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music as accompaniment. While these transitions were very smoothly choreographed, and
clearly rehearsed diligently, I wonder if the constant musical breaks took away from the
jeopardy and intrigue of the plot, which definitely has enough meat to stand strong alone
without the need for complex set changes.
The Mayor of Everywhere is yet another fantastically written and elaborate offering by some of
the most exciting young writers working in Leeds. Despite some stumbling blocks in its onstage
realisation, the pieces potential is glaringly apparent, and one leaves the theatre knowing that
they have witnessed something special.
Jess Batty