Académique Documents
Professionnel Documents
Culture Documents
contents
on the cover
combichrist : 18
music : 23
fashion : 38
editorial
4
4
5
24 music reviews
KMFDM, Marching Dynamics, Synapscape,
DAF, :wumpscut:, and Femme Fatality
27 my label is the internet
28 editor music picks
28 mix tape
editors letter
mission statement
dont worry its just a phase
beauty
lifestyle
guyliner
Tom Stack of The Rockstar Suicides
recreates some of musics classic looks
12 loose eye shadow
what are the best options out there?
13 true neuromance
android beauty
14 faux hair inc.
a style guide to faux hair
29 the PinUp
Steffanie Sherwood in Purrfect Pineapples
and Fluevog
33 my life as a goth girl
34 summer festivals
35 decorating on a dime
refreshing your space for spring
36 Absinthe
the green goddness and her star called
wormwood
37 dear chrissie
media
16 film primer :
post-apocalyptic cinema
17 cyberpunk NOW!
fashion
39
40
42
48
catwalk tragedy
style : MILITARY
99 luftballons
synthetic organism
the future of fashion is sleek sophisticated
cyberware for the cool nights of spring
59 where to buy
music
editor s letter
mission statement
Auxiliary Magazine. Auxiliary = alternative, supplementary, to provide what is missing, to give support.
by Gia C. Manalio-Bonaventura
We have always had a love for the dark, the different, the unique, the creative. But
from all sides weve heard what we love is on its way out, is suffering, is dying, is
dead. Today an alternative aesthetic is seen more than ever. Yet the core, the base,
the scene (gasp!); everyone is telling us is in a sad state. Reality is what you make
it.
When I was sixteen, I dyed part of my hair bright pink and upon seeing it, my mother
cried. I mean cried like I had just killed the family pet or driven the car through
Grandmas living room. What would people think of her little girl who was once
so quiet and shy, played the flute, and got good grades? What would people think of
her, the mother of this freaky pink-haired girl?
Our goal is to provide high quality fashion editorials, photographs, and articles;
unique reviews and insights on the best music out there; and to create discussion and
passion about alternative lifestyles. There is a lot of amazing and creative stuff happening. We hope to find it, highlight it, and encourage it to grow.
It wasnt long before she found out what people would think when she hosted a Tupperware-type party with many of her closest acquaintances. When I walked into the
room, conversation stopped, or at least conversation that didnt involve that tiny part
of my hair. A couple of the ladies liked it. Some said they were glad their daughters
didnt have pink hair. All of them told my mother it was just a phase.
And that is why weve created Auxiliary Magazine; an online magazine dedicated to
fashion, music, and lifestyle with a darker aesthetic. There are no other boundaries
than that. That is the strong point of alternative culture; and we hope to include it
all.
And that is a lot of ground to cover. So contribute! Send us your fashion, your music,
your events, your opinions, your projects, your ideas. This magazine isnt for a select
few, we dont know it all, this magazine is for you and what we all love.
After a while, my folks came to believe that maybe all the kids were doing it. But
the truth was all the other kids werent doing it. If they were, I would have been a lot
more popular. It wasnt about the other kids; it was about me. When I was in elementary school and junior high, I followed all the trends, but always had my own little
twist. Later in life, I put on black clothes, ripped fishnets, big boots, and smeared
black eyeliner. There was good reason for my parents to believe that I would give up
this style as I had the others.
Staff
Contributors
Photographs/Illustrations
This time things were different. I had found a style through magazines, music, and
music videos which made me feel comfortable in my own skin. Well, at least as
comfortable as you can be in your angsty teen years. In doing so, I had found friends
that accepted me for who I was. They were punks, new wavers, deadheads, and one
guy who even wore a bathrobe to school everyday his sophomore year. It was like
we had found a uniform; an alternative suit, no matter which genre we picked. We
wanted to say that there was more to beauty than what convention told us. Through
our style, we expressed that everyone had a right to be who they were and that wasnt
going to change. Another thing that wasnt going to change was that we wanted to be
taken seriously and make our mark. We were going to make a difference.
Editor in Chief
Jennifer Link
Aaron Andrews
Melanie Beitel
Keith Bergeron
Meagan Breen
Chrissie
Luke Copping
Amir Derakh
EJTower
Mike Kieffer
Alex Kourelis
Jennifer Link
Gia C. Manalio-Bonaventura
Rachel Mazurek
Paul Morin
M. Morton
Sally Reardon
Lizz Schumer
Vanity Kills
Photographers
Jennifer Link www.jennifer-link.com
Luke Copping www.lukecopping.com
Jessica Banks modelmayhem.com/existence
contributors
Fashion Editor
Meagan Breen
Music Editor
Mike Kieffer
Associate Editor
Luke Copping
Copy Editor
Keith Bergeron
www.auxiliarymagazine.com
email : info@auxiliarymagazine.com
issue 3 : april 2009
Graphic Design
No part of this publication may be reproduced in any form or by any means, electronic or mechanical, without the permission in writting from the publisher, except small
excerpts for review purposes. Submitted work, reviews, ads, and photographs are
copyrighted by their respective owners and fall under previous declaration. Copyright Auxiliary Magazine 2009.
Logo Design
Melanie Beitel
Layout Design
Jennifer Link
Luke Copping
4
Photographs on 12 and 13
Luke Copping
Photographs on 14 and 15
Luke Copping
model : Melanie Beitel
Illustration on 17
James S. Cole www.angels2zombies.com
Illustration on 28
Maki Naro www.page8productions.com
Photograph on 35
Jennifer Link
Photograph on 36
Luke Copping
Photographs on 38 and 39
Adam Au www.adamkau.com
Photographs on 40 and 41
Jennifer Link
E D ITO R IA L
Within a couple of years, I got seven more, my left full sleeve is almost done. All the
while, I was successful in publishing. My books did well and my authors praised my
work. I was dedicated, literate, enthusiastic, and worked extra hours because I took
pride in my work and wanted to make their manuscripts as fantastic as possible. Im
pretty sure they didnt picture me with my tattoos and piercings, sometimes with hair
falls or dread extensions in an almost colorless wardrobe sitting in a cube decorated
with Voltaire posters and music festival passes, and Combichrist playing in the background. In fact, I know they didnt because after I left the job, I sent many authors
my wedding photos (in which I thought I looked super conservative for me) and they
admitted their shock. Shock at my appearance, Im sure, but Im also sure the shock
was that someone with my appearance could actually be a very competent part of the
publishing industry, or any professional endeavor for that matter.
My coworkers who saw me daily confirmed my suspicion. One woman, whom I
became particularly close to, told me that I defied any preconception of goth she
had had. She was confused that I led this lifestyle, yet worked hard, was friendly
and bubbly, and liked animals. She told me I gave her hope that her goth teenage
niece would grow up to be a productive member of society. And that wasnt the first
time I had that experience. At a graduate seminar a few years before this encounter,
after I finished reading my proposal Vampires, the Human Condition, and the Way
We Grew Up, a student came up to me and confessed that she and her family worried about a goth in her family, but my thesis had given her hope. She had hoped
we could chat and I could assure her that the future of her family member would be
just fine. I wanted to jump up and down and scream that looking alternative or not
always following the norm does not damn you for life. In fact, it could often make
you original and creative. But I had to refrain, I was after all, despite my body mods
and my semi-autobiographical reading, in a professional situation.
What about my personal life? my mother would always ask, What type of man is
going to find your tattoos attractive? The answer is a man who likes women with
tattoos and who probably has some of his own. My husband, the most wonderful
man Ive ever been with (and my parents will be the first to agree with that assessment, and are just fine with his tattoos) loves my tattoos. He encourages me to get
more as he, a RN and environmental maintenance engineer, works on his body suit.
Ill admit that by the time high school was over, some had given up their phases,
including bathrobe boy. At the end, I may not have had pink hair, but I still embraced
the alternative and darker things in life. Despite my mothers fears, this hadnt led
me down the wrong path. My personal taste did not inhibit me from graduating with
good grades, ambition, and entrance to New York University.
Right now as I type this, I am thinking how tomorrow I will be subbing in the middle
school I work at. Part of my reason for being a teacher is that I want to help kids
like myself, who found out early that they were different and werent sure how to
accept themselves. I want them to show them that it is okay to be yourself. Imagine
a childs reaction when I first took off my jacket to reveal my ink or the day I wore
platform boots. My school ID hangs from a lanyard with skulls on it. I understand
the system, though, and I do dress and act appropriately. But I have these little things
that allow my personal sense of style and taste to show through. The kids respect
this and in turn, act respectfully in my classes. What is even more important than
any tangible item is the fact that I show respect for each and every student, no matter
who they are.
I remember the weekend I came home from school looking like I had robbed Robert
Smiths makeup case. By that time, I had bought my first pair of Doc Martens and
wore them faithfully. My wardrobe was quite a bit more New York punk and I was
full of stories about CBGBs, Trash and Vaudeville, and Washington Square Park, of
protests, job opportunities, and dancing all night. I thought my mother, and a lot of
the folks in my smallish town, were going to have a heart attack. Everyone was sure
that when I graduated and went out into the real world, I would give up my lifestyle.
After college I returned to my hometown. I had lost the white makeup but pretty
much nothing else. I got my first job in an office and became an office manager
where I was required to be professional. I also got my first facial and belly button
piercing around the same time.
So what do I think about my phase now that Im nearly 40 years old? Well, I just
bought a very cute corset and Tripp arm warmers. Tomorrow night Ill touch up my
black dye job, and not just because Im covering the gray. I dont really think about
it, this is simply who I am. The people in my life, both professionally and personally,
have accepted this and I believe they are actually proud of the person I have become
and the person I continue to grow into.
As time went on, I got better jobs with more responsibility and that were better suited
to my interests and education. Eventually, I landed in the world of publishing, which
is where I really wanted to be. I then got my first tattoo in the middle of my shoulders.
Guyliner
Tom Stack of
The Rockstar Suicides
recreates some of musics classic looks
BEAUTY
NYX
available at www.nyxcosmetics.com . $5
NYX Chrome Eyeshadows are available in 60 different shades that generally lean towards bright and vibrant tones. This
loose shadow provides smooth, even coverage and goes on quite easily. It is also rather easy to blend when applied dry, but
does not seem to reach its full potential of vibrancy if done that way. The product performs extremely well when applied
with a slightly damp brush. The color is brighter, more vibrant, and takes on an iridescent, almost metallic quality. However,
there is one minor downside to the product; the powder is extremely light and loose, which can cause some dusting and
spread for those less experienced in using products like this. While it isnt as saturated as some other brands, the affordable
price and wide range of color options makes this product a bargain. NYX Chrome Eyeshadows are a useful addition to the
makeup kit of any adventurous everyday user.
