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CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence
of uninsulated dangerous voltage within the products
enclosure that may be of sufficient magnitude to constitute
a risk of electric shock to persons.
The exclamation mark within an equilateral triangle is intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
13.
14.
15.
Read all the instructions (Safety, Installation and FCC if applicable) before using the product.
Do not use this product near water (example, near a swimming pool, spa, tub, sink or wet basement) and do not expose to rain.
This product should be used only with a cart or stand that is recommended by the manufacturer, or should be used with the components supplied.
If this product requires assembly before being played, take special care to follow the assembly instructions found at the back of the manual.
This product, whether alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that
could cause permanent hearing loss. Do not operate for long periods of time at a high volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you should consult an audiologist.
WARNING: Do not place this product or any other objects on the power cord, or place it in a position where one could walk on, trip over or roll
anything over power or connecting cords of any kind.
This product should be located so that its location does not interfere with its proper ventilation.
This product should be located away from heat sources such as radiators, heat registers, or other products that produce heat.
This product should be connected to a power supply only of the type described in the operating instructions or as marked on the product.
This product may be equipped with a polarised line plug (one blade wider than the other). This is a safety feature. If you are unable to insert
the plug into the wall outlet, contact an electrician to replace your obsolete outlet. Do not defeat the safety purpose of the plug.
The power supply cord of the product should be unplugged from the outlet when left unused for long periods of time.
Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.
This product should be serviced by qualified service personnel when:
a)
the power supply cord or the plug has been damaged; or
b)
objects have fallen, or liquid has been spilled into the product; or
c)
the product has been exposed to rain; or
d)
the product does not appear to operate normally or exhibits marked changes in performance; or
e)
the product has been dropped, or the enclosure damaged.
Do not attempt to service the product beyond that described in the user-maintenance instructions. All servicing should be referred to qualified
service personnel.
Some products may have benches and/or accessory mounting fixtures that are either supplied as part of the product or as optional accessories.
Please ensure that benches are correctly assembled and stable and any optional fixtures (where applicable) are well secured before use.
Electromagnetic Interference (RFI) This electronic product utilises digital sample wave processing technology (S.W.P.) that may adversely
affect radio/TV reception. Read the FCC note on the inside back cover of the owners manual for additional information.
Contents
The Owners Manual ....................................................................................
Specifications ...............................................................................................
Important information ...................................................................................
Important preliminary notes ..........................................................................
How to update your instrument ....................................................................
SYSTEM RESET .........................................................................................
Front Panel WK2 ..........................................................................................
Rear Panel WK2 (Connections) ...................................................................
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Contents i
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ii Contents
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Contents iii
6 Songs ....................................................................................................... 56
What is a Song? .........................................................................................
The Song Performance ..............................................................................
Selecting and playing back Songs .............................................................
To select a Song .........................................................................................
Song Playback ...........................................................................................
FF / REW ...................................................................................................
CANCELLATION of a SONG (CLEAR function) ........................................
Melody off ...................................................................................................
Play All Songs ............................................................................................
Play a Song with a track in Real Time........................................................
Displaying lyrics .........................................................................................
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9 MIDI ........................................................................................................ 66
What is MIDI? .............................................................................................
The Computer port .....................................................................................
Tracks and MIDI channels..........................................................................
MIDI Connection rules ................................................................................
Assigning MIDI channels ............................................................................
MIDI Lock ...................................................................................................
The Common Channel ...............................................................................
CHORD CHANNEL ....................................................................................
MIDI Numeration ........................................................................................
Principal MIDI applications .........................................................................
Piloting an expander (or other keyboard) with WK2 ...................................
Piloting WK2 from a MIDI accordion ..........................................................
Using the WK2 in Song Mode with a computer (or external sequencer) ...
Piloting WK2 with a Master Keyboard ........................................................
SYSTEM EXCLUSIVE (Generalmusic system exclusive) .........................
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iv Contents
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Reverb ........................................................................................................
Chorus ........................................................................................................
Volume .......................................................................................................
Pan .............................................................................................................
Tuning ........................................................................................................
Cancelling samples ....................................................................................
Programmable Pads Assign .......................................................................
The WK2 Pads ...........................................................................................
VOCAL PROCESSOR (Vocal harmonizer) ................................................
Activation of the vocal processor ...............................................................
VOCAL PROCESSOR EDIT .....................................................................
PRESET .....................................................................................................
PADS (Vocal P active) ................................................................................
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11 MIDI/General ........................................................................................ 81
MIDI Dump procedure ................................................................................ 83
To receive the data ..................................................................................... 83
Reference section
Technical specifications WK2 .............................................................. Ref. 2
Index ..................................................................................................... Ref. 3
Appendix
Sound table WK2 ..................................................................................... A. 1
Style, Song, Performance tables .............................................................. A. 3
Reverb table ............................................................................................. A. 4
Chorus table ............................................................................................. A. 4
Drumkit table ............................................................................................ A. 5
Recognised chords- examples in the key of C ......................................... A. 8
MIDI Implementation chart ....................................................................... A. 9
Recognised Control Change messages (MIDI Controllers) ................... A. 10
Control Changes on the track ................................................................ A. 10
Contents v
vi Contents
Introduction
Congratulations and thank you for having purchased Generalmusics WK2 Multimedia workstation. This instrument is the successful result of the
combination of extraordinary sound quality, automatic accompaniments and an easy-to-operate user interface.
MULTIMEDIA WORKSTATION
WK2 is workstation with multimedia features that can render music making fun. With WK2 you can sing following the lyrics projected on a television
(or other video projection device), connect a microphone or musical instrument to the MIC o LINE inputs of the Vocal Processor (optional) and sample
the signals, processing them with the powerful on-board digital effects processors.
Specifications
WK2 is 32 note polyphonic (maximum), 16 part multi-timbral in Song mode and 8 part multi-timbral in Style mode. Each part is assigned to a
track. In Real Time mode, 3 tracks (maximum) are assigned to the keyboard.
Sound Generation
The WK2 sound generation uses PCM and Wavetable technology. The Sounds are based on elaborated sampled waveforms. The instruments
32 oscillators generate single (32-note polyphonic) or layer sounds (16 note polyphonic).
ROM Sounds
The WK2s ROM (Read Only Memory) contains 444 Sounds including 17 Drumkits.
Sample-RAM
The battery-backed Sample-RAM can contain Samples captured by sampling them or loaded from disk. By installing the optional Vocal Processor card, it is possible to sample sounds fed into the Mic/Line inputs.
WK2 features two on-board Digital Signal Processors, controlled in real time, which enrich the sounds with effects (reverbs and modulations).
Two different effects (1 Reverb and 1 Modulation/Delay) can be assigned and memorised to each Performance.
Sequencer
The on-board Sequencer allows you to record Song Styles (real time recording method), to playback Songs and to play with Styles. Userprogrammed sequence data are conserved in the battery-backed System-RAM.
The Preload function automatically loads Songs in WK, PK, CD or SMF format into memory while the sequencer is in play or while you play in
real time. The Play Direct from Disk feature allows you to play a WK, PK, CD or SMF Song directly from disk without first loading all the data
into memory. This is particularly useful for Songs and Midi files that are larger in terms of memory than the available Sequencer memory.
Automatic Accompaniments
WK2 features 96 ROM Styles which provide automatic accompaniments for the three real time keyboard sections (Upper 1, Upper 2, Lower).
Each Style has 4 Variations consisting of Basic, Intro, Fill and Ending patterns, totalling 40 different patterns. The WK2 memory can house up to
8 disk-based Styles (User Styles).
WK2 allows you to select and memorise 16 Styles and 16 Sound combinations in the direct access memory locations for quick access during
play, useful for LIVE performances!
The Disk Drive is a device that permits the transfer of useful data to and from Disks, allowing you to build a library of Songs, Styles, Performances
and Samples. The disk drive can read and write onto WK2 format 3.5 floppy disks with a capacity of 720 Kbytes (2DD type) and 1.4 Mbytes
(2HD type). Other formats recognised are Ms-Dos (1.44 Mb) and Atari ST/Falcon (720 kb), both used for the exchange of MIDI Files. The onboard Hard Disk is a high-speed access device devised to store large amounts of data (Songs, Styles, Performances and Samples) without
having to use a large number of floppy disks. The Hard Disk can also be partitioned into several sections.
Introduction 1
having to use a large number of floppy disks. The Hard Disk can also be partitioned into 512 sections (its like having 512 floppy disks incorporated in the keyboard!).
Karaoke
The instruments incorporated Video Interface allows you to use WK2 in Karaoke style: the Song or MIDI File lyrics can be projected onto a
Television screen (or other video device). The AVI can be configured for different video standards (Europe and USA). To read lyrics, the TV
option must be enabled (ON) in the MIDI/GENERAL page and the supplied RGB/SCART cable must be connected to the television set (set to AV
mode).
Since the WK2 operating system resides in a flash ROM, it is possible to load updates from floppy disk which can add new functions to the
instrument.
The WK2 operating system allows you to perform different functions simultaneously, such as loading a file while the sequencer is in playback, or
formatting a disk while you play.
MIDI
Thanks to the fully implemented MIDI features, WK2 can act as a Master controlling device, or as a 16 part multi-timbral slave device, regardless
of the current playing mode.
As an alternative to the MIDI Interface; the Computer jack permits the connection of computers (Mac, PC or Atari) not fitted with a MIDI interface
to WK2 via a single serial cable. The communication speeds can also be configured to suit your specific computer system.
IMPORTANT INFORMATION
1. The WK2 should contain the following items from the factory:
a) Instrument;
b) one floppy disk containing the operating system;
c) one demonstration floppy disk;
d) Music stand;
e) Owners manual;
f) Power cord;
g) RGB/SCART cable;
h) Warranty certificate;
i) list of Generalmusic distributors
2. When contacting your retailer or authorised Generalmusic technical assistance centre, always quote the model name and serial number of your
instrument.
2 Introduction
NB. To check the date of the Operating System, select the last page of the MIDI/GENERAL
functions.
SYSTEM RESET
To restore the instruments factory set status (default settings), proceed as described below:
Simultaneously press and hold the UPPER 1 selector button (located to the right of the
display) together with the PADS buttons 2, 3 and 4. The display shows the message
SysRESET for a few seconds the sets ready for playing.
WARNING
The Reset operation irremediably cancels all user-programmed data contained in the instruments RAM.
