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* Dr Barbara E. Mundy, Department of Art History and Music, FMH 446, Fordham University, 441 East
Fordham Road, Bronx, NY 10458, USA. Tel: (1) 718 817 4897. Fax: (1) 718 817 4829.
? Imago Mundi. Vol. 50, 1998.
11
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Fig. 1. Nuremberg map of Tenochtitlan and the Gulf Coast, 1524. This was the first map of the Aztec capital city to be published in Europe; it acco
Hernan Cortes. (From PraeclaraFerdinadi.Cortesiide Noua marnsOceaniHyspaniaNarratio . . . (Courtesy Rare Books and Manuscripts Division, The
and Tilden Foundations, *KB+ 1524.)
13
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Fig. 2.
14
MILES
5
15
Fig. 4. Drawing after Codex Boturini. This native history of c.1530 tells of the migration of the Mexica from their original
homeland, Aztlan, towards their eventual capital, Tenochtitlan. The opening part of the codex, a long strip of paper, shows
the Mexica departure from the island city of Aztlan, represented here by an single figure rowing across a lake. The path of
footprints shows him to be heading towards a place named Culhuacan-a hill symbol with a curved top-where the deity
Huitzilopochtli, wearing a hummingbird head-dress, awaits. The date of departure is written in the square cartouche at
centre; the year One Flint Knife is thought to have fallen at the beginning of the twelfth century (Museo Nacional de
Antropologia, Mexico, MS 35-38, fol. 1; author drawing.)
16
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Fig. 6. Nuremberg map of Tenochtitlan, 1524, detail. The map's centre shows the great temple precinct of the city
dominated by the twin pyramids, called the Templo Mayor, flanked at left and bottom by two skull racks and facing two
other shrines. (Courtesy Rare Books and Manuscripts Division, The New York Public Library, Astor, Lenox and Tilden
Foundations, *KB+ 1524.)
18
Fig. 7.
Primeros Memoriales, fol. 269, c.1561. This native drawing of the temple precinct of Tenochtitlan was created well
afterthis ceremonialcentrehad been razed,but it seems to drawon the firsthandknowledgeof nativeinformants.As in the
Nurembergmap,the twin templesdominateand are set abovea simpleskullrackholdingjust two skulls.Otherceremonial
buildings are included and identified in a facing text. The figures appearing on either side of the temple seem to be statues of
the standard bearers that flanked the temple stairways, while the figure at the centre is a priest. (Photograph copyright ?
Patrimonio Nacional; Codice Matritense del Palacio Real de Madrid, fol. 269r.)
19
Fig. 8. CodexAzcatitlan,early 17th century.A chronicleof Aztechistory,this Codexdevotesa sectionto the reignsof the
Culhua-Mexicaemperors.Thispage, one of two providingan accountof the short-livedTizoc(reigned1481-1486), records
his re-dedicationof an enlargedTemplo Mayor in Tenochtitlan.At the temple-pyramid'sbase lies a decapitatedand
dismemberedsacrificialvictim. (Photocourtesyof Bibliothequenationalede France,MS Mexicain59-64, fol. 20r'.)
20
21
hand
head of sacrificial
victim
risingsun
streamof blood
tzitzitl
streamof blood
femur
~~~~~/
<^)9
ribcage
22
(Fig. 4).
Given the importance of Culhuacan to the
Culhua-Mexica, it is likely they would have
included it on an early sixteenth century map of
Tenochtitlan and environs; yet Europeans, among
them Cortes and the Nuremberg engraver, could
not have known the importance that Culhuacan
had to the Mexica. Thus I am convinced that the
protrusion on the lake shore in the Nuremberg map
was a copyist's misreading of the indigenous placename that would have been used to designate
Fig. 12. Tepetl, or hill, symbol, found in native manuscripts of Central Mexico. (Author drawing.)
23
Fig. 13. CodexOsuna,1565. A page froma collectionof documentscreatedby indigenesin the Valleyof Mexicoas partof
an inquiryinto officialmisdeeds.Thisparttells of the abusesnativecommunitiessufferedin rebuildinga dike acrossone of
the valley lakes. It shows the dike in native fashion, as a chain of stone symbolsstretchingfrom one shore to the next
(BibliotecaNacional,Madrid,MS Vit. 26.2, CodiceOsunafol. 39/501). (PhotocourtesyBibliotecaNacional.)
