Libro 1

http://www.eddielewis.
com
Thank You!
Did you know that its people like you who make this music available?
Its true. This musical pdf file comes from a continually growing website which is currently over 250mb in size. Each
month, new music is added and the costs of the site continue to mount. Without donations from supporters like you,
none of this would be possible. Thanks to this generous support, thousands, no, millions of people from all over the
world have access to this music.
Why Donate?
Your donations guarantee that the website will go on to function the way it has been. This not only means that you will
have continual access to the site but also that new music will keep being added to the catalog, giving you plenty of
reasons to return for more. My short term goal is to post 100 items (compositions and books) by midsummer, but I have
long term projections which easily surpass 300 items. Thats a whole lot of web space and I know I cant pay for that
myself. Thats why I need your help. Without your financial help, I may need to close the whole thing down.
I also have to believe that, if enough people support this site, other sites will follow. Wouldnt that be a wonderful thing,
to have composers and authors from all over the world who offer their books and music online for a suggested
donation? If the people support it, then its a win/win situation for everyone involved.
Donation Link:
https://www.paypal.com/xclick/business=tiger%40eddielewis.com&item_name=Daily+Routines&item_number=DR&amount=5.00
The Music
The music in these files is top quality engraving. Not only do I use the industrys leading music engraving software
(Finale), but I spend the time and effort to make the parts exactly right. Many people use computerized musical notation
as a short cut but I dont. I rarely accept the defaults in each individual part and I labor over them literally for hours to
make sure that the music is easy to read. This is the same engraving quality you would get from any of the major
publishers, if not better!
Why downloads?
I ran my own publishing business for over a decade before I decided to post all of my books and compositions on my
website. Having done it both ways, I can tell you that this way is better for everyone. I want people to use my music and
my books. Doing it the old way, via mail order sales, I had to limit the numbers of books and reduce the quality of the
print in order to keep up with the demand. This way, you will eventually have access to everything Ive ever written and
it will always be of the highest quality work.
The downloads also allow me to spend my time practicing and writing more music instead of trying to fill book orders.
This means that my best work is yet to come and that the music will continue to mature in the future. Once again I have
to say that this is better for everyone.
But the most important benefit to you is that the recommended donation amount is only a fraction of what I was charging
in my mail order business. For example, my Daily Routines book was selling for $30. The recommended donation for
that book is $5. Can it get any better than that? You get the music now and you get it for far less.
Money Back
All donations are 100% refundable. I never want anyone to think I suckered them into giving me money. If for any
reason you feel like you made a mistake, I will gladly refund exactly the amount you donated.
Donation Link:
https://www.paypal.com/xclick/business=tiger%40eddielewis.com&item_name=Daily+Routines&item_number=DR&amount=5.00
Snail Mail Donations

