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3d
Hugh Willmott
Abstract
The paper argues for the widely unacknowledged importance of death in the
motivation of human conduct and the significance of the sequestration of death for
sociological theory. Sociological studies that illuminate modern strategies for coping
with death also contribute to its sequestration as they routinely naturalise the
contemporary commonsense understanding of death as something negative that
must be coped with. The (negative or morbid) representation of death, it is argued,
should be re-cognised as a social product, not reproduced in sociological studies as
something that is seemingly innate to the human condition. Otherwise, a
commonsense representation of death as unequivocally negative is reinforced rather
than scrutinised; and alternative understandings of the significance of mortality for
analysing everyday life and human emancipation are suppressed.
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which human control over human existence finds an outer limit (Giddens,
1991: 162).
Deaths of family members and friends, in particular, are frequently major life
events or `critical situations' that prompt deeper reflection upon the value or
direction of life projects and the priority given to competing commitments, and
often have major ramifications worthy of sociological examination.
Second, death has a symbolic significance that is not necessarily directly
connected to the pain and uncertainty attributed to the death of others but with
the (loss of) meanings invested in life-projects. The significance of human
mortality resides in its capacity to `threaten the basic assumptions upon which
society is organized, as well as open up the individual to the dread of personal
meaninglessness. Death radically questions the taken-for-granted `business as
usual' attitude which is usually adopted in everyday life' (Shilling, 1993: 178 9
paraphrasing Berger, 1967, emphasis added). It is not (just) that death defies
the modernist impulse to control threats and uncertainty in ways that can be
profoundly frustrating and disturbing. It is (also) that the prospect of mortality
and the certainty of death can radically disrupt the meaning with which
everyday practices are routinely endowed. As Mellor and Shilling (1993)
observe, albeit somewhat in passing, 1 individuals' `reflexively constructed sense
of what is real and meaningful starts to vanish' when they `realize that they are
dying' (428, emphasis added). This realization may occur when a person is
diagnosed as terminally ill or believe themselves to have a lifethreatening
disease. But it can also be induced by awareness that every breath brings us
closer to death, and that the next breath could be our last. When mortal
knowledge is realized in this way (instead of being abstractly known and
routinely disregarded), meanings that previously had seemed solid, unshakeable, or at least significant, can become drained of their meaning and value.
What is the point of struggling to pursue the current life-project? What
difference can my life make? Who will remember me in 50 years let alone 500
years time?
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foods, taking more exercise, and now for accessing the web to inform ourselves
about our medical conditions and how we should treat them.
Modernity's sequestration of experience is paradoxical. The `transpersonal,
existential' significance (Mellor and Shilling, 1993: 423) of death is excluded or
distanced from interpersonal interaction, communication and processes of
mutual understanding. In the guise of medical discourse, scientific knowledge
mediates everyday encounters with potentially life-threatening accidents,
disease and illness. Death is represented in terms of its causes (eg, concussion,
lung cancer, heart failure) so that we no longer hear or think of people `dying
of mortality' (Bauman, 1992: 5, cited in Mellor and Shilling: 425). The
`cumulative effect' of this sequestration of death is not to resolve the problem
of death by neutralising its implicit threat to self-identity but, ironically, `to
leave many people uncertain, socially unsupported when it comes to dealing
with death' as a transpersonal, existential phenomenon (Shilling, 1993: 189).
This may begin to account for why, as Walter (1991: 306 7) contends, in
modern societies the societal taboo about death diminishes but, `along with
[greater] societal acceptance of death goes the most intense personal pain' (ibid:
306) accompanying bereavement. Walter's favoured framework for analysing
the meaning of death in modern societies `points to death being highly
problematic for the modern individual, but not at all problematic for modern
society hence the lack of ritual surrounding it today' (307). In other words,
Walter contends that taboos surrounding the public discussion and viewing
(albeit simulated) of death are weakening, as indicated by the decline of
elaborate codes and conventions for dealing with death, but that the
anticipation of death remains a major existential issue and concern for modern
individuals.