Introduction 3
30
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keyboard below the split point. LOWER MEMORY, the Sound assigned to
the Lower keyboard section continues playing (display indicator on) or
stops playing (display indicator off) after releasing the keys from the keyboard below the split point. BASS TO LOWEST, when on (LED on), the Bass
track of the Style auto accompaniment follows the lowest left note of the
chord played, allowing real time changes of the bass accompaniment
according to the lowest note played. When OFF, the bass track follows
the programmed pattern of the Style, regardless of the chord inversion
played.
12. VARIATION 1, 2, 3, 4: These buttons allow you to change the current Style Variation (the display indicator illuminates then goes off. The
current variation (1, 2, 3 or 4) is indicated by the corresponding LED
which turns on.
13. FADE IN/OUT, FILL IN A, FILL IN, FILL IN B/TAP. . Fade In/Out:
Starts and stops a Style with a gradual increase or decrease of volume.
Starting requires pressing the Start button. During the fade cycle, the
corresponding display indicator turns on. FILL IN A [ ] (Fill-to-previousvariation): recalls a Fill pattern (display indicator turns on) then passes
to the previous Style Variation. FILL IN [ ] (Fill-to-current-variation): recalls a Fill pattern then continues with the same Style variation. FILL IN B
[ ] (Fill-to-next-variation): - pressed during Style play (display indicator
turns on), it recalls a Fill pattern then passes to the next variation. TAP sets the Style playing speed by tapping on the button and starts the Style
automatically.
4 Front/Rear Panel
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Front/Rear Panel 5
cally sets the sequencer for Song Style recording. Holding the button
pressed for a few seconds gains access to the Clear function which allows you to cancel recording errors and parts not wanted (all, chord, etc.)
PLAY/STOP starts and stops the Song Style recording and playback and
the playback of Songs.
6 Front/Rear Panel
RGB
S VHS
DAMPER
PEDAL
INPUT
VOLUME
COMPUTER
THRU
OUT
IN
VOLUME
RIGHT/M
OUTPUT
LEFT
RIGHT/M
LEFT
RGB
S VHS
DAMPER
PEDAL
MIDI
PEDAL
INPUT
VOLUME
COMPUTER
THRU
OUT
IN
VOLUME
OUTPUT
LEFT
RIGHT/M
LEFT
RIGHT/M
5. MIDI: A MIDI interface consisting of MIDI IN, MIDI OUT and MIDI
THRU ports to communicate with other external devices fitted with a
MIDI interface (keyboards, computers, etc.). MIDI cables are not supplied with the instrument.
When using WK2 on its own, these ports do not require to be connected.
6. INPUT (RIGHT/MONO - LEFT). Audio input jacks to allow external
instruments to play through the internal amplification of the WK2. The
input level can be controlled with the appropriate potentiometer.
7. OUTPUT (RIGHT/MONO - LEFT). Stereo audio outputs to allows
WK2 to play through an external amplification system (mixer, powered
speakers, etc.).
8. AC POWER CONNECTOR. Connect the supplied power cord to
this connector and the other end to a suitable outlet.
Front/Rear Panel 7
1 Get started
In this chapter, youll find step by step instructions on some basic functions that will help you
get to know your instrument right away.
Piano
You will hear the Piano sound play across the full keyboard extension.
The group of Keyboard Activators (Upper 2, Upper 1, Lower) shows Upper 1 selected
(LED on), indicating that the UPPER 1 keyboard section is active to play.
The Upper 2 and Lower keyboard sections are also enabled for activation.
2. Press UPPER 2.
A second sound is introduced, layered with the first.
Piano
Polysynth
Pressing a single note on the keyboard plays two sounds simultaneously.
Piano
Polysynth
HaloPad
A third sound is introduced and the keyboard is now divided with a Split Point at note
B3. The LOWER keyboard plays over the range C2 - B3. The UPPER 1 and UPPER
2 sections are assigned to the range C4 - C7.
8 Owners manual
The selected Performance recalls a different sound combination. The keyboard mode
may also change (Split or Full mode). The sound combination and keyboard mode will
depend on the selected Performance.
The Performances can:
recall combinations of up to 3 keyboard sounds;
recall different panel settings;
recall different Styles.
What happens when Performances are selected is discussed in detail afterwards.
recall sound combinations relating to the keyboard sections (up to 3 sections of the
keyboard);
recall different panel settings;
ATTENTION: The sound group names pertaining to the 16 Direct Sound Memory
buttons serve as a further indication in addition to the numerical recall, to help
remember the location of a preferred Sound. For example, the sound Nylon
can be saved to the Guitar group button and so on....
Get started 9
2. Select a Style by specifying the corresponding number on the STYLE/SONG numeric keypad to
the left of the display.
4. Play a chord with the left hand (below split point B3) and a melody with the right.
Youll hear a fully orchestrated arrangement start to play together with the melody of the
keyboard sound(s).
The combination of sounds that play will depend on the Style selected.
You can change the combination of keyboard sounds by intervening on the keyboard
activators (Upper 2, Upper 1 and Lower).
Styles are discussed in detail in the relative chapter afterwards.
10 Owners manual
MODULATION
While you play, you can apply Pitch Bend and Modulation to the keyboard sounds by using
the Pitch/Modulation ball located to the left of the keyboard.
PITGCH BEND
Modulation is an effect which simulates the natural vibrato of such instruments as the
violin, cello, human voice, etc..
Get started 11
PEDAL
DAMPER
PEDAL
VOLUME
= Switch Upper 1/2, Start/Stop, Fill<, Fill, Fill>, Intro, Ending (program-
Volume
Hall 1>
1. Press the cursor buttons as many times as necessary until the arrowhead in the display appears
next to the REVERB or CHORUS functions in the MENU list.
2. Press the PAGE buttons repeatedly to scroll through the 22 Reverb or Chorus effects.
The General Effect Level, shown next to the selected effect, can be regulated with the
DIAL or the + and buttons of the right hand numeric keypad.
If you store the new settings to the current Performance (with the Store Performance
command), they remain in memory (RAM) after turning off the instrument.
TRANSPOSE
TRANSPOSE
Every time you press TRANSPOSE #, the display shows an increase of one semitone.
TRANSPOSE
Holding either button pressed changes the value continually until the maximum transpose value of +12 or 12 is reached.
12 Owners manual
Demo
How to listen to the Demo Styles
At any moment you can listen to the automatic playback of your WK2 to get an idea of what
the instrument is capable of doing.
3. To stop the Demo Song, press the same Function button, or the DEMO to escape Demo mode.
3. Rotate the DIAL (or use the +/ buttons) to scroll through all the files present on disk, until the
display shows the file that you want to listen to.
NewYork
4. Press PLAY/STOP or START/STOP to start the playback directly from disk.
The message Wait!! appears for a few seconds then playback begins.
Note 1: It is possible to abort the Direct play function during the WAIT! period by pressing ESCAPE.
Get started 13
2 Basic concepts
In this chapter, youll find information regarding the principal elements that make WK2 work,
including useful information which will help you to understand the structure of the instrument.
To gain access to the functions, as well as following the instructions outlined below, it is also
possible to follow a shorter and more direct route: by holding down the corresponding
function button for about 2 seconds, WK2 enters automatically into the edit of the function.
This method allows rapid interventions and shortens your editing times.
14 Owners Manual
STYLE+REALTIME
ON
OFF
PERFORMANCE
OFF
PERFORMANCE
ON
STYLE + REALTIME
PERFORMANCE
REALTIME
SONG MODE
A Song is a representation of a multi-timbral performance (16 tracks), as if you were listening to a full orchestra. WK2 can load and playback songs in the following formats GMX,
PK7, WK3, CD or Standard MIDI Files (SMF) recorded with sequencers of other manufacturers.
Up to 7 Songs can be stored in the WK2 memory (memory permitting).
Via MIDI, WK2 can be exploited as a 16 part multi-timbral sound generator.
Basic concepts 15
Performance
A Performance is a combination of sounds and settings. Performances can store the current status of the panel buttons and information pertaining to the parts that make up a
Performance to play in real time and with Styles. Performances memorise effect settings,
the status of the controllers (pedals, Pitch/Modulation ball), the pads configuration, the MIDI
channel configuration, the status of the tracks (On/Off), the Tempo setting and more. By
selecting a Performance, all the settings memorised to the Performance are recalled in a
single step.
There are 63 programmable Performances available to choose from, giving you a variety of
possibilities of setting the WK2 to your liking with the least number of operations. In addition, in ROM (non-programmable) there are as many Style-Performances as there are ROM
Styles, which you can recall at the touch of a button using the SINGLE TOUCH PLAY
function..
RealTime Performances
63 user-programmable Performances are arranged in 7 PERFORMANCE GROUPS. Performances recall combinations of the keyboard sounds, panel settings, Style, Variation and
Tempo. Press the PERFORMANCE RECALL button to quickly access the Performances
(select them with the F1F9 buttons). Hold down the same button to activate the STORE
PERFORMANCE command, which allows you to save the panel situation to the current
Performance.
Style Performance
96 default non-programmable Performances are associated to the ROM Styles which are
permanently stored in the instruments Read Only Memory. The default Style Performances are recalled when Styles are selected with the SINGLE TOUCH PLAY function selected (display indicator on). Style Performances recall sounds for the accompaniments
and keyboard sections.
Single Touch Play settings
Single Touch Play settings are additional Performances which are recalled by using the
function buttons F1F9 when the SINGLE TOUCH PLAY function is active (display indicator selected). In this condition, as well as being able to select the ROM Styles using the
Style / Song selection keypad, you can also recall up to 9 preset real time keyboard settings
(combinations of the Upper 1, Upper 2 and Lower sounds) which depend on the current
Style. The possibilities are, therefore, endless when you consider that there are 96 ROM
Styles, each with 10* Single Touch Play settings (960 preset settings!).
Song Style Performance
Song Style Performances (non-programmable) are associated to the Song Styles which
are stored in appropriate memory locations as indicated in the Song / Style lists at the top of
the instruments control panel. The Song Style Performances recall sounds associated to
the accompaniment tracks and keyboard tracks used in the recording.
Song Performance
Every Song loaded or played from disk is associated to a specific Song Performance which
is automatically recalled by selecting the Song (111-117).
The Performances via MIDI?.........
Via MIDI, the Performances are a source of 16 Sounds, regardless of the status of the
instrument.
It is possible to modify the 16 Performance tracks using the Page buttons to the left of the
display, but only when the arrowhead does not show the Perf function selected. If you are
playing in real time or with the Styles, the configuration of tracks 10-16 does not influence
either playing mode (track 9 is used by the Pads), but if you are programming WK2 for use
as a multi-timbral slave device, all 16 tracks are taken into consideration.
Selecting Sounds and Performances via MIDI is discussed in a later chapter.
