Les Miserables (MTI PC) (Dragged)

PIANOCONDUCTOR
LES MISRABLES
31
At the End of the Day

Moderato, maestoso {q = 80-84}
-
f Strings, WWs, Kbds (+8va)
-
? b b4
b b 4 w
1
2
3
Hns, Tbn, Chimes
w
b b4
&b b 4
b b b
b
&
-
-
? bb b
b
4
Molto Allegro {qd = 126}
b
& b b b 12
8
b b b 12 b j
b
&
8 b
b
f Brs,- Kbds.
? b b 12
b b 8
8
. .
Bs
b b
b
& b b b 12
8 b
+WWs
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b b 8
11
>

J
j

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WW
rall.
2

4
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24
6
7 -
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(12/7/01)
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w.
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Fl, Vlns
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98
n

. . . . . . .
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15
12
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.
.
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12
8
12
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PIANOCONDUCTOR
32
w.
b b 12 w .
b
& b 8
.
. . .
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.
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8
b
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16
#1A t t h e E n d o f t h e D a y
w.
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17
F
b
b
&b b
A
(CHORUSTHE POOR)
unis.
b
& b b b
Kbd1
F
? bb b
b
18 -
At
the
end
of
the
day you're
a - noth - er
Kbd3, Vc
day
old

. . . -
19
b
& b bb
b
& b b b
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can
say
.
J
it's
war,
? b b
b b
b b
&b b
.
J
22
day
b
b
&b b
? bb b
b
24
for
the
stand
ing
of
the
er,
an - y - one's
giv
is
it
for?
25

. . . -
23
no - thing that
What
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j

J
poor.
21
j
.
And there's
a - bout,
life
strug - gle,
b b b
b
&
you
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b
20
b
& b bb
all
. . . . .
. . . .
.
ing,
One more
J
.

J
.
6
8
68
68
PIANOCONDUCTOR
b b6
&b b 8
(CHORUS)
One
b b6
&b b 8
Drs
b
b
6
&b b 8 J
33
day
less
to
12 j
8
12 .
8
be
At
b
& b bb
the
end
27
of
the
day you're
And
the
shirt
on
a - noth - er
your back does - n't
& b b b j
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b b b b

&
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b
30
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b b
b
& b bb
32
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n j .
day
cold
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eous
hur - ry
past,
out
the
don't
hear
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33

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lit - tle
ones
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the
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n
31
- . - .
chill.
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They
Ob
er.
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f
29
. . .

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.
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keep
Kbd1, Str
b
& b bb
Kbd2
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b
28
right
Ob, Hn
+Fl
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12
8 w.
.
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b
& b bb
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12
b b
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b
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liv - ing.
Kbd1
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j
b
26
-
cry

J
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ing,
And
the
PIANOCONDUCTOR
34
(CHORUS)
b
b
& b b .
b
b
b
b
&
win - ter
b b6
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b
& b b b 68
b
& b b b 68
J
. . .

J
com - ing
on
One
. . . n
is
? b b
b b
34
day
fast.
to
end
of
the
day
there's
..
WWs
j

n .
&b
b
&
f
?b
Kbd3, Vln
38
&b
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And
the
b
&
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40
in
Ob, Hn
the
37
a - noth - er
day
is
. >
j
.
n .
39
wait - ing
dawn - ing,
morn - ing
Kbd2
6
8
68
+Fl
Kbd1
sun
68
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.
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8 w.
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the
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b
36
At
35
12
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kill.
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12 j
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rise.
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41
to
> .
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Like
> .

j >
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the
j >
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.
PIANOCONDUCTOR
.
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waves'
crash
on
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crash
waves'
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42
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ger
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gon
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gon
hun
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b
& b 68
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in
the
..
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b .
na
be
hell
na
be
hell
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.
storm that - 'll
Like

.
.
43
cond.
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to
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the
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still
div.
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reck
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68
68
68
68
Alto and Bari.
68
68
b .
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b ..Ten 2
-
Sop 2
b -
..Sop 1 + Ten 1
pay.
be
pay.
12
8
to
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land,
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sub.
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45
break
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the
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on
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sand,
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the
(THE REST: ALTOS, TENOR 2, BARI)
&b
&b
(SOPRANOS + TENOR 1)
&b
?b
35
6
8
6
8
68
6
8
PIANOCONDUCTOR
& b 68
& b 68
(CHORUS)
& b 68
J
f
At
the
At
the
N
6 J
b
& 8
f
? b 68 j
48
fl
36
end
of
the
end
of
the
b b b b 12
8
day!
b b b b 12
8
.j
day!
b b b b 12
8
Kbd1 solo
b b b b
&
b
& b bb
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b
50
At
the
.
J
end
of
the
day
j

