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in Istanbul
(1650-1860)
ONUR YBLDIRIM
Introduction
The post-classical era ofOttoman history (1600-1839)witnessed the break-up
of the traditionalbasis upon which the economic institutionsof the Empire
were founded.The weakening of the state interventionin the economic realm
gaveway to the inventionand importationof new economic institutionsand
practices in Ottoman economy. In the process, some of the established
were able to adjust theirstructuraland operational featuresto the
institutions
vicissitudes of themarket while some others failed to do so. Among the
formerwere the craftguilds as the fundamentalunit of production and labour
throughout theOttoman cities.1Most of the guilds underwent a significant
structuraltransformationin strivingto accommodate a multitude of external
and internal challenges in the course of this process.While they tried to
sustain their traditional organizations on the one hand, they increasingly
sought
to
expand
their room
for manoeuvre
in the market
on
the other. To
management,
tendency
reciprocated
by the Ottoman
state as well.
century, most
throughout
the Ottoman
territories made
an
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ONUR YILDIRIM
50
structures,
and
their
subsequent
demise
in
the nineteenth
century.
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TRANSFORMATION
IN ISTANBUL
51
state to meet
the urgent
cash needs
due
to the
long-lasting wars,
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ONUR YILDIRIM
52
workshops for a specific craft and thereby endowed upon the master
craftsmenthemonopoly rightof practicinga craft.This new practice played a
crucial role in determining the futurecourse of the craftguilds, in that it
facilitatedthe process by which themembers of craftguilds found itmore
to
advantageous
practice
craftsmen
rather
than
under the protection of the guilds. This issuewill be treated in the following
pages, and due attentionwill be paid to the changing implicationsof the term
gedik.
Last, but not the least,therewere the changes in theprovisionistconcerns
of theOttoman state authoritieswhich aggravated the difficultiesfacing the
guilds in the last decades of the eighteenth century. The Ottoman state
authoritiesdecided toward off the ever-growingburdens of supplyingall the
craft guilds of the city with raw materials and focused their provisionist
concernson the craftsinvolved in foodstuffand other strategicitems.For the
unremittingsupplyof these crafts,theycreated institutionssuch as theGrain
Administration (Hububat Nezaretif and the Leather Administration
(Dabakbane Nezareti) towards the end of the eighteenth century. These
were given chargeof theprocurementand distributionof the raw
institutions
century Ottoman
empire. The
nature
of
1984-85), 27-41.
7
Rhoads Murphey, "Communal Living inOttoman Istanbul: Searching for theFoundations of
anUrban Tradition" inJournal ofUrbanHistory, vol. 16,no. 2 (1990), 115.
8
There are no studiesof birth and death rates for theOttoman society during this era, and this
generalization is based mainly on changes in economic indicators.Further research is needed to
sustain
this argument.
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TRANSFORMATION
IN ISTANBUL
53
institutions
to
relatively
loose
and
autonomous
organizations
in
proper,
and
that
there were
no
Sultanic
decrees
(Kanunname)
"Communal
Living
in Ottoman
Istanbul...",
115-131.
11
See BruceMcGowan, Economic Life inOttoman Europe: Taxation, Trade, and theStrugglefor
Land, 1600-1800 (Cambridge: Cambridge University Press, 1981). See also Anthony
Greenwood's unpublished Ph.D. dissertation entitled "Istanbul'sMeat Provisioning :A Study
of theCelepkesan System",The University ofChicago, Chicago, IL, 1988.
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ONURYILDIRIM
54
state and the guildsmen occurred, however, in times of war when the state
asked for goods and services to be provided in themilitary campaigns.12
Certain number of guildsmen fromeach craftguildwas draftedto accompany
the army on campaign. They set up shop wherever the army camped, and
thereby the soldiers' need to visit urban markets, where theymight cause
was
scarcity and disturbance,
somewhat
eliminated.13
involvement
governments
systematically
intervened by
such
as tanners,
shoe-makers,
saddlers
or
tailors were
more
strict in their
12
Suraiya Faroqhi, "The Fieldglass and theMagnifying Lens: Studies of Ottoman Crafts and
Craftsmen" inherMaking a Living in theOttoman Lands, 1480 to 1820 (Istanbul:The ISIS Press,
1995), 80.