16 Owners Manual
Tracks
A Track is the smallest part of a Performance and each type of Performance contains a
number of tracks that correspond to the playing mode to which the Performance is associated.
A sound can be assigned to each track; the display always shows the sounds assigned to
the keyboard sections (Upper 1, Upper 2, Lower). It is also possible to see the sounds
assigned to all the tracks of the current Performance. The Tracks are divided into two
groups: 01-08 and 09-16. If the display arrowhead shows the Song function selected, the
function button F9 allows you to switch from the track set 01-08 to 09-16.
112 33 05 24 49 109 48 61
The Sounds assigned to the tracks are displayed as Program Change numbers. The bar
graphs shown directly under the Program Change numbers represent the track Volume
levels.
01
The status (ON or OFF) of the Upper 1, Upper 2 and Lower tracks can be changed by
intervening directly on the corresponding section activators (Upper 1, Upper 2, Lower). The
ON/OFF status of all the other tracks of the Performance (except the real time tracks) is
changed by pressing the corresponding function buttons repeatedly (provided that the PERF
function is not shown selected with the arrowhead). The ON/OFF status of the tracks is
shown by the track name (e.g. Drum) which is displayed when ON or cancels when OFF.
Sounds
The WK2 sounds fall in two categories:
ROM-Sounds
Drumkits
Samples
ROM-SOUNDS
The WK2 contains 444 sample-based ROM Sounds (including 17 Drumkits).
The Sample Ram allows you to load one or more samples in memory, to increase the sound
potential of the instrument.
DRUMKITS
Drumkits assign a different percussive sound to each note of the keyboard. Banks 2 and 3
of the PERCUSSIVE Sound Group contain 16 Drumkits. Bank 4 contains a special drumkit
(location 112) configured with some extra special sounds (DrumSFX).
SAMPLES
The WK2 can load samples in WK2, PK7, WK3 and CD formats. Press the SAMPLES
panel button to recall a Sample; the display shows the first available sample in memory. By
using the and + buttons of the right numeric selection keypad, you can scroll through all
the Samples available.
Basic concepts 17
Connections
This section takes a brief look at the types of connections that can be achieved using the
rear-panel sockets.
POWER
Connect this socket to a suitable AC voltage supply by means of the power cord.
MIDI
WK2 is fitted with a standard MIDI interface consisting of a MIDI IN, a MIDI OUT and a MIDI
THRU port for MIDI connections. Detailed information regarding MIDI applications are
found in the dedicated chapter further ahead.
Below follow brief instructions on the principal MIDI connections possible.
18 Owners Manual
WARNING - Be sure to turn down the volume of the external amplification system before connecting audio cables.
Inserting jacks into the connectors can cause noise which
may damage the speakers of the amplification system.
WK2
EXPANDER
MIDI OUT
MIDI IN
MK
WK2
MIDI OUT
MIDI IN
WK2
EXPANDER
The MIDI THRU port allows the connection of several MIDI instrument in series.
MIDI THRU
MIDI IN
WK2
COMPUTER
MIDI OUT
MIDI IN
MIDI IN
MIDI OUT
PEDALS
Connect the optional pedals (Volume, Damper and Pedal) to the corresponding pedal connectors.
The default configuration of the pedals and the relative Control Change messages generated are as follows:
DAMPER: Damper (generates CC64);
VOLUME: Master Volume (generates CC07 on the Common Channel);
PEDAL:
COMPUTER
The WK2 can be connected directly to a computer by means of the COMPUTER connector.
WK2
This connection is alternative to MIDI; both types of communication are not permitted at the
same time.
COMP.
Macintosh and compatibles. Connect to the MAC Modem port via a standard serial cable
(DB8-DB8). Programme the sequencer to communicate with WK2.
PC IBM and compatibles. Connect to the PC Serial port via standard DB8-DB9, DB8DB25 cables. Select the appropriate communication velocity in the WK2 to communicate
with the PC (see EDIT/GENERAL chapter).
CH. 1
COMPUTER
RS-232/
MODEM
VIDEO INTERFACE
The Video RGB and S-VHS outputs allow you to connect the instrument to an external
monitor or domestic television set in order to project Song Lyrics onto the monitor. Set a
domestic TV to operate in AV mode.
The WK2 is set to communicate with the European Video standard (PAL). For the U.S.A.,
the Video standard must be set to NTSC (see the EDIT/MIDI chapter).
HEADPHONES
Two headphones jacks are available on the back panel of the instrument which accept a
standard pair of stereo headphones.
Plugging the headphones into the left HEADPHONES jack excludes the internal speakers
to allow private listening. The right headphones jack does not exclude the internal speaker
system if used.
MUSIC STAND
WK2 is supplied with a music stand which is attached by inserting it into appropriate holes
on the rear panel.
N.B. A different stand can be adapted to the double holes.
Basic concepts 19
The Display
The WK2 has a large, coloured (three colours) backlit liquid crystal display of the multifunction
type which simplifies all your operations. This user interface is divided into 6 zones:
000 G.Piano
000 0 C
VARIATION
FILL-IN A
FILL-IN B
INTRO
ENDING
FADE
MEASURE
OCTAVE
DRUMS
RECORD
112
BASS
ACC. 1
ACC. 2
ACC. 3
CHORD
SUSTAIN
REC
LOWER
MELODY OFF
2) Indicators (left)
Indicators which show the on/off status of the corresponding panel buttons.
3) Central zone
This large area is further subdivided into several smaller zones:
the ON/OFF status, the Sound number and volume level (bar graph) of the accompaniment tracks and real time keyboard tracks;
the type of chord played with the left hand for the accompaniment;
the Metronome on/off status;
the Tempo setting and relative beat monitor;
the use of the Floppy Disk or Hard Disk;
the overall Transpose setting;
the sequencer measure counter;
the values relating to the functions;
the names of the Sounds, Style, Performance, Song Style, Songs, Functions, etc..
4) Indicators (right)
Indicators which show the on/off status of the corresponding functions.
5) Mode
Names of the 3 real time keyboard sections selected with the corresponding buttons to the
right (Upper 1, Upper 2, Lower). A LED indicator near the button shows which section is
selected. The on/off status of the keyboard sections determine how the keyboard sounds
are combined and set the keyboard modes (Full or Split).
6) Disk
List of functions which are selected with the cursor buttons after activating the DISK or
HARD DISK button (press ENTER to open the partition).
REVERB
REC
REC
UPPER 2 UPPER 1
61
01
CHORUS
ARR. MEM.
LOW. MEM.
STYLE LOCK
This is a list of functions which are accessed by means of the cursor [ ] and [ ] buttons..
A flashing arrow indicates the environment which you can select using the Page buttons [ ]
and [ ] The movement of the arrowhead is cyclic: once it reaches the top or bottom, it
continues its course by appearing at the other extreme end of the list.
TOUCH
S. T. PLAY
DISK
1) Menu (left)
HARMONY
33 05 24 49 101 48
PAUSE
20 Owners Manual
TEMPO
TRANSPOSE
PLAY
METRONOME
Data Entry
Numeric value insertion, function and parameter selection is carried out as follows.
After selecting a function with the corresponding arrowhead, it is possible to:
-
change Page (where two or more pages are present) with the PAGE buttons,
enter data (change parameter values) with the DIAL or the + / buttons of the right
numeric selection keypad.
For example: to assign a different Sound to a track, first select the track with the corresponding function button (F1 F9). The selected track starts to flash in the track display zone,
indicating that it is ready to accept a modification (in this case, the PERF function must not
be selected and the SINGLE TOUCH PLAY function must be off).
Several panel buttons, if held pressed for about 2 seconds, gain direct access to the modification of the parameters of the selected function. These buttons are:
STORE PERFORMANCE, STYLE/TEMPO LOCK, ARRANGE ON/OFF, HARMONY,
REVERB, CHORUS, RECORD (Sequencer mode).
F2:
G2:
Use the + and buttons of the Sound numeric selection keypad to move the flashing cursor
in left-right directions.
Press ESCAPE to close the page.
Press STORE PERFORMANCE then ENTER to store the new name to the Performance.
ENTER / ESCAPE
ENTER confirms an operation and the values assigned to modified parameters. In some
function pages, Enter confirms a parameter value and executes an operation (for example,
a Load operation in the Disk environment). Enter also gains entry to the Disk or MIDI
environment.
ESCAPE cancels a selected operation or the values assigned to a selected parameter.
Basic concepts 21
48 6I
0I
FULL MODE
Full Mode is operative when the Upper 1 and/or Upper 2 keyboard sections are active to
play over the whole keyboard range with the Lower section disabled. In this case, you will
be able to play either with a single Sound or with two layered Sounds, across the entire
keyboard range.
If, therefore, you wish to play in Full mode, simply cancel the LOWER keyboard activator as
well as the ARRANGE ON/OFF button.
This action automatically assigns one or both Upper sections to the entire keyboard extension and cancels the split (if ARRANGE ON/OFF is off).
When you play with Styles (the ARRANGE ON/OFF button selected), the accompaniment
tracks recognise the current Split Point; the keyboard zone to the left of this point is corresponds to the LOWER section.
If the LOWER section is off, (LED off), the lower keyboard is disconnected for the assigned
keyboard sound and does not play.
The UPPER 1 and UPPER 2 sections can be activated/deactivated at will to introduce or
cancel the keyboard sounds as required.
SPLIT MODE
Split Mode corresponds to the situation when the keyboard is divided into two parts, allowing you to play two (or three) different sounds simultaneously: one on the left (Lower) and
one (or two) on the right (Upper 1 and/or Upper 2).
When you play in real time, you can activate Split Mode simply by pressing the LOWER
button (LED on). This splits the keyboard and assigns the Lower sound to the left keyboard
area and the Upper sounds to the right. This configuration becomes standard for the instrument until changed again.
22 Owners Manual
SPLIT KEYBOARD
--------- Lower -------- ------------------ Upper 1 &/or Upper 2 -------------
Selecting Sounds
YOU CAN SELECT SOUNDS USING ONE OF THE FOLLOWING METHODS:
Assigning a Sound to a real time keyboard section (Upper 1, Upper 2, Lower) by specifying its corresponding number on the right selection keypad;
Recalling a sound combination for the keyboard sections using the Direct Sound Memory
buttons;
Selecting a Performance containing a sound combination as well as other performance
parameters.
Recalling a Single Touch Play setting using one of the 9 function buttons (F1 F9)
while SINGLE TOUCH PLAY is active (display indicator on).
1. Press one of the section selectors to the right of the display, or use the corresponding Function
buttons (F7F9).
The arrowhead to the right of the display shows which section is selected and the
display shows the assigned sound.
