REIK—- YU—Z2| KEITH JARRETT Ae yb E/E by Yasutosi:!mamori CHUO. ART PUBLISHING CO., LTD.FF RK HOR + Yel y hORRMIL J — KTSTANDARDS, VOL.I/4—% + ely be bt, STANDARDS, VOL.2/4—% + Ya by be boty, WORT I/— Ae Paevy be hUR ILIA FAT!) DEMOVIN KEN ME REEL T SAREE L, SAE TLR OMAR TT. HOR Vey hOPRIABIE, BAAPLET + VODBAOT IVA WR ey vt PECM) a, ERI FLY PAOMBEL VI, CNATOY 4 AP SP LARLSIAMMOTEA SAUTE LIDS BORIRILAS TAP YH B+ Fy ICD EL, AIMEE Lt. ROA ely KET AE Abilities ¢ & 0 ERRORS LOTR EARL TH ET. ROUT RS, BOAR, 7145 LOMB THODET HZ bE BEMLTOST, HSRC, WAPI SRAOIRD £5, REA DREN TS. TERE LIPERIS OGM > TOSORERWET. AWM AOR Ve by MIROBRIMTRERO TH, 2b, AMEBET SIC BD. MBF LTRS Lo SLB LLIETa or xe POR pbb VPIAL II 1— 3 AE ORE PEEP URAM LBP EL PHA eb ETP (@1F I SHOULD LOSE YOU 6 @1N LOVE IN VAIN: 0 4 Improvised by Keith Jarrett I.STELLA BY STARLIGHT Washinzzon & V.¥oune? 16 Ovi Tune: 36 Inproviation 0 Chord Progresion a7 Advice BB Improvised by Keith Jarrett 2.IT NEVER ENTERED MY MIND«-tior: & RRodger a Original Tune 50. Improvisation 2 Chord Progression 51 Advice 52 Improvised by Keith Jarreet 3.ALL THE THINGS YOU A RE©.-Hammerstcin, 1 & J.Kern>: 54 Original Tune 79 Improvisation D Chord Proyrossion 80 Advice 81 Improvised by Keith Jarrett 4.FALLING IN LOVE WITH LOVE(-Hr: & Rodger 83 Original Tuner Improvisation 0 Chord Proyression 102 Adviconen oe 4O3Biography - #-R-Tpbyk ey BALI O IGG. HEAL OTH oh Fe Hs BA KDANF > hOGA EMEA, KMS MCR TERRLUTAALOM DEMO. COM. WMECHDTLR: FI a Ey oY Say bode. ATA, HRADOBKEM< 6 IL EMI NIE, BARRA TD Lifo nS Lb Dot oOO. COLORED MDS LMAMO TO CIEAS. GERI ERI OLOOE OMA IR 2 18 EGAMLDS BERS, LS OT RR —-WOIRH EIN L. those —+ y RA ER DE TED HAITI Tb Z SAMMI TS OTH F 4 ARTHS. DED, AEA RET > Th, SOR TOMI RBA NED GNAS. SLT. KO EBERLE LIZ THIT B ROA Pye y bid, 1MSES BH SARBORBL LTR Ey rar EY FOURS RK, AE NORM Tob FARK Eure e va, zyade® 4 6 EIEBENY WOK L THT BRA AIL, BETET I EM TECTIA AE WS. LAT ROI ewe OTK D EAT, ALAMO EDS. Fon bora, BODY aL EHD. KATIE OLDE OMENS TO, 19624, QAP bt 2H WORRR EMS. 1 PMA L LTA RY ORAZ IAN. OTROS TST NHI AIR BMOT B SLC A CHNOM EROS, bas nay, TORS PUARABIN Ks RRL R ARLE TOF WK KOAN Ty KOHALC HSL. COM, PR ARTLOK SURI MO SLE BIL 24 Fe GRAOMF EARS 1S. WREAK ADA 2, GIN 2 7 eM NOLIONT Dots, UY x IOWREMS SET, F-ARARTHD AEM OLADORRME WUE Tot. ENMG. FS 2IORERADS DO. EALAHIOTOOR. TE DPA YY ACME BY ND ERY AIL, EI LEPAY EDC DBS ALBOTUS. EUT, 19GB ILDMID bY A EMA THT yD ZI ARRE OAD 20OMRs LORSIAA, ISTO AR rey PE BM LIAL ERM, TEI Fard VI Ry, FX AVR AAPY, Hon FTL GO OMENLOANE yb RIL CHB RAED ES MRT 7 TRS. ARE DMO LOET 7 » POWERS EU, Ue RECS HEME EEC OD Ty MAL Re AY PRUE y ay ERE LTHBT BEA YO SHY ATOSEL Len 7 ay bun (HAMM, ROPRMEL RAE ETE? BAL TR DILYS. MLO EALADU TOC AEREL KONA S, LH oTb, Yaz a—e YARHOAG. MCAG, ML C27 ay be—wane bot, Lod, 3H DEY ws ay b (ECM) IRA OY + AR AD AY He De bbl EH LE Ty STAR ORES ea — FRI, aD + eh pee OTST. TARBMNC 93K RAF EMME AUADRIEETH OR, EDR, YO, 200 BNF YR EULTAA AR UM Y ay EMRE LORE K D RIL TB. Mi= (EL 20K D 7 VS Ad BO Lay P~F 4 Tah bE OUPERAKO WENA TUB. HOA + Ye bik, SRY ARCH EMD LOL TERRELL BLT SILO OCH SES TETURA MOL TOE ORE MEL TOC BaF # bee.ARE BED ORGIES TORT @ improvised (YARRA ey hOTRRERMLE LD, @ Original Chora (2 fin 2 OF (2, Kittin a — Kale @linprovisationaChord Progression (2) FHA y MEkOT, VI ECHR a — Blt, IS Eo TAA YPM BO, Rite D YEH ENE LOM) at. LOMB, THA ITI Jobe RE, OEP TI FObHEOR ENS LIENS, @Advice (BAU IPN AZ EEO ERT T YEAS 97 LIPO CR MBRRORDEBIS CRT HY ET. ®"Improvisation>Chord Progression. NPY x4 F7I+ J — be R47, KO) ARIANA IC bo TRL THD BT. | = Phrygian ———-_____________ Phr | Lydian —_—_—— lLyd Mixo-Lydian ——_______ Mixo Aeolian ———______________. aeo Locrian Loe Lydian 7th —___________ ya 7th Altered Dominant —————____________ ait Combination of Diminished ———_____— Com Dim Whole Tone ——___________________ Whole Tone Harmonic Minor Scale Perfect 5th Below mp. 5+ Altered Dorian —————_____________ ait Dor Tonie Minor ——— Tone min Diminished ———--_____________ pim Blue NoteGE TYLA PTs Jb RF OMRON OOT, BREA TON FRITMT BS EMME EVES OT, Ye KOM OPAT CTE ab, OF E-LARMHE, va TRE, BL, Vr AMORA HO] BIBT, DPATK REV. WIR IBS, TOF Rady avo BtiSbiation x 074 PIL XIBOT IY EL EOI EED a EOE FCRBT ED, EUG BRTH. FAH VED, @2—K + R-ADKUT, KOHIE( DW [ [ecm | For | om oe -Eieo Gm) OFS — FES — FOAM EL THA MUS . LEM Gm' | Am? Di) O43, FOa— Kae GH AY YENI KE, H VFR * ROR Deby Nok THORNS, 4. ( a KidCo AOUHNTOES CORD SLPTNS, KOE ESNTHAT. @syyr7 + 3- KOR, : OV Ell’ VIEBIESHS, VE IPEBILS ES. OR SFY Sy a yeMASUO NIE, @%-A+ very holeit Hand VoicingicowT AOR Geb y KOLMNoicingls, Yay + 8 Ay (x XM) IC bo TH BASHISEN 277 YROLH VoicingL, PGi CRo TORT. ANBE AE AOL HVoicingt, LOHR BOOERHLESM, . OPE LOA-Z + eb y Meme POOH CALAMUS LC Lice, 2 mA LE Le AFOLUNoicingt 28458 L (SSE TH LT ETA, NO XA EY ATHMEDY LTC PES,(RELOA-A+Yab yb EP 7 sya) IF | SHOULD LOSE YOU Words by Leo Robin & Music by Ralph Rainger RECA: Medium Am Bm7(55) E7 Am thane = 3 Gm? cr F Gm7 ct F © Copyright 1995, 1962 by FAMOUS MUSIC CORPORATION AU Rights Reserved Used by permiasion Rights for Japan essigned to NICHION, INCAm Improvisation Am Bm7(b5) ET Bm7(b5)_ ET js Am Am Gm7 GmT7 cr czAm Bm%(55) ET Am Gm7 CT F Gm7 