Académique Documents
Professionnel Documents
Culture Documents
101
101*
102
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YANG, MIAN
(Sichuan 1970)
Standard of Beauty No. 39.
Oil on canvas. 2004. Signed.
100 x100 cm.
CHF 10 000.- / 15 000.( 6 410.- / 9 620.-)
103
103*
LI, JIKAI
(Sichuan 1975)
Magic Cube.
Oil on canvas. 2005. Signed.
90 x 65 cm.
CHF 6 000.- / 11 000.( 3 850.- / 7 050.-)
104*
of 1990s in China.
In his paintings, Yin Zhaoyang raises the expression of youth
to the very high level of the introspection of human nature, and
sensibly generalizes the circumstances of the youth during that
age. Through a dramatic vision and narrative tension, the circumstances manifest the dilemma of human nature and selfcontradiction of these people born in 1970s in the era of postideology.
As to the subjectivity of the picture, Yin Zhaoyang strips the
objective colors from the images in his paintings, hence, there
is a direct penetrative force between the sense of circumstances
and the sense of reality. And as to the method of expression,
Yin Zhaoyang adopts realism which hides his techniques of
painting, and he focuses on portray of the full psychological
scene of the picture which shows his great talent of expression by painting. In 1990s, the School of Painting of Youth
Cruelty with Yin Zhaoyang as a representative again endowed painting experimentative feature and depth of thinking on
the level of its narrative feature, conception of image and aesthetical interest, and the style of the School became a significant tendency of avant-garde painting in1990s.
CHF 60 000.- / 80 000.( 38 460.- / 51 280.-)
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105*
106
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107
107*
CHANG, YU(SANYU)
(Sichuan 1901)
Bowl of Fruits .
Oil on canvas. 1930s. Signed.
36 x 44 cm.
Exhibited:
``THE EXHIBITION OF SANYU, National Museum of History,
Taipei, 14 Oct.26 Nov. 1995.
Literature:
Antoine Chen, ``OVERSEAS CHINESE FINE AERS SERIESSANYU, Artist Publishing Company, Taipei, 1995, Pl.65,
P.122.
``THE ART OF SANYU, National Museum of History, Taipei,
1995,Pl.17, P28.
Yageo Foundation, ``SANYU, Lin& Keng Art Publications,
2001,P 169.
CHF 130 000.- / 150 000.( 83 330.- / 96 150.-)
108
108*
CHANG, YU(SANYU)
(Sichuan 1901)
Nude.
Ink on paper. Signed.
44 x 30 cm.
PROVENANCE:
Artcurial, Paris,2002.
CHF 4 800.- / 6 000.( 3 080.- / 3 850.-)
10
109
JI, DA CHUN
Through subversive wit, Ji Dachun addresses the complex relations between Eastern and Western. Usually working in graphite
and acrylic on canvas, he infuses his paintings with grotesque
humor and accident. His subject matter is the happenstance of
everyday life reimagined in absurd collisions of form and context, as in the Lenin in Red Oktober. Other works, such as Kunfu
Li, are more playfully transformative, combining human imagination with figures in famous literature. The subdued, self-consuming preciousness of his works expresses Ji s irreverent, individualistik aesthetic unique amongst current Chinese art.
11
110
109*
JI, DA CHUN
(Jiangsu 1968)
Lenin in Red October.
Mixed- media. on canvas. 2005. Signed.
150 x 110 cm.
CHF 33 000.- / 50 000.( 21 150.- / 32 050.-)
110*
JI, DA CHUN
(Jiangsu 1968)
Kunfu Li.
Mixed-media on canvas. Signed.
110 x 110 cm.
CHF 31 000.- / 50 000.( 19 870.- / 32 050.-)
12
111
111*
HE, SEN
(Yunnan 1968)
Girl. Toy. Smoking.
Oil on canvas. 2003. Signed.
150 x 190 cm.
CHF 27 000.- / 40 000.( 17 310.- / 25 640.-)
112
112*
ZHAO, JI FENG
(Henan 1972)
Panda.
Oil on canvas. 2006. Signed.
130 x 162 cm.
