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Theatre of Denton
Cheat Sheet/Roadmap
May 2016
John Norine, Jr Music Director
#0. Prologue
This isnt in your books; pre-recorded track. I only mention it because it goes directly into the
next number
#1. In the Heights
Begins in 2 (beating half notes)
Vamp in m. 1 is good, vocals start in pickup to m. 3
m. 11-12 are played 4 x total
Vamp in m. 46 is good
Applause segue into next number
#1a. Back to Work
Begins in 2 (beating half notes)
m. 21 is a normal repeat only play 2x total
#1b. Ninas Theme
Begins in 1(beating dotted half notes)
Vamp in m. 13 is good.
Direct segue into next number
#2. Breathe
Begins in 1 (beating dotted half notes)
Guitar play 1 dynamic level above what is written until m. 107
m. 107 goes into 2 (old dotted half becomes new dotted quarter)
m. 137-139 is colla voce and free, so keep an eye out for me
m. 144 is back in time
m. 157-160 is colla voce and free again
m. 161 is back in 1 (beating dotted half notes)
Applause segue into the next number
#2a. To the Dispatch!
Begins in 2 (beating half notes)
Timables has a 1 quarter note pickup to m. 1
#6. No me Diga
Begins in 2 (beating half notes; I will prep with a full bar
Chord in m. 95 is on cue
m. 96 is a dead bar for dialogue
m. 97 is in 4 (beating quarter notes)
m. 107 is dead bar for dialogue
m. 108 is back into 2 (beating half notes)
No ritard at the end
Applause segue into next number
#6a. What Up?
Cut m. 1; start in m. 2, which is in 4 (beating quarter notes)
#7. 96,000
Starts in 4 (beating quarter notes)
m. 40 is in 2 (old quarter becomes the new half)
m. 58 is in 4 (old half becomes the new quarter)
m. 83 is a dead bar for dialogue
m. 101 is in 2 (old quarter becomes new half)
m. 119 is in 4 (old half becomes new quarter)
m. 131 is in 2 (old quarter becomes new half)
Applause segue into next number
#7a. 96,000 playoff/Abuelas Transition
Starts in 4 (beating quarter notes)
m. 6 is in 2 (old quarter is new half)
Both vamps are out; play with no repeats
#8. Pacencia y Fe
Begins in 2 (beating quarter notes)
Vocals has 1 quarter note pickup to m. 1
m. 8-9 is in 4 (fast quarters)
m. 10 is in 2 (beating half notes)
m. 162 is VERY colla voce
m. 166 is back in 2
m. 177 is a dead bar for dialogue after the downbeat; then the vocal has a 4 note pickup into next bar
m. 178 is in 2, but faster.
Applause segue into next number
#8a. Time Lapse
Begins in 4 (beating quarter notes)
#19. Alabanza
Begins in 4 (beating quarter notes)
Guitar soli until m. 13 (bass enters here)
m. 22 is a dead bar with 2-16th note pickups to m. 23 in the voice
m. 23-26 are a capella
#20. Everything I Know
Begins in 2 (beating dotted quarter notes)
No repeat at the beginning (play m. 1-4 one time only)
#21. No me diga (reprise)
Begins in 4 (beating quarter notes)
Ill give a full bar of prep
m. 18 is a dead bar for dialogue
m. 19 and m. 20 are on cue; not in time
#21a. Piragua (reprise)
Begins in 2 (beating half notes)
No poco rit. at the end
#22. Champagne
Begins in 4 (beating quarter notes)
Make sure the downbeat of m. 61 is piano.
Direct segue into next number
#22a. Too Late
Begins in 4 (beating quarter notes)
No repeat between m. 11 and 14 (play one time total)
Caesura after m. 18 is good
**CHANGE Play m. 19-21
Direct segue into next number
#23. When the Sun Goes Down
Begins in 4 (beating quarter notes)
**CHANGE do plays the downbeat of m. 1 in reeds, brass, and percussion
Between m. 1 and 18; if youre not playing, snap your fingers on 2 and 4.
m. 19 is a subdivided 3 (still beating quarters)
Applause segue into next number
#23a. Sonnys Proposition
Begins in 4 (beating quarter notes)
Play m. 1-2 two times total (NOT 4x)
Vamp in m. 5 is good
Direct segue into next number
#24. Finale
Begins in 4 (beating quarter notes)
m. 14-16 is soli track; rest of band comes in m. 17
Ill cue the track (keyboard 2) and keep time through the soli bars
m. 89 is played 6 times total
m. 92 is a dead bar for dialogue
Molto rall. is in m. 126-127 is good (dare I say, super good)
m. 128 is on cue
#25. Bows/Exit Music
Begins in 2 (beating half notes)
No repeat m. 45-46
m. 83 is suddenly in 4 (a la EVERY OTHER TIME THIS TUNE HAPPENS)
END OF SHOW