Ncca Competitive Grants Program 2010

NCCA
COMPETITIVE GRANTS PROGRAM
2010
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DEADLINE FOR SUBMISSION OF PROPOSAL: AUGUST 31, 2009
Proposals must be stamped received by the Policy/Plan Formulation and Programming
Division of the NCCA on or before AUGUST 31, 2009. LATE OR INCOMPLETE PROJECT
PROPOSAL WILL NOT BE CONSIDERED.
Through the National Endowment Fund for Culture and the Arts (NEFCA), the NCCA Grants Program
provides support to individuals and organizations in fields that are aligned with the Philippine culture
and arts and in accordance with the defined priorities of each of the National Committees. The NCCA
provides funds for projects for the promotion, development and conservation of Philippine culture and
arts, and it continuously encourage collaborative efforts which provides significant contributions to the
realization of the Mandate of the NCCA.
GUIDE TO APPLICANTS
In order for the Review Committee to process your proposal favorably, please comply with the
guidelines provided for, submit complete requirements, properly accomplished project proposal form
and submit within the deadline.
1.
Are you qualified?
Check the Qualification of the Proponent in the Project Proposal Form to see whether
you are qualified. Please note that individuals as proponents are limited to project
categories such as research and travel grants only
ONLY NON-STOCK, NON-PROFIT ORGANIZATIONS CAN APPLY FOR NCCA GRANTS
2. Status of previous projects.
No outstanding accounts with the NCCA.

No ongoing project with the NCCA.
New proponent.
3. Status of legal documents necessary for proponents eligibility.
Complete SEC registrations, OR, etc. (please see attached details of requirements).
If your answers to the check list are YES, proceed to number 2. Otherwise, you are not qualified to
apply for NCCA Grant. The NCCA has other programs that may help you in your activity. Call the
PPFPD at (02) 527-2214 or 527-2209 for assistance.
4. Only one (1) proposal per proponent can be submitted to NCCA.
5.
Submit the proposal completely and with COMPLETE attached requirements

a.
b.
c.
Accomplished Project Proposal Form with Detailed Line Item Budget. Proponents must
have counterpart funds and should indicate the specific items and budget particulars
to be funded by the NCCA. Check to see what are the allowed items usually funded by
the NCCA.
Eligibility Requirements (see separate checklist)
Other project documents/attachments (refer to Requirements for Submission in the
Call for Proposals)
PLEASE DO NOT FORGET TO SIGN THE APPLICATION FORM AND INDICATE YOUR CONTACT
INFORMATION.
WHERE TO
SUBMIT THE PROPOSAL?
The approved priority projects and grants programs are presented in this document and are hereby
announced and made available to the cultural and art groups, academic institutions, individual
artists, local arts organizations, non-government organizations involved in culture and arts, and other
potential grants applicants
Proponents shall accomplish Project Proposal and submit these to:

MARICHU G, TELLANO
Chief, Policy, Plan Formulation and Programming Division (PPFPD)
5th Floor, National Commission for Culture and the Arts (NCCA)
633 General Luna St., Intramuros, Manila
Tel: (63-2) 527-2192
Fax: (63-2) 527-2198; 522-2084
Email: info@ncca.gov.ph; pmd@ncca.gov.ph
Copy of the Project Proposal Form may be obtained at the PPFPD office
Or may be downloaded at
Website: www.ncca.gov.ph (Go to Grants Program)
Proposal submission through electronic mail (email) are accepted PROVIDED that all
project documents are complete and with scanned signature of the official proponent/Head
of the organization/LGU. Absence of the signature of the proponent shall be considered
UNOFFICIAL. Due to the bulk of messages coming in electronically, the proponent is
advised to call MR. LAWRENCE EMIL GONZALES at 527-2204 or 5272192 loc 608 of the
Management Information System (MIS), if you sent it through info@ncca,gov.ph and MS.
CECIL NISNISAN at 5272214 or 5272192 loc 502 if sent through pmd@ncca,gov.ph to
verify if the application has been received. Proponent should ensure that the Proposal is
received by the NCCA.
PRIORITY PROJECTS FOR 2010

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A. Subcommission on the Arts
I.. NATIONAL COMMITTEE ON ARCHITECTURE AND ALLIED ARTS
1. Publication Production and Development of Multi Media Interactive CD Rom, monograph or
audiovisual material
Qualification of the Proponent: Institutions and organizations with a track record and has been in
existence for at least 3 years or have previously produced related projects; Individual proponents
must be a member of any recognized architecture and allied arts organizations or associations; In
case of non-licensed individual proponents, submission of an endorsement from a licensed professional
or recognized institution, association or organization
Requirements for submission: 1. Full project proposal and detailed line-item budget; 2. Regular
requirements of NCCA (refer to proposal form); 3. sample of previous works; 4) Interactive
Diagram/Storyboard; 5) Distribution and Marketing Scheme
Criteria for evaluation of the proposals: Pre-prepared exhibit to be converted to a new and interactive
format for wider dissemination.
Budget per project: P 500,000
Slots open for application: 4
2. Exhibition
existence for at least 3 years or have previously produced related projects
requirements of NCCA (refer to proposal form); 3. Curatorial concept
Criteria for evaluation of the proposals: 1. Should be collaborative work/combining the different art
disciplines (team up with different SCA Committees); 2. Architecture in relation to other arts; 3. Must
be Integrated (i.e Architecture in Cinema, interpret architecture in dance); 4. Must be in coordination

with curator and architect
3. Lecture series
existence for at least 3 years or have previously produced related projects
requirements of NCCA (refer to proposal form); 3. list of resource persons and their topics, 4.
proposed program of activities; 5. profile of participants
Criteria for evaluation of the proposals: 1. Should be held outside of Metro Manila; 2. Topic should be
supportive/relevant to the theme; 3. Speakers must be of reputable stature; 4. Papers to be read for
the first time.
4. Research
Qualification of the Proponent: Individual proponents must be a member of any recognized
architecture and allied arts organizations or associations
In case of non-licensed individual proponents, submission of an endorsement from a licensed
professional or recognized institution, association or organization
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. full
project proposal and detailed line-item budget 3. abstract of research; 4. review of related literature;
5. outline of research; 6. conceptual framework; 7. research design /methodology; 8. two (2)
recommendation letters from established cultural organizations/ institutions
Criteria for evaluation of the proposals: Topics should be related to Architectural History, interior
design, style, History of Landscape Architecture
II. NATIONAL COMMITTEE ON CINEMA

1. Short Films
Qualification of the Proponent: Produced and directed at least 1 short film screened in a public
venue and/or film festival
project proposal and detailed line-item budget; 3. synopsis, 4 sequence treatment, 5. sequence
outline (for documentary), 6. artistic approach, 7. storyboard (if available), 8. profile of production
staff; 9. body of work of the director, 10. Review of screened film (if available), 11. sample of work
(DVD format); 12. Endorsement by an organization, producer or professor or another film director not
involved in the film project; 13. Production schedule
Criteria for evaluation of the proposals: Relevance to the goal and objective; Unique/
Novel; Groundbreaking; creative and interesting, personal track record, good credit standing,
ability to accomplish production schedule, personal interview

2.
New Media- Interactive Multimedia program production/installation
Qualification of the Proponent: Produced and directed and/or designed an interactive multimedia
program
project proposal and detailed line-item budget; concept and storyboard treatment of program
programming/technical specifications; previous multi-media program work (CD or DVD or website )
and organization (s) using the program; endorsement by producer or professor or organization
regarding the proponents qualification; production schedule and budget;
Criteria for evaluation of the proposals: Unique/
novel/innovative approach to cinema; brings new ideas, groundbreaking; interactive, creative
and interesting, personal track record, good credit standing, ability to accomplish production
schedule
3.
Full length Films
Qualification of the Proponent: An individual who has produced and directed a film screened in a
public venue and/or film festival
project proposal and detailed line-item budget; 3. synopsis, 4 sequence treatment, 5. sequence
outline (for documentary), 6. artistic approach, 7. storyboard (if available), 8. profile of production
staff; 9. body of work of the director, 10. Review of screened film (if available), 11. sample of work
(DVD format) 12. Endorsement by an organization, producer or professor or another film director not
involved in the film project; 13. Production schedule
Novel; Groundbreaking; interactive; creative and interesting, personal track record, good credit
standing, ability to accomplish production schedule; for films that have completed productions,
proposals can be submitted for post-production
4.
Workshops
Workshop proposals can be teacher training, professional training, or continuing

professional development
Qualification of the Proponent: Non-government organizations/LGUs /Qualified group/ collective/
organization with prior experience in training or adult education preferably in the arts or design field
and/or with a specific expertise in cinema or its related disciplines;
project proposal and detailed line-item budget; 3. profile of organizer and collaborating parties, 4.
Description/ syllabus of training module/s; 5. Program/ schedule of activities/ coverage/ topics of
training module/s including list of:
a. Sessions
b. Activities individual and group dynamics
c. Presentation materials
d. Hand-outs/ written materials/ literature and the like
e.
6. List and profile of speakers, resource persons and/or facilitators; 7. Proposed or target venue; 8.
Criteria and method of selection of participants (if applicable), and 9. Evaluation form/ instrument to
obtain participant feedback
Criteria for evaluation of the proposals:
For Teacher Training Workshops:

1) Proposed program/ syllabus provides training that is relevant to the participants in
relation to approved CHEd and/or DepEd guidelines on the humanities, media arts
and/or social studies.
2) Syllabus/ module/ program content
3) Profile or background of speaker/s, organizer/s and/or facilitator/s
4) Target and/or number and/or profile of participants
5) Good credit standing
For Professional Training/ Continuing Professional Development
1) Proposed syllabus/ module/ program content
2) Profile or background of speaker/s, organizer/s and/or facilitator/s
3) Target and/or number and/or profile of participants
4) Relevance/ timeliness of the proposed training module in relation to regional,
international and/or global trends and practices
5) Good credit standing

