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This is a charity piece, and you may copy this score for performances without permission.

However, if you plan to use this piece, please contact the composer from www.wisemanproject.com

Forward

I remember

Oboete-iru

Your warm hand.

Anata-no Atataka-na Te-wo

I remember

Oboete-iru

Your kind voice.

Anata-no Yasash Koe-wo

I remember

Oboete-iru

Your honest eyes and quiet prayer.

Anata-no Massungu-na Manazashi-to Sizuka-na Inori-wo

When I close my eyes

Me-wo Tojire-ba

I recall the time we spent together,

Anata-to Sungoshi-ta Toki-no Koto-wo

And the time we sang together.

Anata-to Tomo-ni Utatta-koto-wo Omoi-dasu

The end of music is not our farewell.

Onngaku-no Owari-nga Anata-tono Wakare-dewa-nai

As music lives again,

Onngaku-nga Mata Yomingaeru-yni

So will you live again and again in my memory.

Nando-demo Nando-demo Anata-wo Omoi-das

I remember

Oboete-iru

A dream you cherished.

Anata-no Taisetsu-na Yume-wo

I remember

Oboete-iru

A smile you beamed at tomorrow.

Anata-no Ashita-ni Muketa Engao-wo

With memories of you in my heart,

Anata-tono Omoide-wo Mune-ni

One step at a time, I walk forward.

Ippo Ippo Mae-e

Embracing every day s happiness and sadness,

Mainichi-no Yorokobi-to Kanashimi-wo Dakishime-nangara

One step at a time, I walk forward.

Ippo Ippo Mae-e

Ippo Ippo Mae-e

One step at a time, I walk forward.

This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com

(Mae-e)

for Utao NIPPON Project

SSAA version

Mae-e (Forward)

Text and Music by Kentaro Sato (Ken-P)


5/2, 2011
- to the Victims of the 2011 3/11 Earthquake and Tsunami in Japan -

Piano is optional.
Can be performed with other ensemble versions.

(Kindly)
# # D8 
4

& 4

1
Sop.
2

# 4
& # 4

1
Alt.
2

&

##

p
j

-

O - bo - e - te - i

&
Pno.
(opt.)

? ##

#
& # j

11

S.

A.

&

##

O - bo - e - te - i
ru,

.




&

A - na - ta - no A

ww

.. j

ru,

A - na - ta - no A

  ..
-

ru,

. j




Pno.
(opt.)


? ## 

www

ta - ta - ka - na

ww
w

P
j .. j

J J
Ya - sa - shi - i Ko - e P
j j
j
.





w
w

2011 Kentaro Sato (Ken-P), International Copyright Secured.


The rights for Japan assingned to edition KAWAI Tokyo Japan.

.. J
ww
w

1/5




w
w

Te

wo.

.
ww
w

P
.. j

ww
wo.

O - bo - e - te - i -

P
j


 ....

Ko - e - wo.

Te

j
w.
wo.

O - bo - e - te - i - ru,

Oo...

# w
& # ww

www

O - bo - e - te - i -

www

sa - shi - i

ta - ta - ka - na

 .
.

A - na - ta - no Ya

.. j

ru,


w
P
www

##


J

ww

p
##
& j

O - bo - e - te - i

A.

..

# # 4 
& 4
J
P
## 4

& 4



Piano
(opt.)

S.

gg 
gg
w
w




Visit: www.wisemanproject
5/15, 2011 updated

This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com

*Oo = [u]

Mae-e (Forward)

S.

ru,

A.

#
& # ..

? ##

21

S.

A.

&

##

#
& #

Pno.
(opt.)

26

S.

A.

&
&

##
##

ssu - ngu - na

Ma - na - za - shi - to,

Shi - zu - ka - na

I - no - ri -


I - no - ri...




 ..


no

ri


-

wo.







PJ

A
P
j

...O - mo - i - da - su,

? ##



2011 Kentaro Sato (Ken-P), International Copyright Secured.


The rights for Japan assingned to edition KAWAI Tokyo Japan.

j j

To - ki - no

Ko - to -




nn...

w
J

 ..



na - ta - to

g ww
ggg ww
##
g
&
Pno.
(opt.)







p
P .


 .

wo,

w ..

w
w


A - na - ta - to Su - ngo - shi - ta




nn...








..

.

Me - wo To - ji - re - ba



wo,

Shi - zu - ka - na

P
j


wo.

p

? # # 
&

##

A - na - ta - no Ma

 ..