C7 F Fa7 (F Phrygian Scale )(RELOXHA VEL Yh ETZ +0) IN LOVE IN VAIN Words by Leo Robin & Music by Jerome Kern ‘sau: Rubato in Tempo Bb 7 ‘Theme om eK Gm7 Cm7 FT BP GT cm7 FT Dm7 Dm7(b5) G7 cm CmT(onB>) Am7(b5) DT © 1972 by 7.B, HARMS CO. ‘Authorized Selling Agent in Japan:High Note Publishing Co.,Ltd. 10Gm7 ~ Gm7(on0) c7 er cm7 FT Em7(5) E’m7 BbionD) —-Dbdim cm7 Cmi(onF) F7 B GT m7 g Cm7(onF) Fm7 BT tor Eb ; AT Dm Dm7(5) G7 cm? FT — = 4Improvisation Em7(5) E’m7 B Fv BP Gm cm? Fv Gm7 cm7 FT Bb G7 m7 ET Dm7 G7 cm7 Am7 DT cm7 FT Em7(b5) Ebm7 12B Dédim cmi7 FT o B G7 cm7 FT Fm7 BT cm FT B Theme @Coda Em7(5) Aq Dm a 2} —3— —~ 32 — — 13GTsus4 Gi cm7 Rubato Em7(65) Ebm7 Dbdim cm7 FT BSTELLA BY STARLIGHT Improvised by Keith Jarret OBALI-K — BRAIYI-ZX-S7Tome-w Words by Ned Washington Bd Music by Victor Young cm? Rubato abM7 = —3 Dm7 BbmM7(9) Am7 = ers a 3 t : d | pant — ty % = = 7 f Theme Em7(b5) AT(#9) Cm7 FT Fm7 BT Ebdim, AT B (am) — A7(69) Dm Bhmé6 FiaddG) ee = = S i Sg ae pe ey Pe ib ae oy : Bae as = ~ ae # —- — F Seer zoe AT. Dm7 C7 Am7()5) ATT Gr <= | SS -—= SSS SSS SS ti te here REE ee . Se & onmrioe se uy rawous wunc conronsre 16ab7(13) Gm7 Em7(5) i ate pe ec Dm7b5) G7 FT —— ——— errr Pee Pre wld Se “ == 2 | Dee #: 4 — zo a we F Theme FEA B APM7(#4) Em7(5) Al Dm75) G79) cm7 FT BM? Am7(b5) D7(9) Gm7 C7 gt —— 5 — co oe rere aaa eae eee gE Fey ooo jee) | 4 Bate 4 z - #4 2 tT P Am7 DI chm? Fim B7(b5) Ema7(i8) ie Fa! = = = isd {pt ae i eee dd = B v i wr FA7(13} DT? cmt: FT BMT of AT (13) 7 ee i k pa) — FS Le te — io. tet == ES 2 3 st 7 ae T : Ent Gm7(s5) AT DmMT Dm Bm AT@9) = a aa = aes it felis be aS . ytd bbe = De - 2 a= i => ot ST Dm7 Bim7 AT(9) | APM7¢4) —_G7(b13) GIM7@4) F7sus4 ci pewt7(48) bm? EM7 —Bbsus4 Pai E_ Dm? + “— bat [ire ry eee < [ee =F ; ‘ i ; bd a td be! = =e == aT vi - ThemeD BIR as Em7 AT Dm7 lt . a a GTalt Xn Em7(5) at 3 or ! ieee ; pais — oH Se fa 18Roe free BT = EP —" B b Em7($6) AT A eddy Pope Sd oy dg! © St [a] in Tempo d=J ATMG8) a4 Em7(5) DIM7 Gm Tonc. m7 F7(9)Fm7 BT EP hm B Em7(b5)_ AT Dm BbmT AT Dm’ Gm? CT Am7(65) DT G7 cm7(Cdim) cm7 67 —— 20EhmM7 Ebm7_Ab7sus4— Bb Em7(5) Als, —3— 3. G7 NE Cm7(Cm7(65)) GmionF FE’ [Em765) AT cm7 a 2a.B Em7(5) AT Dm Bm7 AT Dm7 (D7) Gm7 cr ‘Am 765) aa . 22Em 7(b5) (Em7) AT DT cm7(Cm7($5)) FT B page ohets) Em), 3 9 ATg cmt 23Eb BP Em7(65) AT Dm a 3 3 Bln? 9 9, At Dm Gm? ct Am1(5) 24G7 AT D7(Dm7(5)) B> FT cm7 25GIEmT6s) AT om? FT 3 aT si Fm7 Bb7 157 Em B Em7(b5) AT Dm Bbm7 AT Dm7 26Am7(65) B Em7(65)(Em9) 3 3, te 2728BP Ebm E> Bm7(5) 3 18 196 29Em 765) AT 30 D7 (Dm7(5)) G7m7 FT Fm7 a hm a Em7(b5) AT Bbm7 AT Dm Gm cr Am7($5) 31FT m7 (65) 738 323 3 Bass Solo Bass Solo Last Theme Em7(65) —3I ALe— ae cm7 FT Fm? Bb7(b9) Ebehdim) Eb ebm7 APT B Em7(5) AT ayI 3 a — 33Gm7 Cisys4 phn eH, qin aon Am7(b5) DI afi) 8va- 287 B 3 Em7 (b8) AT 32 34Rubato d=) i CmonF CmiCdim) ,_, monk my 4 G7 yonzes) Gadde) = & Fy cm? Cm7(b5) Dm 7(b5) G7(b5) Cm Em7(b5)A7 ‘l Ls i 7= 2355 a F 35STELLA BY STARLIGHT Words by Ned Washington & Music by Victor Young ORIGINAL TUNE Em7(b5) AT cm Bb Em7(b5) AT Dm F Gm7 a ams) GTaug cmt Em7($5) Al Dm7(b5) ——<——— cm7(b5) FT BP © Copyright 1946 by FAMOUS MUSIC CORPORATION All Rights Reserved Used by permission ‘Authorized to NICHION, INC, for sale only in Japan, South Korea & Formosa 36 G7 FTSTELLA BY STARLIGHT Words by Ned Washington & Music by Victor Young IMPROVISATION®CHORD PROGRESSION Em7(b5) Al LOC (alt Dor): Dm; Im7($5) vi Fm? Bb7 ‘Dor: I Dm: Im7(b5) vI Im bvim7 AT Dm (D7) Gm7 c7 Am7(b5) DT MK Do) Alt ‘Min: ff F: vi Im F: Im7 V7 G: -Im7(b5) v7 (Blavaug om7(Cdim ) cm? jole Tone: cm: V7 Im EbmT Abt Bb Bb ‘Dor— Be: Wm7 ovr 1 I Em7($5) sR Dm: Im7(b5) m7(Cm7(b5)) cm7 FT B BP F Im7 Bb: Im7 v7 I I copyright 1946 by FAMOUS MUSIC CORPORATION AlLRights Reserved Used by permission Authorized to NICHION, INC, for sale only in Japan, South Kores & Formosa 37STELLA BY STARLIGHT ADVICE BaREm’>s\s Ra CIs, LocrianTHOA\ F—A + Fe L-y bdLocrianeDoriane WUT THB, Ex. 1 Em7(55) Ex,2 Em7 E Locrian E Dorian 1 $9 63 1 65 HIB b7 Ex.3 Em7(E Dorian) a a wT Ex.4 Em7(E Dorian) , ATg 8va 7 HOR FHL y ba, Improvisationl= SU TEX SOCOM’ 3— K€ Tonic diminished OI/RR=BALT S (AAS SL5N%. (iB) Tonic diminished!s—AA0(=Major TonicisBUSNS. Minor Tonic US = Ett, HHA AERA. Ex.5 BFEOMMRes Let. GTaug GTaug m7(C dim) cm7 Cm: V7 v7 Im im 38Ex.618Cm’A‘Cdim (23M L f=lmprovisation Di BUTT. Cdimid, CmIERERL TLS = EIT Ex.6 G7 cm7(C dim) cm? Tonie dima — — mR (2) CdimaTonic dimaa— Kz, dima>Tension Noles ee nTost, Ex.8 C dim Cdim Tension Note @RiMBallade(Tempo Rubato)MPiano Soloist} SME AMIRI DUT. omia> BalladelsRomemaetoTOET. introduction (1 «seh ~ 3488) Theme (4M 8 ~19\8 8) Themed Sei 88 (20:Isah 8 ~41/19MH 1) Theme #39188 (42). & ~S0"1si5 4) G2) RAMThemeDAAAA'2, Themen 3\— KARTE TH 2 TOS = EIS = OBalladeDMRid, SAAT IID KR EMREL 1 OIL RT. FORD DATHOR + Dy Ly MAB OAIBURE BUMMADAS Tension Resolve (FLY ay + /— OMI, DE ays Job BA—K + bovaA SSR OMFS a REO BUF SS a DI RISC.) MSAARONLT, EEL TAMICH(T STension Resolve*, KIGMRLTHELII. 