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you
get
for
j

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51
no - thing.
(FOREMAN)
b
b
Vb b
b
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b b
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Sit - ting
b b
&b b
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b
52
.
J
flat
on
your bum does - n't
j

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buy
j

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n
-
53

.J

J.
.
J
. .
(WORKER 1)
.
.
n -
bread.
.
J
.
.

an - y
no - thing
.
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n .
J.
J.

(FOREMAN)
b
b
Vb b
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Kbd3
f
b b b b 12
8
49
b b b b 12
8
. .
. .

There
are
PIANOCONDUCTOR
37
(WORKER 1)
b
b
V b b J .
child - ren
b b b -
b
&
b
& b b b
? bb b
b
54
&
bbbb
at home,
b
& b bb
56
luck - y
to
be
in
job.
(WORKER 2)
b
& b bb
And
b b6
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b
V b b b 68
b
& b b b 68 j
b
& b b b 68 j
.
? b b b 68
j
b
58
.
(WOMAN)
And
(1 & 2)
And
we're
we're
count - ing
our
child - ren
our
(WORKER 2)
have
got
to
be
fed,
And
you're
55
(WOMAN)
And
in
j

n

count - ing
the
12 j
8
57
...
68

J
j
Drs
...
...
68
...
bed.
b
V b bb
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b b
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back
(1 & 2)
bles - sings.
12
8 .
Ob, Hn
.
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f >
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12
8 w.
.
-
12
Kbd1
59
Kbd2
+Fl
. .
j

. >
68
68
bles - sings.
j
12
8
68
PIANOCONDUCTOR
&
bbbb
.
b b
& b b
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b
& b bb
j
.
60
62
64
b
& b bb
61
J
.
you
(GIRL 1)
way.
b
& b bb
66
how
the
fore - man
look
at
is
fum - ing
to
his
ter - ri - ble
breath
and
his
wan - der - ing
.
.
- .
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n
J
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seen
With
Take
Have
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b b
hands?
b
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&
j

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n
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.
(GIRL 1)
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b
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&
. .
(GIRL 1)
day?
b
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b
F
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b
Tutti
38
his

. -
n -
j It's be - cause
n .
.
trous - ers,
(GIRL 2)
65
you
see
where
lit - tle
Fan - tine won't give
he
his
him
stands.
.
.
(GIRL 4)
. j
n

J . . . . .
And
+Ob, Hns, Xylo
Kbd1
67
.
.
.
.
the
j

.
PIANOCONDUCTOR
39
4)
b b (GIRL
.
b
b
&
J
boss,
b b
b
& b
KBd1, 3
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b .
he
b b
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b b6
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b b6
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.
b b6
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That
does - n't
She'll
be
out
69
look
out,
Watch
how
on
the
? b b b 68 j
b
72
.
heat.
she
goes:
Kbd1
Kbd2

68
J
.
- .
.
- .
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+Fl
>
68
.
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f >
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8 w.
.
-
12
68
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Fan -
street.
73
If
12
8 .
on
71
12
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al - ways
is
fore - man
the
tine
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b .
70
knows
(GIRL 2)
68
b
b
&b b
ne - ver
. >
b
b
b
b
PIANOCONDUCTOR
C2
(CHORUSThe Workers)
&b
WWs
At
the
j

n .
Kbd3, Vln
b
&
f
?
b
74
&b
&b
end
of
the
day
..
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it's
With
e - nough
in
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.
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78
75
.
J
lord,
pay
- .
pay
the shop,
..
.
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.
.
on
Keep
on
>
77
graft - ing
> .
> .
> .
as
long
79
as
long
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> .
Pay
j >
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you're
as
you're
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> .

as
j >
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graft - ing

.
.
week.
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er,
b > .
Keep
the shop,
for
b >
j
.
lord,
last
to
j
.
n .
(THE REST: ALTOS, TENOR 2, BARI)
land
ov
(SOPRANOS + TENOR 1)
&b
day
your pock - et
b
76
land
&b
a - noth - er
b
&
?
40
> .
the
j >
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j
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.
J
ble,
ble,
Keep
on