.
j
 .
.
.
A - na - ta - no Ma
ssu - ngu - na
Ma - na - za - shi - to,

# 
& # ggg 
Pno.
(opt.)


.
J

tta - ko - to - wo,

ta

P


p

O - mo - i


-

j
. ..

p
 ....

To - mo - ni

O - mo - i...

To - mo - ni

U -

U - ta

2/5

tta - ko - to - wo,

.
p
.

.



da

O-


j

w
w

Visit: www.wisemanproject
5/15, 2011 updated

This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com

#
& # ..

16

Mae-e (Forward)

S.

A.

&
&

##
##

P

n

ww
su.

O - n - nga - ku - no

A.

&

##

wa

n.
# # ..
&
Pno.
(opt.)

? ##

#
& # n ..

Pno.
(opt.)

nga A - na - ta - to - no Wa - ka - re - de -


n







p
n 

P
n

n
n
p
n
n.

na - i.

O - n - nga - ku - nga

Ma - ta Yo - mi - nga - e - ru - yo - ni,

.. j
.
w .

j


A - na - ta - wo O

mo

2011 Kentaro Sato (Ken-P), International Copyright Secured.


The rights for Japan assingned to edition KAWAI Tokyo Japan.

a
-

da

so.

3/5

f
Ah!
O n   n .. j

Ah!
O
bo - e - te - i f


 n

so.

Na - n -

mo

Na - n - do - de - mo




n 

F
j n n

Na - n - do - de -

n  n

O -

O # # do - de - mo
j F
&
n . n
. J A - na - ta - wo O mo - i - da - so.
n

##
n

&
n ggg 
g
P
? ## n w
&
n a
nw

mo

A.

A - na - ta - to - no Wa - ka - re - de -

f
j
j
. .. n
.
n - nga - ku - nga Ma - ta Yo - mi - nga - e - ru - yo - ni,

na - i.

. w

38

S.

.
.
wa

nga

f
j
j

.
.
.
.

#
& # n ..

34

S.

? ##  .

O - wa - ri

n 

F
n

O - n - nga - ku - no

mo - i - da - su.

Pno.
(opt.)

O - wa - ri

P
n 



#
& #

F
n

Ah!

n  ...
.
?

F






bo - e - te - i










n#
n#

n#
n#

Visit: www.wisemanproject
5/15, 2011 updated

This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com

30

Mae-e (Forward)

A.

ru,

gg ...
g .
& gg
f

?#

Pno.
(opt.)

- me - wo.
j
.

w
 ..
J
Yu

bo - e - te - i - ru,

A - na - ta - no Ta - i - se - tsu - na Yu - me

A na ta no Ta

P
# . O - bo - e - te - i j ..
&

bo - e - te - i - ru...
I
ru,
P
# bo - e - te... O & .
.
.
ru,
O J bo - e - te - i - ru,

# gggg
& ggg
..

ggg p
gg

# gggg
? 
& ggg 


A.

Pno.
(opt.)

50

S.

A.

Pno.
(opt.)

&

#
#

fna - ta - to - no
 ..

ru.
O - mo - i - de - wo
f ru.

..

se tsu na Yu -

me

46

S.

O j wo.
j

O J bo - e - te - i
j jgg

ggg

Yu - me...
j
j


.
- -- - - - -
wo.

O -

wo.

Yu - me -

O - bo - e - te - i - ru,

j



PJ

A - na - ta - no

A - shi - ta - ni

Mu - ke - ta

E - nga -

F
j
j
j
n



A - na - ta - no

A - shi - ta - ni

o -


E nga

Mu - ke - ta



n


e

j

.
.
Mu - ne - ni I

2011 Kentaro Sato (Ken-P), International Copyright Secured.


The rights for Japan assingned to edition KAWAI Tokyo Japan.

&

wo.
A o
j
jF
j
j
.


ppo I -

ppo

Ma

e...

wo, O - bo - e - te - i -

.
J
A wo.
-

e.

Ma

4/5

n

Ma - i - ni -

- e - e.

j

n
.
.
O - mo - i - de - wo,
Mu - ne - ni
e...
Ma - e - e.
Ma
I - ppo I - ppo
na - ta - to - no
..

gg n
# gg

g

gg
&
f
n


?#

&


Ma - i - ni -

Visit: www.wisemanproject
5/15, 2011 updated

This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com

S.


.
& . .
J
ru.
O - bo - e - te - i - ru,
f
#
j
& .
..
.

42

Mae-e (Forward)

S.

chi - no

A.