39Ex.9 Em7(b5) AT Om7 FT Fm7 BT @ ses dim) Ab 7 11-5 1-3 11-3 11-3 49-3 49-99 ve 4 3 r Dm: Im7(b5) virB: tm? v7 Eb; m7 v7 1 NT GE) OMI, Tonic diminishedD#E:#. = o>Tonic diminishedIsM:RS'. diminished Chord Ds > eet aTOst, Ex. 10 7 Em7(b5) AT Dm7(b5) G7 cm] i-3) B aM7 l-3 iL 9-3 9-3 F Dm: Im7(b5) V7 Cm: Im7(s5) V7 Bb: t. va i FORDE LY EL BAILI— FEMME DT SE LEDS T AIL I— KeMBIET TIE FRE THD ENTL £ DOL OBARL, WRB ERA a, RMN, AILSA KIS EI EYP DRIES TOES AEN TLE KEITH. RIE, WK DEA + Seb y OOM THEL ED Upper Structure Tiiadis. ATM HMA MS ts hI 7 K (SAVE) ELRMIET S br. ANUS, 2— KORMPC. MIRAI S NIN STF KORE RAET. LOL, FOR SL 2INOBBHNTO bh F1P KODADRONET, Ex, 11 Ex, 12 - ® ®» Dm7(b5) G7 oe G59) Cm Fu Le ha r 7 F é Cm:Im7(b5) V7 Im cm: V7 Im 40BODE F4F Kk C Drie RENN ITT KT EA, ATL CODMLASHET. (hou? + 2¢4+—TIWA EHS 27 —ILIS, Dorian, Melodic Minor, Natural Minor, Harmonic Minora4#%.) BV" (Dominant) i= V7), BL TIVE ODT ALA + HACE OTH SAveTT. ayn weet @Pedal Pointi=2UT. MB ORRERDO NTE AAT &D. ® BN w Bae B Be a 1o-ssa5 FOR U ely MEARS AMISbt > T. Pedal Pointe ALCS. = 0Pedalig Dominant Pedal TAL Pedal#EF = LIE T, EMBO —ES—OAMABSNS = ECEBLES LY Ex.1 F Gm7 FMTaug F Gm? F Gm? F_ Gm7 GmTonB? Gm? C7 F F Gm? F Gm7 __Gm7 C7 Gm7 C7 Ex.2 5 Ex.3 F6, F6 Gm7 F6 F6Gm7 FM7 Gm7 — FM7 Gm? FM7Gm7GmTonB> Fé Bm? F6 Bom? F6 Gm7 F6 Gm? F6 Gm7GmTonB F CToussGma FMT Fdim? eM? BM? FMT BMT? F Ctaues CTsuedont Ex.5 © Pedal- ” c 52(2) Bx, Ex2isThemel=élt SAROHUL, Ex, Exdidimprovisel= 7 SIBOEAL, ExSlt Last Theme It SAIRMBL, = OHI=Pedal AS — 2, MAN AM EBS — CABREL @EndingMtiiz. FOR Deby howe hy THSH, = @itkDEnding batonallty SBET TY + VOT, Endingt= NE) OAD DRA, Yrs Py AOE SK cmi('8) _omrong 188 53ALL THE THINGS YOU ARE Improvised by Keith Jarrett @BRLI-K — BRIYI—ZVol.A ow Words by Oscar Hammerstein, I Music by Jerome Kern Ceri ergead Person cd AmT D7(69) GMT7(5) G6 Fin B19) EM C709) Fm7 Bbm7 Em7 aM DM Dbm7 cCm7 dria! 8 © Copyright 1930, 1940 by T. B, HARMS CO. AIL Rights Reserved International Copyright Secured Authorized Selling Agent in Japan:High Note Publishing Co.,Ltd, 54Bm7(55) Bm7 E769) ADM. Gm? c7 cmt Fm? Bm7(5) ET EM 55Am7(¢5) D7 GM7 BI¢9) EM 56Dim7onG? Gh? M7 B m7(5) Bbm7 EDT (69)AeMT Am7 DT GMT AmT D7 GM? Fhm7 BT EMT Caug? Fm7 Bbm7 EMT AMT 58DM? a7 AMT Bm7 Brm7 Bh? eh 2M DMT G7 cM? 39cm7 Fm7 BT EMT AMT AmT pT GM7 Fim? BT EMT Caug? 60Ww oor Fm? DM7 Fm7 Bhm7 ahr Bhmn7 61 eT AbM7 Eby AbMT Bm7 AMTpDM7 G7 MT cm? Fm7 BT EM AMT Am7 DT GM7 Am7 DT GMT 62Fim Fm7 BT Bbn7 EM7 gb7 Caug? aT DIM7 Bm7 cbr EbT 63 aba Bm? c7Fm7 Bhn7 ET AMM7, cm7 Fm7 BT ebM7 174 abMT AmT DT GM? 178 64Amt bt GMT 65Bm? gy AbM7 cr Fm Bbm7 a AbMT 202 pM a? cM? 206 cm? Fm7 BT eb? 66AbM7 Am7 D7 cm7 Am7 DT Guz Fim? BT EMT Caug7 Fm7 Bbm7 ET abm7. 67DIM? Gr AbMT Bm7 Bhm7 EbT AbMT eT {e) Fm? Bbm7 Eb7 abM7 pM7 oT cM? 68E>M7 BT Fm7 cm? 2B 69Fm7 Bbm7 Eby AbMT hi b bi Bbn7 BT abM7 cD BmT ET AMT 70cM7 G7 DIM EbM7 Bb7 Fm7 m7 GM7 DT AmT AMM. GM? D7 Am7 nFim7 BT EM7 Caug7 Fm7 Bm7 ET AMT? pDu7 chr abm7 b Bm? 72pbM7 G7 cM? om7 Fm7 BT EbMT abM7 Am7 D7 GM7 Am7 3DI GM Fm7 BT EM? Caug? Fm7 Bbn7 EDT AbM7 DM7 abr AbM7 Bm7 Bb? 74EbT abM7 cr Bass Solo Bass Solo 38 Gm7 C7 Fm7 Bbm7 Eby abM7 DiM7 GT cM? cm7 Fm7 BT EM? AbM7 75AmT D7 GMT Am7 D7 GM7 Fen? Br a aM bbw ob aba Bm7 76Bon7 ET AbMT cT Last Theme Fm7 Binz ET aba Dem? GT M7 m7 Fm7 BbT EMM? ab? AmT D7 7GMT AmT DT GM? e Fm7 BT U EMT Caug? daJFmt?— Bhm7 ET AMT AMT Bm7(b5) BbmT Eb7 ab 78ALL THE THINGS YOU ARE Words by Oscar Hammerstein, I & Music by Jerome Kern INAL TUNE Fmt Bhn7 Bbm7 Pug © Copyright 1930, 1940 by T. B. HARMS CO, All Rights Reserved International Copyright Secured ‘Authorized Selling Agent in Japar:High Note Publishing Co.,Ltd,ALL THE THINGS YOU ARE Words by Oscar Hammerstein, I & Music by Jerome Kern |IMPROVISATION®CHORD PROGRESSION | ET AM Eon vi 1 Am7(5) ‘Alt Dor — m7(b5) V7 1 1 Am7 pt GM GM yo = Im vi I 1 Fm7(b5) BT EM Caug7 Te = “Alt(Whole Tone Aft Dor Alt Ton gomedim ") E: Im7 vi I Fm: v7 1, Fm? Bm? ET AbM Ab; Vim7 Im7 vi I pm or AM Bm7 Lyd 7 or v wat? 1 bum? Bbm7 ET AM c7 Mixo: Alt m7 vi I Fm: V7 © Copyright 1930, 1940 by 7B, HARMS CO. AIL Rights Reserved International Copyright Secured ‘Authorized Selling Agent in Japan:High Note Publishing Co.,Ltd 80ALL THE THINGS YOU ARE Words by Oscar Hammerstein, Il & Music by Jerome Kern ADVICE “AIL The Things You Are.IZP FSFE As Selby KOT IOS 4 ty aris ARMED LOK RRL FOR SAVRRRIN LT. NOI Ly AEH TSS = ABD. FERRRA ST 4 RF EBERIS DUT ROME 9 TOS, TERE IS, EM SOAR, INNA RUIN THOT. EAU EDIE, MTS CBD, HPAEEMET EASA, CLOT bf FHIE, Sr GERARD DEBE KATO SFA Ly hOB BORE S A COBD? OFA Se Ly bDQNY ERIE OA—SAlE, FAAS Ly MEL TOF ELC. QNY EMT LY POAT TN TRBL TOS. SSO QNe RM LOD, HEME LTABAL—I RAL. @TAIl the Things You Ares 2—AkHIZaA— Ko AEE YBROAICAI the Things You Are,D—AAIEA—K- 7-7 ERL THEI. Fm? Bm7 Em7 Al abn m7 Fm7 Bm7 ET EM. 81Fm7 Bm7 Em? AT AM Bh? Eb7 am o © Copyright 1990, 1940 by T. B, HARMS CO. AAllRigits Reserved International Copyright Secured ‘Authorized Selling Agent sn Japan:High Note Publishing Co.,12¢, 82FALLING IN LOVE WITH LOVE Improvised by Keith Jarrett Words by Lorenz Hart Music by Richard Rodgers Theme F (Gm7) F DT Gm7 3 Gm7 CT ee paces cT F — Em? 7 Copyright © 1988 by CHAPPELL & CO, INC, Rights for Japan assigned to CHAPPELL /INTERSONG K. K, 83G7(Dm7) G7 mo a Gm7 ©7(Gm7(5)) C7 F ran ™% Gm7 Gm7 cr Gm7 C7 DT F Em7 AT (Am7) (D7) Fae Neo 84Gm7 —_(Adim) _-—Gm7 cv ee Gm7 c7 7 mF F DT Gm7 F Em7 AT 85F F D7 Gm7 Gm7 cr ss Gm? C7 F Em? AT D7 Gm7 86cr DT Gm7 C7 BF Dt eo Gm7 Gm7 C7 Gm7 cr 87SeeeereeeEECeeeeeceeeeeeeeErteEEeECeeeeeeeeeetEeSesaaeeELaeeSS D7 Gm Fr c7 Gm7 AT Em7 c7 Gm7 88Gm7 D7 GIFs 2 C7 GmT AT EmTF Em? — AT D7 Gm7 Gm7 CT F Dz Gm7 c7 90cr Gm7 c7 Gm7 Al Em?Gm7 GmT c7 92 DT Gm93F D7 Gm7 94c7 Gm? cr Gm7Gm7 C7 96 Em7, ATBass Solo 8 bars (Piano & Drums) Bass Solo Last Theme F . D7 Gm7 : Gm7 CT F (Abdim)Gm7 cr F Em? AT 7Dm7 GT manna Gm7 (Gm 7($5)) C7 F DT Gm? cm? or cmt cr DT F Em7 Al m7?) 