Académique Documents
Professionnel Documents
Culture Documents
20th Century
Mark Anderson
Paul Ashton
Contents
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Acknowledgments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
v
vii
Australia to 1914
1.1
1.2
1.3
1.4
3.2
4.3
4.4
5.2
5.3
5.4
77
94
146
46
60
72
44
148
153
163
187
190
How and why did the Australian government respond to the threat
of communism after World War II . . . .
Why did Australians become involved in the Vietnam War? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
How did various groups respond to Australias involvement in the
Vietnam War? . . . . . . . . . . . . .
What was the impact of the war on Australia and neighbouring countries? . . . . . . . . . .
192
208
213
219
iii
Contents
230
6.1a How have the rights and freedoms of Aboriginal peoples in Australia
changed during the post-war period? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
6.1b How have the rights and freedoms of migrants in Australia changed
during the post-war period? . . . . . . . . . . .
256
6.1c How have the rights and freedoms of women in Australia changed
during the post-war period? . . . . . . . . . . .
269
What role has Australia played in international affairs in the post-war period? . . . . . 284
What have been some of the important political developments in post-war
Australian history? . . . . . . . . . . . . .
299
How have significant individuals and groups exercised their democratic
rights in the post-war period? . . . . . . . . .
318
iv
282
340
356
370
372
Introduction
The aim of Australia in the 20th Century: Working historically is to cover the mandatory
requirements of the NSW syllabus for Stage 5 History in a way that stimulates students interest
in and enjoyment of the past; develops their critical understanding of events and issues; and
enables them to participate as active, informed and responsible citizens.
Each chapter covers the eight mandatory topics and related inquiry questions and focuses on
particular outcomes, as shown in the grid below. The Working historically questions develop
students knowledge and understanding, and provide opportunities for them to acquire and
utilise the skills necessary for undertaking the process of historical inquiry. Assessment for
learning activities available on the Macmillan website cover all of the syllabus students learn
to requirements. Teachers can confidently use these for making judgments about student
performance and achievement.
Objectives
Chapter
knowledge and
understanding
of significant
developments in
Australias social,
political and
cultural history
5.1
2
3
knowledge and
understanding
of Australias
international
relationships
knowledge and
understanding
of the changing
rights and
freedoms of
Aboriginal
peoples and
other groups in
Australia
skills to
undertake the
process of
historical inquiry
skills to
communicate
their
understanding
of history
5.3
5.5, 5.8
5.9
5.10
5.2
5.1
5.3
5.2
5.3
5.3
5.8
5.9, 5.10
5.3
5.7, 5.8
5.10
5.1
5.1
5.1
5.2
5.1
5.2
Introduction
Throughout Australia in the 20th Century: Working historically are ICT references and activities.
The content also ensures civics and citizenship understandings are addressed.
In programming the Stage 5 course, teachers can chose to follow a chronological approach by
working sequentially through the chapters or a thematic study based on:
the social and cultural history of Australia in the twentieth century
changing rights and freedoms
Australias international relationships
political developments in Australia in the twentieth century.
The syllabus provides choice in some of the students learn about requirements (Topics 3, 5, 6,
7 and 8) and the extent of depth of study (Topic 4). All mandatory content is covered within
Australia in the 20th Century: Working historically.
The following terms are used in Working historically and Assessment for learning questions
and it is suggested teachers take the time to explain each to their students.
Assess
Describe
Discuss
Set out the issues and provide reasons for and/or against
Examine
Explain
Identify
Investigate
Outline
Sequence
Resources to supplement this textbook will be added to the Macmillan Education Australia
website <www.Macmillan.com.au> along with updates to internet addresses.
We hope teachers and students find Australia in the 20th Century: Working historically
interesting, enjoyable and challenging.
Mark Anderson and Paul Ashton
vi
Acknowledgments
Author acknowledgments
The authors wish to thank the team at Macmillan Education Australia, particularly Lyn Thane
and Kath Selkirk and their editor, Ruth Siems, for valuable assistance in creating this book.
A debt is also owed to BranDee Bruce who wrote the section on housing in chapter eight
while a visiting international student in the Public History program at the University of
Technology, Sydney.
Special thanks also go to Kathy Anderson for advice regarding content and activities, and to
Kelly and Annika Evans for research.