Culhuacan on the native prototype. The symbol for
Culhuacan, a name meaning 'Place of our Grandfathers', would have been, on a native map,
recorded in the logographic writing of central
Mexico (Fig. 11). The symbol, drawn here from
the Codex Boturini, begins with the generic hill or
place sign shown in Figure 12, which was to convey
the '-can' (place of) suffix, and to this adds a curved
or twisted top, thus representing 'colli' (grandfather) with its near homonym, 'col' (something
twisted).35 The successive copying that resulted in
the Nuremberg map led to this symbol's integration
into the lake shore. As a result, the shoreline takes
on the rough bell shape of the hill symbol; with the
topmost part inclining to the right, it retains a dim
memory of the original curved top.
The Dike
24
Fig. 15.
Houses
Rippling out from the centre temples, the houses
of Tenochtitlan appear in careful rows on canals,
making the city look like Venice. The Aztec city
clearly evoked this maritime nation in the minds of
Europeans,37 and the Nuremberg engraver may
have had maps of Venice on his mind.38 But we can
also encounter a precedent for the house rows in
sixteenth-century native maps. The conventional
house symbol (Fig. 15) was ubiquitous in maps, and
in a map from the Valley of Mexico called the Plano
en Papel de Maguey (thought to be a northern
suburb of Tenochtitlan), the city is represented as
rows of houses arranged neatly along canals just
like in the Nuremberg map.
In the arrangement of the centre and in the
appearance of details corresponding to the conventions of native maps, we see the Nuremberg
map indebted to a native prototype. The native
understanding posited Tenochtitlan as an axis
mundi, the centre of a perfectly centred world; it
was linked to, but separate from, an older centre
of civilization, Culhuacan. While its partners in
the imperial enterprise, Tlacopan and Texcoco,
were included in this picture of the imperial
capital, they were peripheral; their status was
clearly secondary in Culhua-Mexica eyes. Most
important, the Culhua-Mexica understood their
city to mirror the cosmic order, with its temples
evoking the sites of myths and its sacrifices
echoing those of the gods. The starting point of
the Nuremberg map, therefore, is solidly on Aztec
ground.
The Map in Europe
Historical
Evidence
25
tlan-and
maps.43
Transmission
But how could these Culhua-Mexica maps, one
of the coast, the other of the city, which Cortes says
he sent from Mexico in October 1520 and which
Peter Martyr saw, probably in Seville, sometime
after early November 1522, have ended up in
Germany by 1524?44 We can speculate on their
travels: Cortes's missive would have arrived in
Spain, probably Seville, around the beginning of
1521 and with it two maps. The original letter and
maps may have remained in Seville, for it was here
that Peter Martyr saw them. Since their royal
recipient, Charles V, was in Germany at the time
they would have arrived, it is probable that copiesof
the letter and maps were dispatched to him there.45
After Charles left Germany to return to Spain in
mid- 1521, his copies of the maps may have
remained in Germany among state papers
entrusted to his brother Ferdinand, who was the
overseer of the German provinces. Ferdinand spent
much of 1522 to 1524 in Nuremberg attending its
Diet,46 and it was here, in February of 1524, that an
impression of the maps, showing them side by side,
was cut into a woodblock and printed.
Above I suggested that the source of the
Nuremberg map of Tenochtitlan was as much a
map of ideology as it was of spatial relationspositing an Aztec idea of Tenochtitlan and its
relationship to the larger Aztec cosmic order. Here
I aim to show that the Nuremberg map, in turn,
was shaped by an ideological programme, this one
generated by Cortes. While many have considered
what the map showed, few have questioned the
role of the map in its European context, and this
neglected aspect of the map is what will concern
me. Further, I shall argue that the map was not just
a passive object; rather, it was an agent in both
reflecting and shaping European understandings of
the Aztecs and the New World.
Civility or Barbarity?
