Académique Documents
Professionnel Documents
Culture Documents
General:
www.summerhall.co.uk
www.roomeightdesign.co.uk
F E S T I VA L P R O G R A M M E 2 0 1 6 - V E N U E 2 6
Box Office:
FESTIVAL
PROGRAMME
2016
SUMMERHALL,
A VENUE LIKE
NO OTHER
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03
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CONTENTS
FESTIVAL WELCOME
VISUAL ARTS
PERFORMING ARTS
NOTHING EVER HAPPENS HERE
ROUNDABOUT
NORTHERN STAGE
ROSE BRUFORD
SUMMERHALL RESIDENTS
THE VENUE
Box Office:
www.summerhall.co.uk
02 FESTIVAL WELCOME
VISUAL ARTS 03
FESTIVAL
WELCOME
In 2016, our internationalism has once again been tested
by a political referendum questioning the position of our
country in the world. Seventy years ago in 1947 the first
Edinburgh Festival was created to 'heal wounds of war
through the languages of the arts, and here at Summerhall
we exist to keep faith with that mission, to explore ideas
which are common to all humans with a spirit of openminded internationalism.
The work we present offers entertainment and amusement,
but we know that enjoyment of the arts is a serious business
to many. At Summerhall we meet interesting and wonderful
people from around the world as we participate in our
shared international culture, exploring our sense of place
and purpose in the world and connecting directly with one
another. In our programme are artists and shows from more
than 30 countries whose work touches on crime and
punishment, the housing crisis, feminism, the EU, nationalism,
the media and terrorism.
Were proud of a festival programme which maintains the
diversity, internationalism, risk and surprise our audiences
expect, with partnership projects from Beyond Borders,
Aurora Nova, Northern Stage, Big in Belgium, Rose Bruford,
the Demarco European Art Foundation, Made in Scotland and
Paines Plough. Once more, our year-round music programme
Nothing Ever Happens Here makes Summerhall one of
Edinburghs hubs of varied and exciting live music from
across the world in August.
This year, most especially, we celebrate Joseph Beuys who
worked with Richard Demarco and myself many times here
in Scotland. Its a year of anniversaries; the 30th of Beuys
death, the 50th of the Demarco Gallerys foundation, and the
70th Edinburgh Festival (although that anniversary officially
arrives in 2017). Our Beuys/Demarco show supplements the
VISUAL
ARTS
directly related exhibition at the Scottish National Gallery of
Modern Art. A significant figure in the artistic history of this
city, Beuys legacy is stronger than ever and we, along with
the Demarco European Art Foundation consider Summerhall
to be part of that legacy.
To complement the Beuys/Demarco exhibition we present
the first Scottish overview of the seminal Artist Placement
Group, with which both Beuys and Demarco had strong links.
The five other contemporary art exhibitions which make up
the programme symbolise the importance of artists such as
Beuys, Demarco and APG members in redefining the role of
the artist, and their influence on contemporary practice.
We strongly advise everyone to see the Surrealism exhibition
at the Scottish National Gallery of Modern Art, which is world
class and the most sensational art exhibition in Scotland in
recent decades.
This year we will also be showing items from the festivals
history which we hope will build towards creating an
Edinburgh Festival Museum. Summerhall is a multi-arts
venue, a place for interdisciplinary research and education,
which is open all year round as Europe's largest private arts
centre. We host and produce nearly 800 shows and events
annually and receive over half a million visitors. The festival
never decamps from here, we are a cultural village that in
August becomes a cultural town. We hope you will be
inspired and entertained by the work were privileged to
do, and we hope your experiences here will make 2016 a
year to remember.
Robert McDowell
Summerhall Director
Haroon Mirza; Courtesy Lisson Gallery. Photography: Ken Adlard
04 VISUAL ARTS
VISUAL ARTS 05
NOISEMAKER
This years visual arts programme focuses on the artist as
Noisemaker, looking at the artists role as communicator,
acting at times as mediator or agitator in the imparting
and exchanging of information. The arrest and subversion
of sound, dialogue, gestures and text come to the fore, with
installations centred on the position and tools of the artist
in communicating and creating experience.
Production and position play a key role, with the exhibition
Context is Half the Work. A Partial History of the Artist
Placement Group emblematic of this. The first overview of
this seminal group in Scotland, the exhibition explores the
Artist Placement Groups (APG) activity, with placements in
industry and public organisations. They re-positioned the
role of the artist, making the case that artistic practice and
knowledge would no longer be confined to the studio and
gallery, but could be extended to act upon societal
organisation and decision-making processes.
The emergence of the APG concept took place against the
backdrop of an on-going discourse about dematerialisation,
moving away from an object-based understanding of the
work of art towards site-specific work, social relationships
and information. The APG changed the history of conceptual
art and influenced many contemporary artists including
Laure Prouvost, who in the past has worked closely with
artists Barbara Steveni and John Latham (co-founders of the
APG) as Lathams artist-assistant. Key works from Prouvosts
practice feature in her exhibition Monolog, which uses the
chemistry of written and spoken language, gesture and
imagery to immerse and direct the viewer to look beyond
what the installations and our lives present to us.
The questioning of cultural forms and norms comes
into play within the exhibitions. Sound artists Mark Fell
and Haroon Mirza present solo exhibitions which expose
the expansive nature, and therefore limits, of conceptual
art and installation experience. Fells mathematical,
analytical and academic approach to producing is
paired with philosophical explorations of the self in
Diagramming The Listener whilst Mirzas sculptural
soundscape Adam, Eve, Others and a UFO reflects on
our digital environment, engineered to generate a spatial
examination of sound.
06 VISUAL ARTS
MONOLOG
Laure Prouvost
Laure Prouvost presents a series of video works focusing on the relationship between
the physical body and the spatial limits of the screen. These individual works spill
and react against one another to form surreal narratives that play with truth and
fiction through the interplay of her hands, voice, instructions and materials. Prouvosts
works are disorientating, yet their visceral quality and vocabulary speak of identifiable
human traits, immersing the viewer in their humour and anxiety, and expressing an
appetite to look beyond what the work and our lives present to us.
Instructions and prompts play a key role in Prouvosts dialogues, and are repeated
throughout the galleries. Films such as Monolog explore divergences between spoken
language and written text, with the intertitles of the film becoming Sign paintings
- black and white texts arrested from the screen and brought into the exhibition
space - to direct the audience.
Communication is subverted whilst films such as I need to take care of my conceptual
grandad, acknowledge her position as an artist. Prouvost was an assistant to the
conceptual artist and former Artist Placement Group member John Latham. In the film
she pays homage to Latham, who was infamous for his work with destroyed books,
particularly one instance at a party in which he and his guests chewed up a copy of
Clement Greenbergs Art and Culture which they spat out, fermented and returned
to St Martins library in a test-tube. In the film Prouvost attempts to massage body
lotion into a Latham monograph in an act that is suggestive of ideas related to
artistic influence and inheritance, and is both caring and destructive.
Prouvosts non-linear threads of storytelling suggest a necessity to share and maintain
an open, and at times, cynical awareness of communication in contemporary life.
