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FIVE AND A HALF MINUTES

from The Woman Upstairs

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK
Gently (q = 102)

# 4
& 4

G5

C sus2

# 4
j
& 4 ..
p folk groove
?# 4
j
j
4

..
-

&
&

#
#

?#
8

&
&

#
#

pedal freely

G5

C sus2

five and a half min - utes,

..

?#
-

..
-

the u - ni - verse

C sus2

..
-

G5

. ..
-

j

-

ex - pands

..
-

j

-

blink,

an - oth - er

..
-

four

miles.

Ev- ry

j
j
-

j

ev-ry time I

G5

And

C sus2

G5

w
..
-

C sus2

child en - ters the world.

..
-

j
-

Copyright 2011 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

The world

has

kerrigan-lowdermilk.com

Five and a Half Minutes 2


11

&
&

#
#

..
.

half bil - lion peo - ple

?#

&

j j

G/B

# .

?#

ple

in

# j
&
A m7

17

&

?#
20

&

right

cit

now,

j j

this

is

how

sit - ting

here.

..
-

Prepared exclusively for Maya Deschenes.

here,

C sus2

right

..
-

j

-

but

..
-

G5

peo -

land,

G5

youre

lion

j j

j
.

G/B

w
w
p
w

mil

- ..
j

.

P

C5

on

some

y,

eight

j
.

j j

and there are

A m7

G/B

year,

C sus2

?#
-

this

J
j

this

& ..
-

# j
&

14

six and a

6
C /9

kerrigan-lowdermilk.com

Five and a Half Minutes 3


23

&
&

#
#

?#
26

&
&

#
#

G5

may

&
&

#
#

not

..
P
-

&

ev - er catch

my

breath

G5

..
-

.
- .

no mat - ter

ry

sin - gle

..
-

day

watch - ing

?#

we

breathe

6
C /9

# - .
& ..

your

rise

chest

may

nev - er

twen - ty

G/B

and

how

thou

fall,

the

times.

j
.

Be - cause

A m7

j j

num - bers

dont

up

j j

sand

ev

un - der - stand

three

..
-

j j

try.

G5

C sus2

how

And

?#
31

C sus2

?#
28

C sus2

Prepared exclusively for Maya Deschenes.

add

kerrigan-lowdermilk.com

Five and a Half Minutes 4


34

&

D sus4

when

# .
& ..
?#
36

&
&
&

38

&

G/B

all

#
#
#

D 13

#
& J

&

nerves,

>

>

bones,

>

and

>

G/B

?#

ares

five

or - gans,


>

j


>

of

blood,

>

D sus4/C

dred

D (add4)

two

hairs,

mi - les

of

nerves,

>

j
j

thou - sand miles of

tril - lion cells,

for - ty - five

thou - sand

.
..


..

dred

A m7

quarts

hun

and six - ty

hun

flowing

C sus2

&

.
..

nerves,

# .

man - y

we

six

>
#

&

40

? # >

hun - dred and

C sus2

and

too

C sus2

G/C

ar - ter - ies.

Prepared exclusively for Maya Deschenes.

We

..
.
dim.
.

kerrigan-lowdermilk.com

Five and a Half Minutes 5


43

&

A m7

G sus2/B

must - ve

P
?#
- .

been

j
-

made

45

&
&

#
#

C sus2

us

? # .
48

&
&

&

G/B

# .

j
.

# >
&
f
? # .
.
>

is

that

And

cause

seen

> .
..

j
.
.

>
j

would

swear

wo

man

would - ve

j
-

I don't know

j j
.
this

>

j
.

.
.
>

j
.
.

that

I'm

means.

All

> .
j
..

F
>

some

what

scene

made

j j

D sus4

D (add4)

6
C /9

ly.

A m7(add4)

G/D

ic

Ive

C sus2

- .

>
>
j


j
J

>

know

man

D sus4

e - co - nom

?#
51

more

by

&

cresc. poco a poco

>
.
.
>

years

>

G sus4

.
J

.
.
>

Prepared exclusively for Maya Deschenes.

a - go.

j j


> >

watch - ing

>

from the

stands.

j
-

kerrigan-lowdermilk.com

Five and a Half Minutes 6


54

&
&

C sus2

G sus4/A

>

? # .
.
>

#
& J

sec - ond

#
&
>
? # .
.
>
60

&
&

old

#
& J
&

G/D

no

? # .
.

be

j
.

fore

beau ty.

ev - i

> .
..

>

C sus2

scripts

w
ww
p

j j
.
dence,

.
J

know

j
.

Feels like

its

some

colla voce

ww
w
j

...
F

.
.
>

A m11

6
C /9

>

hand.

her

G sus4/B

swear

&

but the

Theres the

j
.

for

would

w
w

.
J .

reach

D sus

j j


J
www
w

D 7sus4

you

And

.
.
>

C/D

>

mov - ie

D 7sus4

j j

w
?#
63

G/B

j j

C sus2

57

no

good

a tempo

more

facts,

Prepared exclusively for Maya Deschenes.

and

G/B

the

girls

j
.

but

there

wont

kerrigan-lowdermilk.com

Five and a Half Minutes 7

# j
&

# -
& J

66

A m11

ev - er

?#
69

&

&

&

?#

75

&

>

you

do

#
& P
?#
-

find

..

ence

or

you

colla voce

G/D

G sus

find

>

mea - sure

keep

opt.

love.

j


> >

>
soaring
j .
>
>
C sus2



j


> >

C/D

j
.

or

mea - sure

ww

Prepared exclusively for Maya Deschenes.

way

C sus2

the

>

.
.
>

or

or

G/B

>


>
>.

>

w
w

C/D

of

keep

A m7

sci

G/B

72

j j

A m7

#
&

P
?#
-

be

G/B

E m/B

.
>
U

G5

love?

U
w

U
w

>

j
.

>

>

How

j j
.
>

FREEDOM
from The Unauthorized Autobiography of Samantha Brown

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK

Freely
B (add4)

#### 4
&
4

KELLY:

#### 4
&
4 ww
gg ww
g
f gggg
? # # # # 4 gggg
4 gg w
Tgg w

F # m11

#### 6 .
&
4

# ## 4
& # 4

A maj7

#### 4
&
4 w
? # # # # 44
w
w

Let's

go.

6
4

46
6
4

w
w

high - way's

call

get in the car

j j

ing.

G # m11

j j
.

colla voce

Let's

The

www
w

j j

#### 6
&
4 w
www
F
? #### 6
4 w.
w.
5

freely

The sun

ww
ww

F #/A #

#w
#w

shin

4
4

ing.

4
4

4
4

w.
w.
B (add4)

and just re - mem - ber.

is

j j
.

www
ww

Copyright 2011 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

pick up in tempo

Lets

www

U
w

go.

&

####

Country Driving (q = 152)

E5

with attack

####
&

? ####

&

? ####
18

&
&

####
####

E5


.
.
>

She

and keep

? #### .

A sus2

>

all

of

>


ning

Theres no


>
>

our

road


w
w

to

the

...

>.

stop - ping

E/G #

til

trips.

high - way.

>

list

driv - ing.

drove on


.
>

j
.

be - lieved in

>

SAM:

E sus4(add2)

####

Kel - ly

####

&

15

>

12

&

E sus4(add2)

# ##
& #
P
? ####

####

kerrigan-lowdermilk.com

Freedom 2

You

Kel - ly

Prepared exclusively for Maya Deschenes.

B 7sus4

.
.

start

.
.

j
.

driv - ing

>
>

says youve

B sus4

ar - rived.

&

kerrigan-lowdermilk.com

Freedom 3
KELLY: Youre not doing it right.
SAM: Doing what?

D sus2

. .
. .
# # # # . .
&

21

p
# ## n w
& # ww

KELLY: Youre not in it.


SAM: What are you talking about?

legato

. . . . . .

ww
w

ww
w

A Maj7

ww
w

SAM: What did it feel like?


KELLY: You remember.

KELLY: Youre not in the moment, Sam.


Talk about what it felt like.

B 7sus4
. .
. .
# # # # . . . . . . . . . . . . . . . . . . . . >
&

25

&

29

&
&

####

####
####

? ####

33

&
&

####
####

? ####

ww
w
E

j j
j


KELLY:

Feel - ing the


.
>
P

j

>

wind

>

KELLY:

Pick - ing a

>

road


. >

blow - ing

>
j

j j

j
j

your

groove

ww
w

hair.

>

>

B 7sus4

>

j

>

j
j

ing

KELLY: You're not even trying.


SAM: I am. KELLY: Try harder.

B 7sus4

j .
and go

ww
w

>

j

>

>

KELLY: Remember the biker bar?


SAM: Oh, God.

an - y - where.


. >

>

Prepared exclusively for Maya Deschenes.

j
.
.

.
>

j


J
j

kerrigan-lowdermilk.com

Freedom 4

##
& ##

37

E(add2)

#### .

&

? #### .
&

####

&

####

40

? ####

####

? ####
46

&

be

west.

Were

ing

F # m7

dont

know

much.

####

.
>

j
#### .
w
&
? ####

ww

>

j

.

Dont read

ww

>

the

A/B

Were

road

j

ing

mak

j

up

C # m9

j


J

A sus2

south.

head

We

43

&

####
&

KELLY:

KELLY: And the biker.


C # m7

Tear

up

KELLY:

Or

may -

the

rest.

the

at

j
.
-

las.

ww
p
ww

j
.

signs.

ww

Prepared exclusively for Maya Deschenes.

j

.

..

kerrigan-lowdermilk.com

Freedom 5
49

&

####

Emaj9

##
& # # ..
.
>
P
? ####
.
>

Driv - ing

F # m9

# ##
& # .

53

&

####

free

j .

j
.

j
..
.

for

the

J .
>

- dom.

&

####

E5

#### .
..
&

>
? ####
.
>
####

j - .

.
>

A/B
SAM:

Free

w
w
p
ww
w

j
.
y

j
..
.
.
>


dom.

where.

Thats

KELLY: What bug do


you have up your ass?

.
.

.
>

KELLY: Do you even realize how epic this weekend is going to be?

.
.

>

A 5/B

>

E5

>

.
>

.
.

>

A 5/B

>

KELLY: Theres like six parties and Im taking this lecture called Sex and you have to come.

>
j

F # m/B

>

>

..
- .

E/B

SAM: Im on break. I dont really feel like going to class.


KELLY: Well, what do you want to do?
E sus2

an

..
.

w
w

- .
.
>
F
? ####
j

>

61

driv - ing

j j .

SAM: I dont have a bug up my ass!

of

w
w

sake

? #### w
w
57

C # m11

...

>
E

j .
>

j


j

F # m/B

>

..
- .

E/B

SAM: I dont know.


KELLY: Samantha Brown. Do you see that fork up ahead?
B 7sus4

j
j
j
j
. . . . . . . . . . . . . . . .
P
.
ww
..
? # # # # ww

.
w
.

65

&

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Freedom 6
SAM: Yeah.
KELLY: Well, one way leads to my school and the other leads somewhere else.

##
& # #
F
? ####

.

C #m

69

KELLY: Which way do you want to turn?


SAM: I dont know.

KELLY: If you dont choose, were gonna hit that house. Left or right?
SAM: Hold on. Im looking at the map.

&

KELLY: Maps are for brain-deads. Left or right!

>
>
# # # # . . . . . . . . . . . . . . . . . . . . . .
&
B 7sus4

73

&

####

w
w

w
w

SAM: Ah... Left!


KELLY turns the car fast. A horn honks.
She flips the guy off.

####

&
-

77

? #### .
####

&
E

81

&

####

w
w

KELLY: Very slow, Brown.


SAM: So where are we going?

.
.
>

J

..

safety

.. .

j j

KELLY:

Count - ing

####

&

> .
F
stronger
? ####
j

>

the

miles


.
>

KELLY: I have no idea.

> > >


3



> > >
3

. ..

.
..
.
.
.
>

J

>

as

we

..

w
w

go

>

B 7sus4

past.

j

SAM:

The


.
>

Prepared exclusively for Maya Deschenes.

>

>



> >

tank

is

full.


.
>

kerrigan-lowdermilk.com

Freedom 7

84

&

####

#### j
&

##
& ##

? ####

j j

The

sun

>

&

B 7sus4

####

be

>

# ##
& #

90

# ##
& #
&

####

? ####

Know - ing


.
>

is

high.

>

our

j j

that

j
.

ev


.
>

ry

mile


.
>

E2

>

could

last.

# ##
& #

? ####

#### j
&

87

E5

Just

back.

back.

>

C # m7

look

watch


.
>

look

We

KELLY:

ing

the day

go

..
>.

by.

.
.

SAM:

er

We

We

nev

nev

Prepared exclusively for Maya Deschenes.

er

wont

will.

will.

We

wont

Weve

come

F # m7

####

&

93

#### j
j
&

####

&

? ####

too

>

far.

Well drive



. >

>

A 5/B

E5

&
&

####

dom.

####

dom.

? ####

>

#### .

&

101

&

####

dom.

#### .
..
&

>
? ####

dom.

.
>

j


>
j

Free

.
.

>

>

Nash

>

..
- .

...

>

.
>

j .
>

j


>
j

Prepared exclusively for Maya Deschenes.

Free -

> >
>

F # m/B


> >

Free -

dom.

dom.

A 5/B

ville.

E5

j

>


.
. >

ville.

j
.

E/B

j
.

>

>

Free

B sus4

Nash

hit

..
..
>

.
>

F # m/B

j
j

til we

#### .

&

97

kerrigan-lowdermilk.com

Freedom 8

Free -

Free -

.
.

>

>

E/B

j
.

j
.

>

..
- .

>

#### w
&

105

&

####

? ####

KELLY: So what do you want to do now?

>


.
>

&

####

A sus2

? # # # # ww

j
.

SAM: (chord) I want the deafening sound


of driving fast with the windows down.
KELLY: More!
B (add4)/C #

#### U
&
gg wwww
gg
gg
#
? # # # gggg U
gg
gg w
Tgggg w

112

E/G #

# # #
& # Tgggg
.
? ####

120

&
&

####
####

E5

? #### w

subito

SAM:

And

Im

P
ww

ww
ww

freely

KELLY: Bigger.

F # m11

KELLY: Good. I want Arbys.


.
.

KELLY: I want to go skinny-dipping in the ocean.

j
w .

gTg
gg

.
a tempo

ww

ww

B (add4)

gg wwww
gg
gg
gg U
gg
gg
gg w
Tgggg w

SAM: Make a right?

SAM: Uh I dont know - I want to get my license.

SAM: (chord) I want to


break rules and do
something unexpected.

SAM: I want to hold on to this moment right now.

116

.
.

KELLY: In life, Sam. Think big. What do you want?

109

kerrigan-lowdermilk.com

Freedom 9

E5
(SAM:)

.
.
>

6
A /9

Tgggg .

.
j

al - most

start

Prepared exclusively for Maya Deschenes.

>
>

ing

..

>.

SAM: I want to drive forever!


A/B
B sus4

>
...

to

feel

it.

kerrigan-lowdermilk.com

Freedom 10

122

&

####

####

&

Asus2

####
&
? ####

How she took

cresc. poco a poco

B sus4

####
&
j

# ##
& #
? ####

The cheap

>

Free

&

####
####

The long

high - ways.

j
-

>

dom.

min - ute

.
.



> >

get

lets

go.

^j
j
..

.
>

>

molto rall.

in

ww
ww
-

j

-

the

car and lets go.

ATTN: New tempo & groove!

w
w-

A sus2

spe - cial.

A Maj7/B

The last

-
>
j

j .
>

^
^j j

&

..
.
>
f strong backbeat
? ####

>

> >

KELLY:

Oh,

dom.

SAM:

rest stops.

..
.

C # m9
KELLY:

A sus2

New Tempo: Slow Hip-Hop (q = 90)

128

and made it

day

Free

B 7sus4

####

&

125

E/G #

KELLY:

C # m9

>

Prepared exclusively for Maya Deschenes.

>

Lets

^j
j
..
.
>

>

kerrigan-lowdermilk.com

Freedom 11

131

&

####

A sus2

# ##
& #
? ####

>

####

&
####

&
? ####
&

go.

>

####

An - y road

####

? ####

C # m11

..
.
>

>

ed

no

>

^j

fan

way.

j.
..
>

>

house,

>

E m aj9

No

col

..
.

no

>

no.

>

^j

it

>

Live

lege,

..
.
>

go.

Lets

go.

Prepared exclusively for Maya Deschenes.

j
..
.
>

>

>

A (add#4)

cy

..
.

high - way.

^j

Lets

B 7sus4

>

>

C # m9

.
my

Pick

>

road.

phi - lo - so - phies.

kids,

go - ing

A sus2

? #### ^

####
&

is

com - pli - cat

137

Pick

^j
j.

.
>

>

# ## ^
& #

&

A sus2

133

135

C # m9

ca

up

j
..
.
>

>

>

reer,

no

with no

j j

..
.

>
>

>

kerrigan-lowdermilk.com

Freedom 12

139

&
&

####

B 7sus4

####

KELLY:

An - y road

# ##
& #

>
? ####

>
141

&

####

# ##
& # .
# ##
& # ..

>.
? ####

>
####
&
&

####

B5

kids,

..
.

driv

ww

? #### w


ing

no

col

SAM:

.
in

to


lege,

no

..
.

lege,

>

F#m

Driv

mort - gage.

>

>

mort - gage.

no

straight

No

..
.
>

on.

>

col

kids,

No

scream - ing

were

scream - ing

143

but the one

C # m11

E m aj9

Driv

..
- .

the

ing

an

ing

an

dawn.

no

"
"
"

Prepared exclusively for Maya Deschenes.

ca

ca

reer,

reer,

>

.
y

..
.

Thats

free

no

.
-

no

,
,

where.

Just

where.

U
-

dom.

&

kerrigan-lowdermilk.com

Freedom 13

145

&

####

Freely (q = 120)

SAM:

#### w
w
&
w
p
# ##
& # ww
####
&

148

Kel - ly

&

out

on

the

high - way

&

####

&

####

Just

..

two

girls

with

shot - gun.

ww

with no

road

no

>

>
?
J

>

where

.
.

cou - ple

and

no

girls

cur - few.

