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To cite this article: Ellie Chambers (1992): Work-load and the quality of student learning, Studies in
Higher Education, 17:2, 141-153
To link to this article: http://dx.doi.org/10.1080/03075079212331382627
141
ABS'rgAC'; For many undergraduates, the amount of work they are asked or expected to do is
among the most crucial factors affecting their engagement with a course of study. Yet student
work-load is a neglected issue, in research literature as in practice among teachers in higher
education. In the context of increasing concern among educationists about the quality of
students" learning, and some discussion of recent research findings, it is argued that 'reasonable
work-load' is a pre-condition of good studying and learning. Some of the ways in which workload can be measured are discussed and, in particular, the methodological difficulties involved
in relying on students' perceptions of it. A more rigorous method of calculating student workload, in advance of course presentation, is outlined. Arguments and evidence are drawn largely
from studies of adult part-time students of the arts and humanities at the Open University
(OU), but are applicable more widely in higher education. Suggestions are offered about how
student work-load can be regulated and some implications of this for curriculum and course
design, as well as for the quality of student learning, are presented.
Introduction
Teachers in higher education have traditionally seen themselves as subject experts and, as
such, their main responsibilities have been to determine undergraduate curricula and to
ensure that students meet the required standards of performance. How students interpret the
requirements of a curriculum, with regard to how much of it should be covered and in what
depth, is often left largely up to them. Only secondarily have teachers concerned themselves
with students' ability to make judgements of this kind, with the level of their 'study skills' or,
more broadly, with the processes of their learning. Rather, the assumption has been that
those who succeed in winning a place in an institution of higher education can be relied upon
to have acquired such abilities, along with a good grounding in the discipline concerned.
However, teachers in the Open University (OU) have never been able to make such
assumptions about their students. This has forced them to look carefully at what adult parttime students are expected to do to acquire a degree, and at ways in which they can be taught
the 'how' (and 'why') alongside the 'what' of study. In the process, OU researchers have
found that work-load is among the most important course-related factors that account for
student drop-out (Woodley & Padett, 1983). It seems likely that conventional students also
suffer as a result of overloaded courses, and that excessive work-load has deleterious effects
on all students.
What those effects might be and how we might set about regulating student work-load
are the issues I propose to address here, in the context of a higher education system that is
142 E. Chambers
undergoing radical transformation. As a consequence of widening access to the system (DES,
1987), and discussion of such issues as 'equal opportunities', 'modutarisation of courses' and
'transfer of credit', it is likely that teachers in higher education generally will have to
undertake some re-examination of their curricula and teaching methods, as well as to modify
traditional assumptions about their students. This paper is offered in the belief that these
teachers will find an account of OU experience relevant and helpful, as well as timely. I start
with a brief discussion of some recent research into student learning, which provides a
context for and has an important bearing on these issues.
144
E. Chambers
145
ing that these discourses are always open to re-interpretation and revision. Real engagement,
then, means coming to understand what applications of theory, uses of evidence, and forms
of argument are particular, relevant and appropriate to an academic domain, and it involves
increasingly skilful participation in the discourses concerned, as one finds one's own "voice'
within them.
Conceived of in this way, academic study at higher levels is necessarily abstract and
complex. It involves considerably more than Ramsden implies by 'relat(ing) concepts to
everyday experience', for instance. In order to learn well students will need help from
teachers, not only to read 'texts' appropriately and so on, but also to construct frameworks
for understanding what they read, for making meaning. They also need help to begin to see
how a particular discourse is constructed if they are themselves to become active speakers
and writers of it: in other words, they will need help to gain a perspective on what they are
studying, why and how they are studying it, and a concern for processes of learning
themselves. The latter, metacomprehension, also gives students a feel for their own strengths
and weaknesses as students, helping them to organise themselves and their study, and to
cope with competing and burdensome demands.
Deep learning, conceived of in this way, has many implications for teaching. In
particular, it implies that teachers may actually need to restrict the scope of a curriculum,
especially in the early stages of students' careers, in order to make the time and provide
incentives for them to behave appropriately: to think; go back over things; work towards the
broader frame and context from and within which to make their own meanings (individually
and in group settings); experiment with their writing; and come to understand how
important it is that they begin to find their own 'voice' within these discourses. If students
do not have time to do these things, if they are always driven on by the demands of the
curriculum, we leave them little choice but to skim along on the 'surface' of things, merely
echoing their teachers' voices. That is to say, 'having sufficient time' to do the work required
should be seen as a pre-condition of good learning, rather than just one among many
conditions in which it may flourish: teachers should be taking the issue of 'student workload' correspondingly seriously. So we must now ask, how much time is 'sufficient' for good
learning in higher education: or, from a teacher's point of view, how much work should we
be asking students to do given that 'good learning' is our aim?