Yet, far more seductively, the artist offers an invitation to the viewer to assert their
authority in experiencing the work, which acts as a universal symbol of the yearning
for a deeper understanding of the world around us.
Laure Prouvost was born in 1978 in Croix-Lille, France. She lives and works in London,
UK and Antwerp, Belgium. After receiving the 2011 Max Mara Prize for Women,
Prouvost was the first French artist to win the prestigious Turner Prize (2013).
MEADOWS GALLERY
VISUAL ARTS 07
08 VISUAL ARTS
Haroon Mirza has won international acclaim for installations that test the interplay
and friction between sound, light waves and electric current. An advocate of
interference (in the sense of electro-acoustic or radio disruption), he creates
situations that purposefully cross wires. He describes his role as a composer,
manipulating electricity, a live, invisible and volatile phenomenon, to make it dance to
a different tune and calling on instruments as varied as household electronics, vinyl
and turntables, LEDs, furniture, video footage and existing artworks to behave
differently. Processes are left exposed and sounds occupy space in an unruly way,
testing codes of conduct and charging the atmosphere. Mirza asks us to reconsider
the perceptual distinctions between noise, sound and music, and draws into question
the categorisation of cultural forms.
This installation Adam, Eve, others and A UFO was first shown in a solo exhibition at
Lisson Gallery in 2013. A UFO-circuit is equipped with eight LEDs and placed in the
centre of the room. From there, cables run to eight, circularly arranged, yet nonidentical speakers (one branded ADAM and another EVE). The electric current that
causes the short flashing, brightening or dimming of the LEDs creates different
sounds, audible through speakers, which are controlled by a computer programmed
by Mirza to form a minimalist electronic piece of music. The dark grey foam on the
walls, which generates a recording studio atmosphere, and the carpet are used to
reduce reverberations and keep the sound in the centre of the room.
Haroon Mirza was born in London in 1977, where he lives and works. His work was
included in the 7th Shenzhen Sculpture Biennale, China (2012) and the 54th Venice
Biennale, Italy (2011), where he was awarded the Silver Lion. He was awarded the
Northern Art Prize in 2011, the DAIWA Foundation Art Prize in 2012, the Zurich Art
Prize in 2013, the Nam June Paik Art Center Prize in 2014 and the Calder Art Prize
in 2015.
CORNER GALLERY
VISUAL ARTS 09
10 VISUAL ARTS
VISUAL ARTS 11
Above
The Sculpture - Vacant State, exhibition view
between 6, Kunsthalle Dsseldorf, 1971 Courtesy:
Barbara Steveni
Left
George Levantis on board of a cargo vessel
during his placement with Ocean Fleets Ltd., 1975
Courtesy: George Levantis
Right
Art as social strategy in institutions and organisations
APG panel discussion with Austrian artists and
corporate and government representatives, Museum
Moderner Kunst, Palais Liechtenstein, Vienna, 8. June
1979 Courtesy: Rolf Sachsse and Ros Sachsse-Schadt
12 VISUAL ARTS
HYPER BOWL
Tamsyn Challenger
BASEMENT GALLERY II
VISUAL ARTS 13
24
14 VISUAL ARTS
VISUAL ARTS 15
DIAGRAMMING
THE LISTENER
Mark Fell
Mark Fells Installation draws from interests in geometry, time, technology and the
self, and how these shape and sustain one another. With algorithmically controlled
sound and light Fells work is both experientially direct and conceptually ambiguous,
referencing cognitive neuroscience, contemporary philosophy, underground music
cultures and radical politics. As with other pieces in this series, his work is not so
much about its materials or meanings, but an examination of their reciprocal
disturbance: how experience and the self are constructed, how understanding is
both produced and inhibited.
MACHINE SHOP
Sonakinatography, composition III: implementation for indefinite non-linearity, Raven Row, 2016
16 VISUAL ARTS
Grounded in sculptural performance, the duo Pester and Rossi create installations
and live works that question interaction and social behaviour, challenging perceptions
of the everyday. The artists incorporate outlandish DIY costumes and props, working
with an anarchistic and feminist approach, responding to the conditions of their
surroundings. Pester and Rossi use sculptural props, colour and performance, creating
absurd gestures and humorous interventions to question the world around them and
to imagine a new.
Using visual puns, irony, bawdiness and satire as devices to interpret, engage and
subvert the everyday, Pester and Rossi explore the duality between their bodies, as
objects, and their relationships with and to particular sites. Often building temporary
structures and wearable sculpture, which they must negotiate within; the artists set
themselves boundaries and limitations, examining the body, sexuality, social norms
and rituals.
Ruby Pester and Nadia Rossi have been working together since graduating in 2008
from Duncan of Jordanstone College of Art and Design, Dundee, receiving degrees in
Fine Art and Time Based Art respectively. Pester and Rossi currently live and work in
& the Tubes. They also produce
Glasgow and are part of the artist group Fallope
and facilitate participatory projects in partnership with local arts, education and
community organisations. Working site specifically, responding to locations and
communities, exploring the relationship between media, artist and society.
VISUAL ARTS 17
18 FESTIVAL
FESTIVAL 19
BEUYS/
DEMARCO
DEMARCO GALLERY
PERFORMANCE 21
PERFORMING
ARTS
PERFORMANCE:
THEATRE, DANCE
AND MUSIC
Verity Leigh
Festival Programme Manager
Photo: People of the Eye, The Deaf and
Hearing Ensemble and Erin Siobhan Hutching.
22 PERFORMANCE
PERFORMANCE 23
A MAN STANDING
A bold and
powerful play.
James Ridgeway, solitarywatch.com
4D CINEMA
(I COULD GO ON SINGING)
OVER THE RAINBOW
Mamoru Iriguchi
The Scotsman
CAIRNS LECTURE
THEATRE
9/7/preview 4
17:50, 60 mins
BASEMENT
5/preview 4
20.15, 60 mins
PG
OLD LAB
14+
17:25, 75 mins
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24 PERFORMANCE
PERFORMANCE 25
ALL IN
BILDRAUM
Atresbandes
Hilarious,
harrowing and
maddening
HHHH Time Out
Theaterkrant.nl
MAIN HALL
14+
15/12/preview 12
17:15, 90 mins
OLD LAB
16+
12/10
17.25, 60 mins
OLD LAB
10/8
20.55, 40 mins
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26 PERFORMANCE
PERFORMANCE 27
BEYOND PRICE
BLANK
Jack Klaff
Jack Klaff performs highlights from those shows which couldnt make it to
Summerhall for this Festival. An insiders view. Well commemorate some of
2016s anniversaries. We'll see Jack as fornicating pandas, dubbed Carry On
characters, a jolly but dangerous Boris Johnson, a verse-speaking Mandela and
tap-dancing robots. Klaff will provide his usual visceral, hard-hitting material,
along with almost illegal dollops of fun. A powerful celebration of the live art
of the Theatre.
DEMONSTRATION
ROOM
5/4/preview 4
PG
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Jack Klaff
CAIRNS LECTURE
THEATRE
13.20, 60 mins
PG
10
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18 19 20 21 22 23 24 25 26 27 28
CRITICS
Wildly unpredictable
and completely
unforgettable.