CHF 16 000.- / 20 000.( 10 260.- / 12 820.-)
13
14
One of the essential characteristics of Mas pictures is the figurative alienation, the way out of a rigorous and intimate search.
Neither Munch with his Cry nor any contemporary artist was
that far in transcription of an existential symbolism. In fact, Ma
Liuming exceeds it because he abstracts the context to open the
way of the universal and the elevation to us.
But maybe it is necessary to explain what the phenomenon
makes operate. He plays on the two opposite poles, the more
and the less, what is translated with the first paintings to an
inverse language, cut in its middle, that confirms the assumption that truth is not in the truncated image which send the
hostile world to us, but in inner, recovered harmony.
For seconds, there does not exist more than one figurative elliptic and asexual formulation, concentrated on itself in a vertical,
oblong, and extended essential.
The distinctive signs and codes of an identity are mixed, hidden,
melted in a line of anamorphic force which creates a resonance
with its periods of transformation to its female double.
Ma Liuming, known for his mutations to his female alter ego
Fen-Ma Liuming and his performances, revitalizes the painting
with this coiled entity to the eternal living.
His new paintings with intense and deformed depictions build a
subtle coherence with his former performances. They communicate an echo way beyond the sedimentary trace let on the
ground. It is this vision of profoundness which touches us.
How does Ma Liuming manage it to surprise us?
He prioritizes black to accent the resistance of the light and the
improbable centrality of the living. In its elements, the amorphous in gestation comprehends the beginning and the end.
Thus, the very present black would be the antithesis of life, the
nonentity. But it is the space time too, the infinite.
This plastic metaphor is an opening which refers us to the
immemorial beginning of life, which reminds us that the energy
and the matter are an inseparable couple of a whole constituting us. The content envisions, if one prolongs the analogy,
black holes, the non-being, and the creations mystery.
Its symbolism gets its origin from the Chinese metaphysics,
avoiding each folkloristic dramatizing or the platitude of the
common sense.
Everything is expressed, required in this fluent narration.
Emptied of any redundancy or of what is not essential for the
works mental territory, his paintings pay the exiguous and the
full, in a meta memory which is disalienated of any aesthetical
dictation.
The encoded transmission is concentrated on a vertical painting
line which, in its sensory profoundness, amplifies the sounds,
signs, palette, and other energies founding its reality.
What imposes itself upon the observers eyes, is that Ma Liuming has just Signed. a genre with his paintings, a put into abyss
of the figure, a testimony of flesh, that redefines the order of the
deified discourse on humanity.
Through that, the artist applies the proof that the painting is
not dead, but that it is an energy which has the power to renew
its semantic and to oblige us to see and to interpret the visible
and the invisible, the material and the immaterial.
With this new biomorphic formulation, Ma Liuming modifies
the figurative process and creates an iconography of the image,
called to become reference, archetype.
Serge Lenczner
June, 2006
113
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15
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114
114*
115
115*
CAI, JIN
(Anhui 1965)
Canna.
Oil on canvas. 1994. Signed.
80 x 80 cm.
CHF 16 000.- / 25 000.( 10 260.- / 16 030.-)
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18
116
116*
GUO, JIN
(Sichuan 1964)
Two Boys.
Oil on canvas. 2001. Signed.
195 x 145 cm.
CHF 40 000.- / 80 000.( 25 640.- / 51 280.-)
117
117*
GUO, JIN
(Sichuan 1964)
Children Games.
Oil on canvas. 2004. Signed.
145 x 115 cm.
CHF 30 000.- / 60 000.( 19 230.- / 38 460.-)
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20
118
118*
GUO, WEI
(Sichuan 1960)
Mosquitos and Flys (Self Portraits of Guo wei and Guo jin).
Acrylic on canvas. 2001. Signed.
200 x 180 cm.
CHF 55 000.- / 70 000.( 35 260.- / 44 870.-)
119
119*
GONG, JIAN
(Hubei 1978)
Panda.
Acrylic on canvas. Signed.
100 x 100 cm.
21
22
120
120*
121
121*
MAO, YAN
(Hunan 1968)
Thomas.
Oil on canvas. Signed.
38.5 x 27.5 cm.
