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Folk art is a form of art that is produced by people without formal art training and is utilitarian or decorative in nature rather than purely aesthetic. It is characterized by a naive style that does not employ standard rules of proportion and perspective. Closely related terms are outsider art, self-taught art, and naïve art. The nature of folk art is specific to its particular culture and varies geographically and over time, making it difficult to describe as a whole.
Folk art is a form of art that is produced by people without formal art training and is utilitarian or decorative in nature rather than purely aesthetic. It is characterized by a naive style that does not employ standard rules of proportion and perspective. Closely related terms are outsider art, self-taught art, and naïve art. The nature of folk art is specific to its particular culture and varies geographically and over time, making it difficult to describe as a whole.
Folk art is a form of art that is produced by people without formal art training and is utilitarian or decorative in nature rather than purely aesthetic. It is characterized by a naive style that does not employ standard rules of proportion and perspective. Closely related terms are outsider art, self-taught art, and naïve art. The nature of folk art is specific to its particular culture and varies geographically and over time, making it difficult to describe as a whole.
other laboring tradespeople. In contrast to fine art, folk art is primarily utilitarian and decorative rather than purely aesthetic. Folk Art is characterized by a naive style, in which traditional rules of proportion and perspective are not employed. Closely related terms are Outsider Art, Self-Taught Art and Nave art. As a phenomenon that can chronicle a move towards civilization yet rapidly diminish with
modernity, industrialization, or outside
influence, the nature of folk art is specific to its particular culture. The varied geographical and temporal prevalence and diversity of folk art make it difficult to describe as a whole, though some patterns have been demonstrated.
Arts And Politics: A strong relationship
between the arts and politics, particularly between various kinds of art and power occurs across historical epochs and cultures. As they respond to
contemporaneous events and politics, the
arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change.
Arts And Technology: Is the making,
modification, usage, and knowledge of tools,machines, techniques, crafts, systems, and methods of organization, in order to solve a problem, improve a preexisting solution to a problem,
achieve a goal, handle an applied
input/output relation or perform a specific function. It can also refer to the collection of such tools, including machinery, modifications, arrangements and procedures.
Arts And Human Development: Is
the scientific study of changes that occur in human beings over the course of their life span. Originally concerned withinfants and children, the field has expanded to include adolescence, adult development, ageing, and the entire life span. This field examines change across a broad range of
topics including motor skills and other psychophysiological processes; cognitive development involving areas such as problem solving, moral understanding, and conceptual understanding.
Arts And Human Conflict: Human conflict is
also an art because of what kinds of armors they used. It design,size and the form of armor which terrorisms are using when having an attack or what we called War. We consider the deep evolutionary roots of violent confrontation. We trace the trajectory of violence and war throughout history,
exploring racism, ethnic conflicts, the rise of
terrorism, and the possible future of armed conflicts.
Arts And Economics: a branch of economics
that studies the economics of creation, distribution, and the consumption of works of art and literature. Economic thinking has been applied in ever more areas in the last decennia, including pollution, corruption and education. Works of art and culture have a specific quality, which is their uniqueness.
Arts And Religion: Religion becomes artificial, it is
reserved for Art to save the spirit of religion by recognising the figurative value of the mythic symbols which the former would have us believe in their literal sense, and revealing their deep and hidden truth through an ideal presentation. Whilst the priest stakes everything on the religious allegories being accepted as matters of fact, the artist has no concern at all with such a thing, since he freely and openly gives out his work as his own invention. But Religion has sunk into an artificial life, when she finds herself compelled to keep on adding to the edifice of her dogmatic symbols, and thus conceals
the one divinely True in her beneath an ever growing