"This waiting for the Home Office to decide - me, I always say that it is a
diplomatic form of torture they are torturing us mentally, and thats the
worst." As part of Borderlines, a multi-arts programme engaging with issues at
the heart of todays society, Beyond Borders proudly presents ice&fire Theatre
with a rehearsed reading of its new verbatim script exploring the experience of
asylum seekers in Scotland. The stories follow refugees and asylum seekers on
their journey across many walls and borders as they travel to our backyard - and
the hurdles they continue to face once they arrive here. Each performance will
be followed by a short Q&A.
CAIRNS LECTURE
THEATRE
15+
13.15, 65 mins
ANATOMY LECTURE
THEATRE
12/10/family 42/preview 10
18.30, 90 mins
10
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18 19 20 21 22 23 24 25 26 27 28
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PERFORMANCE 29
28 PERFORMANCE
BUBBLE SCHMEISIS
CAMILLE
COUNTING SHEEP: A
GUERRILLA FOLK OPERA
Nick Cassenbaum.
Directed by Danny Braverman (Wot? No Fish!!)
Kamila Klamut
Camille Claudel was a sculptor and artist. She was also the
sister of Paul Claudel and the lover, creative collaborator
and muse of sculptor Auguste Rodin. After the end of her
relationship with Rodin she suffered a nervous breakdown
and was confined to an asylum by her brother. She spent
the last 30 years of her life there. Kamila Klamuts
performance, based on fragments of Camille Claudels
letters, explores her life and work using text, sculptural
costume and live music by Ewa Pasikowska. Kamila Klamut
is a co-founder of award-winning Theatr ZAR and a regular
collaborator with Song of the Goat Theatre and the
Grotowski Institute.
CUNCRETE
Torontoist
DEMONSTRATION
ROOM
14+
11/8.50/family 28/preview 6
15:00, 60 mins
CAIRNS LECTURE
THEATRE
16+
10/8/preview 5
21.10, 50 mins
KINGS
HALL
14+
20.00,
75 mins
Ground Floor
DEMONSTRATION
ROOM
14+
10/8/ preview 8
22:00, 55 mins
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30 PERFORMANCE
PERFORMANCE 31
Just the kind of thing a fringe festival worth the name should be trafficking in.
HHHH The Scotsman
DENTON AND ME
on the button
A must see.
HHHHH One Stop Arts for No Place Like
ANATOMY LECTURE
THEATRE
16+
12/10/preview 8
15.05, 75 mins
CAIRNS LECTURE
THEATRE
12+
10/8/preview 7
14.50, 60 mins
DISSECTION
ROOM
18+
10/8
20.00, 90 mins
10
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EMBALLAGE
8/6/family 24
14.15, 90 mins
10
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14
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18 19 20 21 22 23 24 25 26 27 28
7/5
14:35/16:15/20:45, 60 mins
12+
PG
18+
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32 PERFORMANCE
PERFORMANCE 33
FASLANE
DOUBTING THOMAS
Grassmarket Projects
RED LECTURE
THEATRE
14+
10/8/family 28/preview 8
19.15, 60 mins
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
CAIRNS LECTURE
THEATRE
16+
10/8/family 20/preview 5
19.20, 70 mins
RED LECTURE
THEATRE
14/12
PG
10
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34 PERFORMANCE
PERFORMANCE 35
HAPPY HOUR
DEMONSTRATION
ROOM
HEADS UP
Annie Siddons
14+
13.30, 55 mins
ANATOMY LECTURE
THEATRE
18+
12/6/preview 8/6
16.50, 70 mins
OLD LAB
CBC Radio
16+
11/10/preview 8
19.05, 60 mins
RED LECTURE
THEATRE
18+
10/8/ preview 5
16.15, 60 mins
10
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36 PERFORMANCE
PERFORMANCE 37
16+
8/6/family 20/preview 4
22.00, 55 mins
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IT FOLDS
LOKAL
Festival Reykjavk. Supported by
Culture Ireland.
16+
10/8/ preview 8
12.05, 60 mins
10
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A tale of dark
secrets and
high whimsy.
Scottish virtuoso guitarist and composer Simon Thacker returns to create a new
Romani musical journey in this dazzling world premire featuring reimagined
Gypsy songs and original works inspired by Indian, Balkan and Spanish traditions.
Thacker is joined by the outstanding Polish cellist Justyna Jablonska and one of
the Roma Gypsy traditions finest exponents, singer and violinist Masha Natanson.
Embracing the incredible talents of three diverse musicians and one of the
worlds great song traditions, Karmana (Sanskrit for performing anything by
means of magic) features music of a rare emotional directness and spontaneity.
LIBRARY
GALLERY
10/8/family 30
21.15, 60 mins
MAIN HALL
12+
14/12/family 48/preview 12
13.40, 65 mins
10
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38 PERFORMANCE
PERFORMANCE 39
LAST CALL
A teenage girl runs away from home to the city. Nobody notices but is there
actually someone looking out for her? Belgiums foremost graphic novel artist,
Philip Parquet, and playwright/director Adriaan Van Akens urban adult comic
book is brought vividly to life, fusing together live voices, dynamic video,
projection, sound and music into a thrilling after-dark fantasia of theatre and
art. Part of the Big in Belgium programme, producers of Tourniquet (2013),
Looking for Paul (2014) and The Great Downhill Journey of Little Tommy
(2015), you wont want to miss this years late-night cult Fringe show.
MAIN HALL
16+
10/8/preview 8
22.40, 65 mins
10
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LOST IN BLUE
MACBAIN
ANATOMY LECTURE
THEATRE
16+
13.35, 60 mins
OLD LAB
16+
10/8/preview 8
20.55, 75 mins
14+
12/9/preview 10/9
11.30, 90 mins
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On a stage bare but for a rough-hewn pendulum its flat stone culled from her
familys croft Campbell opens her throat in a spirit of belonging that is ancient
and modern, and life-affirming for all of us. HHHH The Herald
Volkskrant
DEMONSTRATION
ROOM
A man, deep in a coma, hides out in the bedroom of Vincent Van Gogh while
his teenage daughter struggles to understand her part in the accident that
put him there. Paintings, pigeon racing and a family about to implode meet in
this vital, gripping story, told using innovative sound technology and gatecrashed by Vincent himself. Moving and funny, Lost In Blue is a dynamic fusion
of spoken word and performance storytelling created and performed by Debs
Newbold, Storyteller for Shakespeare's Globe, and directed by John Wright,
co-founder of Told by an Idiot.
OLD LAB
14.25, 55 mins
PG
10
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40 PERFORMANCE
PERFORMANCE 41
Its hard to tell when your life will change. The day you wake up normal,
but end up falling far from everything youve ever known. Spinning into
nothingness. Today is that day.
A funny, heartwarming story of a boy who slowly uncovers the truth.
