etor

no

Spl _

ee.

Ol~

Intr.
IV.

us.

et

re

Spl.

ce

10

fa _

CI.

em

Chri _sti

--PARS II

201

tu

fj U

'-

l!J

6-

----

-+

~.!:L

per

,.~-----"
-tiL

nil

su

est

O(

----I

IIi

In

lu

~. /'s. Quam

mil

--J--

I
....

.-,~v

..,

rr------...

.. -

'I[.

con _ cu.

pi . "cit ,

rle _ I, . nt

1'1

-'''---

me. a

a _ nl rna

-''''''--

TOI

.01

Cia _ Ii

it

Pa .Irl.

-'.

PAHS

'"

Fi .Ii .

In

a.

tu _ turn!"

Iri

it

__'0''-"'''

9.

Do _

dl

el

Spi .ri lu _ i

San. elo.*

202

Sic _ ut

rat

t" _

10

prin _ ei _ pI _ o.

nunc. tot

et

sem _ per.

et

'61'-'
tJ

sae _ ell _

s.e _ eu _ la

fJ u

10

rum.

rJ

@)

men.

e-

(/

I'"),....-....I'").....-....I"f-.

Bo _ num

est

Ii

con _

_ re

de

'n

Gra ct.
V.

9:::::::

quam

ml _ no.

,n

e-

ho _

m,

_ de

--.~

num

9-.;9

~n-n"-""rJ
61

'f. Bo -

_ re

ne.

-9_ _~_..._._._.'<9-~.....

L..--,....,

con _ Ii

?';~

L-r---_

'C

egt

Q.~~

---

PARS II

203

fj

S PI'

ra

_ re

,,....,

Do _

ffil

10

no .

,
spe _

ra

prlO_

re

CI

pi _ bus.

06_____09-

?5

-(

b:9
c;

.".

'9

G-""-:'p

,
<

Ii}.

13 ,

VII.

,
PARS IT

"-

'"

204
ex _ suI _

te ,

D6 _

te

ml

JlI _ bi _ Ie

no:

sa _ lu _

mus

ta

no

De

stro .

1m _ mil

Offert.

-tel

"

An

ge _ Ius

Do

\~~~~3~~~~~~~~~~~~~~~~~~~~.~

VIII.

PARS

205
In

nl

i _

ClI_CO

lu

ti

5,_2

f)

II

urn

lim.

rn(;n _

ri

el

gu

et

pi

sla

,
tf'

Do

est

fJ -

ml

,
mRS II

nus.

quo _

t'ii. am

su _

If'

206

Comm.
VII.

"

Pri _ mum

1.l

qu~ _

ri

te

11<

re _ gnum De

I.

om - ni

et

_ a

,~

t!.

CI

en _ tur

bis,

vo

Do _ mi _

cit

di

"lUS.

DOMINICA XV. POST PENTECOSTEN.


na.

ell

D6

'!O

ml _ ne.

au _ rem

tu

am

Intr.
I.

ad

me,

et

au _ di

ex

me:

sal

vum

fac

ser _ vurn

tu

urn,

De

us

me

us.

spe _ nll1 _

tern

In

PARS II

207
te:

ffil

,e

Ie

rn, _

If'

D,,_ mi

h,.

quo _ nj

ne.

,.
am

to

Ie

1r

ji

f ~ Ps. L~ - ti

Do.mi.ne.

Fi II .

ell

Ii _

a.

nt.

rnam

ser

marn me .

am

01

e.

---?5

.VI

Ie .

til

qllO. III

va .

VI.

San _ eto. ,. Sic. lit

fl,

di

GI(L n _

e _ rat

In

Il

am

ad

tf'

Pa _ tri. et

prin _ CI

_ pi

.0

I
<
Q.

et

--

rHIne,

et

,em _ per,

e'

In

5;i' _ ell _

III

"3~ _ ell

16 . rom. A _ men.

20B
1<

co n _

fi

Grad.

v.

fJ .. H -

06 - rnr _ no

rI

te

J-..-P

~)

rnr _

n6

nI

!l
"

rr:.

'=

e'-;;;'_;;!J!;:::::::::

Al _

o.

tis

me.

........9----

tu

dum

fJ u l

-e

e;-

psal -

e;-

SI

et
I

- --

,n

e;-

rna _ ne

.Q..

",

..

ml

_,r

se

rt

_ cor

-..

209

di _ am

\e _

et

am,

tu

ri

_ ta

_ tern

tu

no

-6-

-.--.----.

c.lem.

..

....;

'.!

AI _ I... _ 111

/-'""'-.

la,"

81 _Ie

_It;

18.