Of course, not everyone feels comfortable sending money via Paypal. Some people prefer to send checks through the
regular mail and thats okay with me. If you would like to make a donation for this file, but dont want to make an online
payment, please send a check or money order for five dollars to:
Eddie Lewis
PO Box 34027
Houston, TX
77234
Copyright Information
All of the music and text contained within this file is the intellectual property of Edward R. Lewis. I maintain all the rights
which are inherent to that ownership. You may NOT sell this music for profit. You may NOT distribute this file without my
permission. You may not change the music in any way without my permission.
DO NOT add parts.
DO NOT change rhythms or notes.
DO NOT change the titles.
DO NOT claim this composition as your own.
ALWAYS include proper attribution whenever you perform this music.
ALWAYS ask for permission to create arrangements of this music.
ALWAYS ask for permission to record this music.
Attribution in Programs
Its extremely important that you include the proper title and the correct spelling of my name in concert programs. Its not
just an ego thing. Its more of a money thing. I am a member of BMI and if you perform this music, I should collect
performance royalties which cost you nothing as a performer - but may be a blessing to me and my family in future.
This is the only hope I have of ever getting anything in return for what I have made available to you for free. So
PLEASE, put this important information in your programs and do what you can to make sure that those programs are
sent to the proper authorities.
Thank you.
Daily Routines
Developed from:
The Physical Trumpet Pyramid
By Eddie Lewis
Copyright 1991
-1-
Introduction
The Physical Trumpet Pyramid is an outline of the physical demands of
trumpet playing. In contrast to a ladder type of outline, a pyramid shows
dependency. As a person climbs a ladder, each new rung supports the weight of
that person, The bottom rungs are then left behind. I n a pyramid type of outline,
all new material relies on previously used material. In application to the physical
demands of trumpet playing, a pyramid type of outline implies a specific order of
dependency. The details of this type of dependency are discussed in my book
called The Physical Trumpet Pyramid.
Daily Routines is a collection of seven separate routines, each containing material
from the top four levels of The Physical Trumpet Pyramid, plus a set of
Tonalization studies. The bottom level , or foundation, of the pyramid is only left
out because it lacks pitches which can be written in musical notation. Please be
aware of the importance of doing daily air exercises. They should precede the
material in this book.
Where the materials in The Physical Trumpet Pyramid are meant as examples
and not to be used as a true routine; Daily Routines is the opposite. In Daily
Routines, the theories are not as important as the actual material. This book is to
be practiced, not understood. For best results, students should play one group
each day that they practice. One suggestion is to alternate days of difficulty. On
Monday, do group five, then on Tuesday do group two. That kind of alternation
will create strength.
-2-
Table of Contents
Introduction........................................ pg. 2
Table of Contents............................... pg. 3
Technical Notes................................... pg. 4
Group 1................................................. pg. 5
Group 2................................................ pg. 11
Group 3................................................ pg. 20
Group 4................................................ pg. 37
Group 5................................................ pg. 53
Group 6................................................ pg. 72
Group 7................................................ pg. 91
MultipleTonguing
Articulation
Flexibility
Embouchure
AIR
-3-
Technical Notes
Air Exercises:
The exercises in this book are meant to be played in order. That order should begin with an air
exercise. It doesnt need to be anything complicated, using expensive equipment or elaborate
postures. You just need to spend a little time creating an air stream off of the horn. Ive used
many over the years, but the one Ive settled on is; three supported air streams blown into my
fist (or mouth piece), paying particular attention to the evenness of the air and the uninhibited
breath between air streams.
Mouth Piece Placement:
This is an exercise that I didnt include in the first edition. It started out as an exercise that I
made only my braces students do. After doing it for a while myself, I realized how valuable it is.
Its simple. Hold a sustained tone on a lip buzz, then place the mouth piece on the lips, trying
to maintain the buzz. What this does is forces the mouth piece to be placed in a position where
it can accommodate the lips.
Pedal Tones:
I am one of many people who like to do pedal tones. My problem, in developing this method,
was finding a place in the order for them. I decided long ago that this place should be between
the lip slurs and the articulation. I personally have had problems with ending a practice session
with pedal tones and Ive heard that many other players have experienced similar problems.
Nor does it make sense to begin a session with pedal tones. Since the lip slurs are the most
strenuous exercises in each group, it made sense to me to use the pedal tones to loosen the lips
in preparation for the second half of the group.
Tonalization:
These exercises are not actually part of the Physical Trumpet Pyramid. I include them as sort of
a bonus. They are scale exercises, to be practiced in only one key at a time. To me, in this
context, the word Tonalization is similar to socialization. We become socialized by our
surroundings, our social environment. The concept of the Tonalization is similar. If our scale
environment stays in the key of four flats for an extended amount of time, then we begin to
think in four flats. The movements it takes to play in that key become second nature.
These Tonalization exercises are basically comprehensive scale patterns which encompass the
range of the group. You should play them in no more than one key per day (I do one key per
week). To play them in the key of C, simply read them as written. To play them in other keys,
you can either change the key signature and begin on the first note, or you can change the key
and begin on the note which corresponds with that key. Do not transpose them. Transposing
these exercises causes them to fall out of the groups range.
Youll notice that some of the notes at the bottom are smaller. These cue like notes are to be
played only in the sharp keys.
-4-
Group 1
"Daily Routines" by Eddie Lewis - pg. 5
Always remember to do air exercises

