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Harry Potter: historical fiction or more?

With an estimated 450 million books in print worldwide it is easy to say that J.K.
Rowlings Harry Potter series is one of the most popular book series ever written. Despite the
magic and heroism, the story seems to contain many elements that most people can relate to.
Themes such as love, friendship, loyalty, and facing adversity return time and time again in
tales and legends dating as far back as Antiquity, and when taking a closer look at Rowlings
work we can draw many parallels between the story of Harry Potter and classical legends and
myths, not the least of which the famous tales of King Arthur. Although some may even
consider the Harry Potter series an allegory of World War II, it does not belong to the genre of
historical fiction due to the extensive and more prominent focus on the Arthurian legend and
elements from Greek myths and legends.
Rowlings most obvious inspiration for the Harry Potter series appears to be the legend
of King Arthur. The first clear indication of this can be found in the very first chapter of the
series. Both Harry and Arthur grow up without their parents, hidden from their world to
remain safe. Similar to Arthur, Harry will only find out who he truly is much later in life when
he meets Hagrid who explains to Harry that his parents were murdered and that they too were
wizards, just like him. This revelation turns out to be the catalyst for Harrys quest to find his
parents killer Lord Voldemort and take revenge as well as save the wizarding world from
evil. This quest is comparable to Arthurs defeat of the Saxons resulting in the salvation of his
people and ultimately being regarded as a hero.
A second Arthurian element that can be found in the Harry Potter series is the concept
of a prophecy. Merlin knows that Arthur will become king and save the British people from
the Saxons and predicts that he will be murdered by his own son. In the Harry Potter series we
meet the character Professor Trelawney, who teaches Divination. Before the birth of Harry,

she makes a prophecy to professor Dumbledore that: The one with the power to vanquish the
Dark Lord approaches born to those who have thrice defied him, born as the seventh month
dies and the Dark Lord will mark him as his equal, but he will have power the Dark Lord
knows not and either must die at the hand of the other for neither can live while the other
survives (Rowling, Order of the Phoenix, 924). Moreover, when Merlin predicts to King
Arthur that his own son will murder him, Arthur has all boys born on that day killed. This is
comparable to the actions that Lord Voldemort takes after hearing about the prophecy. He
identifies the person the prophecy was made about as Harry, and thus tries to kill him.
Another striking Arthurian element in the Harry Potter series is the character of
Dumbledore, who seems entirely based on the Arthurian character Merlin. Similar to Merlins
guidance of Arthur, Dumbledore takes it upon himself to mentor Harry and prepare him for
the battle he eventually must face against Lord Voldemort. Merlin leads Arthur to a lake
where he receives the legendary sword named Excalibur. Dumbledore does a similar thing to
Harry buy providing him with the sword of Godric Gryffindor, one of the four founders of the
magical school Hogwarts (Rowling, Chamber of Secrets, 358). Through the entire book
series, Dumbledore functions as a mentor and personal guide to Harry, a source of wisdom
that helps Harry to ultimately fulfil his quest to find a way to end Voldemorts life.
Furthermore, both Merlin and Dumbledore form their own group of loyal people. Merlin
forms his famous Knights of the Round Table, and Dumbledore initiates the group named the
Order of the Phoenix which is comprised of the most loyal and skilled wizards. Harry himself
also rallies a group of young, loyal students whom he wants to teach ways to defend
themselves from Lord Voldemort and his evil helpers, which he calls Dumbledores Army.
Finally, both the legend of Arthur and the Harry Potter series contain a quest to find
the grail. Chrtien de Troyes, who greatly influenced the current view on the Arthurian
legend, wrote a text within the Arthurian canon in the 12th century named Perceval, le Conte

