by Sarah Mirk Published on July 20, 2015 at 4:54pm
You dont get more traditionally masculine than Joe
Ehrmann. The defensive lineman played in the NFL for eight years, where his job was to relentlessly tackle dudes. So its a surprise to hear him empathetically recall his very earliest memory at the beginning of new documentary The Mask You Live In. Ehrmann explains how he viscerally remembers his dad telling him to stop cryingto be a man. Thats one of the most destructive phrases in this culture, says Ehrmann. In 2011, directors Jennifer Siebel Newsom and Kimberlee Acquaro put together Miss Representation, an engaging documentary that illuminates many of the myriad ways women and girls are poorly represented in American pop culture. The response to the documentary was resoundingit has been screened in thousands of schools, as its a particularly excellent resource for helping young adults develop media literacy around gender representation. After Miss Representations release, Newsom founded The Representation Project, a non-profit that encourages people to rethink gender stereotypes. The Mask You Live In, which is currently screening at festivals and upon request, is The Representation Projects crucial follow-up film dissecting modern masculinity. Like Miss Representation, The Mask You Live In has an accompanying text curriculum (including middle-school-friendly infographics) and is geared toward being screened in educational settingslike school health classes or media workshops rather than wide-release. The Mask You Live In weaves personal stories like Ehrmanns with context from experts on psychology, gender, and media. All together, their voices convey a powerful message: The way boys are taught to be manly hurts them and hurts our whole society. The documentary is wide-ranging, touching on everything from superheroes to domestic violence to the school-toprison pipeline. While its sweeping in scope, the documentary does an admirable job explaining how our culture creates masculinity. It makes a point, too, to frame the conversation at the outset by differentiating sex and gender. From a young age, were taught not to express our emotions, says educator and anti-violence advocateTony Porter in the film, explaining how both parents and pop culture impress upon boys that they must not be emotionalboys are often told that being tough means never being vulnerable. That attitude teaches boys to be quiet about their feelings, which leads to repressed emotions bursting to the surface in violent ways. This has wide-ranging consequences. As the film points out, one in four boys is bullied in schoolbut only 30 percent of bullied boys ever notify an adult. It can lead to a loss of intimate friendships and a reliance on getting drunk to talk honestly about your thoughts. Psychologists note that the language of emotions disappears as boys get olderat the same ages that rates of suicide go up. Once theyre in high school, fewer than 50 percent of boys with mental health problems ever seek help. The film connects the dots between a masculine ideal that valorizes lack of empathy and physical force to the creation of a society rife with sexual assault and domestic violence. Some of the strongest scenes in the film come during an after-school discussion on masculinity led byAshanti Branch, an assistant principal in Oakland who works to help his male students build an emotional tool box. Branch asks the group of teen boys to take out a piece of paper and, on the front, write the image of themselves they think other people see. The teens write
down various responses: funny, tough, strong.
Then, on the back, Branch asks them to write what people dont see. The responses are almost all the same: anger and isolation. As Branch makes clear, traditional masculinity and other oppressive influenceslike racism and inequalityforce teen boys to don a mask of invulnerability, one that often cuts them off from connecting with the people around them. Thats a tragedy. Branch and educators like him featured in the film aim to redefine strength to not mean dominance, but to mean seeking justice and having the bravery to be honest. When one of the boys in the group puts his head in his hands, his neighbor reaches out and silently places a hand on his backa quiet but profound gesture of comfort and support. Watching that simple but rare action, I felt genuinely moved. Another moving story in the film comes from Steven, a young dad whos trying to raise his son, Jacksen, in a more open-minded way than he was brought up. Early on in his life as a dad, Steven resorted to Googling how to be sensitive. Now, he has developed many positive ways to support his sons emotional openness, joy, and creativity. His son suggests they write notes to each other every week in order to tell each other things that are hard to say. Steven is on board for the idea and the resulting notesplaced in an adorable special mailboxexpress all kinds of feelings, good and bad. Among all the depressing statistics about the problems of masculinity, it was great to see Steven, Jacksen, and Ashanti Branch offer proactive, positive counterexamples for men. Its significant to note that the focus of this work is not to make boys act more like girls but to try and strip away the negative socialization about toughness and masculinity thats piled on boys from a young age and rethink gender norms altogether. People often ask me how men fit into modern feminism. Im glad that in addition to pointing them toJackson Katz, Byron Hurt, and Guante, I can now direct people to The Mask You Live In as a tremendous resource for considering how rigidly policed gender rules impact everyone badly. This documentary sheds no tears over imagined misandry, instead picking the more intelligent target: the way forcing a boy to be a man will make us all worse off in many ways. As the documentary makes clear, we all have role to play in creating a healthier culture.