5. Film Festivals
Qualification of the Proponent: Non-government organizations or LGUs with counterpart funding;
project proposal and detailed line-item budget; 3. List of films and synopsis; 2) Festival program; 4.
Justification for selection of films in terms of content, aesthetics, style and representation of Philippine
culture and values; 5. List of speakers and topics, 6. schedules of talks and workshops; 7. profile of
target audience; 8. proposed target venue/s; 9. evaluation form/instrument to obtain audience
feedback; 10. profile of the festival organizers and collaborating partners;
Novel; Groundbreaking; Program features a balanced mix of Philippine classic and contemporary
mainstream / independent films; target audience has very little or no exposure to contemporary or
classic Filipino films; festival is conducted in a venue in NCR or outside NCR; festival screening runs for
at least 3 days; festival reaches out to a new audience; good credit standing
Festival focusing on Culture and Peace
Criteria:
Relevance to the goal and objective; Unique/
Novel; Groundbreaking; Program features a balanced mix of films focusing on issues of culture and
peace; festival is conducted in a venue in NCR or outside NCR; festival screening runs for at least 3
days; festival reaches out to a new audience; good credit standing
Slot: 1
6. Archiving
Qualification of the Proponent: Non-government organizations or cultural groups or LGUs with
counterpart funding;
project proposal and detailed line-item budget; 3. Basic data: title of film, production company, major
credits, year of production or release, copyright owner; 4. Condition of extant negative and/or positive
print; 5. Technical procedures necessary to restore the film; 6. Reasons why the film should be
restored (citing the importance of the film in Filipino film history.
Novel; Groundbreaking; Importance of the film to be restored in Filipino film history, using the
following as a guide:
1) social change, diversity and history
2) cultural change, diversity and history
3) regional change, diversity and history
4) decade, era, time period
5) significant historical event
6) popular success
7) industry award, winners, nominees
8) controversy, notoriety
9) iconic value, national identity
10) influence
11) innovation (style, technique, format)
12) best example of program style
13) acclaimed creators
14) etc.;
proposals related to the exhibition of materials on the understanding and preservation of film art and
film craft in Philippine cinema may also be submitted; Condition of extant negative and/or positive
print; Possibility of doing the restoration in the Philippines; Track record of proponent in restoration or
exhibition projects; Good credit standing of proponent; Ability to accomplish production schedule.
7.
Research/Publication
Qualification of the Proponent: An individual or a Non-government organizations or LGUs with

counterpart funding;
project proposal and detailed line-item budget; 3. CV of proponent; 4. Past publications related to film
research, 5. research proposal (abstract of research proposal, review of related literature, outline of
research, conceptual framework, research design/ methodology with intended schedule; 6. past
presentations in film related conferences; 7. two recommendations letters from established cultural
organizations/ institutions
proponents may submit publication proposals with final manuscript
Criteria for evaluation of the proposals: Significance of research project; Feasibility of completion;
Coherence of the research proposal; Contribution to the Phil. Film studies; good credit standing of
proponent
III. NATIONAL COMMITTEE ON DANCE

1. NCCA Dance Season
Qualification of the Proponent: Local Government Unit or Non-Government Organization supported;
track record in implementing arts activities; has capacity to provide facilities for dance performances
(stage, light, sound, dressing room); can provide counterpart to NCCA assistance, able to mobilize
audience
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. profile of
performing groups and artistic directors; 3. sample videos/ photos of the groups and photos of the
performance venue; 4. full project proposal that includes description of locality; programming,
strategy for mobilization of audience; strategies for sustainability; and 5. detailed line-item budget
Criteria for evaluation of the proposals: Relevance to the theme; artistic quality of the performing
groups; involves at least 12 performing groups; with frequency of at least once a week for 3 months
with a performance of one hour and a half (1 ) to two (2) hours per show; and repertoire selection.
Budget per project: P200,000
Slots open for application: 5 (1 each for Luzon, Visayas and Mindanao and 2 from NCR)
2. Dance Performance Grant
Qualification of the Proponent: Local Government Unit or Non-Government Organization; track record
in implementing arts activities; can provide counterpart to NCCA assistance, able to mobilize audience.
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. profile of
performing groups and artistic directors; 3. sample videos/ photos of the groups and photos of the
performance venue; 4. proposal that includes description of locality; programming, strategy for
mobilization of audience; strategies for sustainability; full project proposal and detailed line-item
budget
Criteria for evaluation of the proposals: Relevance to the theme; artistic quality of the performing
group and the artistic director; and repertoire selection; accessibility of the performance venue.
3. Festivals
Qualification of the Proponent: Local Government Unit or Non-Government Organization supported;
track record in implementing arts activities, can provide counterpart to NCCA assistance, able to
mobilize audience; capacity to sustain the festival
project proposal and detailed line-item budget; 3. Video and photo documentation of the festival
Criteria for evaluation of the proposals: Culture-based festival; at least 5 years in existence; at least 6
competing contingents.
IV. NATIONAL COMMITTEE ON DRAMATIC ARTS
1. Scholarship
A. Academic Scholarship (Undergraduate or post graduate thesis; production or research

for graduating students)
Qualification of the Proponent: NCCA Standard accreditation requirements; good scholastic
standing (GWA of 2.0 or better); senior standing for undergraduate student/ for graduate student, has
completed all requirements other than thesis/thesis production
project proposal and detailed line-item budget; 3. Proof of senior standing; 4. Certified true copy of
Grades/Transcript of Records; 5. Thesis Proposal; 6. Proof of thesis proposal acceptance; 7. 2 letters
of recommendation from mentors/adviser/dean
Criteria for evaluation of the proposals: Potential service relevance to community/excellence of
project/viability of project
Budget per project: P 10,000 for undergrad; P 50,000 for graduate
Slots open for application: 2 for undergrad; 3 for graduate
B. Non-Formal/informal/ladderized (local/national/international theatre training)
Qualification of the Proponent: NCCA Standard accreditation requirements; good track record
project proposal and detailed line-item budget; 3. Curriculum Vitae; 4. letter of acceptance to
program; 5. Proof of Works/publications; 6. 2 recommendation letters from advisers/mentors on
artistic merit of applicant
Budget per project : P50,000 for local; P80,000 for international
Slots open for application : 6 for local ; 4 for international
2. Production Development Program: Towards New Works (From research to writing to

staging)
Qualification of the Proponent: NCCA standard accreditation requirements; good track record
project proposal and detailed line-item budget; 3. Concept paper on target production and process; 4.
Profile of the community of participants; 5. List and profile of artists involved; 6. target audience; 7.
target impact of project
Criteria for evaluation of the proposals: track record of artists; potential; viability;
groundbreaking quality proposal; applicability to community; groundbreaking pedagogical importance
pf project to creation of new works/must be willing t o render 1 year return service to any
community/NCCA network
Slots open for application: 12 (3 per region)
3. Research, Translation or Publication
project proposal describing the goals of the project and detailed line-item budget; 3. Curriculum Vitae
for the project director; 4. detailed research strategy; 5. timeline for completion of the project; 6.
brief relevant bibliography; 7. contact details of three (3) references; 8. brief essay describing how the
project can further studies and practice on Philippine theatre; 9. dissemination plan on how to share
research findings with others
Criteria for evaluation of the proposals: Relevance; potential; viability of project to Philippine
theatre development; track record/capacity of proponent to implement the project
Slots open for application: 4 or more relative to maximum amount required
4. Community Theatre Program (Revitalization of traditional theatre for heritage; advocacy of

development issues for empowerment; creative industries for sustainability; theatre for sustainable
development; theatre and education; theatre for total human development)
project proposal and detailed line-item budget; 3. Concept Paper on target production; 4. Artistic
Treatment; 5. Profile of Artistic team and participating artists; 6. Target Audience/community; 7.
Target impact of the project
Criteria for evaluation of the proposals: Good track record; originality and groundbreaking quality
of the project; potential/viability; applicability and importance to the community;
5. Artist Residency/Immersion Program (artistic collaboration with a theatre company)
project proposal and detailed line-item budget; 3. Concept Paper on target production; 4. Artistic
Treatment; 5. Profile of the artist involved; 6. Target Audience/community; 7. Target impact of the
project; 8. Target service
Criteria for evaluation of the proposals: Good track record of the artist; groundbreaking quality of
the project; potential/viability; applicability and importance to the community; pedagogical
importance of project to creation of new works; collaboration among artists from different
regions/groups
V. NATIONAL COMMITTEE ON LITERARY ARTS
1. Publication of creative works with translation
Qualification of the Proponent: Individuals, NGOs or LGUs with counterpart funding, with no
ongoing projects or outstanding unliquidated fund with the NCCA
project proposal and detailed line-item budget; 3. Three (3) copies of final manuscript; 4. Three
printing quotations from publishing houses/ printers; 5. Certification/endorsement from the regional
coordinator of the NCCA Committee on Literary Arts that the manuscript is ready for publication by the
NCCA and attesting that he/she has reviewed it and no longer needs to be reviewed by three (3)
NCCA independent readers; 6. Propose distribution and marketing scheme; 7. synopsis
Criteria for evaluation of the proposals: Literary and cultural value of work in the region to be
evaluated by 3 literary experts in the region; With translation in English/Filipino (Php20,000/100pages
of translation work)
2. Publications of criticism
NCCA independent readers; 6. Proposed distribution and marketing scheme; 7. synopsis
Criteria for evaluation of the proposals: Criticism on works and/or biographies of local writers; the
local writer who is the subject of the critical or biographical work must have a publication track record
and other objective evidence of his/her stature or influence in the formation and development of
regional and/or national literature
3. Writing of literary biographies
ongoing projects or outstanding unliquidated fund with the NCCA. In case of graduate students, a
recommendation letter from the adviser attesting the capability and potential to finish work must be
submitted
project proposal and detailed line-item budget; 3. Proposed distribution and marketing scheme; 4.
Synopsis
Criteria for evaluation of the proposals: biographies of writers living or dead; the local writer who
is the subject of the biographical work must have a publication track record and other objective
evidence of his/her stature or influence in the formation and development of regional and/or national
literature; output is at least 10,000 words; proposal must follow the usual research proposal with a
conforme of the subject
4. Anthologies with translation
NCCA independent readers; 6. Propose distribution and marketing scheme; 7. synopsis
Criteria for evaluation of the proposals: 200-300 pages; 1,000 copies; the editor should have a
critical preface articulating the poetics used as frame of reference in the editorial choices of the literary
pieces included in the anthology; There should be a critical introduction
Budget per project: P 150,000 (including the translation)
5. Creative writing workshops
Qualification of the Proponent: NGOs or LGUs with counterpart funding, with no ongoing projects
or outstanding unliquidated fund with the NCCA
project proposal and detailed line-item budget; 3. List and profile of panelists; 4. Detailed program of
activities and/or modules;:5. Number of fellows to be accepted; 6. Criteria for the selection of fellows;
7. List and profile of the screening committee;
Criteria for evaluation of the proposals: At least 10 fellows, majority are region-based; At most 5
teaching staff, majority should come from the regions; Encourage the study of regional literary forms;
Utilize the regional languages of the regions, aside from Filipino and English
6. Seminars/ workshops
project proposal and detailed line-item budget; 3. List and profile of resource persons; 4. Detailed
program of activities and/or modules;:5. Profile and number of target participants; 6. Criteria for the
selection of participants; 7. List and profile of the screening committee;
Criteria for evaluation of the proposals: topics: literary history, criticism/ appreciation of works by
local writers; the organizers of the seminar/workshops should submit a program that would spell out
the rationale, topics and speakers to be covered in the seminar/workshop
7. Performances (literary readings, broadcast media)
project proposal and detailed line-item budget; 3. repertoire; 4. target venue/s; 5. list and profile of
performers/readers
Criteria for evaluation of the proposals: Performance of works of local writers and/or national
artists; Writer-readers should read their own works; Works to be read should be new ; Readers should
be 5 to 10 in number
Budget per project: Php80,000

