“ By hex ae by p and educated in Kanso: 1303 of @ eating eo family, the father tong 4 other pe ms vena ‘situgale fo bi a < In some wom te hhe was like Picasso, ever sion, bored. with the stereotyped. changes. in. ad: _ mented until he discovered he could produce his ideas ience by using devices related to the higher intervals of a chord as a melo ‘And like Picasso, once arrived ot his ultimate: ti sfoynd ie snes ogra _ could not comfortably or naturally follow his di Just as you can look at ‘arn Picasso work, you can hear a Parker solo bas hal fae easily, Us rennet Parker lived 38 years, Picasso almost 95; " Becdius unique characteris : “fluency. of his invent ve uly ‘ond thythms. His ssh harmonic complexity with richer melodic of intervals, This creative area was not accepted immedi: ‘because it dared to be different ond it took years before his “sound”: \ have followed Parker's career through " yeors in Philadelphia Su eH 538 728 at ve } catalogue into. ind five! Living in New Yok and frequenting ‘possible’ to heat him with his own or all-stor groups. An- was kind enough to enirust my company with his copy! a long association with his music tha} resulted in the which comprise this bo 5 ‘A great deal of preperation went into the | prod solos were transctibed by Jamey Aebersold and Ken Sione, teh very proud to be pete) : of CharlieCHARLIE “ARKER OMNIBOOK insivuments + Transcribed From His Recorded Solos » Transposed To Concert Key For Al! Ba: Gate + loci Base * Base Gullr« Trombone CONTENT. Title AH-LEU-CHA (AH LEV CHA) ANOTHER HAIRDO ANTHROPOLOGY ‘AU PRIVAVE (No. 1 ‘AU PRIVAVE (No. 2. BACK HOME BLUES BALLADE BARBADOS, BILLIE’S BOUNCE (BIL THE BIRD BIRD GETS THE WORM BLOOMDIDO BLUE BIRD. BLUES (FAST) BLUES FOR ALICE, BUZZY CARD BOARD, CELERTTY, CHASING THE BIRD. CHERYL. CHI CHT CONFIRMATION CONSTELLATION COSMIC RAYS DEWEY SQUARE DIVERSE DONNA LEI kK. C, BLUES KIM (No. 1) KIM (No. 2) KLAUN STANCE KO KO. LAIRD BAIRD. LEAP FROG. MARMADUKE. MERRY.GO-ROUND MOHAWK (No. 1) MOHAWK (No. 21 MOOSE. THE MOOCHE MY LITTLE SUEDE SHOES NOW'S THE TIME No. 1) HE TIME (No. 25 ORNITHOLOGY AN OSCAR FOR TREADWELL PARKER'S MOOD. RED CROSS RELAXING WITH LEE SCRAPPLE FROM THE APPLE: SEGMENT, HAWNUPF SHE ROTE (No. 1) SHE ROTE (No. 2) SUSI STEEPLECHASE THRIVING FROM A RIFF. VISA, WARMING UP A RIFF YARDBIRD SUITE Charlie Parker (Biography) Introduction Scale Syllabus © 19TS ATLANTIC MUSIC International Copyright Secured All Rights Reserved Made U 59 180INTRODUCTION The solos in this book represent a cross section of the music of Chovlie Parker. In presenting these solos, we hope to bring musicians closer to the true genius of “Bird” These solos are in € concert key, bass clef. The book was originally published in Eb key and this new concert version should allow many more people to explore the won erful world of music that Charlie Porker gove us. Most Jozz musicians have learned to ploy by listening to records and imitating the notes, articuiations, vibrato, etc. of the masters. We encourage you to play these with the actual recording. Listen fo the record first, then play through the sols slowly, gradually increasing the speed until you are at the recorded tempo Bird ployed it. | don't feel the idec is to try to play the solos exactly as Bird did, but rather to find phrases, articulations, scoops, turns, ete. that you feel you would like to incorporate into your own playing. By