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Program Notes
Solo Classical Guitar
Platero Eduardo Sainz de la Maza (1905-1982)
Platero is one of eight movements from the suite Platero y Yo. The music is inspired by a
set of poems by the Nobel Prize-winning author Juan Ramn Jimnez, and depicts the life of a
Spanish donkey named Platero. Originally, the music was meant to be played while a narrator
read the poems.
Capricho rabe - Francisco Trrega (1852-1909)
Trrega is in many ways the father of the modern classical guitar. He came to prominence
at about the same time that Antonio de Torres began to master his craft as a luthier, bringing us
the classical guitar that we know today. This piece and Recuerdos de la Alhambra are his most
well-known compositions. Of all the pieces in this recital, this one has been with me the longest.
I have studied it thoroughly on paper, through recordings, and using my own ear and feelings.
In a lot of ways, it represents my growth as a musician more than any other.
Registro Antonio Lauro (1917-1986)
Registro acts as a prelude to Lauros four movement piece, Suite venezolana, which he
may have written while in prison for his belief in democracy during the rule of General Marcos
Prez Jimnez. Lauro loved his countrys musical heritage, and upon hearing a concert of valses
from the great Venezuelan pianist Evencio Castellanos, he set out to bring that same beauty to his
instrument.
Sonata Opus 61 Movement 1 Joaqun Turina (1882-1949)
Turina was trained mostly on piano and in composition, and most his compositions were
for the piano. However, at the time, Andrs Segovia was urging many of his composer friends to
write for the guitar. Turina responded with pieces reminiscent of Andalusia and the emergence of
the film industry. This piece in particular reflects the change in mood from one moment to the
next that is so standard in film.
Elgie - Johann Kaspar Mertz (1806-1856)
Mertz was one of the first guitar composers to abandon the style of Mozart and Haydn
and turn instead to the likes of Chopin and Schubert. The result is a highly romanticized music
which exploits the free use of time and expression. It is likely that some of this piece was
improvised by Mertz and may have been played differently every time.
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Questions
Do I include myself in the Featuring section?
Should I put translations of lyrics/poems?
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