True Neuromance
by Vanity Kills
B E A UTY
Scientifically fictitious glamour designed for wannabe fembots who dream of being
an amalgamation of flesh and technology. Products intended for a clique composed
of girls who smile and say thank you after being compared to plastic fashion dolls.
Dystopian future chic suiting the needs of fearless women warriors who need to look
their best while hacking into mainframes, shooting zombies atop an armored vehicle,
or leading a rebellion against alien overlords. Bold hues adorning the eyelids of
luminous street samurai who hide both strawberry flavored Pocky AND switchblades
within the confines of their Hello Kitty backpacks. Enter the high tech, low life,
artificially sweetened world of cybergoth beauty. Please make sure to check those
hideous monster fur leg warmers and dollar store swimming goggles at the door.
Suzi Q Cosmetics
Eye Dust in Deep Sea
Urban Decay
You definitely get what you pay for with all of these product lines, but each one is a standout in its price bracket. I was
most pleased however, with the raw quality of Suzi Q Cosmetics, which provides excellent coverage and color for a very
reasonable price. NYX Cosmetics are a great option for those looking to experiment with color at an affordable price.
Finally, Urban Decay is an excellent line with a high quality product, and while more expensive and limited in color selection,
their innovative and hip packaging does bring a new dimension to this type of cosmetic.
gunmetal nails
available at www.artofbeauty.com . $6
Gunmetal nail varnish will have to hold you over until the day when you can wholly
copy Molly Millions and opt for surgically implanted razors placed under your fingernails. Meanwhile, don two coats of a sleek silver gray polish, such as Zoya Nail
Polish in Freja for a truly neuromantic manicure.
post apocalyp-chic
Animal Instincts Variety Eyeshadow Kit - Color On
available at www.coloronpro.com . $20
Color On Animal Instincts Variety Eyeshadow Kit does for your lids what a tightly
laced camouflage Deadlygirlz corset does for your waistline. The kit consists of
five transferrable eyeshadow applicators, setting powder, and a small brush. Im
partial to the camouflage, but each package also contains one leopard and two zebra applicators. The camo shadow marries wonderfully with shredded post nuclear
war-esque ensembles suited for surviving amongst the ruins of civilization while
defeating hordes of flesh eating mutants. Warning: Might not protect you from actual
radiation!
futuristic feline
Hello Kitty Eyeshadow x 4 in Too Dolly - MAC Cosmetics
12
14
barbie lips
Lipstick and Lustreglass - MAC Cosmetics
available at www.maccosmetics.com . $14 each
Pink lips for girls that are just as influenced by the plastic fantastic world of Barbie as
they are by mechanical humanoid beauties of the distant future. These Technicolor
tarts pay homage to the SCI FI-esque idealized female form, while maintaining an air
of playfulness, so an attraction to the queen of all things fake, fashionable, and envy
inspiring shouldnt come as a surprise to anyone. Rock a fabulous fuchsia shade like
MAC Lipstick in Girl About Town while dancing to Icon of Coils Shallow Nation
at the club or in the privacy of your room in your underwear. Top of with high shine
pearlized pink gloss, such as MAC Lustreglass in Venetian for that extra dance floor
visibility.
haute hempitera
Magic Dust in Empress and Elf - Lime Crime
available at www.limecrimemakeup.com . $12 each
Futurist architecture, technology and now, fashion, draws influence from insects.
Hive like office buildings, bombardier beetles aiding research in the field of aircraft
gas turbine engine development, and Lip Services Insecticide line have all been
inspired by those creepy invertebrates. While I am not about to suggest that you trap
bioluminescent beetles and rub their internal organs all over your face in order to
glow in the dark at the club, I will urge you to take beauty cues from bugs. Using the
Insecticide Metamorphosis Mini Skirt as inspiration, gently tap Lime Crime Magic
Dust in Empress onto your entire eyelid with a slightly dampened MAC 239 brush.
Clean your brush and follow up by adding Lime Crime Magic Dust in Elf to the lower
lash line using the same method as described above.
B E A UTY
a style guide to faux hair
The possibilities are endless with a little imagination, time, and patience, so have
fun and experiment! Say good-bye to the hair blahs and hello to many hair compliments!
three
four
one
Section your hair into ponytails high on top of your head, leaving two front pieces
loose to frame your face. Twist the ponytails into equal sized buns and secure with
bobby pins. The buns need to be at the very top of your head for the best possible
appearance and comfort. These hair buns will be the foundation for the synthetic
bun covers.
Bun Covers
Bun covers are synthetic or human hair sewn onto mesh-like bases with an elastic
drawstring closure. The bun cover is then attached over your own hair bun and secured by pulling the elastic cord closed. You should buy bun covers that match your
own hair color as closely as possible. Bun covers will range from $10 to $15 per
piece and can be found at the same locations as synthetic hair. It is best to buy two
bun covers that are the same style (curly, straight, wavy, etc), length, and color shade
because you will be putting your hair in pigtails for this style. We recommend a bun
cover with a drawstring closure as it is easier to install over your own hair bun.
Accessories
You can use barrettes, bows, ribbons, or what-have-you to hide any flaws in the hair
style as well as to jazz up your do! For this particular style we would recommend
flowers to balance out the final look; you can use as many or as few as you prefer. A
good place to find quality synthetic flowers would be your local chain craft store.
two
Place the covers over your own hair buns and secure them to your buns with bobby
pins. This is the base from which you will build the hairstyle.
It is time to use the four separate braids you made out of the synthetic loose hair. Attach braids with bobby pins under the front (towards the face) part of the bun covers.
Put two braids on each side, making sure to hide the ends you are attaching under
the bun covers.
five
Criss-cross the remaining two braids over on top of your head (creating an X), loop
them on the sides of your face, and then pin the braid ends back under the bun covers.
The placement of these hair pieces gives a geisha-like feel to the style.
Take a braid from each side and make loops on the front side of your face, then over
and back to the top of your head. The braids should rest on the top of your head between the bun covers. The braid ends should hang down in the back and be secured
with bobby pins.
six
Accessorize! We used black silk flowers, yet any sort of hair accouterments can be
added. Be aware of hair accessories placement, as it is key in achieving this hairstyles
desired effect. The synthetic flowers pictured on Melanie were incorporated in the
front and top of the braided pieces to enhance a geisha-like feel to the final hair
style.
film primer :
Post-Apocalyptic Cinema
MED I A
by Luke Copping
Escape from New York
directed by : John Carpenter
1981
There are a few great director/actor combos in the world of blockbuster cinema:
Scorsese/De Niro, Spielberg/Hanks, Burton/Depp, but genre cinema has its great
team-ups as well. One of the greatest examples is John Carpenter and Kurt Russell.
Russells gruff, one-eyed convict hero, Snake Pliskin, is one of those characters that
gets people thinking. Even after 27 years since the film has been released, Snake
Pliskin is about to have a comic book series dedicated to him. This film is far superior
to the overproduced sequel, Escape from L.A..
With the number of films looking at post-apocalyptic scenarios slated for upcoming
release, such as The Road and 2012, Auxiliary thought it was time to look back at the
films that look forward. In our ongoing examination of subcultural archetypes it is
cinema examining what might take place after the end times that provides us a unique
opportunity to examine these archetypes in interesting and speculative permutations.
Some of these examples take the form of cult films with a humorous outlook, while
others take a more serious cinematic view. Regardless of perspective, there a many
options available to explore.
Hell Comes to Frogtown
directed by : Donald G Jackson and R.J. Kizer
1987
Starring professional wrestling and B-movie legend Roddy Piper as Sam Hell, Hell
Comes to Frogtown is a campy take on the post-apocalyptic adventure film, complete
with a definite sex-comedy twist. The bad special effects and dialogue cannot stop
this film from being ridiculously entertaining.
Wild Zero
directed by : Tetsuro Takeuchi
2000
Zombies, aliens, explosions, violence, and the true meaning of rock and roll! Wild
Zero is a hyperactive and memorable Japanese road movie set in the zombie infested
bad lands of post-apocalyptic Japan. Starring Japanese rock superstars Guitar Wolf
and number of other memorable characters, not much else needs to be said about this
movie other than that there is a drinking game to go along with it.
Delicatessen
directed by : Marc Caro & Jean-Pierre Jeunet
1991
One can see the stylistic vision that Jeunet uses to great effect in his later films, City
of Lost Children and Amelie, begin to take shape in Delicatessen. Set in a world
where food has become so rare that it has become a viable currency. Dominique
Pinion plays a clown that moves into a building run by a butcher with a sinister plan
to provide fresh meat to his tenants. Jeunet melds a twisted, dark atmosphere with a
lighthearted and almost childlike appreciation for the different in one of his best and
earliest feature outings.
Stalker
directed by : George Miller
1979
The cold and distant feel of Tarkovskys film is notable for long slow takes and deliberate imagery implying a world that has decayed from what we might know now.
While the dialogue relies more on philosophical discussion about personal wants and
desires as well as mans place in the universe, the imagery and plot are rich enough
to carry this film. Stalker should be seen by anyone serious about post-apocalyptic
film.
12 Monkeys
directed by : Terry Gilliam
1995
Gilliams time-line hopping odyssey is a mind bending and stylized adaptation of
Chris Markers La Jate. The intricate dynamic between co-stars Brand Pitt and
Bruce Willis is seamless as they encounter each other multiple times in the past as
well as in the dreary underground future society. Humor, madness, delusion, and
the recurrent nature of time are all topics touched on in this film. Gilliams show of
restraint in his style gives this particular apocalypse an extremely authentic feel.
Tank Girl
directed by : Rachel Talaly
1995
Rock and roll, violence, comic book humor, and Malcolm McDowell are all the elements needed for a perfect cult film cocktail. Based on Jaime Hewletts enormously
influential comic series of the same name, Tank Girl was notoriously re-written by
the production studio and several elements of the original script was lost. However, it
is still one of the finest movies to watch while drinking a whole case of beer.
16
CyberpunkNOW!