being able to see and play the actual notes, it should help speed up the learning process. Many players play like Bird but retain their own personality Practice with a metronome, Each day try to increase the tempo a little, all the while retaining the inflections, crticulations, ete. that you would use at the slower tempo. Try practicing some of these solos with the Aebersold Play A Long records. Take @ slow blues solo in F and play it with one of the records in the series that has & slow F blues, then move to a record that has a faster F blues, It is fun to work towards play- ing the solos with Bird clong with the actual Porker recorded version Blues make up the largest portion of this book. Rhythm changes come next. Some compositions have the twe versions recorded by Parker in separate solos, When @ measure occurs without @ chord symbol above it, the chord is the same as the meas ure preceeding it Most players like to cnalyze solos in order to find out what the musician is do ing. Our eors cannot always HEAR what is happening so we slow the music down transcribe it, analyze it, proctice the licks, patterns and phrases we like best, and end up playing them in our own way on our instruments. We have put chord symbols ‘over most all bars fo enadle you to cnalyze the notes in relation to the chord. Remem- ber, each chord symbol represents @ series of tones called a scale. Older musicions used to improvise mainly on chord tones; Charlie Parker was one of the first to broaden that Jo include scales and substitute scoles. For information on scale substitution refer to the Scale Syllabus chart.” Bird loved to use the bY over the Dom. 7th chord/scale The Blues scale cnd its accompanying licks was an important part of his music, even when playing songs other than blues! When you find licks or patterns thot you enjoy, practice them in several keys so the melodic ahrase becomes a part of you. If should become sutomatic in order to really be useable in a playing situation Only a minimum of articulations have been put in this book. We fee! that jazz, being on aurst art form, is often times best imitated by listening over ond over, and then playing the nates the way you hear it on the record. This might seem fike the long way to do it, but experience has proven reliable. After all, who would object to listening anyway? Listening is whet music is all about, The records from which these solos are taken are listed ct the top of each solo pace. They are contained in approximately eight records (some cre two record sets) end most all are stil available. The Iwo record sets are o bargain! We hope you have as much enjoyment with this book os we have had putting it together. For SCALE SYLLABUS see page 143 Jomey Aebersold Faitor’s note The tempos that these songs were performed at are indicated at the beginning of each piece. Bass clef instruments generally are not as fast responding os treble clef instruments (such os the saxophone or trumpet). Try to play these as comfortably os possible using @ mo:ronome. Most of these songs will not be playable at Charlie Parker's fempo on boss clet instruments, but great strides can be made with constant practiceConfirmation By Charlie Parker eave 8005 42208 Fa? 697 47 Dmi? G7 = Cmi7? 