98Ending Gm7 (Adim) Gm7 c7 AT —~DT —~ 1__(h diem) ; 7 : 1 ——— Gm7 c7 (Bbm7) EP a, Gm7 : c7 AT DT by 99Gm7 cr AT DT 100FALLING IN LOVE WITH LOVE Words by Lorenz Hart & Music by Richard Rodgers ORIGINAL TUNE Tempo di Valse F Am Dm F C7sus4 cz Gm7 ct Se ee C7sus4 C7 C7sus4 c7 FM7 F6 FM7 F6 F F6 FM7 F6 ATsus4 AT G7 C7sus4 Gm7 CT ‘Copyright © 1958 by CHAPPELL & CO.,INC. Rights for Japan assigned to CHAPPELL /INTERSONG K. K. 101FALLING IN LOVE WITH LOVE Words by Lorenz Hart & Music by Richard Rodgers [IMPROVISATION®CHORD PROGRESSION Gm7 =Dor: Im? Sa i =e vr bi Timp. = AL 2 VT Gm? __Gm7 CT F br Gm7___c7 — Str aiixo—— fon —— timp. 5) = Dor —— io] Im? F: Im? v7 I ww Im? v7 Copyright @ 1998 by CHAPPELL. & CO. INC. [Rights for Japan ascigned to CHAPPELL/INTERSONG K. K, 102FALLING IN LOVE WITH LOVE [ADVICE “Falling in Love with Love’ D4—2 + 3b y bORBEABS > Tit OT, MO PRAISE TAR RUMHETSTL EI, BE) (ADCO RRT BBE Lett Hand Voicing (AF) OI 4 SL IAAREGH LOL BOET SPI THICIEL, REELT CHRO, DT KOHL F F DT Gm? Left Hand Voicing ment. GIEX1O#BICLeft Hand®, SR, SSNFICMAHEL ET. DYBHARD7 + — VDOC, WEEE htLeft Hand* AICO L TK HL, FORDE TD L MBRTIELeft Hand eH TODS HEL. WIF—A +o ely blSImprovisation® SigLeft Handid. #21: < MMANTOS. < OME ARATE AF BBR VAL F—FRMTSI CM KRUMIL hen, G2) Left Hand Voicing UC, ROMRMABAHIELT COREL. a @EndingIc2UT. Last Thomon383NWBE Dm DEnding TTA. Decepiive Cadence (MMAL) DHE LoTR T. 103Deceptive Cadence@)¥§%i (Key in C) ext Elly s(Em? 5) wi(ar) | Mi (Em?) s(x) > tee (Om) ——-—-—v 669) —— {vim} ——— 112¢00) | Mime (amr), HMI (APD) +117(D4 7) FOV 9) mE) a) tro) | 10 : Wie) [eon 566 ty stm) Ems 5) wr CA2) —Ilan(Om)—¥ 0 Totga— Wr(81)—— ~~ Ex2 WmRDeceptive Cadence DVT 141 (A b 47) — b 1 M7 (D b nar) 1 (Cc) Helm) <—sthay(Ob 0) 7 a —I (c) billy (Eb yn) — ML (Ab)—— $11 (04) —I (C) BERORE Ean: BUTARSMENS, #Ex20 Wm MDeceptive CadencetsVr—AOD HIKE BAT WLY, Deceptive Cadence IF #-HFA LT WmRIBHRASH LOTTE TH, Deceptive Cadence AA) Deceptive CadencoM@MI2+ EASA. BERRI DNTBEOM, ROITINED. ‘Type-I 1p loteas- Tim7(Om7) V1(G7): HL m7-s( Em7. 5) Vin(Ar) Tm7(Dm7) V3(Gr) 1(¢) Type It 1 rotena~ Bmx m2) — V6) —F tiv mais) (Fm ts) a EFT US A EAT) 1(0) Type Tallin. s—Wy—Mmy— Vo AIDE (JASNA (Ending ERDAS be Type WikV 1PRoot GHANon Oiatonie DF Ha = EA, SMSOUNM MA SMAIEBE 9 THOS. POA + Seley hSTypelEMGAL TOST, OI4 Tid, EndingDEROAHIABHNS bor IDA—K + Spry aveRLTHEL SI. 104Type-IOa— Sryr—rar Key of F , lorem Im7(Gm7) —_Vv7(C7)—} um7(Am7) ——w7 (07) ——am7(¢m7) ——v71c7) i AT Dz Gm7 CT ‘ Eb7 bt Gm? cr aoFeraroeoryenvar | EST abr Gm? cr Eb? DT GT c7 AT br Gmt Gm? c7 (oncy ete. FIA Seley bis Ill’, WY Me. Ve TEC AL, Ending HERL TUS, 105Pare rae ie cee ST ny ae oo SOL Ce nee et aeea ne Te eS ao i eon Postar eet poeaeee Sry POST en Seanad Eres ir TO aus Eos SS pei ean ery en Parente t Pern eco l y + H x x aa ay canny H Fs i D) Eg ae | MUA AY ae Reeee nen mees e Rea) Pee rsetee te) ee forectira ceteris1 = en PL LE aa Eater ool Va Hii LIE FUR LB APSE Co ete isuounn rose vou en rove wy vu I by Keith Jarret LA BY STARLIGHT AW I hy Keith Jarret NEVER ERED MY MIND thors tte Inproniedd by Keith Javett 3. ALL THE THINGS YOU AREwe I by Reith Jarre FIN LOVE WITH LOVES tts tkvntgors SAD ISBN4-88639-522~8 C0073 ¥2000e *2€fffi2.000F9SfIk— -YU—Zp3| HEIT& JARRETT yA ET ETT by Yasutosi Imamori CHUO ART PUBLISHING CO., LTD.OAs Deby hoftdeltyl 3 — KTSTANDARDS, VOL.I/%—2 + Ye by b+ bats, (STANDARDS, VOL.2/4—2+ Feb be bY As BBORFG/H— ReUevo bs RUM RIYINR GATS 5 SDEMOL IKE DME LT MBUARL, ENE LLOMAECTH, HOR Daly OGRE, DIET I © PADBADT ISL HBF “ane 7b ECM)3, ERP 97 7 POMEL ECD Kip BD UME TBE BUT OE LIDS SINEAD TRI YT H Ky ZI Em L, ARBLE AE LI, HOA Paeby OETA, AMM. bY SOROS LUMAR LT ST. OETA, BOOP, 71+ XADMIBOTHOETAR RE BEMLTOST. HSMRT, DAPRBUSRAOMHRD EFC, AWA DRAGER IRIS HEE LITERIS IGN TH BOREMD ETS ABM, ROR Deby MPROBRIM TUES TH, GB, AMRIT BIC DALY. AREF LTRS Lt BALL ERTS we 3 HOFALE I SIAP IA — AEORIAR 4 FREMANTLE PSL Ut 7 plop eT ya (@STELLA BY STARLIGHT: T NEVER ENTERED MY MIND: 10 (@FALLING IN LOVE WITH LOVE 2 Improvised by Keith Jarrett 1. THE MASQUERADE IS OVER «tMagidson & A.Wrabed 16 Original Taner 34 Improvisation 0) Chord Progeession’ 32 Advice wB Improvised by Keith Jarrett 2.I FALL IN LOVE TOO EASILY ‘sexe & 8Cahay 35 Original Tame 2 Improvisation D Chord Progresion 43 Advice 44 Improvised by Keith Jarrett 3. THE WAY YOU LOOK TONIGHT wields & 1.Kerm 45 Original Tune 66 Improvietion © Chord Prgrenon 67 Advice 68 Improvised by Keith Jarrett 4.IF I SHOULD LOSE YOU4.Rebin & RRainger 70 Original Tuner) Improvisation 0 Chord Progression 91 Adviceororon92 Improvised by Keith Jarrett 5.IN LOVE IN VAINGLRobin & Jikern 0100.95 Original Tune: 109 