VII .

PARS IT

I.

210

11

.u 11

D6

ml

,-

'-'--

-9-----.:..,..ft

,,--......,

el

Rex

77"""

_.

IJ-....-fJ

-&-

~,

---

gnus

rna

E3

.....-..

-8

---

---.......

6-

ler

nus,

t2

-&-

...cL-

ram

P<\RS

211

Ex _ spe

Offert.

ctan s

ex _ spe _ eta

VI

D6 _mi

_ num.

".--......--

~S

V.

~ ~ +[

'"

et

re

spe

me:

ex

au

----

.-9

...-'~j

vit

et

_ df

xiI

6-

i'7

~ ... 1-&

2,.,

de _ pre

ti _ 6

ca

nem

me

,/"'51-

""9-'-

.,

+[
u

<

11

am

et

;ry

'l~

PARS II

,it

os

In

-9-----.,....'-'S'-

can _ t j

_ cum

no

""9-

rJ~,

.-,

t<

""9-~

&~...,..

SO

.......

td

VUllI

c;.-

~.~----- .....----.... ~
5

hy _ mnum
@,l

Inl

6-

urn

-",,'--/

r~

me

1m

De

(J

no

stfO.

212
go

Comm.
I.

@)

--_

~ &,---,,&

a.

r~

cu

Ii

pro

est

me

c-'

de _ ro,

~~~~~~~~-e-~"'''-''''''~.Q.~I~
ca ro

fJ .u

de -

S1e

a=

q-e

~.

ta.

VI

'J"--",,:;I~~.;'

.~.e~

O--....."'--......O_(..I,---,,,,-,--,-'

~~~~=O~

DO:MINICA XVI.POST PENTECOSTEN.


Mi. se
Intr.
VII[.

re

re

mi.

hi

'" D6 -

'~

_ a

cia _

tu

rna

Do _

VI

ml

ne

di

ta

to

su _

a _

am

ViS

ac

ad

-.-----

,....-

te

quo. ni

ml ne,

9--

e:

mi _ tis

qUI

es. et

co _ pi _

PARS II

213
sus

rm _

In

Sf' _

di

c.-ir

mm _

. Ps. ) n _ eli _ n a

bus

In

VO

can _

_ ne

au. rem

06 _ mi

tl

bus

III _ am

ex _

et

all _

tf' .

di

me

. . - - - - - - - - - - - - - . -r

quo _

Pa _
"

am

nJ

Iri.

el

In _ ops

Fi .Ii _ O.

pau

el

per

SpJ.rl _

01

III

slim

_ 1

e _ go.

Gla _ fI

San.clo." Sic-ut

II

e. rat in prln_

"'----------

fl

CI _ pl. O.

nunc. d

sem. p,r,

PAns u

t'l

,~_ clI.la

Il\

SiP.

co _ 16 _ rllm . A _ men.

..

214

Graduale. Timebunt gentes, Pars I, p. 127.


AI _ it' _ hi

'" al _ Ie _ Iii

la.

la.

I.

y. Can. til

06

vum:

IJ .u

~
~

can

ml no

Ii

cum no

ml _ ra

qUI

bi

~-----

,..,

_lJ

Q-9

---

?7

./"

'--'_I

Ii

_ a

fe cit

--

.pl

~
~.

:::::::::::::::

'" 06 ml

P\RS II

215

f. ~

nus.

-"" ""

_''
_ _U---..-"

--....

D6 _ ml

ne.

In

au _ xi

_ Ii

_ um

me

urn

Offert.
VI.

re

H.

SPI

-"-"'--"

@)

<

con

ce

fun _

dan _

1m

et

re _ w, _ re _ an

..;

qU!

tur .

quae _

rllnt

a _ 01

_ mam

me

am.

6-"--",?-"---"","""'~.6J-,-,,,.,-,,
.~------..,.

fe

ut

_ rant

II ~ 1

t
<

D6 _

"_am

@)

In

ne.
I

-,9

11

all

Xl

Ii

um

me

um

re _

SPI

i?"
--'I.

PARS II

ml

ce.

216

D6

ml _ ne.

me _ mo _ ni

bor

Ii

IU _ sll

Cornrn.

VIII.

-_--->9-

De

us

De _ us.

do

cu

'----__

Ii

so

tu

6I

LIS

0,--"" 0"-,,,-

ne

de

lin _ quas

re

me.

,
DOMINICA XVII.POST PENTECOSTEN .
slus

* 06 _

ml

ne,

et

re _ clum

JlI -

di _

CI

Intr.

l.