67 gb? Ami? 7 G? Gmi 7 07 TURN PAGE © 1948 ATLANTIC MUSIC CoRP. © Renewed and assigned 1974 ATLANTIC MUSIC CORP. © 1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww,Moose The Mooche By Charlie Parker (¢ PARKER 407 2 1946 ATLANTIC MUSIC CORP. 8 TLANTIC MUSIC CORP. ORF. wavGig o£ Qmi? cmt Cmi? £7 gbOrnithology By Charlie Parker and Benny Harris ‘wn symsowe ©1946 ATLANTIC MUSIC CoRP. © Renewed and assigned 1974 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww.Yardbird Suite By Charlie Parker “neo sto Emi? 4978759 L£mi7 a7Omi7G7 — & Omi? GP CM + = eile te P410 Anthropology By Charlie Parker and John ‘Dizzy’ Gillespie SS 4 Bb Cmni? £7 Dmi? Cm? €7 =~ Bb £67 pb7 Ci? £7 "gb gb Cmi? £7 Dwi? GI (mi? £7 ©1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1974 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved.7 £67 br gh G7? mi? FT Bb Cay AC Dm GT my 7 aeBb Cmi? 7 Doc? mi Ci? £7Dewey By Charlie Parker Square 4 184 Lng? Abni? €67 br 7 SEaper : F7 : = e os £57 neh? Abwrg? 3 ee a 6b c7 lene 2 Petre Se Fr L Fini? ©1958 ATLANTIC © sta ATLANTIC MUSIC Corp. MUSIC CORP. II Rights Reserved. ww.Cc? p7 Emi? if 7416 Scrapple From The Apple By Charlie Parker ain sae eats cus tates esac ©1957 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. a wav All igBr gol p Am? 07 Gmi?18 Blues For Alice By Charlie Parker verve soto venve Fc E97 A Dmi?, G7 Cmi? £7 © 1956 ATLANTIC. MUSIC: CORP, ©1978 ATLANTIC MUSIC Corp. AML Rights Reserved wiAbmi7 067 Gmi? c720 By Charlie Parker 45126 K.C. Blues [VERVE 0840/VERVE BO10/MGM 4749/VERVE 25 oe ce Ci ©1056 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww.ze C3 ~ THE PROFESSIONAL ARRANGER COMPOSER —_—_— (BOOK ONE) 7 By Russell Garcia PROFESSIONAL, ARRANGER COMPOSER Best selling text book used by leading universities. Bosis for course in Practical Arranging and Composing BOOK ONE in the professional field, For the advanced arranger. Endorsed by leading music educators and composers and arrangers. RUSSELL GARCIA ——— AND NOW! —-———————________ THE PROFESSIONAL ARRANGER COMPOSER = (BOOK Two) By Russell Garcia Discusses contemporary trends in Jazz, Pop and “Modern Classical’ Techniques. New scales, chords, Progressions, free improvisation, vocal effects, using tone rows in practical music, ete. Contains @ record of many of the 169 examples and the recording of a complete score of an exciting contemporary composition by Garcia. (Musicians used are the top instrumentalists on the West Coost). The both books complement each other! You need both books for a complete course! CRITERION MUSIC CORPORATION 6124 Selma Avenue, Hollywood, 90028 Calif.Celerity By Charlie Parker VERVE 8002/VERVE 2512 fim 2 BP Cmi7 A? Di? G7 Cmi7 £7 ab 3 Cmi? €7 Emi? 67 Eb £07 gb © 1058 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww.28 B Cmi7 £7 Deoms 1 Cnonas 34 desiree riley ; Oni? a7 oe o Fri? Bh? En BGT Ci? G7 Cmi?” F72 Au Privave (No. 1) By Charlie Parker (om ara ernie 45220 (7 Gmi bol p47 Cm? F 67 Ami 7 07 — Bb 7 FT DTV Gni07 = G7-C7 Cnt? B7 Sfp ott 7 PEED tear Gmi? c7 F7 Gmi? C7 a A B7 fT f% e1 é Ami? D7 ©1956 ATLANTIC MUSIC Corr. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved wiv.25 Ani? = D7 Gmi7 c PT 07 Gmi? C1 eerie a = STAGE DANCE BAND =26 Au Privave (No. 2) By Charlie Parker VERVE 8010, VERVE ensovvenve ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved www.ar a Gmi7 C7 f7 Any Musicion Can Arrange With This Book! First Chart Written by Pros — ‘An Important Elementary Arranging Book For Schools Contains two records of charts in the ook: “Moonlight In Vermont” for full orch. and 4 examples. of contemporary ‘styles by a leading university orch. BARNEY KESSEL says: “This book ‘opens the door to an arranging ca- reer for musiciens. Van's first book did this for me.”Chi Chi By Charlie Parker 4#220 Ab7 Bhi? £b7 br ‘VERVE 8005/MGM 4949/VERVE ss _ v Ebni 7 abr 0b7 Oni 7687 Cmiz, £07 Cmi? 7 Ab? yd Ay, Loni? 57 pb? | abr Ci? 67 Bb £b? Bi? £7 ae, fb7 pb7 ob7 Ab7 Cmi7F7 Bhi? bap ©1955 ATLANTIC MUSIC ConI ©1975 ATLANTIC MUSIC CORP. wav29 ob? ee Ab? Blni7Gb7 —_b7 7 bz, bmi? gb7 hz ObT gp bay fe Cmi? £7 Bi 2 £b7 Ab7 Bbni? “£67 ab? aba i # pera _ob7 Abr Ebni? br 7 by : a i ete 13} ia Bhi? gor . Abr (aeN Page)30 Chi Chi - cont. Bhi? gb7 gb? 20 Oi aun x. beth? A, bt 21 fet = Hebe. : ste 3 ob? aby Oni? £7 = ZS a = eb Abr abi? £67 Ab? Cosmic Rays By Charlie Parker J 132 c 5 FT C75 Gn? 07 i Fo Foi Em’? Em? A? —? ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved, wivCosmic Rays- cont. Eni? = Bn en 7 bo’, Abul G? C7 speet see + tt TRUMPET CRITERION MUSIC CORPORATION PUBLICATIONSLaird Baird By Charlie Parker ‘VERVE 2005, dz (62 Bp Ag7, sp? 7 eB Omi? 07 2 Fri? gb, gba eh, Omi? Dbmi Omi? f7 Ee oy Cmi £7 tty tt sete or ee Lh? Omi? bmi? Cmi7 bo 4 hp abe, | cme 1 aes 4 Dino Sue 2 sed 8b B? Gai sh Fmi? 867 © 1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved, ww.THE GUITAR Barney Kessel BOSSA GUITARRABA She Rote (No. 1) By Charlie Parker oie waa ae eee d= 210 Penar Concert Ab ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved, ww.Cri? nor gb gb gah Cmi ohh? , b Cmi? FI (oh - #36 She Rote (No. 2) By Charlie Parker VERVE sorormom 4949 42265 Pera Cougar Ab | PESTRT (p=ADw a Cmi? e © 1056 ATLANTIC MustC CORR. ©1978 ATLANTIC MU ATI Right ww.37 @ Lbni? pb? Cm) | phe gt, peri? gb @ n epee Z f Ce Cmi? #7 Bb Cmi) £7 Bb 18 fet ; : te, f rt HH v38 Mohawk (No. 1) By Charlie Parker ‘VERVE 8008/VERVE 8840/VERVE 251 ” Erni? 862 5 ala Stee cb7 et anes s > ) a > Ny LH ~~ : ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved ww.39 I eb? 3h fai? Bb? 2) Bb? G740 By Charlie Parker ‘VERVE 0006/VERVE 8002 42184 Bb? eb aes 3 — be agai 7. pb7 2 ©1988 ATLANTIC M1 ©1975 ATLANTIC M0 Www.Boma? eh Boa tepbdtta nett fle br Cmi? gb? (Dbmi?) gb “ Se Emi? 0 Dmi? G7 a . 7 EE Ge 07 T t FB C OW BB Oe ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. ‘il Rights Reserved ww.Dn? , G7 Emi AT = Dini? G? qc) F Bb? Emi? 7 — Dmi? 67 C kro, ‘ apt i See ee tre Dmi? G7 Emi7, A? . Dmi? G? c? 0? Dmi?_m G? c Dmi? 8? = Emi7 A? = Di? «G7 a) Ale eal alice Dai? G7 peste Been Fe ee ee = Pte, Dmi? G) age Emi (7m hie)An Oscar For Treadwell - cont. Cc Dmi? G7 Emi? 47 Dmi? q@ _ C1 6 B7 ¢ 20 | t rire # PANO FOUOS us sar sate td oa eb no eS PIANO sotos SAE BEE gn St 2 ye ww mm Eeeags mace ‘a ratioors naa45 Constellation savoy 2201 By Charlie Parker 62324 C C7 Gi? 7 c1, 67 Dm? G? Omi? 6? © 1948 ATLANTIC MUSIC CORP. venewed an «assigned 1976 ATLANTIC MUSIC CORP. © 19ts ATLANTIC MUSIC CORP. ‘All Rights Reserved,Constellation - cont. ami? C7 f7 (7 —a7—sdDmi?- G7ar Criterion's sean HAWAIIAN SONG BOOK Polynesian Cievon’s Authentic HAWAIIAN BOOK coteron's EXOTIC BOOK48 Donna Lee By Charlie Parker Savoy 2201 4 230 aby fi b7 fb a. Ger b Fri? a Fen io by : Leek tebe pb, Gf f7 Brn? eh Ab Bhi? £b7 8 j f a t ©1947 ATLANTIC MUSIC CORP, © Renewed and assigned 1975 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved.49 Ebmi? Ab7 7 be. 867 + Bbni? fbr 2 Pe = iere tpt ab f7 Bb7 td Fini? Cc? R A50 Donna Lee - cont. by te et wt ORIN Te BURLES gt OyKim (No. 1) a Charlie Parker ‘VERVE 9005/VERVE #840 *520 ghr Cm? £7 mi? G7? Gai? B1 Cmi? 27 Cmi? p? fri? 8b7 eb? (0b) Bh? ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. all ed, ww.Kim (No. 1) - cont. Cai? Fgh 8” ce oe emi? F2 fi? 6b? £67 bi? Di? G?Coil BT 2 a? G? Cai? pr gh? in 7 ORCHESTRATIONS54a Kim (No. 2) By Charlie Parker VERVE 8005/maM 4944 oe cri? e7 Oya 18” mi? 2 I Cmi? £7 Cmi? £7 ; Dmi? G7 Cmi? £7 ab SS ee e BOB bee Cm £7 © 1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww.oi MICE De EG PEELE AT ie Fri? @b? 6b? Omi? G?. mi? £7 gb? Cri? £7 dai G2 pomi? £7 Fri) 8b” Eb bag 8? io Omi? G79 Bb Ci? F47 (Tarn Page)Kim (No. 2) - cont. Cri? £7 fini? 7b bb Cmi? £7 rt 9 ii ; ey F1 — fmi? , 6b7 . &> thee, gq? ice 3 et et ‘7 7 7 coo Pieserte & Sabet aE ey, Cmi? Fr 22 Ci? Omni? bb Ep G? npeeetttett re ft eens Cmi? £7 fi? 6b? 667 phn? BDSG? mi? FF a b sie agy oe (a_32._—_ {tps 32_, gb 7 Cmi? £7 Dei? (OhilG? Ci? F? 26 Fi? B67 €b7_ Eby? BBG? Ci? EF24 3% 3t 32 33 34 7 67 G7 mi? 7 wep eee _~ bmi) toe 7 £. iC frt —_ £4, 6b? Agi? __"~1 cq bb f7 q) Bb Cmi f7 Dm? G7 Cmil Ff? ee Fmi? | BP? 6b 6b Ectileerr = £b7 4b Rites wie A GUITAR METHOD THAT TEACHES READING & PLAYING ra INSTANTLY! ‘ab. ¢ simplitied] UN ya eee Endorsed by: 7 aNeY KESSEL JACK MARSHALL GEORGE RUSSELL Edived by Burdell Mathis A SHORT CUT— —NOT A GIMMICK AN APPROVED MUSICAL METHOD YOU HAVE TO SEE TO BELIEVE! For: THE BEGINNER THE SLOW READER THE “PLAY BY EAR” MUSICIAN vein thet solos “THESE BOOTS ARE MADE ‘ET THE GOOD TIMES ROLL,” INY BUBBLES,"" ond 15 other58 Cheryl savor ics By Charlie Parker 47180 Buves, qo (7 q Emi? | 47 Dmi? G? o SS Dei lialintee 4 ee eae Hepes Gmi? 27 f7 Cc? ao © 1947 ATLANTIC MUSIC CORP. ‘© Renewed and assigned 1975 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved.13 EE 59 nt ih wR = GUITAR FOLIOS 00Ts” ron gulTAR Gataraangeens a compete pats fr Sato 'nd ster Gut FROM THE ROWANTIC ERR ane gular sos tansennet ton {Gut ngs apiot aan ose of Beslnoen isg te anssa curranna x sos by Laur Ames ath lsd line tnd chord yas sugpi’ cumtan Saning songs aaned ty line Roskall ferplin se ana gut ste countRy gurTaR Wats rom te County Fils OUSY SOMES FOR GUITAR (Simple t Ace) A, "Pada Lawyer” et 20 GREAT TUNES FOR GUITAR ick Sie 29 Gent Nrangenens by Dan Fo, featuring Aoanigat fn vermont OSCAR MOORE GUITAR SOLOS VENTURE FOLIOS Book 2 1— Mts tke WALK DON'T RUN ok #2 — Hits ike JOURNEY TO THE STARS ok =3— Hits he JOSE, INSTANT GUITARS ook 4 — His tke DIMOND HERD, GRINGO GUITAR SOLOS ‘won FLAMENEO te ‘BODACIOUS & ANGRY GENERATION BULLERIAS ¥ CANCION TeHUACAN p GUITAR BOOKS SUITAR TUTOR by Laurinds melds ‘A eomplete Concert Guta Method THE GUITAR by Barney Resse ‘unique guide for guitarists,60 Thriving From A Riff By Charlie Parker ae 4230, Cmi? 7 Bb Cmi? £7 t fail Shr B07 gb ae 2 > gb Cm? fr gb BT Gi? 3 fri? Bb? Bb 4 07 7 Bi 5 pert te rent dete Berea 4 f? LF c be 6 r b Z Cm? 67 BP bee» Cmi? 7 TE = { ef 4 j Fri? Bb? ob Ehi7 ab Cm? 67 8 Efbe: =H @ 1005 ATLANTIC MUSIC CORP. wed and assigned 1973 ATLANTIG MUSIC CORP. cist ATLANTIC ‘is CORP. .61 ab mi? oa B Lm? £7 Fi? B67 £b7 Ebi? gb Cm? — Bb6 Ko Ko By Charlie Parker SAVOY 2201 4: 308 ©1946 ATLANTIC MUSIC CORP. © Renewed an wed 1974 ATLANTIC MUSIC CORP.» © ATLANTIC MUSIC CORP. All Rights Reserved!64 Ko Ko - cont. Cri? 67 pb sepPtsites Omi? £7 Bb Emi?a c? : = Cmi? 7 ‘Bb Cai? eT DR Ebaat by 4 set tebe ptSE int SteeleRed Cross By Charlie Parker savor 2201 #210 3 ab 1 Be ft 6b 8 a 07 ©1945 ATLANTIC MUSIC C ved 197. RP. ©1978 ATLANTIC MUSIC All Rights R67 JACKSON BROWNE FOLIO ‘Six Songs From His Hit LP68 Marmaduke savor 7201 By Charlie Parker 4? 