Guaranteed to captivate adults and children alike, from the creator of White
and writer of The Voice Thief.
www.madeinscotlandshowcase.com
9/7.50/family 30/preview 6
11.25, 55 mins
9+
10
11
12 13
14
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MEET FRED
Politiken, Denmark
WalesArtsReview.org
OLD LAB
14+
10/6/family 26/preview 5
15.55, 65 mins
MAIN HALL
14/10/family 40/preview 8
20.45, 80 mins
ANATOMY LECTURE
THEATRE
16+
8/6/family 20/preview 4
22.00, 60 mins
10
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NANCYS PHILOSOPHER
He was one of the great men in 18th century Europe. She was one of the
celebrated beauties of Georgian Edinburgh, and less than half his age. They
fell in love. Edinburgh was scandalised; London was astonished; Paris was
titillated. The story of the doomed relationship of David Hume and Nancy,
daughter of Chief Baron of the Exchequer, Robert Ord, has been largely lost
to Scottish history - until now. Kelly Burke, whose previous one woman show
Zelda was a 2006 Fringe hit, unlocks the secret.
What is meant by being cool? Does anything else matter? Are acronyms in?
OOAAFLT mixes contemporary dance with storytelling and comedy to
question what is cool these days. In this semi-autobiographical show Lewys
considers which is more important to him: to be cool or to be himself. Lewys
wanted to be cool for a long time but in recent years has found things that
are more important to him; mostly dance.
Supported by Dance4, Yorkshire Dance, Camden Peoples Theatre,
Attenborough Arts Centre and Arts Council England.
PG
ANATOMY LECTURE
THEATRE
12+
12/10/family 44
10.35, 55 mins
10
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12 13
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15 16
17
18 19 20 21 22 23 24 25 26 27 28
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42 PERFORMANCE
PERFORMANCE 43
Yinka Kuitenbrouwer visited more than a hundred people. She talked with
them about the idea of home. With the help of snapshots, quotes and biscuits,
Yinka created a new story. One Hundred Homes is an ongoing performance;
each time that Yinka performs the play, she also visits people from the area,
adding their stories to her archives. During her stay at the Fringe, Yinka will
continue to develop the piece with Edinburgh locals, artists, and visitors. Join
Yinka in her new Edinburgh home, a small wooden cabin specially built in
Summerhalls Courtyard, to experience an intimate performance.
14+
12/10/preview 8
13.05, 60 mins
OLD
GENERATOR
14+
10/8/preview 8
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ONLY BONES
Warning: This show might change your life...and your death. Liz Rothschild is
a performer, Death Caf facilitator and funeral celebrant whose green burial
ground was awarded Cemetery of the Year 2015. This taboo busting show
draws on a deep well of experience to challenge us to consider how we
approach death in our society. Outside the Box combines mercurial tales and
miraculous truths with a hint of history and some pithy commentary on the
funeral industry. Talking about sex doesn't make you pregnant, talking about
death doesnt make you die.
Full Circle
11/10/family 30/preview 7
20.30, 45 mins
CAIRNS LECTURE
THEATRE
PG
14+
8/6/preview 6
11.50, 60 mins
10
11
12 13
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17
18 19 20 21 22 23 24 25 26 27 28
10
11
12 13
14
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18 19 20 21 22 23 24 25 26 27 28
PARTY TRAP
PIANOMORPHOSIS
Part recital, part metamorphosis. Renowned Fringe virtuoso and wit, Will
Pickvance (Anatomy of the Piano) returns with his trademark pianistic
expression and yarn-spinning charm. Reliving encounters on pianos across the
world, with improvisations that take in Bach, Fats Waller Radiohead and more,
how does the spontaneous maverick make his own enduring impression?
Will Pickvance
One of the stand-out shows of the Fringe this year.HHHHH The Stage, on Standby For Tape Back-Up.
CAIRNS LECTURE
THEATRE
14+
10/9/preview 8
13.20, 60 mins
10
11
12 13
14
15 16
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18 19 20 21 22 23 24 25 26 27 28
the 88 key genius - half-man, half piano, [Will Pickvance] uses the piano like a ventriloquist
uses their dummy or as a dressage rider uses their horse- Ian McMillan, BBC Radio 3
ANATOMY LECTURE
THEATRE
12/8/family 30/preview 8
20.30, 60 mins
10
11
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PERFORMANCE 45
44 PERFORMANCE
REMEMBER TO BREATHE
SQUIRREL STOLE
MY UNDERPANTS
The Gottabees
Francesca Millican-Slater
'Ill take you through the night. Its highs, its lows. Those
frustrations. Turn on the light. Look at the time. Well
populate the long dark hours and the small light hours with
stories.' Start your day with a live late night radio show for
those that can't sleep, arent asleep. Instead of records, this
DJ is spinning stories that exist between dusk and morning.
Small stories, odd, true, funny and familiar, reflecting the
night hours themselves.
DEMONSTRATION
ROOM
16+
12/8/preview 8
17.30, 55 mins
DEMONSTRATION
ROOM
12+
11.50/9.50/family 38/preview 9
19.00, 60 mins
CAIRNS LECTURE
THEATRE
MADE FOR
CHILDREN
9/8/family 30/preview 7
10.40, 40 mins
RED LECTURE
THEATRE
12+
10/8
10.15, 60 mins
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
11
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18 19 20 21 22 23 24 25 26 27 28
10
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10
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46 PERFORMANCE
PERFORMANCE 47
TELL ME ANYTHING
RED LECTURE
THEATRE
14+
11/10/preview 8
17.45, 60 mins
RED LECTURE
THEATRE
MADE FOR
CHILDREN
10/family 30/preview 6
11.45, 50 mins
OLD LAB
12+
12/8/family 34/preview 6
12.55, 60 mins
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
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48 PERFORMANCE
PERFORMANCE 49
THE
LOUNGE
A DANGEROUSLY UNSTABLE
ROBERT NEWMAN:
THE BRAIN SHOW
The Times
NewYorkTheatreGuide.com
AcrosstheArts.co.uk
MAIN HALL
14+
12.50/10/preview 10
19.15, 60 mins
BASEMENT
14+
12/8/family 34/preview 6
16.00/19.00, 50 mins
MAIN HALL
12+
15/12/preview 10/8
15.25, 80 mins
10
11
12 13
14
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18 19 20 21 22 23 24 25 26 27 28
10
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50 PERFORMANCE
PERFORMANCE 51
Subversive energy.
HHHH Le Soleil
An exceptional writer.
RED LECTURE
THEATRE
16+
RED LECTURE
THEATRE
HHHHH LArdennais
10/8/preview 8/6
20.45, 60 mins
WAVES
NZ Herald
14+
12/10/preview 6
14:35, 70 mins
MEET IN
LOBBY
12/8/family 38
PG
OLD LAB
10.10, 50 mins
PG
10
11
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18 19 20 21 22 23 24 25 26 27 28
10
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52 PERFORMANCE
PERFORMANCE 53
EUROHOUSE
US/THEM
Two performers - one Greek, one French - dance and shout, cry and sing,
agree and disagree, about life in the Eurohouse. A darkly comic look at the
EUs founding ideals and what got lost along the way. Made in transit
between Greece and the UK.
