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Forward
I remember
Oboete-iru
I remember
Oboete-iru
I remember
Oboete-iru
Me-wo Tojire-ba
I remember
Oboete-iru
I remember
Oboete-iru
This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com
(Mae-e)
SSAA version
Mae-e (Forward)
Piano is optional.
Can be performed with other ensemble versions.
(Kindly)
# # D8
4
& 4
1
Sop.
2
# 4
& # 4
1
Alt.
2
&
##
p
j
-
O - bo - e - te - i
&
Pno.
(opt.)
? ##
#
& # j
11
S.
A.
&
##
O - bo - e - te - i
ru,
.
&
A - na - ta - no A
ww
.. j
ru,
A - na - ta - no A
..
-
ru,
. j
Pno.
(opt.)
? ##
www
ta - ta - ka - na
ww
w
P
j .. j
J J
Ya - sa - shi - i Ko - e P
j j
j
.
w
w
.. J
ww
w
1/5
w
w
Te
wo.
.
ww
w
P
.. j
ww
wo.
O - bo - e - te - i -
P
j
....
Ko - e - wo.
Te
j
w.
wo.
O - bo - e - te - i - ru,
Oo...
# w
& # ww
www
O - bo - e - te - i -
www
sa - shi - i
ta - ta - ka - na
.
.
A - na - ta - no Ya
.. j
ru,
w
P
www
##
J
ww
p
##
& j
O - bo - e - te - i
A.
..
# # 4
& 4
J
P
## 4
& 4
Piano
(opt.)
S.
gg
gg
w
w
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5/15, 2011 updated
This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com
*Oo = [u]
Mae-e (Forward)
S.
ru,
A.
#
& # ..
? ##
21
S.
A.
&
##
#
& #
Pno.
(opt.)
26
S.
A.
&
&
##
##
ssu - ngu - na
Ma - na - za - shi - to,
Shi - zu - ka - na
I - no - ri -
I - no - ri...
..
no
ri
-
wo.
PJ
A
P
j
...O - mo - i - da - su,
? ##
j j
To - ki - no
Ko - to -
nn...
w
J
..
na - ta - to
g ww
ggg ww
##
g
&
Pno.
(opt.)
p
P .
.
wo,
w ..
w
w
A - na - ta - to Su - ngo - shi - ta
nn...
..
.
Me - wo To - ji - re - ba
wo,
Shi - zu - ka - na
P
j
wo.
p
? # #
&
##
A - na - ta - no Ma
..
.
j
.
.
.
A - na - ta - no Ma
ssu - ngu - na
Ma - na - za - shi - to,
#
& # ggg
Pno.
(opt.)
.
J
tta - ko - to - wo,
ta
P
p
O - mo - i
-
j
. ..
p
....
To - mo - ni
O - mo - i...
To - mo - ni
U -
U - ta
2/5
tta - ko - to - wo,
.
p
.
.
da
O-
j
w
w
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5/15, 2011 updated
This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com
#
& # ..
16
Mae-e (Forward)
S.
A.
&
&
##
##
P
n
ww
su.
O - n - nga - ku - no
A.
&
##
wa
n.
# # ..
&
Pno.
(opt.)
? ##
#
& # n ..
Pno.
(opt.)
nga A - na - ta - to - no Wa - ka - re - de -
n
p
n
P
n
n
n
p
n
n.
na - i.
O - n - nga - ku - nga
Ma - ta Yo - mi - nga - e - ru - yo - ni,
.. j
.
w .
j
A - na - ta - wo O
mo
a
-
da
so.
3/5
f
Ah!
O n n .. j
Ah!
O
bo - e - te - i f
n
so.
Na - n -
mo
Na - n - do - de - mo
n
F
j n n
Na - n - do - de -
n n
O -
O # # do - de - mo
j F
&
n . n
. J A - na - ta - wo O mo - i - da - so.
n
##
n
&
n ggg
g
P
? ## n w
&
n a
nw
mo
A.
A - na - ta - to - no Wa - ka - re - de -
f
j
j
. .. n
.
n - nga - ku - nga Ma - ta Yo - mi - nga - e - ru - yo - ni,
na - i.
. w
38
S.
.
.
wa
nga
f
j
j
.
.
.
.
#
& # n ..
34
S.
? ## .
O - wa - ri
n
F
n
O - n - nga - ku - no
mo - i - da - su.
Pno.
(opt.)
O - wa - ri
P
n
#
& #
F
n
Ah!
n ...
.
?
F
bo - e - te - i
n#
n#
n#
n#
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5/15, 2011 updated
This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com
30
Mae-e (Forward)
A.
ru,
gg ...
g .
& gg
f
?#
Pno.
(opt.)
- me - wo.
j
.
w
..
J
Yu
bo - e - te - i - ru,
A - na - ta - no Ta - i - se - tsu - na Yu - me
A na ta no Ta
P
# . O - bo - e - te - i j ..
&
bo - e - te - i - ru...
I
ru,
P
# bo - e - te... O & .
.
.
ru,
O J bo - e - te - i - ru,
# gggg
& ggg
..
ggg p
gg
# gggg
?