Improvisation 2 Chord Progression 110 Advice Ty OAR HART foo 14 Cmaanae PIF 116Biography $-ADebyb bi HOR PRE RIAL OMT DIR IGEN, 8 PLL FOMET I 2 ty FI Re DA KOAWF 7 hAHOKUNMERISS D, KMS CMC UTEP ELTAALON AME MED Tog LOA. Willi PTAP aT bok. AOA, KOBE RSS 2k MINTS, WEDD TDL AoOK IE Do bOO, TOL LUAED MD LM AKU TE CIES Fo EEL EAE OLOOE OMA ie 6 UE EM HG WER -WOIRH Hid LW Se AD MADE EDT, BLE AS as CMTE EOT AHF AARTHS. O*O, WY MOPAR MFHT > T Tk, HO Nice OUR LK CHIT HOAs Tee he IMSL SN SNS ARO ELT Y Eee WT ey RODENA RI. 8K OEM, TOR FAR EET YA TIAA APA BUARISIAER L THF BHAI, BETET ZOMG, TETIPL Be WS. DUP BOI DU LOS RESO BRT. £h MRO MID ROR IY AL EKD. SL TEEDE DEOMI ES TES, 19624. ZAHM AB TT (OAR LIS. LEME EEL LTHAR YONA 2 YAIFAT, EOAROSEE SAP AIIRAR EBT SS LGC ATHHOME RDIET. b ALEC FY Rea ROAM T PRARTEO He WINAMP E SEE BES OF fa bide 65 faim EDT ANIME RRS LEM GIA Fo ms aarh, bo LC PE Ka 6 ter Dot, THA RIDKR GIRL Thats ENNG. Fu7a7IOMeMAHS I, EALAMIUTE DP aA YF amd BY NIAAA, RILEY ESC DY AEBOTOS. ELT. GSE LMD bY ALMA THT 9 2 AA AMT AMO DOOWhs PIRRIAM, ISTO 1% ey KES LBALIEN Shots, TMC Fad VaR Ty, FRAY AA EY, Mam EFT YOO GMENLOANT RARE L CAME LEME IF. MR RRWT YT 7 TASS RL SS ARE OWE LORT 7 + 7 DOM RELA, Fe KE SMALE OT 7 EMAL Re AV POURS aL EBL LTHMIT BHAI, 70H ATOREL We ey hE CTEM) DF, HD TRAN es EC 7 HL THROU FLOM EA LARUE TO CMPEMEL KOKA D. ME oTk. YEON E—e VAISALA G. RL Cte 7 ay ban She bON, LOD. 3 Heel Oly as aye hb (BCM RAY Y + bak, RIA Prete EWR AL Ty ITA ORE vs — HER AY BALI ARVIN Te TIMOR 7 AA RAF HELMED OEE TH oe, EOMIL, YO, 20D BNF TR ELTAATAR ERY oY EMIT E ORE SD BML TO ECME RIK 20KOL LOT 26d BD Ea PFA aA BE OUMEMAD Lk. 2 out, PER AMES IS. WME AKA DAT, GI 27 Eiko Ob ONES RR ee 74 EMBL ET. FOAM D AED ORION WMLEMA TOR, FORO PE BIL Pe RTH MD LOR TSAR ELT MET BILBO THK. PRE ETE TIA ICO ET bee. bat >I REE Mi LTE FOAL ez ay ' 1 ' i 1 ' 1 i ' t ' 1 I 1 ' 1 1 t ' ' t t t t 1 I 1 1 i t t t 1 1 1 i i i 1 i ' I ' t ' ' 1 1 i i ' 1 1 1 1 1 ' 1 ' i 1 1 ' ' ' 1 1 i I 1 i 1 1 1 !ABO HEED OAR THT, @lmprovised (GE) FHA by ROWER LT 7 @Original Chora (i) Bin 4 OF 4 — 2, NetID 2 — Halts. n~>Chord Progression GH) X-Ray Moko, Van CMSA TOSI — biti. UE £3 THEA Y PHISH BOD, RUM VEAL RENE ONG D at. SOMBIE, THA FTI Jb AT HIER, DPE FovinenmaNR SS LF ENTE, @Advice (BY FY YEN FAR V ELDEST DAY ay LID CRATE, WRU TRORDEBIZ OO THATS EFS ®"ImprovisationMChord Progression. OTT 24 F7/b+/— b+ AFIS, KD IS Him Lean at. Dorian Phrygian Lydian Mixo-Lydian —_-_______________ Mixo Aeolian ——__—__________-_-_____ Aeo Locrian ee Loc Lydian 7th —————_____________—-. Lyd 7th Altered Dominant —_——____________-. Alt Combination of Diminished ————————-_ Com Dim Whole Tone ——_--_-—_ Whole Tone | Harmonic Minor Scale Perfect 5th Below Hmp. 5+ Altered Dorian —___________-_ A It Dor | Tonic Minor Tonic Min Diminished Blue Note —(FLA FTI Pb ROBO HR (SBT Bo EA ARED EME TOT, 7 KOMI CPA TK TE ab, OF e-LAMME, VI FEM IRCBS, THT (Ral A var eord TUS EL, Yar BAO DIT, DMPA TKS Oe b bm Abr B corde a Em7(5) Al, 3 D7 G7 oI a cm7 cmt FT BP Improvisation Em7(b5) AT cm? EvFm7 BT gb Ean? BP Em7(b5) A7 Dm Bm7 AT DT Gm7 CT Am7(55) D7 Eb AT BbEm7 AT DT G7 cm7 FT B I Theme . Em7(55) AT D7 B 3 Rubato m7 FT Em7(5) G7 cm AT Dm75) GT cm7(5) FT B(RELVRAKA + Yel y bh EP7 +7) IT NEVER ENTERED MY MIND Words by Lorenz Hart & Music by Richard Rodgers iver: ey Medium Slow J=69 F Gm7 FMTaug F Gm7 F Gm7 C Pedal—~ F Gm7 Gm7onB> C Pedal-: AT Dm? Gm? 3 _GT GmTonC C7 FM7 Gm7 FMTaug F Gm7 F Gm F Gm7 Gm7onB} AT(¢9) Dm7 — Gm7 Gm7 C7 cm7 F7 Copyright @ 1940 byCHAPPELL & CO.,INC Rights or Japan assigned to CHAPPELL /INTERSONG K.K. 10BPM7 AmT Gm? CT Fdim7 F Gm7 C7(b9) E7($9) Am? FMT Gm7 3 Am7 — Bm7(b5) 3D7(b9) = Gm7_—CT FMT Gm C7(b9) Gm7 FMT Gm7 7___CTonB? Am? C19) r Em7 AT Am? D7 Gm7 CTsus4 Fdim EM r 1(RELOX-AKsVeb yh ET 7 +0) ALLING IN LOVE WITH LOVE Words by Lorenz Hart & Music by Richard Rodgers eA a *LHVocIng(@FO3—N) SSRhAeARECADL CUT. RRABRDI 1 VI CRFEABEMDLT CN Medium ee F D7 Gm7 EmT AT GT Dm7 ages Gm7 C7 ight © 1988 by CHAPPELL & CO., INC. [Rights for Japan assigned to CHAPPELL/INTERSONG K. K. 12Gm7 cr Gm7 c7 Improvisation F F D7 Gm7 13Gm7 c7 F Gm7 c7 F Em7 AT Dm? a7 Gm c7 14ners DIN9 tdim%, —Gm7 C7 F amas) gS) cmt _Fdimt — Gn 15THE MASQUERADE IS OVER Improvised by Keith Jarrett @BRLI-K — MATYI—XVolt cwr-w» Words by Herbert Magidson BELT 7 IRI ot Music by Allie Wrubel Peru’ fe Maarwasd 7 Copyright © 1988 by CHAPPELL & CO. , INC. Rights for Japan assigned to CHAPPELL/INTERSONG K. K. 16Am7 D7 Gm7 C7 Fin7 BT Fmt? BT EP Bm7 EMT ab Abm7 DET Gm7 Gm7 c7 Fm7 BIT Eb Dm? G7 cm? CmonB Bbm7?