&

Yo - ro - ko - bi - to
Ka - na - shi - mi - wo
Yo - ro - ko - bi - wo,

# j
.
Jchi - no
chi - no

?#

57

S.

A.

&
&

Yo - ro - ko - bi - to

&
Pno.
(opt.)

A.

ppo

ppo...

&
&

ppo I

ppo

Ma

ppo I

 .
.

e - e...

 .
.
P
 
 


2011 Kentaro Sato (Ken-P), International Copyright Secured.


The rights for Japan assingned to edition KAWAI Tokyo Japan.

- 
Ma - e




Ma - e

e.

I -

 ....

e.

I -

..
J
p

ggg 
g
U

I -

&

www
w

ww


e




nga - ra


Ma

na

Ma - e

I -

p
j

j
..


...
. J
F




nga - ra

UP

p
P
U  ..
 ..

ppo

rit.

# w



?# 


&

 ..
.
. ppo Ma - e - e...
ppo I

ppo I

..
.
. J

. .
-

F
j
w
.. . . w
ppo

. . 
ppo...
ppo

..
.

na

..

Da - ki - shi - me

Ka - na - shi - mi - wo

F
j
w

.. . . w




Pno.
(opt.)

? # 

62

S.

. 
.
-



a . 

a
#

&
Pno.
(opt.)

Da - ki - shi - me

pj

j
.




e.

ww
e.

j
ww
ww
w
w




5/5

U
ggg www
gg w
U
w

w


Visit: www.wisemanproject
5/15, 2011 updated

This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com

a .. ..

#
&
J

54

Ken-Ps Japanese Pronunciation Guide with IPA for Singers by Kentaro Sato (Ken-P)

There are 5 vowels in the Japanese language and they are alphabetized as A E I O and U. Consecutive vowels belong to
separate syllables, and there is virtually no diphthong when it comes to music.
x

Singing Japanese A is always Open A [$] as in fa


ather. You may use [] in softer passage.

Singing Japanese E is always Open E [(] as in fe


etch. Do not use [e].

Singing Japanese I is always Close I [L] as in feeet. However, it can be modified toward Open I [,], when it provide
unified vowel sounds, or in softer passage.

Singing Japanese O is always Close O [R] as in fo


oe. Do not use diphthong like [o8].

Singing Japanese U is always Close U [X] as in foood. However, it can be modified toward Open U [8] as in fooot, if it
provides ease of pronunciation for singers in upper resister and/or forte passages.

Japanese N [Q] often makes an independent syllable.


2. Consonants

[E]

BY

[EM]

CH

[W]

DVLQ(b
boy)

[Q]

nod)
(n

NG

[1]

(son
ng)

*or [W6] as in (ccheese)

NGY

[1M]

[G]

(d
dot)

NY

[QM]

(n
new)

[I]

(ffood)

[S]

(p
pot)

FY

[fj]

(ffew)

PY

[SM]

(p
puke)

[J]

(g
gut)

[5]RU>`]

Japanese R is flipped R

GY

[JM]

(g
gas)

RY

[5M@RU[`M@

[K]

(h
hit)

[V]

(ssing/tosss)

HY

[&]

*or >KM@DVLQ(h
human)

SH

[]

*or [6@DVLQ(sshed)

[d]

*or [d=@DVLQ(jjet)

[W]

(ttea)

[N]

(k
king)

TS

[WV]

(letts)

KY

[NM]

(ccute)

[Y]

(v
victory)

[O]

(lleap)

[Z]

water)
(w

[P]

(m
mall)

[M]

(y
you)

MY

[PM@

mute)
(m

[d]]

(zzebra))

F L and V are only used for foreign-origin words.

If NG [1] and NGY [1M] (aka Bidakuon) are difficult to produce, it is acceptable to use G [J] for NG and GY [JM] for
NGY.

One MAY NOT use English R [], Rolled R [U] nor German/French R [^] for Japanese flipped R, but MAY use L [O] if
s/he cannot produce [5]RU>`].

Doubled consonants (EX. a-ttta, a-ccchi and i-ssse-i) indicate small stops between proceeding vowels. In my music, they
can be sung without doubled consonants (EX. a-ta, a-chi and i-se-i) because they are already articulated by rests or

staccatos. So please do observe and execute such rests and staccatos correctly.

2008 Kentaro Sato (Ken-P) www.wisemanproject.com

update on 5/15, 2011

This is a charity piece, and you may copy this score for performances without permission. However, if you plan to use this piece, please contact the composer from www.wisemanproject.com

1. Vowels