00 PIANO 1
4. Any sound combination can be memorised to one of the 16 direct access memory locations.
Configure the Real Time keyboard sections as preferred and hold down one of the
Direct Sound Memory buttons for a few seconds to save the current sound combination
for future recall.
BANK 1, 2, 3 AND 4
The WK2 Sounds are organised in SOUND BANKS which are accessed by pressing the
both + and buttons of the right hand selection keypad at the same time.
Banks 1, 2 and 3 each contain 128 Sounds; those of Bank 1 are General MIDI compatible.
Bank 4 houses a further 60 Sounds which can be selected by activating Bank 4 and selecting them in increasing or decreasing order using the + / buttons of the right hand selection
keypad. Bank 1, 2 and 3 sounds are GMX compatible (GMX is an extended GeneralMIDI
standard implemented by Generalmusic).
The WK2 Drumkits are in Banks 2, 3 and 4 (112-119). You can choose between 17 Drumkits;
the relative drum maps appear in the Appendix. Bank 4 contains an additional Drumkit
(DrumSFX). To assign a Drumkit to one of the keyboard sections, use the same operation
as described for the Sound assignment. Remember however, to select BANK 2 or BANK 3
with the /+ buttons of the Sound selection keypad before specifying the relative Drumkit
Program Change number (112 - 119). The current BANK number is shown in the display
zone in the extreme bottom right hand corner.
SAMPLES, when in RAM, reside in a special bank which is accessed by pressing the
SAMPLES button. The Samples are assigned to a selected (flashing) track with the + and
buttons of the right hand selection keypad.
24 Owners Manual
49 SL STRIN
Selecting Performances
Select a Performance when you want to change the entire keyboard sound combination,
not just a single sound. The Performances can also change the Sound combination of the
Styles (refer to the Style chapter for more details).
Use the following procedure to select a Performance:
1. Press the PERFORMANCE RECALL button to gain access to the Performances, or use the cursor []
or [] buttons to move the left arrowhead of the display next to the PERF menu function.
2. Select one of the 9 Performances of the current Group with the corresponding Function buttons
(F1 F9) under the display (Group 1 is automatically recalled by default).
3. To select a different Performance Group (7 Groups), use the + and buttons of the right hand
selection keypad.
The Performance Group number is shown in the 3 digit display in the top left hand
corner (G01, G02, etc.). The current Performance name is appears at the top centre of
the 8 digit display.
G.Piano>
G02 OscarCl>
G07 Empty>
05
05
05
3) Change the ON/OFF status of the accompaniment tracks (Drum, Bass, Acc1
Acc2, Acc3).
Press the corresponding function button repeatedly to obtain the OFF status. It is not
possible to change the ON/OFF status of the real time keyboard tracks with the corresponding function buttons (F7F9) - see point 2 above. The ON/OFF status of a track
can be seen at a glance by the corresponding name (for example Drum) which appears if ON or cancels if OFF.
05
05
05
Volume >
RevSend>
ChoSend>
Transp.>
- TRANSP: (-24/+24) determines the transposition (up or down) to apply to the track.
- DETUNE: (-63/+63) determines the fine tuning to apply to the track. Each step is
equivalent to 1/64th of a semitone.
- PAN : 00/31 right, 00 centre, 00/-31 left) determines the position of the sound within
the stereo panorama (left, right or centre).
An anti-clockwise rotation of the Dial sets the PAN to mute; in this situation the sound is
not delivered either left or right; if the effects are active on the track, you will only hear
the processed sound.
In the case of a Drumkit (which contains incorporated pan settings), the display will
show the PAN lock setting: in this case, PAN will be deactivated for the Drumkit.
- VOL_PED: (ON/OFF) enables or disables the track for the action of the optional Volume Pedal (connected to the rear panel jack).
27 Detune >
Pan
>
Pan Mute
Pan Lock
Vol_Ped>
Damper >
- DAMPER: (ON/OFF) enables or disables the track for the action of the optional Damper
pedal (sustain effect).
26 Owners Manual
- PITCH/M: (ON/OFF) enables or disables the track for the action of the Pitch/Modulation bass.
Pitch
>
PitchRg>
- PITCHRG: (00/12) determines the Pitch excursion for the bender. With the 00 setting,
the Pitch ball does not affect the track; any value above 00 indicates the pitch excursion
expressed in semitones (example, 12 = one octave).
EditSND<
All the modifications can be carried out using the DIAL or the + and buttons of the right
hand selection keypad.
You can escape from an edit page at any time without losing your temporary modifications.
If you decide to change Performance, however, you must save the modifications, otherwise
they will be lost if you select either another Performance or the same one again.
Store Performance
The STORE PERFORMANCE button allows you to memorise the current panel setting to
the Performance at any moment. Be sure to use the STORE PERFORMANCE function
after carrying out one of the operations described in the previous paragraph; in this way you
will photograph the current panel situation at all times.
Confirm or cancel the Store Performance operation with ENTER or ESCAPE.
The PERFORMANCE RECALL/STORE PERFORMANCE button also gains direct access
to the Performance mode; the arrowhead positions itself automatically next to the PERF
menu function.
Even if you program all the available Performances with new settings, the original factory
settings can be restored at any time with the RESTORE function (remember to save your
programmed Performances to disk before using restore). Saving Performances to Floppy
Disk or Hard Disk is explained in the Disk & Hard Disk chapter.
If you modify the first Performance of the 63 available, every time you turn on the WK2, it will
power up to the programmed setting.
You can also choose not to store your programmed Performances to disk by taking advantage of the battery-backed RAM which retains data after power down. Bear in mind, however, that if the batteries loose their charge, all your programmed data stored in memory will
be irremediably cancelled.
To recap, to memorise a Performance, you should
GrandPN?
GrandPN?
The 3 Digit display area will show the selected Performance number (e.g. P01).
1. Check that the arrowhead to the left of the display is next to the PERF menu function.
2. Press the PAGE [ ] or [ ] to pass to the name page.
28 Owners Manual
GrandPN?
4. hold down the STORE PERFORMANCE button for a few seconds until the display shows the
question mark ? next to the Performance name.
5. Press ENTER to confirm the operation and save the Performance with the new name.
1. Press the Cursor [ ] and [ ] buttons as many times as necessary until the arrowhead is next
to the MIDI/GENERAL menu function.
2. Press the PAGE [ ] and [ ] buttons as many time as necessary until the INIT page is reached.
InitALL>
3. Rotate the DIAL or use the +/ buttons of the right hand selection keypad to select the element
to restore.
- INIT ALL cancels all programmed data contained in RAM.
- INIT PFM cancels all programmed Performances in RAM.
- INIT SEQ cancels all sequence data.
- INIT SMP cancels all samples.
4 The Styles
You can enjoy playing the keyboard sounds in real time while WK2 takes care of the accompaniment, as if you were playing with a band of musicians. The automatic arrangements
are provided by the WK2 Styles.
This chapter describes the automatic arrangements of the Styles, how to select them and
how to store them to the Performances.
The tracks contain several programmable parameters:: sound, volume, pan, transpose,
detune, reverb, chorus, pitch bend, pedal volume and damper.
The arrangement patterns are fixed for the ROM Styles; in the USER Style locations (96103), it is possible to load disk-based Styles in the following formats: WK2, PK7, WK3 and
CD.
IMPORTANT: If the disk-based User Style contains less than 4 Variations (e.g. only 2), after
loading the Styles, be sure that the Variation indicator in the display indicates either Variation 1 or 2. This is to prevent total silence at Style Start.
Selecting Styles
1. Press the SINGLE TOUCH PLAY button (the corresponding display indicator turns on).
With the S.T.PLAY function on, whatever Style you select will always be the ROM version, allowing you to draw information directly from the internal memory, eliminating all
the operations carried out on the panel.
The S.T.PLAY button also automatically activates the ARRANGE ON/OFF and ARRANGE MEMORY functions (in the ARRANGER panel section - the ARR. MEM display indicator also turns on).
2. Specify the number corresponding to the desired STYLE on the left hand selection keypad.
The WK2 sets automatically to Style mode.
30 Owners Manual
II2
33 05 24 49 I09 48
6I
0I
3. If you want to change the Sound assigned to one or more tracks, first check that the PERF menu
function is not selected and that the S.T. PLAY function is off, then press the corresponding
function button (F1 F9) to enable the track (flashing).
05
While the track is flashing, you can change sound by specifying the corresponding
number on the right hand selection keypad.
If you also want to modify the track volume level, rotate the DIAL.
2. If the Performance function is not active, press PERFORMANCE RECALL, or move the arrowhead
with the cursor buttons until it appears near the PERF menu function.
The name of the first Performance of the first group is shown in the display. The 3 digit
display area shows Group number (e.g. G01: GrandPN).
NB. The letter G in the 3 digit display area stands for Group.
GrandPN>
3. Select one of the 9 Performances of the current Group using the function buttons F1 F9.
Styles 31
4. Change Performance Group by pressing the + or buttons of the right hand selection keypad.
If you rotate the Dial, the Tempo will change.
Recalling a Performance by selecting a Style automatically deactivates the SINGLE
TOUCH PLAY function and configures the WK2 to the status memorised in the selected Performance.
If TEMPO LOCK is off, selecting the Performance also changes the Tempo.
32 Owners Manual
START / STOP
Starts or stops the Style auto accompaniment.
In Song Style record mode, this button triggers the auto accompaniments; the Song Style
recording is started with the PLAY/STOP button.
While the Style (or Song) is playing, the display shows 4 Tempo monitoring signals under
the Metronome icon which monitor the playback Tempo.
METRONOME
TEMPO
I20
Before pressing START/STOP you can preset one of either INTRO, FILL or ENDING to
play as an Introduction to the Style.
KEY START
This function synchronises the start of the automatic accompaniments with a note pressed
on the lower split keyboard without having to use START/STOP. If you are using Free/Style,
you can key-start a Style by playing a chord anywhere on the keyboard.
METRONOME
TEMPO
I20
pressing ENDING and allow the Style to run freely to the end.
Note 1: When KEY START is selected, the 4 Tempo indicators under the word TEMPO start to flash.
The KEY START function can be activated or deactivated during Style play.
INTRO
Plays an introductory sequence of one or two measures. After pressing INTRO (the corresponding display indicator turns on), press START/STOP to start the Style with the Intro.
INTRO can also play as a Fill In if pressed during Style play.
ENDING
Stops a Style accompaniment with an ending (coda). The corresponding display indicator
turns on when ending is selected.
If you preset ENDING before Style start, it plays as an Introduction.
Styles 33
The Tempo established by the tapping on the button is displayed and the accompaniment
starts automatically.