Walter valuably highlights how death remains problematic and in this
respect taboo, for modern individuals who, for example, suffer the pain of
bereavement. This pain can be connected to modernist, humanist thinking that
celebrates the capacity of scientific knowledge to debunk dogmas and illusions,
including the idea of an afterlife. Legitimations that once addressed and
assuaged such pain by cementing belief in an afterlife where loved ones are
reunited have left individuals `exposed and unprotected in the face of their
inevitable demise' (Mellor and Shilling, 1993: 427). In Marx's words, as
processes of secularization debunk pre-modern beliefs and institutions, `man is
compelled to face with sober senses, his real conditions of life' (Marx and
Engels, 1967: 83), which, in the present context, means a diminished and
perhaps exhausted faith in an after-life. As a current advertising slogan for
Virgin.net declares: `Don't count on reincarnation. Make the most of your free
time', as it invites consumers to access the site for music, travel, etc. There is no
reassurance about any form of life after death. The finality of death is
advertised in a way that reinforces the understanding that the prospect of death
`can radically undermine all that we hold to be real or of value' (Shilling,
1993: 185). If this is accepted, then it follows that participants in modern
societies are obliged to develop means of circumventing awareness of their
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the study of death should address institutions and practices that commonsensically have little or no connection with it:
The impact of death is at its most powerful (and creative) when death does not
appear under its own name; in areas and times which are not explicitly
dedicated to it; precisely where we manage to live as if death was not or did
not matter, when we do not remember about mortality and are not put off or
vexed by the thoughts of the ultimate futility of life (7, emphasis in original).
Here Bauman articulates the understanding of death as an absent presence in
both the conduct of everyday life and social scientists' analysis of it. Much of
the activity that comprises everyday life, he implies, is conditional upon
actively forgetting about our mortality an awareness of which would `vex' or
even render `futile' the meanings and significance that are routinely ascribed to
it. 2 Death has a potent `impact', Bauman suggests, insofar as we are compelled
to `live as if death was not and did not matter' (ibid), by immersing ourselves in
practices through which we accomplish its routine sequestration. It is this
element of death's `existential, transpersonal' significance that is of most
general and critical relevance for sociological theory and analysis.
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argue shortly, can also be releasing and enlightening. I now expand upon this
understanding in relation to the influential contributions of Berger and
Luckmann (1966) and Giddens (1984), whose work does at least incorporate an
appreciation of how our actions are conditioned by the precariousness of
human existence. 4 In their respective writings, the development and reproduction of social institutions is linked directly to the precarious ontological status
and security of human beings a concern that resonnates directly with my
primary interest in death's symbolic significance for self-identity.
Social institutions, Berger and Luckmann (1966) contend, emerge to fill a
void originating from human beings' underdeveloped instinctual organization:
institutions are constructed to `provide direction and stability for the greater part
of human existence' (1966: 69). If thrown back on pre-institutional resources
alone, human existence would be `existence in some sort of chaos' (1966: 69). It
is the social meanings enshrined in institutions that keep chaos at bay.
Institutions provide their members with a sense of reality and identity. At the
same time, Berger and Luckman stress the constructed, and therefore fragile,
sense of order assembled by processes of institutionalization. `The constant
possibility of anomic terror', they (1966: 121) conjecture, `is actualized whenever
the legitimations that obscure the precariousness are threatened or collapse'
(1966: 121). In this formulation of the relationship between social institutions
and human ontology, there is an evident affinity with the understanding, noted
earlier, that legitimations notably, pre-modern religious beliefs serve to
channel and assuage the transpersonal and existential significance of mortality.
A broadly similar position to Berger and Luckmann's is advanced by
Giddens (1984), except that for him it is not the provision of order per se that
checks `the possibility of anomic terror'. The sense of security is not located in
orderly institutions or symbolic universes. Rather, it is continuously negotiated
and maintained by human agency. As Giddens (1979: 128) puts it, the sense of
security associated with the reassuring familiarity of routines `implies
ethnomethodological continuity more than the reproduction of the empirical
content of practices' (original emphasis omitted). Routinization `is the mode in
which the stratification of the personality is sustained ... [and] ... potentially
corrosive effects of anxiety are contained' (1979). 5 From a Giddensian
perspective, it is the process of routinization rather than the existence of orderly
routines and institutions per se that is of importance supporting individuals'
experience of a continuous, reassuring sense of self-identity. The conventions of
daily life are sustained, Giddens argues, because they `are of essential
significance in curbing sources of unconscious tension that would otherwise
preoccupy most of our waking lives' (Giddens, 1984: xxiii xiv, emphasis
added). This understanding is consistent with the thesis that, in modern society,
particular institutions and legitimisations are less important in inhibiting
anomie or in containing `the corrosive effects of anxiety' than a capacity to
become absorbed in, or (neurotically) preoccupied with maintaining, everyday
routines in ways that block `unconscious tension'. As pre-modern legitimations
are weakened, the transpersonal and existential significance of death becomes
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become more conscious of the relative, precarious and insignificant status of our
projects and our related sense of selfidentity. In modern societies, the anxiety or
`onomic terror' identified by Berger and Luckmann is, I suggest, as much, and
more, aroused by the threat of symbolic death than it is provoked by a revelation
of the chaos alleged to lurk beneath institutional forms of order.