_~—sD7 WAm7 D7 Gm7 C7 Fim7 Bz Fm7 BT EB Bln? EDT(A7) ab Abmt D7 EbonBb Fm7 BIT gb 18AmT DT Gm7_ CT cmt FT Fm7 BT gb Dm7 GT cm Bbm7 ET Ami DT Gm CT Fant? BT Fmt? BT Eb Bm? ET ab AbmTtonD? pb? 19Gm7 (Cle emg Bey gE Fm7 BT Me ; Dm7 G7 _—omt Bm? EMT Am? Db? Gmt cv Fim? BT Fm? BT ub Bhn7 Eby ab Abm7? = D7 208 Gm7 Dm7(5) Gm Bbm7 G7 7 CT cm? ¥Fhm7 Fm7 Bm7 BT 21 BT eT Fm7 BT AmT D?102 106 Gm7 Dm7 c7 G7 Fm7 cm7 BT FT Cm 22 BT Bbm7 Am7 Eb DTGm7 cz Fim7 BT Fm7 BT EP Bb? ET ab am? DbT Gm7 c7 Fm7 BT Eb Fm7 BT we Dm7 G7 cm7 Bbm7 ET Am7 DT 23Gm7 cr Fim? BT Fm7— BT Eb Bm7 E/T ab Abm7 D7 Gm7 Gm7 C7 Fm7 BT Eb Dm7 GT mT Bem? EDT Am7T DT Gm7 cv 24Fm7 BT Fm7 abm7 BT pT 25 Bm? Fm7 BTGm7 ct e cm7 FT Fm7 BT wer AmT, D7 Gm7 c7 Flm7 BT Fm7 BT 165 EB Bbm7 EMT a” Am7 » DT 187 26Gm7 c7 Fm7 BT EP Fm7 BT Last Theme Bass Solo EP Dm7(55) G7 Bass Solo cm7 Bbm7 —Eb7 Am7 = D7 Gm7 CT Flm7 BT Fm7 BT Eb Bem7 ET 27ab AbmTonD? Gm7 c7 FmTonB> BT Eb Dm7 G7 C75) cm7 CmonB Bm? EST Am7 DT Gm7 Oo Fim? BT m= BT EP Bln? EMT 35 28ab Abm7onD> gb Fm7 BOT Eb Am7(65) D7 Gm7 eT Cau = iy : Fm7 — BYT E> Dm? G7 Cm7 29Bbm7 ET Amz DT Gm? CT Fm? BT Fm? Bb7 2 gb phn? EP7 a AbmonD> gb Fm7 BT gb Fm7 EbM7 30THE MASQUERADE IS OVER Words by Herbert Magidson & Music by Allie Wrubel ORIGINAL TUNE (A) eb a7 as ce ee i) 7 AM Gm7 CT. FT BT BOT AT(5) AM pir ebm c7 Fm? BT Gm7 CT Fm7 BIT BM Am7T DT omt_ct Frm By we Gr —3 4 om Braue Bbm7 A765) Eby AT(bS) AM D7 FT BT $ BT Fm7 Copyright © 1988 by CHAPPELL & CO.,INC. Rights for Japan assigned to CHAPPELL /INTERSONG K. K, 31THE MASQUERADE IS OVER ‘Words by Herbert Magidson & Music by Allie Wrubel IMPROVISATION®CHORD PROGRESSION Eb G2) Dm7 G7 m7 Bbm7 ET ‘Dor fitp.st ‘Keo “Alt EB; 1 cm: Im7 va Im vi Am7___D7 Gm7__ ct Fm? B7 BT ——— — Gm: Im7 v7 F: Im7 v7 EE: -Im7 v7 EP; Im7_v7 if. Bm? ET ab Gm7 ==MROSETaiion)= Phir: Im? v7 EP: 1 Im7 eee! Gm7__ C7 Fm7 BT Fm? BT ‘Dor——Alt Mixo: =Mixo: & Phr=—iimp.5b Alt Dor=—=alt Imt? v7 Eb: va Eb: Im? V7 Eb Fm7__ BT Fm? BT MiKo: i or Im? V7 cm? FT por Ty 1h} B: im? V7 Bm? Eb7 or=— At ab: m7 V7 Fm7__Bb7 Dor ——— Ak —— par — Meo gb; Im? VT AbmonD> DPT Dor — Lyd 7th: vm bv 44 _Gm7 cz Fm7 BT EB Fm7___Bb7 Pr. “ATt =Mixo Mix oi Ton = = Dore: Fm; Im7 vi gb; m7 vi 1 Im? V7 Copyright @ 1998 ty CHAPPELL & CO.,INC. [Rights for Japan assigned to CHAPPELL/INTERSONG KK. 32THE MASQUERADE IS OVER [ADVICE | @IntroductionIZDUT. Introduction (1B ~ 885 B) Id. 4¥E'(bridge) Chord Progression\= £ > THATS .(Original Tune DOP SOSA ETT.) @ThemeMReharmonizationI= UT. “The Masquerade is Over. Original Tune () GUEDNTOBROT, EDR OOTHAL THE 90 Dib, HOA Ly hES > THEA Reharmonization®® jginal Chord __£ gt _ 7 Blau Rekiinontzation Be Ont ers. ei = 3 —3 © Bm _Ar65) AMT Gm7 FT ORM ay ma rm -O_xb D2 A165) 7 fmt BT i) hint 7 spt ORE romps per OR Dh —— Bs} 8 WlsOriginal Chord G7(V7) &. Um! VIZ 48, BlgOriginal Chord, Cm? Braug#, Omi EMATHBAS Cm” Baugls | Cm’ BT | Bem Abe | LAT HEL TLSOT, Original Chord**Voice Leading AEF C7 ATRL. wabm Ave LOM V(Bm EM)IMEL Ab, AP: Um" bn IAM | Gm’ CT | MOriginal ChordGm'%—BHNIZTOnIc Minor HA. GmIIEHL THM? V7(Am’ D’) MALI 33[|HOriginal Chord F7( V7) #, *EBI— KobI? (BP) IMS WAL BMI! VFM B)IARIL I. [o0riginal Chord B°7(V7) #. Tm! V7(Fm? Bb) CaN, Original Chord | A%® | ADM” | b117%, IBBOIIm! V"(Bbm? EP” Aim 1 MlSOriginal Chord. Im? VES, iSOriginal Chord EM &, feHBS— Koll’ Gm’) (ZBL: b>, ERT CIS Original Chord, Um? VII, LEeo, | THE MASQUERADE IS OVER IMPROVISATION®CHORD PROGRESSION fee i PRE BU! Vk, MBER TIE mb _V7b9 1 marRARE SAL (Loc) (Ait) HOR Selby hs mb? & mlb) M27 — IL BAL MIF Tmprovise L TLS. (Loc) (Dor) G2) Tonic minor (=I 34rT | FALL IN LOVE TOO EASILY Improvised by Keith Jarrett e@RLS-K RIYI-AVOL2 cn) Words by Jule Styne Music by Sammy Cahn DW) 26 LPH IOS cm a Raubato nz = DP7(9) cM7(#5) FM? Bm7(65) Ev Am Bibs) BP? AmM7 BT (83) Esust E Fim7(b5) BT E7(b9) Eb 9, ol 2 Dm Dm7 Gialt a4 Em7(b5) AT iD @ copyright 1944 by SKB/FEIST CATALOG INC, AIURights Reserved Used by permission Printing rights for Japan assigned to NICHION, INC. aSin Tempo Theme D7 cr F c Dm7 G7 c F Bm1(b3) ET Am 2 Bm7(b5) Bie! Am Fim7(b5) BT Bm7onE te F#m7(b5) BT BmTonE —_E7(49) Em7onA, AT 36E? Am7 AmM7 BT(49) 37Ev AmT Fim7 — BT 3. Bm7(b5) Ev Fm7(b5) Aan ——_! 38Bass Solo 39Bm7(b5) ET Am7 102 BT ET Am? _Fhm1(b5) BT ET 7 3 40Em7($5)onA AT DmMT Dm7 G7(b9) BT AT D7 Rubato [Enaing Fim7(b5)B7 ET at Dm (At) 17 Em7(’5) AT Dm? = a 182 41| FALL IN LOVE TOO EASILY Words by Jule Styne & Music by Sammy Cahn ORIGINAL TUNE Dm? G7 Gj FM7 —_Bm7(65) ET Am Bm7(b5) ET Am Fim?,__ BY ET Fim7(b5) BT E Em? AT Dm Dm? G7 ic) AT Dm? G7 cc © Copyright 1944 by SKB/FEIST CATALOG INC. IARighte Reserved Used by permission Printing rights (or Japan assigned to NICHION, INC. BworBallade(Témpo Rubato) TH—A + Fr ly bie, ROK D HARL THT CHES (1 BS 17 BEA ‘Ballade.) Dm7 Db7(9) CMT(#5) FMT Bm7(b5) ET Am FELIELTOS. AYZIWE BI(s5) BP AmM7 BT Efsus4 E. a F¥m7(b5) BT E7(b9) eir( 3) Dm Dm7__GTalt Em7(b5)_ AT D7 G7 Fonc 4a| FALL IN LOVE TOO EASILY Words by Jule Styne & Music by Sammy Cahn IMPROVISATION®CHORD PROGRESSION ded % C: Im7 BmT(5) ET Am Am ‘Tonle Min= ‘Dor Toe ‘Alt Dor’ gam: m7(55) vr Im ET Am7 Am ‘oni Min: 2 a7 vr Im Fem7($5) BT Bm7(b5) ET Toe ‘Loc “Alt. Dor’ It Dor: aE: Im7(b5) vr Am: Im7(b5) vi BFfm7(b5) BT Bm7(b5) ET SE: Im7(b5) vi Am: Im7 VI Em7(b5) AT Dm Dm Alt Dor: saDm: Im7($5) vi In @pm7 a7 BT AT Dai f sp C: Im7 v7 $va7 wr D7 GT c c Lyd th—— a WT vi 1 © copyright 1944 by SKB/FEIST CATALOG INC. Al Rights Reserved by permission Praing tight for Japan assigned to NICHION, SOI—F ATA34185 8 ~ 65485) Mimprovisels 7 x1 FILE LLY, ARO BR THImprovisenHeMk* eT wel, es (2) fakOe (3, RR «OF 4 — 4H DMCS ETAT SET FEY TOMA ERIE bolstake eR ALL, BOX OF 4 kD THIRLS td = & h'fake, 43 NC.ADVICE | FALL IN LOVE TOO EASILY @Bailade(Rubat)/\—==—Ottik. . . BWRMBalladen/\—t=—KIS, EE LTTension Resolve aL AWRENSIL, DAUFLLA Pt JOR BASE + POV EMAT SIL ASMENTORT. Ex.1 BI(b5) BP 7 13-7 AmM7 9 - 3 BT 1-3 «ET 4 - 38 pir KbTension Resolve THEA, F—A + Feb y KNF—VOL CEN KIB BESTS a, EW RI 7 PROMS ASML, Ex.2 Em7(b5) @ThemeMBiKIIIUT Theme (1885. U5 ORIEL L LT X OF 4 IML THEA LEH Hand VoicingnRMeE TUS, @Ending(OUT. Ending (28k UEP E(TY yV)MAW K+ Fare yvavicko THs. (P.43 “Improvisation>Chord Progression’ a1B1A° &.) 