13
Ibid., 82.
14
See Osman Nuri Ergin,Mecelle-i Umur-u Belediyye,Tarib-i Teskilat-iBelediyye (?enberlitas,
Istanbul:Matbay-i Osmaniyye, 1922),vol. I.
15
Carlo Poni's remarks for the guilds in Bologna make great sense here. Carlo Poni, "Norms
and Disputes: The Shoemakers*Guild in Eighteenth Century Bologna" in Past and Present,
nos.l 12-125 (1989), 80-81. "According to the typesof tools, rawmaterials, techniques,different
movements of the body and thehands, different
ways of buying and selling,each tradeand craft
had differenttraditions,social practices, a differentidentityand status in society, and a different
culture
of work".
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TRANSFORMATION
IN ISTANBUL
55
not
only
that made
this rise possible but also certain governmental regulations that dictated the
working of themarket such as the Ihtisab rules began to lose theiroperative
functions.Whence the Ihtisab principle that fixed the number of shops for
each craftceased to function,the craftguilds obtained the initiativeto decide
when to increase the number of their shops.18As themarket expanded, the
craft guilds allowed the opening of more shops and workshops without
provinces,
where
the central
state was
not
so
effective,
other
forms
of
production and labour found, from early on, a more flexible and viable
environmentto flourishand operate in the faceof ever-growingdemographic
Unlike the Balkan cities,where the control mechanism of the
pressure.20
Ottoman state failed to protect the craftguilds from the increasingthreatsof
16
Robert Mantran, Istanbul dans la secondemoitie du XVIIe siecle (Paris: Libraire Adrien
Maisonneuve, 1962), 367.
17
See Evliya ?elebi, Evliya tylebi Seyahatnamesi, ed., Zuhuri Danisman (Istanbul: Zuhuri
Danisman Yayinevi, 1967),vol. II.
18
Mubahat Kutiikoglu, "Osmanli Esnaf Orgiitlerinde Oto-Kontrol Miiessesesiw in Esnaf ve
Ahilik (Istanbul:Esnaf ve SanatkarlarDernegi Yayanlari, 1986), 60.
19
Ibid.
20
For the Balkan provinces,, see Nikolay Todorov, The Balkan City (Seattle:University of
Washington Press, 1983).
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ONUR YILDIRIM
56
internal
migration, thecapital city continued to provide the craftguildswith a
secured
environment
to maintain
their
supremacy
in the market.
Many
documents suggest that the state collaborated inmany cases with the craft
guilds to get rid of the threatsposed to the traditionalorganizations of these
But where the guildswere able to accommodate the changing
institutions.21
conditions, the initiativeto deal with the arisingproblems laid, for themost
was minimal.
part, in thehands of theguildsmen,and the state intervention
Janissaries
The most serious challenge to the viability of the traditional set up that the
guilds represented came with the growing infiltrationof the professional
Ottoman soldiers (janissaries)to the civic life.Once the janissariesgotmarried
andmoved out ofmilitary barracks, theywere no longerentitled to any kind
of income. Therefore, beginningwith the seventeenthcentury,many of the
janissariesbegan to infiltrateinto the realm of craftproduction, and hence the
craftguilds.With the introductionof janissariesinto theguilds, the traditional
organizations of the guildswere exposed to a seriesof challenges.First of all,
the janissarieswere relativelyfree from the control of themuhtasib (market
inspector) and qadi (judge) due to theirmilitary privileges.This encouraged
them to change the guild structureto their own advantage, a development
21
Ahmed Refik, Istanbul Hayati, Onikinci Asr-i Hicri'de (1689-1785) (Istanbul: Enderun
Kitabevi, 1988),vol. 3, documents 78, 79, 254.