before you begin your lip buzz.
Lip Buzz
1)
2)
3)
Rest
Rest
Rest
Rest
4)
Do the mouth piece placement

exercise here.
Mouth Piece Buzz
5)
6)
Rest
Rest
7)
8)
Long Tones
9)
Rest
Rest
Rest
Lip Slurs
Slur Throughout
10)

Rest
1
2 1
3 3
Slur Throughout

11)

Rest
Slur Throughout
1
3
1
2
3
1
3

12)
Rest
Do pedal tones here.
Articulation
13)
14)
4X's
4X's
Rest
Rest
15)
16)
17)
18)
19)
4X's
Rest
Rest
4X's
4X's
4X's
20)
21)
4X's
Rest
Rest
Rest
Rest
Rest
22)
Rest
Tonalization
Slur Throughout
23)
To be played in every key (see Technical Notes).

Small notes are to be played only in the
sharp keys.
Rest
Slur Throughout
24)
Slur Throughout
25)
Rest
Slur Throughout
27)
Rest
Slur Throughout
26)
Rest
Rest
Group 2

Lip Buzz
1)
2)
Rest
Rest
Rest
3)
Rest
4)
5)
6)
Rest
Rest

exercise here.
Mouth Piece Buzz

7)
8)
9)
Rest
Rest
Rest
Rest
10)
11)
12)
Rest
Rest
Long Tones
13)
14)
Rest
Rest
2
3
Slur Throughout
Lip Slurs
15)
1
3
1
3
1
2
3
1
2
3
1
3
1
3
2
3
Rest
Slur Throughout
16)

2
3
1
3
Slur Throughout
17)
2
3
1
3
Slur Throughout
18)
Rest
Articulation
19)
Rest
Rest
1
2
3
Rest
2
3
1
3
4X's
1
3

1
2
3
1
3
2
3
1
2
3
1
3
2
3
2
3
4X's
20)
21)
22)
23)
24)
25)
Rest
4X's
Rest
4X's
Rest
4X's
Rest
4X's
Rest
Rest
4X's
26)

Rest
27)

28)

29)
Rest
Tonalization
Rest
Rest

sharp keys.
Slur Throughout
30)
Rest
Slur Throughout
31)
Rest
Slur Throughout
32)
Rest
Slur Throughout
33)
Rest
Slur Throughout
34)
Slur Throughout
35)
Rest
Rest
Slur Throughout
36)

Rest
Slur Throughout
37)
Rest
Group 3

Lip Buzz
1)
2)
3)
5)
Rest
4)
Rest
Rest
Rest
Rest
6)
7)
Rest
Rest

exercise here.
Mouth Piece Buzz

8)
9)
10)
Rest
Rest
Rest
Rest
11)
12)
Rest
13)
14)
Rest
Rest
Long Tones
15)
Rest
Lip Slurs
1
2
Slur Throughout
16)
2 2
3 3
1
3 31
1 1
2 2
3 3
1
2
3
1
3 1
3
2
2 3
3
1
3

1
2
1
3
1
2
Slur Throughout
17)

2
3
Rest
2
3
1
3

1 1
2 2
3 3
1
3 31
2
3
2
3
1
3
1
2
Rest
1
2
Slur Throughout
18)
1
3
2
3
1
3
1
2
2
3
1
3
1
1 2
3
2
3
1
3
Rest
19)
2
3
1
2
Slur Throughout
1
2
3
1
3
2
3
1
3
Rest
Articulation
20)
Rest
21)
Rest
22)
Rest
23)
Rest
1
2
Rest
Rest
26)
Rest
27)
Rest
28)
Rest
29)
Rest
30)
24)
25)
Rest
31)
Rest
32)
Rest