Asus2

>

>

(slower than m.9)


E

to

dom.

be.

B sus4

KELLY:

we have

Country Driving (q = 134)

Free

>

B (add4)

B5

map

Just

w
w

grad. accel.

B5

ww
ww

E sus4

ww
w

rid - ing

..

####
&
&

me

E/G #

151

####

driv - ing,

colla voce

()
#### w
www
&
####

E5

Now shes laugh - ing.

Prepared exclusively for Maya Deschenes.

cresc. poco a poco

kerrigan-lowdermilk.com

Freedom 14

####
&

154

&
&

####
####

&
&

####

dom.


- -

B sus4

# ##
& #

>f
? ####

>

like

>

>

the

sun

j

-

####
&

&

And

? #### .
- .

####

Its

so

real

and

so

found

is

C # 7sus4

#### #
#

>

>

so bright


- -

that

j

-

F #5

#### #
#

>
#### #
#
>

dom.

Im

squint - ing.

.
.
>

And

-
>
>

#### #
# .
-

mem - o - ry.

.
- .

free

Amaj9

Free

like


>

>

piu mosso

160

( )
#
# #
& # w

dom.

start laugh - ing.

C # m add9

####

And

B sus4

Free

? #### .

157

E/G #

it

feels

j


>

C # 7sus4

>

KELLY:

Free

>

Prepared exclusively for Maya Deschenes.

.

.
.
>

Free

...
.
>.

kerrigan-lowdermilk.com

Freedom 15
F #5

# ## #
& # # .

163

C # 7sus4

#### #
& # .

dom.

#### #
& #

>
? #### #
#
>

dom.

Yeah.

>

#### #
& #

166

#### #
& #
## #
& # ##

di - o

#### #
& #

yeah.

? #### #
#

F
w

o - pen,

sing

B sus2

UP

Yeah.

U
U

ww
w

fast,

the

ra -

Oh

>
molto rit.
.


ing

P
j

Yeah.

light pulse - don't push

Prepared exclusively for Maya Deschenes.

like were rock

F #5

Yeah.

#### # U
& # www
colla voce

>
.
>

U
#### #
#

&

Driv - ing

New Tempo: Slow, deliberate (q = 96)

169

C #5

Win - dows

D#m

B sus2

blar - ing.

? #### # .
#

...
.
>.

>

Yeah.

F#

stars.

F
j

Yeah.

kerrigan-lowdermilk.com

Freedom 16
C # sus4

# ## #
& # #

172

#### #
& #

F
j

Yeah.

#### #
& #

? #### # .
#

F #/A #

# ## # .
& # # .

# ## #
& # # w

Yeah!

# # # # # >
& #

#
? ## # #
#

>

C # 7sus4

> >

>

>

>

>

# # # # #
& #

? #### #
#

>

Free

Free

> .
...

...

>.

Yeah.

Yeah.

C # 7sus4

, Free
j

>

>

>

Free

>

F #5

dom.

>

>

dom.

dom.

>

>
.

>
.

Prepared exclusively for Maya Deschenes.

C # 7sus4

.
>

>

>



>

j


>

F #5



>
>

dom.

Yeah.

molto accel.


J >

C # 7sus4

#### #
& # .


>
>
>

#### # .
& #

178

Yeah.

Subito Tempo Primo (q = 152)

175

F #/A #

f
j

Free -

Free -

...
>.

kerrigan-lowdermilk.com

Freedom 17

dom.

#### #
& # .

dom.

#### # .
& # ..
>
f
? #### #
#
.
>
G # m7(add4)
185
#
# ##
& # # w

G # m/C #

j

j


>
j

j
.

? #### #
#

>

..
.
>

>

j
...
>

>

>

j .
>

C # 7sus4

..
..
j
.
>

j
.

j


>

>

j
.

>

j
...
>

>

>

>

dom.

dom.

..
..

>

.
>

>
j

>

F #maj9

j
.

F #/A #

Free

F #/C # C #

Free

>

G # m/C #

> >

j .
.
>

C # 9sus4

D # m11

# ## #
& # # w

.
>

j
.
.

#### # w
& #

? #### #
#

j
.

188

# # # # # ...
& # .
J

j
.

F #/A #

#### #
& # w

#### # .
& # ...

F #/C # C #

~~~~
~~~~
~~~~
~~

F#

#### # .
& #

181

..
..

Prepared exclusively for Maya Deschenes.

j .
>
F #sus2

>

push to end

>

HAND IN HAND
from Tales from the Bad Years

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK
Moderate Pop, Swing (q = 110)

# 4

& 4
>
3
f
3
?# 4 3
4


>
3

&

G5

?#

&

>

reach for

&

?#

C sus2
3

>

>

> .

Csus2

# .
&

G5

G5

the moon.

j j

.

>
3

j .

I taste the sun - shine.


>

G5

Csus2

.
P

>

j
.

3

Im hear - ing sparks fly.

>

.
3

>

Copyright 2010 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

It

.
.

kerrigan-lowdermilk.com

Hand in Hand 2
8

&
&

#
#

?#
11

&
&

#
#

?#
14

&

E bm aj9

G5

F sus4

smells like

June.

n -

b -

walk hand

G5

in

>

hand.

bn ....
b -

j
.

.
P
?#
16

&
&

>

G5

?#

>

j


3

>

F sus4

(growl in)

gg n b ....
gg

when we

-
J

p
b -

n -

grey days are

j
.

E bm aj9

.
n b - ..
b -

Mmm...

n
3

fair.

F sus4

.
.

Csus2

ev

E bmaj9

me

#
.

up and ex - pand

Your shad - ow fol - lows

and

mix

j

-

F sus4

Nights nev - er lone - ly,

&

j
#

E bmaj9

j

-

...
-

Csus2

j .

All of my sen - ses

j

-

.
n b - ..

A (add4)

ry

where.

n -

Prepared exclusively for Maya Deschenes.

>

kerrigan-lowdermilk.com

Hand in Hand 3
18

&
&

&

?#
20

G5

j
.

Tell

23

&
&

#
#

>

C sus2

still

My

?#

hand.

j j
#
breath

b
J
b
J

j
n

short - stops

>

in

j j

>

side

me.

G(add2)/B

G (add2)

B7(# 5)

>
P
j

>

cause

were

C sus2

D sus4

j
.

be - side

it's grand,

My

>
j

3
-

#
.

say

A m7

Ill

..
- .

here

in

G /B b

#
& j .
&

j


hand

A m7

#
3

and

D sus4

?#
26

# .
& ...
?#

me its cra - zy

A (add4)

heart

flip

flops.

G/B


J
subito

When youre

.
E m7

>

A9

me,

j
j
.
.
>

>
f
j
j
.
. >
>

#
.

Prepared exclusively for Maya Deschenes.

>
3

>


#
> >
>


>

>
>

>
>

kerrigan-lowdermilk.com

Hand in Hand 4
29

&

D sus4

^
#
&

&

34

&
&

&
&

>

G5

?#
37

>

#
#

?#

j

>

j
#

and

>

So

j
.

j
w

.
.

by.

j

-

n -

j
j
.
>

C sus2

N
.

youll wear

a match -

j
j
.

>

f
^

Say well be hand

..
- ..

D sus4

band.

fly

b -

say

A m13

#
.

F sus4

.
n b - ..

you un - der - stand.

ing wed - ding

and

E bm aj9

Let the world

me

A (add4)

You say you love me,

>

j .

Gsus2/B

be - low

Im stand - ing still.

are

Im in the sky.

#
&
.

Clouds

>

G5



J
3

.
P

.
.
>

C sus2

?#

where you should al - ways be.

? # ^
31

G5
3

j 3


>
3


. -

>

Prepared exclusively for Maya Deschenes.

in

2
4

hand.

2
4

2
4

kerrigan-lowdermilk.com

Hand in Hand 5

# 2
& 4

4
4

40

# 2

& 4
>
3

opt. solo # r
#

4
4

?# 2
4
43

&
&

#
#

?#
45

&

G5

# .

P
?#

>

&
&

?#

Oh

j


J

doo doo

doo...

(etc).

>

E bm aj9

.
n b - ..
b -

>

>
F sus4

n -

j r

b J J

G5

j

-

>

>

C sus2

Doo

>

sing notated pitches with syllables, or ad lib scat

>

>

G5

&

47

>

4
4



>
3

.

3

>

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Hand in Hand 6
50

&

#
& #
.
?#
53

&
&
&

56

&
&

#
#

?#

59

&

>

C sus2

# .
#

#
#

C sus2

.
# #
3

my heart

- flops.

flip


G/B

subito

youre

E m7

b
J

breath

>

>

>

short

>

>

#
>
>

>
>

>
>

stops

in

j j

side

be - side

E b7

B7(# 5)

>P
j

>

b n

#
.

j
j
.

>
b b
3

where you should al - ways

b .
b.
>

Prepared exclusively for Maya Deschenes.

G (add2)

me,

b b b ...
.
>

&

me.


J
? j

>

D sus4

j
j
.
.
>

D7sus

J
-

G(add2)/B

here

j
n

A m7

A9

j j
#

>
3
3

..
- .

G /B b

b
J

.
m

Oh,

My

When

j

-

A m7

D sus4

...
- .

f >
?#

>
&

A (add4)

be.

&

b.
b.
>

###

.
# # #
&

>

65

&

###

.
# # #
&
? ###
67

&

###

>

Im

# # # g ww
& ggg ww
gg P
gg
gg w
g w
? # # # ggg w

j
b

are

>
# #

>

>

stand - ing

me

N
N
>

>

still.

Let

the

colla voce

j
#


Im in the sky.
.
.

.
J
me,

U
wwww
U
w

ww

world

> .
n n ...

molto rit.

n
n
>

fly

by.

>

n
n
>

j
.
#
you un - der - stand...

gg # www
gg
gg
gg
ggg w
gg w

Prepared exclusively for Maya Deschenes.

###

B7

and

###

F m aj9

###

>

and

>

D sus2

You say you love

Clouds

r.h.

3
# j

>

be - low

A(add2)

>

? ###

>

~~~~

>

~~~~

>
# b n

?#

63

~~~~

~~~~

&

~~~~

&

E13

~~~~

61

kerrigan-lowdermilk.com

Hand in Hand 7

E b13

Hand in Hand 8

###

&

70

So

### U
ww
&
w

D sus2

say

F.

.
a tempo
j

.
>

U
? ### w
w

# # # B m7
w
&
&

###

? ###
76

&

###

j j
..
- - ..

cresc. poco a poco

..
- ..

E 13

Say well be hand

##
& #

79

D sus2

.
# # #

&
? ###

. .

ing

>

Bm7/E

wed

in

hand.

j j
..
- - ..

2
4 J

> >
n > # > >

2
4 n #
3
3

r n

j j

>
>
3

Oh

j
> .

>

4
4
A

3
2 n #
4

n # > > >


> >

band.

3
3
>

..
..
>

ding

woo!

.
J

opt.

.
j
.
.

Yeah,

..
- ..

>
###
&
f
? ###

>

a match

73

Asus2/C #

youll wear

kerrigan-lowdermilk.com

>

4
4

4
4

>



>

>

j

Oh

j
>

D sus2

Prepared exclusively for Maya Deschenes.


>
3

kerrigan-lowdermilk.com

Hand in Hand 9

###

&
A

82

# # # .

&
? ###

Doo

doo doo

# # # .

&

(etc).

>

j


.

3
r
##

& # j

? ###
###
&

89

&

###

>

? ###

dit

B m7

dah,

E 7sus4

dit

dah

n -

b
>

n
J J

# #

dah.

n -

A/C #

p
.

Hand

in

hand.

dit

n
J

dah,

Dit

Prepared exclusively for Maya Deschenes.

.
j
.
.

>

G sus4

F m aj9

#
.

.
n n - ..

.
.

B (add4)

>

86

###

&
.

j3

D sus2

doo...

>

##
& #

? ###

j


J
3

84

sing notated pitches with syllables, or ad lib scat

gg ..
ggg ..
gg P
gg
gg
gg .
gg .
g .
u

dah,

b

J

HOLDING ON
from Tales from the Bad Years
Stately, steady (q =102)
C #m

# ## 4
& # 4

G #/B #

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK
Aadd2




##

& # # 44
p

? # # # # 44

&

####

####
&
? ####

N.C.

wake

E sus4/G #

####

&

####

&

? ####
12

&

####

Am

# # # # n ww
w
&
? #### N w

j
.

(stay in time)

up ev

ry

morn - ing

sur - prised

to

sur - prised

j .

our fran

world

and

tic

con

passionately

tin

# www

SOLO:

gg www
g

sun,

ue

on

#w

F #/A #

E sus4

run.

P
.

j
.

the

A sus2

the

see

j
.

j .

j .

Copyright 2009 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

E/D #

Days

be - come

kerrigan-lowdermilk.com

Holding On 2

#### C m
&

15

weeks.

? ####

S.
A.

T.
B.

####

? ####

####

&

22

&

####

? ####

shift

T.
B.

####

&

? #### .

E5

The earth

p
.

ing,

turn

E 5/B

keeps

back

when.

ing,

.
J

A5

the

keep

hold

Prepared exclusively for Maya Deschenes.

and

.
J

way

be - come

end solo

A sus2

Months

MEN:

be - come months.

WOMEN:

&

w
? ####

S.
A.

18

Weeks

# ##
& #

G #/B #

light

keeps

.
J

ing

kerrigan-lowdermilk.com

Holding On 3
25

&

S.
A.

####

A5

SOLO:

# ##
& #

Im grow - ing

on.

T.
B.

? ####
####

&

? #### .
28

S.
A.

T.
B.

&

####

? ####
# # # #
&

? #### .
####
&

S.
A.

T.
B.

&

####

E 5/B

? ####

####

&

? #### .

J
j

the

.
J

light

keep

hold

.
J

.
J

ing,

and

.
J

SOLO:

on.

.
J

Prepared exclusively for Maya Deschenes.

J
j

A 5/B

.
J

keeps

earth

A5

ing

shift

The

keeps

.
J

A5

ing,

a - gain.

.
J

turn

31

up

E5

kerrigan-lowdermilk.com

Holding On 4
35

&

####

j
.

E sus4

wish

the world

would

# ##
& # w

P
? ####



. .
. .

no

tice

and

&
&

####
####

I wish

that

F #/A #

# ##
& # .

world

#### w
&
wp
w
? # # # # ggg w
gg # w
g
#

C m
####
&

45

. .

. .

weeks.

to stop.

Am

Weeks

want

to.

G #/B #

be - come months.

#
? ## #

Months

be - come

Prepared exclusively for Maya Deschenes.

E/D #

the

could tell

. .

j
.

A5

gg n ww
gg N w
gg

E5

n www

# ##
& #
flowing

for

j
.

j .

you.

? ####
41

a breath

ww


. .
E/G #

j
.

pause

no pedal

38

j
.

B 7sus4

Days

be - come

A sus2

way


back

when,


. .

48

&

S.
A.
T.
B.

####

&

####

&

####

alt.

S.
A.

back

E5

? ####

55

####

&

S.
A.

T.
B.

&

####
####

&

? ####

keeps

turn

ing,

the light

keep

hold

keeps

shift

The

ing,

and

- -

A sus2

ing

on.

Prepared exclusively for Maya Deschenes.

Im grow - ing


. .

A sus2

B 7sus4

when.

B sus4

? ####
####

- - F non accel.
? ####

&

earth

T.
B.

? ####
####
&

way

? ####

51

kerrigan-lowdermilk.com

Holding On 5

up

a -

58

&

S.
A.

T.
B.

####

gain.

? ####

####
&

? ####
S.
A.

# ##
& #

61

&

####

A sus2

? # # # #

# ##
& #
? ####
64

&

S.
A.

T.
B.

&

####
####

>

The

earth


. .

j
>

keeps

shift

j
.
>

? #### .

turn

> .
J

..
.
.

ing,

and

grow-ing up

A sus2

B sus4

keeps

pedal freely

I'm

? # # # #
&

hold

####

light

T.
B.

kerrigan-lowdermilk.com

Holding On 6
E5

j
>

j
.

a - gain.

.
.

ing,

the

keep

..

j
.
>

ing


>
>
>
>

>

>

..
.
.

J
-

on.

Prepared exclusively for Maya Deschenes.

The

kerrigan-lowdermilk.com

Holding On 7

####
&

67

S.
A.

j .

The light,

# ##
& #

earth

T.
B.

A sus2

? # # # #

keeps

turn

..
.
..
..

ing,

the light

keeps

keeps shift -

the light

shift

..
.
..
..

ing,

and

####




&

f non accel.
? ####

sim.

Ped.

# ## j
& # .
E /B

71

S.
A.

&

####

ing.

T.
B.

A sus2

? # # # #

keep

hold

..
..

ing

On.

..
.

on.

>

The

####


&

>
>
>
? ####

>

>

Prepared exclusively for Maya Deschenes.



> > >

>

>

>

kerrigan-lowdermilk.com

Holding On 8

75

S.
A.

T.
B.

&

####

? ####

earth

# ##
& #
? ####
79

S.
A.

T.
B.

&

####

>

(a cappella)

##
& ##

S.
A.

&

? # # # #

earth

T.
B.

^
####

&

f
? ####
.
.
>

turn

light

keeps

shift

hold

turn

>

>

ing

keeps

..

Surging Pop Anthem (q = 104-108)

The

..
>.
f
.
.
>

j

> >
j


> >

..
.

..
..

and

on.

ing,

ing,

A sus2

..

the

ing,

..

keep

? ####
####

>

keeps

? ####

83

A5

the light

>

>

keeps

...
>

>

Prepared exclusively for Maya Deschenes.

shift




>>

..
.
..
..

ing,

and


>

kerrigan-lowdermilk.com

Holding On 9

&

####

&

####

87

S.
A.

? # # # #

T.
B.

^
#
# #
& #
? #### .

.
>
91

&
&

S.
A.

&

####

B sus4

keep

hold

> >

####
####

ADDITIONAL
FEMALE SOLO:

Oh.

keeps

turn

####

>

? # # # # ..
.

SOLO:

Oh.

..
..

j
..
.

>

>

j
..
.

Oh.


..
.
>

>
A

j
..
.
> >

^
^

>

keeps shift - ing.

..
..
.

ing,

..
.

Oh,

>

...

j
..
.
> >

..
.
>

Oh,

keeps

shift

..

>

j
..
.

Prepared exclusively for Maya Deschenes.

>

j
..
.

>

and

the light

the

The

~~~~~~~~~

on.

j
.

ing

? # # # #

>

..
.

keeps turn - ing,

earth

&

earth

T.
B.

A5

..
.

ing,

>

j
..
.

and

kerrigan-lowdermilk.com

Holding On 10
95

&
&

S.
A.

T.
B.

&

####
####
####

E/B


J J

I,

keep

####

>

>

? #### .
.
.

j
..
.

hold

>

>

j
..
.