208 Gmi7 Gmi? C7 F Gmi? c?, e Gm? 0? fF Gmi? 2p F ‘CORP. ATLANTIC MUSIC CORP. HP.ce 31 SSS} Bb (Tom Pige)Marmaduke - cont. Barbados By Charlie Parker savor nt08 #2108 r Gm? 07? Buves 3 Cmi? e7 6b? F Gmi? 07 : Sawa ©1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP. ‘All Rights Reserved. cr 3 GaSe a ae =:ma be. a FT bee tte f7 Gmi? 07 f7 SHAPING FORCES IN MUSIC By Ernst Toch ‘An inquiry into harmony, melody, counterpoint and form. A complete advanced music course now being used by many leading colleges as thei text book.@ Perhaps savor 2201, By Charlie Parker 47200 Bie 3 07 ay E 7 pI 0 9 Emi? , 0? Oo Gmi? 7 67 CQ C7 Arba ole ATLANTIC MUSIC CORP. vd assigned 1976 ATLANTIC MUSIC CORP. $1978 ATLANTIC MUSIC GORP. All Rights Reserved, jenewed an738 Dmi? G7 0 mi? 6? Dmi? G a G1 qc? i Cee ee eed # Al The Fake Book For All Groups VAR ewe PAM RECORDED BY aS 300+ SOMES TOP ARTISTS4 Now’s The Time (No. 1) By Charlie Parker weve ao 5132 Brves (Soro EE © 1945 ATLANTIC MUSIC CORP. ‘© Renewed and assigned 1973 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved,75 By Frank Skinner ‘A complete course in scoring for motion pictures and television, featuring an actual score that was writtern, arranged and recorded for a motion picture, with timing sheets, orchestra sketches and orchestrations.26 Now’s The Time (No. 2) By Charlie Parker savor 2201 220 , gues 7 (ego), F —————————— eas 7 Bb? gh? 07 7 Gmi? 07 7 0 f7 ©1945 ATLANTIC MUSIC CORP. © Renewed and assigned 1973 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved,f oi +- £7 Gmi? 0?28 Buzzy By Charlie Parker =230 Bb a 8 ‘ savor 2201 67 Bb? a beg! > 2 pebbtetet = f Cm? Ff? ge mi? F? ©1947 ATLANTIC MUSIC: CORP. © Renewed and assigned 1975 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved,79 f gb Cm? 67 Cmi?80 Billie’s Bounce (also known as BILL’S BOUNCE) By Charlie Parker 7168 fo br savor 2201 ©1945 ATLANTIC MUSIC CORP. © Renewed and assigned 1973 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved.Chasing The Bird By Charlie Parker savor 108 a Gri? Cc? 0? bmi? 0? 1 fe gr go? ep? mi? 0? 2 7 07 Emi? A? cee © 1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved,bmi? 0? OF Gmc? mil | £7 Hen Bn flee at Petters =Blue Bird By Charlie Parker savor 2201 oe Fri? 8b” Gi? © 1948 ATLANTIC MUSIC CORP © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved.86 Ah-Leu-Cha (also known as AH LEV CHA) By Charlie Parker savory 2201 d= 190 Mevond~ Mines Bavis Gm Gri "Geni? p Gmi? F gin) = Eni? Ay » 6) thee 49 : Gmi? if Gut (Mices Davis) © 1048 ATLANTIC MUSIC CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved.a > 3 Le) An’ 0? Gry?Ah-Leu-Cha - cont. “7 Fr Emi? (Bass ¢ DamsKlaun Stance By Charlie Parker savor 2201 F 0? bmi? a Cai? f? pb & iter) : ' , 95 FE Abmi? mi? 07 Ff Bhi? £57 $ fess ATLANTIC MUSIC con. surgned 176 ATLANTIC MUSIC CORP. © ots ATLANTIS ure All Righes ReservedKlaun. - cont. Bhai? £b47 Ab £UI0) P Gees 011 ti —— { retof Ab oP b, FAO) Bi? eb7 b Ab Chin by eb? ab aCard Board By Charlie Parker verve 2501, #210 £b07 Dmi? fe Lhe , obet, be oe SPs tt ltteer dm? (p27) ~ G7 € Dmi? 7 Dmi? Gq? c £607, Dmi? G7 ©1956 ATLANTIC