Your Name: _____________________________________________ (optional)

Your Email Address: ___________________________________________ (optional)

Audience Survey

Gathering information about YOU as a member of our audience is tremendously important to us. It helps us evaluate the past, serve you better
now, and plan for the future. The results are always totally confidential, so we encourage you to supply as much information as possible.

About your EMN Connection

This is my first Early Music Now concert.

I am a current subscriber or single ticket purchaser
I have been attending for ___ years.
I usually attend ___ EMN concerts each season.
About YOU

My ZIPCODE is __________.
My age is:

Under 20
40-65

My highest level of education is:

2040
Over 65

High School
2 yr college/trade
4 year college
Advanced Degree
Education
My profession is: Retired
Arts Related Corporate
Executive
Administrative
Student (Major?) ____________________
Other: ________ ____________________
Me and EMN:

I am interested in serving EMN on the Board,

a committee or as a volunteer.

How did you learn about this Concert?

EMN friend Other

Facebook
Twitter Blog
Mailing
Email
Website
WUWM
WHAD
Print ads
Previews
Calendars
Online ads
Previews
Calendars

Word of Mouth:
EMN:
Radio:
Print:
Online:

What local media do you regularly read or listen to?

Journal Sentinel
Shepherd Express
Wisconsin Gazette
Milwaukee Magazine
Catholic Herald
Milwaukee Urban Dial
WUWM
WHAD
Other Print, Online, or Radio (please list)

What about concert days and times?

The mix of Saturdays at 5:00 or 7:30 works fine.

I prefer Saturdays at 5:00
I prefer Saturdays at 7:30
These times arent great for me. I prefer: _____________________

What are your Early Music preferences?

Period:
Genre:

Medieval

Baroque
Strings
Keyboard
Solo/Duet

Renaissance
Classic
Choral/Vocal Lutes
Winds (soft)
Winds (loud)
Mixed Ensembles

What Enrichment Do You Like?

Online program and notes prior to the concert

Extensive program notes
Pre-concert lectures same day different day
Post-concert talk-backs
Verbal information shared during the concert

What about Intermissions or Receptions?

I prefer concerts without intermission (if the concert isnt too long)
I enjoy intermission receptions
I enjoy receptions after the concerts
I enjoy receptions before the concerts

How do you prefer to purchase your tickets?

On the Website

By Phone

By Mail

Complete or Partial Subscription in advance

Single tickets closer to the concert within ___ weeks
What are your top two preferred venues?

(there is a list of all EMN venues inside the program cover)

Who are your favorite early music performers?

(there is a list of all EMN performances inside the program cover or

suggest someone new to EMN)

Who are your favorite early music composers?

What things do you especially like about EMN?
(feel free to use the back of this sheet)

What things about EMN would you like to see changed or

improved to make the experience more enjoyable for you
and your friends? (feel free to use the back of this sheet)
Thank you for your participation! Please feel free to contact me
at any time by email, phone, or mail with additional comments
and suggestions, or to get more involved in EMN!
Charles Q. Sullivan, Executive & Artistic Director
charles@earlymusicnow.org 414.225.3113

Early Music Now The First 29 Seasons

.

