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INTRODUCTION
ABSTRACT
Many architects blame Western design
ideas for the absence of the local
identity in the built environment.
Though this argument has been widely
and intensively discussed, there has been
no consideration of the inevitable
influence of technological changes, such
as air-conditioning, and peoples
expression of their identity in the built
environment.
It is argued in this paper that the primary
reason for the diminishing role of
rowshans, which were important
architectural pieces in traditional houses
of Jeddah, has been what suits people in
terms of utility and meaning. The
convenience of air-conditioning in
controlling the microclimate (utility) of
the home interior in a hot and humid
climate abolished the need for large
openings.
Furthermore,
people
expressed their social status by
emulating Western lifestyle.
What architects consider a cause of
identity disruption is considered by
people as a means of expressing a high
social status. It is concluded that the
technological
control
of
the
microclimate and peoples expression of
their social status by emulating the
Western life style diminish the
traditional identity of the built
environment. Because these social
changes are inevitable, architects do not
have much control of the dilemma of the
built environment identity.
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The rowshans were the most
sophisticated objects in the traditional
houses of Jeddah.1 Rich families made
their rowshans from Indian or Java
teakwood imported from the Far East.
As such, they were the most expensive
elements in the building (Jomah, 1992).
The low-income families used local
wood. Some rowshans, which were
close to neighbours rowshans, were
fixed with a wooden mesh, called
sheesh, to maintain privacy if the
rowshan was open.
The karaweet (an interior sitting bench)
was positioned around the majlis (the
guest reception room) (Figure 3) to
make a continuous peripheral seating
with the rowshans.
1
Their beauty was reflected in the travellers
writings. Russel, cited by Pesce, said There is
nothing more pretty, more aerial than the
sculptured wood balconies that adorn the facades
of rich mansions (Pesce, 1977: 51).
2
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below due to its relationship to the
subject.
After finishing the formal public notary
procedures, the grooms family prepares
a room in their house to be the new
couples home. This preparation could
involve painting the walls, doors and
windows. The only furniture that the
grooms family were responsible for
providing, if they could afford to, was
the structure of the sitting bench,
karaweet. The brides family meanwhile
was responsible for providing all the
remaining furniture. The furniture which
is provided by the brides family is
called dabash. Usually the whole dowry
is spent in paying the expenses of the
dabash.
It could take several months for the
room to be prepared. Before sending the
dabash, the brides family go to the
house and check whether they need to
add more furniture to what they have
already planned for. Once it is ready, the
dabash is sent in a celebratory manner.
Carriers and men from the grooms
family carry on their heads rugs,
blankets, cushions, paraffin lamps,
earthenware vessels, little boxes for the
brides personal belongings and so on.
When they walk through the narrow
paths, everyone cheers and congratulates
them; children run around, and women
watch from the rowshans.
This occasion, the dabash, was one of
the many social occasions through
which families expressed their identity
and social status. A good way to express
identity and social status to as many
people as possible was through
displaying furniture whilst moving it
from house to house. Jomah (1992)
attributed this display of furniture to
letting people know what is missing so
that they would provide them as gifts.
The rowshan, thus, played an important
role in facilitating communication
between residents, especially women,
and in the social occasions in the street.
The rowshan played an important
symbolic role in the home interior.
Chairs and sitting benches throughout
history in many cultures were symbolic
THE FIRST
TRANSFORMATION LATE
FORTIES AND EARLY
FIFTIES
Due to the increasing world demand for
oil at the end of forties, Saudi Arabia
witnessed an increasing economic
development. As a result, the per capita
income increased, people immigrated
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cultural values was disrupted by
completely changing the pattern of the
urban fabric. After being around 3 m
wide in old Jeddah, streets in residential
areas are now at least 12 m wide. The
hierarchy of transitional spaces between
public and private disappeared. Setting
buildings further apart and making new
street widths increased the open areas
between buildings. Streets are paved
with asphalt and exposed most of the
day to the radiation of the sun. Thus the
outdoors has become unbearable not
only to sit in but also to walk through
during day. Therefore it was useless to
fix rowshans in apartment buildings
since the significance of the outdoor
activities diminished. As for villas, the
rowshan was more useless because it
would overlook either the front garden
or the two meter set-back of the villa.
With the end of the visual interaction
between the household members and
outdoor activities, a new type of window
(Figure 8) replaced the rowshan.
the
1000000
500000
THE SECOND
TRANSFORMATION: LATE
SEVENTIES
0
1963 69
75
81
87
Years
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furniture and decorated
increased significantly.
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Chart 2 .
showpieces
DISCUSSION AND
CONCLUSION
In the traditional houses of Jeddah,
windows played an important social,
symbolic and climatic role. The rowshan
was a great interior and exterior element.
It was a window to let air and light get
in, a piece of furniture to let people sit
and sleep, a communication means for
women with neighbours and alleys, and
a representative of the households
identity.
Some architects who complain about the
loss of the beautiful features of
traditional architecture, such as the
rowshan, put the blame on modern
architectural designs, as if architects can
regain this lost identity if they consider
traditional forms in their designs.
It has been argued in this paper that even
though the gridiron street system
diminished the role of windows, the
primary cause of the diminishing
significance of windows has been airconditioning, which is a necessity for
people. People will not abandon their
air-conditioners just to regain the
symbolic role of windows. Climatic
function
was
fulfilled
by airconditioning with more efficiency,
communication with neighbours could
be performed through the telephone
while maintaining privacy, and symbolic
function is fulfilled by modern building
facades, fancy cars and home furniture.
People do not value things as architects
do. Architects in Saudi Arabia consider
Western designs as the source of identity
disruption while people express their
social status by emulating Western
lifestyles. The constructed image of
home in peoples minds is the primary
force in shaping the home environment.
People from the time of the first
transformation until now still express
their social status through possessing
Western goods, which they see in
Western television programmes and
abroad. The disappearance of local
identity is a direct result of this new
cultural expression of households social
status.
BIBLIOGRAPHY
AL-ANSARI, A. (1982) Tareekh
Madinat Jeddah (History of Jeddah),
Jeddah: Asfahan Press (Arabic Text).
ALEXANDER, C. (1979) The Timeless
Way of Building, New York: Oxford
University Press.
AL-LYALY, S. (1990). The Traditional
House of Jeddah: a Study of the
Interaction between Climate, Form and
Living
Patterns,
Ph.D.
Thesis,
Department of Architecture, University
of Edinburgh.
DUNCAN, J. S. (Ed.) (1981) Housing
and Identity, London: Croom Helm.
JOMAH, H.A. (1992) The Traditional
Process of Producing a House in Arabia
During the 18th and 19th Centuries, a
Case study of Hedjaz, Ph.D. Thesis,
University of Edinburgh.
KHAN, S. M. (1981) Jeddah Old
Houses,
Riyadh:
Department
of
Scientific Research, King Abdulaziz
City for Science and Technology, Saudi
Arabia.
MAGHRIBI, M. (1982)
Alhayah Alijtimaiyyah fi
(Features of Social Life of
Jeddah: Tihama Publishers
text).
Malam
AlHijaz
Hijaz),
(Arabic
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The American Heritage Dictionary Of
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