Académique Documents
Professionnel Documents
Culture Documents
Motivic Improvisation
Dom7 Chords, Scales, and the Half Step below Approach to Chord Tones
Great Performances: "Tune Up" Miles Davis Version, "Tune Up" Wes
Montgomery Version, "Tune Up" Sonny Rollins Version, "Giant Steps" John
Coltrane
Lesson 1: Major Modes & Chord Scales and Harmonic Minor Review
Dom7(b9 13)
Introduction to Transcription
Great Performances: Sonny Rollins Solo on "All the Things You Are"
Great Performances: John Scofield Solo on "All the Things You Are"
Lydian b7 Scale
Creating Continuity via Scales, Intervals and Arpeggios across the Bar
Line
Adding Tension to Basic 12-Bar Blues with the Altered Scale and
Harmonic Minor
The BridgeLydian b7
The Half-Whole Diminished Scale and Its Relationship to the 7(b9) Chord
Using Space
"Play/Rest" Exercises
Rhythmic Groupings
Dynamics
Comping Rhythms
Lesson 11: Contemporary Jazz Guitarists (Jim Hall, John Scofield, Bill
Frisell, Pat Metheny);
Minor Triads
sus Chords
9th Chords
Drop 2 Inversions
Lesson 6: Summary 1
Chord Substitutions #1
Diminished Voicings
Maj 6/min 6
Chord Substitutions #2
Inversions of G-7(b5)
Guitar chords 2:
Drop-2
Drop-3
Crossover/Transfer Example
Chord Melody
Major 6/9 Voicings: Substituting Dominant 7sus 4 Chords for Major Chord
Sounds
Inversions of Maj7/Maj6/Min6/Dim7/Min7b5
Rhythmic Interpretation
Lesson 10: Harmonic Major and Voice Leading through Chord Scales
Blues Guitar
Lesson 1: Playing the Blues in E
Lesson 2: Blues in EVarying the Feel, Minor Pentatonic Scales, and 8Bar Blues
March in A
Lesson 3: Slow Blues with Sliding 9th Chords, Pentatonic Scales Part
2, and String Bends
Rhythm Hits
String Bents
Lesson 4: T-Bone Style Blues with Sliding 9th Chords, and Chicago
Shuffles
Lesson 5: Flat Tire/Jump Chords and Feel, with T-Bone Walker's Soloing
Style and Influences
Choosing a Slide
Lesson 9: Slide in G Tuning: Son House, Muddy Waters, and John Lee
Hooker Styles
Lesson 11: Jazz Blues: Kenny Burrell, Comping Range, and Rhythm
Guitar Along the Neck
Guide Tones
"Freddy Freeloader"
Mixolydian Mode
A Major Scale
Larger Intervals
Definition of a Mode
Guitar Improvisation
Techniques
Lesson 1: The Pentatonic Scale
Learning the Same Melodies and Riffs in Each of the Five Fingerings
Triad Arpeggios
The Intro
Funk/Rock
Lesson 8: Essential Funk/R&B Bends
Using Legato
Double-Stop Bends
Whole-Tone Licks
Transcribing Solos
Chord Types and Forms: Root 5 and Root 6 of Major7, Minor7, Dominant7,
Dominant 7#9 and Dominant7sus4.
Practice Exercise: Guitar Grooves and Jam Licks in Two Different Styles
Cream Toad
Herbie Hancock
Electronic Jam in C
Funky Groove in E
Warm-Up Exercises
Soulive Flurries
Constructing Grooves
Uberjam
More on Major7th
Diatonic Harmony
Major 7 Loops
Assignment: Syncopation
Triplet Introduction
Triplet Exercise
Picking Lines
Fourths
Bass Ideas
Eighth-Note Triplets
Rhythm Exercises
4-Bar Patterns
Fundamentals of Classical
Guitar
Lesson 1: Getting Started with the Classical Guitar
Arpeggios
Chamber Music
Arpeggio Variations
Minor Scales
Melody in Bass
Vibrato Technique
Brazilian Rhythm
Two-Octave Scales
Introduction to Tremolo
Introduction to Rasgueados
Slurs
Tremolo
Rasgueado
Continue Slurs
Harmonics
Artificial Harmonics
Drop D tuning
Muting
Speed Builders
Percussive Techniques
Tango
Whole-Tone Scale
Diminished Scales
Prepared Guitar
Practice Routine
Fretboard Theory
Dynamic Gestures
Arpeggio Technique
Scalar Technique
Nails or No Nails?
Right-Hand Position
Right-Hand Technique