M E D IA
by EJTower
Establishment science fiction in the early 1980s was much like the Detroit automakers of the same time, producing terribly inefficient dinosaurs that no one wanted
to buy and deeply engaged in a campaign of self-delusion about its own growing
irrelevance. It was in this decay of giants and in the rise of new communication
technology that a group of young writers found a niche of inspiration that would later
become the movement known as cyberpunk.
Outwards, along the newly formed network of British Broadcasting Service bulletin boards and office fax machines, these young writers launched a guerrilla attack
on the establishment. A single page front-and-back literary criticism newsletter,
titled Cheap Truth, fueled by word of mouth and bands of DIY mimeograph pirates,
worked to cut the industry to size and berate them for what they had done to the art.
In the ensuing years, The Movement, as they called themselves at that time, grew in
number and popularity, offering encouragement to the other writers that were daring
to reach into the brave new territory largely ignored by the publishing world. The
whole network held together by the growth in computer technology that would later
become the web that we know.
These young writers, Bruce Sterling, Rudy Rucker, Lewis Shiner, at the core of The
Movement were in search of a new aesthetic; one that would be relevant to the world
in which they lived, an aesthetic that would be an answer to the dark shadow of The
Cold War and growing power of multi-national corporations. They found that answer
in 1983, in the noir prose of William Gibsons debut novel, Neuromancer. Here was
a definitive reworking of the symbols of our future. Gone were the rocket ships, the
spacesuits, toothpaste food, and monorail trains of a space age that never happened.
In their place, Gibsons Neuromancer, gave us a vision of a world rife with corruption and technology advancing beyond our control, a vision of a world engaged in
the wholesale destruction of the earth and a deliberate blurring of the line between
man and machinery.
hard thing to think about, but its the truth. It wont go away because we cover our
eyes.
With Snow Crash Stephenson doesnt cover his eyes. Instead in his work, which
would later be termed post-cyberpunk, the protagonist, a would-be lab rat of old cyberpunk, learns to make use of the same technology used by the powerful to protect
the innocent and maintain social order. This positive view of technology was seen
by many literary critics as a major break into a new genre, but in reality it is merely
the other side of the cyberpunk coin that was ignored by the earlier writers. Other
notable authors whose work fleshed out this new perspective in the cyberpunk movement include none other than Bruce Sterling himself in the Hugo nominated Holy
Fire in 1996, Ian McDonalds Necroville, and then in 2003 Cory Doctorows Down
and Out in the Magic Kingdom.
Cyberpunk is the aesthetic of the post-industrial age, of our age, and it was born in
the dark industrial language of Neuromancer,
The drug hit him like an express train, a white-hot column of light
mounting his spine from the region of his prostate, illuminating the sutures of his
skull with x-rays of short-circuited sexual energy. His teeth sang in their individual
sockets like tuning forks, each one pitch-perfect and clear as ethanol. His bones,
beneath the hazy envelope of flesh, were chromed and polished, the joints lubricated
with a film of silicone. Sandstorms raged across the scoured floor of his skull, generating waves of high thin static that broke behind his eyes, spheres of purest crystal,
expanding... The anger was expanding, relentless, exponential, riding out behind the
betaphenethylamine rush like a carrier wave, a seismic fluid, rich and corrosive.
The expansion of post-cyberpunk narratives have lead many to think that cyberpunk
must be now and forever dead, but the new ideas found under post-cyberpunk are
really only expansions made upon a much larger conception of what it is to be cyberpunk. Cyberpunk is about understanding technological control, and the various ways
in which we are deeply intertwined with our technological world for-better, as in
post-cyberpunk narrative, or for-worse, as in traditional cyberpunk narrative.
By the early 1990s the movement had hit its stride. Literary editorials began announcing the death throws of Cyberpunk. Lewis Shiner, author of the formative
cyberpunk novel Frontera, wrote in his Confessions of An Ex-Cyberpunk (1991),
that he was fed up with the street-wise, leather-jacketed, amphetamine-loving protagonists that other writers had turned into a stagnant fiction formula. The effects
of commoditization by the cultural business world weighed as heavily on cyberpunk
as it had on punk, and would later on goth subculture. Yet, in 1992 the old formula
would be challenged by the publication of the first ground breaking cyberpunk novel
of the decade, Snow Crash by Neil Stephenson.
All throughout the last twenty-five years technology has continued to advance; the
world has not been any kinder to the cyberpunk authors than it was to the authors
that penned the first rocket ship dramas. The future does not politely contain itself
to being like the stories we write. Though, unlike the space age authors who refused
to accept their irrelevance in the information age, cyberpunk continues to evolve. In
2003 William Gibson stole the vanguard position again with Pattern Recognition,
and then again in 2007 with Spook Country, both novels are definitively cyberpunk
novels in theme and scope, but they are different in that they are set in the present day.
The evolutionary step here might not be obvious to those who cant remember a time
before the Internet, satellite television, or Ronald Regan. To us, all cyberpunk stories
look like overly dramatic versions of the world outside. This is the evolutionary step
recognized by William Gibson: we are all living in a cyberpunk dystopia now, with
all the things that it implies, for better or for worse.
Under the old cyberpunk formula the world of unchecked technological acceleration
is destined to result in an anarchic dystopia where humanity would become lab rats in
the experiments of the powerful, or as Bruce Sterling put it in his essay, Cyberpunk
in the Nineties,
The idea that, under these circumstances (technological acceleration),
Human Nature is somehow destined to prevail against the Great Machine, is simply
sillyAnything that can be done to a rat can be done to a human being...This is a
17
on tour with
Combichrist . . .
M US IC
It looks like youve got a long tour ahead, US then Europe; do you enjoy being
on tour?
Andy - Yes and no.
strippers but not from the pro-moter. [laughs] And some accidental midgets in the
audience, I guess.
Joey Our rider is like always, when put together and like brainstormed before a tour,
were like, hey, is there anything you need to add to the rider? And its when were
home for a little while and probably eating healthy and were like, yeah, how about
some Nutrigrain bars, or this cereal? And every once in a while they get us everything, and today is one of those days, you walk in there and youre like, Oh my god,
they got us everything that was on our rider! And the only things we are going to use
is all the beer everything else is a waste.
Andy [laughs] And half the peanuts!
combichrist
photography Jennifer Link
interview Aaron Andrews
Combichrist Live
Andy LaPlegua
Trevor Friedrich
Joe Letz
z_marr
Was there ever any technical difficulties, embarrassing kind of things, like you
started playing and the power cut out?
Joey Yeah that happened the other night like four times.
Z_Marr Yeah we blew the power four times in Minneapolis.
Andy But it wasnt embarrassing, no it wasnt. We had a lot of fun, we turned it
around. [I] Threw the micro-phone away and yelled at the top of my lungs, thank
god we were playing an acoustic set. You just do the best out of it. Its never really
embarrassing, you just do whatever you can out of the situation. Weve played so
many shows so its like there is never really a situation anymore that it is embarrassing. You just take it for what it is and know how to turn it around.
Andy - Well actually this one show that we did, was not on this tour though, the
worst nightmare ever. We played in Sydney
Joey - I dont even want to talk about that.
Andy Its stuff you would have nightmares about if you were in a band, and it just
happened. I walked back stage and Im like, this is not happening! This is not happening! What the hell is going on! We were three songs into the set and my old
keyboard player worked tracks, and we had more on tracks back then too, and on the
laptop. And he managed to loose the laptop from his table, and he fried the laptop,
and we couldnt restart, and this was like three songs in. First show in Australia,
ever, no it was the second. We played in Brisbane, but this was in Sydney, it was in
the biggest city there. We couldnt get it started again. We had no idea what to do,
With live percussion and a commanding stage presence, they pound through each
show with fanatical energy, setting this act apart from the sea of contemporary acts
that just occupy stage space as their laptops play. Combichrist seems that they would
happily stomp those automatons to dust in their quest to deliver a unforgettable show.
The experience of their live performance in not to by missed and certainly wont be
forgotten by those whove lived through it.
Their most current tour adventure, Demons On Tour, started off in North America with Black Light Burns before they split off and engaged a European leg. We
caught up with LaPlegua and the current tour line-up, Joe Letz, Z_Marr, and Trevor
Friedrich in Toronto just before their show at the Opera House, where they were gra23 cious enough to take the time to meet with us.
april 2009 AUXILIARY
MUSI C
we just freaked out, we had no back up, no nothing. We were like, alright, we could
play vocals and drums for the rest of the show.
always cool to me. When you feel that connection and not just that OH MY GOD!,
but when you actually have a connection because of the music.
Have you ever had any crazy fan thats more then you ever expected?
Andy All the time there are crazy people. I love crazy people, it keeps me feeling
a little more sane.
Do you have any songs that you dont play because you dont think they will go
over well, or you dont have the time in your set?
Joey I do!
Andy There are a couple of songs he wrote that we never want to play. [everyone
laughs]
Joey I didnt write any of the songs. But I think that Enjoy the Abuse is a really
popular song, and I just think it sucks live, and I refuse to play it. And everyones
been asking for it. We played it once.
Andy I dont remember, I was drunk?
Joey It sucked!
Z_Marr We played it in Chili.
Andy Yeah I dont remember. I was wasted. I was like, Really did we play it?
Yeah it sucked. Alright.
Joey One song we actually, we never were playing that we are playing now live
before we changed our arrange-ment around a little bit and it works better.
Andy Yeah its the title track off the previous album, What the fuck is wrong with
you. We never played it be-cause it never sounded right live, ever. And we just redid some of the arrangement and now it sounds awesome. Now its actually one of
our favorite songs to play, which is really weird. Went from being a song we didnt
want to play at all, to being one of our favorite songs to play. There is always a of
couple songs that will be huge for the clubs and people really want to hear live, but it
really doesnt work out playing it live, in the same way as it works in the club. There
are a few songs we never play. We never play Tractor. [To Joey] I dont even think
you know that song. Probably never even heard it.
Joey - I dont know what that is. [everyone laughs]
What do you feel you have to play, a song everyone expects you to play?
Joey - What do you think?
Hm well I think its This Shit Will Fuck You Up, that it?
Andy I call that my fat lady, cause the show is never done until that fat lady sings.
We didnt play it the other day. It was awesome.
Get some satisfaction out of that?