Pushing faster (to q = 120)

#### w
&

# ## w
V #

99

S.
A.

E5

# ##
& #

earth

T.
B.

? # # # #

keeps

..
..
.

ing

j
..
.

I keep hold - ing on.

..
.

ing,

>

j
..
.

>

>

>

>

j
..
.

> > > >


>

keeps

j

> > >

the light

The

w
...

B 7sus4

on.

A5

turn

Oh,

MALE SOLO:

I keep hold - ing on.

? # # # #
&

A5

...

shift

..
.

ing,

>

j
and

and





# # # #

&
> > > >
> > > >
> > > >
> > > >
molto accel.
? # # # #





> > > >
> > > >
> > > >
> > > >
Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Holding On 11

&

####

####

103

S.
A.

B5

# ##
& #

T.
B.

keep

hold

keep

keep

ing

hold

ing

...

hold

ing

..
.

on.

www

on.

>

The

..

>

on.

The

The

>

..
.

ww
w

####

&

>>
? ####


>>



>>>> >>>
>

j
j
j .
..

..
. ..

.
.
> . > > .
> sim.

# # # # >

&

107

>
? # # # #

earth

T.
B.

? # # # #

Tempo Primo

S.
A.

>

A sus2

turn

keeps

...
..
.

ing,

the

A sus2

light

shift

keeps

#### w
w
&
w
>

ww
w

w
ww

w
ww

w
w
>

w
w

w
w

w
w

? ####

Prepared exclusively for Maya Deschenes.

...
..
.

ing,

>
j

>
j

and

kerrigan-lowdermilk.com

Holding On 12

111

&

S.
A.

&

####
####

E5

? # # # #
I

T.
B.

keep

#### w
w
&
w

####
&

S.
A.

&

####

hold

...

ing

..
.

# ##
& # #
? ####

molto rall.

2
4

4
4

2
4

4
4

2
4
P

4
4

Oh,

2
4

Oh,

? ####

U
w

A m6

Oh.

T.
B.

ww

w
w


aw
#

U
w

on.

U
w

P
2
4

SOLO:

ww
w

w
w

G #/B #

j U

www

ww
w

? ####
w
w
116


Oh.

Oh,

4
4

U
w

ww

Oh.

4
4

C #m

U
www

ww

w
w

Prepared exclusively for Maya Deschenes.

U w
w
U

>


J
j

>

HOW TO RETURN HOME


from Tales from the Bad Years

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK
Moderately (q = 110)
E bm


bb b b 4 w
& bb 4
j j
P

.
? b b b 4 w
bbb 4

C b(add2)

E b m9

w
w

Your bare feet slid - ing on the

old wood - en

floor - boards.

&

w
w

b
& b b b b b j

it

E b m9

but still youre shak en.

? bbb w
bbb

Like walk - ing in - to

.
w

G bsus2

colla voce

Db

bb
& b b bb

D bsus4

ww
w

Db

j j
.
w

C bsus2

bb
& b b bb

w
? bbb w
bbb
p
? bbb
bbb w
w

j
.
w

with pedal

Gb

ww
w

j j

Home

just

as

you

left

C b(add2)

mu - se - um some

Copyright 2011 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

how

out

of

kerrigan-lowdermilk.com

How to Return Home 2

bb
& b b bb

11

A b(add4)

bb
& b b b b ..
n .

? bbb
bbb
bb
& b b bb

14

girl in the

bb
& b b b b ..
.
? bbb
bbb

hall - way,

..
.

Your child - hoods on the oth - er

? bbb j
bbb

bb
& b b bb .

-
J J -

20

bb
& b b b b ..
n - .

? bb b b

b b -

too

...
.
P

side

of

who

will

A b(add4)

.
n - ..

sprawl - ing

j
.

di

j


J

Prepared exclusively for Maya Deschenes.

in - to.

vide,

Take a

rip - en

she

D b(add4)

...
-

D bsus4

same ex - cept the

a tempo

...

wide.

shes been and

j

n

Its all the

C bsus4

j j

where

E bm

bb
& b b bb
w

G bsus2

bb
& b b bb

17

.
..

C bsus2

time.

E b m9

www
w

si

lent

breath.

kerrigan-lowdermilk.com

How to Return Home 3


E b m11

bb
& b b bb

23

bb
& b b b b
? bb b b
bb

gg
gg

Hold in

b b .
& b b bb .

up

.
? bbb
J
bbb
G b/B b

bb j
& b b bb

29

bb
& b b b b ..

to


? bbb
bbb

day.

j
.

D bsus4

bb
& b b bb

32

bb
& b b b b ww
w
? bbb w
bbb
w

Tell your - self

a - way.

- J J

E b m9

..

C bsus2

live

here.

.
.

E b m11

..

j j
.

J
.

rs.

...

still

.
.

ly



Count the hou

Its the on

.
J

G bmaj7

you

stairs.

j
.
.

Wash your - self

j -

D bsus4

Take your bags

the change.

bb
j
& b b bb

26

C bsus2

E/D

way

youll get through

.
J



Take a

show - er.

..
..

.
.

A b 7/C

E/D

n
n
-

n
n
n n # n n # # n - n # n n
j
j
j
j
n.
.

n.
.

nw
nw
Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

How to Return Home 4


E bm7

bb
& b b bb

35

C bsus2

bb

.
& b b b b b b

.
b
F
? bbb
j J J
j

bbb
-
D bsus4

bb
& b b bb

38

Db

bb
& b b bb

G bsus2

bb
& b b bb
bb
& b b bb .
.
? bbb
bbb
bb
& b b bb

44

Was

it

here

al - ways

C bsus2

bb
& b b bb .
.

j
j

girl that you were

? bbb
bbb

The house is

? b b b .
bbb
.
41

.
.
P

way back

j
.

n ...
-

you

A b(add4)

nev - er

a - li - en

E b m9


Its call -ing

.
.

.
then

Prepared exclusively for Maya Deschenes.

n ...
-

you to be the

j
.

lis - tened?

heart - beat.

..

but

C bsus2

puls - ing with an

D bsus4

.
.


j
j - J J j
.

E b m9

Gb

kerrigan-lowdermilk.com

How to Return Home 5


D b(add4)

bb
& b b bb

47

gain.

bb
& b b b b ...
- .
? bbb
bbb
-
E b m9

b
& b bbbb

49

bb b b ggg
& b b g
F
? bbb
bbb

bb
& b b bb

Take your bags

G b/B b

bbb j
b
& bb

and

b b .
& b b b b ..
? bbb
bbb

.
- .

C bsus2

up

slow.

j
.

j
..
.

si

D bsus4

g
ggg

..
.

E b m11

Be their daugh - ter.

...
..

your

Prepared exclusively for Maya Deschenes.

j j
.
j


live

breath.

still

C bsus2

Put a - way

..
.

lent

Gb

you

j j -

E b m9

stairs.

Tell your - self

j j
-

? bbb
bbb

55

Hold in the change.

D bsus4

..
.

Take

bb
j
& b b bb

52

here.

j

j

clothes. Take it

nice

A b 7/C

Noth - ings hard - er

..
..
.
.


n
n
-

kerrigan-lowdermilk.com

How to Return Home 6

bb
& b b bb

58

when no - bo

b
& b b b b b ww
w

bb
& b b bb

E/D

n #
n

j
.
.

n.
n.
A/D

bb
n
& b b b b n # n

n #
#

n.
n.

? bbb
bbb

( )
##
& #

67

A add9 /C #

###

How to

home.

bb
& b b b b n #
n

bb
& b b bb

j
.
.

n.
n.

go

back.

n
n # n

How to

.
.

How to

n # n

n
j
n
n

# # # > ...
j
.

>
f
###

>
>

how to sur - vive.

show up and un

re - turn

re - turn

n
n # n

j
n
n

# .

# n ##

n.
n.

to

D maj7

# # n

j
j
.

.
&

..

>
>
>
j
? ###
j

>
>
>
>
...
.
>

how

E/D

E
###
j
#

and

# # n

n
n # n

.
.

E/D

cresc. poco a poco

# .

64

n n #

n n #

? bbb
bbb

dy knows

? bbb w
bbb
w
61

E/D

home

n
n

j
.
.

j
.

Theres no writ -ten guide - lines.

..

>
>
j
j

>
>
.
J

D sus4

pack.

Prepared exclusively for Maya Deschenes.

..
.
>

>

j

.

^j

...
.

How to

show

up.


B 7/D #

^j

#
^j
#
#

kerrigan-lowdermilk.com

How to Return Home 7

###

&

70

##
& #

How to grow

up.

? ###

j

.

D/E

How to

.
.

##
& # .

j
.
.

.
.

.
.
>

? ###

### .
&

>

76

j
###

&
J
? ### .
.
>
78

&

J
j

>

###

Dmaj7

j


>

>

>

>

j
.
.

>

-j

>

E/A

J
j

>

.
.
>

F # m9

..
>

>
A5

###

&
? ### .
.
>

breath.

##
& #

j
.

>
>

73

take

>

A sus4

j

>
j
.
.
>

>

E 7sus4

>

>

Prepared exclusively for Maya Deschenes.

Take a

si

lent

breath.

&

kerrigan-lowdermilk.com

How to Return Home 8


F # m11

###

&

81

&

# # # www

### w
ww
&

subito

colla voce

##
& # J .
&

###

? ###
88

&

###
###

g
ggg
g
f a tempo

stairs.


J
j

You dont fight

&

##
& # n
n
#
? ##
n.
n.

n
-

j
.
.

broadly, almost in 2

name

.
.

j

#

j
#
#

..
..

how to

n
-

j
n .
n .

the

same.

.
J

..
..

E sus4

Its

whole

new

game

re - turn

>

G/F

of

A/C #

j
n

n
n n
-

B 7/D #

it.

j .

Take your bags


up
>

E sus4

here.

but youre not

You dont hide

live

...

j j
.

D sus2

..
.

still

j
j

G/F

F # m11

it.

? ###
###

j

.

91

Tell your-self you

You still share

ww
w

&

www

Hold in the change.

F # m9

85

D(add2)

G/F

home.

n
-
n n -
n.
n.

Prepared exclusively for Maya Deschenes.

j
.
.

kerrigan-lowdermilk.com

How to Return Home 9


94

&

###

G/F

G/F

G/F

### n

&
n - n n - n n n > > n n n
>
>
>
? ###
j
j
j
j
n.
.
n.
.
n.
n.
.
n.
.
n.
97

&

How to

###

E sus4

###

&
>
? ###
.
.
>
100

&

>

>

j
.
.
>

### w

>

>

? ###

turn

>

> .
..
.

>

>

D sus2

re

# # #
&

to

.
.
w

###

>

ww
- w
P
- ww

Prepared exclusively for Maya Deschenes.

j
.
.

opt.

.
.

home.

>

>

> > >

>

>

Ooh

> ..
.
.


J
>

How

? ###

>
&

j

.

>

home.

D(add2)

>
#
# # . .
.
&

103

re - turn

ww
w

U
w

j j

U

MY PARTY DRESS
from Henry and Mudge
Etude (q = 144)
Eb

b
& b b 44
? b b 44
b
3

b


&bb

& b
b
&bb

it mess - y,

here.

? b
b b .

And

n .

here.

And

b .

Copyright 2011 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

"

3
4

spilled.

3 .
4
3
4 .

And

n n .

was feel - ing dress - y.

here.

but you can - not see where I have

&

morn - ing I


b

& b b n

bb

B b7

b
&bb

This

? b
bb

Moth - er thinks Ill get

b
&bb

? b
bb

legato

Did you see my par - ty dress?

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK

n
I

"

spilled

colla voce

"
,

here.

N.C.

with realization

n
>
Oh

n #
>

no,

44
4
4
4
4

kerrigan-lowdermilk.com

My Party Dress 2
Eb

b
& b b 44

13

.
a tempo
j .
.

b
&bb

16

Jen - na

b
&bb
n .
? b
bb
.
b
&bb

18

.
j .
n .

Cm

grabbed the

b
& b b
? b
bb

punch.

.
j .
.

tried

to

take

E b/D b

climbed

chair.

B b 7/A b

where.

j
.

my

Crunch N

j
.

Munch.

It

j
.

was - nt

fair.

n
n

then

Eb

fell

rit.
n -

b
b

.
n j .
.

n #

But

B b 7/D

n .

B aug

Mi - chael stole my birth - day cake and

E b/B b

b 3
"
&bb 4

20

j
. .

Walk - er

John

that was on my oth - er dress.

b 4
&bb 4

.
F
? b b 44
b
.

A dim/E b

and

B b/F

punch went

E b/G

ev - ry -

On

the

b 3
"

& b b 4
.
colla voce
. "
? b 3

bb 4

floor.

P
.

On

n .

my

chair.

On

his

shoes.

n n .

Prepared exclusively for Maya Deschenes.

In

b .

3
4
3
4

N.C.

3
4

her

kerrigan-lowdermilk.com

My Party Dress 3

b
&bb

24

,
,

Eb

hair.

b
&bb

? b
b b .
27

&

bbb

n
>
But

b
& b b n

Mi - chael

once

? b n
bb
bb



4
4

P
4
4

was - nt

it

n # .

4
4

made

fun

of

b
&bb

play soc - cer and

P
.

b
&bb

32

cov - ry

b
&bb

? b
b b .

Camp

n n .

play the

3 ,
4
.
,
3 .
4

flute.

43 .

b
b
& b
I

soc - cer,

B b7

and

tum

John

a tempo

& b

29

on my par - ty dress.

bling

b .

so

>
n

stuffed him

>

>

>

in

lock - er.

&

N.C.

do

art

colla voce

and

tee

Prepared exclusively for Maya Deschenes.

and

Dis

ball

n #

n .

and

4
4

4
4
4
4

kerrigan-lowdermilk.com

My Party Dress 4
Eb

B b/E b

b 4
&bb 4

35

Eb

play pi - a - no ev - ry night.

bb 4
& b 4
F a tempo
? b 4
bb 4
b
&bb

38

think

b
& b b n

? b
bb
C b aug

b
&bb

40

se - cret

would

spy

who

saves

b
,

B b 7/A b

b 3
& b b 4 .

42

be

the

day,

play Ode

to

b 3
& b b 4
.
colla voce
. ,
? b 3

bb 4

and

A b/C

when Im

n .

In - jun

or

Eb

fin - ished

B b 7/F

it

3
4

n #

n n .

3
4

Ja - cques, Al

b .
accel.

Ill

3
4

Prepared exclusively for Maya Deschenes.

E b/G

sav - ing

C - I - A,

Joe, Fr - re

rit.

b -

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wrote:

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colla voce

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Prepared exclusively for Maya Deschenes.

cape. And...

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molto rit.
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rus - tles.

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to

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to

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on Sat - ur - day. Miss

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n -

n
n -

ap - pear.

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My Party Dress 8

bb

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b
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gel,

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me

Prepared exclusively for Maya Deschenes.

then

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dance

to

this

n b
b
>

molto rall.

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b n
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can - dy

n
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with

Prepared exclusively for Maya Deschenes.

me.