Publishers acknowledgments
The authors and publisher would like to gratefully credit or acknowledge the following for
permission to reproduce copyright material:
Photographs
AIATSIS, Horner Collection, A/V Archives, p. 133 (top). Australian Centre for Public History,
pp. 5 (bottom), 20, 130, 184 (top), 363 (left). Australian Photographic Agency Collection, State
Library of New South Wales,/Jack Hickson pp. 286 (top left), 366 (right),/John Ellison p. 354.
Australian Picture Library, pp. 110, 190, 191 (and chapter running heads), 286 (top right), 315,
323 (bottom), 338, 339 (and chapter running heads). Australian War Memorial, /H11609 p. 50
(bottom), /V5167 pp. 53 (left), 55 (left), /H12823 p. 55 (right), /EN194 p. 57 (middle left), /J02704
p. 57 (middle right), /G1534(i) p. 57 (bottom left), /EZ95 p. 57 (bottom right), /EC0418 p. 58
(top left), /A5410 p. 58 (top right), /E00825 p. 58 (bottom left), /H10324 pp. 58 (bottom right),
63 (top), /A03785 p. 62 (left), /PO0035001 p. 62 (right), /J00374 p. 63 (middle left), /H03955
p. 63 (middle right), /ART02161 p. 63 (bottom), /A01413 p. 67 (top), /PO2939.001 p. 68 (left),
/ARTV00026 p. 68 (right), /A05382 p. 72 (right), /PO595/174/095 p. 93, /042392 p. 152 (left),
/024537 p. 152 (right), /007972 p. 153 (left), /009515 p. 153 (right), /19199 p. 155, /101099 p.
158, /13435 p. 160 (top), /V9088 p. 160 (bottom), /P00431.002 p. 162, /014564 p. 164, /060696
p. 167 (left), /012422 p. 167 (right), /052597 p. 169 (left), /064284 p. 167 (right), /042822 p. 170,
/ART22893 p. 174, /012594 p. 176, /139316 p. 179, /ARTV00807 p. 182, /5346 p. 184 (bottom),
/EKN/69/0062/VN p. 192 (left), /P00716.035 p. 195, /044320 p. 197, /136742 p. 202, /V895
p. 218 (bottom), /P02140.004 p. 240 (right), /052597 p. 260, /064801 p. 261 (top), /123059 p. 261
(bottom), /ART23408 p. 262, /P01744.034 p. 287, /P03184.079 p. 291, /P03248.05c p. 292 (top
left), /PO1984.001 p. 303. Bicentennial Copying Project, State Library of New South Wales,
p. 105. Coo-ee Historical Picture Library, pp. 16 (left), 32, 41, 80, 146, 147 (and chapter running
heads), 108, 172. Coo-ee Picture Library, pp. 215 (left), 249, 325. Corbis, pp. 209 (all), 211 (left),
222 (both), 225 (top & bottom left), 356 (right). David Earle Local Studies Collection, North
Sydney, p. 363 (right). FairfaxPhotos,/H. H. Fishwick p. 94, (and chapter running heads), p. 122,
/F. J. Halmarick pp. 124 (left), 188 (top), pp. 127, 150 (bottom), 204, 217, 218 (top), /George
Lipman p. 225 (bottom right), /Grimes pp. 230, 231 (and chapter running heads), pp. 251,
252 (bottom), /Mike Bowers p. 264 (right), pp. 272, 279, /Robert Pearce pp. 282, (and chapter
running heads), 323 (top), 328, /Andrew Taylor p. 316, pp. 318, 321 (top), 331 (top right), 357,
360. Government Printing Office Collection, State Library of New South Wales, p. 351, 366 (left).
The Herald & Weekly Times Photographic Collection, pp. 150 (top left), 326. Hood Collection,
vii
Acknowledgments
State Library of New South Wales, p. 132. John Oxley Library, negative number 102781, p. 185
(top). Joseph Lyons, courtesy ACT Heritage Library, Department of Capital Territory Collection,
p. 144. Magnum Photos, p. 210 (left). Mitchell Library, State Library of New South Wales, pp. 6,
10, 13, 16 (right), 75, 98, 99 (top & bottom left), 137, 142 (top). NAIDOC, p. 252 (top). National
Archives of Australia, /A3560/XM2 2938 p. 113, /A1200, L 8925 p. 126, /A1200, L 56295 p. 213
(left), pp. 223, 270, /A1200, L 76566 p. 293. National Library of Australia, by permission, pp. 2,
3 (and chapter running heads), 5 (top), 11, 23, 28, 37, 38, 39, 40, 44, 45 (and chapter running
heads), 116, 150 (top right), /Estate of Norman Lindsay p. 193 (right), 228 (bottom), /Estate
of David Moore p. 241, pp. 263, 299. Newpix, pp. 243, 254, 264 (left), 322, 331 (bottom), 335
(right). Ophthalmic Research Institute, p. 6. Paul Ashton Collection, p. 368 (bottom right).