CHF 23 000.- / 33 000.( 14 740.- / 21 150.-)
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24
122
122*
MAO, YAN
(Hunan 1968)
Thomas.
Oil on paper. 1999. Signed.
88 x 60 cm.
Provenance: YiBo Gallery, Shanghai.
CHF 20 000.- / 35 000.( 12 820.- / 22 440.-)
25
123
123*
XUE, SONG
(Anhui 1965)
Red mao.
Mixed- media on canvas. 1997. Signed.
120 x 100 cm.
I have collected, first I tear the paper, then I burn the edges and
sort the fragments into categories. It is like gathering arguments
for a thesis. I do not care about drawing in my canvases. My
works directly reach the ultimate aim of vision, that is, the meaning of signs. The fire allowed me to discover a direct language
to express myself. Through continuous exploration, I know how
to hit the target.
Xue Song
CHF 10 000.- / 22 000.( 6 410.- / 14 100.-)
26
124
124*
XUE, SONG
(Anhui 1965)
`X`. No.13
Mixed-media on canvas. 2003 Signed.
140 x 110 cm
Literature: ShangART Gallery, THE SCENERY AND FASHION OF
TODAY, Shanghai.
CHF 10 000.- / 22 000.( 6 410.- / 14 100.-)
125
125*
HUANG, YAN
(Jilin 1966)
Duck.
Oil on canvas. 2004. Signed.
150 x 150 cm.
Literature: `` UNRELATED TO REALITY , Hubei Art Publishing
House. ``HUANG YAN, Xin Dong Cheng Publishing House.
2006. P 98-99.
CHF 12 000.- / 20 000.( 7 690.- / 12 820.-)
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28
126
126*
ZEN, HAO
(Yunnan 1963)
In the evening, 1 December,2004.
Oil on canvas. 2004. Signed.
130 x 150 cm.
Literature: ``ZENG HAO, He Xiang Ning Art Museum, 2005,P
66.
`` What we pay attention to in out lives is too much. We sometimes clear them up gradually in our sense world in a passivating way so that we from a habit which unconsciously becomes numb to all surroundings. Just as everyday I face my
house, on a common condition I have no consciousness about
itself and everything in it. But when I am ill, I find the most
common things like white walls, lamps, tables and chairs in my
house took on some special meaning. That is to say, when we
break the customary way to face the life, the latter will give us
unusual clews.
Zeng, Hao
CHF 46 000.- / 65 000.( 29 490.- / 41 670.-)
127
127
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30
128
128*
129
129*
31
32
130
130*
WANG, YI GANG
(Heilongjiang 1961)
Guitar Lesson.
Oil on canvas. 2002. Signed.
90 x 115 cm.
CHF 22 000.- / 32 000.( 14 100.- / 20 510.-)
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131
132
132*
131*
ZAO, WOU-KI
(Beijing 1921)
Two Citys.
Lithography. 1955. Signed.
55 x 65 cm.
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134
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36
135
135*
JIA ,JUAN LI
(Zhejiang 1960)
Quiet Steps.
Oil on canvas. 2004. Signed.
150 x 50 cm x 4.
Exhibited: Galerie Romanet, Paris, 2004.
CHF 20 000.- / 30 000.( 12 820.- / 19 230.-)
136
136*
37
38
137
137*
MAO, XU HUI
(Chongqing 1956)
Scissors.
Oil on canvas. Signed.
65 x 85 cm.
CHF 10 000.- / 18 000.( 6 410.- / 11 540.-)
138
139
140
The following three lots (138 - 140) belong together. They will be sold in enchres rserves: each lot will be sold separately, then the three lots will be
auctioned together. In order to acquire the three lots together, the bid must
exceed the sum of the indiviual lots.
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40
138
138*
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139
140
139*
140*
42
141
141*
142
142*
HONG, LING
(Beijing 1955)
Hut in the Forest.
Oil on canvas.
73 x 91 cm. 2000. Signed.
Literature: Cape of Good Hope Art Gallery, ``HONG LINGS
OIL PAINTING-SYMPHONY OF SEASONS,2004, P 31.
CHF 13 000.- / 20 000.( 8 330.- / 12 820.-)
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44
143
143*
144
144*
FANG, LI JUN
(Hebei 1963)
1996 No.1.
Oil on canvas.1996. Signed.