26
27
28
of the
New
World.
As the
Aztec
world
was
NOTESAND REFERENCES
1. Cortes's First Letter was never published and is now
lost. His Second Letter describes the initial entry into
Mexico, and his Third, its conquest. The Second Letter was
first published in Spanish in Seville in November 1522,
and this edition contained no map. The Third Letter was
also first published in Spanish, appearing four months
later. In 1524 the Spanish edition of the Second Letter and
Third Letter were translated into Latin and published in
Nuremberg; this is the first edition to contain a map. Two
manuscript compilations of Cortes's letters also exist
(Biblioteca Nacional, Madrid, MS 3020, and Osterreicchische Nationalbibliothek, Vienna, MS 1600); neither
contains maps. These are described by Anthony Pagden,
'Translator's Introduction', in Hernan Cortes, Lettersfrom
Mexico,ed. and trans. Anthony Pagden (New Haven and
London, Yale University Press, 1986), lii-lx. A facsimile of
the Vienna manuscript has been published: Hernan
Cortes, Cartasde Relacidnde la Conquistade la Nueva Espana,
Codex VindobonensisS.N. 1600 (Codices selecti 2; Graz,
Akademische Druck-u. Verlagsanstalt, 1960). For descriptions of the various editions of the letters see Henry
Harrisse, Bibliotheca Americana Vetustissima (New York,
1886).
2. Bernal Diaz del Castillo, The Discoveryand Conquestof
29
30
Huitzilopochtli', Acts of the InternationalCongressof Americanists, 18: 2 (London, 1913): 173-75. In the Nuremberg
map the eastern orientation of the temple has been
reversed, and it seems that in recopying the prototype, the
Nuremberg artist neglected to compensate for the mirror
effect his copying would have on the temple precinct. This
kind of disorientation is common among later copies of
the Nuremberg map.
24. Bernardino de Sahagun, Historia Generalde las Cosas
de Nueva Espana (San Angel, Mexico, Consejo Nacional
para la Cultura y las Artes, 1989), 1: 181-89 (book 2,
appendix); Bernardino de Sahagun, Florentine Codex:
General History of the Things of New Spain, trans. Arthur
Anderson and Charles Dibble (13 vols.; Santa Fe, School
of American Research and the University of Utah, 19501963), book 2: 165-80. Cortes, Lettersfrom Mexico(see note
1), 105-6; Dfaz del Castillo, Discoveryand Conquestof Mexico
(see note 2), 408.
25. Matos Moctezuma, 'Templo Mayor' (see note 12),
148, 161. Sahagun, Historia General de las Cosasde Nueva
Espana (see note 24), 1: 181-89. Some parts of the bodies
(such as limbs) were certainly distributed for ritual
cannibalism; the Aztec's disposal of the other body parts
is still an unresolved question (Inga Clendinnen, Aztecs
(Cambridge, Cambridge University Press, 1991), 91).
26. CodexAzcatitlan/C6dice
Azcatitlan,ed. Michel Graulich
and Robert Barlow (Paris, Bibliotheque nationale de
France, Societe des Americanistes, 1995).
27. The Coatlicue statue was probably set at the top of
the Huitzilopochtli temple not the bottom. Cort6s also
mentions large idols in the precinct ('very much larger
than the body of a big man'), but these were made of
seed-studded dough (Cortes, Lettersfrom Mexico(see note
1), 107). Such 'idols' were rarely, if ever, illustrated in
conjunction with the central temple, and there is no
reason why one would lack its head, as the figure pictured
here does.
28. H. B. Nicholson, 'Religion in pre-Hispanic central
Mexico', Handbookof MiddleAmericanIndians, 10 (Austin,
University of Texas Press, 1971), 395-446.
29. In the precinct today, only one skull rack, a platform
decorated with 240 stone skulls (Temple B) lying to the
north of the temple, has been excavated. The area facing
the temple (the west) remains unexcavated, but it is likely
that a skull rack was built or conceived to exist here.