The number of time that you tap the button to establish the Tempo is associated to the
current Time Signature, i.e. four times for 4/4, three times for 3/4 and so on.
As an audio indication, the time is tapped out with the sound of drumsticks.
FADE IN/OUT
FADE IN/OUT fades the accompaniment with a gradual increase or decrease of volume.
TEMPO
Press the button before starting the accompaniment. Start the Style and youll hear the
accompaniment volume gradually increase during the course of 4 measures.
If you press FADE IN/OUT while the Style is playing; the volume of the accompaniment
decreases gradually to total silence and the Style stops automatically.
During the Fade cycle, the corresponding display indicator remains on.
34 Owners Manual
1 2 3
ARRANGE ON/OFF
When ARRANGE ON/OFF is on (LED on), all the accompaniment tracks are enabled for
play. If this button is off, only the Drum track will play after the start.
ARRANGE MEMORY
When ARRANGE MEMORY is on (corresponding display indicator on), releasing your left
hand from the keyboard causes the bass and accompaniment sounds to continue playing.
When off, releasing your left hand causes the accompaniment to stop.
LOWER MEMORY
When LOWER MEMORY is on (corresponding display indicator on), releasing your left
hand from the keyboard causes the sound of the Lower keyboard section (if active) to
continue playing until you play other notes.
When off, releasing your left hand will cause the Lower sound to stop playing.
The Lower Memory function is useful to hold pad sounds without using a Damper pedal
(which may be of more use to the right hand).
BASS TO LOWEST
If BASS TO LOWEST is on (LED on), the bass part of the auto accompaniment plays
around the lowest note of the current chord. If you play a different inversion of the same
chord, the lowest note also changes resulting in a different bass note.
If this function is off (LED off), the bass will follow the original programmed pattern of the
Style.
Bass to Lowest permits real time changes to the otherwise fixed bass pattern of a Style, by
playing different chord inversions.
Styles 35
TEMPO
The Tempo of a Style can be changed by rotating the DIAL (TEMPO/DATA), either before or
after starting the Style and regardless of the status of the TEMPO LOCK button.
TEMPO
Important: Use the DIAL with care: in certain situations, this control may affect other parameters; for example, if a Style track is flashing, the Dial will change the relative Volume.
The current tempo can be saved to a Performance. This provides you with another possibility of setting the Tempo. To recap, you can:
TEMPO
a) select the Style with Single Touch Play active to recall the original Tempo setting
stored in ROM,
b) recall a Style using the Direct Style Memory buttons where the previously memorised
Style was saved with a different Tempo setting;
c) select a Performance to recall a previously memorised Tempo setting.
d) lock the current Tempo setting for all Style changes by activating the Tempo Lock
function.
TEMPO LOCK
The TEMPO LOCK function locks the current Style Tempo allowing you to recall Styles
without changing the Tempo, regardless of the status of the Single Touch Play button.
Nevertheless, it is always possible to change the Tempo in real time by rotating the DIAL.
The activation of TEMPO LOCK is shown in the display with the alternate flashing of the
Tempo setting and the word LOC.
When Tempo Lock is on, the Tempo setting remains fixed for all subsequent Style and
Performance selections.
When TEMPO LOCK is off, the selection of a Style or a Performance recalls the memorised
Tempo setting.
TEMPO
TEMPO
LOC
G.Piano?
1. Select a Performance which you intend to use to save a new Tempo setting.
2. Rotate the DIAL to set the new Tempo.
3. Press and hold the STORE PERFORMANCE button for a few seconds.
4. Press ENTER to confirm the request shown in the display (?).
The save operation can also be carried out while the Style is playing.
36 Owners Manual
Split
>
Splt=B3
2. Press PAGE+ to pass to the page which shows the current Split setting.
Default setting: Key = B3.
3. Select the new Split point either by, rotating the DIAL, using the +/ buttons of the right hand
selection keypad, or by playing the note on the keyboard.
4. Press ENTER to confirm the new setting and escape the Split function.
Pressing ESCAPE exits the function without memorising the new setting.
Splt=C4
The new split point remains in memory after power down, or until a new setting is programmed.
The setting is general for the entire instrument.
Split
>
ChoLock
ChoLock
Note: The default Chord Lock setting is ON. At any moment, you can decide to change
the setting according to your Style playing needs.
Styles 37
Arrange Mode
The WK2 has 4 different Chord recognition modes which trigger the automatic accompaniment in various different ways: FINGERED 1, FINGERED 2, ONE FINGER and FREESTYLE.
Finger1>
FINGERED 1
At least three notes are needed for the chords to be recognised.
FINGERED 2
Finger2>
The chord will play according to the actual notes pressed. A three note chord will trigger the
full accompaniment. With one or two notes, the chord will be recognised but the notes
played of the accompaniment will be limited to those actually played.
ONE FINGER
OneFing>
C7
C dim
C min
C (maj)
C maj7
FREESTYLE
FreeSty<
A three note chord is recognised anywhere on the keyboard, even if played above the
current split point. If you play one or two notes, the chord is not recognised and the accompaniment does not change.
This chord recognition option allows you to play your melody anywhere along the keyboard
with the Upper 1 and /or Upper 2 keyboard sounds. Selecting FreeStyle disables the Lower
keyboard section, if active.
Use the following procedure to select the desired chord recognition option:
1. Press the Cursor buttons as many times as necessary until the arrowhead is next to the ARR.
MODE menu function.
The display shows the current chord recognition mode in large letters.
2. Press the PAGE buttons repeatedly to scroll through the options until the one desired is shown.
38 Owners Manual
Note: If you hold down the Arrange Mode button for a few
seconds, you enter directly into the chord recognition selection pages. The new Arrange Mode setting remains in
memory even after power down and can be memorised to
the Performance.
Each ROM Style is associated to 9 different possibilities, for a total of 864 situations, in
addition to the 96 basic configurations (one for each Style).
GrandPN?
As already explained, a Performance memorises various parameters that you can change
at will.
If you hold down the STORE PERFORMANCE for a few seconds then reply to the Performance store confirmation request (?) with ENTER, all the modifications carried out up to that
moment are memorised to the PERFORMANCE.
If you want to maintain the old Performance as well as the new one, rotate the DIAL before
pressing ENTER, and select a different location.
The Performance number appears in the 3 digit display area only after activating the STORE
PERFORMANCE command.
The PERFORMANCE RECALL / STORE PERFORMANCE button also allows quick access to the PERFORMANCE function.
If you press and hold this button for about 2 seconds, the arrowhead goes directly next to
the PERF menu function and sets the instrument to Performance mode (without using the
cursor buttons).
STYLE/TEMPO LOCK
The STYLE LOCK function allows you to select Performances without changing the current
Style.
With STYLE LOCK active (corresponding display indicator on), you can pass from one
Performance to another without changing the Style.
If you hold down this button for about 2 seconds, the TEMPO LOCK function activates (as
already explained).
TEMPO LOCK and STYLE LOCK can both be active at the same time.
TEMPO
TEMPO
LOC
Activation of the TEMPO LOCK function is displayed by the alternate flashing of the Tempo
setting with the word LOC. This function maintains the current Tempo setting for all Style
and Performance changes. When off, selecting a Style or Performance also recalls the
memorised tempo setting.
Styles 39
METRONOME
This button activates the Metronome in Play and Record situations.
When active, the corresponding icon turns on in the display.
METRONOME
TEMPO
I20
SUSTAIN
This is a general control which activates the sustain effect on all three Real Time keyboard
sections, independent of the Damper pedal.
If you want to sustain the Sounds of the UPPER 1, UPPER 2 and LOWER sections, activate this function.
HARMONY
Enables or disables the HARMONY function, a feature which can orchestrate your playing,
making simple one-note melodies sound as if they are being played by a full orchestra. The
corresponding display indicator turns on when HARMONY is active.
The structure of the automatic harmony is based on the current Harmony Type setting and
operates only when the keyboard is split.
By holding down the HARMONY button for about 2 seconds, the display shows the currently selected Harmony Type.
With the PAGE buttons, you can select the Harmony type that best suits the kind of music
that you are playing.
The types of Harmony available are divided into two categories, according to whether the
Harmony depends on the notes played with the left hand or not.
Harmony types that depend on the notes played below the split point:
Closed
: The notes played on the left hand are added to the melody note exactly
as played. The harmonising chord is a closed (or tight) position (notes
fall within the same octave).
Open 1
: same as close but with an open chord (notes spread over 2 octaves).
Open 2
: similar to Open 1 but with the notes played on the left hand randomly
assigned to the right.
Block
: transforms the melody note into a full four or five note chord, each note
in perfect harmony.
Harmony types that are independent of the notes played below the split point:
Octave 1 : doubles the note of the right hand by playing an octave higher. No left
hand chord required.
Oscar
: doubles the note of the right hand with a note two octaves below. No
left hand chord required. This structure is based on the harmony
typically used by the jazz musician Oscar Peterson.
Jazz
: adds two notes above the note played by the right hand, at intervals of
a fourth and a minor seventh. No left hand chord required.
Rock
: creates a three note chord consisting of the melody note, a fifth interval
and an octave interval (e.g. C-G-C). No left hand chord required.
VOCAL P (OPTIONAL)
This button gains access to the Vocal Processor, provided this optional device is installed in
your instrument. The Vocal Processor module is installed by sliding the small unit into the
appropriate slot at the back panel.
40 Owners Manual
Closed >
If the Vocal Processor is not installed, pressing this button prompts the display message
DISABLED.
If the Vocal Processor is installed, press this button to gain access to the relative functions
which allow you add vocal harmonies to your voice. In this mode, the PADS operate as
function selectors for the various Vocal Processor functions and do not play sounds (as
described in the Programmable Pads section of the manual).
REVERB
The WK2 has two internal multi-effect signal processors which affect the sections independently.
The first is the REVERB processor, which is activated by the corresponding button.
Pressing the REVERB button turns the corresponding display indicator on or off, activating/
deactivating the relative processor.
By holding the button pressed for about 2 seconds, the display shows the currently selected
Reverb type in large letters, which you can change with the Page buttons.
Each effect selected also displays its associated general volume level.
CHORUS
The CHORUS processor is activated by the corresponding button.
Pressing the CHORUS button turns the corresponding display indicator on or off, activating/
deactivating the relative processor.
By holding the button pressed for about 2 seconds, the display shows the currently selected
Chorus type in large letters, which you can change with the Page buttons.
Each effect selected also displays its associated general volume level.