146
E. Chambers
difficult they find the work, and that these two variables are themselves related (Chambers,
1984). It is not easy to analyse this complicated set of relationships satisfactorily, but my
own work suggests a close relationship between perceptions of work-load and perceptions of
difficulty: that is, it takes much longer to work on course material if the subject matter, as
presented, is experienced as difficult (Chambers, 1976). In general, when students (especially beginning students) find parts of a course very difficult they do not usually find them
very interesting, and they also complain about feeling anxious and overburdened (Chambers
et al., 1989).
We might expect things to be more straightforward if we rely on students to keep a
record of the hours they work immediately following each work session. However, we know
that most people are not very reliable record-keepers. Also, this difficulty may be compounded by the fact that there are problems surrounding what students actually define as
'work': many music students, for example, do not count all or even any of the time they
spend listening to music as time spent working, just as literature students often regard
novel-reading as 'a pleasure' (Chambers et al., 1977). On the other hand, far from
underestimating the time they spend working, even OU students (who study entirely
voluntarily and usually pay for their own courses) may well feel under some pressure to say,
when asked, that they have worked what they imagine their teachers will regard as
respectable hours, and so present a rather creative account of it.
Another problem is that 'work-load' seems to be a catch-all for a number of stresses
students feet. For example, when students suffer interruptions to their studies, as a result of
illness, family difficulties or whatever, their anxiety is often expressed as a feeling of
overburden. And researchers at the OU have found that students tend to regard themselves
as having a heavier work-load the greater the number of separate sources of information or
reference they are asked to consult in a given period. No doubt it does take time to locate
and use a wide range of source material, but it is also clear from students' comments that a
large part of the difficulty is simultaneously trying to hold in mind the purpose or point of
their enquiries, and keep track of the way an argument or line of thought is developing, and
of what hangs on it, while they do so (Chambers & Pearson, 1988). In these cases it is clear
that, when students reported 'heavy work-load', work-load alone was not at the root of their
difficulties.
In view of these methodological problems, we might conclude that it is extremely
difficult to determine with any accuracy how long students actually spend studying, whether
we rely on their retrospective assessments of the time spent, on their perceptions of workload, or on work-load logs kept concurrently. Instead, we might look to institutions of higher
education to provide guide-lines about their requirements or expectations regarding student
work-load.
148
E. Chambers
an idealised picture of the average student, a model that is in fact based on themselves and
people like them (the very small minority of undergraduates who go on to become
academics). Or they are so far removed from the difficulties students face, and the doubts
they experience, that they have simply forogtten about them. Or, they are disingenuous;
exponents, perhaps, of the kind of academic machismo in which the quality of a course is
equated with its breadth and complexity.
What remains to be seen, then, is whether we can make a reasonably accurate
assessment of how long it will take the 'average' student to complete a range of studying and
learning tasks, in a manner that is consistent with the deep approach to learning characterised earlier (taking an 'enquiring, critical stance' and all that that implied), rather than the
more perfunctory one just outlined. If we can, we will be in a position to examine the
implications of this, in the context of a 40 hour working week, for our ability to find a more
objective measure of student work-load and to be able to make predictions about it in
advance of course presentation.
149
the assumption that the material will be unfamiliar to students who are anyway relatively
unskilled readers.
However, there is always plenty of scope for argument about which rate to apply in
particular cases; and some disciplines present special problems. In the case of literary
studies, for example, it is unlikely that an 'academically credible' novel course could ever be
offered if study times for each novel were to be taken into account, even when calculated at
100 wpm. As regards philosophy, I have never yet come across a text that could reasonably
be counted at more than 40 wpm, which again might quite severely constrain the curriculum.
In all such cases, a compromise has to be made between what teachers regard it as necessary
to teach and how much time students can reasonably be expected to spend studying.
However, it is just inappropriate to use these rates to calculate study times for poems, music
scores, maps and other 'symbolic' texts which need particularly close reading, and interpretation. Here a judgement does have to be made about how long it will take the 'average'
student to study each one.
The question of how much time to allow for the completion of written and other
assignments also poses problems. On the one hand, we know that many students spend a
very long time on them, especially preparing essays, but on the other hand, at the OU we
have not been able to take this as the norm. If we did, the content of curricula and courses
would have to be so drastically reduced from present levels as to raise questions about their
validity. Many teachers would argue that to have treated a subject 'satisfactorily', or to have
taken 'a course' in it, it is necessary for a certain minimum amount or range of material to be
included (difficult though it may be to establish exactly what that is). In the case of
assignment writing, as with novel reading, students might be said to choose the extent to
which they 'overload' themselves.
Also, the 'study times' of 100, 70 and 40 wpm do incorporate quite a generous time
allowance for thinking and re-reading. Since many students read and study with assignments
in mind, we may assume that much of the preparation for an assignment (for example,
thinking, making notes) is being done as they go along and within the 'study time' already
accounted for. With this in mind, the OU arts faculty has been able to agree that around 6-7
hours (or, in weeks when assignments are due~ about half the students' study time) should be
'allowed' for the writing of an essay assignment of around 2000 words.