H. Seidler and the Australian Heritage Photo Library, p. 348 (top left). Vietnam Veterans
Association of Australia, p. 220 (both).
Other material
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Bill 1997: Issues for Indigenous Peoples, October 1997, pp. 2545. The Advertiser, Adelaide, for
extract, p. 149. The Age for extract, p. 110. Allen & Unwin for extract, Peter Spearritt, The
Sydney Harbour Bridge: A Life, Allen & Unwin, Sydney 1982, p. 130, extract adapted from
Heather Goodhall, Invasion to Embassy: Land in Aboriginal Politics in New South Wales,
17701972, Allen & Unwin/Black Books, Sydney, p. 238, and extracts from James Miller,
Koori: A Will To Win, Allen & Unwin, Sydney 1986, p. 244. APEC Secretariat, Singapore, for
extract, reproduced with permission, for more information please visit <www.apec.org>, p. 296.
Arena Magazine for extract, p. 271. Art Gallery of NSW for painting by Grace Cossington Smith,
The Sock Knitter, p. 87, painting by Margaret Preston, The Expulsion, licensed by VISCOPY,
p. 125, painting by Noel Counihan, At the Start of the March, 1932, 1944, oil on hardboard,
66.9 x 59.2cm, purchased 1944, estate of the artist, p. 142 (bottom). Paul Ashton for article,
Exploring Australias Identity, The Australian, February 2002, p. 264. AustralianAmerican
Association for emblem, p. 188. Australian Centre for Public History for flyers, pp. 215 (right),
355. Australian Electoral Commission for referendum results, p. 336. Australian National Gallery
for paintings, James Cant, Returning Volunteer, 1938, oil on canvas, 44.5 x 37.3cm, James
Cant, Licensed by VISCOPY, Australia, 2004, p. 97 (bottom), Margaret Preston, The Flapper,
1945, oil on canvas, Margaret Preston, licensed by VISCOPY, Australia, 2004, p. 103, and
Margaret Preston, Still Life, 1925, oil on canvas, 49 x 49cm, Margaret Preston, licensed by
VISCOPY, Australia, 2004, p. 124 (right). Australian War Memorial for extract from E. Scott,
The Official History of Australia in the War of 19141918, Vol 11, 1940, p. 53, extract from
C.E.W. Bean Official History of Australia in the War of 191418, vol. 2, 1940, pp. 57, 68,
extract from C.E.W. Bean, The Story of ANZAC, 1921, p. 64, and extract from P. Hasluck,
The Government and the People 194245, 1970, p. 165. The Australian Womens Weekly for
magazine cover, reproduced by courtesy, p. 183. The Bulletin for illustrations, reproduced by
courtesy, pp. 25, 42, 118, 121, 185 (bottom right), /Patrick Cook p. 256. Cambridge University
Press for extract from Mum Shirl: An Autobiographywith the assistance of Bobbi Sykes, by
kind permission, p. 253. Catholic News Weekly for illustration, p. 198. Commonwealth of
Australia for extracts and pamphlets, reproduced by permission, pp. 16, 19, 20, 97, 105, 185,
(bottom left), 247, 255, 288, 3315, and invitation, p. 250 (bottom). The Courier Mail for
extract, p. 164, and cartoon, p. 228 (top left). The Daily Telegraph for extracts, pp. 176, 179, and
illustration, p. 187. HarperCollins, by kind permission, for extract from Jean McLean interview in
Gloria Frydman, Protesters, p. 214, extract from Kevin J. Gilbert, Because a White Manll Never
Do It, Angus & Robertson, 1973, p. 253, and Chicka Dixon quotation from Kevin J. Gilbert,
Because a White Manll Never Do It, Sydney, Angus & Robertson, 1973, p. 320. The Herald &
Weekly Times for extracts, pp. 173, 187, 203, 358, cartoon, p. 309 (top), and television guide,
p. 364 (bottom). Ion L. Idriess for extract from Flynn of the Inland (EIT Imprint Sydney 2002),
p. 112. Kerry Jones for extract and pamphlet, Australians for Constitutional Monarchy, Level 13
189 Kent Street SYDNEY NSW 2001, p. 334. La Trobe Collection, State Library of Victoria, for
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Acknowledgments
book cover, p. 34, cartoon, p. 81, extracts, pp. 127, 183, poster, p. 129 (right), and petition,