DEMONSTRATION
ROOM
10.05, 55 mins
PG
10
11
12 13
14
15 16
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18 19 20 21 22 23 24 25 26 27 28
UNDER ICE
Offering a poignant and intimate insight into the maladies of corporate life, this
contemporary adaptation of Falk Richters famous play, by the prominent
Lithuanian director Arturas Areima, represents a new generation of theatre.
Distilled from more than hundred hours of research and imbued with a dark
and gritty aesthetic, Under Ice is an alienating yet universal mirror of the things
we run from, and the things we are. Never comfortable, always relevant. 'One
of the leading and most original directors representing new voices today', says
Lithuania's iconic director Oskaras Korsunovas (Fringe First award 1990).
CAIRNS LECTURE
THEATRE
9+
10/8/preview 8
10.00, 60 mins
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
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Radio Summerhall
An original on-line radio thriller premiering at this years Fringe. Sit back, relax
or alternatively walk about - even take a trip in a bus - as you listen to Voices
ln Your Head bring a playful psychotic twist to the classic radio drama. The
play is available free as a download only from 1 August until 31 August. Go to
www.radiosummerhall.com/viyh/ and experience the festival in your own
(head) space and in your own time.
Photo: (_FKPH)
MAIN HALL
3
W
16+
10/9
16:20, 60 mins
ONLINE
15+
FREE
Anytime, 20 mins
10
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54 PERFORMANCE
MUSIC 55
WORLD WITHOUT US
Nothing Ever Happens Here is Summerhalls year round music programme. With regular gigs in the atmospheric
Dissection Room, a legacy from the buildings former incarnation as The Royal Dick Veterinary School, its aim is
to celebrate and promote the very finest in local and international musicians by giving them a venue that is
both intimate in proportion but grand in feel. Nothing Ever Happens Here is a chance to see some of the worlds
finest artists in a very special venue, in an all standing no sitting experience like nothing else at the Fringe.
Fri 12
Fri 12
Sat 13
Sat 13
Mon 15
Wed 17
Theaterkrant.nl
MAIN HALL
12+
12/10/preview 10
11.30, 90 mins
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
& Hi+Saberhagen
The Soul Foundation
Rhythm Machine
Broken Records
& Adam Stafford
Suuns & Support
Grandaddy & Support
Kevin Morby & Support
ESKA & Support
Mediterraneo
Withered Hand & Chris T-T
NJTOS & Wolf
Summerhall Closing
Party presented by
Firecracker Records
18+
10
14
10
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12 13
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18 19 20 21 22 23 24 25 26 27 28
10
11
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18 19 20 21 22 23 24 25 26 27 28
Winner of the Scottish Album of the Year Award in 2015, Aberdonian singer
Kathryn Josephs bones you have thrown me and blood Ive spilled is a
hauntingly affecting DIY record for piano and voice. Regarded as one of
Scotland's best-kept secrets, Josephs other-worldly vocal has earned
16+
15
16+
12
10
11
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14
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18 19 20 21 22 23 24 25 26 27 28
10
11
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SOULSVILLE ESPECIAL
Soulsville is Edinburgh's home of deep funk, latin rhythms and rugged blues, a
one-stop-shop for those who have an ear for a groove and a desire to dance
into the wee hours. With a special guest appearance at Summerhall, the
Soulsville crew gets heavily into the festival spirit with tropical cuts of afro,
cumbia, latin disco and boogie for a night that brings the heat of the tropics
to the Edinburgh Fringe. Body movement essentialpartner optional.
Intercontinental Tropical vibrations incoming!
Orkestra del Sol, a joyous reinvention of brassy street music, has left a trail of
pummelled dance floors across India, Australia, China and a host of European
countries. The nine-piece Scottish live favourites fuse samba, Balkan gypsy
polka, New Orleans marching band swagger, Slavic waltzes and a good dose
of Latin carnival into a genre they refer to as honkstep. Their thrilling live
shows are packed with big, beautiful brass arrangements, an irrepressible love
of the theatrical and a roguish sense of humour. Prepare to be thoroughly
entertained.
18+
16+
12
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
11
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18 19 20 21 22 23 24 25 26 27 28
GROWN UPS
An exclusive vinyl club night for the more fully-fledged music fan, DJs
Kinghorror and The Spotlight Kid create an amazing mash-up of grooves from
the last six decades perfectly crafted for dancing. Expect sweets, treats and
tip-top tunes a-plenty...
In March 2016 Billy Bragg and Joe Henry, guitars in hand, boarded a Los
Angeles-bound train at Chicagos Union Station looking to reconnect with the
culture of railroad travel and the music it inspired. Winding along 2,728 miles of
track over four days, the pair recorded classic railroad songs in waiting rooms
and at trackside while the train paused to pick up passengers. Kicking off their
Shine a Light tour with this special gig at Summerhall, theyll be playing songs
from the journey, along with favourites from their own back catalogues.
18+
18
16+
10
11
12 13
14
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18 19 20 21 22 23 24 25 26 27 28
10
11
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14
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18 19 20 21 22 23 24 25 26 27 28
Having built a reputation as one of the finest live bands in Scotland, Glasgows
WHITE are rapidly gathering fans as audiences across the country get to share
the experience. Fronted by Leo Condie, an arch and dynamic singer whos
equal parts Jacques Brel, Nick Cave and Billy Mackenzie from The Associates,
their songs check out Living Fiction, Future Pleasures and Fight the Feeling
are propulsive disco-pop anthems. Support comes from Bossy Love, the synthpop duo formed by ex-members of Operator Please and Dananananaykroyd.
The kind of full-blown space wig-out Bowie would be proud of.- NME
16+
12
16+
10/8
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
11
12 13
14
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17
18 19 20 21 22 23 24 25 26 27 28
RHYTHM MACHINE
Rhythm Machine is your weekly Late night Utopian Getaway featuring Kakashi
Miyamoto + Dj Yvess fourth world selection alongside their special friends
bringing their liveliest, energetic art and visions to life in the Green Room..
Dive into their Concrete Jungle!
Rising up from the bed of the River Tyne, hear a voice that crumbles and soars,
thats steeped in age-old balladry and finely-chiselled observations of the
mundane. Richard Dawson is a skewed troubadour whos at once charming
and abrasive, his shambolically virtuosic guitar stumbling from finely wrought
tunes to spidery swatches of noise. Hes labelled as folk, but he prefers to think
of himself as an experimenter in ritual community music; whatever the
terminology, his four-track 2014 album Nothing Important deserved the huge
acclaim it drew. Support comes from fellow Newcastle troubadour Nev Clay.
18+
16+
14
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
11
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18 19 20 21 22 23 24 25 26 27 28
18+
14
10
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14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
18+
12
10
11
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18 19 20 21 22 23 24 25 26 27 28
14
Montreal-based Suuns have just released Hold Still, their third studio album since
the turn of the decade. Signed to Secretly Canadian and big critical favourites
back in their home country, they play music which strikes a fine balance between
the affecting and the sinister. Based on controlled minimalism, whether theyre
playing chiming electric guitar or surging, dark synthesisers, singer Ben Shemies
voice floats in sonic amber, a time capsule relic of our disengaged times.
