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METROWEEKLY.COM
EDITORIAL
EDITOR-IN-CHIEF
Randy Shulman
ART DIRECTOR
Todd Franson
MANAGING EDITOR
Rhuaridh Marr
SENIOR EDITOR
John Riley
CONTRIBUTING EDITOR
Doug Rule
SENIOR PHOTOGRAPHERS
Ward Morrison, Julian Vankim
CONTRIBUTING ILLUSTRATOR
Scott G. Brooks
NEWS
Protected by PrEP
by John Riley
COMMENTARY
9
A Dangerous Pope
by Tim Rosenberger
COMMENTARY
10
You Oughta Know
by Sean Bugg
12
Community Calendar
CONTRIBUTING WRITERS
Sean Bugg, Chris Heller, Connor J. Hogan,
Troy Petenbrink, Kate Wingfield
WEBMASTER
David Uy
FEATURE
16
The Trouble With Stonewall
by Randy Shulman
PRODUCTION ASSISTANT
Julian Vankim
FEATURE
20
MoNique: The Queen Of Comedy
Interview by Doug Rule
PUBLISHER
Randy Shulman
BRAND STRATEGY & MARKETING
Christopher Cunetto
Cunetto Creative
24
MS MR
26
DISTRIBUTION MANAGER
Dennis Havrilla
PATRON SAINTS
Marsha P. Johnson
Sylvia Rivera
COVER PHOTOGRAPHY
Philippe Boss
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by Connor J. Hogan
by Connor J. Hogan
OPERA
29
Carmen
GEARS
31
Efficient Disregard
NIGHTLIFE
35
CLUBLIFE
43
SCENE
44
46
Last Word
by Kate Wingfield
by Rhuaridh Marr
by Doug Rule
METROWEEKLY.COM
LGBT
News
Protected by PrEP
As Kaiser study shows daily Truvada use to be effective in preventing HIV,
patients say they dont regret their decision to start PrEP
by John Riley
METROWEEKLY.COM
Their condom use has decreased slightly, but was low to begin
with. Their number of partners has increased, but they feel the
drug has allowed them to be more sexually open.
Much of Wilburns initial opposition stemmed from his conservative religious upbringing and guilt about the open nature
of his relationship.
Society always had taught me sex was dirty, and the only
way to not fear it was to make it sterile, he explains. There is
a sense of freedom post-PrEP and a lifting of the guilt and selfshaming that was the initial cause of my slut-shaming. This is
something shared with my friends who are also on PrEP.... We
often call it the beginning of a second sexual revolution and
we know that scares a lot of people.
There has been no debate more contentious than the one surrounding PrEP, particularly among men who have sex with men,
who are considered more at risk for transmission of HIV. The
largest concerns have focused on Truvadas efficacy, the prevalence of condom use among those who choose to take it, and the
METROWEEKLY.COM
LGBTNews
level of compliance, given that the drug has to be taken daily.
In a recent study examining the use of PrEP, published
in Clinical Infectious Diseases, not one of insurer Kaiser
Permanentes 657 Californian clients who took a daily dose of
Truvada became infected with HIV over a two-year period.
Condom use among the subjects did decrease, and about half of
the study participants, all but four of whom were gay men, contracted another sexually-transmitted disease such as syphilis,
gonorrhea or chlamydia within a year. Yet the news was hailed
by many proponents of PrEP, who pointed to the lack of new
HIV infections as evidence of its effectiveness.
Dr. Ray Martins, senior director of Clinical Education and
Training at Whitman-Walker Health, which specializes in
HIV-related care, says that all studies or trials of PrEP appear to
show a range of effectiveness though all depend on patients
regularly taking the drug as prescribed.
I was expecting it to be extremely effective, but I was not
expecting it to be 100 percent, Martins says of the Kaiser
studys findings. Researchers are planning a follow-up study of
1,500 participants from across the country, 300 of whom will be
enrolled at Whitman-Walker.
Martins says that prior to the Kaiser study, most other
studies involving PrEP did not show an increase in potential
risk-taking behavior. He also notes, anecdotally, that from what
hes seen among his own patients who are on PrEP, there hasnt
been an uptick in STDs, even though a quarter of patients admit
to using condoms less frequently. Yet about 80% of those rarely
used condoms to begin with. For Martins, it illustrates the fact
that the availability of PrEP is largely not going to change peoples sexual behaviors or the amount of risk they take.
Michael Weinstein, president of AIDS Healthcare
Foundation, came under fire from several HIV/AIDS activists
and proponents of PrEP last year for referring to Truvada as a
party drug in a USA Today article. Weinstein says that AHFs
stance has been misrepresented: the organization has never
been completely opposed to PrEP, but has reservations about
adopting PrEP as part of a public health strategy such as that
adopted by New York state and worries about creating a culture in which condom use is discouraged.
If you look at whats happened, when the FDA approved it, the
line that everyone was using was that it was another tool to be used
with condoms, Weinstein says. Part of my concern, and AHFs
concern, was we didnt believe that was how it would be used.
Weinstein says that some proponents of PrEP are promoting
unprotected sex rather than using condoms in addition to PrEP.
One of the more extreme examples is the Australian activist
group SEEIT CLEARLY2020, which is behind a proliferation
of posters in Melbourne that say Now you can fuck raw. PrEP
works. No more HIV.
Obviously, for people who will never use a condom, PrEP is
better than no protection, says Weinstein. People who always
use a condom dont need PrEP. Negative people whose partners
are undetectable, if theyre confident and comfortable that the
person is undetectable, then theres no need for PrEP.
Weinstein also notes that Truvada is only effective if users
are regularly adherent, but previous studies have shown that
adherence drops off among people of lower incomes and educational levels, younger patients, and communities of color.
Thats why failing to continue to promote condom use is not a
responsible public health strategy. Additionally, he warns that,
because Truvada only protects against HIV and not other STDs,
adopting a cavalier attitude towards diseases like syphilis, gon8
METROWEEKLY.COM
orrhea and chlamydia because they are more easily treated than
HIV is short-sighted.
AHF began running ads primarily geared towards gay and
bisexual male audiences that repeat the established U.S. guidelines for the use of PrEP. The advertisements, titled Reaching
Common Ground on PrEP, stress which groups of people are
ideal candidates for PrEP, emphasize regular testing and daily
adherence, and warn against undue influence by pharmaceutical giants on doctors. AHF also aims for future medical advances, such as an implant that delivers a steady dose of medication
or an injection that would provide protection for a number of
months, that would be more reliable than a daily pill in ensuring
adherence to PrEP.
The other thing thats been really unfortunate over the past
few years is theres been an attempt to shut down the conversation, says Weinstein. Anyone who has any concerns is automatically labeled as a stigmatizer.... Its really been a matter of
attack first, talk later.... It has a bad influence within the LGBT
community, the fact that we cant actually discuss these issues
without bashing each other.