du Graal and it explicitly states Ce est li contes del graal (Troyes, 5). This text is the first to
incorporate the element of the Grail into the Arthurian myths and in the story it is prophesied
to have magical and mythical properties. The Harry Potter series also includes a few
prominent accounts of grails that have particular significance to the story. In the fourth
instalment of the series, Harry has to participate in the Tri-wizard Tournament. The Tri-wizard
Cup choses him to be one of the champions, and in the third round of the tournament, Harry
even has to find his way to the Cup through an enchanted maze. This Cup takes the shape of a
grail and functions not only as a prize, but also as magical portal (Rowling, The Goblet of
Fire). Moreover, in the seventh book, he is searching for Hufflepuffs Cup. Hufflepuff was
also one of the four founders of Hogwarts, and Voldemort turned it into one of his seven
horcruxes. Harry has to find it to be able to destroy it and thus get closer to destroying his
enemy Lord Voldemort (Rowling, Deathly Hallows). These quests that Harry must fulfil all
involve the search for a grail. This is very similar to Troyess quest for the holy grail.
Another mythical element in the Harry Potter series is the incorporation of mythical
and classical beasts. One of the first real classical beasts the reader runs into is a Cerberus. In
Greek mythology, Cerberus is the hound of hades, guardian of the underworld and the only
way to get past him is to calm him down by playing music (Daly, 28). We later find out that
Hagrid gave the Cerberus to Dumbledore to guard the entrance to a dungeon where the
Philosophers Stone was hidden, so Fluffy (as Hagrid named it) in this case also guards the
underworld the underworld of the dungeons. Moreover, he even mentions that he bought
him off a Greek chappie (Rowling, Philosophers Stone, 209).
Additionally, Rowling creates a fairly prominent character that we find in several of
the books in the form of a Centaur. According to Daly, centaurs are creatures half human and
half horse. [they] were expelled from their native Thessaly and took refuge on Mount Pindus
(Daly, 28). Like the centaurs in from Greek myth, the centaurs in the Harry Potter series were

sent to special grounds all over the country by the Ministry of Magic, virtually expelling them
from their native grounds. Most of the centaurs in the Harry Potter world are not on friendly
terms with humans, apart from one centaur: Firenze. Firenze encounters Harry in the
Forbidden Forest during Harrys first year at Hogwarts and helps him get to safety from Lord
Voldemort (Rowling, Philosophers Stone, 277-281). Firenze also gets offered a position at
the school to teach divination during Harrys fifth year. This is not received well by the
centaur community, so they ban Firenze from their grounds (Rowling, Order of the Phoenix,
661). In Greek mythology one encounters the centaur Chiron who is half human and half
horse, [and] represented ancient wisdom. He was the symbol of the wild horse, full of
strength, tamed to be of enormous help to humans (Daly, 31). Like Firenze, he was regarded
as the good centaur who helped and befriended humans. It is clear to see that the character
Firenze is based off the myth of Chiron.
A final beast from the Harry Potter series that has its roots deep in Greek mythology is
the Basilisk. As a symbol of the evil Lord Voldemort and the House of Slytherin, snake-like
creatures feature often in the series, but non so memorable as the giant Basilisk that Harry
encounters in his second year at Hogwarts. The Basilisk usually represents evil and is a
symbol of death. Christianity employed the symbol of the basilisk at times, and as with a
number of other serpents, immediately cast it as a demon or representative of the devil itself
(basilisk New World Encyclopedia). Rowlings choice of patron animal for the House of
Slytherin (which was also the House in which Lord Voldemort was sorted as a child) is not at
all coincidental. Representing the embodiment of evil, snakes and snake-like creatures are
always tied to Lord Voldemort, whether it is the Basilisk, Voldemorts pet snake Nagini, or
even the snake language that both Harry and Voldemort master and allows them to speak to
the Basilisk.

Similarly to Rowlings inspiration for the fauna in the Harry Potter universe, she also
used Greek mythology to give hints to character backgrounds in the form of their names. A
great example of this is the character Merope Gaunt. Merope is Voldemorts mother and
during Harrys sixth year at Hogwarts he is introduced to her by visiting Bob Ogdens
memory. Harry learns that Merope was a witch, and a descendant of the great wizard
Slytherin. Her family, like Slytherin, was very much against the breeding between magic and
non-magic people. However, Merope fell in love with a non-magic person, Tom Riddle. Tom
was not interested in Merope, but being a witch, see bewitched him with a love potion. They
had a child (who will later turn out to become Lord Voldemort) but she felt ashamed of her
lies, so she ceased giving Tom the potion. Merope then runs away and goes into hiding
(Rowling, The Half-blood Prince). This story is incredibly similar to one described in Ovids
Fasti about one of the seven Pleiades; Merope: The seventh, Merope, was married to a
mortal man, to Sisyphus, and she repents of it, and from shame at the deed she alone of the
sisters hides herself (Frazer, p. 201). Both the elements of falling in love with the wrong
person and the shame that comes with it are very much present in both.
Aside from Merope, there are two more characters whose names Rowling derived
from legend, namely that of Albus Dumbledore. As the avid Harry Potter reader may know,
Dumbledores second name is Percival. This once again harks back to legend of King Arthur.
According to Crtien de Troyes, Percival was one of the knights of the round table, a chivalric
order erected by King Arthur to protect the lands. Albus Dumbledore is one of the members of
the Order of the Phoenix, a group of wizards who fight the evil Lord Voldemort.
Lastly, the origins of the character Sirius Black can be found in Greek mythology. The
hunter Orion owns a dog names Sirius, which is incredibly loyal to Orion. When the goddess
Artemis accidentally kills Orion during the hunt, she places Orion in the night sky. However,
his dog Sirius becomes hysterical and will not stop looking for him. Artemis then places