Sing

"

will dance un -

Bb m

>

G b7

the great bal - let.

bbbbbb

bbbbbb
~~~
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r.h.
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b b .
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>
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will do

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turn.

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b
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122

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>

Db9

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&
4

one

day

when

guess

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thats

>

>

quit.

will

do

n
>

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"

> .
.
.

Prepared exclusively for Maya Deschenes.

"

it.

>

pres - i - dent,

>

>
.

gg
gg
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ne - ver

^ "

Maestoso (q = 104)

will

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4 .

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turn.

quit.

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119

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>

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j

>

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peace - ful,

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think

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late

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are

cool.

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coun - tries

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to

>

pass

"

3
4
>
^
3
4

rule

and

hap

()

A # m7 b 5

to

ban - ish

>

N.C.

Prepared exclusively for Maya Deschenes.

####

####

####

be

"

kinds

"

the

freely

school. And

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#
#
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leg - is - late

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My Party Dress 12

&

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com - fort - ble,

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with pedal

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143

Prepared exclusively for Maya Deschenes.

my

kerrigan-lowdermilk.com

My Party Dress 13

149

&

####

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^
# # # #
& #
# # # ^
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b

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>

>
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ww>
w

>
>

w
>

Prepared exclusively for Maya Deschenes.

>

>

>

NOT A LOVE STORY


from Tales from the Bad Years

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK

Moderately, with passion (q = 108)

Eb
F6
bb C
&

P
ww
? b b C www
w
5

&

bb

b
& b .
? b ggg ww
b gg w
g
9

Gm

b
& b .

N.C.

&b

&b

&b

12

&b
&b

b
b

love

sto

ry.

subito

&

w
w

F6

www

ww
w

- .
.

Eb

Its

not

com - ing

Its

not

the

kind

of

thing

2
4

you put

Copyright 2011 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

in

2
4
2
4

of

not

w
w

www
w

Its

-
J

Gm 9

gg ww
gg w
gg

age.

to

C
?

B bsus2

b
&b C

15

play.

b
&b

j j

b ww
b
&

just

? b w
b w

Its

21

&

bb

? b
b
w
&

friends

it

hap

pens,

grown

ww

up.

? b
b
w

( )

It

it

hap - pens,

hap - pens

F 7sus4

ry.

w
w

one

day.

b
&b

sto

w
w

j j
.

small

B bmaj7

bb

all

w
w

j
.

j j

B b(add2)

two

Cm

b
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23

..

Gm 9

Its just

b
&b C

P
? b C
b

18

kerrigan-lowdermilk.com

Not A Love Story 2

Why

con moto

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Not A Love Story 3


25

&

bb

G m11

to - day?

b
& b .
? bb
28

&

bb

F/A

b
&b
b
&b

? b
b w
&

bb

F/A

fore.

sim.

would

say

hed

The fold - ed

ww
P

w

pass - er - by

E b/G

F/A

31

33

We saw our breath, though it was

b
&b w

? b
b

Gm 9

B bsus4

arms.

b
&b


? b
b

seen

hard - ly

win

ter.

all

be

Bb

sim.

The wound - ed eyes.

it

B b5

j

F13

The

j .
w

Prepared exclusively for Maya Deschenes.

signs that we

ww
w
ww
w

both

ig

kerrigan-lowdermilk.com

Not A Love Story 4


36

&

B bmaj7

bb

nored.

b
&b

39

&

bb

E b/B b

the

shad - ows,

the

&b

&b

b

w

&

bb

F/A

tears.

We did - nt

E bsus2

b

&b
bb >
&
F
? b
b

speak.

thing

we

saw

B bsus4

You say good - bye, but do you

piu mosso

on - ly

? b
b

45

&

b
& b .

Our lips were

E b/G

numb.

F5

w>
w

The

real - ly

B bsus4

know its

o - ver?

mid

the

threat

of

world did - nt

F6

>

ca - the - dral loom - ing

F/A

in

42

? b
b w

The old

F/A

crum - ble.

E bsus2

>

Prepared exclusively for Maya Deschenes.

You say good - bye, but

do you

kerrigan-lowdermilk.com

Not A Love Story 5


48

&

bb

F6

b
&b

&b

51

&

55

&

bb

>
bb ww

&

58

&

bb

bb
&

www

that

things

>

Its not the

? bb

kind

ww
w

of

thing

you put

Prepared exclusively for Maya Deschenes.

com - ing

B bmaj9/D

www

change.

Its not

>

nev - er

change.


w
Cm7

this

Its not

like

B b(add2)

and

..
.

go

.
.

ry.

F6

F13

..

w
w

j j
.

? b
b w

a - long, think - ing

And then they

b
>

sto

go


J
b
>

You

Gm 9

love

.
J J

..
b
? b
b

>

it?

A bsus2

bb ..

com - pre - hend

? b j
b

E bsus2

of

age.

2
4

in - to

2
4
42

C
C
C

kerrigan-lowdermilk.com

Not A Love Story 6


Bb

b
&b C

61

play.

b
&b C

? b C
b

b
&b

64

.
bb .
&

&

bb

&b

69

&

just two

friends

B bmaj7

bb

day.

b
&b

all

grown

up.

hap

F sus4

pens,

gg www
gg w
g

it

ry.

It

hap

pens,

Why

j
? b
b

w

j
.

sto

gg www
gg w
g

it

b w

? b
b

Bb

small

Cm

j j

Its

G m11

Its just

.
J

? bb
w
67

Dm7

hap - pens

one

G m11

>
>

j
j



w
w

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Not A Love Story 7

b
&b w
F

72

Gm 9

>
>
bb .

&
? b
b
75

&

bb

&b

w
F/A

w>

>


r.h.

w
w

does

it

keep com - ing back to

w
w
p

&

bb

hold

B bsus2

each

F/A

oth - ers

one

dark

hands.

&

F13

go

b
&b w
ww
? b ww
b w

on

sec - ond?

Our stom - achs

quake.

B bmaj7(#11)

de - mand - ing

more.

? b
b w

bb

& b w

81

F/A

E b/G

l.h.

? b
b w
78

Were skip - ping phys - ics just to

..

j .
w
B bsus4

Our first mis - take:

we

n
n

F

w

.
.

- -

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Not A Love Story 8

b
&b

F/A

84

b
&b w
w

B bsus4

Un - til were sleep - ing in

squal

&

bb

E b/G

hold each oth - er so

b
b
&

tight.

b
&b w

G m11

? b
b

all.

G m11

.
.

We have to spoon or well fall.

re - fuse; we will not

We

bunk.

The low - er

E b/G

But we

Cause there's no room here at

G m11

b
& b

room.

F (add4)

? b
b

dorm

b
&b w

93

id

b
&b

cresc.

F/A

? b
b w
90

.

w

? b
b w
87

F/A

say the bed is

w
F

for

.
.

Prepared exclusively for Maya Deschenes.

us.

too

small

kerrigan-lowdermilk.com

Not A Love Story 9

b
&b

F/A

96

.
bb .
&

We on - ly

want

Bb

ed

99

&

bb

E b(add2)/G

? b
b

b
&b

102

Gm 9

Id

..

have

you.

b

&b
F sus4

w
www
b
&b
&b

b w
w

As sure as time would pass, as

n > .
n.

ing.

stretch - ing

as far as we can see.


>

out

have

....
per

ma

6
E b /9

me.

www

>

B bsus4

Youd

>

J

More.

subito

j

J

A ho - ri - zon

b
& b

j
? b

b
w
105

F/A

j
...
>

Un - end

b A > ...
b
&
..

> .
.

more.

f
? b
b w
opt.

Fmaj7/A

nent

as

stone

ca

the

Prepared exclusively for Maya Deschenes.

>

drals.

&

kerrigan-lowdermilk.com

Not A Love Story 10


A bsus2

b
&b

107

&b

b ww

May - be

if

w
>j

? b
b bw
bw
B b5

b
&b

109

b .
& b ..

b
&b

Gm7

b
& b wF
w
? b w
b
114

&

bb

know

had

We

had

nt

skipped

ww

>
b

w
w

>

nt

>

phys

.
.

day.

? b
b

&

P
w
w

wed

has

de

cay.

ww
w

yet

j j

j E (add#4)
j

j j
.

that

ro

has

each

w
w

mance

w
w

Gm 9

ics,

w
w

www

chime-like

>

ev - ry - thing

>

J
>j

ww-

F (add4)

learned

>
.

F 7sus4

>

J
>j

last

&b

we

? b .
b .
.

111

Prepared exclusively for Maya Deschenes.

www
w
w
w

kerrigan-lowdermilk.com

Not A Love Story 11


Slowly, with rubato

b
&b

F/A

117

b
& b .
p
? b
b
120

&

bb

Ca - the - dral bells rang out

&

E b/G

B bsus4

an

a tempo

that

b
&b

oth

the

morn - ing

ho

ur,

re - mind - ing

us

that this was

poco colla voce

some - how

ho - urs

pass,

that

that

do you

night,

F7(no3)

theres

still

sun

w
w
F

Uw
ww

light.

w>
w

&

real - ly

know its

U
w

ww

E bsus2

o - ver?

You say good - bye, but

>

Prepared exclusively for Maya Deschenes.

B b(add2)

w
w

You say good - bye, but

er

F/A

breaks,

E bsus2

b
&b
p

b

&b

? b
b

mark

j
? b .
b w
125

Tempo Primo

b
&b
P
? b
b w
bb

F/A

just

122

to

E b/G

do you

kerrigan-lowdermilk.com

Not A Love Story 12


128

&

bb

b
&b

com - pre - hend

131

&
&

bb

? b
b

E bsus2

it?

>

There was

A bsus2

bb .

&

bb

w
? b w
b
137

&

bb

Gm

can

al

Ped.

Its not

a tempo

j .

j j
.

Its just

things nev - er

change.

&

F6

- .
.

molto espr.

some

F 7sus4

so

change.

- -
J

B bmaj9

b
& b

? b w
b

sure

b
& b ..

time when you were

But that

b
& b bw
134

F5

.
love

small

sto

Prepared exclusively for Maya Deschenes.

sto

ry.



w
w


B b(add2)

ry.

kerrigan-lowdermilk.com

Not A Love Story 13


140

&

bb

And

b
& b

&

it

hap

j j
.

? b .
b w
w
143

j j

F
? b b w
&

b
&b

&

bb

A bsus2

b
&b


P
? b .

b b.

E b/G

.
.

Why

Gm 9

Cm


molto rall.

? b
b w
149

day.

bb

one

pens

b
&b

146

F 7sus4

sim.

B bmaj7

bb

Cm

to

day?

Bb

F9

Prepared exclusively for Maya Deschenes.

w
w

w
w

RISE
from Republic

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK
Intense Orchestral Rock (q = 150)

# 4
& 4
Em 9

I know how to

# 4 w
& 4 www
F (in strict tempo)
?# 4 w
4
w
4

# 3
& 4

# 3
& 4

they

dont

know

&
&

#
#

fool I

? # .
.

make

keep the

bas - tards laugh - ing.

..
..

>


>

4
4
>

They dont know

shite.

How

of

it.

>



>

>

w
w

keep my head

>
w
w
>

down and

Copyright 2011 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

3
4

but

3
4
3
4

>

w
w

Csus2

game

w
w
w

I got their num - ber

4
4

4
4

>

Em 9

D sus4

mine.

.
.

? # 3 .
4
.

Csus2

play

the

blood - y

3
4

4
4

3
4
.

4
4

wait for

3
4

sign.

44

kerrigan-lowdermilk.com

Rise 2

# 4
& 4

D sus4

10

# 4
& 4
>

>

? # 44

>

>

#
& J
G sus4

13

&
&
16

&
&
&

19

&

me

# .
w .
#

E bmaj7

will

& b b wwww
-

colla voce

&

my

ing.

dis - guise.

n b ...

b
J
im - i

w
n b ww-

tate

the

Bb

sun.

see

-j

.
n ..

They dont know

b n

gun.

And they dont

b.
F sus4

F(add2)

-j

B bsus2

. ..

with

Some kid

w..

P meno mosso
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. ..

?#

-j

Its

run.

cant.
j
j

to

j j
.

com

# .. .
#

Im read - y

D (add4)

bw
. .
heavy

b n ww

Prepared exclusively for Maya Deschenes.

U
w

ww


And I

&

kerrigan-lowdermilk.com

Rise 3
23

&
&

#
#

?#

C5

w
w

# 5 .
& 4

>

>
# 5 >

& 4
f

?# 5
4 .

>
? # 4
4

>
. #

# >
#

accel.

Driving (q = 158)

Em

streets

are

>

>

Csus2

>

>
. n

>

n >
n

filled

with

death

and

>
>

>

>

>
>

Em7

>

>
>

5
4

5
4

4
4

D/E Em7

>

>

C5

and we

>
>
>
>

>
>

Prepared exclusively for Maya Deschenes.

4
4
4
4

When

>

ter - ror

>

45

G/D

# >

&
J

F >
? # > >

A/C #

# 4 >
& 4

>

Csus2

# 4 w
& 4

28

>

>

>

D/E Em7

rise.

&

a tempo

Em7

will

>

25

30

D sus4

the

trem - ble,

>

>


>
>

kerrigan-lowdermilk.com

Rise 4

D sus4

&

34

when the dream of

#
&

>
? # >
#

D/F #

>
>

#
&

?#

&

42

&
&

stand.

#
#

D sus4

rev - o - lu

38

will

&
&

Rise.

?#

..
- .
p
.

>
>

ww
.

Cm

men

> >

.
J

b -

will

fall

but

b -

- .

^
.
> > >


> > > v

Rise.

4
4

4
4

5
4 ..
p
5
4 .

>

rise.

45 .

Em 9

B 7(b 13)

Prepared exclusively for Maya Deschenes.

>

.
J
w

b
b -

4 w
4

will



>
>

Oth - er

I will

dies,


> > >


. . . . . .
>
>
P

us.

?#

>
>
45

G5

tion

>
>

lead

Em

ten.

kerrigan-lowdermilk.com

Rise 5
Em 9

Screw

# w
www
F
?#
w

my

fath

er,

screw

the

whole

..
..

&

51

&
&

# w
w
w

&
&

Em

&
&

shite.

And

the

but

Pro - vos

dont want

the

..
.

fight.

with

their

blood - y

sim.

coun

try.

4
4

D sus4

^
j 44

^
4

3
4
.

damn

3
4

fuck - ing

They got

? # ww
w
w

the

43

3
4

cour - age

and

they got

3
4

the

balls.

44

^
4
4
J
4
4

Prepared exclusively for Maya Deschenes.

>

bombs

Csus2

fly - ing.

D5

>

They dont know

..
.

free - dom

3
4

?# w
ww
56

They want the

?#
w
54

Csus2

j
^

But where do

they

~~~~~

&

~~~~~~

49

kerrigan-lowdermilk.com

Rise 6
59

&

Csus2

stand when its

are

long

gone?

~~~~

>

&

pubs

>

>

>

.
.
J

?#

&

65

&
&

#
#

C5

and we

>

When

&
&

#
#

the

>

streets

are

>

the air

filled

with

death

and

when the dream of

rev - o - lu

.
D/F #

I will stand


>
>

ww
w

?#
w

as they

Prepared exclusively for Maya Deschenes.


>

and the

ter - ror


>

D sus4

in

>
>


>
>
>
F
ww
w

.
.
J

>

>

Em

Em

>

trem - ble,


>
>

D sus4

no more right or wrong? When theres blood

>

.
.

?# w
w
w
69

o - ver? When theres

# >
&
f
? # ..
62

tion

dies,


>

trem - ble.

Watch

em

>

73

&

Cm
# -

b
&
#

all

b -

down

&
#

&
.
>
?#

>

>



> >

45 .

####

&

83

His

&

..
.

Asus2

####

P
#
# #
& # - .

try

is

told

legato

>

.
J

>

Rise.

..
- .
p
.

#
& 43 ..
.


. . . . . .
>
>
P

>
>

by

- .


the

vic

>

>

.
J

&

####

####

tor.

n - .

Prepared exclusively for Maya Deschenes.

Its

43

####

E/G #

Em/G

43
3
4

.
E/G #

watch

D sus4

and

5
4 ..
p
45 .

Rise.

>

rise.

# 3
& 4

Em 9

In 1 (h. = 58)

# 3 #.
& 4

79

>

me

b b

fall

? # .
..
76

kerrigan-lowdermilk.com

Rise 7

a - .

##
& # # J .
Asus2

87

&

####

&

####

writ - ten

# # # # ..
&
On

ly

the vic

E b/G

b
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P
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b b .
& N

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&

tor

- .
.

6
A b /9

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the

glo

..

tries

? j
.

of

men

.
C/E


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Fsus2

.
-

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Em/G

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.

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to

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a.
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6
A b /9

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E/G #

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a - .

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.
-

cap

99

####

b
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# ##
& #

95

- .

with pedal

blood.

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in

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91

&

kerrigan-lowdermilk.com

Rise 8

E/G #

bbb
nnn

ry.

..

were

j

.

Dm7(sus4)

de - feat - ed.

Their

j

.

Prepared exclusively for Maya Deschenes.

..

nnn

C/E

lives

lost

colla voce

nnn

in

bat -

Animato (q = 138)

Rise 9
103

&

F5

tle

& ..
?
106

for

.
.

Am7/G

&

try,

for

& j j j j

j
? .

4
&4

B 7sus4

our

D m11

our

peo

111

&

C #m

>

rise

^
# #
& #
f
^
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#
#

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#
^
# #
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4
4

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3

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4
J

5
4 j j j

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5
4 .
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me

4
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109

45 .

Dm 9

kerrigan-lowdermilk.com

4
4
4
4

>
rise

^
# #
#
^
# #
#

Prepared exclusively for Maya Deschenes.

like

bomb

ex

3
4

3
4

43

3
&4
B

114

plod

D #m

ing.

# >

#
# # #

?3
4

#
F #m9 b5

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& 4

117

phoe

- nix

### 3
>
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>
? # # # 43

C #5/F #

###

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###
&

> .
..

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.
(string cue)

>

ris

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tri

>
#

rise

4
4

4
4

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n >
n n

umph

>

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my

>

# #

like a bird.

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#
#

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from

the

ash - es,

> n # n

>

>

2
4

E sus4

>

2
4

try

E5

.
.
>

Subito Tempo Primo (q = 158)


F #m

shame,

### 4
& 4

F
? ### 4

from

its

from

E/G #

past

4
4

to its



3

3

Prepared exclusively for Maya Deschenes.

A5

fu - ture.

>

4
4

this

2 a
4

### 3
4
### 3
4

#
#

### 3
4

accel.

# # 4 .
& # 4

124

the depths,

molto rall.

from

# #
#

Fucked Up Waltz (q = 132)

4 #
4

#
> >

#
>

rise

# #
3 # # # #
&4

121

kerrigan-lowdermilk.com

Rise 10

molto rall.

.
..

4
4

And

the

128

&

Rise 11

Dm
###

world

###
&
n

? ###
w
132

&
&

will

hear

my

n
n

E sus4
###

###

? ### w
w

>
>

F #m 9

### 5
& 4 .
### 5
& 4 ..
p
#
? ## 5
4 .
.

### 4 w
& 4

>

J

F #m(add2)

138

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4

name

ring

Rise!

.
..
p
.
.

out

and

5
4

>

>



> > > v
>

J

U
w

5
4

5
4
4
4

>

4
4
4
4

Prepared exclusively for Maya Deschenes.

>

Rise.

>

> . . > . . . .

Dm6

rise.

## 4
& # 4

will


. . . . . . . . . . . .
>
>
>
>

136

n
n

kerrigan-lowdermilk.com

on vocal cut-off
>

>

RUN AWAY WITH ME


from The Unauthorized Autobiography of Samantha Brown

Steady, in one (h.= 60)

### 3
& 4
p
? ### 3 .
4
A

&
&

###
###

D/F #

Let

me

.
.

- .

- .

catch

my

##
& # ..

This

##
& #

start

##
& #

is

? ### .

real

- .

- .

ly

to

look

#.

- .
E/G #

like

Im

hard.

.
C # 7/E #

- .

E/G #

breath.

.
.

.
.

? # # # - .
D/F #

.
.

.
.

D/F #

##
& #

15

D/F #

? # # # - .
11

E/G #

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK
A
E/G #

A (add2)/E

N.

If

sweat - ing,

A/C #

well...