.
.
PIANOCONDUCTOR
.
& b b
(SOPRANOS)
b .
on
graft
Keep
&b
(THE REST)
&b
&b
?
graft
41
ing
till
you
bb .
.
b b .
80
b
& b 68
& b 68
& b 68
..
.
bb ..
b .
got
to
pay
got
b bb
& b 68
? 6 b .
b 8 b .
82
to
ing
till
b b
Or
.
.
it's
b
your
to
the
b bb
81
your
back
you
b b
b .
.
pay
b .
drop,
b -
b .
b b .
J
b
b
b bb
bb .
.
b .
68
68
drop,
crumbs
off
the
b -
..
.
tab
You've
le,
Well,
bb ..
b .
You've
6
8
6
8
b .
.
6
8
div.
b .
12
8
.. Sop 1 + Ten 1
68
12
8 .
.. Ten 2
68
sub.
Sop 2
way
Alto and Bari.
way
12
8
-
sub.
b - ..
b ..
12
8
12
8 bb ..
83 -
b -
- .
..
.
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.
.
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.
.
.
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.
- .
.
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6
8
68
68
PIANOCONDUCTOR
6
&b8
(CHORUS)
& b 68
& b 68
J
f
At
the
At
the
6
b
& 8 J
f
? b 68 j
84
fl
b
&b b
D
.
b
&b b
42
of
the
b b b 12
8
b b b 12
8
b
end
end
of
the
b
&b b
b b b 12
8
j

- .
- .
- .
-
J.
And
what
have
we
here,

J
j

.
.J
(grabbing a letter from FANTINE)
J.
&
lit - tle
in - no - cent
Come
on,
(reading the letter)
.
n
J.
j
.
89 .
91
.j
.
.
J
- .
- .
- .
-
J
.j j
(GIRL 5)
.

J

. .
. .
.
.
.j
Kbd3
f b b b 12
8
85
news.
90
b
&b b
.
n
b
&b b J
87 .
b
&b b
day.
b
& b b
. . . . . . .
86 .
b b j
b
&
.
88
day.
Kbd1 solo
Kbd2, WWs, Brs, Xylo
sis - ter?
. .
n
b
& b b J
b
b b b 12
8 b
"Dear
Fan - tine,
let's
have
all
the
us
more
.
.
Fan - tine,
you
must
send
PIANOCONDUCTOR
b
&b b
b
&b b
ney,
your
child
(GIRL 5)
mo -
43
needs
doc
Kbds
? b ..
b b .
b 12
&b b 8
F
Give
that
let - ter
to
me,
? bb
....
With
b ww ..
96
hus - band
at
b
& b b j
.
? b b .
b
98 J
there
b
& b b .
&
it
no
is
none
of
hide?
an - y - one
here
b b
b
&
J
F cresc.
j
? b
b b

100
J
+Brass
home
and
time
to
bit
your
on
the
who
can
swear
be - fore
68
j

+Strings
6 .
8
93 .
..
..
j

..
. .
j
. .
side.
15
8
> >
f
12
8
..
j
..
j
.

. . . .
. . . .
God
she
has
no - thing
b .
99 b .
Fl
..
j
w .
.
12
8
b ..
15
8
12
8
lose."
bus - 'ness,
97
6 .
8
.
...
b
&b b
bbb
there's
95
Is
tor,
..
..
? b b 12
b 8 ww ..
94
&
Kbds, Str
bbb
(FANTINE)
..
..
b
&b b
..
.
92
b 12
&b b 8
>
> >
>
to
fear,
she
has
no - thing
..
.
.
> > > > > >
15 b
15 n n n
8 101
to
b 23
b 23
b 23
3
b2
PIANOCONDUCTOR
Moderato
V b 23
&b
44
44
psub. n

32 n
Kbd1
44
two
j

J
b w
Now,
come
on,
& b j
. P
?b w
108
part, This
lad - ies,
is
fact - 'ry,
109
j
.
j

J

J-
107
j j

.
a -
cir - cus.
j

.
p
w
all
j
..
. -
fight - ing
not
down.
this
104
j

J
set - tle

J
106
is
105
Vb
&b
these

J
-
&b
?
tear
What

J
F
w
103
some - one
- n - n - - ww
n
P
w
44
Vb
&b
44
ww
3
b
& 2 w .
psub.
? b 23 w .
102 w .
will
(VALJEAN)
Kbd1
Kbd3, Str
bout,
run
bus - 'ness
of
re
j