Sirius next to Orion in the heavens (Garza). During Harrys third year at Hogwarts, he meets
Sirius. Sirius used to be Harrys fathers best friend but was convicted of betraying Harrys
parents to Voldemort, which resulted in their deaths. Nonetheless, it soon becomes clear that
Sirius was wrongly accused and has always remained loyal to his old friend. Harry also learns
that Sirius is an animagus, which means that he can turn into an animal. Sirius Black can at
will take the form of a dog (Rowling, Prisoner of Azkaban). This is a clear reference to the
loyal dog Sirius and his friend Orion.
Some may claim that the Harry Potter series belongs in the Historical Fiction genre
because of the clear parallels to World War II. Indeed, the resemblances between Hitler and
Lord Voldemort are there. Both have an incredible hatred for anything but pure-blood. Lord
Voldemort feels that the magical people are far superior than the non-magical people, and
Hitler preferred the Arian race over all others. Dividing people into pure-blood and mixedblood groups is something that both Hitler and Lord Voldemort do. Rowling herself says
that: there were parallels in the ideology. I wanted Harry to leave our world and find exactly
the same problems in the wizarding world. So you have the intent to impose a hierarchy, you
have bigotry, and this notion of purity, which is this great fallacy, but it crops up all over the
world. People like to think themselves superior and that if they can pride themselves in
nothing else they can pride themselves on perceived purity (J.K. Rowling at Carnegie
Hall). This, combined with all the references to Arthurian and Greek mythology leads to the
conclusion that the Harry Potter series is not Historical fiction because it has got so much
more going for it than just a reference to a war.
In conclusion, the Harry Potter series incorporates a plethora of myths and legends
with interesting parallels such as the one between Merope Gaunt and Greek mythology, as
well as more overt ones such as the resemblances between Harry and Arthur. Moreover, it
blends these myths and superhuman legends with a very human aspect: war. Whether that is

World War II or simply the concept of war itself. Therefore it can be said that Rowlings
Harry Potter series does not belong to the Historical Fiction genre. It is so much more than
that.

Works Cited

Basilisk. New World Encyclopedia. Paragon House Publishers, 2014. Web. 27 May 2015.
Daly, Kathleen N. Greek and Roman Mythology A to Z. Ed. Marian Rengel. New York: Facts
on File, 2004. Print.
Frazer, Sir James George. Ovids Fasti. Cambridge: Harvard University Press, 1959. Print.
Garza, Deanna. Harry Potter and the Enchantments of Literature. The ALAN Review 38:3
(2011). Web. 27 May 2015.
J. K. Rowling at Carnegie Hall. The-leaky-cauldron.org. n.p. 20 October, 2007. Web. 15
June, 2015.
Rowling, J.K. Harry Potter and the Chamber of Secrets. London: Bloomsbury, 2004. Print.
Rowling, J.K. Harry Potter and the Deathly Hallows. London: Bloomsbury, 2004. Print.
Rowling, J.K. Harry Potter and the Goblet of Fire. London: Bloomsbury, 2004. Print.
Rowling, J.K. Harry Potter and the Half-blood Prince. London: Bloomsbury, 2004. Print.
Rowling, J.K. Harry Potter and the Order of the Phoenix. London: Bloomsbury, 2004. Print.
Rowling, J.K. Harry Potter and the Philosophers Stone. London: Bloomsbury, 2004. Print.
Rowling, J.K. Harry Potter and the Prisoner of Azkaban. London: Bloomsbury, 2004. Print.
Sirius. Regulus. Behind the Name. Mike Campbell, 1995. Web. 27 May 2015.
Troyes, Chrtien de. Conte du Graal (Perceval). Ed. P. Kunstmann. Ottawa, 2009. Google
Search. Web. 27 May 2015.

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