I00 Chorus1>
Styles 41
Floppy Disk
If this is the first time you are using floppy disks, you are recommended to refer to the pages
at the end of this chapter which discuss disk handling precautions, how to insert and extract
disks and other general information.
Floppy Disk formats
WK2 handles 3.5" HD and 3.5" DD disks. These are of the most commonly used type,
available in office stationers, supermarkets and computer outlets.
WK2 is able to read data stored on disks in one of the following formats: GMX, WK, PK,
MIDI FILE, MS-DOS, Atari ST/Falcon, and Generalmusic CD Series disks.
WK2 is not able read Song, Style and Sound data in non-Generalmusic instrument
formats. The exclusive format of musical instruments adopted by one manufacturer is
incompatible with instruments of other manufacturers. To exchange Songs with instruments of other manufacturers, the Song must be saved as MIDI file format data to an MSDOS formatted disk.
Files
Data is stored on disks in the form of files. Files identify Songs, Song Styles, Performances,
Styles and Samples.
File Types and extensions
The types of File encountered when working in the Disk environment are identified by a
name (which appears in the 8 digit display area) and an extension (shown in the 3 digit
display area) which identifies the type of file.
In file types that include SONGS in the PK, WK, STYLES and ALL formats, the extension is
not displayed. The extensions of all other recognised file types are listed in the paragraph
explaining the LOAD function afterwards.
42 Owners Manual
Note: WK4 Songs disks saved as MIDI Files are recognised only if WK4 data conforms to the GMX format, a
General MIDI extension exclusive to Generalmusic which
renders the first three banks of all WK and PK Series units
fully compatible.
2. SAVE
3. DELETE
4. FORMAT
5. UTILITY
Copy functions for single files and for entire Hard Disk partitions, Hard Disk
protection and formatting.
INCORPORATED FUNCTIONS
In addition to the principal functions described above, the Disk/Hard Disk section incorporates three additional functions within the main disk operating structure: Preload, Play direct from disk and Slow/Fast load.
Preload (background loading): The Preload operation loads disk or hard disk based
data to the WK2 memory while the sequencer is playing without stopping it. Preload
loads to the first available free destination.
Play direct from Disk or Hard Disk: this function allows you to play a Song or MidiFile
directly from disk or Hard disk without loading the data to RAM, useful for Songs or
MidiFiles that are larger than the available space in the instruments memory.
Slow/Fast Load: You can choose to set the Slow or Fast loading option from disk or
Hard disk partition at will. The SLOW option allows background song loading, and does
not lock the machine during loading operations. The FAST option allows faster loading
times, but does not permit background loading and locks the machine during loading
procedures. To set the FAST option, press the DISK or HARD DISK button (the displays DISK or HARD DISK icon starts to flash). To set the SLOW option, press DISK or
HARD DISK again and the relative icon stops flashing.
To escape from DISK or HARD DISK mode, press ESCAPE.
NOTE: Access to the Floppy Disk or Hard Disk is not permitted during a DIRECT
FROM DISK song playback operation.
NOTE
FORMAT 0: all the tracks are mixed onto a single track.
FORMAT 1: all the tracks remain separate (multi-track).
WK2 reads format 0 and 1 MIDI files , and saves MIDI files in format 0.
In the WK2, Sound Banks 1 and Drumkit Bank 2 are fully GM compatible. WK2 recognises
GM compatible MIDI Files, thanks to a messages contained in the MIDI File (General MIDI
ON). If this message is not detected, sounds that differ to a Drumkit may be assigned to
MIDI channel 10.
To ensure correct loading of GM compatible MIDI files that do not contain the General MIDI
ON flag, set the General MIDI parameter to ON in the Edit MIDI pages. WK2 can save
GM compatible MIDI Files when the General MIDI parameter is set to ON.
GMX FORMAT
The GMX format is an extension of General MIDI specifically created by Generalmusic
which renders the first three sound banks of all WK Series instruments completely compatible.
LOADING STYLES
Up to 8 locations are available in RAM to load disk-based USER Styles (96-103).
WK2 can also load Styles from CD Series, WK3 and PK7 Styles disks.
LOADING PERFORMANCES
Up to 63 locations, divided into 7 Groups of 9, are available in RAM to load Performances.
The Performance locations are accessed with the + and buttons of the right hand selection keypad (provided that the display arrowhead is NOT positioned next to the PERF menu
function). As well as the Performance settings, the contents of the Direct Style Memory and
Direct Sound Memory buttons is also loaded.
WK2 can also load Performances from WK3 and PK7 disks.
LOADING SAMPLES
Samples are loaded directly to the battery-backed Sample RAM.
WK2 can also load Samples from CD Series, WK3 and PK7 disks.
44 Owners Manual
Song Styles can only be loaded into memory using the Load All procedure, as this kind of
file exploits various different sections of the instrument at the same time. Only WK2 Song
Styles are compatible.
Load operations
Disk or Partition data can be loaded into the WK2 RAM using one of the following methods:
as a set of files corresponding to Groups (Load Styles, Load Performance (Performance Groups], Load Samples);
as an ALL file, all the data contained in the disk previously loaded with the ALL procedure.
The WK and PK Songs and MidiFiles can be played directly from disk or Hard disk
partition without loading the data to memory beforehand.
NewYork
The display shows the name of the first file available on disk.
Depending on the type of file shown, the 3 or 8 digit display area shows the relative
extension (Mid, PerfoPWK, SamplSWK, etc.). In the case of WK or PK Song files, no
extension appears.
2. Select the desired file by rotating the DIAL, or using the + and buttons of the right hand
selection keypad.
Note : If, at this point, you press the PLAY/STOP or START/STOP button, the Song will
start to play directly from the floppy disk. See page 13 in the Getting Started chapter.
3. Press ENTER.
The drive starts running and the file is loaded to the first available location in memory.
NewYork
U0I NewYork
SamplSWK
PerfoPWK
NwYrkSNG
8BeatSTY
PianoSMP
The floppy disk may contain the following file types: SONGS, MIDI FILE, STYLES,
PERFORMANCES and SAMPLES.
NewYork
To load all the Styles as a group, once you have entered Disk mode, press the PAGE
button. The word STYLES will appear in the display. Press ENTER to start the loading
procedure.
STYLES
To load all the files present on disk, press PAGE again. The word ALL will appear in
the display. Press ENTER to start the loading procedure.
ALL
To listen to the Songs loaded to memory, specify the relative number (111-117) on the
left hand selection keypad and press PLAY/STOP to start the playback.
To play a User Style loaded to memory, select the User Style (96-103) by specifying the
relative number on the left hand selection keypad, press SINGLE TOUCH PLAY and
start the Style as you would start a normal ROM Style.
HARD DISK
1. Press the HARD DISK button.
The HARD DISK display icon activates.
The name of the first partition is displayed together with the corresponding number
(shown in the 3 digit display).
Part.01
2. Rotate the DIAL to scroll through the Hard disk partitions in alphabetical order.
You can pass directly to the partition required by specifying the relative number on the
right hand selection keypad. It is also possible to scroll with the + / buttons of the
keypad.
3. Once you have selected the desired partition, press ENTER to gain access.
The partitions directory is displayed.
4. Using the DIAL or the + / keypad buttons, select the desired file to load.
5. Press ENTER.
The file loads to memory.
The Direct from Hard Disk function operates in exactly the same manner as the Floppy Disk
operation.
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Save operations
Even though the RAM saves your programmed data when the instrument is turned off, you
are recommended to save a copy of your data to Floppy disk or Hard disk. The RAM should
be seen as a work area which can constantly be updated and not as a data storage media.
WK2 data can be saved using one of the following methods:
In order to save a single element, you can choose to save with the same name, or specify a
different one. To save Performance and Samples files, and the Styles and ALL formats, the
name is not required.
2. Press the FLOPPY DISK button and, with the cursor buttons, move the right display arrowhead
next to the SAVE disk menu function.
SONG
The display shows the first page relating to the SONG file type.
3. Use the PAGE buttons to select the desired file type (Song, Midifile, Style, Styles, Perf, Sample,
ALL).
4. After selecting the file type (e.g. SONG), press ENTER.
SONG
The display shows the name of the first Song contained in the instruments RAM.
5. Rotate the DIAL or use the right + / keypad buttons to select the Song you wish to save.
NewYork
7. If you want to write a different name for the Song, use the keyboard as already described for
alphanumeric entry in the first chapter.
If you want to save with the same name, proceed to the next step.
SURE?
OverWrt?
8. Press ENTER.
The display shows the message SURE?, or OverWrt? (the latter only if the disk you are
saving to contains a file with the same name).
If necessary, write a different name to avoid overwriting the existing file with the same
name.
HARD DISK
1. Press the HARD DISK button.
The HARD DISK display icon activates.
The name of the first partition is displayed together with the corresponding number
(shown in the 3 digit display).
Part.01
2. Rotate the DIAL to scroll through the Hard disk partitions in alphabetical order.
You can pass directly to the partition required by specifying the relative number on the
right hand selection keypad. It is also possible to scroll with the + / buttons of the
keypad.
3. Once you have selected the desired partition to save to, press ENTER to gain access.
4. Move the right display arrowhead next to the SAVE menu function using the cursor buttons.
5. Using the PAGE buttons, select the file type that you wish to save (SONG, MIDI F, STYLE, STYLES,
etc.).
MidiFile
6. Press ENTER.
7. Rotate the DIAL to select the single file to save (Song, MIDIF, Style, etc.).
8. Confirm all the confirmation requests that follow with ENTER to save the file to Hard Disk.
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Delete
The Delete function allows the cancellation of a single file from a floppy disk or Hard Disk
partition.
DISK
1. Insert a the floppy disk that contains the file to erase into the drive.
2. Press the FLOPPY DISK button then move the right display arrowhead next to the DELETE disk
menu function with the cursor buttons.
3. Rotate the DIAL until the name of the file you wish to cancel is displayed.
NewYork
HARD DISK
1. Press the H DISK button and rotate the DIAL until the partition you wish to work on is displayed.
Part.01
2. Press ENTER.
3. Move the right display arrowhead next to the DELETE disk menu function with the cursor buttons.
4. Rotate the DIAL until the name of the file you wish to cancel is displayed.
NewYork
5. Press ENTER twice to cancel the file.
FORMAT 720 KB
This operation formats a 3.5 DD floppy disk in MS-DOS/Atari ST format (capacity 720
kilobytes).
FORMAT 1.44 MB
This operation formats a 3.5 HD floppy disk for WK2 use with a capacity of 1.44 Megabytes. The format is completely compatible with the standard MS-DOS format to permit the
exchange of files with the WK and PK Series instruments, computers running MS-DOS,
Windows, OS/2, Macintosh, some models of Atari and Amiga.