Their most restrained and finely detailed record to date. Drowned in Sound on Hold Still
16+
12
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
11
12 13
14
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17
18 19 20 21 22 23 24 25 26 27 28
At the age of 28, Texan singer-songwriter Kevin Morby has crammed a lot in. For a
time he was the bassist in Brooklynite indie-rock group Woods and then for half a
decade the driving force, alongside Cassie Ramone of Vivian Girls, of The Babies.
Putting that group on hiatus to concentrate on their solo careers, this year has
seen Morby release Singing Saw, his third album of thoughtful and delicately
anthemic indie-rock introspections.
12
16+
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
Eska Mtungwazi, one of music's best-kept secrets until her eponymous debut
album was nominated for the Mercury Prize last year, has built an inimitable
reputation as a session performer through her work with such legends of the game
as Grace Jones, Cinematic Orchestra, Zero 7 and Bobby McFerrin. Welcome proof
that more experienced artists can push open doors through force of their sheer
talent, her Matthew Herbert-produced debut record has allowed her own unique
soul sound to rise up and take flight.
16+
14
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
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18 19 20 21 22 23 24 25 26 27 28
ROUNDABOUT @ SUMMERHALL 63
10
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16+
14
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18 19 20 21 22 23 24 25 26 27 28
16+
10
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The worldwide smash-hit is back. You're six years old. Mum's in hospital. Dad
says she's 'done something stupid'. She finds it hard to be happy. So you start
to make a list of everything that's brilliant about the world. Everything worth
living for. 1. Ice cream 2. Kung fu movies 3. Burning things 4. Laughing so hard
you shoot milk out your nose 5. Construction cranes 6. Me. A play about
depression and the lengths we go to for those we love.
HHHH The Guardian
12
S
Evening Standard
Roundabout is a new kind of theatre. A beautiful, intimate in-theround pop-up amphitheatre with immersive surround sound and
dazzling lighting. Roundabout flat packs and pops-up across the
UK - the world's first plug-and-play theatre. Now in its third festival
season at Summerhall, Paines Plough is proud to present three
brand new plays from some of the most exciting writers in the
country, the return of international smash hit EVERY BRILLIANT
THING and an eclectic programme of guest companies and artists
bookended every day by the Earlier/Later programme.
Heart-wrenching, hilarious... possibly one of the funniest plays you'll ever see.
Not jazz, nor a trio and not entirely Scottish, The National Jazz Trio Of Scotland,are Bill
Wells, (piano laptop), Aby Vulliamy (vocals, viola), Kate Sugden (vocals, marimba),
and Gerard Black (vocals). They are currently working on their fourth album.
The List
Withered Hand is the musical alias of Edinburgh based Dan Willson, a feature of the
city's DIY music scene for many years. Dan came late to singing and songwriting at
the age of 30, in a period of crisis between the death of a close friend and the birth
of his first child. The resulting material, much of which went on to become his first
album Good News, was praised for its depth and startling honesty, and won him
unexpected accolades from the likes of Rolling Stone magazine. The follow-up New
Gods was released in 2014.
Doors 19:00, 180 mins
ROUNDABOUT @ SUMMERHALL
ROUNDABOUT
14+
15:15, 60 mins
10
11
12 13
14
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17
18 19 20 21 22 23 24 25 26 27 28
Ethan, William and Fiona are about as different as three almost-teens can be.
The only thing they have in common is that tomorrow is their birthday. And
theyve just discovered they have superpowers. Which is lucky, because
someone needs to protect the world from the Darkness, an evil overlord with
plans to turn everything to ice. Join our three heroes on an epic quest to save
the planet in this brand new play from award-winning writer Katie Douglas.
ROUNDABOUT
11.00, 45 mins
PG
10
11
12 13
14
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18 19 20 21 22 23 24 25 26 27 28
10
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64 ROUNDABOUT @ SUMMERHALL
ROUNDABOUT @ SUMMERHALL 65
GROWTH
That? Thats. I mean. Yeah. Its a lump in a bag of lumps. I mean. Its normal.
Tobes is young, free and having a ball. Off.
Hes successfully ignored his lump for two years but its starting to get in the
way cramping his style and, worse, affecting his sex life. So now there are
pants to be dropped, and decisions to be made... it's a real ball-ache.
Growth is a comedy about growing up and manning up from rising star Luke
Norris (So Here We Are, Royal Exchange; Goodbye to All That, Royal Court).
Would the world be a better place if we were all honest? Fringe First winner
Katie Bonna (Dirty Great Love Story) is giving a TED talk on the science of
lying. Well, thats not quite true. TED havent actually asked her to do one
yet. From duping her sister into drinking wee to repeated infidelities, Katie
unpicks her history to confront humanitys obsession with fibs.
Paines Plough
ROUNDABOUT
18+
13.35, 70 mins
ROUNDABOUT
12+
16:40, 60 mins
10
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10
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Des Clarke is so funny it's almost painful to watch him perform. Genius in action. Metro
ROUNDABOUT
14+
13:35, 70 mins
ROUNDABOUT
18+
15
10
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18 19 20 21 22 23 24 25 26 27 28
10
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EARLIER/LATER
GHOST QUARTET
A series of early morning and late night one-off shows and events. In the
morning its coffee and croissants with readings, talks, workshops, debates,
insights and special guests. At night bring a pint for exclusive performances
from the hottest artists and companies in town: theatre, comedy, music,
rumbles, shenanigans and much more. Get your fix of fresh ideas, brave new
work and rip-roaring performances. Kick start your morning and round-up
your evening in Roundabout.
The EARLIER/LATER line-up will be announced via @painesplough.
Ghost Quartet is a haunted song cycle about love, death, and whisky. A camera
breaks and four friends drink, in four interwoven narratives spanning seven
centuries: a warped fairy tale about two sisters, a treehouse astronomer and a
lazy evil bear; a retelling of Poe's "The Fall of the House of Usher"; a purgatorial
intermezzo about Scheherazade; and a contemporary fable about a subway
murder. Murder ballads, doo-wop, Islamic adhan, and raucous campfire drinking
songs collide in this chamber musical from Dave Malloy, composer of the
Broadway-bound Natasha, Pierre & The Great Comet of 1812.
Dave Malloy
Paines Plough
ROUNDABOUT
ROUNDABOUT
18+
21:00, 65 mins
10
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10
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66 ROUNDABOUT @ SUMMERHALL
In 2009, David Cameron forgot how many houses he owned. Within five
years, homelessness had doubled. Setting out to explore the gap between
rich and poor, Jonny & the Baptists lives turn upside down when Jonny
betrays Paddy for financial gain. As Jonny enjoys a wealth of parties with
Andrew Lloyd Webber and marries Jerry Hall, Paddy falls into homelessness.
A riotous new musical comedy epic about friendship, inequality and betrayal.
Stars of The Now Show and BBC Live At Television Centre.
19:35, 60 mins
10
11
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18 19 20 21 22 23 24 25 26 27 28
LEMONSLEMONSLEMONSLEMONSLEMONS
600 PEOPLE
'We step out of our solar system, into the universe, seeking only peace and
friendship' So says the message from the human race on the Voyager spacecraft.