At this point it will be helpful to demonstrate how such calculations have worked out
in practice, and how similar methods can be applied across a range of course components,
by working through an example. The appendix presents the work-load calculation for a 4
week 'block' of an OU arts faculty interdisciplinary course (Chambers, 1989). Starting at
the top of the chart, the study period for which these calculations were made was a 4-week
'block' of the course, just because the curriculum happens to be divided up in that way. In
a conventional setting, similar calculations might be based on anything from a week's to a
term's work, or even longer, as appropriate. Since OU students are expected to spend 14
hours per week studying, the 'ideal' study time for the 4-week period is around 56 hours.
(In conventional institutions, where students study for 40 hours per week, the equivalent
'ideal' study time would therefore be 4 40 hours, or 160 hours.) Against this ideal study
time is set the actual time that we calculate students would have to spend working on all
the requirements of the proposed course during this period. The course components are
listed in the appendix (units, illustrations etc.), and a calculation of the study time
involved in each one is presented alongside. The total time involved appears at the bottom
right-hand corner of the chart. It shows that what should ideally take students around 56
hours to complete would actually take them around 69 hours as things stand (and more,
since--as question marks indicate--some of the course material was unavailable at the time
150
E. Chambers
the calculations were made). The clear conclusion is that this block of the course is
overloaded.
A more detailed look at the calculation for each course component reveals how much
time students would need to spend on each aspect of the course. This degree of detail helps
members of the course team to decide whether they are happy about what it is they are
asking students to spend most time on (that is, helps them to make judgements about how
best students should spend their time), as well as suggesting where cuts in the proposed
curriculum might be made. The course components referred to in the chart are 'units' (or,
correspondence texts), which are roughly equivalent to lectures, seminars and tutorials in a
conventional system, along with associated set book and anthology readings, illustrations,
and television, radio and cassette programmes. (Teachers in conventional institutions will
want to make appropriate substitutions here.)
Calculation of the time needed to study units, set books and anthology readings is made
on the basis of the 'study times' for texts discussed above (100, 70 or 40 wpm), taking into
account their density and difficulty and the other qualifications made earlier about different
text genres. In the case of an anthology, each item has to be calculated separately (though only
the total time involved appears in the chart). 'Exercises' refers to the question-and-answer
style in which most OU units attempt to stimulate students into active engagement with the
correspondence text. An exercise may also involve reading chapters of a set book, as well as
making notes and answering questions about them. Calculating the time students need to
spend on this kind of exercise is particularly tricky, but the margin for error can be reduced by
taking any set book or anthology reading done in association with an exercise separately, and
calculating it on the basis of 'study times'. A judgement still has to be made about how long it
will take students to make notes, or whatever else is involved in the exercise, which has then to
be added to the reading time. Exercises are also set, in relation to television, radio and cassette
programmes, in broadcast notes and cassette booklets. If there is much doubt about how long
activities of this kind might take, and in the case of extended exercises and project work, at the
OU we often try out the task with a few representative students. Short of that, we must rely on
teachers' experience and the exercise of informed judgement.
The work-load calculation for this block of the course, and others covering the
remaining blocks, enabled the course team to consider changing the balance of the proposed
curriculum, and making certain cuts in course material, well before the course was due to be
presented to students. (This is particularly important in distance education, and whenever
self-study material is used, because the cost of producing courses is high. It is extremely
expensive to have to withdraw and revise course material once it is published.) But, because
students only ever experience the 'improved' course, it makes evidence of improvement to
students' learning through these means hard to come by. Anyway, the case for attempting to
calculate work-load in this way essentially rests on the argument that it must benefit
students. Arts faculty colleagues have certainly testified to the efficacy of the process from
their point of view, as curriculum designers and course writers.
The example I have given of this method of calculating student work-load refers to the
various components that go to make up a distance taught course. But I believe that in
principle the method is applicable to any course of study. It is as rigorous as it can be and
otherwise depends, as it must, on informed judgement and, in instances of team-work in the
planning of courses, on negotiation and agreement between teachers.
Acknowledgements
The author wishes to acknowledge the contribution of OU arts faculty colleagues to her
research into student work-load, and the constructive suggestions of other OU colleagues,
Nicola Durbridge, Alistair Morgan, Andrew Northedge, Mary Thorpe, Alan Woodley and
Hossein Zand, and the editor of this journal and his (anonymous) readers, in the preparation
of the final version of this paper.
152
E. Chambers
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153
=30
= 1
= 2
= 15
= 10
mins
hr
hrs
mins?
rains?
BOOKLET
1 hr
?
?
20 rains?
20 mins?
=c.6 hrs
ASSIGNMENT
=c.6 hrs
TOTAL:
=c.69 hrs
('Ideal' study time
=c.56 hrs)
N.B. The block is very overloaded. Compare in particular the time students must spend
on the anthology items and the (relatively short time) to be spent on exercises.
*If exercises based on television and radio programmes are set in the Notes, this should be
revised upwards.