33)

34)
Rest

Rest

35)

36)
Rest

Rest
37)
Rest
38)

Rest

39)

40)
Rest
Rest

41)

Rest
42)

Rest

43)

44)
Rest

Rest
Multiple Tongue
45)
TK
47)
4X's
T KT K
4X's

T KT KT KT K
4X's
4X's
4X's
4X's
4X's

46)
4X's
4X's
Rest
4X's
Rest
Rest
48)
49)
3X's
Rest
Rest
3X's
Tonalization

sharp keys.
Slur Throughout
50)
Rest
Slur Throughout
51)
Rest
Slur Throughout
52)
Rest
Slur Throughout
53)
Rest
Slur Throughout
54)
Rest
Slur Throughout
55)
Rest
Slur Throughout
56)
Rest
Slur Throughout
57)
Rest
Slur Throughout
58)
Rest
Slur Throughout
59)
Rest
Slur Throughout
60)
Rest
Slur Throughout
61)
Rest
Slur Throughout
62)
Rest
Slur Throughout
63)
Rest
Group 4

Lip Buzz
1)
2)
6)
7)
4)
3)
5)
Rest
Rest
Rest
Rest
Rest
Rest
Rest
8)
9)
10)
Rest
Rest

exercise here.
Mouth Piece Buzz

11)
12)
13)
Rest
Rest
Rest
Rest
14)
15)
Rest
Rest
Rest
16)
17)
18)
Long Tones
19)
Rest
Rest
Rest
Lip Slurs
0 2
Slur Throughout
20)
1 1
2 2
3 3
1
2
3
1
3 31
1 2 21
1
3
1
2
2
3
2
3
1
2
2
3
2
3
1
3
1
3
1
3
1 2
Rest
Slur Throughout
21)
0 2

1
2
3
1
3
22)
1
3
1
3
1
3
2
3

2
3
1
2
2
1
Rest
2
3
1 2
Slur Throughout
0
23)
1
3
Slur Throughout
0
1
2
3
1
2 3
3 31
1 2
3

2
3
1
2
2
3
1
2
1
2
3

2
3
2
3
1
3
1
2
3

2
3
1
3
Rest
0
1
2
3
1
3
1
2
3
1
2
3
0 Rest
Slur Throughout
0 2
24)
1 2

2
3
1
2
1
2
3
1
3
1
3
3 2
2
Rest
Articulation

25)
Rest
26)
Rest

27)
Rest
28)

Rest

29)
30)
31)
32)
33)
34)
35)
Rest
Rest
Rest
Rest
Rest
Rest
Rest
36)

Rest
37)
3X's
3X's
38)
39)
40)
3X's
3X's
41)
3X's
Rest
Rest
Rest
Rest
Rest
3X's
42)
Rest
Multiple Tongue
4X's
T TK
TT KT T K
4X's
4X's
4X's
43)
4X's
Rest

4X's
44)
4X's
4X's
4X's
4X's
Rest
45)
3
3
3 3 3 3 3 3
Rest
3
3
3
3
3 3 3 3
46)
Rest

47)
3
Rest
48)
Tonalization
Rest

sharp keys.
Slur Throughout
49)
Rest
Slur Throughout
50)
Rest
Slur Throughout
51)

Rest
Slur Throughout
52)
Rest
Slur Throughout
53)
Rest
Slur Throughout
54)
Rest
Slur Throughout
55)
Rest
Slur Throughout
56)

Rest
Slur Throughout
57)
Rest
Slur Throughout
58)
Rest
Slur Throughout
59)
Rest
Slur Throughout
60)
Rest
Slur Throughout
61)
Rest
Slur Throughout
62)
Rest
Slur Throughout
63)
Rest
Slur Throughout
64)
Rest
Group 5