PARS II

217

,
,

fJ -

urn

III

urn

_ car .

IJ - rna eu - Iii

.--

vo

E?

:: <fr;

di . am

..

qUI

'3JjjlJj;~

am .

Be . Ii

bu. lant

ti

1m

Ie

In

ml

Gla. n

m.

r..;

h~

9
0,,-

Pij

_ tri

el

Fi _ Ii

et

Spi. ri

::

~~

06.

ge

,,

9'-"'"

5t_/Q

;;;;;ZQ

o..;_...__u

/Q

am. Ps.

tu

VI

"--"

t:.I .....

cun . dum

se

. 0 I .....---~e

Ii

1I)

tu .

ser

0...........

ml se . n

cum

fac

tu

'-"'

Z"-/6-

.Q ........

...A-

-e

San

IJ
~

eto

..

4rJ

IJ

..J

PARS IT

et

In

U"_'?

hrJ

"

Sic

e . nl

ul

In

pnn.ci _pi.o

el

nunc. et

v",-,.

~~

---

"!')~r

s~

-G-

-~

cu

sem. per.

- fa

S~

--.

-"""9--

ell

16

rum.

A
~?7

~.'-

,.

---

men.

::

218
)

Be - a -

W,--",J. ".

gens,

ta

CU - JUS

est

Do - mi .. ntis

::=::::

=-==

{
Grad.
l.

,
<

<

'-

b~

.---

-6:

l
De

us

-Y---Y

-6--....ft

po

pU

_ Ius,

n6~quem~C~le~~gi~t~Do~m~1_~nus~~~=
(i.

&~

-.ft

:""".'
::to

hiE _ re _ di _ ta

tern

Sl

::>'" , '6
J

z:y.

bi.

, .

~ Qif4~i
-6-

PARS II

219

ri _ tu

et

flS

JUS

60

G'
G'

5<

mms

rum,

'-------?

Al _ I,

la.

"

a I _ Ie

hI

VII.

y.
~

7~?----------~.

,-

Il

,
~

;J!-

mi

fi

ti

_ 6

PARS II

.-

...-....

ex

I ~.
~ ..

nem

--'J____ o___.__ ./

0(

ne.

~i

;::;

o _ ra

di

D6

au

~.
j

I,..,

me

am.

220
cla

ve _

OJ

mar

* ad

us

me

te

at .

---- .---.fr-----

;/I

rei

Offert.