.
bw
110
j

.
24
2
4
j
24
24
PIANOCONDUCTOR
2(VALJEAN)
b
V 4
pute,
am
45
4
4
the
May - or
of
this
town.
& b 24 44
j
44 j

j
2
b
& 4 .
? b 24 b
44
J
112
111
(VALJEAN)
j j

Vb
Vb
out, And be
as
pa - tient as
you
can.
&b
j
& b

?b w
114
say
(GIRL 5)
b
b
12
&b b 8
b b 12 j
& b b 8
At
fl
j
? b b 12
b b 8
117
Brs, Kbds, Str
fl
the
end

of
the
119
how this be
to
you
look
day
she's
the
one
to
gan.
who
be
gan it.
j
.
>
118
.
j
&
>
>
>
b b b b 12
8
b b b b 12
8
b b b b 12
8
n .
b b 12
b b 8
.
b b b b 12
8
. >
.
>
>
.
+Tpt (mute)
. > >
>

+Fl
> n .

.
j
n J
n
>
.
>
j
j
town.
120
this
ggg
gg
j j

+Brass
j

. . . . .
116
sort
b
& b bb
. There's a kid that she's hid - ing in some lit - tle
b b
.
& b b J .
.
? bb b .
b J
b
J
113
115
j

j

n
Now, some - one
(FOREMAN)
(To the FOREMAN)
>
>
There's
PIANOCONDUCTOR
b
& b bb
46
.
J
(GIRL 5)
man
she
b b
& b b .
has
to
..
.
? bb b .
b .
121
b
& b b b J .
bet she's earn - ing her keep
You
guess
how
she
picks
pay,
Sleep - ing
.
.
& b 12
8
like
& b 12
8 n ..
n .
it.
Kbds, Str
? 12 n .
b 8
126 n w .
&b
128
&b
.
.
j
n
.
b w.
130
(FANTINE)
>
131
ww ..
>
she
You
can
...
b 12
8
child
and
fath - er
lives
with
an
the
child
us,
inn - keep - er

is
my
leav - ing
us
b 12
8
a - band - oned
b 12
8
fl
there's
the boss would - n't
68 j .
125
129 w .
n ww ..
.
- .
her
w.
ww ..
.
- .
tra,
6
8

true
And
it's
127 w .
Now
w.
ww ..

.
.
.
.
- .
Yes,
flat.
& b .
n .
>
.
.
And
j
.
124
ex
>
.
68 .
J
> . >
round,
.
- .
the
+Fl 8va

- .
. n - .
..
.
w.
w.
up
daugh - ter,
&b
.
.
.
.
122
..
.
b b b j j
b
&
..
..
n .. ..
? b b .
b b .
123
can
...
.
.
man
and
his
PIANOCONDUCTOR
&b
&b
?
(FANTINE)
wife
and
for
the
At
Vlns
& b
.
F
? b .
.
134
Bs
end
of
the
day
she'll
be
no - thing
..
..
the
And
there's
? b .
.
136
with
.
.

trou - ble
for
all
..

.
.
.
.
.
.
that?
but
trou -
when
there's
135
trou - ble
.
.
for
b > .

..
..
.
J
>
J
. fl .
.
.
.
J
.
.
one.
.

J
ble,
>
fl
.
.
+Fl
.
.
.
j
.
n .
.
.
.
j
.
.
.
.
.
133 .
Hn
& b
mat - ter
&b
the
.
>.
(WOMEN)
n .
What's
>
132
child,
# ..
> .
&b
&b
pay
A > ..
&b
47
> .
> .
.
.
.
> .
While we're
137
j
j
j
j

>
>
>
>
PIANOCONDUCTOR
(SOPRANOS)
&b
earn - ing
48
our
dai
.
J
ly bread,
She's
(ALTOS)
&b
- .
earn - ing
&b
?b
138
&b
?b
- .
slut
the
b bb
us
b .
b bb
& b 68
? b 68 b .
b .
142
b
b .
139
have
who'll
have
Or
ter,
You
must
in
the
but
- .
pay
to
pay
12 b ..
8 b ..
P
.
12
8 bb ..
.
143 -
all
gon - na
all
gon - na
b bb
141
b .
..
b -
..
..
.
- .
end
end
- .
..
.
- .
..
.
.
- .
.
- .
in
the
in
the
gut
68
b .
ter,
It's
ter,
j