AHF and other skeptics among them gay playwright Larry
Kramer arent the only ones that have borne the brunt of
attacks in the debate over PrEP. Joseph Givens, a 29-year-old
whos been on Truvada for over a year, says being public about
his decision to go on PrEP has earned him negative feedback
from his social group. Hes been called a Truvada whore, even
by his former partner.
They think that being on it automatically makes you think
that you have the right to be promiscuous and have unprotected
sex, says Givens. Thats not true. Being on PrEP has made me
more aware of my HIV status.
Givens, who decided to go on Truvada because of a prior
relationship where his partner had been cheating on him, has
in fact decreased his number of partners since starting the drug
regime, and has increased his condom use, particularly when
sexually engaging with a person he doesnt know well.
Sean Wieland views PrEP as an added layer of protection,
one he would recommend any gay male who is not monogamous to consider. Although initially leery about potential toxic
side effects of the drug some friends reported problems with
severe nausea Wielands decision was affected by an incident
that required him to undergo post-exposure prophylaxis, where
patients take antiretrovirals to avoid contracting HIV.
Im somebody who came out twenty-one years ago. I grew
up in the HIV epidemic, he says. Look at what happened
in the eighties. Look at your own behavior. This is something
that has thus far been proven. Yes, there could be adverse side
effects down the road. But I would much rather be part of the
generation that is taking it, and shows that it is going to prevent
transmission. Theres a risk of any drug.
The biggest hindrance to going on PrEP for Wieland is the
fact that only some insurance plans cover Truvada, and people
arent always aware of programs at places such as WhitmanWalker that help cover the cost and provide co-pay assistance
to Truvada users. Since starting PrEP, Wieland has become a
strong advocate for the treatment, defending it to friends and
acquaintances who question that decision.
Regardless of how you feel about this drug, its something
thats a tool thats available for us to reduce the transmission
rate, Wieland adds. Science is progressing, but if theres a pill
that allows me to continue what Im doing sexually, and minimizes my risk, Im going to take it. l
COMMENTARY
A Dangerous Pope
METROWEEKLY.COM
In some ways, this message perfectly aligns with a wider negative attitude emerging in society. Gays can have sex, they can
marry, they can have kids, but they can never be normal. We
will always be the other. Francis now tells us that the church
should respect and care for the LGBT community, but it should
never acknowledge our full humanity or our complete dignity.
As an identity and as a people, we still dont really exist. We will
never be the embodiment of Gods image on earth.
Despite his many warm interactions with gay people, Francis
has already shown clear disconnects with reality in his preparations for this trip. The Pope recently offered some truly disturbing thoughts on the role of transgender people in the church
COMMENTARY
Im here to remind Ben Carson of the mess he made when he waylaid American Muslims
by Sean Bugg
METROWEEKLY.COM
supporters who believe our country is infected with Muslim terrorist training camps, even though our home-grown terrorists
have predominantly been white supremacists. Hes demonizing
Americans who are different than him because of ambition,
ignorance, or (most likely) both.
As a gay man, I am constantly aware that my experience
of discrimination is in no real way equivalent to the AfricanAmerican experience. Yes, Ive known people who have been
beaten, whove been killed, whove died from government
neglect. Ive been turned away, mocked, and threatened for
being gay. I know the history of my community and how the
government and society long attempted marginalization and
elimination of us. But all that pales to the centuries of the middle
passage, slavery, Jim Crow, and every other horror that America
managed to throw at black people.
Its generally not my place to dictate how a black persons
experience with bigotry in the past should influence their reaction to issues of discrimination in the present. But. But, but, but.
At 47, Im old enough to remember my great grandmother,
who was born shortly after the Civil War and experienced
Reconstruction and Jim Crow as a white woman. At 64, Carson
should certainly have even greater connection to the past than I,
through his and other black families who lived, suffered, and
in his case eventually thrived despite an openly racist society.
Like me, Carson should remember that not so long ago the majority of Americans didnt believe a Catholic could be president, because
any Catholic would be subservient to the pope. And, like me, Carson
should know that most of Americas deepest fears of others have
proven to be false righteous at the time and racist in hindsight.
So in this case, Im willing to say it: Ben Carson should know
better because hes black. He should know better because hes
seen the results of racism and xenophobia in this country, even
if he laudably rose above them in his own profession. He should
know better because hes an extremely intelligent man who
shouldnt be pandering to bigots.
And he should know better because telling little Muslim children, some of the most recent to learn of the American Dream,
that they cant aspire to the same dreams as their non-Muslim
friends is the most anti-American thing he could do. l
METROWEEKLY.COM
11
LGBTCommunityCalendar
Metro Weeklys Community Calendar highlights important events in the D.C.-area
LGBT community, from alternative social events to volunteer opportunities.
Event information should be sent by email to calendar@MetroWeekly.com.
Deadline for inclusion is noon of the Friday before Thursdays publication.
Questions about the calendar may be directed to the
Metro Weekly office at 202-638-6830 or
the calendar email address.
SATURDAY, SEPT. 26
THURSDAY, SEPT. 24
WEEKLY EVENTS
ANDROMEDA TRANSCULTURAL
HEALTH offers free HIV testing, 9-5
12
WOMENS LEADERSHIP
INSTITUTE for young LBTQ women,
WEEKLY EVENTS
ANDROMEDA TRANSCULTURAL
HEALTH offers free HIV testing, 9-5
FRIDAY, SEPT. 25
METROWEEKLY.COM
WEEKLY EVENTS
ANDROMEDA TRANSCULTURAL
HEALTH offers free HIV testing, 9-5
SUNDAY, SEPT. 27
LUTHERAN CHURCH OF
REFORMATION invites all to Sunday
METROPOLITAN COMMUNITY
CHURCH OF NORTHERN VIRGINIA
WEEKLY EVENTS
METROPOLITAN COMMUNITY
CHURCH OF WASHINGTON, D.C.
GLBT fellowship, offers gospel worship, 8:30 a.m., and traditional worship, 11 a.m. 5 Thomas Circle NW.
202-232-0323, nationalcitycc.org.
FRIENDS MEETING OF
WASHINGTON meets for worship,
UNITARIAN CHURCH OF
ARLINGTON, an LGBTQ welcoming-
UNITARIAN UNIVERSALIST
CHURCH OF SILVER SPRING
invites LGBTQ families and individuals of all creeds and cultures to join
the church. Services 9:15 and 11:15 a.m.
10309 New Hampshire Ave. uucss.org.
METROWEEKLY.COM
13
UNIVERSALIST NATIONAL
MEMORIAL CHURCH, a welcom-
MONDAY, SEPT. 28
CENTER MILITARY, a group of
LGBT veterans, military servicemembers, their families and allies holds
a meeting of its monthly working
group to discuss upcoming initiatives.
7-8:30 p.m. 2000 14th St. NW, Suite
105. For more information, contact
Eric Perez, eric.perez@thedccenter.
org or 202-682-2245.
WEEKLY EVENTS
DC AQUATICS CLUB (DCAC) practice session at Hains Point, 927 Ohio
Dr. SW. 7-8:30 p.m. Visit
swimdcac.org.