VI

~~~~~~~~~SSE=
J_-e{')

.--...-

[V.

ser

I
oJ

C.-'

,.,

VI

il

tu

e-~

e-~

lu

ml

.----!!9_______o __

na

fa

CI

em

~
::;0

e-

t2

009-

cc::

Z-------=::.

...-n

PARS II

221

()

tu

,oJ

"V"

su

arn

per

san

'-,

.~

urn

rJ _

tu

urn

~7

-~~-

ctu _

et

pro _ pi

us

tJ

In _

po

de

ten

'_________6"

quem

per

su

.-

7""""

pu _ tum

10

tum

est

z;;-.

VO

-"

.e-----.-""7____
~--...9~S'
Si

105" ....

men.

urn,

tu

De

us.

-e-

"'---------"

---ar-__

'"--,---_.---"

-----:.J

Vo
Comm.

n.

PARS IT

ve _ te, *

et

red _ di _ te

;;;;;> <

0,6 _ mJ _ no

De_

ve - stro.

...

222
mnes

mu _ ne

fj

l!J

ra:

qUI

CU _

10

ler _ ri

bi

Ii.

- -

."--,,,,09-

_ tu

e _

et

JUS

af _

fer

qUI

au

-----

~".--

.-/"'C:7_____

prin

tum

pud

purn : ter

CI

-n-r. _

- -

;~

-.

bi

rI

r,,;

- Ii

--4

--JL-..+
----

n---

re

rnnes

fert

:.-

$I

spi

"r--,.)

tis

ges

.,

-<

rae.

ter

FERIA IV. QUATUOR TEMPORUM SEPTElVIBRIS.


Ex _ sui

te

De _

ad _ ju _ to

no -

I ntr.
VI.

_ stro:

JU _

bi _ la _

Ie

De

Ja -

cob:

..

su; _

mi _ te

psal

F:-\RS II

223

l'.

mum

0"

-'---

-----

..

cum

lha

Cl

-----

n i _ te

_ fa

In

.::;:.

4'

_ Ii _

4".;

dum

cun

jU

men _

ba :

tu

SiS

plumin

qUI

15 _ ra _1'1

-/'~---.~'~

~~

est.

_ urn

,"

JU _

<Ii

II, Jo - seph

CI

um

po su -

Dt'

it

il _ Iud.

cob.l's, 'Ie _ st! _

Ja

cum ex _

ret

)t:

------.--.....

..r7

--.-------ry-

lin _ guam.quam non rll-l-Ve _ rat,

~.

au _di_ vit.

de

rno _ n,

ter _ ra

.--- .. 5

.'

Gle.

ri a

Pa _tri, et

c'

Fj _ Ii _ 0

el

Spi.ri _ tll _ i

San. <:10. "

Sic .. ut

e _ rat

1;

In

prin.ci

.pl.O,

224

'J.1

et

nunc, et

sem_per,

et

s~ _ cu _10

JO

CU -

16

rum. _A _ m=eno

iii

S1e -

Post Lectionem

Do

Quis sic _ ut

ml nus

*' De

us

Grad.
V.

no

ster.

'-9__-9

?7

-n

........-..

fJ

qUI

In

al _ tis

- -

bi

-----.......

rI~

re _ spi _cit

ha

--

cae _

10

et

y.

mi

.,-.....

-e

In

hu

tat:

te r _ ra

In

Sus. ci _ tans

!j. ~i <{j~
~
"='"

fiiJg----- ~

------=----'

~---

"'-=-"'

:e:---+:?

ai

PARS II

225
ter

In

fl

pau

pem

()

n _ gens

p -

Pt' _ rem.

..

la

\'

2(

Post Epistolam " Graduale. Beata gens, p. 218,


Offertorium. MedWlbor, Pars I, p. 20R

di _ Ie

Co _ mp

sum.

)',

p!n

mil. 11

f't

_ Ie

e _

par _ Ips

---===-

bi

1"1

a.

gill

IS

,
PARS II

ra _

'e _

runt

;l)

hi

1/6

..

SiHI _

"....

'

nus

mm

non

'5

9:;;;;

.....5

dl

- es

06.

m)

-<

g -=----- g

i:(

est.

-"
f
9"'!...J

c.. . '---______:....;~0-------0

.~

pr~_pa

:,-_____3~~~
G.....

jj

Ie

O~

qUI

'"'<

f.

bi

;~

'h:r J

226
no _ Ii te

can _ tri

. . ,-. .

gau _ di _ urn et _ e

_ sta _ ri :

_ "1m

Do _

ffil _ nl

for _

fj J.I
~)

ti

- tu

no

do

stra .

..

.~

"";"----...--"'9-

FERIA VI. QUATUOR TEMPORUM SEPTEMBRIS.


Introitus Lretetur, Pars I, p. 264.
Graduale. Cormhtere Domine, ibid, p. 197.
Offertorium. Benedic anima mea, ibid, p. 191.

Au _

qUI

te

fer

man _ da _ ta

sti.

rna _ni

'*

me

tu

tu _ a

op_ pro. bri _ urn

ex

me _

qUI

di -

ta

Rr

con _ tern _ ptum.

et

III.

ti

06. mi

me

_ ne: nam

et

est.

PARS II

227

SABBATO QUATUOR TEMPORUM SEPTE1VIBRIS.


Vt'

Ol

t f'

.. ad _

_ re

mils

um,

- fG

Int r.

De

II.

~e

?:f