MUSIC CORP. 1978 ATLANTIC MUSIC CORE l Rights Reserved. ww.98Bird Gets The Worm By Charlie Parker savor 2201 Fmi? Fo? fm? pb pb? ab Ab? = pb hn? pb Gri’65 C7 by ©1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved.96 Bird Gets The Worm - cont. Gmi? Ct Fi? 32 sieSegment By Charlie Parker VeRve 0009 2260 re igri £7 Bbmi? ee ! outed tte See soe Bhai F7ba Bhi? ces 2 “he Cmi? 67 Bhi? Cmi? 7 Bi, eb Bbmi? Fini? 7 , Boni? 5 f Chri ob Ab? ob oe Fa b pa he be at = = Bhi? Cmi? £7 Bhi? mi? £7 be Pe gb 1 fie z Bhie b erb4 Bi? £14 (Torn Fige) © 1957 ATLANTIC MUSIC CORP, © 1978 ATLANTIC MUSIC CORP, All Rights Reserved, ww.Segment - cont. pein” Cri? 7 4” Bhai? Cmi? £7 VE ae Boni? prb4 Bb?99Visa By Charlie Parker ‘VERVE 0000 VERVE 8009 42200 ‘1 co. cH +: tt be _ Petts b Ee c7 Dmi? 47 (? p? 0 Gni? 6? Fl a Pant te ite pattie ©1953 ATLANTIC MUSIC CORP. ©1973 ATLANTIC MUSIC CORP. All Rights Reserved. ww.f7 7 Dmi? 67 Cc? Dmi? i? G7 } C1 Omj? t 2; C7 Ont G 7 0102 Passport By Charlie Parker eRe 8000/VERVE 8000 47220 gb Cri? 7 Ci? £7 ©1953 ATLANTIC MUSIC CORP. ©1973 ATLANTIC MUSIC CORP. All Right 7a? Afni? FP ab Cmi7 67 Fini? 4, Be? eb 2 2 = f — ‘| f7 ab Cmi? 7 & b Ci?104 Another Hairdo By Charlie Parker savor 2201 = 1d Buves gb : ! a 2 eb Bb mi? G7 © 1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1978 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP, All Rights Reserved,105 =106 Back Home Blues By Charlie Parker VERVE 8840 /VERVE 8000/VERVE 8O10/VERVE 2515 2192 7 7 7 Biv c ad ¢ ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww.107 f1 ¢ Emi? An? 14 Gr c7 Glan) : — f 1 Sepa tee 7 ¢7 Gmi? 0? Io i108 Bloomdido By Charlie Parker [VERVE 8040/MOM 4949/VERVE 8006/VERVE 2501 4=240 b7 Buvés Be 8 pb chi? 8b? Domi? Fi? BP eo i978 ATLANTIC WU MU ihegb? 6? Ci? f? + Peete ree B Cui? b7 : a Heft Smee te : sp 10 gb? £1 a f GE vet ert a bee Bb? 2 7 ¢7 8b? Omi? = «G7 Cui? Eee ete Ee - = ry)The Bird By Charlie Parker ‘venve 2501, Cmi? O¢7, a7 Cn? gr 1 aS = pei otters Ci’ D¢7 G7 Cmi? Gus 8 © 1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP.rin Coil 087 G7 mi? 0g) G7 Cmib 0g? 6? SSS Cmi? 097g? Cnib pS SySteeplechase By Charlie Parker savor 2201 aio ab Cm? £7 Bb? G7 mi? -F? \ : 7 gb? G7 Cm? £7 Bb7 0? 6G? cr, fT gb Cmi?, #7 Bb? G? Cmi? 7 = seep er j Cmi? £7 Bb? G7 Ci? 7B? 6 — ie» be bs = f z= ot Bb? Cmi? fF? 3 8b) G7 Ci? 67 © 1948 ATLANTIC MUSIC CORP ‘© Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ‘STLANTIG ‘MUSIC CORP. jghts Reserved.113 et N i N I a 4 P hg Hig ee a y » g a (3 0P eet a TE eee hg ee eee Tl Lt tale TaFA. \ADiverse By Charlie Parker eave soon 45260 Bbmi? Cmi? = £7 Bbmi? Cmi? £7 shies £74 Bini? Pipi © 1957 ATLANTIC MUSIC CORE. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww.2 22 23 Diverse - cont. ie oe Biri? Cmi7 £7 Bbni? £764 Bhi? hi? bi 7 \b7 b f? eh Weitere fitters, b == Boi? Cmi?_ £2 Bhi? Cmi? £7 * rs Bhi? F7b4 Bhi? 7b Bhi? =7 Merry-Go-Round By Charlie Parker sAvoY 2201 42800 BP (¢mi? £7) Bb G? &b Bb Fi? Bb7 f7 Cmni? C767 Bb emi? £7 — Dat? Di? Ci? fri? ,Bb7 Eb Eo gb ab Fi? 7 & 5 aint ttn Fes terete, é , c? 3 F? 6b Cyi? £7 ab Fi? 67 © gb (Tom age) ©1948 ATLANTIC MUSIC CORP. Renewed and assigned 1976 ATLANTIC MUSIC CORP. All Rights Reserved,us Merry-Go-Round - cont. Cel #7 wb Cmi? 6% gb Cmi? Foy fi? bb? gb £0? mi? G? ab Eni? a7 &b 6b ¢c7 3 Cmi? a Bb 4 Cmi? F727 Dmi? G7 Bb 6a?119 : Finale 32 16 | Se n pebteteSoteetee Me Sere errr pe