44THE WAY YOU LOOK TONIGHT Improvised by Keith Jarrett CBALI-K — BASITHX- 3-49 Words by Dorothy Fields Musie by Jerome Kern <— Theme Gm7 _ (GTalt) Gm7onC C7 Fy Am7 DT cmt GmTonc C7 a © 1972 by 7.8, HARMS CO. Authorized Selling Agent in Japan ; High Note Publishing Co., td 45F DT Gm7 c7 Am? DT Gm7 CT F D7 Gm7 (Gtalty GmTonC C7 F (7) DT Gm7 Gm7 cr Cm TonF Fv B C77) C7(49) 46F DT Gm? CT F Bm7 ET ab FT Bom7 BY a Fv Bom7, Gm7 c7 47Fm7 Dm7 (65) Gm7 7 F bt Gm7 (Gialt) c7 F (e7) Am7 D7 Gm7 GmTonC C7 Cm7, PT BP ET 48cr Gm7 DT c7 Gm7 DT c7 Gm7 D7 cr Gm D7 cr B FT cm? 49F DT GmT7 c7 Am7 DT GmT CT F DT Gm7 c7 F D7 Gm7 7 Cm7 FT B er 50F DI Gm7 C7 F Bm7 EMT 2 Fv Bem7 BMT a Fv Bim7 Eby » FT Bbm7 Gm c7 51Fm7 Dm7(55) Gm7 c7 F D7 Gm7 c7 52F bv Gm7 ot F pb? Gm? ct F pz Gm? cr cm7 F7 Bb c7 53F D7 Gm7 CT Am7 DI Gm7 cv 54F D7 Gm? ct F Bbm7 ET : u A FT Bhm7 BT, og a Fv Bom ET ab 55Dm7(5) Gm7 C7 F 8va- 174 D7 Gm7 c7 F DT Gm7 c7 Cm TonF 56D7 Gm? c7 37 Gm7 cr. : F(A7alt) D7 Gm7 cT Am7 aie cou od i svar 208 F D7 Gm7 CT Fr D7 Gm 7 28 Cm? FT Bb c7 aT 58ab DT Gm7, FT FT cr 59 Bbm7 Bm7 Bem Eb? ET ENTDm7(5) 37 3 . 3 wat Cm TonF ¥ Bb ET 60F pT GmT cr F DI Gm7 C7 Drums Solo (1 chorus half ) Gm? cT F (e7) Am7 D7 Gm7 Gm? oT Cm7onF FT 61Am7(A7alt) DT Gm7(G7alt) Gm7 Gm Gm7 C7 c7 c7 62 F CmTonF D7(Abdim) (E°7) Gm7 DT Am7 FT c7 D7Bem7 EMT Pa a ab 63 FT FT Bm7 Bom7 Bbm7c7 Fm7 Dm7(65) Gm7 cr F DI Gm7(GTalt) C7 F DT Gm7 c7 cmt FT B c7 F D7 Gm? C7 64Am7 D7 Gm7 cr Am7 DT Gm7 cr F DT Gm7 c7 F DT Gm7 CT F D7 Gm7 CT F D7 Gm? C7 F Dr Gm7 7 F an 65THE WAY YOU LOOK TONIGHT Words by Dorothy Fields & Music by Jerome Kern ORIGINAL TUNE F D7 Gm7 GTalt GmTonC CTF Eb7 Am7 D7 Gm7 GmTonC C7 Cm TonF Fv B C7 DT Gm7 C7 Am? DT Gm7 c7 FD? Gm7_C7 F Bm? ET & Fm7 Bm? Eby a Fm7 Bom? ABT ab Fm Bbm7 Gm? C7 D7 Gm, GTalt), Gm7onC C7 FF BT Am? DT Gm7 GmTonC_C7 CmTonF FT B ba Ee De Gm7_C7 Fob Gm7 C7 © Copyright 1936 b} T.B. HARMS CO, AU Rights Reserved "International Copyright Secured Authorized Selling Agent in Japan:Hligh Note PublishingTHE WAY YOU LOOK TONIGHT Words by Dorothy Fields & Music by Jerome Kern IMPROVISATION®CHORD PROGRESSION] F DT Gm7 c7 F (eb7) Di Gm7 cz cm? FT B Fa ‘Hype. 5k — por: Mixo- Dor—$—$ ‘Lyd: Bh? Eb a FT Bbm7 =mp: == AIL m7 v7 1 wr m7 Gm765)__C7 Fm7 Dm765) Gm7 ci — = Ti “Alt Dor—Alt | cy =AMt Dor’ Fm: Im7 va Im Vim7(65)F: m7 vr F DT Gm7 cT F (eb7) Ir MiKo ‘Hmp.5: “Alt I wi Im? vr I DT Gm7 cz Cm7 FT Bb ‘Mixo: OF. 5 7 Im? vi BP; Im7 vi FOL Eb7 Fp? Gm7__C7 F D7 Gm? ov 7d HE on — pO SE or —— MOF Ton — Sor MP o 7 wr. Fr row Im? V7 Teeny Im? v7 @ capri 1996 BB, HARMS CO. Anighs Reserved ternational Copyright Secured Auttorized Selling Agent in JapancHigh Note Publishing Co., 2d. 67THE WAY YOU LOOK TONIGHT ADVICE] “The way Look Tonight.2—2%-2 + Ly k @Improvisationl2. #& LT BRB TH SO THERON EL TAKER, Ist 2nd ImprovisationDL.H.Voicing> “tise & h, 3rd Improvisation %>LH.VoicingAhats% = cca @ Theme@™ReharmonizationI=UT. FORAY EL Y MEBED LOT 4-5-4 OA TREND SHAMS 917° CH BOT, Themen? 7A— FRABLY IIH, “The Way You Look Tonight"(<5WT&. HFEO* AF 1 —-F4 > EFOLH Voicing THRMANTHS. © Copyright 1985, 1962 by FAMOUS MUSIC CORPORATION Al Rights Reserved Used by permission Rights for Japan assigned to NICHION,INC, DDAm7 DT Dm? ET a Am Bm7(5)_E7 Am Gm? c7(b5) FE) F Gm7 C765) FE) F Dm7 o7(*¥) C(Cdim) Cc ETonGt = Am n1) am Bm7(5) ET Am Gm7 cr 72ET Dm7 DT Am7 -—- c7 Gm? Am EL BmT(6) cr Gm? F 73Thc7 Gm Am E7 Bm7(b5) Am 75G) am Bm765) EL aS % F Gm7 cr F 76ET Dm? D7 Amt c7 Gm7 Am ET Bm7(5) Am 14 18 7ry Dmz. Bm7(b5) Gm G7 ET c7 78 Gm7 crAm7 DT Dm7 Ev Am Bm7(5) ET Am Gm7 eT ae Gm c7 F 5 50 S, | - : 79o7 Gm7 Am ET Bm7(+5)Am7 D7 Dm7 ET i Am Bm7b5) ET Am Gm? CT FE Gm7 c7 F 182 alF GmT c7 F 82ET Dm7 DT AmT c7 Gm? Am ET Bm7(b5) Am 20 5 c7 Gm7 28 83Bm7(6) ET Am Gm7 C7 F Gm7 C7 F 84Am7 DT Dm7 ET Am Bm7(5) ET Am Gm7 cr —;. F Gm7 c7 F Er 85Bass Solo [8] 8 bars(Piano&Drums) Bass Solo 8 bars( Piano & Drums ) Last Theme 86DmT Am7E7) Am7 G7 87 o(Cdim) ©Dm7 G7 c(Cdim) Cc Ev Am a — DI Gisus4 _(F Phrygian Scale) 88a aIF | SHOULD LOSE YOU Words by Leo Robin & Music by Ralph Rainger ORIGINAL TUNE G#dimonA GtdimonA Am Bm7(s5) _ E7(#9) poser gaa ATT qu?) cttiboar F cmt cr OTAS)ON F i Dm G7 Dm7 G7 Cdim c aa GtdimTonA Am D7 Dm BT Bm7(b5)__E7 i ca Ev G7 Dm7 G7 Cdim c — ET Am Dm7 G7 c Bm7(55)_E7 © Copyright 1935, 1962 by FAMOUS MUSIC CORPORATION, All Rights Reserved Used by permission Rights for Japan assigned to NICHION, INC. 90IF | SHOULD LOSE YOU Words by Leo Robin & Music by Ralph Rainger IMPROVISATION®CHORD PROGRESSION Bm7($5)_E7 Am Gm7 C7 Toe: AL i= Tonle Min=——— Dor — Wipe. am7(b5) V7 Tm F: Im? V7 F Gm? co fy Mixo——— Alt I Im7 vi I F: ‘Tor: Dm? G7 c ix “Alt Ion: C: m7 vi 1 AmT7 D7 Dm? ET vim7 a7 Im? Am: V7 (2. Dm? G7 c ET Am Pmt Ao C: Iim7 VI I Am: V7 Im Dz G7 c ET ‘Mixo 7 i C17 vi 1 Am: V7 © Copyright 1995, 1962 by FAMOUS MUSIC CORPORATION Al Rights Reserved Used by permission Rights for Japan assigned to NICHION, INC, 91IF | SHOULD LOSE YOU ADVICE sozageencay @improvisation(= 417 3 Motif RBA, Improvisation (= #14 SMotif ORBOBM LIAL TE UT NE + Nay PHB NSA, F—Z> Srby MotB RAO RoNS, Ex.1 c ET Am Bm7(b5) ET a) M -M Et Improvisation Pick UDA > 6 MIMI BU TRIE NTOS7L—ZAOMotif ) XLi$Ex.2. Ex.2 —i— -——— EX,3 D7 G7 c ET — Mi——, —— m—_, #2 — w2a——_, ys bs ET wee ae Bm7(55)_E, Am Ex.3 T. Mil FREOMOtif,. Melt M\DMotif BERD 8 PI & HBG L 1 60, 92EX.4 oo 3% a EX.5 ET Am Bm7($5) Ev Am Gm c7 ee came le Maee sone M25 ru, F tmi— mi— . 