60 x 60 cm.
CHF 145 000.- / 160 000.( 92 950.- / 102 560.-)
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46
145
145*
ZHOU, CHUN YA
(Chongqing 1955)
Flowers in Vase.
Oil on canvas. 1994. Signed.
100 x 81 cm.
CHF 58 000.- / 80 000.( 37 180.- / 51 280.-)
146
146*
ZHOU, CHUN YA
(Chongqing 1955)
Sleeping Beauty.
Oil on canvas. 1995. Signed.
130 x 160 cm.
CHF 95 000.- / 150 000.( 60 900.- / 96 150.-)
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147
147*
148
148*
49
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149
149*
Each painting from ``COLLECTED SONGS bears an inscription from pre-Tang dynasty poetry, and is executed in sentimental and luxurious colours. The sentimentality and nostalgia of these works bear witness to the artists own melancholic
reflections on feeting youth and lost pleasures, they also
lament the joys of life lost in the complex maze of contemporary living.
CHF 24 000.- / 35 000.( 15 380.- / 22 440.-)
150
150*
HONG, LEI
(Jiangsu 1960)
In the dream, I find that I, hung upside down, and Chairman Mao are enjoying the tweedle of a Chinese zither
played by Songhuizong.
Chromogenic print. AP3/3.2004. Signed.
150 x 120 cm.
CHF 15 000.- / 25 000.( 9 620.- / 16 030.-)
51
52
151
152
151*
HONG, LEI
(Jiangsu 1960)
I Dreamed that I was a Woman in My Preexistence.
Chromogenic print. Signed.
42 x 79 cm.
CHF 6 500.- / 10 000.( 4 170.- / 6 410.-)
152*
MA, LEONN
(Shanghai 1972)
Book of TAboo 2. 2/6.
Chromogenic print. 2006.
90 x 135 cm.
CHF 3 000.- / 5 000.( 1 920.- / 3 210.-)
53
153
154
153*
154*
CANG, XIN
(Heilongjiang 1967)
Beijing opera.
chromogenic print. 7/10. Signed.
83 x 105 cm.
Literature: ``CANG XIN, Xin Dong Cheng Publishing House,
2006, P 141.
CHF 6 800.- / 12 000.( 4 360.- / 7 690.-)
CANG, XIN
(Heilongjiang 1967)
Nurse.
chromogenic print. 1/10. Signed.
85.5 x 105 cm.
Literature: ``CANG XIN, Xin Dong Cheng Publishing House,
2006, P 145.
CHF 6 800.- / 12 000.( 4 360.- / 7 690.-)
155*
155
54
CONTEMPORARY CHINESE ART
156
156*
55
56
157
157*
158
158*
CAO, KAI
(Jiangsu 1969)
Made in 1968.
Potograph. 2005. Signed.
80 x 100 cm.
CHF 4 500.- / 6 500.( 2 880.- / 4 170.-)
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58
159
159*
HUANG, YAN
(Jilin 1966)
Fall.
chromogenic print. Signed.
150 x 120 cm x 2.
Literature: ``HUANG YAN, Xin Dong Cheng Publishing House.
2006, P 101.
CHF 28 000.- / 40 000.( 17 950.- / 25 640.-)
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161
160*
161*
60
162
162*
REN, SI HONG
(Hubei 1967)
Great Man Keeping Fit.
Fiberglass. 2005. Signed.
H 50 cm.
CHF 8 000.- / 12 000.( 5 130.- / 7 690.-)
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INDIAN ART
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ARTIST BIOGRAPHIES
Cai, Jin
Fang, Lijun
Cang, Xin
Feng, Zhengjie
Cao, kai
Gong,Jian
Gong Jian was born in 1978 in Jinzhou, Hubei Province. He graduated from Department of Oil Painting, Hubei Institute of Fine
Arts in 2001. Exhibitions: he has participated in Chinart,
Contemporary Art from China, Duisburg; Kuppersmuhle
Museum; Ludwig Museum of Contemporary Art, Budapest,
Hungary; Municipal Gallery in Bydgoszcz, Poland; New
Urbanism, Guangdong Art Museum, Guangzhou. 2002;
DFOTO--San Sebastian International Contemporary
Photography and Video-Art Fair, San Sebastian, Spain, 2006.