Andy Yeah! I get a little satisfaction, you get a feeling when you walk off stage, and
you go, if I dont want to, I dont have to. [laughs] It is getting to the point where
everybody expects you to play it, so it kind of gets to the point where its annoying,
almost because I have to play it. One of the reasons why I got to where I am with
music is because I never listened to anybody, always did what I wanted to do, and I
feel like that is one of the reasons why we always stood out from all the other bands,
because I never compromised. I would never let anybody else tell me what to do.
And that is kind of what I feel now when we play, This Shit Will Fuck You Up. I
just feel like I just play it because people tell me I have to play it, and that makes me
not play it. Even though I know people are happy when we play it, so its a mixed
feeling. We want people to be happy, too.
Youve got a few meet-and-greets on the tour, what do you think about those?
and do you enjoy doing them?
Andy Its weird; its fun, but its still weird. Its just really weird to be sitting behind
the table and write your name on a piece of paper they really appreciate it, its really
weird. Its really weird because I feel like I am just like them, the people on the other
side of the table. It sets me in a really weird position. I never started doing music
to be superior. It feels really weird to be sitting on that side of the table sometimes.
Sometimes it is really awesome, too. You meet people who[m] you feel really appreciate what you do a lot, and not just being fans, but you actually understand them,
you have a connection with them because of the music and thats the people that are
Like how many tattoos of yourself have you seen on other people?
Andy Ive seen the craziest things. This one chick had an entire back piece, from
neck to ass was a Combichrist tattoo and then her entire leg was a picture of my face.
And you go like, thats flattering, I guess. Dont kill me. Its really really disturbing but it is awesome too, but at the same time it is really scary. It feels like I would
never turn my back to that person, they are probably going to eat me. [everyone
laughs]
Z_Marr They will make a jacket out of you.
Joey A lot of times people after a show go, Sign my arm! Sign my arm! and you
dont think twice about it be-cause youre drunk and you scribble on their arm. Then
you see them a year later and they are like, Look! I tattooed it! and youre like,
NO! [everyone laughs]
Andy Thats not my signature thats the penis I drew on you.
Hows touring in North America vs. Europe, is there differences depending
where you are?
Joey A lot of times in Europe, we will be flying place to place, a majority of the
tour will be on a bus, but a lot of it, in the beginning or the end or whenever we will
be flying and then playing and then flying and playing, every day. And that really
sucks the life out of you.
Z_Marr Brutal absolutely brutal.
Andy I hate it. I absolutely hate it. Its like when you spend most of your time in
the airport, or in the plane, or in the lobby of the hotel to check in. Its just killing;
soul sucking. It just kills everything that is awesome about touring.
Z_Marr You got no privacy, no personal space. Even on a bus you have a bunk, but
when you are flying every-where you have a bag.
Andy You have the option on a tour bus to not party and just go to bed. Or if you
are sick, you could just stay away from people, you just keep to yourself. Touring
like that there is no option of anything, you just have to follow the program and its
just horrible. But sometimes shows are making up for it.
Joey Especially in South America, that was one of the most grueling. We played in
Chile and then the next night we did this festival in Chile at like 3AM and then went
to the airport by 5. Then we get to Colombia and we got sound check all day long.
Andy, you write and record as a solo artist, then you put together a band and go
out on the road, do you find that things change when you guys get together and
play a live set? Like your music evolves?
Andy Yeah, sure, sure. Yes its just me in the studio. But if it werent for what we
do live and what they bring to it on live recordings, then it would not have been the
same in the studio. Because I kind of bring that inspiration with me and I have that in
the back of my head while I am recording and writing. Like, What would this sound
like live. So that has changed a little bit in the last couple years. Until a couple years
ago thats something I never really thought of. I just did tracks for whatever they
were and didnt even consider if it would sound good or any-thing.
How did you gather up this particular group of guys?
Joey We met on the Genitorturers tour.
Andy Going on so many different tours, you meet so many different people, and
some people you just get a con-nection with. And then you go, Shit, you should be
playing for me. Or, it would be cool if we do a show together one time, and it just
sticks with you. And you get to the point where you create an artistic relationship
with somebody on a personal and artistic level. Some people are not cut out for touring because it is a really rough life. There are very few people who can deal with this
on a daily basis the whole year round. Some people you are not able to work with
and some people you are. You kind of get to know people that way, and after I dont
know how many years of touring I have done now, you kind of start knowing the right
people for the right job.
21
M US IC
Amir Derakh is one of the founding members of the platinum selling group Orgy.
He has worked extensively in music industry as producer, engineer, and mixer with
several bands and on many soundtracks. His current project is Julien-K, which was
formed by himself and Orgy member Ryan Shuck. With Ryan Shuck picking up the
mic and Amir laying down the guitar they are joined by drummer Elias Andra and
Brandon Belsky on keyboards. Their unique style is a fusion of dark electronic club
music with styles of modern rock and pop. Julien-K is forging a path rivaled by few
in the electronic scene. Their debut album, Death to Analog was released on March
10, 2009 on Metropolis Records and has received rave reviews, landed at #10 on the
Billboard Electronic Chart, and #37 on the Heatseekers chart.
Toronto-based electronic music composer and visual artist Michael Morton is Displacer. With a back catalog of three albums on the label M-Tronic and his latest
release The Witching Hour in 2008 on Tympanik Audio, Morton has established himself as a driving force in the world of modern dark electronica. Morton is no stranger
to the stage, performing live with many of the legends of electronic music. Mortons
talent has also brought Displacer appearances on multiple compilations and gained
a multitude of remix credits. His artistic side doesnt manifest itself in music alone.
Working under the alias Anti/Matter, his imaginative digital artwork has earned much
praise. In July 2009, we can expect to see a new EP on Tympanik Audio, X Was
Never Like This, with slatted remixs by Daniel Myer, Marching Dynamics, and Lucid
Static.
reviewed by : M. Morton
genre : techno, industrial, IDM
Chicagos Kill Memory Crash have been producing dark electronic music for over 10 years.
Growing out of the 90s rave scene with early
influences of dark industrial noise and sharp
programming, they gained their own style, and
landed themselves on Ghostly International with
their 2003 debut album, When The Blood Turns
Black and follow-up album, American Automatic in 2005. Three years later came the five track EP, Of Fire, with tracks Hell
on Wheels, Shots, Slug Song, Hit + Run, and Ever Experienced. Stripping
back to an earlier Detroit techno feel, the band drops a lot of the ambiance that was
present in American Automatic. Kill Memory Crash keeps their dark edge on Of
Fire with gritty bass lines and cutting rhythms. I feel an old Twitch era Ministry in
this release, but with a more harsh or modern sound mixed with the classic Nitzer
Ebb bass style. Fans of KMC should already know this and wont be surprised. Of
Fire is more of a familiar extension of what they were already doing with American
Automatic. Im not unhappy about the release, although I feel its not a new thing.
After a three year hiatus of sparse single releases, I expected more from the Chicago
duo. Maybe this is to tide us over until a new album? Hit + Run is a stand-out club
single and I think it is the most successful of tracks. I miss their songwriting side and
look forward to more amazing music from them in the near future.
recommended tracks : Hit + Run, Slug Song
if you like you may like : Ministry, Nitzer Ebb, Combichrist, KMFDM, Fractured
grade : overall 8 - music 8 - lyrics 6 - recording quality 10
Andy It keeps yourself objective to the music. Like I dont listen to industrial at
all, unless I DJ I guess. Usually I dont listen to industrial or barely any electronic
music at all. Just because I try to keep myself objective, I dont want to have some
crunches. It is very easy with electronic music to blend into somebody elses territory. I am trying to keep myself objective by listening to other different types of
music like rockabilly and rock n roll stuff.
Youre DJing later for the after party. What do you play as a DJ and how do you
approach that in general?
Andy Well see, well see how drunk I get. If I get really drunk Ill be playing gay
disco stuff. If I am in a really good mood, Ill bust out some swing music or something. I dont know, well see, I usually DJ instrumental indus-trial stuff and some
electro stuff, electroclash stuff.
Alright guys that about wraps it up. Thank you!
Combichrist credits
makeup artists on set : Cynthia Jade Farkas and May Jung
fashion stylist on set : Meagan Breen
assistants on set : Mike Kieffer and Derek Hendrickson
shot in Toronto, Ontario at Studio 204
23
music reviews
MUSI C
M US IC
KMFDM - BLITZ
music reviews
released by Metropolis on 24 March 2009
data : 16th album . 11 tracks . 52:32 run time . www.KMFDM.net
Death to Analog is the first time outing of Orgy members Ryan Shuck and Amir
Derakhs side project, Julien-K, where theyre joined by Brandon Belsky and Elias
Andra. Produced by Derakh and Anthony Valcic (of Skinny Puppy & Download
fame), the album leans further into the electronic world than Orgy ever has. Death to
Analog is a hook-laden pop album with good low end and excellent programming. At
its best, the album has both an aggressive and sexy attitude. At its worst, the album
slows to a crawl. The tracks that start it off (the first five) are so attention grabbing
that the middle of the release kind of drags. Fortunately its exciting side comes back
at the end of the album and gets more total airtime being by far the more attractive
side. This album seems to be aimed at about the same spot which Blaqk Audios
Cexcells had but Julien-K definitely made a better, more rich album with Death to
Analog. Theres a good marriage of alternative rock and electronics here. The songs
are all well composed and the programming adds a lot of shine. Lyrically, you wont
find any great, insightful poetry, but they are above average for pop fair. The vocal
performance is good all around and fits very well with the song compositions. The
choruss are sometimes reminiscent of Orgy, with the soaring vocal line over the
lower one, but why kill what works? The guitar hooks help build the overall picture.
However, they dont feel like theyre there to help the comfort level for the listener,
who may not be into electronic music. I wouldnt chalk this up as the most innovative album of the year, but I enjoy listening to it and have recommended it to several
people. It is a delicious synthpop-rock record that feels inspired both by many of the
80s acts that the band claims they grew up on and their other project, Orgy.
recommended tracks : Death to Analog, Futura (DTA Mix), Kick the Bass, Systeme
De Sexe, Someday Soon
if you like you may like : Orgy, Dave Gahan (solo), Blaqk Audio, HIM
grade : overall 7 - music 7 - lyrics 6 - recording quality 8
bad. Track three brings back the German vocals, one could even say this is more classic KMFDM; an Angst era sounding song. The album continues with good tracks,
but nothing truly great. However the end of Blitz is the strongest part with the track
Bitches starts it off with a nice grinding guitar, hard bass lines, and angry vocals.