DC SCANDALS RUGBY holds
14
METROWEEKLY.COM
WHITMAN-WALKER HEALTH
TUESDAY, SEPT. 29
The Mayors Office on Asian and
Pacific Islander Affairs, together with
The DC Center, holds a special AAPI
LGBT TOWN HALL event and listening session to discuss issues affecting
the Asian and Pacific Islander community. 6:30-8:30 p.m. 2000 14th St. NW,
Suite 105. For more information, visit
thedccenter.org.
WEEKLY EVENTS
ANDROMEDA TRANSCULTURAL
HEALTH offers free HIV testing, 9-5
testing and STI screening and treatment every Tuesday. 5-6:30 p.m.
Rainbow Tuesday LGBT Clinic,
Alexandria Health Department, 4480
King St. 703-746-4986 or text 571-2149617. james.leslie@inova.org.
OVEREATERS ANONYMOUS
LGBT focused meeting every
Tuesday, 7 p.m. St. Georges
Episcopal Church, 915 Oakland Ave.,
Arlington, just steps from Virginia
Square Metro. For more info. call
Dick, 703-521-1999. Handicapped
accessible. Newcomers welcome.
liveandletliveoa@gmail.com.
SMYAL offers free HIV Testing, 3-5
p.m., by appointment and walk-in, for
youth 21 and younger. Youth Center,
410 7th St. SE. 202-567-3155, testing@smyal.org.
SUPPORT GROUP FOR LGBTQ
YOUTH ages 13-21 meets at SMYAL,
410 7th St. SE, 5-6:30 p.m. Cathy
Chu, 202-567-3163, catherine.chu@
smyal.org.
WEEKLY EVENTS
AD LIB, a group for freestyle conversation, meets about 6:30-6 p.m.,
Steam, 17th and R NW. All welcome.
For more information, call Fausto
Fernandez, 703-732-5174.
ANDROMEDA TRANSCULTURAL
HEALTH offers free HIV testing, 9-5
free, rapid HIV testing. No appointment needed. 11 a.m.-7 p.m. 1012 14th
St. NW, Suite 700. 202-638-0750.
WEDNESDAY, SEPT. 30
THE LAMBDA BRIDGE CLUB
METROWEEKLY.COM
15
STONEWALL
METROWEEKLY.COM
sap-drenched dialogue.
Where does Danny go? New York. What street in New York?
Christopher! What happens immediately? A supremely aged,
lecherous man slithers next to the midwestern nymph and salaciously offers him a place to rest his weary head. (This is the first
of many squirm-inducing moments to come.) Danny rebuffs the
advance and instantly falls in with a bunch of happy-go-lucky
street kids who turn tricks to survive, because thats what happens in real life. He ultimately becomes their guiding light to
salvation and liberation, with a brick in hand and a fist-pumping
cry of Gay power!
Roland Emmerichs film is a self-aggrandizing tribute to
those wonderful, brave, accidental LGBT activists who, over
four nights of rioting in the West Village, sparked the birth of the
second greatest civil rights movement in our lifetime. Stonewall
is the LGBT communitys Selma. And if youre going to make a
film about it, please, do it with intelligence, insight and respect
for those involved. Pay genuine homage not fleeting lip service to the transgender persons and gay people of color who
stood up and said, essentially, Were mad as hell and were not
going to take it anymore. The movie would have you believe, as
one character puts it, These kids have nothing left to lose. The
fact is, they had everything to gain. The Stonewall riot was not a
moment of last-ditch desperation, it was an outcry of rage, a call
for justice, equality and, most of all, visibility. It was the night we
emerged from the shadows and into the light.
As a gay man, I felt insulted watching the film. Truly one of
the most incompetent LGBT-themed films to ever make it onto
the screen and I have seen hundreds in my years as a journalist
and critic, of all stripes, good and bad Stonewall is a defamation
not just to our community, but to moviegoers of all genders, sexu-
PHILIPPE BOSS
Roland Emmerich has butchered a watershed moment in LGBT history / By Randy Shulman
PHILIPPE BOSS
17
Stonewall is the kind of movie where you leave feeling soiled, ashamed even.
YOU PRAY STRAIGHT PEOPLE WILL NEVER SEE IT, BECAUSE IT TURNS
HOMOSEXUALITY INTO SOMETHING UNSEEMLY AND DANK.
18
METROWEEKLY.COM
PHILIPPE BOSS
tus, while Danny, the main course, rises up against the mob and
police corruption and all the persecution that kept gays from
living fulfilling lives. The moment he is handed the fated brick,
your heart plummets. Danny is the Wonder Bread god who will
show us the way to salvation through violence, prompting his
unmerry band of transgender hookers and homeless hustlers
to claim their place in the world, openly and without shame,
harassment or fear of incarceration. The mob storms the street
and takes back the night. Except only one night, not the historically-accurate four. Because, you know, budget.
Emmerichs heart may be in the right place, but his talent is,
as ever, nowhere to be seen. The purveyor of disaster porn typically hides behind explosions and bombast. Yet when it comes
time to delve into an intimate, personal story, the emperor
reveals himself naked and afraid. After years of manhandling
gargantuan disaster scenes, Emmerich just cannot deal with the
interpersonal dramas a film of this type demands. The performances he evokes from the actors are stiff and disconnected, the
pacing pedestrian. He lacks nuance and sophistication every
tool in his directors kit is a sledgehammer.
Baitz, too, must shoulder his portion of blame for penning
dialogue that is not just cringeworthy, but persistently cringeworthy. I have not seen one dream come true on Christopher
Street, bemoans someone to Danny. Or take, for example, this
laughter-inducing exchange between Danny and the Puerto
Rican, gender-bending hustler Ray (the movies half-assed
answer to the M.I.A. Rivera), portrayed by Jonny Beauchamp
as if he were channelling a bad impersonation of Judy Garland
channelling an even worse impersonation of Michael Jackson.
Danny, I love you.
Im too mad to love anyone right now.
Cue quivering lips and epic glycerine tears.
The movies biggest howlers belong to Trevor, played to
a tawdry, covetous extreme by a mildly oily Jonathan Rhys
Meyers (who has the desperate look of an actor longing to escape
the contract he erroneously signed). A Mattachine Society organizer (Come to our meetings! We have cookies!), Trevor very,
very, very creepily seduces Danny. It feels like something out of
a classic William Higgins porno. All thats missing are knee-high
athletic socks and a box of pizza.
PHILIPPE BOSS
METROWEEKLY.COM
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me.
MW: Some gay people first got
to really know you from your
Queens of Comedy stand-up.
In it, you specifically mention
anal sex.
MONIQUE: [Laughs.] Talking
about the anal sex? Yes indeed,
I love it!
MW: Its something people dont
expect a comedian to say but
can totally relate to.
MONIQUE: Right, but you can
totally relate to that. Because
every woman in the world
knows her first experience
was exactly what I said! You
cant relax yourself enough to
be prepared for that. [Laughs.]