pro _ ci

_ re

da _

ITlU~

an

milS

an

Do

Ie

te

lim.

E'

num'

ITlI

qUI

fe.

cit

pin -

nos:

Il

qUI

..

pse

________

~)

~'--"

S~

PARS II

VI' _ 0 I

III _

ta

!'SI

Dn _ 1111

nus

D" -

liS

no

st,,?

0,---,,0

---

~-,...

1'5.

fJ

'c.

_ n

ex _ suI _ tt

on

_ mils

[).0'

_ Inl _

Glo _ ri

nn, ",.III

_ a

b'
I _ mus De _ 0
.1 _e

Pi! _ In.

"I

Fi _ Ii

0;;

_ o.

228
et

S pi ri

e _ rat

San _ eto. '" Sic _ ut

tu

pr i n _ ei _ pl. 0

10

~
-----...-

--'

-",---~"""",,,,,---,.,----~

et

nunc. et

sem _ per,

s~

et

eu _ la

sae. ell 16 _ rllm. A _ men.

:~

Post primam Prophetiam. Oraduale Propitius esto, Pars I, p. 194.


Quando adhibetur forma Missae brevior. omittuntur Prophetiae II. III. IV et V cum
grad. et hymnus Benedlctus es, sed post Epistolam dicitur tractus Laudate D6minum. Pars I.
p. 199.

Post
Post
Post
Post
Post

secundam Prophetiam, Oraduale Protector noster. ibid., p. 196.


tertiam Prophetiam, Oraduale Convertere, ibid., p. 197.
quartam Prophetiam, Oraduale Dirigatur, ibid., p. 19R.
quintam Prophetiam, Hymnus Benedictus es, ibid.} p. 31.
Epistolam, Tractus Laudate Dominum, ibid., p. 199.

Offertorium. Domine Deus, ibid., p. 200.

se _ pti

mo

beL na _ eu _ lis

la

fe

_ sla

ee _ Ie _ bra _ bi

ha _ bi _ la _ re

fL ee _ rim

tis.

fi _ Ii

--~

'1

- os

Is _

ra _ el.

o"'-~

cum e _ d6 _ ee _ rem

e _ os

Ii..

de

..

ler _ ra

,....

PARS IT

229
_

gy

pt!,

06 _ ml

go

De _

_ nu~

ster,

ve

liS

DOMINICA XVIII.POST PENTECOSTEN.


Da
Int r.
l.

P'l

Do

oem.

,~--------.

'----'

ml

~)

u -

bus

te ,

ut

pro _

phe _

tilt"

gB

les

,---,,":-1---9

if

:.....-----s...,,_ ___

..,

nen _tl

In _

>"C=l?~{
<

CC3'
nl

an _ tu r

ex _

au

ell

ve

q-e-

~,

fJ u -

e-

fi _ de

in

(,)

'?

f;

sus _ ti

oe,

pre _ res

ser _

VI

tu

I.

et

'S
s

his quae dl _ cta

I?:---~

PARS IT

--

slInt

do _ mllm D6 _ mi _ m

rni _ hi
----

_ hi _ mus.

230
G16. n

Sic.

e . ra t

ul

10

et

Fi. Ii _ a.

Pa _ tri. et

pri n _

cI _

---.. .---.. ,..------------.

pI

a.

Spi _ rl

tu_

et

nunc.

et

Sao.cta.

sem

*'

_ per.

~---------o

el

s~

In

_ cu

_ la

16 _ rum. A

sae _ cu

men .

------------..-------0
Graduale. LreHttus sum. Pars I, p. 252.

1.

fJ
~

J.l

0-.

~-,...

. -..----~

?:5"______lJ"

---

me

Ti
'--'

bunt

fF!::
0

.Q."-",,.a.

PARS II

231
no

gen

r.

fJ

II

Do _

In)

men

urn.

tu

Q.

re

mot's

Of

tet

$I

rJ

-I

,/

tu

0'___'' '-

$I

1'1111

.--0

::"

l'AHS II

am

232
San _

al _

lei

Do.

re

ml

v _______ c.;

"-"

no.

Of _

Ie

it

ha

Iud

---

09-

_ cn

,
<

10

--.....-

-&

-------

- rna -

,-....

.Q.

....-...a.
"6-

---

Ie

cil

mas:

....

VI

urn

ve -

sper _

Ii s

Ii

Do

tJ

Sa

:d::

--------e

CI

sla

eti

-&

Ii

su _a _

VI

lans

2" ,

..........

1m

-e-_ _ _.....-e-

cau

-'9--..ft

.e----e

et

per

r,

-'--' "-" '-"

su

rens

c.;

-..,

_ ses

..

V.

M6 _ y

vii

:..',,----'

Offert.

cti _ Ii

;;.--....

-&

?7

num

... 5~

51.

In

a _

do .

rem

De . o.

m, no

~..,.....----,",

s,

t)

PARS IT

233
can _ spe

In

fi . Ii _

ctu

Is _ ra

_ ru In

el.

T61 _ Ii te

Comm.

h6

sti _ as.

lIE

et

In

t ro

tri

In

JUs:

10

au

r--..

PARS IT

ad - a -

la

san

cta

0,--",..--...",

ra -

te

06.

mi _ nllm
l

,--,,+

te