1987 INAUGURAL CONCERTS

The Newberry Consort (Chicago) (a)
Les Filles de Sainte-Colombe (USA) (a)
1987-1988 (1)
Sequentia (Cologne) (a)
New York Cornet & Sacbut Ensemble (NYC) (a)
The New World Consort (Vancouver) (a)
The Western Wind (New York) (a)
1988-1989 (2)
The Newberry Consort (Chicago) (a)
* Robert Spencer & Jill Nott-Bower (London) (b)
Amsterdam Loeki Stardust Quartet (The Netherlands) (a)
The Musicians of Swanne Alley (USA) (a)
The Folger Consort (Washington, D.C.) (a)
1989-1990 (3)
The Toronto Consort (Canada) (a)
The Oberlin Consort of Viols (Ohio) (a)
The Waverly Consort (NYC) (c)
Hesperus (Virginia) (a)
1990-1991 (4)
Boston Shawm & Sackbut Ensemble (Boston) (a)
* Robert Spencer & Jill Nott-Bower (London) (b)
La Stravaganza (California) (a)
Ensemble Alcatraz (California) (d)
Consort of Musicke of London (England) (a)
The Theatre of Voices (England) (a)
1991-1992 (5)
Ensemble Project Ars Nova (USA) (a)
John Hsu, gamba & Catherine Liddell, lute (New York) (a)
Drew Minter & The Newberry Consort (Chicago) (a)
LiveOak & Company (New Hampshire) (d)
Anonymous 4 & The Medieval Strings (USA) (e)
1992-1993 (6)
Hesperus (Virginia) (a)
Pomerium (NYC) (f)
Amsterdam Loeki Stardust Quartet (Amsterdan) (f)
* The Tallis Scholars (England) (g)
Silk & Bamboo Ensemble (Chicago) (c)
Eva Legene, recorders (Indiana) (a)
1993-1994 (7)
Ben Bagby with Beowulf (Cologne) (h)
The Boston Camerata (Boston) (i)
Sequentia (Cologne) (j)
The New York Consort of Viols (NYC) (f)
Julianne Baird, soprano Ronn McFarlane, lute (USA) (a)
1994-1995 (8)
The Kings Noyse (Boston) (f)
Flanders Recorder Quartet (Belgium) (k)
Anonymous 4 (NYC) (l)
Philadelphia Renaissance Wind Band (k)
The Locke Consort (The Netherlands) (f)
Altramar (Indiana) (m)
1995-1996 (9)
Bimbetta (California) (k)
* Ensemble for Early Music (NYC) Daniel & the Lions (d)
La Nef (Montreal) (k)
Trio Sonnerie (London) (b)
Near Eastern Music Ensemble (NYC) (c)
1996-1997 (10)
The Tallis Scholars (London) (i)
Amsterdam Loeki Stardust Quartet (Amsterdam) (d)
The Boston Camerata (Massachusetts) (n)
Anonymous 4 (NYC) (g)
1997-1998 (11)
Voice of the Turtle (USA) (o)
The Waverly Consort (NYC) (p)
Quink (The Netherlands) (q)
Musica ad Rhenum (The Netherlands) (r)
1998-1999 (12)
Fretwork with Michael Chance (England) (s)
* Anonymous 4 (NYC) (p)
The Dufay Collective (England) (d)
Palladian Ensemble (England) (f)
Magnificat (England) (l)

Non-subscription events are indicated with an asterisk

1999-2000 (13)
Lionheart (NYC) (l)
* Calliope with Jane Bryden, soprano (USA) (g)
Tapestry (Boston) (n)
Flanders Recorder Quartet (Belgium) (s)
Belladonna (Minnesota) (t)
2000-2001 (14)
Sequentia (Cologne) (l)
The Tallis Scholars (England) (p)
La Luna (USA) (f)
The Harp Consort (England) (u)
2001-2002 (15)
Boston Camerata & Milwaukee Choral Artists (Boston) (n)
The Concord Ensemble (Indiana) (l)
* Yukimi Kambe Viol Consort (Japan) (a)
Amsterdam Loeki Stardust Quartet (q)
The Baltimore Consort (Maryland) f)
2002-2003 (16)
Chatham Baroque w/Danny Mallon (Pittsburgh) (d)
The Rose Ensemble (St. Paul) (f,v)
Fortunes Wheel (bi-coastal) (w)
* Quink (The Netherlands) (f)
Musica Pacifica (San Francisco) (q)
Musica Antigua de Albuquerque (Albuquerque) (d)
Newberry Consort (Chicago) (x)
2003-2004 (17)
Scholars of London (England) (l)
Terra Nova Consort w/Tina Chancey (Oregon) (q)
Anima (Brazil) (f)
Red Priest (England) (x)
Passacaglia w/Dan Lauren (England) (q)
Stadler Trio (Europe) (y)
2004-2005 (18)
Fretwork with Emma Kirkby (England) (q)
Hesperus (Washington, D.C.) (x)
Liber unUsualis (Boston) (l)
Orlando Consort (England) (s)
Piffaro (Philadelphia) (x)
Pomerium (NYC) (f)
* Trio Mediaeval (Norway) (f)
2005-2006 (19)
Verbruggen & Galhanno (multi-national) (q,z)
The Ivory Consort (New York) (x)
Boston Camerata & Milwaukee Choral Artists (Boston) (p,aa)
Hargis & ODette (Chicago/Rochester NY) (f,bb,aa)
Ex Umbris (New York) (x)
The Yukimi Kambe Viol Consort (Japan) (q)
2006-2007 (20)
The Newberry Consort (Chicago) (x)
Spiritus Collective (New York) (g)
Waverly Consort (NYC) (p,cc,aa)
The Baltimore Consort (Maryland) (f)
Tempesta di Mare (Philadelphia) (x)
Lionheart (NYC) (l, dd,cc)
2007-2008 (21)
The Kings Noyse (Chicago) (x)
Ensemble La Rota (Montreal) (f,ee)
San Antonio Vocal Arts Ensemble (San Antonio) (l)
Anne Azema & Shira Kammen (Boston/San Fran.) (f,ee)
Hesperus (Virginia) (x)
Renaissonics (Boston) (q)
2008-2009 (22)
* Music from India Pandit Havaldar (India) (ff)
Philharmonia Baroque Soloists (San Francisco) (x)
Trio Mediaeval (Norway) (f)
The Rose Ensemble (St. Paul) (l)
* Tafelmusik Baroque Orchestra (Canada) (u)
Venere Lute Quartet (US) (f)
Amsterdan Loeki Stardust Quartet (Amsterdam) (x)
Kitka & Milwaukee Choral Artists (San Francis) (p)
2009-2010 (23)
* Music from India Pandit Havaldar (India) (a)
Galileos Daughters with Dava Sobel (East Coast) (x)
Emma Kirkby & Jacob Lindberg (England) (q)
Anonymous 4 (NYC) (l)
Lipzodes (Bloomington, IN) (f)
Caravan Ensemble (New York) (x)
Red Priest (England) (q)