8. Literary contests/awards in 3 languages: Filipino, English, and the language of the region
project proposal and detailed line-item budget; 3. Criteria of the competition/nomination/selection; 4.
Mechanics and guidelines of the competition; 5. list and profile of judges;
Criteria for evaluation of the proposals: The board of judges composed of three members for each
of the contests should have a collegial set of criteria or critical framework to be used in the judging
process. There should at least be two rounds in the judging process to go from an individual judges
shortlist of 10, then a consolidated ranked shortlist of 5, and a final consolidated and ranked shortlist
of the first 3 winners; It is suggested that this criteria and the critical annotations of the contest
winners be published in the local or regional newspapers upon the declaration of the winners.
Budget per project: P 150,000 with the following rates:
1st Prize 10,000 x 3 categories = 30,000
2nd Prize 7,000 x 3 categories = 21,000
3rd Prize 5,000 x 3 categories= 15,000
3 judges = 3pax x 3 categories x 5,000 = 45,000
Coordinator = 10,000
Slots open for application: 6 ( 1 for NCR; 5 slots for the regions)
9. Development of websites in the regions
project proposal and detailed line-item budget;
1) appeal to universal audience; 2) credential/authority of the publisher/proponent; 3)
coverage ; 4) purpose commercial, informative, educational, etc.
10. Layaw Program
Layaw is a writing fellowship and outreach program which shall provide the writers an opportunity to
finish continuing work/s in a venue within the Philippines which inspires artistic creation and
preferably, to interact with the community in an education / literary activity
Qualification of proponent: An individual who has no ongoing or unliquidated project with the
NCCA.
Requirements for submission:
1) Filled-up project proposal form with Line item budget
2) Accreditation requirements
3) Latest Curriculum vitae
4) Concept paper of the proposed project: purpose, objectives, goals, significance to the field,
expected duration of work
5) Works-in progress of the proposed project to be completed during the 1 to 2 weeks residency
period
Criteria:
Track record of the proponent; capacity to finish project/s; interesting concept
Amount per Project: Php70,000
Slot: 1
VI. NATIONAL COMMITTEE ON MUSIC

Priority Projects for 2010
1. Training Programs Vocal and/or Instrumental
Qualification of the Proponent: NCCA standard accreditation requirements and track record
project proposal and detailed line-item budget; Detailed training module, seminar or workshop design,
profile of resource persons/trainers, profile of participants
Criteria for evaluation of the proposals: Vocal and/or, instrumental ; Training must include
fundamentals of music and creativity ; Should culminate in a performance; Trainers may be within the
area if available or in coordination with music experts; Must be geared towards basic music literacy
and/or enrichment.
2.Training for Ensemble Teachers

Criteria for evaluation of the proposals: Vocal and/or, instrumental ; Training must include
fundamentals of music and creativity ; Should culminate in a performance; Trainers may be within the
area if available or in coordination with music experts; Must be geared towards basic music literacy
and/or enrichment; Training that is unique to ensembles (rondalla, kulintang, bamboo, choral, etc.);
Participants must be handling a group; training must include fundamentals of music, creativity,
pedagogy and innovation; should culminate in a public performance; trainers may be within the area if
available or in coordination with music experts; Must address the different learning styles/techniques.
3. Annotated Performance (Informance)
project proposal and detailed line-item budget; Repertoire; Theme, Performers, artistic team,
repertoire, sample recording/ track record or profile of performing group/s
Criteria for evaluation of the proposals: Audience must be school children and /or community; the
Performance must be Annotated to educate the audience
4. Indigenous and traditional annotated performance
Qualification of the Proponent:
project proposal and detailed line-item budget; Repertoire; Theme, performers, artistic team,
repertoire, profile of performing group/s
Criteria for evaluation of the proposals: Audience must be school children and /or community; the
Performance must be Annotated to educate the audience
5. Training of Classroom Teachers of music

Criteria for evaluation of the proposals: 1. Participants should be teachers in the elementary and
high school level
6. Musical Creation Grant
project proposal and detailed line-item budget; Synopsis ; Profile of participants/artists ; Profile of the
artistic team
Criteria for evaluation of the proposals: Must be a new work/adaptation of a work by a Filipino
artist; As much as possible, the performers must come from the locality; Preferably the language is in
the vernacular; Integrate music and lyrics
Budget per project: P 1,500,000.00
7. Documentary on Music Traditions
Qualification of the Proponent: NCCA standard accreditation requirements for individuals; Good
track record and Must have experience in research and documentation.
project proposal and detailed line-item budget; Expertise and background of the individual, referrals
from institution/s; Concept, Background/literature and research/project statement; Output: video
(broadcast quality)
Criteria for evaluation of the proposals: Music traditions which include masters, uniqueness, not
yet documented enough, novel, Should be related to the theme of sustainability
VII. NATIONAL COMMITTEE ON VISUAL ARTS

1. Research / Documentation
Qualification of the Proponent: Individual proponents must submit an endorsement from a
recognized institution, association or organization. Or NGO or Art Organization (non-stock, non-profit)
with track record in implementing research and documentation on visual arts; can provide counterpart
funds; and has capacity to produce quality documentation.
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. profile
of proponent along the area of visual arts documentation; 3. background/ literature and
research/project statement; 4 full project proposal and detailed line-item budget
Criteria for evaluation of the proposals: Relevance to the theme; cultural significance of the
project to the community; focus on the Philippine Visual Arts.
2. Developmental Workshop
Qualification of the Proponent: NGO or Art Organization (non-stock, non-profit) with track record
in implementing visual arts training activities; can provide counterpart to NCCA assistance; and able
to mobilize audience and wide range of visual art network.

Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2.
detailed training modules; 3. seminar or workshop design; 4. profile of the resource persons and of
the participants ; 5) full project proposal and detailed line-item budget
Criteria for evaluation of the proposals: Relevance to the theme; training must include
developmental phase of the workshop; should focus on Philippine visual arts; should culminate in an
output / exhibition in every phase.
3. Group Exhibition
Qualification of the Proponent: NGO or Art Organization (non-stock, non-profit) with a track record
and has been in existence for at least 3 years or have previously implemented related projects; can
provide counterpart to NCCA assistance; and able to mobilize audience and wide range of visual art
network.
curatorial concept; 3) profile and art portfolio of the artists; 4) full project proposal and detailed lineitem budget
Criteria for evaluation of the proposals: Relevance to the theme; illustrates a collaborative work/
combining the different visual art disciplines; indicates a collaboration between the curator and the
visual artists
4. Layag Program (Visual Arts Residency)
and has been in existence for at least 3 years or have previously implemented related projects
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form) and the
Layag Guidelines; 2. detailed program of the residency; 3. profile of the artist/s; 4) full project
proposal and detailed line-item budget
Criteria for evaluation of the proposals: Relevance to the theme; indicates a collaboration
between the curator, the visual artist/s and the community.
5. Sinugdanan Grant : 1st Solo Exhibition
The grant is open to all visual artists who fulfill the following criteria:
Artists must be Filipino citizens. There is no age limit.
Artists who must not have held a solo exhibition. Artists must have a firm offer from an
exhibition space in writing. The exhibition space must be a non-commercial visual arts
venue.
Artists must have received no previous grants from the National Commission for Culture
and the Arts (NCCA) during the 12 months preceding the submission date.
Artists must have made no previous application under the scheme for help with the same
project.
Nomination forms may be submitted by the artists themselves.
project proposal and detailed line-item budget
Items for funding: The grant shall cover ONLY the following items:
a.
b.
c.
d.
e.
Curators Fees
Preparation and
printing of catalogues and invitations
Exhibition installation labor and materials
Documentation
Transport of works
P 30,000
50,000
10,000
5,000
5,000
P 100,000
The curator must have curated or co-curated at least one exhibition.

