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Edward Muybridge, Woman Dancing, Fancy, no. 12.

Animal Locomotion, 1887

Btiment Sophie Germain : 8 place Aurlie Nemours, 75013 Paris


Amphithtre Buffon : 15 rue Hlne Brion, 75013 Paris
Fondation des Etats Unis : 15 boulevard Jourdan 75014 Paris

8-9-10 SEPTEMBRE 2016


UNIVERSIT PARIS DIDEROT

Scott Higgins, Wesleyan University,


Samuel Chambers, Johns Hopkins University

Confrenciers :

CINMA
ET SRIALIT
CINEMA
AND SERIALITY

CONGRS
SERCIA

THURSDAY, SEPT. 8

CONGRS
SERCIA

Paul Kerr
Middlesex University
An Episode in the History of Hollywood
Cinema, Television and Seriality: the Case
of the Mirisch Company

Pierre-Olivier Toulza
Universit Paris Diderot
Du backstage musical aux sries
musicales : la mtamorphose dun genre

Phillip Drummond
New York University in London
Cinematic Seriality and Hybridity:
Shakespeares The Tempest

Radha OMeara
University of Melbourne
Seriality On Demand: Reshaping the
Value of Film and Television Series

Sven Stollfu
University of Bayreuth
The Season-Based Audiovisual Series:
Netflix, Amazon, Crackle, and the New
Cultures of Producing, Distributing and
Watching Television) Series

Hlne Laurichesse
ESAV, Universit Toulouse Jean-Jaurs
Srialit et fidlit au cur des enjeux
stratgiques des franchises mdiatiques

Charles-Antoine Courcoux
Universit de Lausanne
Exhiber la srialit : le remake de Psycho
ou la conjuration de lhorreur srielle

Fanny Beur
Universit Paris Diderot
Feeling Kinda Naughty : subversions du
musical dans la srie Crazy Ex-Girlfriend

WORKSHOP 2
Producing Seriality (1)
Chair : Zachary Baqu
SG 009

WORKSHOP 1
Transfers and Adaptations (1)
Chair : Jacqueline Nacache
SG Turing

9h Coffee & Registration (Sophie Germain building, salle SG011)


9h30 Opening Speech (SG, Amphi Turing)
10h-12h Workshops

THURSDAY, SEPT. 8

Yann Roblou
Universit de Valenciennes
Wolverine et la srialit alternative

Sara Pesce
University of Bologna
The Superhero Costume :Supermans
Seriality, Fashion, and Fandom

Charles Joseph
Universit du Mans
The Marvel Cinematic Universe &
Seriality: How a Genre Marketing Strategy
Transcended Narrative and Screen
Formats

Gaspard Delon
Universit Paris Diderot
Fox et la stratgie X-Men : mise en place
et dveloppement dune franchise sans
limites

WORKSHOP 3
Superserials
Chair : Emmanuelle Delano-Brun
SG 0010

Isabelle Schmitt-Pitiot
Universit de Bourgogne Franche-Comt
Officers and Doctors : M*A*S*H, de
Robert Altman (1970) CBS (1972-1983)

Sylvaine Bataille
Universit de Rouen
Just like in the movie ? La srie
tlvise Fargo et le cinma

Julie Assouly
Universit dArtois
De Fargo (Coen, 1996) Fargo saison 1 et
2 (Hawley, 2014-2015)

Dennis Tredy
Universit Paris III Sorbonne Nouvelle
Seriality-Killers: Rebooting Film as TV
Series, and Vice-Versa, in Dark Shadows
(2012), Bates Motel (2013-) and Damien
(2016-)

WORKSHOP 4
Cinema and Television (1)
Chair : Sarah Hatchuel
SG 0013

Clia Sauvage
Universit Paris III Sorbonne Nouvelle
Srialisation et auteurisme : opposition
et ngociation problmatique du cinma
indpendant amricain face la rptition
industrielle hollywoodienne

Juliana Cunha Costa Radek


Jacobs University Bremen & Universidade
Federal da Bahia
Screening Urban Violence: Influences
of American Action Films in the Aesthetic
Conventions of Brazilian Films and TV
series

18h30 Cocktail (Buffon)

17h Keynote : Scott Higgins, The Benefits of Incoherence: Seriality in the Studio Era
Chair : Ariane Hudelet - Amphi Buffon, 15 rue Hlne Brion

16h Coffee break

Anas Le Fvre-Berthelot
Universit Paris Ouest Nanterre La
Dfense
Serialization and Parasitic Voices: the
Case of Desperate Housewives

Ftima Chinita
Lisbon Polytechnic Institute
Difractions of a Serial Archetype: The
Evil Stepmother as a Meta-Narrative
Trope

