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1. Introduction
During last 20 years, researchers have gone a long way in exploring the
artistic field and have substantially contributed to the uncovering of the neuropsychological processes associated with the musical activities. In this way, they
revealed a more objective and efficient communication strategy related to the
musical phenomenon.
Music neuro-psychology stands at the intersection between medicine,
psychology and music and it occupies a growing body of research in international
prestigious journals such as: Brain, The Journal of Neuroscience, Cerebral Cortex,
The Journal of Cognitive Neuroscience, NeuroImage, NeuroReport,
Neuropsychologia, Nature. This studies aim to identify the neural correlates
corresponding to different musical activities for instance music audition, vocal or
instrumental music performance and music composition.
Musicians are used to complex physical and psychological actions such as
translating the visually presented musical symbols into sequential movements of
the fingers, improvisation, memorizing long musical phrases and identifying the
tonality without a reference point. For example, instrumental sight-reading requires
the simultaneous integration of sensory and motor information with the feed-back
mechanisms used for music performance monitoring.
By introducing the concept of hemisphericity, researchers offer the
opportunity for greater understanding of the link between music performance level
and a certain thinking style that was associated with the left or right brain
hemispheres. This allows psychologists and musicians to have a bigger picture for
what performance is, by extrapolating the information from neuroscience into a
higher perspective over art and music in particular.
Music has always been considered as being processed by the right
hemisphere. The novelty of this study consists into the review of recent studies that
1
proved, through fMRI research, that music processing, in its multiple dimensions
(melody, rhythm, harmony, timbre) is processed by both hemispheres. Moreover,
professional musicians tend to use predominantly the left hemisphere when
working with musical information. Our intention is to explore the hemisphericity of
performers in order to obtain a more coherent and complete perspective on the
neuropsychological processes related to music activities.
2. The concept of hemisphericity
The concepts of brain dominance and hemisphericity have had, across time,
a sinuous history, as researchers, in many contexts, could not agree on how to
define each of them. The two brain hemispheres have the same internal structure
(Petrovanu et al, 1999). Because each of them controls the opposite side of the
body and communicate with each other through corpus callosum, they were
considered equal in functions for a long time. Only in the second half of the XIX-th
century researchers started to understand that, despite their similar configuration
the brain hemispheres are not functionally equivalent. Due to the discoveries made
by Pierre Paul Broca in 1864 that showed a connection between loosing the
articulate language and an injury of the third left frontal convolution (whish was
later named Brocas area), the neuroscience field brought the evidence of not only
the localization of a certain mental activity to a specific region in the brain, but of
the unequal contribution of the two hemispheres for that particular mental activity.
Twelve years later, in 1876, Carl Wernicke was describing the sensory
aphasia which revealed that in this disease the injury is located also on the left
hemisphere, but on the posterior-superior side of the temporal lobe (which became
Wernickes area) and on the adjacent parietal-occipital cortex (Petrovanu et al,
1999).
These two findings brought to light the idea of functional asymmetry of the
left and right hemispheres and this became a consequence of the specific
contribution of each hemisphere to the processing of the mental activities. Because
the loss of the language function was determined exclusively by lesions in the left
hemisphere it received the name of dominant hemisphere, and this idea persisted
almost a century (Botez, 1996; Petrovanu et al, 1999).
Functional asymmetry was initially considered to be exclusive and reflected
the idea the only the left hemisphere participates to these specific human functions.
Only at the end of the XX-th century, when it became obvious that the right
hemisphere plays an important part into the peoples life too by processing spatial
information, the concept of absolute dominance has been replaced with relative
dominance. The concepts of hemispheric specialization and brain lateralization
followed and these are still used today when we speak about the functions of the
left or right hemisphere (Botez, 1996).
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Left hemisphere
Language function;
Mathematical functions;
Processes related to logic thinking;
Analytic function;
Declarative memory;
Direct link to consciousness;
Right hemisphere
Non-verbal and intuitive data;
Three-dimensional perception;
Non-verbal language: intonation,
intensity;
Reflexive memory;
Uncertain link to consciousness;
Table 1. An overview of the hemispheric functions, as they were discovered by Sperry, Bogen
and Gazzaniga (Petrovanu et al., 1999)
law. The author explains the results through the fact that there is a common factor
between these domains and a specific way in approaching problems. Therefore, the
performance in arts, architecture and social sciences requires a specific thinking
style characterized by global-spatial approach. On the opposite, exact sciences
require rational thinking, verbal approach, sequential and analytical reasoning.
A subsequent exhaustive research (Morton, 2003) has applied a bio-physical
method of identifying hemisphericity1 on a sample of 1048 students and professors
from a multiethnic Hawaiian university. The results have showed that, while
hemisphericity is relatively equal on the left-right hemispheres in the case entering
university students (56% were left brain oriented and 44% were right brain
oriented), once the students become more specialized in different fields, the
distribution of hemisphericity modifies significantly. For example biochemists were
83% left brain-oriented and astronomers were 71% right brain-oriented. This
suggests that a entry-level population partially sorts itself in terms of
hemisphericity subtype as it progresses on to more advances studies.
Another important discovery of the same study consists in the analysis of
hemisphericity distribution among 15 selected professions. Therefore, individuals
who work in exact sciences such as bacteriology or biochemistry were 86%,
respectively 83% left brain-oriented. At the other end of this spectrum of
professions, an enrichment of right brain-orientation was found in the more holistic
professions such as architecture and astronomy. There, left brain-oriented
practitioners were in minority (33% and 29% respectively).
Also, in both types of professions, the percentage of left brain-oriented field
workers was comparable to that of their faculty colleagues. That is, faculty and
practicing engineers were 53% and 56% in their left brain proportions. Also,
faculty and practicing architects reported similar 33% and 38% left brainorientation. These relevant findings fairly support the idea that hemisphericity
could be associated with career choice.
At last, a study (Jagt et al., 2003) performed on 89 students enrolled in an
undergraduate introductory special education course at a doctoral level university
has revealed that most subject preferred left and right (whole brain) processing.
Interestingly, their hemisphericity was associated with their predominant
geographic area. Therefore, urbanites preferred right mode processing while
suburbanites preferred left mode processing. Also, their learning styles were not
associated with gender, ethnicity, predominant geographic area, laterality and
major. Finally, subject had different environmental preferences (e.g. noise level),
and gender, ethnicity and laterality affected these preferences.
1
We talk about The Best Hand Test that was created and validated by Bruce Morton (Morton, 2003). The test asks
the subject to mark the centre of 20 lines of different sizes, in certain contexts by using in turn the right and the left
hand. The test corresponds the theoretical model described by Schenkenberg, Bradford and Ajax (1980 apud Morton,
2003).