The formatting process can be carried out regardless of the current mode. For example,
you can format a disk while you are playing a Style.
1. Insert a new (or used) disk (HD or DD type) into the drive and press the DISK button.
2. Move the right display arrowhead next to the FORMAT function with the cursor buttons.
1.44Mb?>
3. If necessary, use the Page buttons to pass to the next page to select the procedure 720Kb?
720 Kb?<
4 . Press ENTER twice to start the formatting procedure.
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Part.01
1. Press HARD DISK and rotate the DIAL to select the desired partition.
2 Press ENTER.
3 Move the right display arrows next to the FORMAT menu function with the cursor buttons.
The display shows the message DelPart? as a request of confirmation of the formatting process.
4 Press ENTER to confirm the request then press ENTER once again to complete the operation.
DelPart?
NewPart?
4. At this point, you can insert a name for the new partition.
Use the keyboard to write the name. Up to 8 characters can be used.
5. Press ENTER.
SURE?
The display requests confirmation of the operation with the message: SURE ? .
6. Press ENTER again.
After a short instant, the new Hard Disk partition will be created.
Utility
The Utility page contains useful file handling functions both for Floppy disk as well as Hard
disk.
The following is a list of utility functions available
COPY
Part.01
CpyFile
6. Press ENTER then rotate the DIAL to select the file you wish to copy.
7. Once you have selected the file required, press ENTER.
The display shows three destination options to choose from:
Copy to floppy disk;
Copy to a new Partition;
Copy to an existing Partition.
8. Select the destination to copy to (in this case Floppy disk) with the DIAL.
Be sure that a floppy disk is inserted in the disk drive.
1. Insert the Floppy containing the desired file into the disk drive and press the FLOPPY DISK
button.
The display shows the name of the first file present on disk (names appear in alphabetical order).
3. Press ENTER.
Now select the file to copy by rotating the DIAL.
1. Insert the floppy disk you are working with into the disk drive and press the FLOPPY DISK
button.
52 Owners Manual
2. Move the right display arrowhead next to the UTILITY menu function with the cursor buttons.
3. Choose between the options Copy144 or Copy720 with the Page buttons, depending on the
floppy disk inserted in the drive.
4. Press ENTER.
5. Select the destination partition using the DIAL or right hand selection keypad.
6. Press ENTER to confirm the operation.
To copy the entire contents of a partition to a floppy disk, proceed as follows:
1. Insert the floppy disk you are working with into the disk drive and press the HARD DISK button.
2. Select the partition being copied with the DIAL.
3. Press ENTER.
4. Move the right display arrowhead next to the UTILITY menu function with the cursor buttons.
5. Choose between the options Copy144 or Copy720 with the Page buttons, depending on the
floppy disk inserted in the drive.
Be sure that the floppy disk you are copying to is of the correct capacity. Bear in mind
that the capacity of a Hard disk partition is automatically formatted to 1.44 Mb. If you are
in doubt, always use 1.44 Mb floppies.
6. Press ENTER.
7. Select the destination (in this case Floppy disk) with the Dial (or the +/ buttons of the right
hand selection keypad).
8. Press ENTER twice to confirm and start the copy procedure.
To copy the entire contents of a partition to another partition, use the same method as
described above, selecting the destination partition in point 7 (either NewPart, or an existing
destination that you wish to overwrite)
Do not open the metal protection shutter or touch the surface of a disk
Do not transport WK2 with a floppy disk inserted in the disk drive. Vibrations may cause
the disk drive head to scratch the disk, rendering it unusable.
Do not store or place floppy disks in close proximity of television sets, computer monitors, loudspeakers, power transformers, or other devices that are potential sources of
magnetic fields. Doing so may render the disk unusable.
Do not store or place floppy disks in locations subject to extremes of temperature and
humidity, direct sunlight, or excessive dust and dirt.
BACK-UP COPIES
It is advisable to keep back-up copies of all your floppy disks. Back-up is technical jargon
for a second copy of a disk. Back-up copies of your data stored in a safe place are
extremely important, to safeguard against the loss or damage to the originals, or against the
loss of data contained in the instrument.
To copy data from one disk to another, you always need to go through the RAM first, loading
the original to RAM then saving it to the destination back-up floppy disk.
54 Owners Manual
Disk protected
do not change the file extension because it identifies the file type and therefore, the
relative structure.
Furthermore, owing to some limitations of the MS-DOS and Atari systems (which other
systems do not have), it is essential to bear in mind the following advice:
do not insert spaces within a file name (e.g.: MY FILE). MS-DOS is not able to
recognise file names containing spaces. To separate a name into two parts while retaining the MS-DOS compatibility, you must proceed as follows:
separate two parts by the underscore symbol (e.g.: MY_FILE).
do not assign two files the same name, one with uppercase letters and the other with
lowercase (e.g. MYFILE and myfile). MS-DOS and Atari make no distinctions
between uppercase and lowercase characters.
6 Songs
WHAT IS A SONG?
A Song is a multitrack recording of several instrumental parts, each corresponding to a
track.
Songs can be loaded from disk in the following formats: GMX, WK2, PK, CD and Standard
MIDI File (SMF 0 or 1).
Tracks contain MIDI events; these correspond to several different types of MIDI messages. These messages are divided into Note, Pitch Bend and Program Change messages, and a series of Control Change messages which control aspects such as Bank
change for the sounds, the Sustain pedal, Volume, the Pan and several other parameters.
The MIDI events captured by the tracks are not actual sounds, but messages which communicate with the WK2 internal sound generator, or with an external expander controlled by
WK2. A Song is none other than a list of MIDI events for each track.
TO SELECT A SONG
Refer to the DISK chapter for explanations regarding how to load Songs and MIDI Files to
memory from Floppy Disk or Hard Disk.
SONG PLAYBACK
If you select a Song contained in memory, play it back using the following method.
2. Rotate the DIAL (TEMPO/DATA) if you want to change the playback speed (Tempo).
TEMPO
56 Owners Manual
4. Press KEY START/CONTINUE to start the song from the point it was stopped.
5. Press STOP then PLAY to start the Song from the starting point.
If you want to playback a Song or SMF File directly from disk without loading the data to
RAM, refer to the Direct from Disk method explained in the Disk chapter.
FF / REW
If a Song is in memory, it is possible to use the FF/REW buttons, located in the left hand
selection keypad. These two buttons allow you to advance or rewind the Song measure by
measure, providing a useful means of studying the Song in all its parts from any point of
the song you desire, without having to take it back to the beginning every time.
To advance at high speed, hold down the FF>> button and release it when you want to
stop at a desired point.
To rewind the Song at high speed, hold down the REW<< button and release it when
you want reach the desired stop point.
To go directly to a specific measure, hold down both FF and REW buttons and specify
the required measure number using the numeric keys of the keyboard (the last two
higher octaves). The number appears in an entry zone which activates when both FF/
REW buttons are pressed. Press ENTER to confirm the number and pass to the specified measure.
To listen to the Song playback from any stop points, use the KEY START/CONTINUE button: if you use PLAY/STOP, the song returns to beginning (measure 1). During playback,
you use the FF>> and REW<< buttons freely.
>>
<<
NOTE: The FF/REW buttons can only be used on Songs residing in memory: they are
disabled in SONG STYLE mode and when playing back Songs using the DIRECT FROM
DISK method.
MELODY OFF
The MELODY OFF function allows you to listen to the Song playback without the melody,
useful for a singer to sing along with the backing, or to play along with the song.
Press MELODY OFF to cancel the playback of the melody - the corresponding display
indicator turns on to show the activation of the function.
Songs 57
II2
33 05 24 49 I09 48
6I
0I
II2
33 05 24 49 I09 48
6I
0I
II2
33 05 24 49 I09 48
6I
0I
6I
0I
If one or more tracks are off, this indicates that they are not engaged by the sequencer.
If you want to play along with your Song, you can either:
3. Press the same function button corresponding to the activated track a second time.
The sound number of the track is cancelled and the track stops playing.
48
6I
0I
6. To re-engage the track to the sequencer, press the same function button.
The track turns on, it is re-engaged by the sequencer and starts to play the recorded
notes of the Song.
II2
33 05 24 49 I09 48
48
6I
0I
48
6I
0I
1. Press twice the function button corresponding to a track not used by the Song (off).
The track starts to flash.
58 Owners Manual
Displaying lyrics
If your Song or MIDI File contains a Lyrics track, an external monitor can show the lyrics in
playback, allowing you to sing along with the Song.
AV
In public venues, the lyrics can be projected onto an external colour monitor for the audience to sing along with (Karaoke application).
To display lyrics on an external monitor or domestic TV
S-VHS
RGB
VIDEO
TV text
See also the section entitled Connections in the Basic Concepts chapter 2.
2. Go to page 7 of the MIDI/GENERAL functions and set the TV text option to ON to enable the
connection between the keyboard and the TV set.
Use the DIAL or the +/ buttons of the right selection keypad to toggle between the On
and Off status.
4. Select a Song.
5. Press PLAY/STOP to start the playback.
Songs 59
7 Song Styles
A Song Style is an 8-track Song created by recording a Style (Rom or User) with the keyboard tracks (Upper 1, Upper 2, Lower). Song Styles capture the chords that trigger the
Style accompaniment patterns on a Chords track and you can choose to record one or
more keyboard tracks according to your requirements. During the recording, you can exploit the Intro, Fill and Ending patterns and change Style at will. In practice, what you
normally do in real time with a Style is captured by the sequencer in Song Style Record
mode to create a Song Style.
Up to 8 tracks are engaged by the Sequencer to record a Song Style: 5 associated to the
accompaniment patterns (Drum, Bass, Acc3, Acc2, Acc1) and 3 to the keyboard tracks
(Upper 1, Upper 2, Lower).
Disk-based Song Styles in WK2 format only can be loaded to the RAM using the Load All
procedure.
In many other respects, Song Styles are similar to Song, except that they do not contain a
Lyrics track.
1. Specify the number corresponding to the desired Song Style on the left hand selection keypad.
The left display arrowhead moves automatically next to the SONG menu function.
3. To stop the Song Style playback at any moment, press the STOP button.
NB. Pressing the START/STOP button starts the last selected Style, while the PLAY/
STOP button starts the last selected Song, or has no effect is the relative location is
empty.
60 Owners manual
The two above possibilities are fully explained in the SONG chapter.
During the Song Style playback, it is possible to gain access to the keyboard tracks (UPPER 1, UPPER 2, LOWER) using the corresponding activators or function buttons (F7, F8,
F9).