Tim Snelson
University of East Anglia
Theyll Be Dancing in the Aisles!:
Thirties Swing Audiences, Film Exhibition
and the Jitterbug Film Cycle

Peter Stanfield
University of Kent
Run, Angel, Run: Serial Production and
the Biker Movie 1966-72

Ellen Wright
De Montfort University, Leicester &
Phyll Smith
University of East Anglia
Tijuana Bibles and the Pornographic
Iteration of Hollywood

Holly Chard
University of Brighton
Give People What They Expect :John
Hughes Family Films and Seriality in
1990s Hollywood

WORKSHOP 2
Producing Seriality (2)
Chair : Sara Pesce
SG 009

WORKSHOP 1
Transfers and Adaptations (2)
Chair : Cline Murillo
SG Turing

12h-14h Lunch
14-16h Workshops

Jules Sandeau
Universit Bordeaux Montaigne
Old, but not obsolete ? :
Lhypermasculinit lpreuve de la
srialit

Sbastien Lefait
Universit Paris 8
La surveillance comme principe de
continuit mdiatique cinma et srialit
chez Adam Rifkin

John Dean
Universit de Versailles
The US TV Cop Series & How It Was
Influenced By the Seriality of Movies,
Radio & Comics

Aymeric Pantet
Universit Paris Diderot
La prsence culturelle filmique des
Etats-Unis dans les sries nordiques
modernes : lexemple de Lilyhammer,
ou le mafieux new-yorkais en Norvge

WORKSHOP 3
Serial Action
Chair : Marianne Kac-Vergne
SG 0010

Alain J.J. Cohen


University of California, San Diego
Meta-Seriality in Cinema

Melvyn Stokes
University College, London
Constructing an Intertextual President:
The West Wings Josiah Bartlet

Anne-Marie Paquet-Deyris
Universit Paris Ouest Nanterre La
Dfense
Todd Haynes 2011 Miniseries Mildred
Pierce: a Complex Creative Game of
Imitation of Lives?

Elizabeth Mullen
Universit de Bretagne Occidentale
Talk about your genetic deficiencies?
Seriality and Reinterpreting the American
Redneck, from Deliverance to The Walking
Dead

Sarah Hatchuel
Universit du Havre
De la srie Twin Peaks au film Fire Walk
With Me : ralit de linceste et sacrifice
de licne

WORKSHOP 4
Cinema and Television (2)
Chair : Isabelle Schmitt
SG 0013

FRIDAY, SEPT. 9

CONGRS
SERCIA

Rudmer Canjels
Independent Researcher
Vidding: Serial Love, Hate, and Memory on the Remixed
Screen

Martial Martin
Universit de Reims
Srialit et slasher movies travers Scream : dcoupage
interne, suites, reboot et adaptation tlvisuelle

Sarah Thomas
Aberystwyth University
Re-viewing Hannibal Lecter: Critical Responses to the
Seriality of Horror, Performance, and Pleasure

Frank Krutnik
University of Sussex
Chiller-Dillers for the Shiver-and-Shudder Set: The
Whistler Film Series

Ilka Brasch
Leibniz University of Hannover &
Felix Brinker
John F. Kennedy Institute for North American Studies at the
Free University of Berlin
Opening Gambits: Staging Comics & Television in Serial
Film, 1936-2008

Bruno Agar
Universit Toulouse Jean-Jaurs
Madonna dans sa forme documentaire : la srie et la
persona.

Toni Pape
University of Amsterdam
Filmer une vie: srialit longitudinale dans les
documentaires de la srie Up.

David Lipson
Universit Paris-Sud
Srialit et stratgies narratives dans les films
documentaires de Michael Moore

Adrienne Boutang
Universit de Bourgogne Franche-Comt
Ce quil a grandi! : la difficile intgration de la
mtamorphose adolescente dans une narration
squentielle (sries, sequels, et films au long cours)

Chlo Monasterolo
Universit de Toulouse Jean-Jaurs
Diversions in the Hunger Games Franchise: A Fragmented
Narrative of Hijacked Images

Tifenn Brisset
Universit de Grenoble 2
Les sries tlvises dhorreur

Eric Dufour
Universit Paris Diderot
La srialit du film dhorreur

WORKSHOP 3
Serial Documentary
Chair : Nicole Cloarec
SG 0010

WORKSHOP 2
Seriality and Transmedia
Chair : Fatima Chinita
SG Turing

WORKSHOP 1
Serial Horror (1)
Chair : Anne-Marie Paquet-Deyris
SG 009

9h30 Coffee
10h-12h Workshops

FRIDAY, SEPT. 9

Barbara Szczekaa
Jagiellonian University
Post-plot films and Serial Storytelling

19h30 Conference dinner, Fondation des Etats-Unis

17h30 -19h Fondation des Etats-Unis, Cit internationale universitaire de Paris


KEYNOTE : Samuel Chambers, Seriality, Transparent, and the Trouble with Gender / Chair : Anne Crmieux