Im not going to go to fantasy, this is the reality. And Im
METROWEEKLY.COM
21
were going over to the club, I see theyre all giggling. And Im
thinking, okay, whats the joke? Well, when we get into the
club, that was the night they said, This is who we are. And
everybody in that club was having such a great, beautiful time,
and it was these beautiful men everywhere. Very few women. It
made me fall in love with that community, because I had never
experienced anything like that where you go and everybody is
having a great time.
But then I had never experienced the stories that I got later.
All of those beautiful young men had the same story My family doesnt accept me. Some of them had to live with somebody
METROWEEKLY.COM
It was just like, welcome to the world the one thing you
were so caught up and worried about, is the very thing that that
is. So you lived half of your daughters life unaccepting of her
because you were worried about this womans opinion, only to
find out her daughter is gay too.
MW: Human nature is fascinating, isnt it?
MONIQUE: Come on now! If we start watching Discovery Channel,
well get along better. If you watch these beasts and these animals, itd be a better place.
MW: You touch on some of the struggles of coming out in Blackbird,
Patrik-Ian Polks independent film in which you play the mother of
a budding gay Southern Baptist. How did that role
come along?
MONIQUE: We got a call from Isaiah Washington,
who I think is one of the most brilliant actors of
our time. He said to my husband Sidney, I think
I have something here that you and your wife
would like to look at. So he sent us that script.
And by time I got finished reading page one, I
looked at Sidney and I said, Daddy, if they put
on screen whats on this paper, this is going to
change hearts and minds. And thats how we got
involved.
MW: Thats a motivating factor for you in your work
changing hearts and minds and helping people.
MONIQUE: Yeah, because so many of the stories go
untold. And you continue to see people in so much pain, and just
hurting. So if one person can get healed, then weve done what
we set out to do. So yeah we I say we because its my husband
and I we pretty much like doing things that, may it be funny,
may it not, may it be whatever, but you walk away saying, I didnt
think about it like that.
MW: Was playing the abusive mother in Precious a hard role for
you to take on?
MONIQUE: No! Mary Jones was so much fun. Oh my god, baby!
Every time Mr. Daniels said action, it was this little girl inside of
me saying, You can do it, you can do it. Because it was me playing this character, playing dress up. And it was me saying to Mr.
D, You trust me to do this? We actually had a great time on that
set. In between takes we were listening to house music, we may
have a cocktail, had us some crab legs. It was just a great time.
MW: Most recently you appeared as the bisexual blues singer Ma
Rainey in Bessie, which just won four Emmy Awards, including
Outstanding Television Movie. What do you take away from your
work in that film?
MONIQUE: It was absolutely breathtaking, because Queen Latifah
just embodied Bessie Smith. And to watch that happen, it was
just like, go ahead sister. To meet these dynamic women I
heard very little about Bessie Smith because shes really not
in any history books in school. I knew nothing of Ma Rainey.
I knew nothing of these people. And to be introduced to these
dynamic people was an honor. And Im appreciative that that
woman, Ma Rainey, allowed me to bring her to life.
MW: Was knowing nothing about Ma Rainey especially the inspiration for taking on the role in the first place?
MONIQUE: Well, when I initially got the script, they wanted me to
play Viola, the sister. I was grateful that they considered me for
that, but I told them, No thank you. I said, However, I read
Ma Rainey, and I would like to play her. And they said, Well
then, you shall be Ma Rainey. And what made me take that role
that woman was so honest, and so giving, and so real. And she
was unwavering and unapologetic about who she was. So she
just spoke to me as I read that script. And Dee Rees, who wrote
that script, it was as if she knew those people. So Ma Rainey just tion of the Peters sisters.
gravitated to my spirit. We just connected in all those pages.
So once we take history and make it our story and not hisMW: Its surprising that they wanted you as Viola, because you just story, we then can stop actually labeling, having separate comseem such a natural in your role as Ma Rainey.
munities, having separate conversations. Because, see, I dont
MONIQUE: I guess they said, well damn if she can be Mary Jones,
believe that theres a gay community, or a black community, or
she can be Viola. But Khandi Alexander as Viola, wooo! Did you a white community were just a community of human beings.
see that performance? She was absolutely brilliant, just brilliant. And once we start treating each other that way, watch whats
Everyone in that movie was just brilliant. So to be a part of that, going to happen. So Oct. 4, I want every gay baby in Washington,
and to be able to play with my sister that Ive watched since I D.C., at Constitution Hall. Because the conversation were going
was a little girl. To play with that icon, and that living legend.
to have that night? Ooo-ooo! [Laughs.]
MW: And you got to do a little dance with Queen Latifah, too. Did MW: Just to be clear, are you planning to portray Madam Walker
you actually sing as Rainey in all the scenes on stage?
or the Peters sisters on screen down the line?
MONIQUE: They had to get a voice-over person for me, but dam- MONIQUE: No, not at all. No plans to. Its just so unfortunate that
mit I tried to give it my everything. And in my mind, baby, I was when I put those names out there, you dont know them. And
giving it everything. [Laughs.]
thats not to judge it because there are black folks that dont
MW: And you got an Emmy nomination for the work, so obviously
know them. Because its just not a part of our history. And the
others thought you were giving it everything too.
point I was making with Ma Rainey, had I not read that script,
MONIQUE: No, Ma Rainey got that Emmy nomination. I cant take
I still to this day would not know who that woman is. Because
that from her.
its just not mentioned. So to be able to bring that character to
MW: The role also fits your m.o. of trying to shine a light on untold
life was such an honor because what it did was gave me a history
stories and people in this case, an unsung hero.
lesson of our story.
MONIQUE: Well, you know, oftentimes when they say history, we MW: And that gets to something that Ma Rainey says in the movie,
break that down to say his-story [but] there are so many amaz- about the blues not being about you, the performer, but about
ing people that are not in his-story. But when we say our story, knowing and connecting with the people, the audience. And if Im
then you start finding out about these amazing people. So, I do hearing you right, thats sort of what you aim for as well.
feel an obligation to introduce those people because they were MONIQUE: You know how they say that, when you die, the spirit
never introduced to me.
goes on? I think Ive been here a lot of times! [Laughs.] And I
Most of the black women we see, who were entertainers, think Ma Rainey said, Alright, its my time to tell the story now!
died broke, died alone, died with no family. Ma Rainey, that MW: I would be remiss if I didnt ask if theres any chance for
woman died wealthy. That woman died with love. But that story another Queens of Comedy. I know you had a reunion of that on
is not in any of our books. So its an honor to be able to tell that your talk show.
story. Because the same things that those women
were struggling with then are the same things
were struggling with now. Im appreciative to play
All of those beautiful young men had the
that role because what it lets me know is, youre
same story my family
not thinking the wrong way. Youre not doing this
the wrong way. Its okay to say no when it doesnt
doesnt accept me.
make sense. Its okay to stand in truth. And not bow
Some of them had to live with somebody else because
down. Its okay for those things to take place. Those
they were put out. The stories that they had and the way
stories we dont oftentimes see. So me, playing Ma
Rainey, it did so much more for me than just playthey embraced me, it just made me love them.
ing Ma Rainey it let me see down the road. It
allowed me to say, you better love your family with
everything you have, you better know how to put
your priorities in order, because it doesnt always have to be the MONIQUE: Working with those I cant call it working playing
ending weve been shown.
with those three women was such an honor. Because they are
MW: And also the women that weve seen through history dont
three of the most talented female comedians Ive ever had the
pleasure of playing on the stage with. We all made a pact, during
necessarily look like Ma Rainey, either.