Copyright 2006 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Run Away With Me 2

19

&

###

B/D #

? ### # .
&

###

# .

##
& #

good

with

##
& # ..

words.

- .

32

.
? ### .

? ### .

### .
.
&

28

noth

am.

? ### .

N.

E/G #

D/F #

Im not

##
& #

###
&

thats cause

##
& # .

23

E 7sus 4

ing

P
- .

- .
E/G #

.
.

- .
D/F #

E/G #

new.

- .

But thats

Still

Prepared exclusively for Maya Deschenes.

..
- .
.
Bm/F #

have

to

try

kerrigan-lowdermilk.com

Run Away With Me 3


C # 7/E #

&

###

&

36

###

to

ex

&

###

&

###

&

###

# .

##
& #
? ###

# # # N.C.

&
.
###
&
p

##
& # .

cresc.

A/C #

what


Let me

colla voce

be your

E5

&

ride

out

of

town.

With

..

Run

..

#.

do

way

with

me.

..
.

dim.

to

Bm/E

B sus2/D #

want

you.

poco rit.

49

N.

with you.

E7sus

plain

E 7sus 4

? ### .
45

? ### # .
40

( )

A a dd2 /E


Let me

be

.
.

Prepared exclusively for Maya Deschenes.

the

place

that you

n -

hide.

kerrigan-lowdermilk.com

Run Away With Me 4

&

###

.
.

lives

on

&

###

We can make our

53

&

###

..

.
#.


the

( )
A (a dd2)/G #
##

& #
# # # - .
.
&

Tex - as

a tempo

? ###
###
&
D

61

##
& # ..
- .
? ###

###

&

A/G

###
&

? ###
n

in

the

Ke - rou

65

go.

sum - mer

C #/D #

ac,

# ...
#

way

with

me.

E sus4

road

like

Jack


Well be

F # m9

..
-

D/E

back.

..

cool.

ing

Run

..

...

look

is

...

A a dd2

57

E7sus

the

E/F #

Sam,

youre

read

ting

read

with pedal

y.

Lets

y.

an

go

.
.

.
- .

Prepared exclusively for Maya Deschenes.

.
- .

Alt. lyric: Get

..
- .

on

kerrigan-lowdermilk.com

Run Away With Me 5


F #m 9

###

&

69

###

&
-

? ###
.

&
&

###

B m7

###

&

###

..
.

packed

and

&

###

me

the

key.

E sus4

..
.

..
.

E/G #

D7sus

..

&
.
P
? ### .
.
81

throw

..
- .

gg ...
g .
Tggg

###

E/G #

.
.

lush, thick

? ### .
.

##
& #
.

Get

? # # # ..

77

where.

with pedal

73

F #7

.
.
.

Run

..
.

way

with

..
..

car

me.

Sam,

know

..
.

know

...
..
this

its

is

fast.

fast.

..
.

Dmaj7/F #

.
..
..

# ..
- .

the

Im

in

love

with

you.

What

else

can

do?

..

Prepared exclusively for Maya Deschenes.

..
.
..

kerrigan-lowdermilk.com

Run Away With Me 6

##
& # .

85

A (add4)

##
& # ...
? ###

with pedal

##
& #

89

A (add2)/E

craz
craz

### .

&
? ###
###
&

93

&

###

i
i

..
.

er
er

D/E

have
have

? ### .

these
these

plans.
plans.

cresc. poco a poco

###
&

97

Dmaj7/E

###

&

>
? ###

>

its

cra

Call

it

cra

zy

zy

C #7

but

Sam,

Im

but

Im

much

.
# ..

B/D #

# .

Sam,
I

I
have

that

we

build

on

>

>

>

>

have
all

bay

>

>

these
these

plans
plans

when

we

run

Prepared exclusively for Maya Deschenes.

of
for

E7

#.

I
I

you.
you.

>

..
.

>

Sam,

for
for

A/C #

E 7/F #

house

way.

kerrigan-lowdermilk.com

Run Away With Me 7


101

&

###

###
&
F
? ###
###
&

105

A (add2)/E

###

&
? ###
###


Let me

be your


We can make our

##
& #
-

Al - a - bam - a

&

? ###

###
&

113

coun - try

##
& #
? ###

ride

out

lives

on

..
.
#
A/G #

heat,

sign

.
.
C #/D #

song.

#
# -

of

town.

Let me

E 7sus4


the

be

the

go.

me

Run

way

with

me.

Wont

be

long.

on

the

D/E

Well be

>

hide.

that you

n
>

up!

place

..
..

E/F #

Dm/F

..
..

# #

B/D #

D/F #

109

E/G #

Sam,
Well

youre
be

Prepared exclusively for Maya Deschenes.

A/E

road

like

some

.
.
-

E/F #

read
read

y.
y.

Lets

kerrigan-lowdermilk.com

Run Away With Me 8

117

&

###

A/G

###
&

n .

.
- .

F # m7

##
& #

125

&

###

packed

and

? ### .

&

###

.
- .

.
F #7

throw

the

Im

driving

not

try

..
.
.
.

E sus4

key.

# ..
- .

Run

..
.

me

..
- .

D (add2)

f
? ### .
.
.

..
- .

B m7

&

an


the

way

with

me.

car

..
.

.
.

.
.

ing

to

make

Get

###

.
- .

# # .
& #

129

where.

###

&
? ###

with pedal
121

go

? ###

.
.

Prepared exclusively for Maya Deschenes.

you

wife

kerrigan-lowdermilk.com

Run Away With Me 9


A/C #

&

###

&

###

132

&

###

&

###

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.
.
.

.
.

j
J

soon as

#.
#.

here

run,

just

as

soon

as

we

run. Run

Prepared exclusively for Maya Deschenes.

#
a - way.



>
>


new

>
>

####

####

####

kerrigan-lowdermilk.com

Run Away With Me 10

####
& #

147

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ride

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ac,


of

lives

on

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mud,

watch

E b/F


me

look - ing

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..

n b b ...
>
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n
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with

me.

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..

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slide!

Well be

E/F #

back.

Run

road

.
.

Sam,

youre

j
# n n ...

>poco rall.
#
>

Prepared exclusively for Maya Deschenes.

read

>
.
.

read

>

like

Jack

F #/G #

>

on the

hide.

that you

>

E m6/G

place

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go.

be

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Let me

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>
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163

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>

out

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b
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>

town.

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n.

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come!

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y,

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>

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>

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>

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set,

Sam,
now

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b.
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>

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.

C b7

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bb
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171

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.

a tempo

ride

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G b/B b

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bb
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167

A b/C

kerrigan-lowdermilk.com

Run Away With Me 11

is

me.
>
>

>

way

with

>

>

D b/A b

>

cal

Prepared exclusively for Maya Deschenes.

A b/B b

read
read

> ..
..

.
.
>

>

ling

for

>

y.
y.

Lets

&

kerrigan-lowdermilk.com

Run Away With Me 12


D b/C b

b
& b bbb
b.
B b m7

()

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b
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.
.

b b b
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194

way with

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me.

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dim.

.
..

P
- .

.
.

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A b/C

and

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.

poco rit.

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the word

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an

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where.

188

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.
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go

b b
& b b b

183

bb
&bbb

179

G b/B b

- .
G bm6/B

molto rit.

- .

- .

Prepared exclusively for Maya Deschenes.

- .
Db

..
.

.
.

.
.

SADIE
from Tales from the Bad Years

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK
Spunky, swing 8ths (q = 138)

4
&4
F
C

?4
4

&


can see

&

.
?

.
b - .

Sa

can see

die

Sa

.
.

as

she

( )
j

C add9

die

in

her

.
b - .

D dim/C

j

3

3
4 .
.
3
4

was.

.
G/B

b j

D dim/C

N.C.

Am

&

.
P

G/B

Am

&

j

3

.
b - .

D dim/C

pink

...
.
.
.

shirt,

...
.

Copyright 2010 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

j
#

.
.

big

blue

eyes.

Sadie 2
F6

E7

&

& .
..
-

j j

13

Steal

>

&

...

Am

17

ing

all

my

.
# - ..

4
&4

j j

#
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.
b - .

j j

.
D dim/C

j j
..
.
# - .

?4
4

&

.
P
?
n
n .

.
b - .

Am

&

25

..
..

b j

G/B

can

see

Sa

3
4

die

on

the

beach,

Prepared exclusively for Maya Deschenes.

slip - ping

4
4
4
4

3
4 .
.

.
b - .

she

3
4

D dim/C

j 44

..
..

un - til

cries.

4
&4
F

j
j
.

laugh

down

run - ning

G 13

E7(b 9)

D m9

...

()

E 7 #9

and

laugh -ing that

21

>

Bleeck - er,

& ..
.
-

T - shirts

F # m7 ( b 5)

kerrigan-lowdermilk.com

in

and

kerrigan-lowdermilk.com

Sadie 3
Am

N.C.

28

&

out

&

j
#

of

cart
j
#

wheels.

( )
&

per - fect

& ...
.
? .
.
35

>

the

.
E 7(# 9)

sun

sets

n
n
>

vry

skin.

E 7( b 9)

>

Am

...

in

the

>

cean

of

..
..
-



> .

her

scent

and

j

.

Prepared exclusively for Maya Deschenes.

her

j j

j j

F # m7 ( b 5)

can see

...

j j

her

...
-

piece with

j j

...

6
C /9

Jer - sey.

..
.
>

Drown - ing

one

on

F6

G13

& ..

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&

j n ..

#.
>

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shad - ow as

39

E7

& .

C add9

She can rock

(optional fill)

?
31

G/B

her

grin

and

its

>

>

>

>

>

>

kerrigan-lowdermilk.com

Sadie 4
43

&

F6

all

Sa

&
F
?

>
47

&

51

&

not

gone.

55

&

old

mov

>

the

my

Sa

..
- ..

( )
.

still

Sa

.
>

die

is

B b 7 ( # 11)

plays

.
b - ...

..
..

.
>

an


- .

Prepared exclusively for Maya Deschenes.

like

Sa

on

not

j
#

b
>

Shes

b.

die.

> .

..
..
-

die.

F/G

Sa

>

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old

B b 9 ( # 11)

j

.

j
#

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>
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Its

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>

&
?

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?

C add9 /E

.
.
>

But

j
. j

die

at

all.

kerrigan-lowdermilk.com

Sadie 5
59

&

Am

4
&4
C

?4
4

.
b - .

&

.
?
n
n .

D dim/C

j

3

.
b - .

can see Sa

die

j

.

Pick - ing out

b j

at

the

reel

Square, serv - ing

j

.


show

3
4 #

>

r
#

up

the

n n

r
#

me:

Hep

burn,

n
n .

j

.

Prepared exclusively for Maya Deschenes.

b
>
3

b
b
>

>

Ca

& N

>

Play

but - tered pop - corn.

(optional fill)

( )

A bmaj7

Gsus2

C add9

to

j

3

.
b - .

N.C.

G/B

3
4 .
.

D dim/C

44
3
4

4
4

#.

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&

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4
4

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.

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&

71

63

.
# ..

4
&4

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.
-calmer

67

D/F #

ry

Grant.

#

3

(optional fill)

F6

75

&

()

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ser

than

&

> .
& ..

82

dol.

j
j

#
>

# j

>
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gers,

my

..
..

Fred

i - nee

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.

>

E7(b 9)

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mat

my

Shes

...
N - .

my

C6

&

> .

>

n > .

G 13

Ro

F # m7 ( b 5)

&

Am

>

&

79

close - up,

#
. > #

#
# #
&
3

kerrigan-lowdermilk.com

Sadie 6
E 7 #9

staire

dan

>

Prepared exclusively for Maya Deschenes.

Gin

ger

C/D

C/E

cing.

Its

>

>

kerrigan-lowdermilk.com

Sadie 7
85

&

F6

all

Sa

&
F
?

>
89

not

gone.

j

.

& ...
- .
?

93

&

old

mov

>

Sa

..
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j
#

B b 9 ( # 11)

plays

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b ...

b
>

old

Sa

die

is

.
>

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on

like

an

>.

die.

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not

Sa

b
>

j
#

.
b - ...

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3
j


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3

B b 9 ( # 11)

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C(add2)/E

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ie,

.
>

It

>

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my

j

.

& ...
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j

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still

Dm 9

&

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F6

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?

Sa

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..
- ..

>

( )
.

. j

Dm 9

&

97

C add9 /E

die

at

all.

b
3

..
..
-

Prepared exclusively for Maya Deschenes.

b.

j
b -

kerrigan-lowdermilk.com

Sadie 8
Lush, with forward motion (q = 144)
101

&

F6

&
?
105

&

& .
?

&

&
>
?

>

Fmaj9

&

113

&
?

When

the

black

>
#

.
...
.

.
>

dols

when

the cred

and

white

#
-

.
.

..
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play?

fades

to

grey?

soft

- . - ..

..



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3

Give me

.
>

>

screen

its

j
j
.

go

.
.

F/G

.


J

E7

109

Dm 9

Where do

piu mosso

( )

C add9 /E

fo - cus

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Sadie 9
E 7(# 9)

&

117

Am/E

E 7(# 9)

and

>
& j

film

strip

of

Sa

.
& .
?

subito

C sus4

125

.
.

j # >

lens:

>
j

#
a

poco rit.

G/B

E 7(# 9)

gle

.
.

dies.

Sa -

..
.

..
.

dies

..

slip - ping through my

& #.
? .
.
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..

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C (add4)

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p
? . ..
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an

E7(b 9)

>
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&

&

wide

# -

? j

.
121

. ..

fin - gers

#.
..
.

>

. ..

a - gain.

#
>

.
3

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Sadie 10

Am

G/B

&

133

&

.
P
?
.

can see

Sa

matter-of-fact

die

G/B

&

& g ..
gg .

Am

137

can see

if

141

die

but

&

Csus2

All

j
#

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j
..
#
.
F a tempo
?
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.
3

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145

Am7

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>

()

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#.

E7(b 9)

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.

>

Now

.
n.

thought Id

ber.

D m11

>

F # m7 ( b 5)

j N ..

#.

.
# ..

...

whis - pered

we

fad - ing fast.

..
.

the words

shes

Cal - i - for - nia.

E7

Tempo Primo
F6

squint, some - where out in

gg ..
gg .

colla voce

Sa

...
n.

Prepared exclusively for Maya Deschenes.

its

...
.

just

the

kerrigan-lowdermilk.com

Sadie 11

148

6
C /9

G 13

&

im

age

& .
...
?

of

..
..

&
&

155

&

subito

&
&

er

last

( )
.

C add9 /E

ing.

&

D m9

.
&
P
?
159

ev

(music box)

her

F6
151

...
J

B b 9 ( # 11)


..

.
J

mov

f soaring
? j
.

ie,

.
.

Just

like

an

C/G

old

>
>
>

>
>
>

poco rall.

b ..

F6

b.

the

j

.

b.

( )
.

C add9 /E

old

Sa

Prepared exclusively for Maya Deschenes.

die.

But

163

&

Am

my

Sa

& j
j
?
.
167

&

die

is

m .

? .
.
.

4
&4
F
3
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4

171

3
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3
& 4 .
.
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4

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b - .

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b - .

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44

..
..
..

4
4

..
.

with pedal

die.

.
#.

.
.
.

D dim/C

b ....

..

174

()

Sa

Sa

G 13 b 9

My

&

my

j
N.

D m9

F # m7 ( b 5)

j #
#.

C/G

kerrigan-lowdermilk.com

Sadie 12

o
G#

4
4

b j

see

Prepared exclusively for Maya Deschenes.

3
4

D dim/C

G/B

Sa

.
.

.
b - .

die

at

3
4

all.

SAY THE WORD


from The Unauthorized Autobiography of Samantha Brown

Easy (q = 94)

bb 4
&bbb 4
p
j
bb b 4
& bb 4 w
5

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK

..

ww
w

with pedal

Gb

bb
&bbb
bb
&bbb

..

Some - times

P
b b .
& b b b .
Gb

bb
&bbb

11

j
..
w

bb b ..
& bb
b b .
& b b b .

Ab

School - girl

when I

look at


you,

..

lit - tle

world

who learns

ev - ry - thing

..
.

..

Copyright 2005 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

wait.

j


Fm

B bm

I dont know why youd

Ab

j
.
w

.
.

-
ww
w

j ..
w

in

j ..
w

Fm

J
j

b

& b bbb
j
bb b ..
& bb w

B bm

late.

kerrigan-lowdermilk.com

Say The Word 2


Ab

Gb

bb
j
&bbb

13

bb
&bbb

Ive al -ways had

.
? bb
bbb

bb
&bbb

? b b bw
bbb

swers, now I dont have a

to

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&bbb .
.
? bb
bbb

bb
& b b b .

Fm7

? bb
bbb

where

bb
& b b b ..
.

B bm

con moto

Gb

are

and the

stare

out the win - dow

thick

Ab

go.

nights when the clouds

will

. r

b

bw
Ab

blow,

Some

clue.

Gb

B bm

Fm

wind starts

20

r
b -
j

bb
& b b b .

bb
&bbb

C bm aj9

16

18

all the an

B bm

Fm

G bsus2

won - dring

A bsus4

turn the light

Prepared exclusively for Maya Deschenes.

out.

Un-der the

C bm aj9

Bb m

bb
&bbb
Fm

22

co - vers, all I think of is

bb
& b b b

you.

bw

D b 7sus4

bb
&bbb w

25

you.

bb
&bbb

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b www
p
? bb w
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B b7sus4

b
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28

bb

just

w
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b j
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.
.

lis - ten.

Say

Bb

Lov - ing

? b
bb

the

j

you

should be

eas

word

but

Just

say

the

word

Prepared exclusively for Maya Deschenes.

and I

way.

A b maj7(#11)

get your

G m/D

Cm


w
w

i - er,

the

Bb

and you might

Eb

A
bb N ..
b
P
N.
bb N .
b

word

Ab

Gm

.
.