22
Halil Inalcik, The Ottoman Empire, 158-159. For a preliminary treatmentof the janissary
involvementwith the crafts,see Cemal Kafadar's unpublishedMaster's Thesis, "Yeniceri-Esnaf
Relations: Solidarity and Conflict",McGill University,Montreal, 1981.
23
Robert
Mahtran,
Istanbul..,
393.
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TRANSFORMATION
OF THE CRAFTGUILDS IN ISTANBUL
57
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ONURYILDIRIM
58
Awqaf (PiousFoundations)
wars kept the janissariesin the
During the eighteenthcentury,the long-lasting
battlefield long enough and accordinglyprevented them frombeing actively
involved in the affairsof the craftguilds. The impact of thesewars on the
guildswas not only limitedto the temporaleliminationof the janissaryfactor.
Another major development that shook up the craftguilds from theirvery
foundationsoriginated from the aggravatingstateof the imperialfinancesdue
to the wars.
In order
to finance
ventures,
the Ottoman
era, many
governmental
offices were
auctioned
to the tax-farmers
to
tendency
among
as well
administratively
to study it separately
autonomous
foundations,
were
responsible
for the
27
Inalcik, TheOttoman Empire, 142-43.
28
Halil Inalcik, "Istanbul:An IslamicCity" inJournal ofIslamic Studies,vol. 1 (1990), 9.
29
Inalcik,The Ottoman Empire, 143.
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TRANSFORMATION
IN ISTANBUL
59
rates became
subjected
to the will
If anything,
this was
serious
threats
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ONUR YILDIRIM
60
iltizam (Tax-Farming)
The reversalof the Sublime Porte's provisioningpolicies should be considered as
one of the major developments that brought about the downfall of the
traditionalposition of the guilds in theOttoman economic world. This multi
faceted process introduced some major novelties into theworld of the craft
guilds, among which were the institutionalarrangementsaccompanying the
changes in theprovisioningpolicies. In the eighteenthcentury,the conversionof
units (i.e.mukataas), and their sale in
certaingovernmentaloffices into tax-farm
return of cash-down-paymentsfrom four years length to life-timeduration
(malikane) created a rather troublesome environment for the operation of the
craft guilds.33Tax farmingwas extended to the other key institutionsof
Istanbul's economic life, the most important of which were the offices of
muhtasib.
in contact
craft;he observes that the prices fixedby theDivan or the kadi are being
32
For a detailed analysis, see Engin Akarli, aGediks: Implements,Mastership, Shop Usufruct,
andMonopoly among IstanbulArtisans, 1750-1850", 226-27.
33
Cf. Yavuz Cezar, Osmanli Maliyesinde Bunalim veDegisim Donemi (Istanbul:Alan Yayincilik,
1986).
34
Mubahat Kiitiikoglu, Osmanli Imparatorlugu'ndaNarh Muessesi ve 1640 Tarihli Narh Defteri
(Istanbul:Enderun Kitabevi, 1983), 21.
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TRANSFORMATION
IN ISTANBUL
61
and the artisans and especially collects the taxes of ihtisabiye or ihtisah rusumu
that represent the taxes forwhich the people of crafts are accountable.33
annual basis, and the authority of the qadi and other governmental offices
probably curbed any likelihood of corruption.The muhtasibs in the eighteenth
century, retained life ownership of these offices and this institutiongained a
hereditary character in the course of this period. Within this context, the
for
"purposes
that were
not
included
in
the
coverage
of
tax-farm
the conversion
of the state-owned
establishments
created some
government
eighteenth century. In that respect, the Ottoman
new tax-farmable institutions. The
example of "tavsan derisi mukataasi" which
was given chargeof the collection of the rabbit skinsdemonstrates the abuses
33
Robert Mantran, Istanbul, 299-300.
36
See Robert Mantran, aUn document sur Pihtisab d'Istanbul a la fin du XVIIe siecle" in
VEmpire ottomandu XVIe au XVIIIe siecle:administration,economie,societe(London: Variorum
reprints,1984), 127-149. Also see idem, aLa Police des Marches d'Istanbul au Debut du XVIe
Siecle" inLEmpire ottomanduXVIe au XVIIIe siecle.