But is there, y'know, anybody out there? Alex talked to an astrophysicist to find
out. This is what he learned: Stellar wobble. The mirror test. Fermis paradox.
Enhanced humans and murderous dolphins. Stand-up meets astrophysics in this
entertaining and deceptively simple show about huge ideas, exploring the stories
we tell to understand our place in the cosmos and what it means to be human.
Walrus
12:10, 60 mins
Third Angel
TECH CUBE
12+
11/9
14:45, 65 mins
10
11
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10
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SCORCH
E15
For those who dont feel like theyre in the right life, online is a place to be
yourself. On there its more real than real life. Out in the real world though,
things can be very different. A play about first love through the eyes of a
gender-curious teen and based on recent court cases, Scorch examines how
the human story often gets lost amidst the headlines. Written by Stacey Gregg
and winner of Best New Play at the 2015 Irish Times Irish Theatre Awards and
The Writers Guild of Ireland ZiBBie award for Best Theatre Script 2016.
'We want social housing, not social cleansing.' Facing skyrocketing rent and
forced relocation out of London, 29 single mothers united to confront Newham
Councils gentrification of their hometown. From the streets of Newham to the
Houses of Parliament, this bold and pertinent piece of documentary theatre is
adapted from the real-life testimonies of the most under-represented and
prominent voices on the political spectrum providing a truthful retelling of the
Focus E15 Campaign, Britains housing crisis and how one group of women
refused to be marginalised. This is the beginning of the end of the housing crisis.
ROUNDABOUT
LUNG
12+
18:05, 60 mins
TECH CUBE
14+
11/9/preview 9
18:30, 70 mins
10
11
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18 19 20 21 22 23 24 25 26 27 28
10
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SACR BLUE
A story about the physiology of endurance when our brains tell our bodies to
stop and the psychology of continuing. A story about preparing mind and
body for a 2.4 mile swim, 112 miles cycling, then running a marathon. About the
people who share that journey with us family, coaches, friends, ex-boyfriends
and the people we swim, ride and run alongside. What carries us to the finish
line? Whats left at the end of 141 miles of swimming, cycling and running?
Sacre
Blue is a performance piece confronting anxiety through poetry and
storytelling. An uplifting performance about panic attacks based on personal
experience and shared stories. Its a bubble bath, a protest, a slice of toast, a
balloon. Therell be punk music, popcorn and some clumsily explained analysis
of neural pathways. Lets make something happen, even if it is just in this
room right now. We like to think of it as being a bit like a riot organised by
your nan.
Hannah Nicklin
(Audience member).
TECH CUBE
11/9/preview 9
11:00, 80 mins
PG
TECH CUBE
14+
11/9/preview 9
14:45, 60 mins
10
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10
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'Of course, you shouldnt use "sign language".' Inspired by real events, this
personal story follows a family finding their way through the Deaf world.
A story about parents, about sisters, and about the complex love that binds
families together. Using projections, sound, live performance, and creative
accessibility, this unique, poignant performance is about memories, feelings
of isolation, and finding the joy in difference. Selected for Londons acclaimed
NOW16 Festival. This piece is accessible to D/deaf and hearing audiences
through the use of British Sign Language, spoken English and creative captioning.
TECH CUBE
12+
11/9/preview 9
13:00, 60 mins
16+
11/9/preview 9
20:15, 70 mins
10
11
12 13
14
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18 19 20 21 22 23 24 25 26 27 28
10
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Why do we stop playing? What might make us start again? All those guitars
propped up in bedrooms. Voices only heard in the shower. Drum kits taking
too much space in garages. Its time to blow off the dust. Were putting the
band back together! Part riotous gig, part tender storytelling, Ross Millard (The
Futureheads), Maria Crocker (Frantic Assembly, Open Clasp) and Alex Elliott
(Northern Stage) reveal epic emotions within peoples relationships with
music. Features a house band of ex-players. Fancy joining?
Visit unfoldingtheatre.co.uk.
Where do all the dead pigeons go? I could give you the answer right now...
but it would ruin the show. Between you and me... Im still not sure. With felttip pens, and his ex-girlfriend's overhead projector, Scott Turnbull takes us
on a journey through space and time. This frolic of cartoon and comic reason
miraculously weaves science fiction, memoir, parable, fairy tale and farce
It's weird, fast and inventive. Pigeons in this show are fictional and bear no
relation to pigeons existing or dead.
Unfolding Theatre
TECH CUBE
12/10/preview 10
16:50, 65 mins
PG
TECH CUBE
16+
11/9/preview 9
22:05, 1 Hour
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
70 ROSE BRUFORD
ROSE BRUFORD 71
SYLUM
Enter into a kaleidoscope of worlds; places and times where we expose the things
that frighten us. The Sad Clown, The Entertainer, The Shell Woman; in living characters
we uncover the facets of ourselves that are normally concealed. Lives unlived will be
laid bare, and dreams distilled through movement and song. When I dance with you and I will dance with you you will forget yourself. You will forget who you are. But,
when we dance you will know me. And, for a brief time, you will know who I am.
UPPER CHURCH
16+
8/6
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
LINES
Pangean Productions
The London Underground handles over four million passengers every day. Half the
population of a multicultural capital scurry beneath the city to travel together. A
chorus of nine become hundreds of passengers from all walks of life. Using spoken
word poetry, they create the tones, mechanisms and inhabitants of the tube as they
journey through the veins of the city.
THREE
Wrongsemble
Three wishes, three witches, three sisters, three pigs, three bears, three
beers, three musketeers... Three actors weave together three famous tales, all
featuring the elusive number three. Brought to life in a flurry of original live
music and brilliantly energetic storytelling, see the yarns of Rumpelstiltskin,
Goldilocks and Grimms Three Wanderers re-told as never before. A brand
new piece for everyone aged 3+
Developed with support from Arts Council England and the West Yorkshire
Playhouse.
UPPER CHURCH
3+
7/5/family 20
10:00, 55 mins
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
UPPER CHURCH
10/6/family 24
14:00, 60 mins
PG
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
Every single day, he writes to her from his cell. She never answers. She never will.
As four performers embody the mind of an abandoned prisoner, the unspeakable is
realised in a fierce physical tension between loss and desire. Using live music,
physical theatre and text, Decoupage Collective depict the prisoners
subconscious, blurring the line between reality and illusion.
UPPER CHURCH
British Intervention
14+
8/5
12.00, 60 mins
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
38 Buried Roses
What does it mean to be British today and what will it mean tomorrow?
We have 60 minutes left to save the ideas of 'Peace, Love & Solidarity!
It may not be long enough.
UPPER CHURCH
14+
10/5
16.00, 45 mins
In 1967 Tadeusz Kantor created The Panoramic Sea Happening; now, the time locked
in the old, well-preserved barrel is calling us to visit again the same shore. Together
again, and again, let us see Nicolas Poussins meeting with the black figure standing
on the paper beach. ET IN ARCADIA EGO he writes in the sand.