Fm

b
b
& b

Ab

Gm

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r
b
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bw

bbb

w
w

w
w

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bb

r
b
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31

kerrigan-lowdermilk.com

Say The Word 3

. r
-
j

and

kerrigan-lowdermilk.com

Say The Word 4


B b 7sus4

b
&bb

34

bb

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b b .
b
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bb

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bb

& b

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39

bb
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F
? bb
bbb
Gb

bb
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41

have

bb
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w
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to

stay.

&
Ab

Gm

Ab

I dont know

A b/B b

Bb

C b/D b

>

>

b >
b b

things

that I

Ab

dont

when

you

A bm/D b

>

j
b J
b
>
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un - der - stand.

j
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bbbbb

>

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B bm

Fm

why I trem - ble

w .

Mean - while theres so man - y

piu mosso

Fm

Bb

Ab

Gm

might

& b

37

B b7

reach for

...
-

my

hand.

-
-

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Say The Word 5


Gb

bb
&bbb

43

bb
& b b b
? bb b
bb

Ab

did - nt

know

Cb

? b b b.
bbb
b.
B b sus

b
&bb

48

might

? b
bb
b j
&bb

Bb

just

b
& b b

j

.
Bb

Fm

Lov - ing

you

b
-

.
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..
..
>

word

should be

eas

j


>

>
>

Eb

you

swept

me

Ab

Gm

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the word

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E b/G

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.

j
b
.
b

N ..

>
>
>
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j
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>
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> > > >

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? b

bb

til

Ab

j
bbb

Gm

ten.

B bm

So

j
.
.

..
- .

un

lis -

51

b
& b b

love

a - way.

bb
& b b b
b

D b7sus4

b
& b bbb

45

to

how

Fm

say

>

>

and I

Cm

.

get

your

A b maj7(#11)

.
r

j N
w

way.

the word

Prepared exclusively for Maya Deschenes.

and

Bb

b
&bb

54

F m11

b
&bb

b
& b b ..
? b
bb w
>
sim.
58

&

bbb

B bsus4

b
& b b ...

the

? b b w
b >
E b/G

b
&bb

60

b
&bb
? b
bb

have

>
>

stay.

..

cresc. poco a poco

wan - na

j


>
>

girl

there by

your

side.

>
>

wan - na

love.

Ped.

ride.

..

w
>

>
>

A bsus2

F m11

to

E b/G

56

might

b
&bb

? b
bb

kerrigan-lowdermilk.com

Say The Word 6

want

to

be

>

>

Just

A bmaj9

tell

me

when.

>
>

>
>
Just

tell

me

how.

Tell

me,

Prepared exclusively for Maya Deschenes.

Im

read - y

now,

kerrigan-lowdermilk.com

Say The Word 7


E b/D b

D bsus2

b
&bb w

62

bb

& b b ...

> > >
? b b.
bb
b.
>


> > >

B bsus4

b
& b b

>
? b .
bb
.
>

>

>

>

j
.
.

Bb

&b w

>

&b
a tempo
?
b


>
Am

&b w
&b
?

> .
..

>

b ...
> > >
b.
b.
>

poco rall.

>

C sus4

>

>

>

>


>

>

Bb

>

>


> > >

>

>



.
.

>

>


> >

>

>

b
b

>

>

>

>

C sus4

C sus4

>

Say

68

>

to - day!

Am

66

A b/B b

b
&bb w

64

>


> >

>

D bsus2

>

Prepared exclusively for Maya Deschenes.

>

>

>

>

&

kerrigan-lowdermilk.com

Say The Word 8


Bb

Am

&b

70

subito

& b .

the

word

& b .

might

and I

j
.

your

Bb

&b

76

the word

& b
? ww
b w

&b w

79

&b

& b ww
w

lis - ten.

.
?

Say

.
.

Bb

the word

you

and

to

&


p
j .
.
w
F sus2

say

B b maj7(#11)

B b/D

-j
N

but

..

might have

ww
w

.
..

?
F/A

should be eas - i - er

and you

..

Lov - ing

stay.

might

way.

&b
?

Gm

Dm

get

w
w

just

Am

73

Say

.
.
&b

ww
w
w

Prepared exclusively for Maya Deschenes.

gg www
gg w
Tggggg www

THE BAD YEARS


from Tales from the Bad Years
Empty Rock (q = 136)

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK

Esus2
slightly palm muted,
GUITAR (optional) broken chords similarly throughout

# ## 4
& # 4
P

>

>

#### 4
&
4

P steady, guitar like


? # # # # 44 w

>

>

>

with pedal

&

####

Esus2

# ##
& #

# ##
& #

? #### w
7

&

####

? #### w

>

At what age

>

####

# ##
& #

&

>

do

have to stop

>

>

smok-ing?

w
B7sus/F #

j
.

Cause I think theres a cut - off

>

cont. accents simile throughout

Copyright 2011 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

The Bad Years 2

10

&

####

##
& ##

when it

# ##
& #

? #### w
13

&

####

&

# ##
& #

16

##
& ##

&

? #### w

be - ing

cool

>

>

and in

>

j


-

die

? #### w

####

stops

E sus2

##
& ##

####

B 7sus4

you

wife

bands.

w
ww

can - cer.

and

.
J

Prepared exclusively for Maya Deschenes.

keg

stands

But

lung

w
w

have

beat - ers

just

B 7sus4/F #

and

like

j
J

And

I think theres a cut -

kerrigan-lowdermilk.com

The Bad Years 3

19

&

####

B 7sus4

# ##
& #

&

####

off.

&
&

####
####

? #### w

26

&
&

####
####

hope

And

some

day,

it

ww
ww

is

nt

twen - ty

five.

guitar cont. following chords and pno.

would

cause I

-
-j j

? ####
.
w

real - ly want

E(add2)/A

hope

E(add2)/B

ww
w

ww
w

####
&

? #### w

24

# ##
& #

..

E sus2

..
.

? ####
w
21

that

-j

Ill

stop

flat screen T

-
j j .

Prepared exclusively for Maya Deschenes.

V.

be - ing

poor

Like my

j j .
w

kerrigan-lowdermilk.com

The Bad Years 4

29

&

####

E(add2)/A

friends all have

-j

? ####

w
&

####

&

####

.
J

C #m

Phone.

C #m

####

&
&

####

Whats

an

&

####

A?

ww
w

E sus2

want

an

one.

And an

A.

i -

ww
w
ww
B

B sus4

B 7sus4/E

E(add2)

Prepared exclusively for Maya Deschenes.

j

I

>
w
&
.




P
j
j
j

? ####
w
w
w
w
####

j j .
w


J
I

.
J

ww
w
p
w
w

? #### w
38

A sus2

j
.

And

And I

j
w


j j .
? # # # # w
35

j
.

E(add2)/B

E(add2)/B

flat screen T - Vs.

####
&

32

dont

j
.
>

know.

>

-j

kerrigan-lowdermilk.com

The Bad Years 5

####

&
&

Esus2

42

####

Ev - ry - bod ys get ting

mar ried



j
? ####
w

&

####

# ##
& #

do

it.

j
w

j
J

####
&
&

A sus2

My girl friend

# # # # -

? ####

F
.

####

&

50

A sus2

# ##
& # -

you

have

wants

ple

ba - bies,

mul - ti

? ####

I cant

B 7sus4



j
? ####
w
48

and

j
.
to,

have

and

you

dont

B sus4

>

>

want

to. Cause then

You

have

suc - ces - sion.

And

Prepared exclusively for Maya Deschenes.

one.

In

I dont

sim.

j
w

but

B sus4

j
J

ba - bies.

Ped.

45

j j

ba -

kerrigan-lowdermilk.com

The Bad Years 6

##

& # # J
-

&

# # # # -

? ####
&

####

&

####

55

A sus2

52

bies

puke.

B sus4

home

last

&
&

####

####

Or

&
&

####
####

ww
w

? #### w
w

drunk

the

j
.

Im

.
J J

ba

bies.

stand - ing on Tenth Av

e - nue.

ww
w
P
w
w

C #m

j
B sus4

I'm

w
w

have

C #m

w
w

j
.

dim.

my room - mate brought

B sus4

www

cant

So

j
w

girls.

drunk girl

puke, so

B sus4

.
J

as

j
.

clean up

w
ww

wont

A sus2

? #### w
w
61

A sus2

much

most as

j
.

night. And

A sus2

? #### .

58

They puke al

j
.

B sus4

stand - ing

Prepared exclusively for Maya Deschenes.

on Tenth

Av

j
.
>

e - nue.

>

kerrigan-lowdermilk.com

The Bad Years 7

64

&

####

A sus2

# ##
j
& # .

..

F
? ####
j
.
67

&
&

####
####

? ####
&

####

&

####

70

? ####
72

&

B sus4

My

toi - let

is

oth - er

girl

Im wear - ing

...

j
-

A sus2

ww
ww

j
.

# ##
& #
f Stadium Rock
? ####
j
.

the

.
.

best

.
.

years

j
.

j
.

smok-ing

cig - a - rette.

They

B5

think - ing of this

A sus2

Im

#### .

...
.

gg www
g

And Im

a wife - beat - er.

met.

6
A /9

dir - ty.

j j

B sus4


J
of

.
.

say

these

your life.

are

Prepared exclusively for Maya Deschenes.

E sus2

dont know

kerrigan-lowdermilk.com

The Bad Years 8

##
& # # j

B sus4

75

&

####

a - bout

&
&

####
####

? ####

B sus4

...

B sus4

# ##
& #

>
? ####

>
81

&

#### .

went

.
.

They

were

so

j
.
.

E/A

Sec

the

best

ond

grade

>

dle

school

ber.

was

j
.
.

years

dont

of

j
.
.

think

.
.

these

kissed girls.

cool.

good.

pret - ty

.
.
B5

A sus2

J
I

was

..
.

E/A

A sus2

..
.

Wi - ld - wood. Mid

>

to

>

A sus2

# ##
& #
? ####

We

# ##
& #

79

that.

? #### .

77

>

are

E sus4

your life.

- -

j
..

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

The Bad Years 9

&

####

&

####

84

These

? ####
.
####
&

? ####
89

&
&

####
####

>

.
.
>

Esus2
BACKUP VOCALS:

these

&
&

####
####

Oh

...

? #### w

>

...
.

.
.
>

>

w
ww

B sus4

Oh

www

...

A sus2

Oh

..
.
w

w
ww

>

j
...
w

>

B5

j


>

Oh

B sus4/C #

are...

www
p starting from nothing
? #### .

93

86

####

&
>

A sus2

are,

B sus4

Prepared exclusively for Maya Deschenes.

...
.

kerrigan-lowdermilk.com

The Bad Years 10

&

####

&

####

97

E sus2

Oh

####
&

&

####

B sus4/C #


Oh

? #### .
104

&
&

####
####

? ####
&

####

&

####

107

...

B sus4


...

Oh

...

? #### .


j
.

B sus4/C #

j j
.

J

Oh

>

..
.

> J >

F
j
.
.

j
.
.

Oh

Oh

>

...
J

A sus2

E sus2

...

B sus4

> Oh
let ring

...
...
J
w
.

...
P cresc. poco a poco
#
? ## # .

101

B sus4

Prepared exclusively for Maya Deschenes.

j
.

let ring

kerrigan-lowdermilk.com

The Bad Years 11

&

####

&

####

110

&

####


Oh

? #### .
113

A sus2

..
.



f
j
? ####

&

####

Oh

# ##
& #

116

&

####

&

####

&

####

119

A sus2

...

-j

Oh

B sus4

? ####

Oh

Oh

B sus4/C #

B sus4

j
w

? ####
w

E sus2

B sus4

Prepared exclusively for Maya Deschenes.


>
>

>
>

>
>

kerrigan-lowdermilk.com

The Bad Years 12

121

&

####

E sus2

# ##
& #
####

Oh

>

? #### .
.
&

>

>

# ##
& #

Oh

####

&

> >
? #### .

.
&

####

# ##
& #

# ##
& #

126

these

# ##
& #
>
>
j
? #### .

These

.
J

> >

.
.

B sus4/C #

are,

. > >
j
.

A sus2

B sus4

are...

Oh

>

are,

Oh

.
.

.
J

These

B sus4

123

(LEAD:)

.
.

Prepared exclusively for Maya Deschenes.

w
w

kerrigan-lowdermilk.com

The Bad Years 13

129

&
&

####
####
####

E sus2


Oh

Oh

ww
w
p
? # # # # ww
&

####
&

&

132

####

135

&

####

&

? ####

B sus4/C #

B sus4

Oh

...
.


Oh

Oh

Oh

w
ww

...
w

.
.

Oh

Oh

www

www
poco rit.

Prepared exclusively for Maya Deschenes.

# ##
& #
####

.
.

####
&
www
? ####

B sus4

Oh.

THE GIRL WHO DROVE AWAY


from The Unauthorized Autobiography of Samantha Brown

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK
Freely

D 2(add# 4)

## 9
& 4

#
& #

D 2(add# 4)

&
5

##

guess

Im here

to

ex - plain

# .
& # .

.
? ## .

U
...
.

went

and

.
..

where.

.
.

ww ..
w.

my

E m11

y - thing to share.

...
.

..
.

G 2(add# 4)

5
4 .
5 .
4 ..
P
.
5 .
4

n.

And

nU
.
gg b .
gg
gg
gg n
gg n ..
gg .

Copyright 2011 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

j

I

con moto

C 7(add4)

&

self.

wwww ...
.

.
.

Why

&

I dont have an

.
.

w.
w.
D/F #

U
...
.
U

# # # wwww ....
&
##

G 2(add# 4)

I real - ly dont know what Im do - ing here.

# # 9 # wwww ....
& 4
p
# 9
& # 4 ww ..
3

guess

"

b 44

"

b 44

thats

"

4
b 4

kerrigan-lowdermilk.com

The Girl Who Drove Away 2


Moderate Folk-Pop (q = 98-102)

F 2(add# 4)

B bsus2

4
&b 4 w

F 2(add# 4)

fair.

4
j
&b 4

F
? 4
b 4 j
>
&b

11

C 7sus4

j
...
>

w
A www

F 2(add# 4)

&b

14

.
I

&b
?

B bmaj7

&b

16

n -

&b
b

should

dont

get

to make

B bsus2

all make

...
- .

Prepared exclusively for Maya Deschenes.

did

our

own

vi - sions.

C sus4

We

j
-

j j
...
>

b - ...

Ive made some mis - takes.

pol - o - gize.

re


>

hu - man.

C 13

B bsus2

We

..
- .

dont think

ci - sions.

.
n - ..

Im on - ly

&b

j j
...
>

j
>

F 2(add# 4)

nt

de -


have

a grand

kerrigan-lowdermilk.com

The Girl Who Drove Away 3


B bsus2

&b

18

& b ..
w
P
? w
b

B bsus2

& b .

20

driv

&b w
..
.
?
b
B bmaj7

& b .

b
.

&b

w
..

know


is

F 2/A

C 7sus4

Im the

j

j

the

.
girl

who

why

J-

where

it

w
..
.
-

ed

all

.
be

gan.


J-

ing

of

hav

..

drove

start

A m7

feel

know

C sus4

say

? b .
.

J-

& b ...
.

dont

or

All

G m9

ing

24

&b

22

plan.

C sus4

a - way.

www

w
w

Prepared exclusively for Maya Deschenes.

ing

to

..

F 2(add# 4)

. .


> >

^
n

^j j
...
.
>

>

>

kerrigan-lowdermilk.com

The Girl Who Drove Away 4

&b

27

B bsus2

^j
^j j
A ...

.
>

&b
?


> >

F 2(add# 4)

&b j

30

make.

&b
?

How

the road

F 2(add# 4)

B bmaj7

&b

34

&b
b

dreamed

lu - sion.

..
..

It

was


How I

&b


> >

led

to

>

B b 6/F

beck - on - ing.

con - clu - sion.

>

ter

for - got

it

Prepared exclusively for Maya Deschenes.


thought I

...
.

at

C sus4

the wrong

C 13

mat

ex - cuse to

Bb

I have no

^
A

F
^

does - nt

high - ways

>

call - ing

of

C 7sus4

^j
^j j
n ...

.
>

>

>

&b

32

F 2(add# 4)

all.

was

an

il -

.

proved

I was

>

kerrigan-lowdermilk.com

The Girl Who Drove Away 5


B bsus2

& b .

36

strong.

> .
b
& .
F
?
b
w

& b .
o

&b
?

...
-

b
.

B bmaj7

&b

40

b
.
G m9

&b

42

pay

.
j

as

real

the

J-

reached

the

like

C sus4

..
.

C 7sus4

F 2/A

there

high - way

ing

the

.
.
-

when

cean,

& b ...
.
b ..

But

Stand

& b .

.
.
>

B bsus2

38

C sus4

ized

A m7

fool,

.
girl

www

w
w

who

Prepared exclusively for Maya Deschenes.

the

price


that

..

thats

..

wrong.

was

J-

drove

.
a

way.

kerrigan-lowdermilk.com

The Girl Who Drove Away 6


F 2(add# 4)

B bsus2

&b w

44

j
n

&b
?

&b

46

B bsus2

&b

48

& b
?

the

way

C 7sus4

the

day

^j
A

f
^j

b .
.

and

how

the

But

C sus4

miles

still

feel

w
w

cross

C sus4

keep

the

ing

on

fly

by.

.
.

it:

>

sky,

>

>

>

Prepared exclusively for Maya Deschenes.

>

blows

F/A

b .
.

& b
?

broad, expansive

&b

50

&b
?

F2

C sus4

>

>

>

#
#

kerrigan-lowdermilk.com

The Girl Who Drove Away 7

#
&
G

52

&

&
&

swear

Id

? # j

54

seen

this

..

sun

..
.

...

^j

set.

n
>

>

#### #
& # .

>

B maj7

# # # # # www
& #

al - most

subito

# ## #
& # # ww
w

worth

.
the

j
...
.
>

>

of

deep

>

>

gret.

n ww

>

.
w

n
n
>

>

>

>

>

>

..
.

Prepared exclusively for Maya Deschenes.