According to the 16th-century friar Sahagun's description
of the precinct, there were six tzompantlis,and the largest
of them, the Hueitzompantli, stood in front of Huitzilopochtli's temple (Sahagun, Historia Generalde las Cosasde
Nueva Espana (see note 24), 1: 181-89).
30. I am wary of using contemporary reconstructions of
the precinct to corroborate the Cortes map, since in many
instances these reconstructions have been drawn out of
the Cortes map.
31. Cecelia F. Klein, 'Post-classic Mexican death imagery
as a sign of cyclic completion', in Death and the Afterlifein
Pre-ColumbianAmerica, ed. E. P. Benson (Washington,
D.C., Dumbarton Oaks, 1975), 69-85.
32. Codex Fejervary-Mayer:M 12014 City of Liverpool
Museums, ed. C. A. Burland (Codices selecti XXVI; Graz,
Akademische Druck-u. Verlagsanstalt, 1971). See the
interpretation supplied by Eduard Seler, Comentariosal
C6diceBorgia,trans. Mariana Frenk (3 vols.; Mexico: Fondo
de Cultura Econ6mica, 1988); and in Eduard Seler, Codex
Fejervary-Mayer (Berlin and London, Duke of Loubat,
1901-1902).
33. The trees seen in the centre may be a pine grove
mentioned by Peter Martyr as being near the great temple
31
Appendix 1: Important 16th and Early 17th Century Publications of Versions of the 1524
Nuremberg Map of Tenochtitlan
Author
Title
HemrnanCortes
Hemran Cortes
Benedetto Bordone
Place
Antoine du Pinet
Venice
Padua
Georg Braun and
Franz Hogenberg
Cologne
Printer
Years
Frederick Peypus
Arthimesus; Pietro
Savorgnani, trans.
Bernardino de Viano
Feb. 1524
A. de Nicolini
Aug. 1524
Folio/Page
betw.ii
and iii
before
sig. Al
Nicolo d'Aristotile
Aug. 152457
1528
10r
"
"
1534
Paolo Manuzio
Francesco di Leno
Givnti
"
1547
156-?
1556
1565
309v
307v
"
1606
258r
Ian D'Ogerolles
1564
p. 297
1572
1576
p. 105
p. 157
Heredi di Simon
Galignani
Paolo et Francesco
Galignani Fratelli
1590
1605
p. 157
p. 157
1620
p. 157
1576
1581-82
1612
pl. 58
pl. 58
pl. 58
II
II
II
10r
10r
10r
2. Atacuba
Tacuba
3. ViridarniD. Muteezuma
Gardens of Don Moteuczoma
12. Capitasacrificatoru[m]
Sacrificial heads
6. Templumubi sacrificant
Temple where sacrifices are made
7. TEMIXTITAN
Tenochtitlan
8. CapitaSacrificatoru
[m]
Sacrificial heads
17. Telqua
Texcoco
9. Platea
Street
32
ceaselessly-changingwired world-in much the same way as knowing where your radioweatherprogrammeis while not
knowing what tomorrow'sweather will be like.
Thereare two of these gateways,each linked to the other at multiplepoints. From either, you should be able to find
everythingon the Web of value to earlymaps.It is perhapsno coincidencethatboth sites are managedby librarians,whose
metier is the organisationof informationand the routes to it.
1. The Historyof Cartographysite: < http://www.ihrinfo.ac.uk/maps/
>
This is run by the BritishLibrary'sMap Librarian,Tony Campbell,who seeks to provideintroductoryinformationon all
aspects of the subjectwhile recognisingthat many of the answers to questions-about fellowships,exhibitions,journals
(includingImagoMundfs own homepage),conferencesand lectures,societies,librarycollections,for example-are stillto
be found elsewhere than on the Web.
2. 'Oddens's Bookmarks' site: < http://kartoserver.frw.ruu.nll/html/staff/oddens/oddens.htm >
This is managed by the indefatigable Roelof Oddens, Utrecht University's Map Librarian.It comprises, at the time of writing,
almost 5000 links to sites involving both historical and modern mapping and has become an indispensable part of our
discipline. The easiest way of accessing its varied historical information is via the History of Cartography homepage, under
'Internet Resources-Web Links'.
33