MONIQUE: Right. The women that you have seen in history, and the Queens of Comedy, that we would never do it again if all of
what they show us in the books, youre right. Because when I us couldnt do it. And weve kept that promise to each other. We
say to you, Doug, do you know who Madam C.J. Walker was? havent been able to connect. So for Adele Givens, Sommore and
Madam C.J. Walker was the first self-made woman in this Laura Hayes, that moment in time was such an amazing moment
country. And you know how she made her millions? Off of black and Im forever grateful to those three women.
hair care products. But thats not in our history books. We have MW: So for your future, you hope for another talk show? What else?
to dig for that information. Now when you have the first black MONIQUE: Yes, yes. There will be another show. Now I cant tell
woman who was a self-made millionaire Oprah Winfrey you when, cant tell you where, but what I can tell you is, it will be.
wasnt the first. Thats not in our books, but thats something
I hope for my future that I can be the best wife that I can, the
that we should know. When I say, do you know who the Peters best mommy I can be, the best friend I can be. And to wrap it
sisters were? The Peters sisters were before the Williams sis- all up, I hope in my future, I can become a better human being.
ters, Serena and Venus. They were these two black women that
were just beating everybodys ass in tennis [in the mid-1900s]. MoNique appears Sunday, Oct. 4, at 7 p.m. D.A.R. Constitution
But because they were black they could only go so far. What we Hall, 1776 D St. NW. Tickets are $55 to $104. Call 202-628-1776 or
know now is the Williams sisters, but theres never been a men- visit dar.org/conthall. l
METROWEEKLY.COM
23
SPOTLIGHT
2ND ANNUAL FREEDOM 5K XC AT
LINCOLN COTTAGE
HEN ON STAGE, MAX HERSHENOW ISNT JUST PLAYING HIS SYNTHEsizer. We like to play with gender roles, says half of the pop duo MS MR. Theres
definitely a profound queerness that is part of both of us, especially with Lizzy. She
identifies as straight, but has this masculine energy at times. Its exciting for both of us to feel
the fluidity of going back and forth between these masculine and feminine moments, and playing
with those expectations on stage.
Since 2011, MS MR has delighted audiences with their singular brand of gender-bending, fast
moving pop. The Brooklyn-based band might seem small with Lizzy Plapinger on vocals and
Hershenow on keyboard but their sound isnt. Their sophomore album How Does It Feel, released
earlier this summer, is the result of a tight partnership between Plapinger and Hershenow. Every
song starts in a different way, Hershenow says. Some songs, Lizzy starts with a little melody, or a
lyric, and Ill build a track on top of that. For How Does It Feel, we built all the songs in a studio in
Bushwick. It was cool because every day someone would come in with a new idea.
With relentless vocals and high-powered synth, MS MR demands the listeners attention.
In Painted, the first track of How Does it Feel, were bombarded by Plapingers sexy alto belt,
which lays perfectly on top of Hershenows repetitive chord progression. The way the two performers compliment each other is uncanny. In fact, How Does It Feel sounds less like an album,
and more like a conversation between two old friends.
They are taking their high-energy pop anthems on the road, and, according to Hershenow, its
the best way to experience them. When we wrote the first record, we had never really written
music before and we werent really thinking about it as a live performance, he says. When we
wrote the second album, we wanted to approach it with a live show in mind. Connor J. Hogan
MS MR appears next Thursday, October 1st at the 9:30 Club, 815 V St NW. Doors open at 7 p.m.
For more information, visit 930.com.
24
METROWEEKLY.COM
METROWEEKLY.COM
25
NATIONAL SYMPHONY
ORCHESTRA POPS WITH
RAJATON
Grand
Transformations
PERA TENDS TO GRAVITATE TOWARDS THE GRAND. ITS ONE OF THE ONLY
performance mediums that can capture the turmoil and joy of elaborately complicated
conflicts. But what about the everyday inner strifes some struggle with? As One, a new
opera at UrbanArias, eschews grandiosity to tell the story of Hannah, a transgender woman,
coming out and living freely.
Loosely based on the life story of filmmaker Kimberly Reed, As One was composed by
Laura Kaminsky and features a male baritone and a female mezzo-soprano, both performing as Hannah. Director Octavio Cardenas took an abstract approach to the staging, granting
the audience access to Hannahs internalized struggle. As she goes through her journey, she
experiences all kinds of transformation, Cardenas says. All the changes physically and psychologically, doubt, fear, acceptance. In the end, however, she learns to take herself as one.
While the story might be about the life of a transgender person, As One explores themes
of acceptance, love, and identity. Its always my hope to tell a story that engages the fact that
this protagonist is transgender, but very quickly find one way or another to get the audience
involved emotionally on a human level, Reed says. When I watch As One, I see Hannahs
journey, not my own. It reminds me of my path, but its more hers than mine. I want people to
have the sense that they know this person, this character.
For Luis Orozco, who plays Hannah prior to her transition, navigating the emotional peaks
and valleys of the character came with its own set of internal struggles. The most challenging
thing has been to go there in those emotions that she is feeling, Orozco says. And to still be
able to sing very challenging music. Orozco revels in those kinds of challenges. In particular,
he mentions a scene in which Hannah writes a letter explaining why, for the first time, she
wont be coming home for Christmas. We talked a lot about that feeling, when it gets too hard
to go home, he says. Getting into the emotional aspect of characters can be difficult.
This is filmmaker Reeds first foray into Opera, but it definitely wont be her last. Originally,
Laura approached me to make a film that would take the place of a set for As One, she says.
Through that process of talking to her, and librettist Mark Campbell about my experiences,
they suggested I co-write the libretto. We clicked, and it turned into a great collaboration.
Later this year, the team is getting back together to plan a future production. I dont have a lot
of details, Reed says. But I am excited to work with them again. Connor J. Hogan
As One opens on Saturday, Oct. 3, at the Atlas Performing Arts Center, 1333 H St. NE.
Visit UrbanArias.org.
26
METROWEEKLY.COM
PARIS IS BURNING:
CELEBRATING 25 YEARS
UNCENSORED:
INFORMATION ANTICS
STAGE
DESTINY OF DESIRE
FRIENDSHIP BETRAYED
IRONBOUND
NIGHT FALLS
ON THE BLUE PLANET
WOMEN LAUGHING
ALONE WITH SALAD
MUSIC
BELA FLECK
AND CHICK COREA DUET
METROWEEKLY.COM
27
CHAISE LOUNGE
ITZHAK PERLMAN
AND EMANUEL AX
LORETTA LYNN
WITH THE VON TRAPPS
STEVIE WONDER
SYLEENA JOHNSON
28
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WICKED JEZABEL
MARYLAND RENAISSANCE
FESTIVAL
opera
Delayed Launch
Carmen doesnt quite take off
until the second act, but its
a flight worth taking
by KATE WINGFIELD
SCOTT SUCHMAN
doing prison time to protect her. He only balks when she later
insists he abandon his soldierly duties as well. As Act One ends,
he is forced to make a choice that sets up the far more dramatic
cascade of events in Act Two.