~~~~~~~~~~~~~~~~~~~~,---~~~__~~~~~~~[l~~

IV.

.--

--..9

JUS.

~o--.:o~.
~

23i

DOMINICA XIX.POST PENTECOSTEN.


Sa

Ius

e _ go

po _ pu _ Ii

sum,

di

In t r.
IV.

06 _ ml

_ cit

_ la

ti

nus:

ne

qua _ cum

de

rna _ ve

cia _

que

_ rint

tri

bu-

ad

me,

~
o~~

.Q.

q;

",$I

di

_ am

os

_ _ _ _ _-----<.1"'---"'0''___

_ rum

06. ml

nus

.--'''''-

e _ ro

et

..

In

~u'---

..

it _ 16

'"~

.--""'C::;---

per

'9;;;:::::::;0

~'-----""~:a~
),

J.l

pc -

tu

um.Ps.At. ten.di.te

po.pu.le

me.us

le.gemme.am:*

PARS II

235
In

eli _ na _ te

au _ rem

ve _ stram

me _

In

I .

-----~'-------_.-.

<

J.i

CI6 _

rJ

Fi _ Ii

Pa _ tri. et

et

0,

.Q

.-"

-e

",--

0_

e _ rat

Sic _ lit

+=0

prin _ ci .. pi _

In

0,

tu

______C-'

-.....

Spi _ ri

"'9

nunc,

et

San

eto.

'--

et

sem _

per,

,
<

et

10

sae _

cu

_ 18

16

_ eu

s~

rum.

_ men.

Graduale. Dirigiltur, Pars I, p 198.

Ie _ lu

'"

18,

8 it

Ie _ Iu

II.
>",!

9 .....

'f.

Con -

fi

te _

ml

01

~!-~
,,~

PARS II

'"

236
ml _ no,

06

In

et

YO

eli

te

no _

men

JUS:

an _ nun _ ti

_ 8

7 ....~
?7-'p_ _ _

7B

In _ ter

te

Si

am _

gen

tes

bu _ 18

ye

ro

Offert.
VIII.

fJ

me

di

t ri

0
I

v~

e~fZ

bu

18

--

ti

_ 6

nJS ,

"-'"

I""'>:,.

PARS II

237
VI

VI _

fi _ ca

bis

me,

Do _

ml

ne :

-9____

../ 6

-9-

tF?EYC

9~::

ram

In

co

rnl -

6-

.Q.

rum

'--'

'---" '---"

o~

et

am,

sal

vtlm

;;:

---------

dex _ le - ra

-9

ttl

me

'-"'

rum

-9

0 , , - , '--" "---'" '-""


~

des

rna

me

fe

,---= ....

cit

-I

.~

o_____o~o

a.

- I

"-"

PARS IT

2313
Tu

Comm.

a.~

V.

fJ -

man _ dt:i

me _

ad

_ fi _ ca

6------r-

ti

~~

cu _ sto

tu

~~.---....-~

ti _ nam di _ ri _ gan _ tur

Be.

ta

man. dci

_ mls:

OJ

di

'"

sti

cu _ sto

di -

_ 0

en

das

nes

<9

VI

IU -

tu

sti

s.

DO:MINICA XX.POST PENTECOSTEN.

o _

mnl

_ a

quae

fe _ ci _ sti

no _ bis.

D6 _ ml

ne.

ci

sti.

Intr.
III.

I.
!J

10

ve

v
rJ

ro

JU

di

CI

77----.p_______'7_____ ~

0-

fe

PARS II

230

pee _ CEt

qUI _

tu _

IS

non

ob _ p

girl

VI

rll _

rnlJ:,;

h"

II

sed

rnus

Y}

'10

rlli l

tu

01

et

man.da _ tis

da

no _

fae

et

0,

1Q

t?

bis

011

fJ

~e

cum

se _

t.

m<J _ cu _ i a

_t i

r--------------__

_ C!Jn

...::L.-

mill _

dum

_ !Ii

cor

di

~.

tu

VI

<J;

qu,

--1--

1'\l<S 11

ti

am _ hu.

Ian!

In

Ps. Be.

Ie _ ge

a _ ti

101_

Do. mi _ ni

240
GI6 _ rl _

Pa _ tri, et

Fi _ Ii _

et

0,

Spi _ ri _ tu _

San _ eto,

"-----------------'

Sic _ ut

",,_ _9 , -

e _ rat

10

~'--

prin _ ci

- Pi

_ 0,

nunc, et

et

sem

----",u_

- per,
?:J

et

10

r..
~

..-

'J

16
o

_ rum. A _ men.
-9-

.-/

Graduale. Oculi omnium, p. 116.

III.

'f. Pa

ra _ tum

cor

me

urn,

De

US,

pa

PAHSII

241

fJ -

tum

cor

lim:

me

can _

ta

boo

et

. . . " /::.

~---~ ~j
~

...-.L

psal_

~
~

--

_ lam

bi.

ti

gin

I ,

a .

ill":

.-

3"

Su _ per

Offe rt.
1.