Gong Jian was awarded CCAA (China Contemporary Art
Awards) in 2006.
Guo, Jin
Guo Jin was Born in 1964 in Chengdu, and graduated from the
Sichuan Academy of Fine Arts oil painting department in 1990.
He has participated in many major national and international
exhibitions since 1990s, including 2005, LIMN Art Gallery, San
Francisco; 2004, Chinart, Museo Arte Contemporanea di
Roma, Rome; 2003, Chongqing Chilis, Ohio University Art
Gallery and Trisolini Gallery ;2001, China Art Now!, Singapore
Art Museum, Singapore; and The First Biennale of Chengdu,
Monden Art Museum, Chengdu. 2000, Between the Lines,
Mosman Art Gallery and Community Centre, Sydney; 19981999, Solo Exhibition, Chinese Contemporary, London; 1996,
the ``CHINA !exhibition that toured Vienna, Copenhagen,
Berlin and Warsaw.
Guo,Wei
Hong, Ling
He,Sen
Huang, Yan
He, Yunchang
Ji, Dachun
Hong, Lei
Jia, Juanli
Li, Jikai
Mao, Xuhui
Born in 1975 in Sichuan. Li Jikai graduated with Bachelors degree from the Oil Painting Department of Sichun Fine Arts
Institute in 1999, then in 2004 obtained Masters degree from
his alma mater. Important exhibitions: Heart and Eye:
Conceptual Photography from the West of China in Chongqing
and Kunming, and Fun in Chongqing in 1999; the first
Chongqing Oil Painting Exhibition in 2002; Direction, part of
tue series of ``Chinese Element theme exhibitions held by
Sichun Fine Arts Institute; Ideal of New Generation at the He
Xiangning Art Museum in 2004.
Luo Brothers
Mao, Yan
Ma, Leonn
Qi, Zhilong
Born in Inner Mongolian in1962. He graduated from the Central Academy of Fine Arts in 1987. Important exhibitions: 1995,
Contemporary Chinese Oil Painting Exhibition, From Realism to
Post-modernism Galerie Theoremes, Brussels, Belgium; 1997,
China Now! Basel, Switzerland; 1998, Made in China, Nikolous
Sonne Fine Arts, Berlin; 1999, Contemporary Chinese Art Touring Group Exhibition Shanghai, Melbourne, Taibei; 2000,
Shanghai International Art Fair Shanghai; 2001 Berlin Art
Forum, Berlin Exhibition Ground, Germany.
Ma, Liuming
Ren, Sihong
Born in 1967 in Hubei. 1991, Ren graduated from the oil department of Hubei Academy of Fine Arts.1991-1993, he completed graduate studies at the oil department of Central
Academy of Fine Arts. Important exhibitions: 1993, Solo
Exhibition at Central Academy of Fine Arts, Beijing; 1995, The
3rd Annual Exhibition of Chinese Oil Painting, National
Museum of Fine Arts, Beijing; 1999-2000, Leonardo da Vinci s
Balcony Art Event; 2005, Mao Zidong and the Chinese
Contemporary Artists Exhibition, Xin Dong Cheng Space for
Contemporary Art, Beijing.
Sanyu
Born in 1901 in Sichun . Sanyu went to Japan to learn Painting
in 1919. In 1920 he went to France and remained in Paris. From
1925 onwards, He regularly showed his work in Paris Salons
and local galleries. In 1932, He was listed in the ``Biographical
dictionary on contemporary artists, 1910-1930, edited by
Joseph Edouard and published by Art et Editions in Paris. 1933,
solo exhibitions , Amsterdam; From 1978, The National
Museum of History in Taipei regularly held exhibitions and
Seminars on his work and unique style. In 2004, the Muse
National des arts asiatiques of Guimet organized ``Sanyu ,
Icriture du corps (Language of the Body).