#### #
#
#### #
#
&

Its

Im not

.
# - ..

meno mosso

F #2(add# 4)

or - ange

n b
fl

>

C 7sus4

B 7

re

kind

^j

>
P


>
w

F 2(add# 4)

# .
..

?#

58

Em

#
& w
&

nev - er

? # .
w
56

#### #
#

com - plain - ing.

kerrigan-lowdermilk.com

The Girl Who Drove Away 8

#### #
& #

61

B sus2

#### #
& #

63

B6

C # sus4

it,

but

C # 13

U
w

fall

## # w
& # ## w

right.

C#

at

now.

" j

all

dont know

why

#### #
& #

C # sus4

>
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.
& # ..
.
.. ..
J
? #### #


#
.
.

The leaves start

to turn,

its

ww
w

B sus2

left

home.

B sus2

choice,

#### # U
& # w
w
67

my

suddenly still, colla voce

&

now.

ww

"

U
w

have made

..
# - .

B maj7

dont sleep

#### #
& #

the

# ## #
& # #

65

have

N - ...

live with

? #### #
#

I dont

#### #
& #

? #### #
# -

F #2(add# 4)

>
>

.
.

F a tempo, soaring

C#

j .

.

J.

And

Prepared exclusively for Maya Deschenes.

no

long

er

see

.. .
>
>

kerrigan-lowdermilk.com

The Girl Who Drove Away 9

#### #
& #

#### #
& # .

why

70

B maj7

? #### #
#
.

accel. e cresc.

G # m9

#### #
& #

72

smart

be

#### #
& # ...
.

F #2/A #

E b m11

bb
& b b bb

bb
& b b b b n ...
- .
? bb b b
bb w

j

-
.

want

..

who

That

ed

to

..

packed

her

bbbbbb

bags

bbbbbb
bbbbbb

w
w

dan.

er

www

bb
j
& b b b b ...
- .
subito P tight & tense
? bbb
bbb

w
F m11

and

ev

girl

76

me

the

bb
& b b bb

74

like

? #### # .
# .

girl

C # 7sus4

A # m7

.
load

des

ed

her

prate

n ...
- .

n
.

dads

j

-

...
- .

w
n.

girl

who

j

-

Prepared exclusively for Maya Deschenes.

old

ran

se -


#### #
#

#### #
#
j

#### #
#

kerrigan-lowdermilk.com

The Girl Who Drove Away 10

#### #
& #

B maj9

78

#### #
& # .
N.

from

f accel.
? #### #N
# .
N.

the

B maj9

from

# ## #
& # # .
..
? #### #
#
.
#### #
& #

the

D maj9

82

.
# # # # # n n n ...
& #

day.

#### #
& #

fu

r
#### #
& #

80

ture

n . n j
n .

she

de

..

life

..

A # m7

P
n . n j
n .

in

her

..

and

.
.

C # sus4

served,

.
n n n ...
J

out

w


J

spelled

A # m7

#### #
& # w

86

## #
& # ##
F
? #### #
#
>

j
-

j j
...
>
-

who

stands

here

to

..

&

j .

.
The girl who
drove
a - way.
w
www

w
www
w
w

w
w
F #2(add# 4)

j j
...
>
j
-
>
N

A,

B sus2

Tempo Primo

F #2(add# 4)

Prepared exclusively for Maya Deschenes.

# U

P
U

TWO STRANGERS
from Tales from the Bad Years

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK
Driving Rock (q = 136)

## 4
& 4

Bm

A7

# 4
& # 4

ww

Ah

ww

ww

ww


> >
>
j
.
.
> >
>

>>

BACKUP:


> >
>
f
? # # 4 . j
4 .
> >
>
with pedal

&

##

Bm

# 2
& # 4

# # 2 ( )
& 4

nook

# 2
& # 4

>

>

of

this

ww
w

ww
w

ww
w

ww
w

4
4

>

qui - et

with pedal

2
4

lit - tle

2
4

y,

p distant, pulsating
4 ww
4

&

2
4

4
4
cit

j


>

Some - where in

.
.
>

>

LEAD:

# # ww
& w
F
# ww
& # w
8

> .
.

> > >

sim.

..

Copyright 2008 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Two Strangers 2
11

&

##

()
#
& #

slip - ping in - to some - thing thats a

lit - tle

..

## w
& w
#
& #

opt.

##( )

&
# .
& # .
&

##

()
##
&
# w
& # w
&

##

&

##

()
# # ww
&
&

pen

## w

up

your

eyes.

You

20

less

Em

14

17

w
w

like

We

can

not

are

>

Oh

w
w

not

j

a

lone

ww
w

here.

w
w
ww
w

w


J

hold


P
j
..

with pedal

Well just

BACKUP 2:

dis - guise.

sleep.

.
j

G(add2)

our

w
w
w
j

breath

to - night.


j
.

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Two Strangers 3

23

&

##

&

##

? ##

fl

dont

mat

#
& # j
Asus4

#
& #

# # ...
& .
? ##

row will come

and

gers.

B2:

stran

ter.

B m11

Time

B2:

>

go.

>

at

will

j

.

fl

pulse

on

least

fl

to - mor -

and

.
.

j j

Ive

been

told

so.

>

J

.
J

Or

Go.

gers.

6
G /9

mat - ter.

dont

j
.

Hope

.
.

28

G(add2)

Two

A(add2)

It

stran

stran - gers.

#
& #

26

Two

#
& #

Two

# # BACKUP 1:

&

? ## .
.

A7

.
j

>

Prepared exclusively for Maya Deschenes.

>
.

J
>
.

31

&

##

#
& #

Two

#
& # .
-

&

##

&

##

37

? ##

ly,

on

Asus4

gers.

.
.
>

>

ly

j

-

cap

j


>

..

>

night

strange

>

Em

D5

stran

.
.

>

>

j


>

? ## .

>.

Bm

and lone -

stran - gers.

>

Two

Lost

#
& #

B2:

stran - gers.


>
? ##

ALL 3:

stran - gers.

Two
B1:

#
& #

34

kerrigan-lowdermilk.com

Two Strangers 4

D(add2)/F #

w
w
J

w
w-

Prepared exclusively for Maya Deschenes.

>

LEAD:

Let - ting go

of

dream.

w
w
w
w

non-ritard

&

kerrigan-lowdermilk.com

Two Strangers 5

#
& #
D

40

#
& #

Let - ting

go

of

# # -
&
J
p
#
& # ..
#
& #

43

&

##

j
-

dream.

half

#

& #
&

##

#
& #

- .

w
? ## w
? ##

.
w

46

Bm

.
w

B1:

Em

-
J

j
-

.
.

j
.
- .

No

j j

vem

ber

dream.

j j
- - .

.
.

j
-

Bm

And

some - where out

&

dream.

Bm

mid

re - mem - bered

up from a

j
-

.
.
j

-
J

Wak - ing

w
w
j

- .

dream.

Wak - ing up from a

Wak - ing up from a


B2:

>

>

in

Brook - lyn youre

a tempo

Prepared exclusively for Maya Deschenes.

a -

kerrigan-lowdermilk.com

Two Strangers 6

49

&
&

##
##

Aggressive Groove

#
& #

52

soak - ing

#
& #
? ##
#
& #

54

fl

fl

up

the

>

feel - ing

#
& #
A

? ##

that youve

nev - er

fl

j j

>

.
fl

>

at

>

>

>

Em

G/B

>

your

>

>

>

thats

&

kind

j

>
F

>

A/C #

j
.

> ..

of

> .

G(add2)

noth - ing

>

Whis - key

>

>

j
>

felt

fl

but

&

57

##

>

j
>
f intense

j
>

#
& #
>
? ##

lone and youre drink - ing,

? ##

Bm(add2)

mood.

makes

you

Oh,

Prepared exclusively for Maya Deschenes.

all.

>
j

brood,

kerrigan-lowdermilk.com

Two Strangers 7
60

&

##

A5

#
& #
? ##
63

&

##

we

can

not

#
& #

B1:

Two

stran

A7

Two

stran

&
&

##

&

##

A(add2)

j

>

#
& #
#
& #
#
& #
? ##

It dont

mat

.

J
>

mat

gers.

mat - ter.

Two

Time

will pulse

ter.

Time

>

ter.

>

Time

>

will pulse

will pulse

j


>

>

Hope

stran

- gers.

j


>

.
.
>

on and to - mor

dont

mat - ter.

dont

dont

F
>

.
j

>
J

>

A sus4

row will

come

and

go.

Will

...

on.

j
.

on.

Hope

>

>

breath

Hope

6
G /9

to - night.

G(add2)

B2:

.
.
>

>

>

- gers.

? ## .
.
>

our

j


>

##

66

f
..

>

Well just hold

sleep.



> > > >

Prepared exclusively for Maya Deschenes.

come

Will

come

kerrigan-lowdermilk.com

Two Strangers 8

#
& #

B m11

69

#
& # j

j
.

and

&

? ##
72

&

##

#
& #

.
J
f

>
and

j

go.

>

J

Two

# # -

on

stran - gers.

? # #

dim.

j

G

ly

through

the

snow.

night - cap

Two

.
j

.
>

J
>
.

>

? ## >

Bm

ing

# LEAD:
& #

j j

Two

stran - gers.

##
&

&

Well be trudg

#
& #

75

D(add2)/F #

go.

#
& # j

##

Lost

and lone

Em

j

strange

.
.

>

D5

stran

>

>

ly,

ly,

>

and lone

j


>

..

>

and lone

stran - gers.

Lost

Lost

>.

ly,

j


>

>

A sus4

gers.

>.

>

Prepared exclusively for Maya Deschenes.

j

-

kerrigan-lowdermilk.com

Two Strangers 9

#
& #

78

#
& #

LEAD:

Let - ting go

of

dream.

? ## w
w-

non-ritard

#
& #
D

#
& #

&

&

##

.
.

da

da

da

da

da

da

j
-

da

#
& # w

da

da

da

Em7

da da da da

- .
A

da

da

- .
.

-
J

#
& # w

Ah

ww

#

& #

Ah

? # # ..

-
J

dream.

84

j


J P
j
j
.

.

- .

La da

La

Wak - ing up from a

# -
& #
J
cresc.

B1&2:

La

#
& # w
w-

81

.
.
>

And then its o -

-
J

.
.
>

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Two Strangers 10
Em7(sus4)

A(add2)

#
& #

87

(LEAD:)

##

Em7(sus4)

ver.

Just an - oth

er

mis - take

done

j
j j j
j j j j
j
j

fl
fl
fl
f funky
.
? ##
.

.
J

J
J
.

.
fl
fl
fl
&

#
& #

A(add2)

90

#
& #
o

? ##

ver.

#
& #
A5

.
J

fl

Theres

fl

#
& #

Gmaj9

95

&

##

? ##

..
.

smell - ing

- .

cell

dolce

- .

in my emp

A sus4

gg- ...
g
- .

fl

ty

phone,

stuck

here,

.
J

or

my

head,

-
J J .

- .

mark

in

no

gg- ...
g

A sus4

j j

..
.

fl

in

i - dence

Gmaj9

- .
J J

boy

ev

pic - ture frame, just a name

# ^
& #

^
? ##

no

92

Em7(sus4)

Bm

j
j

twin

bed.

.
-
J J

Or

Prepared exclusively for Maya Deschenes.

may - be Im just con - jur - ing some

kerrigan-lowdermilk.com

Two Strangers 11

#
& #

&

##

ro - mance I

? ##
#
& #

This
^
##
&
&

. . .

#
& #

109

()
lit

&

##

tle

me.

. . -

were

.
.

No.

You

try,

Prepared exclusively for Maya Deschenes.

Not e - ven a

some - thing I want - ed to

No.

b
~~~~~~~~~

&

al.

all.

. .

You

Not at

bit.

>

mag - ic

>

so

opt. accompaniment or a cappella

j
.
.

did - nt im - press

# . . .
& #

##


>

.
.

#
& #

&

accel.

not

105

&

was

# # ^

##

read.

D
ALL 3:

101

98

and

kerrigan-lowdermilk.com

Two Strangers 12
113

&

##

we

#
& #
.
.
? ##

were

#
& #

hap - py

for

## w
& w
P even
#
& #
#
& #
A

()
w
## w
&

#
& #

122

&

##

&

##

A 7sus4

Em

late

w
w

Gsus2

per - fect au - tumn lu - mi - nes - cent light,

&

w
w

Bm

tum - bl - ing

LEAD:

one

night,

#
& #

120

Just like in a

while.

dream

A/C #

117

toward win - ter

A/C #

in

you

w
w

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Two Strangers 13

#
& #

125

Bm
(LEAD:)

#
& #

held

me

tight.

()
## w
& w
#
& #

B1&2:

w
w

> -

.
.
>

Ah

#
& # w

A sus4

# w
& # w

w
w

w
w

# >
- -
& #

> - -

128

&
131

&

##

.
.
>

##

Bm
LEAD:

.
#
& #

That

F
# .
& #

was

all

F #m

Ah

.
.
>

Em

ev - er

C #dim

could

rit. (colla voce)

w
w

Bm

have

asked

>


>

.
.
>

G/A

for.

Prepared exclusively for Maya Deschenes.

.
.

&

135

&

##

Gsus2

#
& #

gg
# # ggg
&
&
138

&

##

##

#
& #
&

##

- .
A sus4

freely

B2:

stran - gers.

? ##

Two

# w
& #

141

&
&
&

##
##

? ##

w
w

.
.
>

A sus4

LEAD:

Well just

hold

# # ...
& .

##

kerrigan-lowdermilk.com

Two Strangers 14

...
.
>

our

stran

gers.

..
..
>
F a tempo

>

Two

stran

stran

We

can

We

can

We

can

not

not

sleep.

not

sleep.

Prepared exclusively for Maya Deschenes.

sleep.

gers.

cresc.


J
-

stran - gers.

...
.
>

>

gers.


J
J

>


> >
subito P
j

> > >

Two

Two

- ..
.

Two

B1:

A sus4

Gsus2

B1:

to - night.

breath

Gsus2

j
.
.

kerrigan-lowdermilk.com

Two Strangers 15
Beat Drop

&

##

&

##

&

##

144

LEAD:

Well just

hold our

#
& #

#
& #

^j
J

Two

stran - gers.

Hope

dont

Hope

dont

B1:

Hope

B2:

j
.

mat - ter.

mat - ter.

dont

stran - gers.

stran - gers.

^j

mat

j
.

D/G

mat - ter.

mat - ter.

It dont

It dont

j
.

stran - gers.

^
J

Two

Two

Gmaj7

Two

? ##

to - night.

stran - gers.

&

breath

##

Two

147

&

#
j
j

& #
full out
? ##


> > > > sim.

##

ter.

Time

Time

>

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Two Strangers 16
A sus4

#
& #

j

LEAD:

150

&

##

It dont

will pulse

will pulse

#
& #

#
& #


##
&
? ##

.
.

B1:

B2:

>

come

and

go.

>.
...



>
>
Bm

Oh

Well

153

#
& #

Oh.


- -

- -

.
.

sim.
> > > > >

j


>

.
.
>

>

Oh

A7

mat - ter.

on.

# #

? ##

on.

#
& #
&

j
.

Oh



Two

.
.

Prepared exclusively for Maya Deschenes.

stran - gers.

kerrigan-lowdermilk.com

Two Strangers 17
Gsus2
LEAD:

#
& #

#
& #

# #B2:
&

156

Lost

Lost

> .
## .
&

159

&

##

#
& #
#
& #

>

D5

? ##

stran

on

-
J

ly

ly

ly,

on

night

night

night

ly

cap

stran -

cap

strange

strange

cap

F
j

A (add4)

and lone

ly,

gers.

ly,

Lost

on

Bm(add2)

gers.

# # - .
& .

stran

..

and lone

-
J

Em

ly,

and lone

Lost

? ##

Bm

and lone

B1:

A sus4

gers.

w
w

&

w
w
rit. poco a poco

Prepared exclusively for Maya Deschenes.

kerrigan-lowdermilk.com

Two Strangers 18

#
& #

Bm
162(LEAD:)

on

&

# # -

&

##

&

##

&

##

165

Em

j

-

ly

strange

night - cap

w
w-

&

&

##

da

da

da

da

Bm

#
& #

? # # ..

da

da

da

da

da

da

da

Em

j
j

j
..
-

da

..

- .

- .

j
-

Prepared exclusively for Maya Deschenes.

j


da

j j
.
da
da

da

La

.
- .

a tempo

Bm
("ghost" notes as they fall out of range)

da

.
.

j

-

da


J -

>

&

- .

>.

#

& #

171

gers.

w
w

La

#
& #

w
w

? ## w
w##

stran

La

colla voce

168

- .
.

A sus4

da

da

da.

w
w

da

da

j

A

VEGAS
from Tales from the Bad Years
Freely

# ## 4
& # # 4

GUY 1: E (add2)

#### 4
& # 4

Dude.

F #sus4

GUY 2:

#### 4
& # 4 wwww
P colla voce
? # # # # 4 ww
# 4
F #sus4

####
& #
&

####

&

####

G #m

####
& #

No.

#### w
& # ww
w
? #### w
#

F #sus4

Were see - ing

www
w

Hot

Ju

Were not see - ing Ju

w
w
w
w

lie?

to - night?

F#

E (add2)

Dude.

lie.

w
w

www
w
ww

Copyright 2010 BKLK Music (ASCAP)


All Rights Reserved

Prepared exclusively for Maya Deschenes.

F#

w
w

F #sus4

ing

w
w

w
w

what were do

ww
w

Yeah.

w
? #### w
#

E (add2)

# ##
& # # ww

w
w

Do you know

www

F#

Dude.

~~~~

G #m

Words and Music by


KAIT KERRIGAN
and BRIAN LOWDERMILK

F #sus4

Dude.

www
w
w

Are you

kerrigan-lowdermilk.com

Vegas 2
11

&

####

G # m11

####
& #
&

####

? ####

read - y?

# ...
- .

light pulse

# -

####
& #
&

####

&

####

? ####

17

&

####

&

####

&

####

? ####

j
#

brush my

# ...
- .

E (add2)

# .
night

# .
night

# .
..
.
# .

teeth,

j

-

#
-

o
J

Em

o
J

n
J

Are

but

E (add2)

you

read

E m(maj7)

read

www
w
..

...
- .

j

-

B/D #

read - y?

Im

Are you

No.