Lip Buzz
1)
2)
3)
4)
Rest
Rest
Rest
Rest
5)
6)
Rest
Rest
Rest
7)
Rest
8)
Rest
9)
Rest
10)
Rest
11)
12)
Rest
Rest

exercise here.
Mouth Piece Buzz
13)
Rest
14)
15)
16)
Rest
Rest

17)

Rest
Rest
18)

Rest
Long Tones
19)
20)

Rest
Rest
Lip Slurs
Slur Throughout
21)
2
3
22)
1
1 2 1
2 3 2
3
3
1 1 1 1 1
2 2 2
3 3 1
3 3 3
3
1
2
2 2
3 3
1
3 31 31
1
3 31 1
3
Slur Throughout
0
2
3
2 2
3 3
1
2
Rest
1
3 31 31
1 2
Rest
Slur Throughout
23)
Slur Throughout
24)
Slur Throughout
25)
2
3

Rest

Rest
1
2 1
3 3
2
3
1 1
2 2 1 1
3 3 3 3
1
3 31
1
3
1 1
2 2 31 1
3 3
3
1
3 31
Rest
Articulation
26)

Rest
27)

Rest
28)

Rest

29)

Rest
30)

Rest
31)
32)
33)
Rest
Rest

Rest
34)

Rest

35)
36)
Rest
Rest
37)
38)
3X's
3X's
3X's
39)
Rest
Rest
Rest
40)
41)
3X's
3X's
44)
45)
3X's
3X's
Rest
3X's
43)
3X's
42)
Rest
Rest
Rest
Rest
Rest
Multiple Tongue
46)
47)
48)
49)
Rest

T K T K T K T K
Rest

Rest

Rest

Rest
51)

52)

Rest
Rest
53)

Rest
3X's
54)
3X's
55)
3X's
56)
3X's
58)
Rest
Rest
Rest
Rest
Tonalization

sharp keys.
Rest
Slur Throughout
59)
3X's
57)
Rest
Slur Throughout
60)
Rest
Slur Throughout
61)
Rest
Slur Throughout
62)
Rest
Slur Throughout
63)
Rest
Slur Throughout
64)
Rest
Slur Throughout
65)
Rest
Slur Throughout
66)
Rest
Slur Throughout
67)
Rest
Slur Throughout
68)
Rest
Slur Throughout
69)
Rest
Slur Throughout
70)
Rest
Slur Throughout
71)
Rest
Slur Throughout
72)
Rest
Slur Throughout
73)
Rest
Slur Throughout
74)
Rest
Group 6

Lip Buzz
1)
2)
3)
Rest
Rest
Rest
4)
5)
Rest
6)
Rest
7)
Rest
Rest
8)
Rest
9)
Rest
10)
Rest
11)
Rest

exercise here.
Mouth Piece Buzz

12)
13)
Rest
Rest
17)
Long Tones
18)
Rest
Rest
15)
16)
14)
Rest
Rest
Rest
19)
Rest
Lip Slurs
Slur Throughout
20)
1 1 1 1
2 2
2 2
3 3 3 3
1 1
3 3 31 31
21

2
3
21

2
3
1 1 1 1
3 3 3 3
2
3
Rest
Slur Throughout
21)
2
3
Slur Throughout
0
22)
1 21
Rest
Rest
1 1
1 1
2 2
3 3 3 3
1 1
2 3 3
2 3
3
1
2
1 1 1 1 1 1
3 3 3
2 2 2
3 3 3
1 1 1
2 3 3 3
2 3
2 3
3
2
3
Slur Throughout
23)
1
2
2
3
2
3
1 1 1 1 1 1
2 2 2
3 3 3 3 3 3
1
2 3 31 31
3
2
3
Rest
2
3
1
2
Slur Throughout
24)

2
3
1
2
3
1
3
Rest
2
3
1
3
Articulation
25)
Rest

26)

Rest

27)

Rest

28)

Rest

29)

30)
31)
Rest
Rest
Rest
32)

33)