Me & My Gun follows bringing the nice deep bass with vocals flawlessly delivered
by Lucia. Takem Out will get the dance floor hopping with a simple 4-4 beat,
complex acid lines over the top, and provides a nice groove to smooth the album to a
close. Blitz is a typical KMDFM album, so if you like KFMDM youre going to get
it. I dont think this will be your favorite album, nor do I think you will pick tracks
off of this if you are making a best of compilation CD for a long road trip. But
with the number of albums KMFDM has, I guess there has to be an average one every
once in a while. recommended tracks : Bitches, Me & My Gun, Takem Out
grade : overall 7 - music 7 - lyrics 8 - recording quality 10
Synapscape - Again
DAF - Best Of
25
music reviews
:wumpscut: - Fuckit
MUSI C
Femme Fatality - Ones Not Enough
my label is the
internet
M US IC
by Alex Kourelis
The great conundrum of the internet is if its good music and you downloaded it, you
must have stolen it. The RIAA (Recording Industry Association of America; you
know, the guys who are inclined to sue 12-year old girls for downloading music)
would have us believe that turning on our computers, tuning in to the webstream,
and dropping out of the physical unit purchase of music, is equivalent to stabbing
our favorite artists in their tortured, money-starved livers and leaving them to bleed
out in a back alley. Actually, in the case of a quality netlabel, the somewhat new and
relatively unknown outcropping of the evolving communication matrix, downloading music is what they stake their very livelihood upon.
The costs of running a responsible label that offers their catalog for free download
can be justified and recovered at certain levels. Merchandise sales and sharing the
earnings from a well paying gig, or by sucking it up and implementing the ever
dreaded banner ad are ways that this can be achieved. Promotion and providing a
high bandwidth is expensive, so common sense and a keen eye for financial management are probably the best tools in use by far.
So, is file sharing with applications like Bittorrent or Azureus a threat to an artist on a
netlabel? Ray Vincent, known better as Ekoplex from Ektoplazm records says, Not
if you embrace it and use it to your benefit, like getting shows out of it, which I have
already gotten because of the releases I have done with Ektoplazm. As far as Im
concerned music should be shared and there are other ways an artist can make money.
Even with the album being a free download, we were still able to sell 160 hard copies
of the album, which shows there will always be people who are still happy to buy and
support an artist album.
OK, so lets be fair, I did say quality netlabel. Thats not only a broadly subjective
term, but many may equate it to an oxymoron. The very makeup of the internet is
an evolving concept, and as Devo so rightly put it in the 70s, todays noise is tomorrows hootenanny. One of the big problems with finding those rare gems in the
rough on the net is that anyone with a computer and a few kilobytes of webspace can
claim theyre an artist or that they run their own label. If you look at Archive.org, it
is rife with both past and present releases of all types. Popular social network sites
such as MySpace and Facebook have music sections, and we all know how trolling
though the mass amounts of self proclaimed rockstars is tedious at best. While music
sites like Last.FMs recommendation system can be considered top-notch, it doesnt
suggest labels which may have many other similar artists. Its a real free-for-all with
no policing or quality control out there. But dont despair, there are several ways to
separate your golden audio treasure from the rest of the online flotsam floating about.
While searching for a prime netlabel, you should consider a few points. Do they
provide proper filenames with id3 tags and high bitrates with good sound quality? Is
there a consistent roster of talent and releases? Is the artwork unique or generic?
Its clear that netlabels who do well offer something that fills a niche in their respective genres. Toronto-based psytrance label Ektoplazm is a small operation headed
mainly by DJ Basilisk as a labor of love, and boasts itself as the number one source
for free, legal psytrance downloads. Ektoplazm offers distribution options alongside
its own roster of artists ranging from physical CD media, .WAV, FLAC and .MP3
files, all in the same central location. The netlabels Thinner and now-defunct Autoplate offer not only the option to download .MP3 files, but also feature animated
flash album covers.
Sebastian of Thinner clarifies two prime considerations for the physical product:
First, netlabels are neglected from the media for the reason that netlabels dont have
a budget available to buy content in print magazines (by placing adverts). Besides,
the elite DJs receive hundreds of promotional copies a week, so only stand-out tracks
have a fair chance of getting played out. And if an artist has killer tracks available
its unlikely that he will send them to a netlabel.
This criteria to start with, as all of those point to an efficient system of quality control
and is a portent that a netlabel is serious about their product. In addition, checking for
frequent RSS updates, podcasts, and the professionalism of the material represented
are great indicators as well.
The real question is how can something of a high quality and more often than not, offered free of charge, remain viable? If an artists goal is to make a living on their craft
then compensation will naturally be expected. The flip side of the coin is the labels
expenditures: bandwidth, promotion, etc.. How can a netlabel provide their services
without charge and maintain a stable infrastructure?
Consider this the next time youre put off by a netlabel switching from a free format
to a pay-to-download structure. Popular digital services like iTunes and Beatport
dont offer netlabel content that is free of charge because there is no benefit to them.
While they may take a percentage of a normal MP3 sales, any percentage of zero is
still zero. A difficult choice needs to be made when evaluating other ways to balance
the books if the netlabel is going to continue offering digital product. Subscription
services or paid downloads depend greatly on the popularity of the label and artists
in question. Having recently swapped the 100% free model for a pay-by-download
method, Thinner cites their increased popularity and need to retain and develop their
artists as a way to stay viable. I dont doubt that after years of grueling work to get
where they are, that a little extra scratch doesnt hurt.
To say that investing funds into artists, webspace, and bandwidth with a slim hope
of reimbursement can be challenging, greatly understates the issue. It shouldnt be a
shocking realization that many quality netlabel owners have a passion for their craft
and genres. Most run their labels in their spare time, out of their houses with personal
funds, and do their own website coding, maintenance and design work and promote
as best they can.
27
editor picks
music picks by editor
mix tape
Keith Bergeron
The contributors and editors of Auxiliary Magazine have a wide range of musical tastes. This issue copy editor Keith Bergeron picked out his current favorites.
Gogol Bordello
- Super Taranta!
Without a doubt, Super Taranta!, is perfect for just about any party. Imagine
a smrgsbord of Eastern European/Russian gypsy music with a healthy punk
rock flavor. Whenever boozing with my pals is a goal, I put in Gogol Bordello
to keep things interesting. Pick this album up and youll be amazed at how
much an accordion and fiddle can tear it up.
Lustmord - Other
More often than not Im working and dont necessarily want to be distracted by
listening to something fun, energetic, or simply anything with lyrics. Lustmord
is frequently played in my house and creates, for me, the perfect atmosphere
for concentration. With a dark and moody atmosphere, Other oozes droning,
deep base rhythms under deliciously creepy ethereal waves of I-dont-knowwhat. This album debuts some eerie guitar tracks which have gotten some
mixed reviews from die-hard Lustmord fans but I found them to be thoroughly
enjoyable.
Ayria - Flicker
Jennifer Parkins hauntingly intense vocals have evolved into a rich and complex fullness on this album. Although Im a fan of all of Ayrias work, this
album shines as being the first where their instrumentals fully revolve around
and support Parkins vocals. Ayrias addictive beats and melodies inject each
track with a freshness that keeps the majority of Flicker in all of my favorite
play lists.
MUSI C
Here at Auxiliary Magazine we spend many hours staring into our closets and
even more time in front of the mirror in the attempt to look our best for all our
friends and strangers that we might encounter at the dark and dirty clubs. While
doing this, like most people, we like to crank up the tunes and let the music put
us in a party state of mind. We compiled a mix tape of the songs we often listen
to while we get ready for a night on the town.
Auxiliary
Magazine
Presents
Steffanie
Sherwood
photography : Luke Copping
makeup artist : Rachel Mazurek
hair stylist : Jennifer Buscaglia
featuring Purrfect Pineapples lingerie
and shoes by John Fleuvog
Peter Gabriel
- The Passion of the Christ
Soundtrack
It isnt often that I sit for my daily meditation with music, when I do, its always
to this album. Ive never come across music that inspires introspection so naturally. Relaxation is almost instantaneous when I start playing this soundtrack.
This score, in my opinion, far exceeds the boundaries of the movie, remaining timeless and unassociated with any specific message that the movie may
portray.
AUXILIARY april 2009
the Pin Up
Steffanie
Sherwood
featuring
Purrfect Pineaples
and John Fluevog
LIFE S TYLE
Dear Diary,
Morgan Bordeaux was one of a kind. She was born in Louisiana, moved up north
in her late teens, and is currently a student of Mortuary Science. One of the first
things shed tell new people upon meeting them is that she prefers to the company of
corpses to living beings.
Last time we checked in with each other (ahem earlier today), it was yet another
day of slavin away in my cubicle to bring home the bacon. Yet, sometime between
delivering my resignation letter and lunch, my life began to resemble a plot to a bad
soap opera. My ex-arch rival turned secret admirer turned coworker was back in
town after his dreams of stardom in the City of Angels had flat lined. He was all
about making up for lost time at his place, trying to bait me with wine and Repo! The
Genetic Opera. Naturally, in male speak, this translates to, I want to see you naked.
My B.S. detector was ringing off the charts, yet surprisingly, I didnt deck him right
in his face, his perfectly angular face. At least he didnt ask me if I came here often.
Was I actually making excuses for Elis thinly veiled attempts to lure me into his boudoir after years of calling me every variation of the word skank under the sun? Not to
mention the fact that my hot, but sorry excuse of a boyfriend was waiting at home.
We attributed her frankness and inability to see any sort of gray areas to her borderline personality disorder. In Morgans world, there was either black or white, life or
death; no half truths or white lies. Her talk was as straight as her waist length glossy,
flat ironed within every inch of its life, burgundy dyed hair. It was my Morgan and
I loved her.
Cassy shot Morgan her infamous youre being a joy kill again, Ms. Bordeaux glare.
Cassy Black was the blow torch that melted Morgans ice queen routine. Its only
cheating if you get caught, she said in between bites of a macadamia nut cookie,
plus if you need an alibi, Im here babe. I dont really need to reiterate how I feel
about Shayne.
Was it 5:00 PM yet? I desperately needed to blow this joint and have my girls slap
me back to reality, at once.
