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Summary
In an interview conducted during the promotion of the film Saving Private Ryan, director
Steven Spielberg declared all war films to be inherently anti-war. Francois Truffaut,
writing years earlier, believed all war films to be essentially pro-war. For Truffaut, the
publics fascination with the spectacular imagery of combat, particularly in cinematic
representations, illustrates the enduring popularity of War mediated by a screen. This
class will explore the no mans land between these two positions in our present media
landscape. Following a historical overview of the Combat Image, this class will place its
sights over the aesthetics of War in the wake of September 11th, 2001. The ultimate
objective will be to analyze the role of the media in shaping our understanding of military
conflicts, whether the agenda is negative or positive. Through an examination of various
films, television, and video games we will pinpoint the blurred line separating actual
warfare and its virtual representations. From All Quiet on the Western Front to Battle:
Los Angeles, from Call of Duty to the U.S. militarys doctrine of Shock and Awe
students will charge into the discourse of War and Media. This class will be of interest to
students of various disciplines such as Digital Cinema, Game Design, History, Politics
and more generally, to students who wish to simply navigate the Fog of War.
Texts
Weekly Reading Assignments will be posted online at the D2L Website.
Assignments:
1. Critical Analysis of World War 2 Combat Film
2. Critical Analysis of Foreign War Film
3. Midterm Paper
4. Final Project
Grading Summary:
Assignment #1 = 15%
Assignment #2 = 15%
Midterm Exam = 20%
Final Project Proposal = 10%
Final Project = 20%
Attendance = 20%
School policies:
Email
Email is the primary means of communication between faculty and students enrolled in this course outside
of class time. Students should be sure their email listed under "demographic information" at
CampusConnect is correct.
Plagiarism
The university and school policy on plagiarism can be summarized as follows: Students in this course
should be aware of the strong sanctions that can be imposed against someone guilty of plagiarism. If
proven, a charge of plagiarism could result in an automatic F in the course and possible expulsion. The
strongest of sanctions will be imposed on anyone who submits as his/her own work any assignment which
has been prepared by someone else. If you have any questions or doubts about what plagiarism entails or
how to properly acknowledge source materials be sure to consult the instructor.
Incomplete
An incomplete grade is given only for an exceptional reason such as a death in the family, a serious illness,
etc. Any such reason must be documented. Any incomplete request must be made at least two weeks before
the final, and approved by the Dean of the College of Computing and Digital Media. Any consequences
resulting from a poor grade for the course will not be considered as valid reasons for such a request.