34)
Rest

35)
Rest
Rest
Rest
3X's
36)
37)
38)
3X's
40)
3X's
41)
Rest
3X's
3X's
3X's
39)
3
3
3
Rest
Rest
Rest
Rest
Rest
3X's
42)
3X's
43)
3X's
44)
Rest
Rest
Rest
Multiple Tongue
45)
Rest
46)
47)
Rest
3
Rest
48)
Rest
49)
3
3
3 3 3 3
3 3
Rest
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
50)
3 3 3
3
3
3
3
3
Rest
3
51)
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
Rest
3X's
52)
3X's
54)
3X's
53)
3X's
3

55)
Rest
Rest
Rest
Rest
3
3
3X's
3
3
3
3
3
3
3

56)
Tonalization

sharp keys.
Slur Throughout
57)
Rest

Rest
Slur Throughout
58)
Rest
Slur Throughout
59)
Rest
Slur Throughout
60)
Rest
Slur Throughout
61)
Rest
Slur Throughout
62)
Rest
Slur Throughout
63)
Rest
Slur Throughout
64)
Rest
Slur Throughout
65)
Rest
Slur Throughout
66)

Rest
Slur Throughout
67)
Rest
Slur Throughout
68)
Rest
Slur Throughout
69)
Rest
Slur Throughout
70)
Rest
Slur Throughout
71)
Rest
Slur Throughout
72)
Rest
Group 7
Lip Buzz
1)
2)
3)
4)
5)
6)
7)

Rest
Rest
Rest
Rest
Rest
Rest
Rest
8)
Rest
9)
Rest
10)
Rest
11)
Rest
12)
3
3
13)
14)
Rest
Rest
Rest
15)
Rest

exercise here.
Mouth Piece Buzz

16)
Rest

17)
Rest
18)
19)
20)
Rest
Rest
Long Tones
21)
Rest
Rest
22)
Rest
Lip Slurs
23)
1 1 1 21 21
2 2 2
3 3 3 3 3
1
3 31 1
3 31 31
21
Slur Throughout
1
3 31 1 1
1
3
3 3
21

2
3
2
3
2
2 3
3
2 2
3 3
1
2
Rest

2
2
Slur Throughout
0 0
24)
1 1 21 21
2 2
3 3 3 3
Slur Throughout
0
25)
2
3
2
3
2 1
2 21
1
2
1
1 2 2
1
2
1 1 1
2 2 2
3 3 3 1
3 1
3 1
3
2 1
2 3 3 1
3 1
3
2
3
3

2
3
1
2 1
2 1
2
Slur Throughout
26)
2 2
2 3 3
2 3
3
3 31 31 31
Rest
1
2
21
2
3
1
3 1
3 1 1
3 3
2
2 3
2 3
2 3
3
1
2 21
1 1
Rest
1 1 1
2 2 2
3 3 3 1
3 1
3 1
3
2 1
3 3 1
3 1
3
Rest
Slur Throughout
27)
1 1
2 2
3 3 1
3 1
3
2 1
3
3 1
2
3
3
Slur Throughout
28)
1
1 2
1
2
Rest

2
3
2 1
2 3 2 1
3
2

1
2
3
1
3

2
3
1
3
1
2
Rest
Articulation

29)
Rest

30)
Rest

31)
Rest
32)

Rest

33)

34)
35)
Rest

36)
Rest
Rest
Rest
37)

38)

39)
Rest
Rest
Rest
40)
41)
42)
43)
44)
45)
46)
Rest
Rest
Rest
Rest
Rest
Rest
Rest
47)
Rest

48)
Rest
Multiple Tongue
49)

T K T KT K T K

50)
Rest
51)
52)
Rest
Rest
53)
Rest
54)
55)
Rest
Slur Throughout

sharp keys.
Tonalization
Slur Throughout
Rest
Rest
Slur Throughout
56)
Rest
Slur Throughout
57)
Rest
Slur Throughout
58)
Rest
Slur Throughout
59)