The curator must have the knowledge, experience, and capability to perform the
responsibilities expected from her as follows:
1. Develop the exhibit concept together with the artist;
2.
3.
4.
5.
Prepare the exhibit notes and wall texts;

Prepare press releases;
Write the essay for the documentation; and
Prepare the evaluation of the exhibition.
If the artist has not identified the curator, the NCCA may recommend a curator for the
show.
A Portfolio of the Artists Work and a recent Curriculum Vitae (Annex A)

An Exhibition Brief (Annex B)
Proposed Line Item Budget (Annex C)
Document of offer from an exhibition space (Annex D)
Three endorsements from LGUs, organizations, teachers, and established visual artists
(Annex E)
Portfolio Requirements:
Slides or prints 5 x 7 such as catalogues may be submitted for work in traditional media.
For each artist, a selection of no more than six (6) high quality 35 mm slides showing recent
work, including where possible, the work to be exhibited. All images must be titled and clearly
marked with the artists name, title of work, date, and size. Orientation should be indicated
where necessary.
For electronic images on CD, please ensure these guidelines are followed:
CD should be PC formatted with j-peg images showing recent work. Work submitted in any
other format will not be accepted. Submit a selection of not less than six (6) jpegs. Images
should be clearly labeled with artists names and the name of the work. Each image should be
72 dpi and less than 1 MB. Please send accompanying print-outs of the artworks.
Slides and other documentation are sent entirely at the applicants own risk.
Applications can be considered a maximum of one year in advance of the exhibition and not
less than six (6) months in advance of the proposed opening date.
6. Visual Arts Festivals
Qualification of the Proponent: LGU or NGO or Art Organization; has track record in implementing
visual arts festivals; has been in existence for at least 3 years or have previously produced related
projects; can provide counterpart to NCCA assistance; and able to mobilize audience and wide range
of visual art network.
detailed program of activities; 3. profile and art portfolio of the artist/s / curator; 4. sample videos/
photos of the groups and photos of the previous related projects; 5. proposal that includes description
of locality; programming, strategy for mobilization of audience; 6. full project proposal and detailed
line-item budget
festival to the community; activities should include exhibition, conference, workshop and
documentation; the festival shall be at least 5 years in existence; if new, present strategies plan for
sustainability.
Budget per project: P 1, 000, 000
7. Production Grant
recognized institution, association or organization.
Requirements
for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. profile and art portfolio
of the artist; 4. concept of artwork/ abstract; 5. full project proposal and detailed line-item budget
Criteria for evaluation of the proposals: Relevance to the theme; should focus on Philippine visual
arts; should culminate in an output / exhibition.
Budget per project: P 50, 000
8. Exchange Program
and has been in existence for at least 3 years or have previously implemented related projects and
can provide counterpart to NCCA assistance
Requirements for
submission: 1. Regular requirements of NCCA (refer to proposal form); 2. profile and art portfolio of
the artist/s; 4. profile of proponents; 5. program design; 6. full project proposal and detailed lineitem budget
Criteria for evaluation of the proposals: Relevance to the theme; should focus on Philippine visual
arts; should culminate in an output / exhibition.
Slots open for application: 1 (Joint-Proposal)
9. Publication (Printing of Catalogue, Newsletter, Research, Publication, Manuals)
recognized institution, association or organization. Or NGO or Art Organization (non-stock, non-profit)
with track record in implementing research and documentation on visual arts; can provide counterpart
funds; and has capacity to produce quality documentation
Requirements for
submission: 1. Regular requirements of NCCA (refer to proposal form); 2. manuscript; 3.
recommendation from at least two (2) experts from the cultural sector; 4. quotation of publication
expenses by three (3) publishing houses/printers; 5. distribution and marketing scheme; 6. full
project proposal and detailed line-item budget
project to the community; focus on the Philippine Visual Arts.
10. Awards / Competition
Qualification of the Proponent: NGO or Art Organization (non-stock, non-profit) with track record
in implementing visual arts activities; can provide counterpart to NCCA assistance; and able to
mobilize audience and wide range of visual art network.
Requirements for
submission: 1. Regular requirements of NCCA (refer to proposal form); 2. mechanics/guidelines of
the competition; 3. list of members of the jury and selection committee; 4. criteria of the competition;
record of proponents past accomplishment; 6. full project proposal and detailed line-item budget
Criteria for evaluation of the proposals: Relevance to the theme; contribution to the development,
promotion and conservation of Filipino cultural and artistic heritage;
Budget per project: P 300, 000 National
P 150, 000 Regional / Local
Slots open for application: 1 National
5 Regional / Local
B. Subcommission on Cultural Communities and Traditional Arts

I. NATIONAL COMMITTEE ON NORTHERN CULTURAL COMMUNITIES
1. School of Living Traditions (Non-formal education which aims to preserve and perpetuate
indigenous knowledge, arts and skills through training of the younger members of the cultural
community by the cultural masters)
PERFORMING ARTS & TRADITIONAL ARTS/CRAFTS
i) Preparatory Phase (Basic training for 36 days with 15 students)
ii) Phase 1 (Basic but comprehensive training for 72 days with 30 students)
iii) Phase 2 (Enhanced training module for 72 days with 30 students)
iv) Phase 3 (Enhanced training module for 72 days with 30 students + marketing)
Qualification of the Proponent: Community-based Peoples Organizations, Non-Government
Organizations actively involved in cultural work in the community, Local Government Units
Requirements for submission: 1) Accomplished NCCA Project Proposal Form; 2) Accreditation
Documents; 3) Community Endorsement; 4) Profile of Cultural Masters; 5) Profile of Students and
Criteria for their selection; 6) Training Module; 7) Sample/photograph of finished products (if
applicable); 8) Detailed schedule of classes; 9) Plan for sustainability
Criteria for evaluation of the proposals: Arts/crafts to be taught should be traditional and
authentic. Priority is given to traditional art forms and skills that are no longer being practiced by the
community or no longer known by the youth. Preferably initiated by the cultural community. Students
must be members of the community. Must have a plan for sustainability and linkage with local
stakeholders.
Budget per project: Preparatory Phase - Php50,000; Phase 1- Php250,000; Phase 2 Php200,000;
Phase 3 Php150,000.00
Slots open for application: PERFORMING ARTS: Preparatory Phase 4 slots; Phase 1 5 slots;
Phase 2 4 slots; Phase 3 1 slot. TRADITIONAL ARTS & CRAFTS: Preparatory Phase 10 slots;
Phase 1 11 slots; Phase 2 4 slots; Phase 3 2 slots.
2. Traditional Festivals/IP Month Celebrations (Festivals that are rooted in the traditions and
practices of the cultural community, with cultural and/or historical significance to the cultural
community)
Documents; 3) Community Endorsement; 4) Community assessment of previous festivals; 5)
Photographs and/or video tapes of previous festivals; 6) Copy of the Festival Program; 7) List and
details of the activities; 8) Profile of the participants; 9) Dissemination/promotion plan; 10)
Documentation plan
Criteria for evaluation of the proposals: Must be traditional, preferably initiated by the cultural
community. Activities should include transfer of indigenous knowledge and preservation of cultural
practices and in consonance with the reason for the celebration.
Budget per project: First Year of Assistance - Php100,000.00; Second Year of Assistance
Php150,000.00; Third and Last Year of Assistance Php200,000.00.
Slots open for application: First Year of Assistance 10 slots; Second Year of Assistance 7 slots;
Third and Last Year of Assistance 3 slots.
II. NATIONAL COMMITTEE ON CENTRAL CULTURAL COMMUNITIES

stakeholders.
Phase 3 Php150,000.00
Slots open for application: Preparatory Phase 15 slots; Phase 1 10 slots; Phase 2 2 slots;
Phase 3 2 slots.
community)
Documentation plan
Budget per project: Php100,000.00.
Slots open for application: 10 slots.
3. Inter-Cultural Youth Camp (3 days and 2 nights, covering at least 3 cultural communities)
Documents; 3) Community Endorsement; 4) Profile of Resource Persons; 5) Profile of Participants and
Criteria for their Selection; 6) Camp Program; 7) Detailed Schedule of Activities
Criteria for evaluation of the proposals: Preferably initiated by the cultural community. Must be
culture sensitive. Students must be members of the community.
Slots open for application: 2 slots.
4. Congress of Cultural Workers and Tourism Stakeholders Towards Convergence of
Cultural Tourism Development Program
Organizations actively involved in cultural work in the community, Local Government Units,
Government Agencies
Documents; 3) Community Endorsement; 4) Program of Activities; 5) Profile of the Participants; 6)
Profile of Resource Persons/Speakers/Facilitators; 7) Outline/Papers to be presented.
Criteria for evaluation of the proposals: Topic must be cultural and traditional.
5. Information, Education, Communication Advocacy through Broadcast Media

Documents; 3) Community Endorsement; 4) Cluster Representative Endorsement.
Criteria for evaluation of the proposals: Topics should be cultural, not political.
Budget per project: Php300,000.00

Slots open for application: 1 slot
III. NATIONAL COMMITTEE ON SOUTHERN CULTURAL COMMUNITIES
PERFORMING ARTS & TRADITIONAL ARTS/CRAFTS
stakeholders.
Phase 3 Php150,000.00
Slots open for application: Preparatory Phase 9 slots; Phase 1 6 slots; Phase 2 5 slots; Phase
3 2 slots.
community)
Documentation plan
Slots open for application: 15 slots

3. Cultural Exchange/ Educational Tour & Performances (Participation of the cultural
community/ performing group/ individual performer to a festival, forum and other cultural events;
cultural/educational interaction between two cultural communities)
Documents; 3) Community Endorsement; 4) Letter of Invitation; 5) Proposed Itinerary; 6) Copy of the
Festival/Forum/Cultural Program; 7) List and details of the activities; 8) Profile of the participants; and
9) Documentation plan.
Criteria for evaluation of the proposals: Must have been invited by the host community; the event
must be traditional and will help promote the cultural traditions of the invitee; with endorsement from
the community. Activities should include promotion of indigenous knowledge and preservation of
cultural practices and in consonance with the reason for the celebration.
4. SLT Expo (Province/Region) (Participation and exhibition of the SLTs established within the
province/region which will include workshops and demonstration by the masters from participating
SLTs)
Documents; 3) Exhibit Plan; 4) Profile of cultural masters who will conduct workshop/demonstrations;
5) Resume of Exhibit/Expo Curator; 6) Copy of the Program; 7) List and details of the activities; 8)
List of participating SLTs; and 9) Documentation plan.
Criteria for evaluation of the proposals: Must provide a venue for the SLTs within the
province/region to exhibit their traditional arts and crafts, provide a workshop/demonstrations by the
cultural master, must ensure involvement/ participation of the community.
4. Forum/Workshop (Must focus on Traditional Justice System)
Documents; 3) Community Endorsement; 4) Profile of Resource Person/s; 5) Copy of Papers to be
presented; 6) Copy of the Program; 7) List and details of the activities;; and 8) Documentation plan.
Criteria for evaluation of the proposals: Topic must be on Traditional Justice System.
5. Cultural Summit
Qualification of the Proponent: Local Government Units
Documents; 3) Community Endorsement; 4) Profile of Resource Person/s; 5) Copy of Papers to be
presented; 6) Copy of the Program; 7) List and details of the activities;; and 8) Documentation plan.
Criteria for evaluation of the proposals: Must involve IP participants/leader/Cultural Masters from
different cultural communities throughout Mindanao, must focus on the development of cultural
industries.
Budget per project: Php1,500,000.00
C. Subcommission on Cultural Heritage