16h30 : coffee break

Alhel de Mara Alvarado Diaz


Columbia University
The Return of the Uncanny: Beauties and Beasts in Twin
Peaks and Mulholland Drive

Dominique Sipire
Universit Paris Ouest Nanterre La Dfense
Srialit et genres policiers, entre fermeture narrative,
discours douverture et fentres dinvention (2000-15)

Pierre Floquet
Bordeaux INP
Droopys Double Trouble et les autres : ddoublements,
multiplicits, rptitions en sries

Kathleen Loock
Freie Universitt Berlin
Hollywoods Serial Modes of Storytelling

Pascal Cout
Universit de Caen
Srialit morale et mtaphysique dans les Frankenstein
movies du studio Hammer

Gilles Menegaldo
Universit de Poitiers
Le cycle Frankenstein du studio Hammer : entre tradition
et innovation

Piero Polidoro
LUMSA University in Rome
The Two JBs: What James Bond Owes Jason Bourne

E. Deidre Pribram
Molloy College, Long Island, New York
Dramatic Television Seriality, the Melodramatic Mode,
and Emotions

Francisco Ferreira
Universit de Poitiers
Srialit et hantologie : lternel cauchemar de Freddy
Krueger

Clmentine Tholas
Universit Paris III-Sorbonne Nouvelle
Rocky, cest fini ? Transmission et rupture dans le long
parcours de Rocky Balboa

Marie-Alix Thouaille
University of East Anglia
Postfeminist Seriality: Winona Ryder and the 1990s Single
Woman Author Cycle

Guy Barefoot
University of Leicester
Not a Serial The Film Industrys Distrust of
the Incomplete Narrative

Hlne Machinal
Universit de Bretagne Occidentale
Du silence des agneaux la fascinante beaut du
monstre

WORKSHOP 3
Serial Actors, Serial Characters
Chair : Sylvaine Bataille
SG 0010

WORKSHOP 2
Narration and Seriality
Chair : Shannon Wells-Lassagne
SG Turing

WORKSHOP 1
Serial Horror (2)
Chair : Julie Assouly
SG 009

14h-16h30 Workshops

SATURDAY, SEPT. 10

CONGRS
SERCIA

11h15-13h15 SERCIA General Meeting (SG Turing)

11h-11h15 Coffee break

Nicole Cloarec
Universit de Rennes
In-between Still and Moving Pictures: Series Within
Stephen Poliakoffs Drama Serial Shooting the Past (1999)

R. Costa de Beauregard
Universit Toulouse Jean-Jaurs
The Award Winning TV series Downton Abbey -1912-1922
(season 1-4): a Docu-fiction?
Christophe Gelly
Universit Blaise Pascal
The Abominable Bride (Douglas Mackinnon, 2016) :
comment la srie Sherlock rinvente la srialit

Claire Cornillon
Universit Montpellier 3
Dollhouse : srialit, genres et narration

Elise Harris
University of Chapel Hill
Cinematicity on Television: An Aestheticization of Time

Jean-Pierre Esquenazi
Universit Lyon 3
Temps cinmatographique et temps sriel

Jean-Franois Baillon
Universit Bordeaux Montaigne
Simon and Laura (Muriel Box, 1955): a British Comedy
of Remarriage ?

Florence Bigo-Renault
Universit Paris Diderot
Esthtique et narration du succs dans les adaptations
des classiques anglais (2005-2011)

WORKSHOP 2
Aesthetics of Seriality
Chair : Vincent Souladi
SG Turing

WORKSHOP 1
British Seriality
Chair : Penny Starfield
SG 009

9h-11h Workshops

SATURDAY, SEPT. 10

Justin J. Morris
University of Toronto
The Hyperbolization of the Markers of Serial Narratives of
the 1930s and 1940s in Television Programs (Batman, Rocky
and Bullwinkle, Jonny Quest) and Commercials

Phillip Smith
University of East Anglia
Westerns Not Talkers: The Coming of Sound to the Serial
House

Vronique Elefteriou-Perrin
Universit Paris Diderot
Formes courtes et srialit dans les dcennies 19001920

Francine Ananian
Universit Paul Valry, Montpellier
Les marqueurs de la continuit dans les six films du Thin
Man. Texte et paratexte

WORKSHOP 3
Seriality in Early Cinema
Chair : Melvyn Stokes
SG0010

NOTES