& ggg
A.
Pno.
(opt.)
50
S.
A.
Pno.
(opt.)
&
#
#
fna - ta - to - no
..
ru.
O - mo - i - de - wo
f ru.
..
se tsu na Yu -
me
46
S.
O j wo.
j
O J bo - e - te - i
j jgg
ggg
Yu - me...
j
j
.
- -- - - - -
wo.
O -
wo.
Yu - me -
O - bo - e - te - i - ru,
j
PJ
A - na - ta - no
A - shi - ta - ni
Mu - ke - ta
E - nga -
F
j
j
j
n
A - na - ta - no
A - shi - ta - ni
o -
E nga
Mu - ke - ta
n
e
j
.
.
Mu - ne - ni I
&
wo.
A o
j
jF
j
j
.
ppo I -
ppo
Ma
e...
wo, O - bo - e - te - i -
.
J
A wo.
-
e.
Ma
4/5
n
Ma - i - ni -
- e - e.
j
n
.
.
O - mo - i - de - wo,
Mu - ne - ni
e...
Ma - e - e.
Ma
I - ppo I - ppo
na - ta - to - no
..
gg n
# gg
g
gg
&
f
n
?#
&
Ma - i - ni -
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5/15, 2011 updated
This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com
S.
.
& . .
J
ru.
O - bo - e - te - i - ru,
f
#
j
& .
..
.
42
Mae-e (Forward)
S.
chi - no
A.
&
Yo - ro - ko - bi - to
Ka - na - shi - mi - wo
Yo - ro - ko - bi - wo,
# j
.
Jchi - no
chi - no
?#
57
S.
A.
&
&
Yo - ro - ko - bi - to
&
Pno.
(opt.)
A.
ppo
ppo...
&
&
ppo I
ppo
Ma
ppo I
.
.
e - e...
.
.
P
-
Ma - e
Ma - e
e.
I -
....
e.
I -
..
J
p
ggg
g
U
I -
&
www
w
ww
e
nga - ra
Ma
na
Ma - e
I -
p
j
j
..
...
. J
F
nga - ra
UP
p
P
U ..
..
ppo
rit.
# w
?#
&
..
.
. ppo Ma - e - e...
ppo I
ppo I
..
.
. J
. .
-
F
j
w
.. . . w
ppo
. .
ppo...
ppo
..
.
na
..
Da - ki - shi - me
Ka - na - shi - mi - wo
F
j
w
.. . . w
Pno.
(opt.)
? #
62
S.
.
.
-
a .
a
#
&
Pno.
(opt.)
Da - ki - shi - me
pj
j
.
e.
ww
e.
j
ww
ww
w
w
5/5
U
ggg www
gg w
U
w
w
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5/15, 2011 updated
This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com
a .. ..
#
&
J
54
Ken-Ps Japanese Pronunciation Guide with IPA for Singers by Kentaro Sato (Ken-P)
There are 5 vowels in the Japanese language and they are alphabetized as A E I O and U. Consecutive vowels belong to
separate syllables, and there is virtually no diphthong when it comes to music.
x
Singing Japanese I is always Close I [L] as in feeet. However, it can be modified toward Open I [,], when it provide
unified vowel sounds, or in softer passage.
Singing Japanese U is always Close U [X] as in foood. However, it can be modified toward Open U [8] as in fooot, if it
provides ease of pronunciation for singers in upper resister and/or forte passages.
[E]
BY
[EM]
CH
[W]
DVLQ(b
boy)
[Q]
nod)
(n
NG
[1]
(son
ng)
NGY
[1M]
[G]
(d
dot)
NY
[QM]
(n
new)
[I]
(ffood)
[S]
(p
pot)
FY
[fj]
(ffew)
PY
[SM]
(p
puke)
[J]
(g
gut)
[5]RU>`]
Japanese R is flipped R
GY
[JM]
(g
gas)
RY
[5M@RU[`M@
[K]
(h
hit)
[V]
(ssing/tosss)
HY
[&]
*or >KM@DVLQ(h
human)
SH
[]
*or [6@DVLQ(sshed)
[d]
*or [d=@DVLQ(jjet)
[W]
(ttea)
[N]
(k
king)
TS
[WV]
(letts)
KY
[NM]
(ccute)
[Y]
(v
victory)
[O]
(lleap)
[Z]
water)
(w
[P]
(m
mall)
[M]
(y
you)
MY
[PM@
mute)
(m
[d]]
(zzebra))
If NG [1] and NGY [1M] (aka Bidakuon) are difficult to produce, it is acceptable to use G [J] for NG and GY [JM] for
NGY.
One MAY NOT use English R [], Rolled R [U] nor German/French R [^] for Japanese flipped R, but MAY use L [O] if
s/he cannot produce [5]RU>`].
Doubled consonants (EX. a-ttta, a-ccchi and i-ssse-i) indicate small stops between proceeding vowels. In my music, they
can be sung without doubled consonants (EX. a-ta, a-chi and i-se-i) because they are already articulated by rests or
staccatos. So please do observe and execute such rests and staccatos correctly.
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1. Vowels