Wei, Guangqing
Wei Guangqing graduated from the Dep. of oil painting
Zhejiang Academy of Fine Arts. He was born in 1963 in
Huangshi, Hubei. He has held many exhibitions: 2000, The
Extended Virtuous Words, ShanghART Shanghai ;1999, Global
Conceptualism: Points of Origin, 1950s-1980s, Queens Museum
of Art, New York, and 14th Asia International Art Exhibition,
Fukuoka Art Museum, Japan; 1996 - 1998, China!, Touring
Exhibition, Bonn, Berlin, Vienna, Copenhagen, Warsaw; 1993 1997, Chinas New Art Post 1989, Touring Exhibition, Hong
Kong, Sidney;1997, Quotation Marks-Chinese Contemporary
Paintings, Singapore Art Museum, Singapore;1995, Chinese
New Art Exhibition-Out of the National Ideology, Hamburg,
Germany.
Su, Xinping
Xia, Xiaowan
Wang, Yancheng
Xiang, Qinghua
Wang Yancheng was born in Guangdong in 1960, He graduated in oil painting from Shandong Institute of Fine Arts in
1985, he studied in the Department of Arts History of the
Central Institute of Fine Arts from 1986 to 1988, and in ST
Taitian Plastic Arts University in France from 1990 to 1992.
Main exhibitions: The 7th National Arts Exhibition, Beijing; The
2nd Chinese Oil Painting Exhibition, Shanghai; Chinese Youth
Painting Exhibition in Advance, Beijing; Modern Chinese Art
Exhibition(1995); French Summer Salon (1997); Paris
International Arts Fair(1999); French FIAC International Arts
Fair(1999); Brussels International Arts Fair in Belgium(1999).
Wang, Yigang
Xue, Song
Yang, Mian
Zeng, Fanzhi
Yang, Shaobin
Zeng, Hao
Yin, Zhaoyang
Zhang, Linhai
Zao, Wou-Ki
Zhang, Xiaogang
Zhao, Jifeng
INDEX OF ARTISTS
Bai, Guanghua
Cai, Jin
Cang, Xin
Cao, Kai
Chu Teh Chun
Fang, Lijun
Feng, Zhengjie
Gong, Jian
Guo, Jin
Guo, Wei
He, Sen
He, Yunchang
Hong, Lei
Hong, Ling
Huang, Yan
Ji, Dachun
Jia, Juanli
Li, Jikai
Luo Brothers
Ma, Leonn
Ma, liuming
Mao, Xuhui
Mao, Yan
Qi, Zhilong
Ren, Sihong
Sanyu
Su, Xinping
Wang, Yancheng
Wang, Yigang
Wei, Guangqing
Xia, Xiaowan
Xiang, Qinghua
Xue, Song
Yang, Mian
Yang, Shaobin
Yin, Zhaoyang
Zao Wou Ki
Zeng, Fanzhi
Zeng, Hao
Zhang, Linhai
Zhang, Xiaogang
Zhao, Jifeng
Zheng, Zaidong
Zhou, Chunya
Zhou, Chunya
Zhou Chunya was Born in 1955 in Chongqing, Sichuan.He
attended the Sichuan Academy of Fine Art in 1977. He graduated from Experiment Art Department, Kassel Academy of
Fine Art in Germany in 1988. He has participated in exhibitions throughout the world : 2005, Biennal International Art
Contemporain Chinois de Montpellier France;2004-2005,
Dragons, National-Contemporary Art
Dreaming of
Exhibition from China, Irish Museum of Modern Art, Ireland;
2003, Alors La Chine at the Paris Pompidou Center;2002,
Green Dogs, 314 International Art Centre Bergen, Norway;
2002, The First GuangZhou Triennial, Guangdong Museum
of Art, Guangzhou. 2002, Zhou Chun Ya, Museum of Art
Modern Contemporary, Trento, Italy; 2001, Towards a new
Image National Art Museum Beijing, Shanghai Art Museum,
Sichuan Art Museum, Guangdong Art Museum.
160, 161
115
153, 154
158
105, 106
144
120
119
116,117
118
111
157
150, 151
142
125, 159
109, 110
135
103
127
152
113, 114,
155, 156
137
121, 122
148
162
107, 108
141
147
130
143
134
101
123, 124
102
138, 139
140
104
132
128, 129
131
126
136
133
112
149
145, 146