...
- .

j

-

Yes.

14

j

-

F #(add4)

should


for the sin - gle great - est

for the sin - gle great - est

w
ww

F #sus4

pick up in tempo


of

ww
w

ww
w

Prepared exclusively for Maya Deschenes.

your

life?

kerrigan-lowdermilk.com

Vegas 3
Driving (q = 132)

####
& #
B5

20

&

####

>
# # # # ...
& #
? ####

# .
.
>

>

ww
ww

j

>

w
w

>

F #sus4

E sus2

&

####
####

night were gon - na pick up Mi - guel

27

&
&
&

####
####
####

#
.
F
? ####
#
&

B/D #

####
& #

24

? ####
#

and

see.

see us

F #sus4

E sus2

F #sus4

driv - ing up the Five

j j


>

>

Where?

B/D #

in

>

>

>

F #sus4

B/D #


Try to

see

soft - top

Pa - tience.

j j


>

E sus2


> > > >

F #sus4

>

To -

drive.

#
#
.

B/G #

j

>

.
.
>

#
what I

> . >
..

J

B/G #

.

Oh.

F # sus4

B5

B/G #

F #sus4

Se - ries,

Prepared exclusively for Maya Deschenes.

j j


>

kerrigan-lowdermilk.com

Vegas 4

##
& # ##

E (add2)

30

# ##
& # #

cruis - ing through

&

####

? ####
32

&

cruis - ing through

>
#
>

####

E sus2

##
& # ##

&

####

? ####

it goes

&

# ...
.
>.

? ####
#

>

fast

on

our

Vall - ey


with a

j


>
>
j
j

.
>
>
with a

way

out

of

Ca - li.

>
B/D #

B/G #


J
Yes.

>

Burg - er.

35

####

Can we

##
& # ##

the

Vall - ey

#
.

# ##

& # # J

the

F #sus4

In - N - Out

F #sus4

F #sus4

Its

C #7sus4

four - ho - ur

...
.
>.


>

j j


>

F #7sus4

dou - ble dou - ble an - i - mal style.

dou - ble dou - ble an - i - mal style.

>

see

drive

but

j


>
j


>
>

stop?

>

>

Then

j

> >
j


> >

Prepared exclusively for Maya Deschenes.

>

at

>
.
J

last:

>

.
##
##

j
#
#
> >
>
##
j


>
> >

kerrigan-lowdermilk.com

Vegas 5

# .
& #

38

#
& #

A sus4

Were

in

#
& # .
-

D/B

# ##
& # #
# ##
& # #

A sus4

We love you,

# # # # ^
& #
f
? #### ^
#

gas.

.
J

Well

do

B/D #

Ve

Ve

B/G #

^
j

^
j

>

A sus4

j


>

>

####

the butt!

>

####

gas

up

the butt!

####

####

j j


>
F #sus4

E sus2

cruis - ing down the Strip

Prepared exclusively for Maya Deschenes.

.
F

with

B/D #

up

Ve -

gas

Now were

D/B

F #sus4

love

Ve - gas!

D/F #

A sus4

We

j j


>

D/F #

.
J

G sus2

Ve - gas.

A sus4

Whats up,

A sus4

F #sus4

E sus2

G sus2

j j


>

? ##

Ve

#
& #
.

44

gas.

D/B

41

&

#
& #
.
f
? ##

##

D/F #

.
J

G sus2

kerrigan-lowdermilk.com

Vegas 6
47

&

####

three - foot mar - ga - ri - tas.

####

? ####
#

E sus2

&
&

####
####

? ####

F #sus4

were not

#
#
.
#

pus - sies and B)

####
& #
Bob - by

? ####

#
>

Bob - by

Flay!

Flay!

>

>

No,

F #sus4

gay.

So its

Mi - guel

.
F

B/D #

scores

j j

>

time for por - ter - hou - ses made by

...
.
>.

F #sus4

be - cause A)

C #7sus4

j j

>

E sus2

B/G #

were not

Cirque Du So - leil?

F #sus4

B/G #

F #sus4

# # # >
& # #

B/D #

####
& #

53

stop and see

B/D #

j j

>

####
& #

50

Can we

#
.

F #sus4

E sus2

####
& #
&

F #sus4

B/G #

>

j


>
j


>
>
B/G #

and were trip - ping for

Prepared exclusively for Maya Deschenes.

F #sus4

a while

>

in

in

j j


>

kerrigan-lowdermilk.com

Vegas 7

####
& #

56

&

####

E sus2

style,

so

# ##
& # #
.

B/D #

true.

#
style,

? ####

F #sus4

true.

&

####

&

####

&

####

&

####

? ####

And we

>

Ah

yeah.

Are you the

guys

...
.
>.

>

>

j


>

j


>

>

>

Were head - ing to the Bel - lag.

say, Got - ta go.

Were head - ing to the Bel - lag. With strip-pers!

>

>

like,

j j


>

You da man.

- >

j
.

say, Got - ta go.

B/D #

Ev - ry chick is

F #7sus4

And we

yeah.

Ah

j


>
j


>
>
F #sus4

C #7sus4

sip - ping John - nie Blue.

E sus2

# ...
.
>.

from En - tour - age?

? ####
#

>
62

####
& #
&

sip - ping John - nie Blue.

59

####

We

F #sus4

We

so

B/G #

B/G #

F #sus4


You da man.

>
>

j j
.
>
>

Prepared exclusively for Maya Deschenes.

E sus2

F #sus4


>

>

Here we go.

Here we go.

- .

j
.

B/D #

>

>

kerrigan-lowdermilk.com

Vegas 8
B/G #

####
& #

65

# ##
& # #

Oh!

# # # #
& #

? ####

Oh!

68

&

####

&

####

&

####

? ####

#
E sus2

&
&

####

? ####

#
.

wa - ger

.
F

gam - ble

af - ter

so

B/D #

its

B/D #

wa - ger.

Wheres

#
.

F #sus4

is

call - ing,

my

B/G #

jack

pot.

J
I

F #sus4

and the black - jack is

B/G #

But youre too

j j
.

>

The ca - si - no

F #sus4

B/D #

F #sus4

E sus2

E sus2

####

pus - sy whipped to

####
& #

70

F #sus4

dont

F #sus4

F #sus4

but

but

Prepared exclusively for Maya Deschenes.

>

win - ning

>

Mi - guel?

j j


>

Im

B/G #

know

hot.

the

the

kerrigan-lowdermilk.com

Vegas 9
C #7sus4

####
& #

72

####
& #
&

####

is

get - ting

pissed,

house

is

get - ting

pissed,

? ####
#

>

E sus2

&

F #sus4

####
& #
&

? ####

>

the

got - ta

go.

so

we

got - ta

go.

>

la

>

gi

B/G #

we

B/D #

Bel

so

>

Hes swim - ming in

####
& #

####

guel.

foun

Look, theres

Mi -

>

>
F #sus4

tain.

The

The

# ##
& # #
.
F
? ####
#
76

>

F #sus4

>

####
& #
####

house

# ...
.
>.

74

F #7sus4

cops

ap

pear.

cops

ap

pear.

#
.

#
.

Were

out

of

here.

Were

out

of

here.

n
.

E m6

Cause

>

know

guy

Prepared exclusively for Maya Deschenes.

F #sus4

# ##

& # #

78

# ##
& # #
&

####

? ####
81

&

##

j
.
.
>

G sus2

## .

Fuck

.
#
& #

? ##

j .
.
>

Well

>

do

cop

D/F #

Ve

Ve

>

.
.

D/F #

yeah


A sus4

A sus4

.
.

####
#

E sus2

Fuck yeah Ve - gas!

gas.

j j
.
.
>
>

F #sus4

B/D #

mom!

.
# # # #
#

####

j j
.
.
>
>

Prepared exclusively for Maya Deschenes.

Ve -

D/B

>

gas

####
#


like your

>

in

mom!

gas

like your

j .
.
>

Ve

D/F #

j .
.
>
D/B

## .

ter!

~~~#~~
~
~
~
~
#
~
~~~~~
~
~
n
f
j ##
j

n.

.
n

>
> >
>

A sus4

A sus4

>

G sus2

Whos

>

G sus2

Ve - gas!

n.
J J

j
n.
n > .

Were in

gas?

A sus4

hel - i

##

A7

n
n
>

j j
.
.
>
>

.
.

G Maj7

A sus4

D/B

#
& #
&

got

# .
.
>

.
#
& #

84

>

? ##

and hes

>

## .
&

kerrigan-lowdermilk.com

Vegas 10

Your mom!

####
& #

87

&

####

bb
&bb

D #sus4
subito

D bsus2

>

j j


>

>

Yeah!

E bsus4

bb
&bb

93

bb
&bb
bb
&bb

mom.

^


>
^


> > >

Like I do your

A bsus2

>
D bsus2

.
J

Ex - cept you dont.

.
J J

.
P

Off the

>

and we

bang

A b/C

bbbb

bbbb
Ab

ev - ry hook - er

. .


>
j

>

E bsus4

A b/F


hook - er

in sight.

too.

Cant have your

simplice

Prepared exclusively for Maya Deschenes.

bbbb

Strip

do.

bbbb

I bang your

F
#

D bsus2

j

>

j


>

E bsus4

>
P

Yeah, I

? b b .
b b .

mom.

>

we hit the Cat-house from H

bb
& b b
>
F broadly
? bb
bb
.
>

bb

&bb

D#

p

J

Like I do your

Your mom!

? ####
#
90

F #sus4

Yeah!

.
# # # #
& #

B/G #

kerrigan-lowdermilk.com

Vegas 11

j j


>

kerrigan-lowdermilk.com

Vegas 12
G b(add2)

bb
& b b J

96

ball and

bb
&bb

chain

E bsus4

get - ting

b
& b bb b wwww
p
w
? b b bw
bb

bb
&bb

bb
& b b
.
? bb
bb

D bsus2

bb b J
& b

gas.

? bb w
bb
w

you.

j j


>

hap - pens in

Ve

G b(add2)

Ex

in

Ve

.
J
gas

gas

.
E bsus4

an

Eb

cept when its

j
.

Ped.

Ya know?

.
P

A b/C

Right.

What hap - pens

E bsus4

Db

But what

.
gas.

bbb www
b
&

E bsus4

Yeah.

bb
&bb J

at

99

102

www

A b/F

bb
&bb


mad

D bsus2

S - T

w
b www
p
w
bw

Prepared exclusively for Maya Deschenes.

w
w

stays

in

Ve -

stays

in

Ve -


that you got from two

www

kerrigan-lowdermilk.com

Vegas 13
D bsus2

E bsus4

bb
&bb

105

bb
&bb

A b/C

An

E bsus4

A b/F


J J

D?

hook - ers.

bb
& b b
.
P
? bb
bb

bb
&bb

bb
&bb

So the broth

caps

you.

? b
b

Oh

j j


>

Don

and

he

knee -

j

>

>

But Mi - guel

j

-
p
j

C m7

God!

man.

j


>

..
.
>

my

No, its cool.

.
>

Bb

Bb

>
b
&b
f

bb

Sor - ry,

els get - ting raid - ed by some Ma - fi - a

bb ww

b
&b J
b
&b

A b(add2)

bb

? bb w
bb w

bb

E bsus4

E bsus2

bb
&bb w
ww

111

E bsus4

Yeah.

108

D bsus2

is right be - hind him and he

j
- .

Prepared exclusively for Maya Deschenes.

j
- .

j
-

kerrigan-lowdermilk.com

Vegas 14

b
&b

b
&b

knocks the dude

b
& b
-

117

ine

Di

&
&
?

> .
.

F sus2

shoots

&

on

ww

&

119

.
&
f
?

j
.

C sus4

&

hear

out.

? b
b .

Then we

Cm

>

in

fuck

mois

C/E

ture

G sus4

nn
nn
nn

r.h.

bub - ble

and

she

>
J

.
.

C/A

Oh, its Cel -

ww

la - sers

in

>

What?

.
>
G/C

..
.
>

..

G sus4

nn

Ca - na - di - an shout.

>

>
J

N.C.

~~~~
~~~~
~~~~
~~~~
~~~~

Bb

114

at Mi - guels head.

Yeah,

yeah,

but

Mi - guels

j

>

Prepared exclusively for Maya Deschenes.

- .

so

high

that he

j
- - .

j
-

kerrigan-lowdermilk.com

Vegas 15
122

&

Am

& J

cant feel

& #
?

G sus4

Fuck

F sus2

&

b ^
b

j ^
- b
b

C/E

fuck

your

got

G sus4

an

.
J

dead.

>

>

Well fuck you!

>

C/A

too.

G sus4

So

now

weve

all

C/E

D!

G sus4

Its

like

shes

>

C/A

Ah!

&
.

j

- - -
>

girl - friend

&

bursts the bub - ble and shes

you!

&
.
f
?

127

j
- - .

F sus2

&

He

C sus4

pain.

- .

&

125

Bb

E7

Prepared exclusively for Maya Deschenes.

>

kerrigan-lowdermilk.com

Vegas 16


&

129

C sus4/D

al - ways

a - round,

&

&
P
?
- .

and

the

one

>

U
U

&

&

hear

& w
w
? ww

the

cops

out

side.

>

>

>

www

w
w
w

##

## j

Think you can

f
^

think

w
w

retreating, colla voce

> . ^

What?

>

ev - ry - thing.

j

>

j
> .
G sus4

G sus4

&

G sus4

go and ru - in

>

j
.
>

www
w
p
w
w

C sus4

you

>

F sus2

Dude.

shes not,

.
>

&

C/E

>

F (add2)

&

night

j
- .

132

135

C sus4/E

C/D

##
##

D sus4

get

..
.
P

Prepared exclusively for Maya Deschenes.

j

hold

of

your hel -

kerrigan-lowdermilk.com

Vegas 17
138

&

##

&

##

&

##

D sus4

? ##
141

i - cop - ter

friend

..
.

and

Resoluto

&

&

can.

get

us out - ta

# .

&
& # #
# #
>
?
#
#
>

.
G#

&

>

bind?

nn

b
So

we

j

#
>

j


> > >

we

E b sus4

al - ways

knew

.
Eb

stash

the guns

b bb ...
F
b - .

# .

stash

could

count

on

you.

b
b

nn

nn

nn

w
# ww

# .

So

>

more

G # sus4

one

www

F#

Yeah.

144

& #

F #sus4

the guns

j

-

.
E b sus4

and we

case

and we

cresc. e accel. poco a poco

j
b b
-

case

b bb ...
-

Prepared exclusively for Maya Deschenes.

b - .

.
Eb

the scene.

the scene.

j

-

We re -

We re -

b b
j
-

kerrigan-lowdermilk.com

Vegas 18
F sus4

& b

147

vive

vive

Mi - guel

&
&
&
?

151

&
&

twist

of

fate,

twist

>

of

Cel

hide

Cel

>

then

we

then

A sus4

#
J

#
J

mil - lion

bucks

mil - lion

bucks


#
J

we

>

ine.

more

hug

it

out.

it

>

out.

We

find

We

A sus4

cause

thats

what

Ve - gas

is

a - bout!

cause

thats

what

Ve - gas

is

a - bout!

find

> ...

more

>

One

One

G sus4

hug

>

ine.

cresc.

> ...

hide

b ..
- .

fate,

> ...

>

we

>

>

>

Prepared exclusively for Maya Deschenes.

>

>

b
b
b

~~~~~

G sus4

~~~~~~~
~~~

&

we

and

and

& b ...
-

149

Mi - guel

& b

F sus4

r.h.

kerrigan-lowdermilk.com

Vegas 19
Tempo I

&b

153

&b

B bsus2

.
^

Were

~~~~~~~~~

&b

? ^
b

&b

156

.
&b
-

&b
?

C sus4

^j

Ve

^
j

gas.

C sus4
J
We hate you

F/D

Ve - gas.

B bsus2

&b

?b

We

.
J
did

did

^j

GUY 1: Right.

GUY 2: Right but Im so high right now...

stay in time!!

.
J

GUY 1: You realize we didnt leave the apartment.

&b

you Ve - gas.

C sus4

B bsus2

Fuck

^j
j


>

.
^

^j
j


>

gas.

We

We

C sus4

F/D

&b

159

.
J
in

F/A

>

C sus4

F/D

Ve

Ve -

^
j

C sus4


J
gas.

gas.

^j
j


>

^
j

B bsus2

C sus4

Were

in

Prepared exclusively for Maya Deschenes.

hate

^j

Ve

.
J

F/A

F/A

F/A

.
^

^j

Ve -

^j

kerrigan-lowdermilk.com

Vegas 20

C sus4

F/D

&b

162

Were in

.
&b
-

^
b
&

B bsus2

C sus4

&b
&b

Ve

F
? .
b
&b

169

smooth

love

B bsus2

gas!

> .
.
& b ..

>
? ...
b

gas!

C 7sus4

> >


J
>

Ve

gas.

gas.

gas.

^j
j


>

Dm

F/A

j
.

F5

>

Prepared exclusively for Maya Deschenes.

B b/C

>

C sus4

>

real - ly fucked your girl - friend.

^
j

..
..
>
> .
.
.

Ve

F/D
C sus4
> > > >

Ve

J
-

^j

j
.

Ve

Ve

F/A

.
J

.
We

F/A

Dude.

gas.

B bsus2

.
&b

J
C sus4

b
&

Ve - gas.

^j
j


>

?b
165

gas.

B bsus2

>

>

>

^

> > >

kerrigan-lowdermilk.com

I DROVE YOU HOME


Lyrics by KAIT KERRIGAN
Music by BRIAN LOWDERMILK
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2010 by Kait Kerrigan and Brian Lowdermilk. All rights reserved.


www.kerrigan-lowdermilk.com

Prepared exclusively for Maya Deschenes.

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NOT HER WAY


from Tales From The Bad Years

Lyrics by KAIT KERRIGAN


Music by BRIAN LOWDERMILK
Driving q = c114

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in. He sends ros - es like gre - nades,

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need

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kerrigan-lowdermilk.com

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take things year by year, she wants to

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dream of find - ing

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know there's more to
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way,

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b

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right? Right?

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Prepared exclusively for Maya Deschenes.

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