UPPER CHURCH
14+
8/5/family 20
18:00, 60 mins
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
72 ROSE BRUFORD
Josef K. wakes up one morning, hungry and disconcerted, only to find himself
arrested. He is not told why, nor by whom. He does not get to eat his
breakfast. And so begins The Trial. A grotesque and darkly comic adaptation
of Kafkas classic novel tracking one mans struggle against a malicious and
faceless power. Fighting against ritual humiliation, impenetrable secrecy and
unfathomable procedure, can Josef K. prove his innocence? Directed by Craig
Sanders, adapted by Evelyn Roberts and Matt Holt.
UPPER CHURCH
12+
10/7.50/family 24
20.15, 80 mins
ROSE BRUFORD 73
UPPER CHURCH
14+
12/10
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
Sneak peek at a new documentary film that asks two simple questions: What
lines of Shakespeare do you remember and why? The documentary engages
participants and audiences in a dialogue about memory, memorisation and why
Shakespeares words, 400 years after his death, are still so important to us. Shot
mostly in New York City with a wide range of people who share a passion for
Shakespeare, the film explores new ways of thinking about memory in our digital
age, where learning things by heart is increasingly rare. Q&A with director
Cecilia Rubino afterwards. See www.rememberingshakespearefilm.com
UPPER CHURCH
FREE
UPPER CHURCH
16+
FREE
17:00, 2 hours
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
17+
FREE
PRESENTATION OF FILM
DOCUMENTATION OF JERZY
GROTOWSKIS THE CONSTANT PRINCE
Carla Pollastrelli will introduce and present the video documentation of The
Constant Prince (1965), the performance that gained Grotowski and the
Laboratory Theatre its greatest international fame, thanks to the extraordinary
performance of actor Ryszard Cieslak.
TECH CUBE
16+
FREE
11:00, 2 hours
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
74 ROSE BRUFORD
SUMMERHALL RESIDENTS 75
A woman comes face to face with her overwhelming need for revolution. Does she
long for a rendezvous? Her fantasies become action as she is carried through a
series of metamorphoses, incarnating the voices of French female poets anchored
in history.
UPPER CHURCH
14+
10/8
17:00, 1 hour
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
THE UNDERGROUND:
A RESPONSE TO DOSTOEVSKY
Dostoevskys analysis of the human psyche meets the performing arts research
of the Workcenter. A battle ensues which gives birth to an event that embodies
comedy, grotesque and Art as vehicle.
UPPER CHURCH
14+
10/8
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
Thomas Richards guides us through the phases of the Workcenters performing arts
research, interweaving analysis, screenings of film fragments and discussion. The
event carries us from the Workcenters earliest works with Grotowski to their
ongoing enquiries concerning the craft of the actor/'doer', and how their research
connects with wider society.
7/5
16:00-18:30 (2 hours and 30 minutes)
UPPER CHURCH
16+
3
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
18+
Workshop Fee: 399 (limited to 16 people). For information and to apply www.theworkcenter.org
RYOKO TAMURA
It's The Final Funch Time - Possibly the longest running
exhibition ever.
Since 2013 Summerhall's Ryoko Tamura has presented a
new FUNCH drawing every day. This Festival, is its final
show.
This is Paw Paw the polar bear off to work he goes. Paw
paw has a weakness for Scotch eggs, Pork pies and
Sausage rolls. Koko, his Ninja wife, provides him with a
healthy Funch everyday - a Fantastic lunch, which includes
the Wuckwich - Wonderful sandwich, and a piece of fruit
(although Paw Paw still secretly eats a sausage and bacon
double-er at the Summerhall cafe every morning... maybe
you can spot him...). With the Wuckwich, Koko also
provides him with a drawing of the day, which can be seen
in the red Funch box that Paw Paw is holding outside the
Summerhall Cafe. It's Funch Time.
You can see their adventure so far on:
http://ninjapen.tumblr.com/wuckwhich (2014)
http://thefunchtime.tumblr.com(2015)
You can see more of Ryoko Tamura's work on
http://www.ryokotamuraninjaillustration.com
LIBRARY GALLERY
CORRIDOR
FREE
SUMMERHALL
COURTYARD
U
2-5 People
14+
75/Preview 60
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
76 SUMMERHALL RESIDENTS
SUMMERHALL RESIDENTS 77
READINGS
Jack Klaff
13+
10:00-17:00 (daily)
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
The stage is set. Join us for a tour of Summerhall Distillery as we raise the
curtain on how award-winning Pickerings Gin is made. Well meet you in the
Summerhall Courtyard before introducing you to the curvaceous delights of
our stills, Gert and Emily. If youre lucky you may even see them in action.
Theres also room for audience participation: youll get to sample our full
range of gin, metres from where it was distilled, before enjoying a
complementary Pickerings and tonic straight from the gin tap back at the
Airstream Cocktail Bar.
SUMMERHALL
DISTILLERY
18+
10/Preview 5
10
11
12 13
14
15 16
17
18 19 20 21 22 23 24 25 26 27 28
NOTES 79
NOTES
80 VENUE
INDEX
THE VENUE
SUMMERHALL CAF
Our cafe
opens early for breakfast; soup,
sandwiches, cakes and pastries are served all
day as well as great coffee, tea and a variety
of cold drinks. Easily accessible and very
family-friendly, its an ideal place to come
and browse our programme!
RADIO SUMMERHALL
THE COURTYARD
(I Could Go on Singing)
Over the Rainbow
22
4D Cinema
22
600 People
67
A Man Standing
23
A Pickerings Gin Jolly
75
Adam, Eve, others
and a UFO
8-9
Adler & Gibb
24
All In
25
All Star Comedy in Aid
of STV Children's Appeal
65
All the Things I Lied About
65
Beyond Price
26
Beuys/Demarco
18-19
Bildraum
25
Billy Bragg & Joe Henry
59
Blank
27
Borderlines Asylum Monologues
26
Broken Records
& Adam Stafford
60
Bubble Schmeisis
28
Camille
28
Context is Half the Work.
A Partial History of the
Artist Placement Group
10-11
Cosmic Disco Nights
56
Counting Sheep
29
Critics
26
Cuncrete
29
Denton & Me
30
Diagramming
the Listener
14-15
35
37
66
36
61
56
74
39
66
38
71
75
39
64
38
39
59
62
40
41
6-7
60
40
41
62
41
COURTYARD SHOP
OPENING HOURS
The Courtyard Shop 10:00 - 20:00
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www.summerhall.co.uk
FESTIVAL
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THANK YOU
Thank you to all the companies, artists and performers
who have worked so hard to make Summerhall a festival
within a festival this year. It is their collaboration with the
excellent Summerhall staff that makes this a venue like no
other. We hope you will continue to come and see what
Summerhall has to offer all year round.
To A1 South
WAVERLEY
STATION
St.
ces
Prin
t.
en S
s
rden
Pleasance
Summerhall Cafe
& Shop 09:00 - 19:00
Box Office:
Que
St.
lson
Nico
HOW TO FIND US
Lothia
E.
r.
Ter Dalkeith
Rd.
St.
ton
Pres
k
Par
46
48
47
48
51
73
71
49
50
60
72
74
74
74
70
69
50
53
52
53
51
71
69
58
57
62
54