Here I return to an earlier refrain of Bauman's (1992a): that without a sense
of mortality there would be `no history, no culture no humanity. Mortality
``created'' that opportunity: all the rest has been created by beings aware that
they are mortal' (Bauman, 1992a: 7). Institutions, Bauman suggests, provide a
means of dealing with mortality: death is denied as a bid is made for
immortality. Or, as he puts it, by developing institutions, human beings are
enabled, more or less intentionally, to suppress or suspend `thoughts of the
ultimate futility of life' (Bauman, 1992a: 7). From this it follows that
sociological theory and analysis should incorporate a recognition and
appreciation of the significance of mortality in the motivation of human
conduct. It is to this concern that I now turn.
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futile, pompous and absurd even [and, it might be added, especially] the most
grandiose of human projects' (Bauman, 1992a: 6). At the heart of the projects
of the insecure modern individual is the effort, at once grandiose and
Sisyphean, to sustain and defend a sense of self-identity as a separate entity.
Making a direct link between the biological death of the human body and the
symbolic death of the ego, and describing these as two aspects of the same
`bardo' experience, 8 Trungpa (1975) elaborates the understanding that the
sense of identity and self-importance dissolve in the face of a felt knowledge of
our mortality and insignificance:
death happens in the living situation as well ... There are all kinds of bardo
experiences happening to us all the time, experiences of paranoia and
uncertainty in everyday life; it is like not being sure of our ground, not
knowing quite what we have asked for or what we are getting into (Trungpa,
1975: 1 2).
By becoming immersed in and dependent upon routines, human beings
contrive to defy the precarious, fictional quality of self-identity, and to
minimize the risk of symbolic death experienced most commonly as ontological
insecurity or `paranoia'. 9 Yet, precisely because social institutions and routines
are precarious, the business of sustaining a solid, independent sense of selfidentity is accompanied by pervasive and recurrent anxiety that situations will
arise in which the constructed quality of self-identity will be exposed by an
inability to sustain normal appearances. In the theatre, it is called `corpsing'.
Any academic who has despaired of gaining clarity or communicating ideas
effectively will be able to identify with such everyday `bardo' experiences of
self-doubt and symbolic death. I will now illustrate this argument by brief
reference to Castaneda's `factional' 10 accounts of his relationship to don Juan,
a Yaqui sorcerer (eg, Castaneda, 1969: 1974).
Encountering symbolic death
In Reading Castaneda, Silverman (1975: 3 et seq) notes that it is not difficult to
sense Castaneda's `incomprehension, even anger, at don Juan's behaviour'.
Don Juan's playful exposure of Castaneda's sense of solidity and selfimportance repeatedly breach Castaneda's dualistic, Cartesian separation
between wo=man or self and world. 11 Don Juan's actions defy Castaneda's
capacity to understand them without first surrendering his sense of self-identity
(or `sanity'). At the same time, don Juan does not make it easy for Castaneda
to dismiss him as a charlatan or a madman.
Typical is the occasion, early in their relationship, when don Juan and
Castaneda hear a crow cawing and don Juan interprets this as an omen. The
crow's caw, don Juan says, gives `a very important indication' about Castaneda
(Castaneda, 1974: 37). At first, Castaneda laughs at such a fanciful claim. Then he
suspects don Juan to be poking fun at him. In a fit of pique, Castaneda gets up to
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leave. Don Juan's response is to start mimicking a popular folk singer. As he sings,
don Juan elongates some syllables and contracts others to produce a farcical effect
an effect that discharges Castaneda's anger by once more making him laugh.
When interpreting this episode, Castaneda reports that initially he
interpreted don Juan's parody of the singer as an attempt to show him how
foolish he was being to take seriously the absurd claims about the crow. He
understood don Juan to be drawing a parallel between the claim of the singer
to communicate some genuine, intense emotion and the suggestion that the
crow's caw communicated `an important indication'. Castaneda's comforting,
commonsense interpretation is immediately confounded, however, when don
Juan observes that the popular singer, as well as those who pay to hear him, are
not laughing: they take it very seriously. Castaneda's reaction of anger to his
claim about the crow, don Juan implies, more closely parallels the attitude of
the singer and his audience. The singer and his audience are considered by don
Juan to share a commonsense faith in the conventions that place a value upon
such artistry, and thereby enable them to confirm and sustain a taken for
granted sense of reality and identity. Similarly, Castaneda's amusement at don
Juan's claims about the crow's caw is understood by don Juan to be founded
upon an unexamined, commonsense faith, or conceit, in the authority of
Castaneda's knowledge that cawing crows could not conceivably be an omen of
anything. As don Juan puts it to Castaneda, just like the singer, he was
`conceited and serious about some nonsense that no one in his right mind
should give a damn about' (ibid: 38). Don Juan views Castaneda's dismissive
reaction of his remark as symptomatic of Castaneda's blind faith in a stock of
knowledge that is equivalent to that shared by the singer and his audience. As
Silverman (1975: 7) observes, `in order to understand don Juan's teachings,
Castaneda must let go the certainties of his mundane existence if he is to enter
the space of liminality (Turner, 1969) occupied and exemplified by don Juan. 12
Yet, in doing so, he risks losing what he conceives to be ``all his rationality'' '.