-
b .
68
b -
gut
6
8
b b
we're
b .
12
8
- .
b b
to

hands
the
b 12
8 w.
must
we're
div.
who'll
You
her
in
b b
Or
ter,
with
hands
b 12 b .
8
J
b
b
b
us
b -
her
but
- .
a - way
b .
6 b
&b8
with
one
a - way
slut
one
She's the
.
J
b
b
& b 68
b b .
J
send
& b 68
- .
the
140
ly bread,
b
J
send
&b
dai
& b b
&b
our
the
& b .
It's
68
68
68
68
68
b .
b V 44
b
44
44
>
At
the
end
of
the
At
the
end
of
the
>
68 N
J
f
68 j
144
>
.
.
44
44
PIANOCONDUCTOR
{qd = q}
V b 44
(FOREMAN)
& b 44 j
might
have
known
the
(WOMEN)
day.
Kbd2, Brs
j
4
& b 4
>
(FOREMAN)
>
? b 44
145 w
Kbd1
49
bitch
could
bite,
might
have
known
the
cat
had
j

# >
146
Bs
Vb
&b
?b
claws.
might
j

N >
have guessed
j

>
. . .
147
V b .
your

lit - tle
b w
150
4
&b4
? b 44
153
cause,
had
no
>
>
>
. .
so
pure
and
yes,
b >
154
Of
an
vir - tu - ous
Fan -
You'd
be
the
ble
here
clean,
2
4 b
>
.
2
4
the
152
24

149 w
>
. .
. . . . . . . .
her - self
www
doubt,
Ah
151
j

>
Who keeps
>
>
. . . . . . . .
V b 44
148
. . . . . . . .
j
j
&

j
j

>
>
se - cret.
. .
tine,
j
.
>
trou
>
44
4
4
4
4
PIANOCONDUCTOR
(FOREMAN)
Vb
bout,
& b
>
?
50
You
play
vir
>
j

>
b
155 .
12
&b 8
(GIRL 5)
gin
She's
been
V b 12
8 j
& b 12
8
(FOREMAN)
at
you
light
b
laugh - ing
the
in
while
she's
But
>
156 w
hav - ing
her
&
night!
Tbn, Vc
&b
urg
>
You
(WOMEN)
must
sack
her
Sop:
Alt:
Sack
(MEN) Ten 1:
Bari + Ten 2:
& b b
>
>j
?b
.
159
the
Kbd3, Vln
b b
girl
to
j
b b
J
b
b
j
b b
J
to - day.
the
girl
to
12
& 8
ing
in
the
j
.
(WOMEN)
no - thing but trou - ble a - gain and a -
.
.
.. Sop 2
.
b ..
Sop 1
Alt.
day!
.. Ten 2
.
b ..
-
b
160
Ten 1
Bari.
day!
.
Psub.
12
8
men.
12
8
j
b .
>
>j
.
w.
158
b .
Sack
&b
no
(GIRL 5)
gain.
Vb
She'll be
b
>
>j
? b 12
8 w.
157
&b
need
>
Psub.
b .
b .
b - .
- .
.
.
.
.
b - .
.
.
PIANOCONDUCTOR
U
.
&b
&b
?
(FOREMAN) (spoken)
>
&b
51
U
.
U
.
N
J
U
.
U
.
>
>
161
& b .
? b .
.
163
n # # #
. .
N
N
162
165
.
n . # .
6
8
.
.
68

. .

. . .
.
. n n n n .
. # # .
164

molto
U
b
166
12
8
12
8
w.
b w .
rall.
Clar.
? b 12
8
# . n # .

b bN ww ..
N b
12
b
& 8
dim.
j

.
b
b
Tutti .
.
f
.
.
b b b 44
b b b 44

Les Miserables (MTI PC) (Dragged)

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Les Miserables (MTI PC) (Dragged)

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PIANOCONDUCTOR

At the End of the Day

Molto Allegro {qd = 126}

your back does - n't

storm that - 'll

Alto and Bari.

storm that - 'll

(THE REST: ALTOS, TENOR 2, BARI)

your bum does - n't

wan - der - ing

Fan - tine won't give

+Ob, Hns, Xylo

(THE REST: ALTOS, TENOR 2, BARI)

Alto and Bari.

(grabbing a letter from FANTINE)

(reading the letter)

Kbd2, WWs, Brs, Xylo

Brs, Kbds, Str

Now, some - one

(To the FOREMAN)

bet she's earn - ing her keep

the boss would - n't

no - thing but trou - ble a - gain and a -

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