Making this narrative fresh is certainly a challenge - but
it is further compounded by the attenuated pacing of the first
act. It is positively leisurely. In more innocent times, audiences
no doubt couldnt get enough of Carmens racy persona and cat
fights, but in this day and age, it feels more like foot-dragging.
But the pacing is essential, as it allows for Bizets charged and
tantalizing music and its gorgeous arias.
The creativity lies in finding ways to engage the audience
visually and theatrically while the first act plays out and it is
a dilemma director E. Loren Meeker doesnt quite solve. One
reason is her reliance on rather too much of choreographer Sara
Erdes tenuous, wandering crowds. The unraveling movements
of the adult chorus may echo the wistful underlay of Bizets
score, but after a time, it distracts. And yet it is equally distracting
when Erde separately over-choreographs Carmen, giving her far
too many precarious-looking tabletop maneuvers that beg disaster. Carmen is an earthy, physical woman, but with Clementine
Margaine in the role, this could have been fully apparent without
risking her accidentally grinding on an inkwell.
METROWEEKLY.COM
29
And this is the point. Margaine has more than enough vulpine
charisma to carry this Carmen, and once she sings, her sumptuous, lustrous tone and power leave no doubt of it. To hear her
unhurried voice is to be bewitched, and it is this quality, along
with her fresh and mischievous smile, that we need. And indeed,
she carries the first act, despite its issues.
It gets somewhat more complicated with Don Jos. Not
only must tenor Bryan Hymel overcome a cardboard cutout of
a character, he must do so without much help from the either
Meeker or, again, Erde. Take, for example, the key moments in
which Carmen dances for Don Jos in her bid to convince him
to abandon his soldiers duties. Its a seminal moment for Jos;
a potentially irrevocable slippage in his fragile sense of self. And
indeed, Carmen ends the scene astride him in a move that is at
once sensual and dominant. It is a key moment for the character
and yet we cannot truly see his face. We needed this and other
such moments showing the mans soul-consuming love and lust
for this extraordinary woman if we are to make sense of the
events to come.
Still, and despite the shortcomings, Act Two quickly gathers
momentum. By the time the opera climaxes with Don Joss confrontation of Carmen aside the bullfighting arena, the dramatic
tension is gruelingly taut. And in their stark encounter, Meeker
finally does what she couldnt quite do in the early scenes: carve
an emotional space for her characters. And remarkably, its a
space in which Hymel overcomes Joss flaccid first act to deliver
an astounding rendering of this unhinged and ultimately dangerous man. He also opens his tenor to offer a fuller, more expressive clarion call, one that is rife with the agony and alarm at what
he knows he will do. Coupled with Margaines embodiment of
Carmens resolve and her terror the production finally deliv-
30
METROWEEKLY.COM
gears
Efficient Disregard
Volkswagen is facing a storm of criticism
for flouting federal emissions laws days
after unveiling hyper-efficient vehicles
by RHUARIDH MARR
VOLKSWAGEN
31
METROWEEKLY.COM
Last Friday, Volkswagen was told by the Obama administration to recall almost 500,000 vehicles. The reason? The German
automaker had illegally altered its cars to circumvent mandatory
emissions tests. The Environmental Protection Agency (EPA)
announced that certain diesel-powered Volkswagens and Audis
had been pumping dangerous amounts of nitrogen oxide into
the atmosphere up to 40 times the federally mandated limit.
EPA tests had confirmed that the vehicles would activate
controls when they detected the EPAs testing scenarios, artificially lowering emissions. Under normal driving, such controls
were deactivated owners would gain more power and greater
fuel economy, but their cars would be emitting high amounts
of nitrogen oxide, widely associated with creating ozone, smog,
and contributing to respiratory problems. Cynthia Giles, the
EPAs assistant administrator for the Office of Enforcement and
Compliance didnt mince words in a statement. We expected
better from Volkswagen, she said, before calling their deactivation of emissions controls a threat to public health.
For Volkswagen, the EPAs findings should be cause for
immense concern. Unlike past scandals that have rocked the
automotive world, their actions have significantly greater ramifications. Toyota coughed up $1.2 billion in 2013 for cars that
would accelerate suddenly without reason, while GM was stung
by a $900 million fine for last years ignition switch scandal.
In those instances, however, the automakers covered up
information that their products were defective. GM and Toyota
tried to mask defects in their products, but they didnt willingly
cause said defects. Volkswagens case is dramatically different.
They specifically engineered thousands of vehicles to deliberately flout a federal law. Volkswagens actions werent negligent
they were criminal.
This is several steps beyond the violations that weve seen
from other auto companies, Tyson Slocum, a director at Public
Citizen, a consumer advocacy group, told The New York Times.
They appear to have designed a system with the intention to
mislead consumers and the government. If thats proven true,
its remarkable and outrageous.
For Volkswagen, the revelations have been disastrous. The
METROWEEKLY.COM
33
34
METROWEEKLY.COM
NIGHT
LIFE
LISTINGS
THURS., 09.24.15
9 1/2
Happy Hour: 2 for 1 on any
drink, 5-9pm Multiple
TVs showing movies,
shows, sports Expanded
craft beer selection
Music videos featuring
DJ Wess
ANNIES/ANNIES
UPSTAIRS
4@4 Happy Hour, 4-7pm
$4 Small Plates, $4 Stella
Artois, $4 House Wines,
$4 Stolichnaya Cocktails,
$4 Manhattans and Vodka
Martinis
COBALT/30 DEGREES
Happy Hour: $6 Call
Martini, $3 Miller Lite,
$4 Rail, $5 Call, 4-9pm
$3 Rail Drinks, 10pmmidnight, $5 Red Bull,
Gatorade and Frozen
Virgin Drinks Locker
Room Thursday Nights
DJs Sean Morris and
MadScience Ripped Hot
Body Contest at midnight,
hosted by Sasha J. Adams
and BaNaka $200 Cash
Prize Doors open 10pm,
18+ $5 Cover under 21
and free with college ID
DC9
1940 9th St. NW
Happy Hour, 5-8pm
dcnine.com
DC EAGLE
Thursday Night Football
Touchdown Specials
Jock Night specials for
men in jocks, 8-10pm
METROWEEKLY.COM
35
36
METROWEEKLY.COM
scene
Peach Pit at DC9
Saturday, September 19
scan this tag
with your
smartphone
for bonus scene
pics online!