39 ‘M1 ML: belies @Ending(= UT. o G6 ETONICIE MRT <2 MATA Tonicott) & LTE OPhrygian 2A L, BIHEE HT: cil’ vr I F Phrygian) # # THAL TUS. ABSA BB OEndingh‘, F Phrygian Scale, Ex.6 Ex.7 Avoid Tension —Care @ | | @ 1 2 8 gn 5 BI OT ti bz LU} td Chord Tone Kise) ——= Cbregataes Ciara IIA 93Ex.6@)4*F Phrygian Scale, Ex.7Bt#—2 +» EOIN EE vl y KIZ£ oT, Phrygian Scale Sia Wa hiza— Kk, BYOB AvoIDM OH’ Ts 1 7CSMFS. @Bass¥#i=t SPedal Point, Bass%€#i (Gary Peacock) #EIMChord Progression\= £53, Pedaliz £ SRAAHIRT S, ~€tusimprovi- sationDRbe B 4 Boe CSR. EX, 8 (Bass) Am Bm7(b5)_E7 Am Gm7 cr F Gm7 c7 F C Pedal- EX, 9(Bass) Bm7(b5) hn oT E7 F _—~Gm7 C7 F Am Bm7(s5) ET Am c7 a 7 - --J¢ Pedal-~ F Gmt7 c7 F (CB) EX, EXAOLWO MPT TSTO NB DS BVM). 3861S 4 MAORI Pedals ALS ATU 94IN LOVE IN VAIN Improvised by Keith Jarrett CBBLI-K — BASYI—ZVOl2owx-w) Words by Leo Robin a Pmt Music by Jerome Kern Rubato EXOnB) ETonB) = F7 BH OED Bh EmT(b5) AT Dm7 G7 Lane A Em7(5) Ebm7 Dm9 = Cm70nF in Tempo J=d Theme] cm? FT Gm7 mT Fv Bb G7 cm7 FI Dm7 Din765)gnG G7 i iw © 1972 by T.B. HARMS CO, Authorized Selling Agent in Japan: High No Publishing Co., Ltd 95cm7 Cm7onBb Am7(b5) D7 Gm7 3 —~ Em7(¢5)onB} E'm7 = BhonD._—Dhdim om7 CmTonF FT 96‘Dm7(5)onG G7(b9) cm7 Fv Em7(5)onF Ebm7onF BblonD = FT me Gm m7 FT Gm7 Cm? FL 97cCm7 — CmTonBb Am7%(A7) D7 Gm (D7) Gy — 2 3 7 FT Em7(5) Ebm7 BbonD Dbdim cm FT Bb G7 cm Fy, 98Fm? BT gb AT Dm? GT cmt FT a ge — cm cm? FT Gm7 cm7 cee em By G7 cm? FT 99Dm7 0) os G7 Cm? 34 fa I b cm’ F7 100Em7(5) Ebn7 BlonD —_D’dim FT Bb G7 cm7 FT Fm7 101cm7 Frog ge Gm cm7 Fv Gm7 G7 cm? AmT DT Gm? 102Fr ets, bm? hon Dhaim Cm aa Fv Bb G7 cm7 FT Fm7 103cm? FT Gm7 cm7 Fv BP a7 m7 FT, Dm7 G7 cm7 Cm TonB> 104Am7 bp? Gm m7 FT E75) Ebm7 47 Bond Didim m7 FT : ras a 152 105Dm7(b5)onG G7 bora an 8va-~ 157 4 163 Last Theme Gm cm? mI Ha Bass Solo Bass Solo 106Gm7 cm7 Fv BP G7 Cm? F7 od 201 Dm7 Dm7(b5)onG G7 cm7 Am7($5) D7 05 Gm7 GmonC c7 Cm onF Em7(b5) Ebm7 BhonD Dbdim a F 107m7 Cm TonF Bb GT cm Cm7onF 3 27 Fm7 BT Eb Em7(b5) AT ma ma Pi Dm GTsust G7 ad Fz) Rubato dd Eb? Dm Didim7 = Cm7 FT Bb Em7(65) 108IN LOVE IN VAIN Words by Leo Robin & Music by Jerome Kern ORIGINAL TUNE B m7 FT Gm7 Cm? FT B G7 Cm7 oF? Dm7 a7 cm Am? D7 Gm7 GmTonc ns | c7 cm7 FT Fm7 Bb7 EP AT Dm? GT cm? FT Bb © 1912 by 1.B, FARMS CO, Authorized Selling Agent in Japan : High Note Publishing Co.,Ltd. 109IN LOVE IN VAIN Words by Leo Robin & Music by Jerome Kern IMPROVISATION®CHORD PROGRESSION (AlBboGm Cm7 FT Gm7 ix Dor 7 ia Vim m7 vi vim7 cm7 Fv BP Gt Cm? FT Dm7 GT GE Dor MSE Ton ——Hmp.5) fj Dor— OF Phe AL ee Im7 Vi 1 M7 Im? V7 Cm: Im7 V7 Cm7__CmTonB}__Am1(5)_D7 Gm? = "Tonic Min: = (i pr an Com-dimi—=t=Dor Im Gm: Im7 VT F: Im7 c7 cm7 FT ‘DOF, vi Bb; m7 va Em7(>5) __ E>m7 BronD _Dedim m7 Fv # Me po Dor Yon == Dim ——F- Dor Mie: = vm7(b5) m7 1 bildim, Im7 VT o. B GT cm7 Fv Fm7 BbT Ion’ Hmp.5¢ Dor: re: ‘DOF MPS. : wT iT m7 v7 Eb: m7 vr Dm a7 ‘Dor “AI “Tonic Min=—==—+=Hmp, 5. cm: m7 vr oe cm? FT ——f — = -Mixo: cS ‘Dor: : “Alt BP; Im7 » I v7 © 1972 by T.B, HARMS CO. Authorized Selling Agent in Japen : High Note Publishing Co.,.Ltd, 110IN LOVE IN VAIN ADVICE avbereegs @lntroductioniZIUT. (1 ME~ 6H.) Introduction(, Themen B&O 8 /MOMISAENTOS, Ex.1 gb AT Dm7 Gt cm7 FT B RABE ft HEHILEXA ABIL TOO TEM LSU, Ex ADAMS (2 Original Tunel= & 4.) FHA verb y MaeMm| Eb | AT |OBRE, UNEFT XL, Originaln en | Be: am?) iv? ET O{BAIATonIc Chord =A T. lom7 |F7 |m7b5) Ebm7 Dm9 CmionF) | Bb: Im7 [v7 twm7(b5) Wm? = mm7 Im7%onV) | ARIZ HEAL (Dedeplive Cadence)L TLS. ul@Themet=IUT. (7HEY) ThemeniRRlt, x01 —ZLeft Hands Voi (=f > TMRENTOS, improvisen C42 + Yer by MaMa S ALL TOS, aomona— rita] Bb lem? FT |Gm7 |cm7? FT 4+cH amc, ¥—-2-y ykg]Em7(>5) Ebm7 |Bb(onD) Dbdim |omT MEUoTtTLE >t. P.110 @"Improvisation>Chord Progression” @ 2% ¢MEDMARAIBIAI EM 2 TOSI LAMBA, BOT = FOR ISBIS SAL TILT UT LB RE EAMS, SHRM, SALMON QIOET, FT COEF ALU eby hOAR Fhe THS, are @Ending(cIUT. Introduction n#&4#(=Deceplive Cadence DHRU STS = & EMUARIC, Endingl= 4U.T tDeceptive Cadencet AU SnhTUS. Ex.2 Tune m7 Fv B tr Ex. 3 Deceptive Cadence Teor cmt Fv Em7(5)Ebm7 Dm7 D'dim? Cm7 FT Bb 2 Bb: m7 vt fivm7(b5)Wm7 Iim7 dim Im7 V7 1 12Pete by Wtspuin Shaney aorLe - AD Tae a] ed 1 4 APRA FU RAM BPEL TELA BY STARLIGHT NEVER ENTERED MY MIND @ FALLING IN LOVE WITH LOVE Insprawined by Keith Jcrett 1, THE MASQUERADE IS OVER Gi Mazidoon & AWrubed I by Keith Jarnon 2.1 FALL IN LOVE TOO EASILY dive & seat Keith Jarret WAY YOU LOOK TONIGH Tipsicii s term I by Keith Jarre HOULD LOSE YOU Robin & tx VAING tenia & tor SAD ISBN4-88639-533-3 C0073 ¥2000E *2Effi2,00099