I. NATIONAL COMMITTEE ON ARCHIVES
a.
Seminars and Workshops
Qualification of the Proponent: 1. Regular requirements of the NCCA (refer to proposal form); 2.
Organizations and Institutions with track record in conducting seminars/ workshops; 3. Capability of
proponent to provide counterpart funding.
Assessment of prior similar activities; 3. Program of activities; 4. List and Profile of Speakers; 5. Full
project proposal and detailed line-item budget.
Criteria for evaluation of the proposals: 1. Extent of participation; 2. Module coverage; 3. Project
is geared towards professional development.
Budget per project: P 300,000.00 (Luzon, Visayas and Mindanao); P 200,000.00 (NCR)
Slots open for application: 1 each in Luzon, Visayas and NCR; 2 in Mindanao
b.
International Travel Grant
Qualification of the Proponent: 1. Regular requirements of NCCA (refer to proposal form) 2. With
good track record; 3. With active involvement in the event (paper reader/presentor).
Invitation from the organization; 3. Updated Curriculum Vitae; 4. 2 recommendation letters from
established cultural/art organizations/institutions; 5.Letter of invitation and acceptance; 6. Abstract/
copy of paper to be presented; 7. profile of the seminar and organizing body; 8. proposed itinerary of
travel; 9. proof of capability of proponent to provide counterpart fund to complete the planned
itinerary; 10. roundtrip airfare quotation for economy class from 3 travel agencies; 11. Full project
proposal and detailed line-item budget.
Criteria for evaluation of the proposals: 1. Contribution to the professional development of
archivists; 2. be in the list of NCCA recognized events.
Budget for all travel grants: maximum of P 75,000.00
c. Inventory and Appraisal, Arrangement and Description for any of the 33 Spanish
Colonial Period Churches declared as UNESCO World Heritage Sites and/or National Cultural
Treasures
Organizations and Institutions with good track record; 3. LGUs and Government Institutions.
Historical or archival value/s of the documents; 3. Sustainability and long term plan.
Criteria for evaluation of the proposals: Historical value and national impact of documents;
Budget per project: P 500,000.00
d.
Preservation/Conservation of Print and Non-Print Archival Materials
Qualification of the Proponent: 1. Regular requirements of the NCCA (refer to proposal form);
2.Organizations and Institutions with good track record.
MOA/Authorization from the owner; 3. Archival value/s of the documents; 4. Full project proposal and
detailed line-item budget.
Criteria for evaluation of the proposals: 1. Preservation of the original documents for faster
retrieval; 2. Archival value/s and high heritage documents.
e.
Publication
Qualifications of the Proponent: 1. Consistent with the standards set by NCCA; 2 Organizations,
institutions or associations with good track record.
Requirements for submission (Printing): 1. Regular requirements of NCCA (refer to proposal
form); 2. 3 copies of final manuscript; 3. Recommendations from at least two (2) experts from the
cultural sector; 4. quotation of publication expenses from at least three publishing houses/printers; 5.
Proposed distribution and marketing scheme; 6. Full project proposal and detailed line-item budget.
Requirements for submission (Research): 1. Regular requirements of NCCA (refer to proposal
form); 2. Abstract of Paper/research; 3. Significance of the Study; 4. Review of Related Literature; 5.
Outline of Research; 6. Two (2) recommendation letters from an established cultural/art
organizations/institutions; 7. Full project proposal and detailed line-item budget.
Criteria for evaluation of the proposals: Contribution to archival knowledge.
Budget per Project: P 300,000.00
Slots open for application: 1 for Research; 1 for Printing
II. NATIONAL COMMITTEE ON ART GALLERIES

a.
Lectures, Seminars and Workshops
Organizations, Institutions, Associations, Government Agencies; LGUs.
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. List of
artists and speakers with corresponding complete CVs including documentation of past artworks or
lectures done in the past; 3. Topics or abstracts to be presented in the lectures; 4. Exhibit Theme if
any; 5.Full project proposal and detailed line-item budget.
Criteria for evaluation of the proposals: 1. Suggested topics: Marketing and Promotion, Curatorial
Tasks, Forgery, Intellectual Property, Addressing Art Trends and Issues through the creation of art
works that culminate in an art exhibit for public awareness; 2. credibility and track record of speakers;
3. Venue should be appropriate, comfortable and accessible.
b. Cultural Maps/ Books or Brochures about Philippine Local Artists/ Catalogue of
Exhibitions,/Catalogue or Book on Art Galleries, Art Spaces, Art Centers Venues or
Museums/ Video Documentation
Regular requirements of the NCCA (refer to proposal form).

Project Study or mock-up of the proposed publication; 3. Manuscript; 4. Recommendation from at
least 2 experts from the cultural sector; 5. Quotation of publication expenses by 3 publishing
houses/printers; 6. Distribution and marketing scheme; 7. Full project proposal and detailed lineitem budget.
For video documentation: 1. Sample of works; 2. Track record; 3.
Distribution and marketing scheme; 4. script/storyboard (for post production
requests).
Criteria for evaluation of the proposals: 1. Track record of writer; 2.
Comprehensive in scope.

c. Art Conservation or Preservation Project (e.g. conservation treatment of artwork)/
Art Conservation Documentation or Survey (e.g. assessing condition of artwork,
examination and documentation of artwork.) *
Government agencies, LGUs, NGOs or Institutions.
Certification or proof of its authencity; 3. profile/background of the conservator/s (Conservator/s must
come from a legitimate conservation school; should be a masters degree holder in art conservation);
4. Full project proposal and detailed line-item budget.
Criteria for evaluation of the proposals: 1.The artwork should be significant to the public; 2.
urgency for conservation attention; 3. artworks should be publicly-owned or should be exposed to the
public or viewed by the public.
(within the Philippines thats publicly accessible)

* Project Proposal can be divided into phases.
d. Retrospective Exhibitions
Qualification of the Proponent: 1. . Regular requirements of the NCCA (refer to proposal form); 2.
Organizations, Associations, Institutions, Government agencies, LGUs.
Concept Paper (exhibit design, curatorial approach, system of audience management, etc.); 3.
Photograph of object/paintings to be exhibited; 4. List of venues of the exhibit; 5. Full project proposal
and detailed line-item budget.
Criteria for evaluation of the proposals: 1. Exhibitions on the works of outstanding visual artists;
2. Visual artist must have a significant contribution to Philippine visual arts; 3. Recognition of the
significant contribution of an artist to Philippine visual arts.
Budget per project: P 250, 000.00
6.
Returning Artists Exhibition Series
Qualification of the Proponent: 1. . Regular requirements of the NCCA (refer to proposal form); 2.
Organizations, Associations, Institutions, Government agencies, LGUs..
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. Concept
Paper (exhibit design, curatorial approach, system of audience management, etc.); 3. Photograph of
object/paintings to be exhibited; 4. List of venues of the exhibit; 5. Full project proposal and detailed
line-item budget.
Criteria for evaluation of the proposals: 1. Exhibitions on the works of outstanding Filipino visual
artists who have gained international recognition/practicing abroad; 2. Visual artist must have a
significant contribution to the Philippine visual arts; 3. Recognition of the significant contribution of an
artist in Philippine visual arts.
Budget per project: P 250, 000.00 (NCCA support shall cover only the mounting of the exhibitions and
not the travel of the artist/s to the Philippines.)
7.
Research Leading to Publication
Organizations, Associations, Institutions, Government Agencies, LGUs; 3. individuals with proven
credentials in research.
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. Abstract
of research; 2. Review of related literature; 3.Outline of research; 4. Significance of the study; 5. Full
Criteria for evaluation of the proposals: 1. Topic relevant to Philippine visual arts (e.g. on an Artist,
Group of Artists, Art Venues);
Budget per project: P 200. 000.00 (includes text and visual documentation)
III. NATIONAL COMMITTEE ON HISTORICAL RESEARCH
a. Teachers Training for Araling Panlipunan
Local history associations; 3. Elementary/Secondary schools.
Programs; 3. Resource Persons and list of topics; 4. Budget; 5. CV of resource persons and
proponents; 6. Target participants-elementary and secondary Araling Panlipunan Teachers; 7. Full
Criteria for evaluation of the proposals: 1. Training modules should reflect the projects
objectives; 2. Capability of proponents to implement the project; 3. Capability of the proponent to
provide counterpart funding sources.
b.
Historical Conferences
SEC registered ; 3. With proven track record; 4. Capability of Proponent to provide counterpart
funding; 5. With no unliquidated NCCA grant.
Tentative program; 3. Theme not limited but preferably anchored to the theme Global Partnerships
through Arts and Culture; 3. Date, venue, time, speakers, title of papers, abstracts of the papers to
be presented; 4. CV of speakers and convenors; 5. Full project proposal and detailed line-item
budget.
Criteria for evaluation of the proposals: Must conform with the 2010 NCCA theme Global
Partnerships through Arts and Culture.
c.
Seminar-Workshop on Historical Writing
SEC registered ; 3. With proven track record; 4. Capability of proponent to provide counterpart
funding; 5. With no unliquidated NCCA grant.
Tentative Program; 3. Theme not limited but preferably anchored to the theme Global Partnership
through Arts and Culture; 4. Date, Venue, and Time; 5. Speakers and topics; 6. CV of Speakers and
Convenors.
Partnership through Arts and Culture.
d.
Young Historians Prize
Must conform with the 2010 NCCA theme: Global
Qualification of the Proponent: 1. Regular requirements of the NCCA (refer to proposal form);
2. Filipino citizen between 21-40 years old.
Manuscript (minimum 150 pages double-spaced); 3. Authors CV; 4. NSO-authenticated birth
certificate; 5. Sworn statement of authorship; 6. Endorsement letter from an academic institution,
local historical society or practicing historian; 7. Full project proposal and detailed line-item
budget.
Criteria for evaluation of the proposals: 1. Original work that contribute to the enrichment of
Philippine history and historiography; 2. Single author; 3. Demonstrates use of primary sources;
Written in proper academic styles; 4. Published and publishable; 5. Categories: (a) Work on
national history in English or Filipino and (b) Work on local history in English or Filipino; (c) Work
on Philippine History written in any Philippine language other than English and Filipino.
Budget per project: National History in English or Filipino (2 at P 50,000 each)
Local History in English or Filipino (2 at P 50,000)
Philippine History written in any Philippine Language
other
than English or Filipino (1 at P 50,000.00)
Slots open for application:
e.
2 slots for National History in English or Filipino Category