Justine nodded in agreement whilst offering to concoct a cover up plan if the need
for such arose. I knew I could count on one of these two to encourage my Cheaty
McHomewrecker (the homewrecker part is a long story best saved for another time)
ways.
A quick glance at my phone told me that I missed 8 WTF return messages from
my posse, whom I texted frantically this morning in order to call an impromptu gettogether at Hallowed Be Thy Grounds. We usually met on Wednesdays and Fridays,
but if Eli Erickson suddenly coming out of the woodwork and trying to become coworkers with benefits wasnt a life or death scenario then I didnt know what was.
Oh yeah, the digital display on my cell also told me that it was 4:45 p.m.. Thusly, I
fabricated a tall tale about having cramps and bailed early.
Cassy Im so goth my last name is Black Black wasnt the biggest fan of monogamy. She equated committed relationships to the death of all things fun. The
same sex preferring Miss Black had no trouble finding hot chicks from all walks of
life, despite her love em and leave em reputation. It seemed like the more she shut
the girls shed hook up with out of her life, the more they wanted to be the one that
tamed the emotionally unattainable Cassy Black.
Ironically, Cassy was the owner of a rival coffee shop on the west side of town. Her
conquests knew this, so shed often be ambushed at work by some chick that she
promised shed call but didnt. She didnt believe in mixing business with pleasure,
so she frequented Hallowed Be Thy Grounds alongside Morgan, Justine, and myself
to escape the drama. The KMFDM shirt wearing, black BDU sporting, combat boot
loving ladies (wo)man was the recipient of more female attention than that of any
man I ever knew.
Hallowed Be Thy Grounds was a hipster infested joint on the east side of town that
made Starbucks prices seem budget. Decked out in French Quarter-esque New Orleans tourist style, it sported posters advertising the Voodoo museum, taxidermied
alligators, and Mardi Gras paraphernalia. Luckily, we were collectively spared from
jazz, since the owners preferred to play post punk and new wave, which was favored
by the above mentioned hipster clientle.
I spied Cassy, Morgan, and Justine in a dark corner of the cafe, all greeting me with a
puzzled look on their faces. Justine started the interrogation, So, Kimmy, what kind
of apocalyptic train wreck did you unleash upon the world now?
Justine grabbed my hand and profoundly looked me in the eyes as Cassy focused all
her attention on digging some mystery object out of the depths of her pocket. Itll
be okay, sweetie. Shayne needs to see what hes in danger of losing. Eli or not, you
need to sample what else is out there, she said with a devious smirk on her perfectly
red rouged lips.
The floodgates opened and I spilled every juicy tidbit of this mornings bizarre Eli
encounter. The look on their respective faces was that of shell shock. I might as
well have told them that Im flying to Phuket, Thailand first thing in the morning for
gender reassignment surgery.
Justine was the owner of an exclusive dungeon where businessmen, local athletes,
and frustrated husbands came to get humiliated as a means to decompress from the
stress in their lives. She started out as a Domme, but thanks to a near scandal involving the mayor and an adult baby fiasco, Justine was able to purchase the space
courtesy of some hush money. She always had stories to tell.
Cue a moment of awkward silence that seemed to last for eternity. Morgan decided to
break the Helen Keller routine first, You do realize that once Shayne catches wind of
this, she paused to take a breath and a sip of her caf au lait, hell sleep with every
girl you hate within a 200 miles radius just to spite you. Then hell cash in his 401k so
he can fly cross country to screw every girl youre hostile toward on MySpace.
Cassy triumphantly retrieved a quarter from her pants. I think I have a solution to
your moral dilemma, Kimmy, she grinned. Tails you blow Eli off, heads you go
and see where the night takes you. That way you can blame it on the coin.
Morgan pulled no punches when it came to doling out the cold harsh reality. Im
fairly certain that if I were to announce that Im wasting away with some terminal
illness, Cassy and Justine would be reassuring me with hugs and singing praises of
the advances of modern medicine, while Morgan would sit back totally incapable of
forcing herself to lie.
33
SUMMER FESTIVALS
LI FESTY LE
decorating on a dime :
refreshing your space for spring
LIFE S TYLE
by Lizz Schumer
by Jennifer Link
Spring is here and that means it is time to emerge from your winter hideout and get
out there and do stuff! This year get out there and get to some festivals! With so
many great festivals happening this spring and summer there is no reason not to go to
at least one. Attending a festival is the perfect mini vacation. Normally lasting three
to four days and taking place over a weekend, the event planners have been kind
enough to create a vacation itinerary packed with more stuff than you could possibly
find time to do. Below you will find some of this years highlights.
festival. A long long list of tattoo artists set up tables to show off their art, network,
and possibly tattoo you. There is also a whole slew of other stuff based around the
art of tattooing and body modification to enjoy. Some events of particular interest
are an interactive live painting exhibition, Hell City Sinema showing tattoo and industry related films, multiple art shows, seminars, freak shows, live suspension acts,
live music, and my personal favorite and new addition this year: tattoo forums. The
forums will feature todays top tattoo artists and industry leaders discussing topics
ranging from the art of tattooing to the current state of the industry. If you cant make
it to this one, take a Tattoo Vacation with Hell City over Labor Day weekend, Sept
4 6 at the Biltmore Resort and Spa in Phoenix, Arizona.
www.alternativefashionweek.com
April 21 - 24 in Toronto, Canada
FAT or Toronto Alternative Arts & Fashion Week is an arts festival rooted in fashion
and its exploration of clothing and the body. Being a very unique festival, it is one
of the few in the world dedicated to alternative fashion. It is also unique for a fashion
week/festival in that in addition to fashion design, it also showcases photography, installation, video, performance, music, and dance, all with an aim to push forward and
redefine our perception of the fashion phenomenon. FAT takes place in the Distillery
District, a historic part of Toronto with many cafes, restaurants, and shops, all in the
former Gooderham and Worts Distillery complex. It is a beautiful venue for this
event and viewing the district alone is reason enough to go. The complete schedule
for FAT has yet to be announced but it is sure to be worth attending. Toronto is home
to some of the best designers for alternative fashion including Plastik Wrap, Artifice,
Ego Assassin, and Futurstate, to name a few. It almost seems like Toronto fashion
means alternative fashion. Go and get a chance to view some alternative fashion
runway shows outside a club setting, as well as live performances and innovative
installations. Keep checking their website for updates, but plan now because this is
one festival not to be missed.
Northside Festival
www.northsidefestival.com
June 11 - 14 in Brooklyn, New York
The Northside is a brand new festival hosted by The L Magazine; a free New York
City event guide with focus on the artistic, the independent, and the hipster. The
Northside Music and Arts Festival will be a four-day celebration of New Yorks independent music and art scene that takes place at over fifty music venues and galleries
throughout the Williamsburg and Greenpoint neighborhoods of Brooklyn. The music
portion will be a mix of concerts organized by both The L Magazine and local businesses and venues. For the art portion, The L Magazine has teamed up with the Williamsburg Gallery Association and Brooklyn galleries will be planning exhibitions
and various events to coincide with the festival. None of the concerts have yet been
announced but knowing The L Magazine it is sure to have many indie rock artists of
interest. If you are not a frequenter of Williamsburg, this festival is the perfect time
to visit the unique neighborhood. With so many events happening, you wont need
any local knowledge of the area and the concentration of unwelcoming Williamsburg
hipsters will be diluted by festival attendees. If you are a frequenter of the neighborhood, Im sure you already plan to go.
Kinetik
www.festival-kinetik.net
May 14 - 17 in Montreal, Canada
Kinetik is the festival to go to for industrial/EBM music, especially if you dont want
to make a trip overseas, unless you are overseas, in which case, come visit us for a
change! Kinetik is a four-day festival with four phases, each dedicated to a style of
music, opening night (okay, not a style of music), harsh industrial, rhythmic noise,
and lastly EBM. The headliners of this years lineup are Project Pitchfork and Icon
of Coil (yes Icon of Coil!, back at it again for this festival). Some highlights include,
Winterkaelte, Noisex, Architect, Dash Ich, Marching Dynamics, and Headscan. For
a full line up check out their website, and there is much more to this line up, about
nine bands a night! If this isnt sounding good enough, it all goes down in Montreal;
one of the most beautiful cities in North America.
Gothic Cruse
DEMF
www.paxahau.com
May 23 - 25 in Detroit, Michigan
DEMF or Movement: Detroits Electronic Music Festival is a celebration of techno
in its birthplace. Happening over Memorial Day weekend, it is a city sanctioned
and supported outdoor festival right on the water in downtowns Hart Plaza. Performances take place on multiple stages from noon until midnight, and many of the
clubs and venues in Detroit throw parties and events afterwards. The goal and vibe of
the festival is to bring people together through electronic music and it defiantly brings
a large and diverse crowd. Some of the most notable artists and DJs on the line up
this year are Derrick May, Carl Cox, Marco Carola, Steve Bug, and Ellen Allien.
Hell City
www.hellcitytattoofest.com
May 29 31 in Columbus, Ohio
One of the largest, Hell City has everything you could possibly want from a tattoo
The air is warmer, the sun is coming out, and the inside of your house is as dreary
and gray as a February sky. Are you tired of staring at the same old stuff? Its time to
make the inside of your abode match your penchant for freshness. If youre like most
Americans this spring, your budget is stretched tighter than last years bathing suit
after six months of more cookies than crunches. Fortunately, this years designs offer
a myriad of options for turning drab into fab, without breaking the bank.
Begin this makeover by thinking small. Your old room can get a new look without
investing in large pieces like furniture or repainting the entire space. Reinvigorating
a room can be as easy as changing accent pieces like candlesticks, pictures, tablecloths, throw pillows, and other decorative items. Pick and choose carefully where to
spend and save. Get creative with little things, and splurge where you will definitely
notice the difference.
This spring, designers are showing luxe colors that can go a long way to making
your space look more luxurious than it is without making a dent in your 401K. Color
authority Panetone is showing a rainbow of colors perfect for adding panache to your
palate, such as deep purples paired with gold, black, and silver, forest greens, and a
variety of bright colors to add a pop of interest on a darker background.
Do you want to freshen up your walls without painting the entire expanse? The
writing is on the wall. Adhesive inspirational phrases or individual words can be
found at decorating stores and places like Kohls and Target, and can add a quick,
inexpensive splash of interest to an otherwise uniform space. You can also invest in
a set of letter stencils or freehand your own sayings with a good sponge brush and a
can of opaque paint.