Rest
Slur Throughout
60)
Rest
Slur Throughout
61)
Rest
Slur Throughout
62)
Rest
Slur Throughout
63)
Slur Throughout
64)
Rest
Rest
Slur Throughout
65)
Rest
Slur Throughout
66)

Rest
Slur Throughout
67)

Rest
Slur Throughout
68)
Rest
Slur Throughout
69)

Libro 1

Transféré par

Informations du document

Titre original

Copyright

Formats disponibles

Partager ce document

Partager ou intégrer le document

Options de partage

Avez-vous trouvé ce document utile ?

Ce contenu est-il inapproprié ?

Droits d'auteur :

Formats disponibles

Libro 1

Transféré par

Droits d'auteur :

Formats disponibles

http://www.eddielewis.

Snail Mail Donations

Mouth Piece Placement:

"Daily Routines" by Eddie Lewis - pg. 5

Always remember to do air exercises

Do the mouth piece placement

Mouth Piece Buzz

"Daily Routines" by Eddie Lewis - pg. 6

"Daily Routines" by Eddie Lewis - pg. 7

Do pedal tones here.

"Daily Routines" by Eddie Lewis - pg. 8

"Daily Routines" by Eddie Lewis - pg. 9

To be played in every key (see Technical Notes).

"Daily Routines" by Eddie Lewis - pg. 10

"Daily Routines" by Eddie Lewis - pg. 11

Always remember to do air exercises

"Daily Routines" by Eddie Lewis - pg. 12

Do the mouth piece placement

Mouth Piece Buzz

"Daily Routines" by Eddie Lewis - pg. 13

"Daily Routines" by Eddie Lewis - pg. 14

Do pedal tones here.

"Daily Routines" by Eddie Lewis - pg. 15

To be played in every key (see Technical Notes).

"Daily Routines" by Eddie Lewis - pg. 17

"Daily Routines" by Eddie Lewis - pg. 18

"Daily Routines" by Eddie Lewis - pg. 19

"Daily Routines" by Eddie Lewis - pg. 20

Always remember to do air exercises

"Daily Routines" by Eddie Lewis - pg. 21

Do the mouth piece placement

Mouth Piece Buzz

"Daily Routines" by Eddie Lewis - pg. 22

"Daily Routines" by Eddie Lewis - pg. 23

"Daily Routines" by Eddie Lewis - pg. 24

Do pedal tones here.

"Daily Routines" by Eddie Lewis - pg. 25

"Daily Routines" by Eddie Lewis - pg. 26

"Daily Routines" by Eddie Lewis - pg. 28

"Daily Routines" by Eddie Lewis - pg. 29

"Daily Routines" by Eddie Lewis - pg. 30

"Daily Routines" by Eddie Lewis - pg. 31

To be played in every key (see Technical Notes).

"Daily Routines" by Eddie Lewis - pg. 32

"Daily Routines" by Eddie Lewis - pg. 33

"Daily Routines" by Eddie Lewis - pg. 34

"Daily Routines" by Eddie Lewis - pg. 35

"Daily Routines" by Eddie Lewis - pg. 36

"Daily Routines" by Eddie Lewis - pg. 37

Always remember to do air exercises

"Daily Routines" by Eddie Lewis - pg. 38

Do the mouth piece placement

Mouth Piece Buzz

"Daily Routines" by Eddie Lewis - pg. 39

"Daily Routines" by Eddie Lewis - pg. 40

"Daily Routines" by Eddie Lewis - pg. 41

"Daily Routines" by Eddie Lewis - pg. 42

Do pedal tones here.

"Daily Routines" by Eddie Lewis - pg. 43

"Daily Routines" by Eddie Lewis - pg. 44

"Daily Routines" by Eddie Lewis - pg. 45

"Daily Routines" by Eddie Lewis - pg. 46

"Daily Routines" by Eddie Lewis - pg. 47