2 slots for Local History in English or
Filipino Category
1 slot for Philippine History written in any
Philippine Language
other than English or Filipino
History Week Activities
Study centers; 3. Academic Institutions; 4. LGU/Academe supported; 5. Capability of the proponent
to provide counterpart.
Certification from academic institution; 3. CV; 4. List of projects/activities involved; 5. Endorsement
from the head of academic institutions and LGU partners; 6. Track record in implementing activities of
this magnitude; 7. Full project proposal and detailed line-item budget.
Criteria for evaluation of the proposals: 1. At least 3 component activities; 2. Relevance to the
theme; 3. Good programming; 4. Broad reach.
f.
Lakbay Aral for Public Highschool Araling Panlipunan Teachers
Public school districts with a minimum of 25 teachers as participants.
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. Tour
module of their district relevant to nationhood, heroism, etc.; 3. District endorsement; 4. Certificate of
identities of Araling Panlipunan teachers; 5. ID of teachers; Report of duty; 6. Itinerary of Travel; 7.
Full project proposal and detailed line-item budget.
Criteria for evaluation of the proposals: 1. Significance and relevance of the sites; 2. Costefficiency in terms of accessibility, cost, etc.; 3. ability to impart to participants awareness, knowledge
and values; 4. Ability to network with established history and cultural associations.
Budget per project: P50,000
g.
Travelling Exhibits
Academic institutions, Historical societies or historical records institute or LGU.
Requirements for submission: 1. Regular requirements of the NCCA (refer to proposal form); 2.
Budget requirements; 3. Detailed description of exhibit components; 4. Description of multiple exhibit
venues; 5. Full project proposal and detailed line-item budget.
Criteria for evaluation of the proposals: 1. The use of exhibit venues is generally accessible to
students and public in a locality or region; 2. Minimum of 50 exhibit pieces; 3. Conveniently
transportable to at least 3 other venues.
h.
Publication
Qualification of the Proponent: 1. Regular requirements of NCCA (project proposal form); 2.

Organizations, institutions or individuals.
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. Full
project proposal and detailed line item budget; 3.Manuscript; 4. Quotations from at least 3 publishing
houses; 5. Recommendations from at least 2 experts from the cultural sector; 6. Distribution and
Marketing Scheme.
Criteria for evaluation of the proposals: Must contribute to the enrichment of the narrative of
Philippine historiography.
Budget per project: P 200,000.00 (Publication of Proceedings)
P 300,000.00 (Original Works)
Slots open for application: 5 (Publication of Proceedings)
5 (Original Works)
i. Research
Organizations, institutions or individuals with expertise or proven credentials in research.
Abstract of Paper/research; 3. Significance of the Study; 4. Review of Related Literature; 5. Outline of
Research;
6.
Two
(2)
recommendation
letters
from
an
established
cultural/art
organizations/institutions; 7.Full project proposal and detailed line-item budget.
Criteria for evaluation of the proposals: 1. Must contribute to the enrichment of the narrative of
Philippine history or Philippine historiography; 2. Specific stipulations in the memorandum of
agreement/contract with the grantee shall be formulated by the NCHR.
IV. NATIONAL COMMITTEE ON LIBRARIES AND INFORMATION SERVICES
a.Regional Conferences on Global Partnership through Arts and Culture
Library associations, schools and institutions.
project proposal and detailed line-item budget; 3. Program of Activities; 4. List of Speakers and
Topics; 5. Profile of Speakers; 6. Profile of Participants.
Criteria for evaluation of the proposals: 1. Relevance to the NCCA theme for 2010 Global
Partnership through Arts and Culture.
Slots open for application: 1 each in NCR, Luzon, Visayas and Mindanao
b.
Research

Organizations, institutions or individuals with expertise or proven credentials in research.
Research;
6.
Two
(2)
recommendation
letters
from
an
established
organizations/institutions; 7. Full project proposal and detailed line-item budget.
cultural/art
Criteria for evaluation of the proposals: 1. Relevance with the NCCA theme for 2010: (a) Global
Partnership among Libraries through Arts and Culture; (b) Cultural information mapping on library
resources; 2. The research shall be conducted in Luzon, Visayas Mindanao or NCR; 3. The research
shall include materials found in libraries and information centers, private collections and memorabilia;
5. Types of materials shall include all forms (print and non-print) of materials.
Slots open for application: 2 each for Luzon, Visayas, Mindanao and NCR
c. Publication
Library Associations, Organizations, Institutions or Individuals.
project proposal and detailed line item budget; 3.Manuscript; 4. 3 Quotations from publishing houses;
5. Recommendations from at least 2 experts from the cultural sector; 5. Distribution and Marketing
Scheme.
Criteria for evaluation of the proposals: 1. Contributes to the scholarly advancement of the library
sector and profession; 2. Pioneering study on the library sector and profession; 3. Provides new
insights on the library sector and profession.
d.
Collection Enhancement of Libraries
NCCA Accredited Proponent; 3. Public, school, academic and special libraries with culture and arts
programs in their respective institutions/agencies; 5. Libraries that have on-going marketing and
outreach programs; 6. Libraries that have an existing collection development policy.
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. Profile
of the library; 3. Information on existing resources on culture and arts; 4. Collection development
policy related to culture and arts; 5. Information on ongoing marketing and outreach program; 6.
Proposed plan/ policy related to the accessibility of the resources to be acquired; 7. Provision for
library space.
Criteria for
evaluation of the proposals: 1. The proponent
has established collection
enhancement programs; 2. Culture and arts titles to be acquired will be relevant to the Culture and
Arts program of the region; 3. Submission of titles preferably on Philippine culture and arts; 4.
Proponents may also submit titles in electronic formats; 5. Titles may also include significant
collections of arts and culture in their respective region; 6. List of proposed titles will be submitted to
NCLIS for evaluation and approval. NCLIS through a subcommittee may formulate criteria in selection
of titles; 7. Submit to NCCA yearly report on the status (usability) of these resources; 8. NCCA shall
be acknowledged by the way of, but not limited to: (a) installation of signage acknowledging NCCA in
the library space provided; (b) all resources acquired through NCCA grant shall bear the assistance of
the NCCA; 9. Procurement of such resources will be subject to NCCA policies and auditing and
accounting rules and regulations; 10. Proponent will be considered owners of such resources;
Slots open for application: 3 each for Luzon, Visayas , Mindanao and NCR
V. NATIONAL COMMITTEE ON MONUMENTS AND SITES
a.
ConservationMapping, Assessment, Plans Preparation, Actual Intervention
NCCA Affiliated Cultural Agency, Local Government Unit, recognized academic or
heritage
conservation organization or qualified proponent.
Criteria for evaluation of the proposals: 1. Consistency with approved detailed engineering study
where available; 2. Urgency of need.
Budget per project: Cap of P2 million (Major Category)

Cap of P500k (Minor Category)
Slots open for application: 1 slot for P2
3 slots for
2 slots for
2 slots for
million grant
P 1 million grant
P 500,000 grant
P 250,000 grant
Geographic Consideration: 1. 33 Churches declared as National Cultural Treasures and UNESCO

World Heritage Sites; 2. Rice Terraces in the Cordilleras (including the 5 inscripted municipalities); 3.
Batanes; 4. Vigan; 5. Taal; 6. Saria-ya, Quezon; 7. Carcar; 8. Quiapo; 9. Sta. Ana, Manila; 10. Lanao
del Sur (Torogan/Marantao).
b.
Documentation of Existing Structures
Local Government Unit, Academic Institution,
heritage conservation organization or qualified
proponent.
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form);
Criteria for evaluation of the proposals: Importance of the structure as an example of a type of
built heritage.
Budget per project: P 100,000 (for Regions I to V, CAR and NCR)
P 150,000 (for Regions VI to XIV, ARMM)
Slots open for application: 15 slots for Regions I to V, CAR and NCR
8 slots for Regions VI to XIV, ARMM
(Preferably within a recognized cultural landscape or district)
c.
Technical Training and Workshops
NCCA affiliated cultural agency, recognized academic or heritage conservation organization or
qualified proponent.
Criteria for evaluation of the proposals: Consistency with approved policy and program structure.
d.Research Policy and Structures
NCCA affiliated cultural agency, recognized academic or heritage conservation organization,
professional organization or qualified proponent.
Criteria for evaluation of the proposals: Consistency with approved policy and program structure.
Historical/Cultural research of National Cultural Treasures and UNESCO declared Churches
Qualification of the Proponent: 1. Individuals, Architects, Engineers, Graduate students, Members
of Heritage conservation organizations or NCCA qualified proponents
Requirements for Submission: 1. Regular requirements of NCCA (refer to proposal form); 2.
Research; 6. Recommendation letters from 2 established cultural/art organizations/institutions; 7. Full

Criteria for evaluation of the proposals: Non Church/ NCT 100 km from resident of proponent
more than 100 km from resident of proponent
Budget per project: Non Church/ NCT P 100,000 (1)
100 km from resident of proponent P 200,000 (1)
More than 100 km from resident of proponent P 250,000 (1)
Historical/Cultural cataloguing of National Cultural Treasures and UNESCO
Churches
declared
Qualification of the Proponent: 1. Individuals, Architects, Engineers, Graduate students,