PARS IT

flti _ mi

na

~~~~~~~

/--- ------'-..

.Q.

.LJ.

242

Ba _ by

16

il

nlS,

lie

":7

~~

fie

et

mllS,

_ mur

dum re _ cor _ da _ re

lTlUS.

tu

Si _ on.

I.

~~~~~~~~"""
__~"5'~;;:I~'"
Q~

Me _ men _ to

ver _ bi

tu _

~r-

:E

D6 _ TOI

tu _ o.

ser .. va

Comm.
IV.

1',

f1~

_ne,

In

quo

ml _

hi

spem de _ di

sti

h~e

can _ so _ I,; _

me

-~

PA]~S

II

243

J,;

hu ..

e sl

ta

Ii

rrd

_ til

a.

me

Ie

DOMINICA XXI.POST PENTECOSTEN .


In

Iu n la _

vo _

tu _

Ie

a.

. .;.

Intr.

06 .. mi _

ne

IV.
=-=

----_.

sunt

p6

Ia .

51

-G-

eSI

non

et

~1

...-. ----

CG?

~ g~

sit

pas

qUI

,~~ ;-.

re

sle

5'

lun

YO

la

3:9,

ti

tll

It::

~t!~

J ____

~~

re

III

.-'

_-=-"B-

_ film

!e _

CI

sti

,) _ mn, _ a.

et

ter _

ram,

nJ

yer _ sa

quee

cee

Ii

am -

hi _

lu

----

u"--

PARS II

'"

244

06

nen _ tur

con _ ti

es.PS. Be-a

tu

ml_ nus

u _ nl _ ver _

im _ rna _ cu _ Iii

- ti

ti

so

In

rum

VI.

,
f.

am -

qUI

J.I

6u _ lant In

,
,.

et

.--n~------'

Spi _ ri _

_v -

-n

et

-e

nunc. et

"

<

San_cta.*

tu

-
et

Pa _ tri. et

Sic_ut

Fr _Ii. a

~
u _I;;;;;tt::
__

.Co2

n,......~

-e

e _ rat

In

prin. CI _ pi a

----l.-.o

'---"

..-..;;
-e

sem_per.

CI6 - ri a

-e

<

06_ ml_ m.

Ie - ge

In

sre.cu.la

s~

_cu_16_

rum.

_men.

......

ml .ne.

re.

fli

gl

- urn

fa

ctus

Grad.

n.

-----"7--..~

PA.RS II

245

fJ

j,I

+t

bis.

no

es

ge _ ne _ ra _

<

f")

ti

.___-------..,

ne

l!.)

pro _

1.

ge _ n I

Pri _

e.

us _ quam

mon
I

- ---

fi

tes
I

_ e

_ rent.

aut

for _ rna _ re _ tur

ter

.-----~
c

PARS II

t)

--=-

246
et

ra

or _ bis:

sae

It_

---

,
,
<

fJ .u

CII _

1t
-'---""

"

_ 111m

10.

i/-"

In

::

s~

CU

=-==

~.

--....

es

til

AI _

De

liS

Ie

lu
...........

II.

et

la

'"

al

lu _ la .

Ie

--------

6-

-9"--,,,,6-

~
...c...
~

'f.

In

ex _

_ t II

Is

I2

PARS II

2H
_ ra

A:: _

ex

"I

gy

pto.

po

do

pll _

10

It

bar _ ba _ rn

,
<

ra

no _

ffil

Offert.

n.

f1

I -

job.

")rn

plex

('f

ctus.

---

,.
<

PARS

tlP

248
ae

De

ti _ mens

_ um

quem Sa _

tan

pe _

ti

--

ut

ten

ret

ta

-&----..~

et

da

ta
e

---

-----

est

po

e
r2

=-===

..............

::::::;:::::"

>.

et

In

car. ne

JUS

per _ di _ dit

-&

_ que

<'

-..ft

PARS II

249

In

lu

sa

Cornm.

ra

\lui _ ne

re

ce

til

tu

1I

'---

?7,--"",?7

I.

In

et

lot

ver _ hum

~
j-----

,.

tu

spe

urn

C,.J_ _ _ _

~J

de

per_ se .. quen _ ti

qlll

-'"

pe r .. se ..

ra

bus

-'

- rna

me

III

..--

-L~

quan _ do

CI

...

..{"

r;

- d; .-

_Q

_ _ _1 r _

0-

b-Go

rn!'