Photography by
Ward Morrison
GREEN LANTERN
Happy Hour, 4-9pm
Ladies Drink Free Power
Hour, 4-5pm Shirtless
Thursday, 10-11pm DJs
BacK2bACk
JR.S
All You Can Drink for $15,
5-8pm $3 Rail Vodka
Highballs, $2 JR.s drafts,
8pm-close Throwback
Thursday featuring rock/
pop retro hits
NELLIES SPORTS BAR
Beat the Clock Happy Hour
$2 (5-6pm), $3 (6-7pm),
$4 (7-8pm) Buckets of
Beer $15 Drag Bingo
NUMBER NINE
Happy Hour: 2 for 1 on any
drink, 5-9pm No Cover
TOWN PATIO
Open 6pm No Cover
$4 Drinks and $3 Draughts,
6-9pm
ZIEGFELDS/SECRETS
All male, nude dancers
Shirtless Thursday DJ
Tim-e in Secrets 9pm
Cover 21+
FRI., 09.25.15
9 1/2
Open at 5pm Happy
Hour: 2 for 1 on any drink,
5-9pm Friday Night
Videos with resident DJ
Shea Van Horn VJ
Expanded craft beer selection No Cover
ANNIES
4@4 Happy Hour, 4-7pm
$4 Small Plates, $4 Stella
Artois, $4 House Wines,
$4 Stolichnaya Cocktails,
$4 Manhattans and Vodka
Martinis Upstairs open,
5-11pm
COBALT/30 DEGREES
All You Can Drink Happy
Hour $15 Rail and
Domestic, $21 Call
& Imports, 6-9pm
Guys Night Out Free
Belvedere Vodka, 11pmMidnight, $6 Belvedere
Vodka Drinks all night
DJ MadScience upstairs
DJ Keenan Orr downstairs
$10 cover 10pm-1am, $5
after 1am 21+
DC9
1940 9th St. NW
Happy Hour, 5-8pm
dcnine.com
DC EAGLE
Free Happy Hour Buffet,
6-10pm $4 Rail, $3
Domestic, $10 Bucket of
Stella Gear Night $2
discount for men in gear,
10pm-close
FREDDIES BEACH BAR
Crazy Hour, 4-7pm
Karaoke, 8pm
GREEN LANTERN
Happy Hour, 4-9pm
$5 Smirnoff, all flavors,
all night long BOOM,
featuring the hottest GoGo
Bears, 10pm-2am
JR.S
Happy Hour: 2-for-1,
4-9pm $2 Skyy Highballs
and $2 Drafts, 10pmmidnight Retro Friday
$5 Coronas, $8 Vodka Red
Bulls, 9pm-close
TOWN PATIO
Open 6pm No Cover
before 10pm Cover after
10pm (entry through Town)
ZIEGFELDS/SECRETS
All male, nude dancers,
hosted by LaTroya Nicole
Ladies of Ziegfelds,
9pm Hosted by Miss
Destiny B. Childs DJ
Darryl Strickland in Secrets
VJ Tre in Ziegfelds
Cover 21+
SAT., 09.26.15
9 1/2
Happy Hour: 2 for 1 on any
drink, 3-9pm $5 Absolut
& Titos, $3 Miller Lite
after 9pm Expanded
craft beer selection No
Cover Music videos
featuring various DJs
COBALT/30 DEGREES
Drag Yourself to Brunch at
Level One, 11am-2pm and
2-4pm Featuring Kristina
Kelly and the Ladies of
Illusion Bottomless
Mimosas and Bloody
Marys Happy Hour: $3
METROWEEKLY.COM
37
GREEN LANTERN
Happy Hour, 4-9pm $5
Bacardi, all flavors, all
night long Khush DC
and Anthology of Booty
present Bootystan: An
LGBT South Asian Party
Special guest DJ Ushka,
9pm-close $5 Cover
before 10pm, $10 after
10pm
TOWN
CTRL Dance Party, 11pmclose Music and video
downstairs by DJ Wess
Drag Show starts at
10:30pm Hosted by Lena
Lett and featuring Miss
Tatianna, Shi-QueetaLee, Epiphany B. Lee and
BaNaka Doors open
10pm Cover $12 21+
JR.S
$4 Coors, $5 Vodka
Highballs, $7 Vodka Red
Bulls
TOWN PATIO
Open 2pm No Cover
before 9:30pm Cover
after 10pm (entry through
Town)
ZIEGFELDS/SECRETS
Men of Secrets, 9pm
Guest dancers Ladies
of Illusion with host
Ella Fitzgerald, 9pm
DJ Steve Henderson in
Secrets DJ Don T. in
Ziegfelds Doors open
8pm Cover 21+
SUN., 09.27.15
9 1/2
Happy Hour: 2 for 1 on any
drink, 3-9pm Multiple
TVs showing movies,
shows, sports Expanded
craft beer selection No
Cover
COBALT/30 DEGREES
$4 Stoli, Stoli flavors
and Miller Lite all day
Stonewall Kickball
Post-Game Party, 5pm
Homowood Karaoke,
10pm-close No Cover
21+
DC9
1940 9th St. NW
Happy Hour, 2-6pm
dcnine.com
DC EAGLE
Doors open noon $7
Buffet with $2 Bud and
Bud Light Draughts
Sunday Football
FREDDIES BEACH BAR
Champagne Brunch Buffet,
10am-3pm Crazy Hour,
4-7pm Karaoke, 8pm1am
38
METROWEEKLY.COM
GREEN LANTERN
Happy Hour, 4-9pm
Mamas Trailer Park
Karaoke, 9:30pm-close
JR.S
Sunday Funday Liquid
Brunch Doors open at
1pm $2 Coors Lights and
$3 Skyy (all flavors), all
day and night
NELLIES SPORTS BAR
Drag Brunch, hosted by
Shi-Queeta-Lee, 11am3pm $20 Brunch Buffet
House Rail Drinks, Zing
Zang Bloody Marys, Nellie
Beer and Mimosas, $4,
11am-close Buckets of
Beer, $15
NUMBER NINE
Pop Goes the World with
Wes Della Volla at 9:30pm
Happy Hour: 2 for 1 on
any drink, 3-9pm No
Cover
MON., 09.28.15
9 1/2
Happy Hour: 2 for 1 on any
drink, 5-9pm Multiple
TVs showing movies,
shows, sports Expanded
craft beer selection No
Cover
ANNIES
4@4 Happy Hour, 4-7pm
$4 Small Plates, $4 Stella
Artois, $4 House Wines,
$4 Stolichnaya Cocktails,
$4 Manhattans and Vodka
Martinis
COBALT/30 DEGREES
Happy Hour: $2 Rail, $3
Miller Lite, $5 Call, 4-9pm
RuPauls Drag Race
Viewing and Drag Show
hosted by Kristina Kelly
Doors open at 10pm, show
starts at 11pm $3 Skyy
Cocktails, $8 Skyy and Red
Bull No Cover, 18+
DC9
1940 9th St. NW
Happy Hour, 5-8pm
dcnine.com
DC EAGLE
Monday Night Football
Happy Hour, 8-10pm
Jersey Night support
your favorite team Free
Pool all night
FREDDIES BEACH BAR
Crazy Hour, 4-7pm
Karaoke, 8pm
TUES., 09.29.15
9 1/2
Happy Hour: 2 for 1 on any
drink, 5-9pm Multiple
TVs showing movies,
shows, sports Expanded
craft beer selection No
Cover
GREEN LANTERN
Happy Hour all night long
Michaels Open Mic
Night Karaoke, 9:30pmclose
ANNIES
4@4 Happy Hour, 4-7pm
$4 Stella Artois, $4 House
Wines, $4 Stolichnaya
Cocktails, $4 Manhattans
and Vodka Martinis
JR.S
Happy Hour: 2-for-1,
4-9pm Showtunes Songs
& Singalongs, 9pm-close
DJ James $3 Draft
Pints, 8pm-midnight
COBALT/30 DEGREES