Members of Heritage conservation organizations or .NCCA qualified proponents
Requirements for Submission: 1. Regular requirements of NCCA (refer to proposal form); 2.
Research; 6. Recommendation letters from 2 established cultural/art organizations/institutions; 7. Full
Criteria for evaluation of the proposals: Non Church/ NCT
100 km from resident of proponent
More than 100 km from resident of proponent
Budget per project: Non Church/ NCT P 20,000 (5)
100 km from resident of proponent P 50,000 (2)
more than 100 km from resident of proponent P 75,000 (2)
e. Public Awareness and Advocacy, using Broadcast, Print and/or Electronic Media
NCCA affiliated cultural agency, recognized academic or heritage conservation organization or
qualified proponent.
2. Full project proposal and detailed line-item budget
Criteria for evaluation of the proposals: Influence of the target audience on the conservation of
monuments and sites, with particular preference to stakeholders, media and media planners, decision
makers, and teachers.
Slots open for application: 4 (preferably within a recognized cultural landscape or district)
f.
Heritage Tourism Development
Local Government Unit, recognized academic or heritage conservation organization, community
organization or qualified proponent.
Criteria for evaluation of the proposals: 1. Potential for creation of jobs; 2. Existing tourist
volume in the area; 3. Synergy with existing tourist attractions; 4. Closeness to major tourist
destinations and population centers or with high potential tourism value.
Slots open for application: 8 (Closeness to major tourist destinations and population centers
or with high potential tourism value)
VI. NATIONAL COMMITTEE ON MUSEUMS
a. Traveling/Mobile Exhibitions
Consistent with the standards set by NCCA and NCOM; 3. Endorsement from a recognized regional
association; 3. Proponents with good track record.
Concept paper; 3. Exhibit design; 4. Curatorial concept; 5. Documentary of the exhibit material; 6.
Photo of objects; 7. Design of panels, 8. Target audience; 9. List of venues; 10. Full project proposal
and detailed line-item budget
Criteria for evaluation of the proposals: 1. Exhibit should cover local culture; 2. Proponent has the
capacity to provide counterpart funding. 3. Must have an expert curator.
Slots open for application: 2 Nationwide
b. Training/Capability Building
association; 3. Organizations with good track record.
Criteria for evaluation of the proposals: 1. Training must cover workshop on museum
management with a duration of 2-3 days; 2. Proponent must provide the venue and other necessary
training requirements.
Slots open for application: 2 each in Luzon, Visayas and Mindanao
c. Conference/Congress
association; 3. Organization with a good track record.
Criteria for evaluation of the proposals: 1. Must encourage networking involving the LGUs/NGOs,
local community and stakeholders; 2. Output of the conference/congress must be to create local
ordinances; 3. Educating the local community with regard to protection and preservation of their local
heritage.
Slots open for application: 2 each in Luzon, Visayas and Mindanao
d.Enhancement of exhibits in Museums (to promote promotion, appreciation, restoration
and preservation)
association; 3. With good track record.
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. Report on
the status of the museum and its collection; 3. Full project proposal and detailed line-item budget.
Criteria for evaluation of the proposals: 1. Priority will be given to works that are near deterioration; 2.
Nature, status and significance of its existing collection; 3. Priority to works of the Masters, National
Artists and GAMABA; 4. Museums declared Important Cultural Property (ICP) or National Cultural
Treasure; 5. Must have undergone the NCOM Technical Assistance Program. 6. Must meet at least one
of the identified criteria.

Slots open for application: 2 Luzon, 1 Visayas, 1 Mindanao
e. Cultural Mapping/Research/Documentation leading to publication
Qualifications of the Proponent: 1. Regular requirements of the NCCA (refer to proposal form); 2.
Endorsement from a recognized regional association; 3. With good track record.
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. Report
on the status of the museum and its collection; 3. Full project proposal and detailed line-item budget.
Criteria for evaluation of the proposals: Output must be a part of a registry/inventory for possible
publication as Phase 2.
Slots open for application: 2 each in Luzon and Mindanao, and 1 in Visayas
f. Publication
Qualifications of the Proponent: 1. Consistent with the standards set by NCCA and NCOM; 2.
endorsement from a recognized regional association; 3. With good track record.
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form) including
the following: 3 copies of final manuscript, recommendation from at least two (2) experts from the
cultural sector; quotation of publication expenses from at least three publishing houses/printers;
proposed distribution and marketing scheme; 2. Report on the status of the museum and collection; 3.
Full project proposal and detailed line-item budget.
Criteria for evaluation of the proposals: 1. Guidebook of museums; 2. Priority will be given to
organizations affiliated with regional associations.
Budget per Project: P 300,000.00
g. Travel Assistance
Qualifications of the Proponent: 1. Regular requirements of NCCA (refer to proposal form) 2. With
good track record; 3. with active involvement in the event (paper reader/presentor).
Invitation from the organization; 3. Abstract/ copy of the paper to be presented; 4. Profile of the
Conference/Seminar and the organizing body; 5. Proposed Itinerary of Travel; 6. Proof of capability of
the proponent to provide counterpart fund to complete the planned itinerary (other forms of support
or assistance from other sponsoring organizations, etc.); 7. Roundtrip airfare quotation for economy
class from 3 travel agencies ; 8. full project proposal and detailed line-item budget.
Criteria for evaluation of the proposals: 1. Subject to the submission of guidelines/ addition to the
list of prestigious international events; 2. Grantee must conduct an echo seminar.
Budget for all travel grants: maximum of P 50,000.00
D. Subcommission on Cultural Dissemination
I. National Committee on Cultural Education
1. Support to Higher Education Institutions (HEIs) for Graduate Certificate or Diploma
Program on Cultural Education
Selected proponents will conduct teachers enhancement programs that mainstream innovative
culture-based teaching methodologies, approaches and resources among in-service teacher-educators.
This grant category encourages curricular innovations in teacher education through application of
multiple intelligence concepts.
Qualification of the Proponent: Universities, colleges, and higher educational institutions and/or
cultural organizations partnering with higher educational institutions with strong track record of
program development on education, culture and the arts
Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2. Letter
of Intent; 3. Completed Project Proposal, including timetable and work program, methodology,
personnel involved and line item budge; and 4. proposed program of study or curriculum with detailed
syllabus.
Criteria for evaluation of the proposals: Compliance with project objectives, requirements and
expected output 40%; Methodology 40 %; Track record on cultural education programming 10
%; solid financial capacity 10%
Implementation Period:
April to May 2010
Total Amount of Grants:
P 2,000,000
Budget per project:
P 500,000 per project grant
Slots open for application: Four (4) grants; one (1) each for Luzon, Visayas, Mindanao and NCR.
(Note: Grant allotted for geographic areas without submitted proposals or inadequate/unsustainable
proposals will be given to other areas with meritorious proposals.)
2. Support to Civil Service/Local Government Units for Culture-Based
Workshop/Conference/Training on Good Governance
Selected proponents will conduct workshops/training/conference or other program initiatives on
disseminating culture-based good governance concepts and practices among their constituencies in
the public service sector. This grant category encourages innovations in the governance process
focused on harnessing local cultural traditions for sustainable development.
Qualification of the Proponent: Local provincial/city/municipal government units and national or
regional government agencies.
Requirements for submission: Regular requirements of NCCA (refer to proposal form); full project
proposal with detailed program of activities, intentions of the activity, list and profile of resource
persons (at least fifty percent should come from the arts, culture and media sector only), profile of
target participants; specific output of the activity; detailed line-item budget.
Criteria for evaluation of the proposals: Feasibility and adequacy of proposed modules
50%;Track record on cultural education programming- 30%; Balanced program engagement of artists,
cultural and/or media workers - 20%
April to December 2010
Total Amount of Grants:
P 1,500,000
Budget per project:
P 300,000 per grant
Five (5) grants nationwide
3. Support to Non-Government Cultural Organizations for Informal, Non-Formal and

Alternative Cultural Education (INFACE) Initiatives
Selected proponents will conduct workshops, training, conferences, research and documentation,
publication or other modalities of program development on community-based cultural education,
particularly programs that explore inter/multidisciplinary practice and dissemination of the creative
expressions and/or local cultural traditions in aid of sustainable sectoral or community development
efforts.
Qualification of the Proponent: Community-based arts/cultural organizations, arts and tourism

councils, and cultural networks
proposal with detailed program of activities, intentions of the activity, list and profile of resource
persons (seventy five percent should come from the cultureal and media sectors), profile of target
participants; specific output of the activity; and detailed line-item budget
Criteria for evaluation of the proposals: Innovativeness, feasibility and adequacy of proposed
modules 40%; sound financial standing 30%; Track Record - 30%
April to December 2010
Total amount of Grants:
P 1,500,000
Budget per project:
P 300,000 per grant
Five (5) grants nationwide
II. COMMITTEE ON COMMUNICATION
1. Radio and TV Program

Qualification of the Proponent: Media organization; Academe; LGU; NGO; 2. with track record in
implementing culture-based radio or TV program; able to get good radio or TV time slot for arts and culture.
proposal with detailed TV or radio program; length of time of implementation; outline of topics(arts, history,
festivals, culture news; drama); sample script; list and profile of resource persons or performers (as needed by
the program), audience reach of the radio or TV station; specific output of the activity; detailed line-item budget
Criteria for evaluation of the proposals: Relevance to the theme; appropriateness of content/ topic
outline; target promotion benefit for arts and culture and for NCCA. Utilize culture and arts materials available
at NCCA for general public viewing through Mass Media
Budget per project: P 3, 000,000.00
Slots open for application: 1 (National in Scope)
2. Dedicated TV and Radio Station for Culture and Arts including Web Radio, TV and Cable
Qualification of the Proponent: Media organization; Academe; LGU; NGO; 2. with track record in
implementing culture-based radio or TV program; able to get good radio or TV time slot for arts and culture.
proposal with detailed TV or radio program; length of time of implementation; outline of topics(arts,
history, festivals, culture news; drama); sample script; list and profile of resource persons or performers (as
needed by the program), audience reach of the radio or TV station; specific output of the activity; detailed lineitem budget
Criteria for evaluation of the proposals: Relevance to the theme; appropriateness of content/ topic
outline; target promotion benefit for arts and culture and for NCCA. Utilize culture and arts materials available
at NCCA for general public viewing through Mass Media
3. Culture and Arts through Newspapers and Magazine
Qualification of the Proponent: Media organization; local publishers; or NGO with track record on
various media and dissemination activities.
project proposal outlining clear objectives; description or sample lay-out of the culture-page; 3.
Detailed line-item budget; and 4. Guarantee of the publication of a regular article on art and culture;
5. Distribution coverage of the newspaper/ magazine.
Criteria for evaluation of the proposals: Relevance to the theme; extent of the reach and impact
of the project to the promotion of arts and culture; good topic outline; capacity to encourage media
engagement in arts and culture; status of the newspaper/ magazine in the community; and able to
widen audience for arts and culture through media.
III. PAMBANSANG KOMITE SA WIKA AT SALIN (National Committee on Language

Translation)
and
1. Pagsasalin ng mga Akda sa:

1. Humanidades (Mga Panitikang Nasusulat sa mga Wika ng Pilipinas)
2. Agham Panlipunan ( kabilang dito ang pagsasalin ng mga dokumento ng gobyerno:
Kodigo ng mga Lokal na Pamahalaan, at Mga Tungkulin ng mga lokal na Pamahalaan /.
Parliyamentaryong Katitikan ng Bgy.)
SCRA,
3. Agham at Teknolohiya
Kwalipikasyon ng mga proponent: 1. Indibidwal, NGO, Samahang Pangwika; 2. Walang proyekto
sa NCCA sa kasalukuyan at walang outstanding unliquidated project sa NCCA.
Mga kailanganin sa pagsusumite: 1. Regular na mga kahingian ng NCCA(tingnan ang pormularyo
ng proposal); 2. Kumpletong project proposal na may detalyadong Line Item
Badyet; 3. Kopya ng orihinal na dokumentong isasalin; 4. Portfolio ng mga tagasalin.
Criteria para sa ebalwasyon ng mga proposal: 1. May Kabuluhang Pambansa; 2. Gamiting
dokumento (SCRA, Kodigo ng mga Lokal na Pamahalaan, at Mga Tungkulin ng mga lokal na
Pamahalaan /. Parliyamentaryong Katitikan ng Bgy.atbp).
Badyet sa bawat proyekto:
Humanidades
Agham Panlipunan
Agham at Teknolohiya
P 200,000
P 100, 000
P 200,000
Nakalaang bilang ng aplikasyon:
Humanidades
Agham Panlipunan
Agham at Teknolohiya
3
2
slots
slots
2
slots
2. Wordlist / Glosari
sa NCCA sa kasalukuyan at walang outstanding unliquidated project sa NCCA; 3. Marunong magsalita
ng tradisyonal na wika.
Mga kailanganin sa pagsusumite: 1. Regular na mga kahingian ng NCCA (tingnan ang pormularyo
ng proposal); 2. Kumpletong project proposal na may detalyadong Line Item Badyet; 3. 500 1,000
salita; 4. Words with meaning.
Criteria para sa ebalwasyon ng mga proposal: 1. Nanganganib na wika hal. Agta, Itawis
(Cagayan), Karao (Benguet), Tagbanwa (Palawan), Iwak (Benguet) at iba pang pangunahing wika.
Badyet sa bawat proyekto: P 100,000
Nakalaang bilang ng aplikasyon: 5 slots
3. Diksiyonaryo mula sa wikang Katutubo Patungo sa Filipino
sa NCCA sa kasalukuyan at walang outstanding unliquidated project sa NCCA; 3. Bihasa sa wikang
katutubong isasalin patungong Filipino.
ng proposal); 2. Kumpletong project proposal na may detalyadong Line Item Badyet; 3. 500 1,000
salita; 4. Words with meaning.
Criteria para sa ebalwasyon ng mga proposal: 1. Nanganganib na wika (20) hal. Agta, Itawis
(Cagayan), Karao (Benguet), Tagbanwa (Palawan), Iwak (Benguet) at iba pang pangunahing wika.
4. Paglilimbag ng:
1. Pananaliksik sa Wika at Pagsasalin (Translation Work) sa Anyong Libro; at
2. Paglilimbag sa elektronikong anyo
sa NCCA sa kasalukuyan at walang outstanding unliquidated project sa NCCA.
ng proposal); 2. Kumpletong project proposal na may detalyadong Line Item Badyet; 3. Tatlong (3)
kopya ng manuscript; 4. Endorsement ng mga eksperto sa wika at pagsasalin; 5.Salin mula sa orihinal
na mga wika sa Pilipinas o vice versa. 6. Tatlong quotation mula sa ibat ibang publishing
houses/printers; at 7. mungkahing distribusyon at plano sa pagbebenta.
Criteria para sa ebalwasyon ng mga proposal: 1. Naaayon sa tema; 2. Hindi pa nailalathala; 3.
May kabuluhan sa pangangailangang iskolarsyip sa wika; 4. May direktang tulong sa pagtuturo ng
wika at pagsasalin; 5. camera ready.
Badyet sa bawat proyekto:
Pananaliksik sa
Elektronikong
Pananaliksik sa
Elektronikong
Wika at Pagsasalin
P 250,000
anyo
P 100,000
Wika at Pagsasalin
6 slots
anyo 3 slots
5. Fora: Panrehiyon
Kwalipikasyon ng mga proponent: 1. State Universities, Samahang pangwika, Non-Government
Agencies, and Academe; 2. Walang proyekto sa NCCA sa kasalukuyan at walang outstanding
unliquidated project sa NCCA.
ng proposal); 2. Kumpletong project proposal na may detalyadong Line Item Badyet; 3. Detalyadong
Programa at / module; 4. Listahan at profile ng mga tagapagsalita; 5. Profile at bilang ng mga
kalahok sa fora; at 6. Criteria sa pagpili ng mga kalahok.
Criteria para sa ebalwasyon ng mga proposal: 1. Umaayon sa tema; 3. Naglilinaw ng mga usapin
sa wika at pagsasalin sa kasalukuyang panahon.
Badyet sa bawat proyekto: Panrehiyon P100,000
Panrehiyon
1 slot
6. Pananaliksik
Kwalipikasyon ng mga proponent: 1. Iskolar; 2. Walang proyekto sa NCCA sa kasalukuyan at
walang outstanding unliquidated project sa NCCA.
ng proposal); 2. Kumpletong project proposal na may detalyadong Line Item Badyet; 3. Endorsement
ng mga eksperto sa wika at pagsasalin.
Criteria para sa ebalwasyon ng mga proposal: 1. Nagbubukas ng bagong paksa sa pananaliksik
sa wika at pagsasalin na may kaugnayan sa tema; 2. Tumutugon sa mga importanteng usapin sa wika
at pagsasalin kaugnay ng layunin.
Nakalaang bilang ng aplikasyon: 4
slots
7. Pagdalo sa Kumperensya sa Labas ng Bansa

Kwalipikasyon ng mga proponent: 1. Iskolar; 2. Walang proyekto sa NCCA sa kasalukuyan at
walang outstanding unliquidated project sa NCCA.
ng proposal); 2. Kumpletong project proposal na may detalyadong Line Item Badyet; 3. Kopya ng
papel na babasahin sa kumperensya.
Criteria para sa ebalwasyon ng mga proposal: 1. Nagbubukas ng bagong paksa sa pananaliksik
sa wika at pagsasalin na may kaugnayan sa tema; 2. Tumutugon sa mga importanteng usapin sa wika
at pagsasalin kaugnay ng layunin.
8.
Pagdiriwang ng Buwan ng Wika / Pagdiriwang ng Wika (Ambahan, Balagtasan,

Debate, Bigkasan, Composo, Balitaw)
Kwalipikasyon ng mga proponent: Local Government Units, Paaralan; 2. Walang proyekto sa NCCA
sa kasalukuyan at walang outstanding unliquidated project sa NCCA.
ng proposal); 2. Kumpletong project proposal na may detalyadong Line Item Badyet; 3. Kopya ng
Programa at / mga gawain.
Criteria para sa ebalwasyon ng mga proposal: 1. Pampubliko; 2. Bigkasan sa Sariling Wika na
may Paksang Ugnay sa Tema.
Badyet sa bawat proyekto: Rehiyunal
Pambansa
P 100,000
P 500,000
Nakalaang bilang ng aplikasyon: open nationwide

Rehiyunal 4 slots
Pambansa
1 slot

Ncca Competitive Grants Program 2010

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Ncca Competitive Grants Program 2010

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NCCA

COMPETITIVE GRANTS PROGRAM

Are you qualified?

2. Status of previous projects.

No outstanding accounts with the NCCA.

3. Status of legal documents necessary for proponents eligibility.

Submit the proposal completely and with COMPLETE attached requirements

SUBMIT THE PROPOSAL?

Proponents shall accomplish Project Proposal and submit these to:

PRIORITY PROJECTS FOR 2010

be Integrated (i.e Architecture in Cinema, interpret architecture in dance); 4. Must be in coordination

II. NATIONAL COMMITTEE ON CINEMA

Budget per project: P 150,000

New Media- Interactive Multimedia program production/installation

Full length Films

Workshop proposals can be teacher training, professional training, or continuing

For Teacher Training Workshops:

Budget per project: P 200,000

Qualification of the Proponent: An individual or a Non-government organizations or LGUs with

III. NATIONAL COMMITTEE ON DANCE

A. Academic Scholarship (Undergraduate or post graduate thesis; production or research

2. Production Development Program: Towards New Works (From research to writing to

4. Community Theatre Program (Revitalization of traditional theatre for heritage; advocacy of

5. Artist Residency/Immersion Program (artistic collaboration with a theatre company)

Budget per project: Php80,000

VI. NATIONAL COMMITTEE ON MUSIC

2.Training for Ensemble Teachers

5. Training of Classroom Teachers of music

VII. NATIONAL COMMITTEE ON VISUAL ARTS

to mobilize audience and wide range of visual art network.

Artists must be Filipino citizens. There is no age limit.

The curator must have curated or co-curated at least one exhibition.

Prepare the exhibit notes and wall texts;

A Portfolio of the Artists Work and a recent Curriculum Vitae (Annex A)

B. Subcommission on Cultural Communities and Traditional Arts

II. NATIONAL COMMITTEE ON CENTRAL CULTURAL COMMUNITIES

5. Information, Education, Communication Advocacy through Broadcast Media

Budget per project: Php300,000.00

Slots open for application: 15 slots

C. Subcommission on Cultural Heritage

Seminars and Workshops

International Travel Grant

Preservation/Conservation of Print and Non-Print Archival Materials

II. NATIONAL COMMITTEE ON ART GALLERIES

Lectures, Seminars and Workshops

Regular requirements of the NCCA (refer to proposal form).

Requirements for submission: 1. Regular requirements of NCCA (refer to proposal form); 2.

Budget per project: P 500,000.00

(within the Philippines thats publicly accessible)

Returning Artists Exhibition Series

Research Leading to Publication

Seminar-Workshop on Historical Writing

Young Historians Prize

Must conform with the 2010 NCCA theme: Global

2 slots for National History in English or Filipino Category

Lakbay Aral for Public Highschool Araling Panlipunan Teachers

Qualification of the Proponent: 1. Regular requirements of NCCA (project proposal form); 2.

Qualification of the Proponent: 1. Regular requirements of NCCA (project proposal form); 2.

Collection Enhancement of Libraries

ConservationMapping, Assessment, Plans Preparation, Actual Intervention

Budget per project: Cap of P2 million (Major Category)

Geographic Consideration: 1. 33 Churches declared as National Cultural Treasures and UNESCO