Color presents one of the easiest and cheapest ways to update your look. Instead of
buying throw pillows, tablecloths, curtains, or other textiles at pricey boutiques, try
making your own. Fabric stores offer large amounts of multipurpose fabrics for a
fraction of the price. A quick turn with the sewing machine, and you can completely
change the look of an anchor piece, such as a couch, chair, bed, or table. If sewing
is not your strong suit, fabric stores will have patterns or how-to books for guidance.
Fabrics can also act as matting for pictures, art, or even cover shelves and mantelpieces to add a stunning background for decoratives.
Items such as uniquely patterned cups and plates, old records, worn-looking dolls or
stuffed animals, bird cages, and even costume jewelry can be grouped together for
a Bohemian style. Dont have any junk lying around? A local thrift store would be
happy to help you out, and often for just a few bucks per item. Try draping an old
string of pearls over a light fixture, looping it over a curtain valance, or just letting it
pile on the edge of a shelf for instant lackadaisical elegance.
Other trends to watch include peacock and ethnic themes, with a heavy emphasis on
Japanese and Asian influences. Bold vases filled with pussywillows, stark branches,
or cherry blossoms create instant, long-lasting centerpieces and are sure to add a
touch of drama. Tall screens can change the look of a room and provide added
privacy in common spaces. Also watch for deep teak and painted black wood with
strong, clean lines such as the Victoria Hagan collection from Target. Hagan also
shows plenty of Victorian influence as well as black and white prints; two styles easily copied for much less than retailers at thrift stores or garage sales. For a personal
touch, try taking your own prints in black and white and framing them for a combination conversation piece and decorative focal point.
Finally, dont be afraid to branch out to new venues. Specialty shops can get expensive, and while buying the entire spring line from your favorite designer is tempting,
a conglomeration of pieces from different places can be much more interesting. Try
big-box stores such as Ikea, Target, Pier I, even Wal-Mart and K-Mart for unexpected
finds. The John Derian or Victoria Hagan collections from Target are great for whimsical accents for under $50. Pier 1 Imports has an excellent array of eclectic ethnic
accents. Be sure to check K-Mart and Wal-Mart for cheap chochtkes.
By getting creative with old items and selecting a few key new ones, you can stretch
your imagination and your budget this spring to refresh your life without going monetarily overboard. By utilizing a few of these tips, shopping smart, and looking at old
stuff in a new way, you can go from flat to fabulous with some money left over to
restock your spring closet.
Metalworks, stainless steel, and found art trends can also be mimicked on the cheap.
Practice the three Rs: re-use, recycle, and re-purpose. Chances are, you have old
pieces lying around that can find a new life in a different way. Funky mismatched
candlesticks make great decorations, both on and off the the table. Old concert posters, photographs, and even vinyl covers can be put into inexpensive frames and hung
alone, or in interesting groups to give a room new life. For a vintage feel, dig up
old toys, knick-knacks, even dishes and electronics and display them as curiosities.
We at Auxiliary Magazine will be out and about this summer, so check the website
all summer long for blogs, photos, and coverage of these festivals. We hope to see
you there!
34
35
Absinthe
LI FESTY LE
LIFE S TYLE
by Keith M. Bergeron
The Green Fairy is back! After nearly a 100 year ban, absinthe production is once
again legal in the United States. For decades this legendary indulgence has been
shrouded in mystery and it is of no wonder as to why. Absinthe has had its fair
share of bad press and rave reviews, and the effects of this herbal tonic are still being
exaggerated. Luckily, the facts are coming to light through the hard work of many
connoisseurs, both here in the States and abroad.
Absinthe is a special combination of herbs distilled with either grain-neutral or grape
based alcohol. Depending on the recipe, the exact ingredients may vary but the core
herbs, including grand wormwood, fennel, hyssop, licorice, and anise will always be
present to give absinthe its distinctive flavor.
Contrary to popular belief, absinthe isnt always green. A great deal of high-quality
absinthes are clear. The trademark hues of green depend on the amount of chlorophyll in the plants used for distillation. When you see people drinking absinthe you
will notice that the liquid in the glass is typically a milky white. Absinthe is traditionally enjoyed diluted with water, and more often than not a sugar cube is added to
cut the bitterness. I personally find the concoction to be no more bitter than a cup of
black coffee, and more often less so.
Most imbibers enjoy the ritual of preparing the beverage as much as the drink itself.
With a standard 3:1 ratio of water to absinthe (depending on your taste), a person
would place a sugar cube on an a specially made slotted spoon on top of the glass,
slowly dripping water over the sugar, dissolving it until the the green or clear liquor
transformed into a beautifully green tinged opaque opalescent cloud. This change in
color and opacity is called the louche.
be completely false. Any such reports are blatant lies, psychosomatic, or stemming
from the once common practice of adding laudanum, a derivative of opium, to the
libation. I must admit that the intoxication that comes from absinthe is quite different than that of other alcohols. It is true that excessive quantities of thujone can
cause hallucinations as well as convulsions, but will most likely result in death. It
must be stressed that this amount of thujone is exponentially higher than what can be
found in any one or eleven bottles of absinthe. Thujone affects the brain in a similar
manner than that of marijuana which gives credibility to the reports of euphoria,
introspection, creativity, and other such attributes. Some of the reported effects of
absinthe: delirium, rage, insanity, and other less desirable results, bear more of a
resemblance to the alcohol DTs than thujone. Recent tests have found that bottles
of vintage absinthe contained a significantly less amount of thujone than what is
currently being produced. Consider this the next time you hear of some craziness
caused by absinthe.
Regardless of what any one person or study says, absinthe will always be one of my
favorite hedonistic pursuits. In modest amounts, I have found that it is a superb way
to decompress after a hard day, relax with friends, or invoke the muses. Being so
high in alcohol, it is rather easy to quickly become intoxicated so sipping is advisable. Taking my time with the Green Fairy allows me to fully savor the flavor profile
of whichever brand I happened to acquire. In my opinion, getting stupid drunk on
absinthe is a waste. The moment you start seeing pink elephants, the unique buzz
disappears. Absinthe is meant to be enjoyed like a good poem or painting; study it,
memorize it, make it part of you. If simply getting lit is your goal, buy some 151
proof rum.
La Fee Parisienne
Made in France, La Fee Parisienne is distilled using original pre-ban methods and
is based off of a vintage recipe. The ban in France only prohibited the domestic
sale of absinthe and La Fee was the first commercial release to the French people
in 2000.
Over the years, our imaginations have been tantalized with appearances of the forbidden digestif in a wide variety of avenues. With absinthe regaining popularity, we have
been seeing more and more of the Green Fairy on television and in movies. Famous
writers including Charles Baudelaire, Oscar Wilde, and Aleister Crowley have all romanticized absinthes effects with entire works dedicated to the drink. Such artists as
Vincent Van Gogh, Henri Privat-Livemont, Victor Olivia, Edouard Manet, and Henri
de Toulouse-Lautrec have created masterpieces using absinthe as their subject. Some
have lured our thoughts into a world of elegant women and sophisticated aristocrats
casually sipping the green tonic from special glasses. Images of societys well-todo loitering around ornate fountains filled with cold water and absinthe in hand are
easy enough to find. While writers have generally glorified the supposed effects of
absinthe, artistic portrayals are more of a mixed bag. The majority of artists depict
absinthe in the scenery described above but certain painters show a seedier side absinthe, adding to its unjust stigma. A few examples of this are paintings by Manet
and Toulouse-Lautrec, both of which are entitled The Absinthe Drinker. Whether for
good or ill, all mentioned have declared that inspiration came from the Green Fairy.
La Fee Parisienne uses an artificial dye to give it a bright green color, but this
shouldnt sway you from investing in this fantastic distillate. The nose has a less
anise and more sweet-herbal profile than that of Lucid and louches equally as well.
Once diluted, the lime green milky concoction rounds out herbal flavors and has a
delicate floral finish. The mouth feel is light and refreshing, making this selection
a better aperitif than digestif.
Wormwood, the primary ingredient in absinthe, has been used to treat a variety of
stomach and intestinal ailments throughout history. Its earliest uses can be traced
all the way back to Egypt during the 18th Dynasty (approximately 1600 BCE). It
wasnt until much later that what we now know as absinthe was created. The detail
on which all historians can agree about the origins of absinthe is that it began as a
tonic. Gaining immense popularity among the working class, and later the elite of
many European countries, absinthe soon became more popular than wine. It was
even rationed out to French troops during the Algerian Campaign. Containing an
average of 70% alcohol, absinthe worked well to kill any harmful bacteria in the
soldiers drinking water.
The main ingredient in absinthe is grand wormwood (Artemesia absinthium). It
is this ingredient, more specifically the chemical thujone that it contains, that has
caused so much hullabaloo. The reputed effects of absinthe range from euphoria to
hallucinations. From a great deal of personal experience, Ive found that the latter to
Reviews
Mata Hari pours with a pale green hue and has a unique herbal nose. You will notice that the distinctive anise aroma is hidden behind the other herbal ingredients.
The louche is also different but only slightly. At first sip you will at once be aware
that anise is not the primary flavoring agent. Mata Hari has strong sage and hyssop
notes that give it a unique profile. Ive found this brand to be enjoyed best when
used in the numerous delicious cocktails that absinthe can create.
Lucid
Absinthe Superieure
dear chrissie
Dear Chrissie,
Im in quite a sticky situation. Ive been in a post-punk band for the past six years
and music is the main love of my life. The second love of my life is my present
boyfriend and isnt happy with the fact that Im in a band with my ex. Ive no feelings for this ex anymore because we dated over five years ago. Ive been with my
current guy for three years and things are getting pretty serious. We live together
and theres occasional talk of marriage. All is pretty well besides the band thing.
He wants me to quit. I dont want to because Ive been in the band long before
he came into my life. I love him and want to spend the rest of my life with him,
but I am sick to death of him doing really rude things, such as texting me 30 times
an hour every time Im at band practice. He refuses to support me or come to
any of our shows. He even goes as far as saying that we suck and will never get
anywhere. Im tired of putting up with this childish, jealous crap from a 30 year
old man. I dont just want to dump him because we have history together and I
do love him.
Lara [Harrisburg, PA]
Dear Lara,
It sounds like your boyfriend has a serious case of insecurity and immaturity.