37
BasbakanlikArsivi, Cevdet, Belediye, no. 5150.
38
?agatay Ulucay, aistanbul Sarachanesi ve Saraclari" inBelgelerleTurk TarihiDergisi [Istanbul],
vol. VE, no. 5, (1953), 161.
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ONUR YILDIRIM
62
The
material.
Considering
the process
startedwith the delivery of the skins and hides to the tanners and then the
leather tanned by the tanner guilds of the citywas distributed to the other
leather-related
crafts.
In
this context,
such
crafts as
shoe-makers,
saddlers,
39
Basbakanlik Arsivi, Cevdet, Iktisat,no. 641.
40
See, forexample,BasbakanlikArsivi, Cevdet, Iktisat,nos. 955 and 991.
41
For more informationon the functionsof these officials,seeH. A. R. Gibb and H. Bowen,
Islamic Societyand theWest: A Study of theImpact ofWestern Civilization onMoslem Culture in
theNear East (London: Oxford Press, 1951-59), vol. 1, Part 1, 289-291. Also seeHalil Inalcik,
"The Appointment Procedure of a Guild Warden (Kethuddf inWiener Zeitschrifi
fur die Kunde
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TRANSFORMATION
OF THECRAFTGUILDS IN ISTANBUL
63
custom.
against the
Gedik
The overall implication of gedik was that it confirmed the monopoly of
master-craftsmanover the production of his item, or his part in the
production process of a certain item.The ideal formulawas to fixand stabilize
the number of master-craftsmenor tradersdealing with the production and
From its introductionto the economic lifeof Istanbul in
sellingof an item.46
the
licence
with the approval of
1727-28,
given to themaster-craftsmen
gedik
the local judgewas transferablefromfatherto son.The workshop or the shop
where the tools and equipmentwere located, and the craftsmanpracticed his
43
BasbakanlikArsivi, Cevdet, Belediye, no. 357.
44
BasbakanlikArsivi, Cevdet/iktisat, no. 53.
45
225. The process by which themembers of different
Engin Akarli, "Gedik: Implements,
craftguilds came to formulate the decision to start such a practice as the gedik has not so far
been sufficientlydocumented. See Suraiya Faroqhis's remarks for this issue. Suraiya Faroqhi,
"Ottoman Guilds in the lateEighteenthCentury: The Bursa Case" inherMaking a Living in the
Ottoman Lands, 98-102.
46
Osman Nuri Ergin,Mecelle-iUmur-u Belediyye...,656.
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64
ONUR YILDIRIM
be themajor means for the transferof gedik in Istanbul during the eighteenth
century.Within the craftguilds, the ceilings put on promotion became the
whose subordination
major barrier to the advancementof skilled journeymen,
was furthersustainedby thegedikpractice, in thatwhen a vacancy opened up,
the relatives, ifnot sons,would be the firstto fill it.The use of the gedik
document to claim the right to this opening was a common practice
throughoutthe eighteenthcentury,which implied that the craftguilds did no
longer strictly pursue the hierarchical principles that characterized the
structuringof the guilds since the classical era.Many unskilled individuals
made theirway into the realm of craftproduction throughthegedikwithout
going throughthe stagesof apprenticeshipand journeymanship.
The application of gedik contributed to thedissolution of the traditional
foundationsupon which theOttoman guildswere based. As thisdocument
yielded individual craftsmansome room formaneuovre which would enable
him to practice his craftwherever he wanted, the traditionalprinciple that the
members of a craftguild had to exercise theircraftsin the same locality (e.g.
bedestan)began to lose itsoperative significance.The opening of single shops
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TRANSFORMATION
IN ISTANBUL
65
documents
indicate,
payment
of
their
the classical
era,
the Ottoman
Empire
represented
"command
services
to
the
central
and
provincial
governments
were
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ONURYILDIRIM
66
vulnerable
the
structures.
seventeenth
century
onwards,
however,
practices
and
#$ #
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