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Whips, leather, pain, bondage, rope, and suffocation are all forms of sadomasochism in
one form or another. Their very reference has various affects on different people; some people
cringe, others raise brows, and some have to go as far as to hide their sexual arousal at the mere
mention of these things. The evolution of pain in association with sexual excitement and
eroticism has been a constant theme in art from antiquity to the present, each period deriving
new and unique experiences and views on the topic; nevertheless, the trend continues and
In the third century AD the Karmasutra was comprised somewhere in the north of India
and its recommendations for the use of scratching, biting, and slapping were the first of their
kind documented in writing (Hall). This presented questions of consent as the women’s cries,
and protests were mere ritualized response of pleasure or genuine cries of pain or discomfort at
the hand of her lover. This varies as time passes and witnessed in modern times with the
More forms of “fetishes” arose as time passed into the Restoration Period, with the rise of
pedagogical punishment and the position of power this placed in the schoolmaster over the pupil
created a “deviance” in the minds of youth that may or may not have developed into a more
sexual desire in adult hood. This also placed the schoolmasters themselves in a sexual position at
the time as the bare buttocks of the child was often the target of lashing. In the same period there
of wives, children, and servants was a commonplace and accepted practice, so scholars question
Chastisement was also a topic addressed at this time about its possibility of sexual arousal, with
As time progressed and the view of the people changed slightly it was the philosopher
Rousseau, in his frank, yet published Confessions in 1782 he addressed the issue of lasting
affects of youthful experiences of corporal punishment. Marquis de Sade also wrote in this
period of sadism and masochism alongside other themes of sexual transgression and their
philosophical underpinnings. These themes are also found in the later nineteenth-century
Numerous attempts by early sexologist to analyze the subject tend to find that there are
similarities with the types of punishment used in societies and the forms and levels to which the
eroticism of these enjoyments was found. Early studies were also compounded with gender-
biased assumptions that seeing sadism excessive forms of male aggression and masochism the
exaggerated role placed upon women of the cultural times. After Freud’s theories were common
knowledge, psychoanalysts’ explanations of this behavior both conscious and subconscious were
As the century drew on and attitudes towards sexuality in the Western world became
more liberalized, various surveys of sexual attitudes and behavior manifested that
context, along with the broadening doctrine that erotic ecstasy was in itself a praiseworthy thing,
They constructed codes of conduct to ensure the safety of participants, embodied in the
rubric 'Safe, Sane, and Consensual', prior negotiation of the parameters of a 'scene', and an
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arrangement of 'safe words' to stop or slow down the action. Far from the masochist, or 'bottom',
being at the mercy of the sadist, or 'top', it was widely claimed that the bottom controlled the
scene by defining its limits; while the top was not indulging in a frenzy of violence, but willfully
and cautiously delivering decisive actions, some of them demanding notable facility and
adeptness. Definitions were further perplexed by the revelation that very few indicated
comparable to the 'standard' citizen, and in many cases they were pillars of society, although
joylessly astute of the social tarnish their endeavors amassed. They vigorously deviated their
behaviors in 'play', desired and experienced as pleasure by both parties, from violence and
cruelty and extremes such as 'lust murder' with which sadomasochism had frequently been
affiliated.
Early writers such as Meibomius pointed out the anatomical reasons why stimulation,
even distressful stimulation, in the gluteal region might elicit fervor in the contiguous genital
organs, as well as alluding to the customary pleasure affect on the system. Modern science
similarly suggests that affects such as increasing the blood flow to the area would have this
result. Havelock Ellis, in Love and Pain, pointed out that sadomasochistic practices were points
psychological elements presented a part, since informants described being aroused simply by the
thought of whipping. This concept was inferred in Rousseau's chronicle of his own penchants,
In the later twentieth century physiologists symbolized the effect of pain in generating
natural endorphins and a resultant 'high', an sensation which is also found in certain sports and
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other non-sexual conducts, comparable as fluctuating fiery saunas with frigid plunges. It has also
been determined that, throughout sexual arousal, sensations that might be thought agonizing in
the non-aroused state may be endured as harsh but enjoyable. Certain kinds of pain can also
become eroticized through their affiliation with erotic bliss, or in precession of it.
A recent popular fantasy trilogy by Jacqueline Carey, Kushiel's Dart, Kushiel's Chosen
and Kushiel's Avatar, takes as protagonist Phèdre, a courtesan who is blessed, or cursed, by the
god Kushiel to be an anguisette, bearing all pain as sexually exhilarating. although, in real life,
even the most hallowed masochist seldom eroticizes or acclaims all and any pain, looking
forward to a visit to the dentist, for instance, with no more acquisitive suspense than anyone else
does. Researchers have alluded that intellectual and symbolic components are considerable in
sadomasochistic pleasure and for many, though not all, an authentic context of superiority and
adherence are of actual criticalness. Furthermore sadomasochistic assumptions are rife within
social culture, there is still much anxiety and even felonious about these activities. Media
aspires for a jokey, alienating note. At a further extreme the intense rulings handed down in the
'Spanner' case of 1990, for what can well be argued were victimless crimes of engaging in
harmonious (albeit extreme) masochism, display the enduring unease that numerous embrace at
of delaying at the conduit toward masculine orgasm, another description is spatial and invokes
the prosthesis the evildoings amplify, in an anatomical experience, removed the realms of the
body that are conceived for sexual union (France, 1984). In other words, deviants convey genital
experiences outside their customary areas and use other parts of the body (fingers, anuses, fists,
nipples) as alternatives for genital ecstasy. Many Sadomasochistic players prolong the sensual
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territories in this way by using parts such as arms, fingers, and hands, and even the entire body
sadomasochists extend sex beyond the ethnological itself with props such as dildos, piercing
needles, and whips. These spatial augmentations of the body, in turn, have a transient
conceptualization of their own (France, 1984). For a butch lesbian top, for example, the dildo can
serve as a prop for the prosthetic reminiscence of masculinity she embraces as a control but has
not lived genetically. The dildo or even the hand itself can make well an “amputated”
masculinity, which is often felt as an incomplete history that has been briefly suspended by the
butch top’s female body although is now renewed in the juncture of erotic meeting (France,
1984). In other words, the dildo prolongs the butch or daddy top into her “own” masculine past,
the conceived time of another life. Just as sadomasochism exceeds the spatial perimeters of a
player’s “own” council, it can inundate the chronological confines of her “own” age.
Works Cited