Have you ever talked to him about his past relationships and if anything might of
happened that would make him so insecure in yours? He might not realize that
hes taking out past frustrations on you because of the way hes been treated in the
past. I would hope that he can see that the way hes acting towards you is irrational
and undeserved. If not, he might never stop behaving this way. The band might
likely be only one of a series of clashes that the two of you will have. It sounds
like hes issuing ultimatums without actually saying what they are. I personally
dot believe in giving (or taking) ultimatums. They are very unfair. Youre going
to have to decide if a boyfriend who acts this way all the time is really the kind of
guy you want to spend the rest of your life with.
Luv, Chrissie
: dearchrissie@auxiliarymagazine.com
Im sure you are all familiar with the Dear Abby column. Well this is Dear
Chrissie, a similar column for those of you with questions about like and love,
relationship beginnings and endings; all those things that occupy so much of our
lives and thoughts. I know Ive had my share of all that I just mentioned, some
fortunately or unfortunately more than others, and I hope to share my wisdom, or
at least experience, with all of you.
So please write me with your questions regarding relationships and the like. Send
me your lovelorn letters or just your simple ponderings. Dont be too embarrassed
to write about anything youd like, Ill keep everything confidential and change
the names.
I look forward to hearing from you and helping you out with your questions! Until
then, this is Dear Chrissie.
CATWALK TRAGEDY
FA S H IO N
When it comes to alternative fashion, recognitions tend to be far between and fleeting. Most cities boast a few home-grown alternative businesses and local clubs
might host a fashion show once a year, but any national attention is fickle and flickering. Catwalk Tragedy, the ambitious, Philly-grown alternative model competitioncome-fashion show-come crazy nightlife event, is an event poised to throw alternative fashion into national center stage, ready or not!
Voltaire, the music personality and omnipresent member of the New York City goth
scene was a natural choice as emcee. Judges Jayla (Americas Next Top Model, Season 5), Lithium Picnic (esteemed photographer), Mia Taylor (model), Andy LaPlegua
(of band Combichrist), and Mosh (fetish beauty/model) acted as judges, with Aprella
(fetish beauty/model/NY resident) was an unexpected and delightful last-minute addition. Between rounds, DJs Xris Smack, Mighty Mike Saga, and Phranque wet the
crowds appetite for goth/industrial/80s music while accenting the performances of
every contestant. The stage darkened and lights flooded the stage as Voltaire explained the walk-off to the cheering crowd.
Catwalk Tragedy 4 appropriately kicked off their 2009 tour in New York, New York;
home to NY fashion week, the infamous St. Marks Place, and the recent Gothic: Dark
Glamor Exhibit (see December 2008 issue). The venue of choice was the exquisite
Highline Ballroom, a spacious and beautifully decorated venue that comfortably caters to the eager attendees without leaving them feeling claustrophobic. When I
arrived, the line was already around the block and was filled with meticulously dyed
and coiffed hairdos, sky-high heels, and restless excitement. I knew New York was
already putting its best foot forward.
Much to my delight, the runway walk-offs included a lot of creativity and a lot of
wonderful fashion. Sourpuss Clothing showed their line of colorfully printed t-shirts,
often with horror, music, and pop culture motifs, which contestants paired with accessories and bottoms of their choosing. During round two, Delicious Boutique tantalized the crowd with an offering of beautifully made corsets and leather goods
from Skingraft. Most especially worth mentioning were the pleated and gathered
Victorian-like leather dress worn by Dori-Bot and gun-holster style bags worn by
Ali. Spiral Stitching provided a variety of fashions in various materials, including
latex. Highly notable was the sky-blue latex confection worn by Marlo Marquis,
which featured artfully gathered sleeves and a snug retro-esque cut. Red Buttafly
contributed layered, gathered, and ruffled skirts to the competition. A skirt featuring
a swooping princess-like overlay, worn by contestant Smierc, made a big impression
on the catwalk.
Inside the venue, an air of exhilaration and anticipation reigned. Models chatting
with attendees and lighting the room up with their presence filtered in and out of the
already packed area as the meet and greet came to a close. As the lights went down
and the judges and emcee stepped onstage, questions filled my head. How many
contestants would complete in the show, and what did they have up their sleeves for
the talent portion of the show? What sort of fashion would we see covering (or not
covering) the models? Previous Catwalk events garnered criticism for models using
sex appeal and stripteases over creativity and talent. Would the contestants let their
personalities shine through or would they go for an easy crowd reaction?
The Catwalk Tragedy format consists of three rounds or walk-offs; the first two are
sponsored by clothing companies, while the last is a combination talent/personal
Red Buttafly
The free-style of round three held a lot of surprises as contestants attempted to get
the biggest crowd reaction in a mere two minutes. Talents ranged from the wild
and wacky to the sultry and seductive, but only a few acts were rather memorable.
Billy Spasms fetish-style piercing/needle presentation stood out as one of the most
decadent and unusual performances, inciting a giant crowd reaction. I enjoyed one
contestants choice to pogo-stick on and off the stage. Many contestants chose to be
very creative with their hair in this round as well, sporting extensions of many colors
with streaks of red, purple, and blue. Retro and ultra-modern hairstyles were the
most popular, ranging from soft pin-up style curls to extreme angle razored cuts.
After the third round and a brief conference among the judges, scores were tallied
and the winners were announced. First place went to Nik Sin, aka Mini Manson
and burlesque performer/classic beauty Marlo Marquis. Second place went to the
fierce and tiny Kess M and the outrageous, 80s inspired stylings of Ceslo Fierce. The
sanguine performance from Ali, aka Prince of Cats, brought him into third place,
Red Buttafly
38
Sourpuss Clothing
while Latex Ladybugs upbeat stage presence also landed a third place spot. The
winners received a variety of tantalizing prizes, ranging from gift certificates to free
photoshoots to swag from sponsoring companies.
As an attendee, Catwalk Tragedy, was overall, an enjoyable and well-produced event.
Recognizable names in alternative and mainstream fashion brought credibility to the
judging pool while the dedication of contestants and generous sponsors crafted an
excellent show. The only criticism I can apply to the event was the lack of elimination between rounds. With about 37 contestants and three full rounds, the show felt a
little long at times; a factor that became more important during the third round, which
depended on audience participation. The upside of this was that the price of tickets
felt very reasonable. For less than the price of a drink and admission to a Manhattan
club, you got a several hour fashion show, a chance to meet and greet the organizers
and models, and an after party all in one place. I, for one, am excited to see what will
happen to this event as the tour progresses. As it is, theyre off to a great start!
style
FA S H IO N
Military
HAT
JACKET
Retroscope
Fashions, Gothic
Corseted Military
Jacket has silver
buttons with perfect
placement on the
jacket for a delicate
military flare.
SHIRT
ACCESSORIES
Tips
SHIRT
JACKET
SKIRT
This DIY skirt in black with military bar patches is an easy sewing project
that will take about ten minutes. It requirers a plain black pencil skirt and
patches that you can purchase at a local army supply store. Sew the patches
on to permanently attach them to the skirt.
PANTS
Retroscope
Fashions, Gothic
Corseted Military
Jacket styled
again with some
different items to
give a more cluboriented military
style. Its a very
versatile jacket!
BOOTS
SHOES
40
41
BOTH PAGES
Square Neck Top
with 3/4 sleeves, zip
back, contrast trim,
and bows paired
with Mini Skirt and
Bow Belt all by
Jane Doe Latex
BOTH PAGES
Jane Doe Latex Bow Belt in red
THIS PAGE
metallic blue Leggings With
Bows and red Bow Belt both by
Jane Doe Latex
OPPOSITE PAGE
Square Neck Top in metallic blue
with red contrast trim, Leggings
With Bows, and Bow Belt all by
Jane Doe Latex
OPPOSITE PAGE
Replikant knee length
knit dress by Futurstate
THIS PAGE
Kitchen Orange black Golddigger
vest and silver Kitchen Orange
Makeout pants with black and
beige Zaza shoes by Fluevog
april 2009 AUXILIARY
THIS PAGE
Switchblade Stiletto Vicious
Punk
THIS PAGE
Blazer
white zebra
with
KitcheninOrange
Jitneyprint
jacket
in
Rockin
Bones
Poofy
Tutu in boots
Lime
purple
with
patent
Transmuter
THIS PAGE
Kitchen Orange Boxwood dress in
charcoal and Lambchop
mini boot by Fluevog
february
AUXILIARY april
20092009
46
THIS PAGE
New York Couture Erika Halter
Bubble Dress and Rockin Bones
Sailor Dress in pink with black
tulle ruffles
AUXILIARY april 2009
THIS PAGE
Vendetta long lace up dress by Furturstate
OPPOSITE PAGE
Futurstate silver Stun vest with Kitchen
Orange charcoal Gumi skirt
THIS PAGE
Switchblade Stiletto Gray Leopard
Cardigan with The Perfect Skirt in
Psychobilly Green by Mode Merr
april 2009 AUXILIARY
THIS PAGE
Kitchen Orange Greaser jacket in black with
Futurstate Bitter mini skirt in silver and
The LA Melrose Fluevog boot in black
caviar with gold heel
OPPOSITE PAGE
Chi is wearing Axxion long sleeve top by
Futurstate, Kitchen Orange Makeout pants in
purple with Garter Pocket by Platik Wrap, and
The LA Melrose Fluevog boot in black caviar
with gold heel - Marie is wearing Miyuki jacket
by Futurstate and silver Kitchen Orange Makeout
pants with Fluevog Lambchop mini boots
where to buy
Absinthe Mata Hari
www.absinthematahari.com
La Fee Parisienne
www.lafeeabsinthe.com
Retroscope Fashions
www.retroscopefashions.com
Tripp NYC
www.hottopic.com
Skingraft
www.skingraftdesigns.com
TUK
www.tukshoes.com
Fluevog
www.fluevog.com
Sourpuss Clothing
www.sourpussclothing.com
Urban Decay
www.urbandecay.com
Futurstate
www.futurstate.com
NYX
www.nyxcosmetics.com
Spiral Stitching
www.spiralstitching.com
Purrfect Pineapples
www.purrfectpineapples.com
Suzi Q Cosmetics
www.suziqcosmetics.com
Kitchen Orange
www.mudsharkstreetwear.com
Red Buttafly
www.redbuttafly.com
Transmuter
www.pennangalan.com
www.auxiliarymagazine.com
next issue
june 2009