Fini? @? eb (eb) ab Cui? £7 A ab Cri? #7 ab Cn’ one a : a 104, SoLe Z F z & = f Frii? 6b? 6b 7 23 i? Gi @ a Cale £7 b b 7 4 , B geen fF? Bt = Cui r a 2b ttt rt tee dt ft z = 4 uMy Little Suede Shoes By Charlie Parker VERVE 000, VERVE 2515. (Hea) a a Fri? gb? £b Fri? _ Bb? gb Fri? Bb? Bri? 07, Fini? Bb? Ab Gi? a Fini? 6b ab bn? C7 Fini? gb? é fi? Bb7 bb Fri? bb Fri? 8? Gni? @? vee? gb? eb fri? =r mi? = 07 Fai? BR 6 Bi? 8 bey = + Pe | 1 $ cd ©1956 ATLANTIC MUSIC CORP. RP. Be? ww.fri? Bb7 gb fri? 87 eb Fri? | ab? Bb beste ee a” 10 = Gmig ¢7 fri, 6 Ab122 Relaxing With Lee By Charlie Parker 2? 180 Db VERVE 9940/VERVE 6009/VERVE 2501, Fi? gb? bai? Abr ob Bhi a ob © 1953 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved, ww.. (Ke4 Moves UPA Ye Sree) Dis yo Ebi? Abe ae MeN Me és 4 i + ——S ob ob Fri? B67 Ebmi? i —— Hb? ob Bhi? br, A ob Fi? 6 i? , Ab? 1 PSS te f ob pt, 5 — i cas grers i p-¥ i oS 3 fate se BO? Ebi Ab? o Eby? Ab?Blues (Fast) By Charlie Parker VERVE 8940/VERVE 8009/VERVE 2501 2265 gb? I = Ds gb? £b7 Bb? 2 8? G7 Omi? Wy fF? 6? 4 Ee ——= eb => Cmi? #7 PP ee? Ve 4 ©1977 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All red ww.125, (D>ni7) 7 Cmi? 7 67 87. (Dbni?), smi f7 gb? > Bb? 6b? a 4b7 £7 6b? u pei et et lees ; (rand Page?Blues (Fast) - cont. Bb? -~,, £7 Bb ~ 7 b9 b7 : Osc ; BG? emi? F7 ag 67 gb? . Oy 3 od ot gb? 6b? 6b? eB + Bb? 6b? e 7s 7 N, Cni? 7 ge? 6b? ‘307 br =) gb? 4 f:Shawnuff By Charlie Parker and John ‘Dizzy’ Gillespie an Bbmi? a7 PHOENIX 7 — on Bbmi? a7 0 Cmi? £7 Omi? G2? Omi? FT 3 67 £07 BP? BA Omi? FT 7 4 £07 gb7 67 © lots ATLANTIC MUSIC, CORE © Renewed and assigned 1976 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CONP. All Rights Reserved.19 c7 = Cri £7 4 = i pet moi on? £7 Om BP Gn? 67 by 3 fmi? 6b? £67 5 607 RB? Cmi? =F? Peg. £7 mi? , GO) Oni? 67 a Fmi? @b? £b7 tea per 3 ie f7 Be Scars aE 7 Con? £7 Dmi?_ G7 Cmi? 6? (A — it — Bb? £67 G07 gb? 0? 07 G7 C7 og 3430 Leap Frog [VERVE 8040/VERVE 0002/VERVE 8006/VEBVE 2501, By Charlie Parker 4380 : Ami 0? Gmi? C7 PG Gmi? 07 F 7 1 tpbade, : Z Ari 0? = Gmi? c? Pp ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP, All Rights Reserved. ww.Leap Frog - cont.133 Leap Frog - cont. 73 0 7 Gnig, teheg ; b Gmi cy mi? ,3 9B ebehp 5) FD? Gmi7 £? ums 4 Exp134 Parker’s Mood By Charlie Parker savor suz201 2°76 Qi? i7 9 Buses Grit Cmi oa gb ©1948 ATLANTIC MUSIC: CoRP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved.Ddni? Cmi? Bb? (emi?) Dmi? 1 Cmi? f? gb? £7 £07 BP”, a : g Gmi? Cmi? a Pee eshti fee fey a RvoBAtoWarming Up A Riff By Charlie Parker savor sit2201 4286 p9 BP Fmi? Ebi? a, C7 ov Cmi7 £47 BP Cc Cmi? 6? Cori? athe F7 gk by 8 Z oF 3p atuaxmic wusic cone Reveal od gn ir At ahIc Msi Cone ive ATEANTIC aUSte CO ‘All Rita Reserved137 7 Haris treet = (fon Page)BP 7 Cmi? ti pe ete te peer ete fm) bees dni? Ab? BP 22 b ne B : c? : Cmi i; 2 Eee 7 7 F7 Bb ; G’ Ci 8 att ¢ Pmi? gb? 4Si Si By Charlie Parker d= (88 verve vez-2512 97 A? ami? g? Faas f ! f Cmi? «£7 Bb? r ~, Ami? 97 Gmi? c? F Grioc? F £97 A? bmi? G? Cmi? £7 gb? Boni? Eb? r Ami? D? mi? Gri ¢? Ff? Lmi? 07 (7 Gmi? , 52 2 Omi? 7 © 1956 ATLANTIC MUSIC. CORP. ©1978 ATLANTIC MUSIC CORP. All Rial wv,8b7 f7 Arm: 0? —— Gmi? Cc | *e eee? fF? mi C74 + c eo7 At bmi? =? 1B f trcterttt iz Gmi? 0? £? ia FE Ee <>Ballade By Charlie Parker “tof 8E = 1 1058 ATLANTIC MUSIC. CORP § iné Sine DISTS ATLANTIC MUSIC CORP. Al Rights Reserved way,