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  • The C Section Is Returned To Most Often Within The Piece, However It Is Never Repeated Exactly, It Is Always Transformed in Some Way

    Transféré par

    Aengus Ryan
    8 vues1 page
    PArt analysis of Gerald Barry score for Leaving cert

    Titre original

    The C Section

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    PArt analysis of Gerald Barry score for Leaving cert

    Droits d'auteur :

    © All Rights Reserved
    Téléchargez comme DOCX, PDF, TXT ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    8 vues1 page

    The C Section Is Returned To Most Often Within The Piece, However It Is Never Repeated Exactly, It Is Always Transformed in Some Way

    Transféré par

    Aengus Ryan
    PArt analysis of Gerald Barry score for Leaving cert

    Droits d'auteur :

    © All Rights Reserved
    Téléchargez comme DOCX, PDF, TXT ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    sur 1

    The C section is returned to most often within the piece, however it is never repeated

    exactly, it is always transformed in some way


    A, B1, C1, C2, B2, C3, D1, D2+B3, E1, C4, C5, E2+D3, C6, C7, F+C8, C9, G, H

    This
    C1

    Strings only. Cello Harmonics. Piano added, savagely accented Bar 124.

    108- 139
    C2

    Doubles Strings. Ab Centred.


    Viola +Violin only. Wedged version of C1

    140- 169
    C3

    4 playings. mp mf f ff (Piano joins in Bar 272 Blend with strings).

    256- 317

    Strings up an octave Bar 288. Rh added doubling in Bar 303.

    C4

    Piano solo. Hommage a Horowitz fff.

    373- 402
    C5

    Strings only. Played twice as a 3 part cannon

    403- 425
    C6
    C7
    C8
    C9

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