AYER PRODUCTIONS VS.

CAPULONG
G.R. NO. L-82380; 29 APR 1988
Facts: Petitioner McElroy an Australian film maker, and his movie production company, Ayer
Productions, envisioned, sometime in 1987, for commercial viewing and for Philippine and
international release, the historic peaceful struggle of the Filipinos at EDSA. The proposed
motion picture entitled "The Four Day Revolution" was endorsed by the MTRCB as and other
government agencies consulted. Ramos also signified his approval of the intended film
production.
It is designed to be viewed in a six-hour mini-series television play, presented in a "docu-drama"
style, creating four fictional characters interwoven with real events, and utilizing actual
documentary footage as background. David Williamson is Australia's leading playwright and
Professor McCoy (University of New South Wales) is an American historian have developed a
script.
Enrile declared that he will not approve the use, appropriation, reproduction and/or exhibition of
his name, or picture, or that of any member of his family in any cinema or television production,
film or other medium for advertising or commercial exploitation. Petitioners acceded to this
demand and the name of Enrile was deleted from the movie script, and petitioners proceeded to
film the projected motion picture. However, a complaint was filed by Enrile invoking his right to
privacy. RTC ordered for the desistance of the movie production and making of any reference to
plaintiff or his family and from creating any fictitious character in lieu of plaintiff which
nevertheless is based on, or bears substantial or marked resemblance to Enrile. Hence the appeal.
Issue: Whether or Not freedom of expression was violated.
Held: Yes. Freedom of speech and of expression includes the freedom to film and produce
motion pictures and exhibit such motion pictures in theaters or to diffuse them through
television. Furthermore the circumstance that the production of motion picture films is a
commercial activity expected to yield monetary profit, is not a disqualification for availing of
freedom of speech and of expression.
The projected motion picture was as yet uncompleted and hence not exhibited to any audience.
Neither private respondent nor the respondent trial Judge knew what the completed film would
precisely look like. There was, in other words, no "clear and present danger" of any violation of
any right to privacy. Subject matter is one of public interest and concern. The subject thus relates
to a highly critical stage in the history of the country.
At all relevant times, during which the momentous events, clearly of public concern, that
petitioners propose to film were taking place, Enrile was a "public figure:" Such public figures
were held to have lost, to some extent at least, their right to privacy.

The line of equilibrium in the specific context of the instant case between the constitutional
freedom of speech and of expression and the right of privacy, may be marked out in terms of a
requirement that the proposed motion picture must be fairly truthful and historical in its
presentation of events.