pp. 2467. Legend Press Pty. Ltd. for painting by Albert Namatjira, A Macdonnell Range Creek,
(1944), reproduced with permission of Legend Press Pty. Ltd., p. 240 (left). Liberal Party of
Australia for advertisement, reproduced by courtesy, p. 214. Link-Up & Tikka Jan Wilson for
extract from In the Best Interest of the Child? Stolen children: Aboriginal pain/White shame,
Aboriginal History Monograph 4, 1997, p. 108. Macquarie Library for extract, p. 92, and extract
from Australians: Historical Statistics (1987), by kind permission, p. 116. Melbourne University
Press for extract from Janice N. Brownfoot, Goldstein, Vida Jane Mary (18691949), in B. Nairn
and G. Serle (eds.), Australian Dictionary of Biography, Volume 9, MUP, 1983 (pp. 435), p. 276.
2004 Microsoft Corporation for screenshot, p. 66. Mitchell Library, State Library of New South
Wales, for extracts, pp. 134, 135. National Gallery of Victoria, Melbourne, for painting, Grace
Cossington Smith 18921984 Australia, The bridge in-curve c.1930, tempera on cardboard,
83.6 x 111.8 cm, Gift of the National Gallery Society of Victoria, 1967, p. 129 (left). National
Library of Australia, by permission, for posters, pp. 81 (top), 133 (bottom), illustration, p. 139,
magazine cover, p. 148, and extract, 247. News Limited for illustration, The Australian, October
1966, p. 213 (right), and extracts pp. 321, 360. Peter Nicholson for cartoons, reproduced by
courtesy, pp. 292 (top right), 296. NSW Department of Aboriginal Affairs for extract, p. 320.
Oxford University Press Australia for extract from The Oxford Companion to Australian History
by Graeme Davison, John Hirst & Stuart Macintyre, Oxford University Press,
<www.oup.com.au>, pp. 25, 113, 188, and extracts from Ian Harriss, Bradman, Donald George,
in The Oxford Companion to Australia History, Melbourne 1998, p. 123. Parliament House Art
Collection and The Estate of Clifton Pugh for painting, The Hon Edward Gough Whitlam (1972),
Clifton Pugh (1924 1990), Historic Memorials Collection, reproduction courtesy of the Artists
Estate, courtesy of Parliament House Art Collection, Joint House Department, Canberra, ACT,
p. 311. Penguin Group Australia for extracts from Gough Whitlam, The Truth of the Matter,
Penguin Group Australia Ltd., pp. 324, 326 (top). Bruce Petty, reproduced with permission,
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University) for extract from The Stolen Children: Their Stories, Carmel Bird (ed.), Random House,
p. 108. Roy Morgan Research Centre Pty. Ltd./The Bulletin for extract, March 1983, p. 313.
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Morning Herald for extracts, pp. 133, 143, 167, 169, 173, 205, and cartoon, p. 228. Sydney
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Press, since acquired by Thomson Learning Australia, pp. 233, 235, and extract from Ann
Curthoys, Doing it for themselves: The womens movement since 1970, in Kay Saunders &
Raymond Evans (eds.), Gender Relations in Australia: Domination and Negotiation, Harcourt
Brace Jovanivich, Sydney, 1992, p. 273. Universal Music Publishing for Bradman (Paul Kelly),
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South Wales Press for statistics, reproduced with permission, p. 354. University of Queensland
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Thought 18901960, UQP, St Lucia, 1984, p. 101. Vietnam Veterans Association of Australia for
extract, pp. 2201. Don Wall for extracts from Sandakan Under Nippon: The Last March, pp.
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While every care has been taken to trace and acknowledge copyright, the publishers tender
their apologies for any accidental infringement where copyright has proved untraceable. They
would be pleased to come to a suitable arrangement with the rightful owner in each case.