\/1

.<:..../

I':~

'I<

vito

urn

1:1

0-6'-,-,,"""

In

,
I

",-",

?7

~~,

cu _ ti

sunl

ad - IU -va

fne?

me,

Df;

_ITII

ne

"--------------"
) / .J
cc:=:::;/;

()

lot

De

us

me

n<

t)

PARS II

;.;

~ -Go_.__-Go

?7

_/

------:.L...-

250

DOMINICA XXll.POST PENTECOSTEN.

qUI _

la

_ les

!AI

ob. se r _ va

ve

06

flS

o
Intr.

m.

ml

Do _

ne.

a _ pud

qUI

rnl _ ne

quis

pro. Pi _ Ii

Ie

Ii

sus

ne

Ii

bil?

est.

"9

if

S;;

(9

t)

eI . Ps.

Is _ ra

Us

De pro _ fun _ di~

___---77

rna _

vi

ad

cia.

Ie

Do.ml.

Do _

ne

ml

n,~

ex

----------

au

di

G'

.----'-

va

"9

~.

.9 .....

fJ

1-

cern

me _ am.

CIa _ n _ a

..

Pa.

lfi el

Fi _ Ii _ o.

~~v

el

Spi _ fi _ 1u _ i

-~

....-.-

------------,..,--------r;

r;~--'

PARS II

251

San _ eta.

Sic _ lit

e _ rat

prin _ei _ pi _ ().

in

u'-"'O'-"'J

~(.-'------

-==:--t

r.

et

sem_ per.

nunc. et

s~

et

_ eu _ la

S~

-~v

16

ell

_ rum.

men.

+ , - ". . .

quam

bo _ num.

et

quam

Grad.
I.

Ctin

In

dum

ha _ bi

ta

fra

re

'f.

num!

9'"-. - ....- '7

&

0---...--

fi~
;;
t)

_ tum

PA.RS IT

tr es

Sic-ut

un _ guen_

-~.;

252

,n

quod de - seen

ea_pi_te,

_;;:;rz::=

~-----.

r. - dit

,n

bam.

bar

--..

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DOMINICA XXill.POST PENTECOSTEN.


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VI.

tl _ 0

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PARS II

257
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258
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260

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In Dominica XXIV. et reliquis, si plures XXIV. fuerint Dominiere post Pentecosten,


Introitus, Graduale, Offertvrili!li d COlllniuTliu semper dinwtur ut in Dominica vigesima
tertia

E<\RS IT

INDEX PARTIS II

Pag.

Pag.

128

Dominica Resurrectionis

Dominica II.

Feria secunda

Sacratissimi Cordis Jesu

13.3

post Pentecosten

Feria tertia

12

Dominica III.

post Pelltecosten

144

Feria quarta

17

Dominica IV.

post Pentecosten

149

Feria quinta

22

Dominica V.

post Pcntecosten

153

Feria scxta

27

Dominica VI.

post Pentecosten

157

Sabbato in albis

32

Dominica VII.

post Pentecostcn

160

Dominica in albis

37

Dominica VIII. post Pentecosten

166

post Pascha

41

Dominica IX.

post Pentecostcn

171

Dominica III. post Pascha

45

Dominica X.

post Pentecosten

176

Dominica IV. post Pascha

49

Dominica XI.

post Pentecosten

182

Dominica V.

54

Dominica XII.

post Pentecosten

186

61

Dominica XIII. post Pentecosten

194

Vigilia Ascensionis

65

Dominica XIV. post Pentecosten

200

Ascensio Domini .

66

Dominica XV.

post Pentecosten

206

Dominica post Ascensionem

70

Dominica XVI. post Pentecosten

212

Sabbato in vigilia Pentecostes

75

Dominica XVII. post Pentecosten

216

Dominica Pentecostes

77

Feria IV. Quatuor Temporum Scptembris

222

Feria II.

post Pentecosten

85

Feria VI. Quatuor Temporum Septembris

226

Feria III. post Pentecosten

88

Sabbato Quatuor Temporum Septembris

227

Feria IV. Quatuor Temporum Penteeostes

91

Dominica XVIII. post Pentecosten

229

Feria V.

94

Dominica XIX.

234

Feria VI. Quatuor Temporum Pentecostes

94

Dominica XX.

post Pentecosten

238

Sabbato Quatuor Temporum Pentecostcs

98

Dominica XXI.

post Pentecosten

243

Sanctissimre Trinitatis .

105

Dominica XXII.

post Pentecosten

250

Dominica I. post Pentecosten

110

Dominica XXIII. post Pentecosten

255

Corporis Christi

114

Dominica XXIV. post Pentecosten

260

Dominica II.

post Pascha

In Litaniis majorilJUs et minoribus

Quatuor Temporum Pentecostes

Printed in Belgium
MECHLINIlE, H. DESSAIN

post Pentecosten

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