Happy Hour: $2 Rail, $3
Miller Lite, $5 Call, 4-9pm
SIN Industry Night
Half-price Cocktails, 10pmclose
DC9
1940 9th St. NW
Happy Hour, 5-8pm
dcnine.com
NUMBER NINE
Happy Hour: 2 for 1 on any
drink, 5-9pm No Cover
METROWEEKLY.COM
GREEN LANTERN
Happy Hour all night long,
4pm-close
JR.S
Birdie La Cage Show,
10:30pm Underground
(Indie Pop/Alt/Brit Rock),
9pm-close DJ Wes
Della Volla 2-for-1, 5pmmidnight
NELLIES SPORTS BAR
Beat the Clock Happy Hour
$2 (5-6pm), $3 (6-7pm),
$4 (7-8pm) Buckets of
Beer $15 Karaoke and
Drag Bingo
NUMBER NINE
Happy Hour: 2 for 1 on any
drink, 5-9pm No Cover
Safe Word: A Gay Spelling
Bee, 8-11pm Prizes to
the top three spellers
After 9pm, $3 Absolut,
Bulleit & Stella
TOWN PATIO
Open 6pm No Cover
Yappy Hour: Happy Hour
for Dogs and their best
friends $4 Drinks and
$4 Draughts
39
WED., 09.30.15
9 1/2
Happy Hour: 2 for 1 on any
drink, 5-9pm Multiple
TVs showing movies,
shows, sports Expanded
craft beer selection No
Cover
ANNIES
4@4 Happy Hour, 4-7pm
$4 Stella Artois, $4 House
Wines, $4 Stolichnaya
Cocktails, $4 Manhattans
and Vodka Martinis
COBALT/30 DEGREES
Happy Hour: $2 Rail,
$3 Miller Lite, $5 Call,
4-9pm Wednesday
Night Karaoke downstairs,
10pm Hosted by Miss
India Larelle Houston
$4 Stoli and Stoli Flavors
and Miller Lite No Cover
21+
40
METROWEEKLY.COM
DC9
1940 9th St. NW
Happy Hour, 5-8pm
dcnine.com
FREDDIES BEACH BAR
Crazy Hour, 4-7pm $6
Burgers Drag Bingo
Night, hosted by Ms.
Regina Jozet Adams, 8pm
Bingo prizes Karaoke,
10pm-1am
GREEN LANTERN
Happy Hour all night long,
4pm-close The Boys of
HUMP upstairs, 9pm
JR.S
Buy 1, Get 1 Free, 4-9pm
Trivia with MC Jay Ray,
8pm The Feud: Drag
Trivia, hosted by BaNaka,
10-11pm, with a $200
prize $2 JR.s Drafts and
$4 Vodka ($2 with College
ID or JR.s Team Shirt)
41
42
METROWEEKLY.COM
Wunder Garten and Metro Weekly stage the citys only LGBT Oktoberfest party
OU CANT SERVE
German beer with
a French name!
Christopher
Lynch is adamant about his
reason for not extending
the name LEnfant Cafe
the restauarant he co-owns
with Jim Ball to his newest venue, Wunder Garten,
in D.C.s newly thriving
NoMa region.
All next week, the
citys newest, largest beer
garden will celebrate the
German, beer-focused
festival Oktoberfest. And
on Wednesday, Sept. 30,
the venue will celebrate
the LGBT community with
a cant-miss gay night:
Sausage Fest.
beginning of summer,
becoming the first establishment apart from a Hilton
Garden Inn to have an onpremise liquor license in
NoMa. He expects Wunder
Garten to remain open as
late as November, depending on the weather, in its
current temporary site a
parking lot down the block
from a Harris Teeter and
immediately next to the
NoMa-Gallaudet University
Metro stop on the Red Line.
Condominiums are scheduled to be constructed on
the property in the nearfuture. Lynch is working
to find a more permanent,
year-round location in the
neighborhood.
Theres a notable
gay presence in NoMa,
Lynch says, adding that
about a quarter of the
customers are gay. But
next weeks Sausage Fest
will be Wunder Gartens
first official full, all-gay
blowout. And though the
garden must close by 10
p.m., Lynch encourages
patrons to make their way
to LEnfant Cafe for a La
Boum-style after-party.
After all, some will want
Sausage Fest to go all
night.
Sausage Fest is
Wednesday, Sept. 30, at
4 p.m., with last call at 9
p.m., at Wunder Garten,
150 M St. NE.
No cover charge.
Call 202-716-7302 or visit
wundergartendc.com.
For more information on
the full slate of Oktoberfest
activities or to purchase
tickets for the events held
Friday, Oct. 2, and
Saturday, Oct. 3, visit
wundergartendc.com. l
METROWEEKLY.COM
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Getting Porked
scene
The DC Kings
Final Show
at Bier Baron Tavern
Sunday, September 21
scan this tag
with your
smartphone
for bonus scene
pics online!
Photography by
Ward Morrison
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Paula Deen is on this season of Dancing with the Stars, but I gotta say, if I wanted to see an intolerant lady dance,
I wouldve gone to one of Kim Daviss four weddings.
Emmy Awards host ANDY SAMBERG, in a monologue containing several references to the Rowan County Clerk.
Its so ironic that she came out of jail to Eye of the Tiger, Samberg added, when you consider
how many guys have boned each other to that song.
JILL SOLOWAY, accepting her Emmy Award for Outstanding Direction for a Comedy Series for Transparent on Sunday.
Soloway dedicated her win to her moppa, a trans woman. We dont have a trans tipping point yet,
we have a trans civil rights problem.
Thank you for your patience. Thank you for your courage. Thank you for your stories. Thank you for your inspiration.
Thank you for letting us be part of the change.
JEFFREY TAMBOR to the transgender community while accepting his Emmy for Outstanding Lead Actor in a Comedy Series for
portraying Maura Pfefferman a trans woman in Transparent.
SEN. MAE BEAVERS, commenting on a bill she introduced to the Tennessee state senate which seeks to overturn the Supreme
Courts ruling on marriage equality, The Tennessean reports. Any court decision purporting to strike down natural marriage,
including Obergefell v Hodges, is unauthoritative, void, and of no effect, the bill states.
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