2010-2011 (24)
The Rose Ensemble (St. Paul) (l)
Fretwork (England) (x)
Lionheart (NYC) Basilica of Saint Josaphat (p)
Plaine & Easie (Seattle) (f)
Sinfonia New York (New York) (x)
Flanders Recorder Quartet (Belgium) (q)
2011-2012 (25)
Jordi & Ferran Savall (Spain) (x)
Theatre of Early Music D. Taylor (Canada/England) (q)
Stile Antico (England) (g)
Kammen, Tiedemans, Mallon (West Coast) (f)
Piffaro & Kings Noyse (Philadelphia & Chicago) (x)
Calmus Ensemble Leipzig & QNG (Germany) (l)
2012-2013 (26)
Ensemble Caprice (Spain) (x)
Alba Consort (New York) (q)
Boston Camerata & Milwaukee Choral Artists (Boston) (l)
Masques (Montreal) (s)
Ellen Hargis & Paul ODette (Chicago/New York) (x)
The Rose Ensemble (St Paul) (p)
2013-2014 (27)
* Hoeprich, Rottsolk, Schenkman (London/Seattle) (q)
Heinavanker (Estonia) (l)
Pallade Musica (Montreal) (s)
Waverly Consort (New York) (l)
Orlando Consort (England) (s)
East of the River (New York) (x)
Four Nations Ensemble (New York) (x)
2014-2015 (28)
Quicksilver (Boston/New York) (s)
La Nef (Montreal) with Michael Slattery (USA) (s)
Lionheart (New York) (l)
Orlando Consort (England) (s)
The Newberry Consort (Chicago) (x)
Blue Heron Choir (Boston) (l)
* Hoeprich, Tomkins, Zivian (London/San Francisco) (q)
2015-2016 (29)
Rumbarroco (Boston/New York) (x)
Kristian Bezuidenhout (London) (q)
Anonymous 4 (New York) (p)
Baltimore Consort (Baltimore) (s)
Constantinople (Montreal) (x)
Stile Antico (London) (g)
VENUES
(a) The Loos Room (Milwaukee Public Library)
(b) First Unitarian Church
(c) Centennial Hall (Milwaukee Public Library)
(d) Scottish Rite Cathedral
(e) St. James Cathedral
(f) All Saints Cathedral
(g) Cathedral of St. John the Evangelist
(h) DeKoven Center (Racine)
(i) St. Matthias Catholic Church
(j) Alverno College, Wehr Hall
(k) Broadway Center, Cabot Theater
(l) St. Joseph Center Chapel
(m) 1st United Methodist Church (Waukesha)
(n) Congregation Shalom
(o) Congregation Emanu-El
(p) Basilica of St. Josaphat
(q) Wisconsin Lutheran College, Schwan Hall
(r) Grace Lutheran Church
(s) St. Pauls Episcopal Church
(t) St. Anthonys Catholic Church
(u) Cardinal Stritch College (University Theatre)
(v) Milwaukee Art Museum
(w) North Shore Congregational Church
(x) Helene Zelazo Center for the Performing Arts (UWM),
(y) Sharon Lynne Wilson Center for the Performing Arts
(z) Trinity Lutheran Church (Madison)
(aa) 1st United Methodist Church (Evanston, IL)
(bb) St. Patricks Catholic Church (Madison)
(cc) UW Memorial Union Theatre (Madison)
(dd) St. Boniface Church (Mequon)
(ee) Luther Memorial Chapel (Madison)
(ff) Charles Allis Art Museum