An important condition of this risk-taking and `letting go' is a lived awareness
of mortality that engenders sufficient humility to respond openly and playfully,
rather than defensively and heavily, to the idea that a crow's caw is an omen.
When commenting upon Castaneda's defensive and dismissive response to
ideas that do not confirm his self-knowledge, don Juan later asks: `how can
anyone feel so important when we know that death is stalking us? (ibid: 50,
emphasis added). Castaneda replies that it would be stupid for him actively to
develop an awareness of how death is stalking him because such morbid
thinking would `bring discomfort and fear' (ibid: 51). In response, don Juan
problematizes this widely held view a view that is reflected in the
sequestration of death in modernity and reproduced by the neglect of death
in sociological theory. `Death', don Juan contends, `is the only wise advisor
that we have' because whenever everything appears to be going wrong and
there is a sense of immanent annihilation, `your death will tell you that you are
wrong; that nothing really matters outside its touch' (ibid). So long as this
advisor remains an absent presence, don Juan observes, Castaneda will
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Acknowledgement
I would like to thank Richard Weiskopf for his detailed commentary on an
earlier version of this paper in addition to the helpful, constructive comments
of two anonymous referees.
Notes
1 Mellor and Shilling do not expand upon their remarks about the `vanishing' of meaning and
reality, preferring to concentrate upon the increasing privatised nature of death in modern
society and the problems encountered in coping with it.
2 It is also relevant to note that other `New Age' movements and therapies actively encourage
reflection upon death (e.g. Tibetan Buddhism).
3 There are strong resonances between the broad thrust of my argument and the position
developed in Bauman's Mortality, Immortality and Other Life Strategies. But I do not share
Bauman's belief that social institutions can be adequately explained entirely as a means of
denying or defying mortality. It may well be true, as Bauman, following Canetti, suggests, that
few people would find life worth living if they knew that they would not die (Bauman,
1992a: 6). I also concur with Bauman when he argues that, in modern society, the socially
organized anticipation of biological death or the experience of symbolic death is routinely
accompanied by feelings of great anxiety and a strong desire to restore routines that distract
attention from its deflating impact. But, even so, it does not follow that culture is only a means
of defying death; or, relatedly, that apathy, vacillation or meaninglessness is the only possible
outcome of dissolving this defiance. I will argue that disillusionment associated with the
deflating effects accompanying with the anticipation of biological death or the experience of
symbolic can also have the more emancipatory outcome of exposing conceit and pettiness,
thereby enabling the development of a different sense of being-in-the-world where actions are
less compelled by a dualistic habit of relating to the natural and social worlds instrumentally
as a resource for maintaining and defending the seeming solidity of self-identity (see Willmott,
1994).
4 Disavowal of the significance of death is not restricted to textbooks written by authors
antipathetic to social theory. It includes, for example, Giddens' (1986) `short but critical'
introduction to sociology. Despite an acknowledgement that the extant division of labour
between the social sciences `can be justified in only a very general way' (1986: 9), consideration
of mortality, it would seem, is deemed to fail within the domain of some other discipline
presumably psychology or perhaps philosophy. The marginal importance attributed to death in
sociological theory is symptomatic of how sociology, as a discipline, has been more inclined to
`get on' with analysing specific institutions rather than striving to address and shed light upon
more fundamental issues, such as the question of why and how society is possible or how
knowledge of mortality, and the sense that is made of it, conditions human conduct. Of course,
there have been important exceptions to this rule (eg, Simmel, 1965; O'Neill, 1972).
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meaning. Here I am interested in the insights that Castaneda's `faction' brings to understanding
experience of being-in-the-world.
12 The allusion here is to Garfinkel's (1967) breaching experiments. Garfinkel was a member of
Castaneda's doctoral committee.
13 As Turner (1969: 95) characterises liminality, its attributes `are necessarily ambiguous ... liminal
entities are neither here nor there; they are betwixt and between the positions assigned and
arranged by law, custom, conventional and ceremonial ... liminality is frequently likened to
death, to being in the womb, to invisibility, to darkness'.
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