Song Styles 61
6. When you want to end your Song Style, you can either:
Stop the Sequencer with PLAY/STOP
or;
Stop the Sequencer with an ENDING.
62 Owners manual
Clear >
Hold down the RECORD button for a few seconds to gain access to the CLEAR function.
The display shows several Clear options which you can now select with the PAGE
buttons.
1. ALL: clears (initialises) all the recorded events of the SONG STYLE except the last
programmed Performance. In practice, only the recorded sequences are cancelled
from the last recorded Song Style.
2. CHORD: When the CHORD track is empty, the word CHORD in the display starts to
flash (indicating that it is ready to record chord events). The Chord track can be recorded only the first time; if you want to record the chord track again (to cancel wrong
events), you must clear the entire track with Clear CHORD.
3. LOWER: Cancels track 7.
4 UPPER 2: Cancels track 8.
5. UPPER 1: Cancels track 9.
6. PAD: Cancels all Pad events.
All
>
Chord
>
Lower
Upper2
Upper1
Pads
Tempo
Common
>
>
>
>
>
<
Song Styles 63
REVERB
When active (corresponding display indicator on), the current Performance is processed
the type of reverb effect assigned to the Reverb DSP unit. The overall processed (wet)
sound can be heard over the internal speakers and delivered from the stereo Left and Right
outputs.
When deactivated, (display indicator off), the sound is not processed by the DSP (delivered
dry).
CHORUS
When active (corresponding display indicator on), the current Performance is processed
the type of modulating effect assigned to the Chorus DSP unit. The overall processed (wet)
sound can be heard over the internal speakers and delivered from the stereo Left and Right
outputs.
When deactivated, (display indicator off), the sound is not processed by the DSP (delivered
dry).
2. Use the PAGE buttons to assign a different effect type to the selected DSP.
I00 Chorus1>
I00 Hall 2 >
This operation allows you to scroll through the 22 effects available in both DSP units.
You can select an effect in both DSP units.
You can also change the general effect volume with the DIAL or the + and buttons of
the right selection keypad.
3. You can escape from the current effect function by moving the arrowhead, or by pressing
ESCAPE.
The selected effect type(s) are now assigned to the current Performance.
4. Press STORE PERFORMANCE and confirm with ENTER to save the changes to the current Performance.
If you select a different Performance, or reselect the same Performance without saving
the changes, the newly assigned effects will be lost and the original settings will be
restored.
64 Owners manual
I00 Chorus2>
By pressing the REVERB or CHORUS button, you can toggle between the ON and OFF status.
The corresponding display indicator responds by turning on or off accordingly.
REVSEND
Controls the REVERB level for each track of the current Performance.
II2
33 05 24 49 I09 48
6I
0I
CHOSEND
Controls the CHORUS level for each track of the current Performance.
1. Select the Track whose effect level you wish to change (the Performance mode must not be
selected and the Single Touch Play button must be off).
The corresponding Track indicator starts to flash and the assigned Sound is shown in
the 8 digit display area.
RevSend>
2. Press the PAGE button as many times as necessary until the REVsend page is shown.
ChoSend>
The value shown can be modified within the range 00 15, and indicates the amount
of effect applied to the track.
3. Modify the send value with the DIAL (Tempo/Data) or the + or buttons of the Sound selection
keypad.
4. Press ESCAPE to exit the function.
5. Press STORE PERFORMANCE and confirm with ENTER to save the changes to the current Performance.
To memorise a sound configuration with effects in the 16 Direct Sound Memory buttons
1. First set up the sound combination required including the effects settings.
2. Press and hold down one of the 16 Direct Sound Memory buttons and wait an instant
until the display confirms the completion of the operation.
3. Repeat the operation for the other Direct Sound Memory buttons.
Every time you select a Direct Sound Memory button, the sound and effects combination recalled will be the one previously memorised in the selected button, unless the
combination is recalled while the sequencer in play.
If, at this point, you recall a Style using either the selection keypad method or the Direct
Style Memory buttons, the effects associated to the sounds will be those recalled by the
ROM Style. This avoids listening to the Style patterns with too many undesired effects/
9 MIDI
WHAT IS MIDI?
MIDI is the abbreviation for Musical Instrument Digital Interface, a standard interface used
for communication between electronic musical instruments and computers.
This chapter discusses some of the more common MIDI applications for the WK2 on a
general basis.
WK2 is equipped with a standard MIDI interface consisting of a MIDI IN, MIDI OUT and
MIDI THRU ports.
To use WK2 as a stand alone instrument, it is not necessary to connect the MIDI ports.
MIDI
THRU
OUT
IN
MIDI channel
1...16
1...16
In Style/RealTime and Song Style modes, the MIDI configuration of the ROM Performances is the following:
Style track
MIDI channel
Drum
F1
10
Bass
F2
Acc1
F3
Acc2
F4
Acc3
F5
Lower
F7
Upper2
F8
Upper1
F9
66 Owners manual
An instrument which pilots another instrument is called the master, while an instrument
that is piloted by a controlling device is called the slave.
The MIDI OUT of the master instrument is connected to the MIDI IN of the slave instrument.
MIDI LOCK
If you enable MIDI LOCK (set to ON in MIDI/GENERAL) before programming the MIDI
channel configuration of a Performance, the current configuration will remain fixed for all
other Performances. All the other configurations associated to other Performances will be
overridden.
The last programmed configuration will remain memorised after power down, provided that
the Store Performance operation is carried out using the first Performance as the destination (the first Performance corresponds to the power-up Performance).
to simulate the entire WK2 keyboard with a master keyboard. The master keyboard
must transmit on the same channel as the WK2 Common Channel.
to dedicate a special track in a sequencer or other instrument for the selection and
control of WK2 Styles, Performances, Songs and Effects. In the external sequencer, a
track is reserved for the control data which is transmitted on the same MIDI channel
assigned to the WK2 Common Channel.
The track assigned to the Common Channel cannot be used to transmit note data as occurs
for the normal tracks.
CHORD CHANNEL
The Chord Channel is reserved for the connection of a MIDI accordion. The Chord channel
is used to receive chord information from the MIDI accordion and to control the automatic
accompaniments of the WK2.
Use the standard MIDI channel assignment procedure to assign the Chord channel. Press
ESCAPE to return to the main menu. Hold down STORE PERFORMANCE the press
ENTER to memorise the MIDI configuration to the current Performance.
Midi 67
Note: a correct setting of the Common and Chord channel is essential to ensure full compatibility with a MIDI accordion ( see also Piloting WK2 with a MIDI Accordion on page 69).
MIDI NUMERATION
The numeration of MIDI data usually adopts the system 0-127. Some instruments adopt
the system 1-128. When you use devices that adopt a different numeric system, you must
remember to apply the appropriate conversion between one system and the other.
MIDI
Connect the WK2 MIDI OUT port to the expanders MIDI IN port.
THRU
OUT
IN
THRU
OUT
IN
Set WK2 to operate in Real time mode in order to be able to play at least
three sounds at the same time (Upper 1, Upper 2 and Lower keyboard sections). In Song mode, only one track is made available for real time use.
With this setup, the MIDI messages generated by the WK2 keyboard travel
from the WK2 MIDI OUT port to the expanders MIDI IN port. If you remembered to match the MIDI channels of both devices, you will hear sounds from both devices.
If you want to listen to the expanders sounds only and exclude the WK2 sounds, you can
either regulate the WK2 track volumes to zero level, or you can set the WK2 tracks for
Local off operation (in MIDI/GENERAL).
If you save a Performance with all the track volume levels set to zero, you will be able to
listen to the expander sounds only.
By using the Local On/Off parameter and setting the keyboard tracks to Off (using buttons
F7, F8 and F9), the keyboard is disconnected from the internal sound generator, but the
keyboard messages are still transmitted via the MIDI OUT, allowing you to hear the expander sounds only.
Preparation
MIDI
MIDI
OUT
WK2
IN
THRU
OUT
IN
Expander
NB. Program the track as required, assigning sounds, setting volumes and pan, effects,
etc.
3. Move the display arrowhead next to the MIDI/GENERAL menu function, then press the PAGE
button as many times as necessary until the display shows the MidiENT page.
The MIDI channels of the WK2 sections must match those of the expander. (Alternatively, consult the expanders owners manual to programme the expanders sections to
match those of the WK2).
68 Owners manual
MidiENT>
CHANNEL
5. Press ENTER once again and the display shows the first track with correspondingly assigned MIDI
channel.
Use the DIAL to assign the MIDI channel assignment.
C0I Track 01
Use the + and buttons of the right hand selection keypad to select the 16 tracks one
after the other.
C0I Track 01
C02 Track 02
After track 16, the display shows the COMMON track with correspondingly assigned
MIDI channel followed by the CHORD track and associated channel.
You can quickly select the desired track with the corresponding Function buttons.
CI6 Track 16
CI6 Common
MidiLck
1. Enable MIDI LOCK (set to ON in MIDI/GENERAL - refer to the Midi/General chapter for specific
information).
C02 CHORD
2. Set the CHORD channel of WK2 to the same channel as the accordions chord section (MIDI
accordions generally use channel 2 for the Chord section).
3. Configure the MIDI channels of the WK2 tracks using the table shown below (Midi Accordion
settings).
COMMON
OneFing>
LOWER= Ch 2
BASS= Ch 3
UPPER2= Ch 1
ACC1= Ch 5
UPPER1= Ch 1
Acc2= Ch 6
COMMON= OFF
Acc3= Ch 7
CHORD= 2
Midi 69
Connect the WK2 MIDI OUT port to the sequencers MIDI IN port.
Connect the Sequencers MIDI OUT port to the WK2 MIDI IN port.
MIDI
MIDI
In this setup (Song mode) and with the correctly assigned MIDI channels, the MIDI messages generated by the WK2 keyboard are sent from the WK2 MIDI OUT, received by the
MIDI IN of the computers MIDI interface and recorded by the sequencer. When you launch
the Play command in the sequencer, the MIDI messages are sent via the computers MIDI
OUT port and received at the WK2 MIDI IN.
Via MIDI, you can send messages from the computer and perform all the operations that
you would normally carry out on the WK2 control panel. You can change sounds, set
volumes and pan levels, select and control the effects, etc..
When you send messages to WK2 to select Sounds, the Sound selection message must
be received on the MIDI channel assigned to the track to which the Sound is assigned. To
select WK2 Sounds, first send a Control Change 00 message (Bank Select) followed by a
Program Change (PC) message. The Sound table, with corresponding MIDI selection
messages is listed in the Appendix.
To use the setup above, it is recommended to set the WK2 track used as the generator of
keyboard data for Local Off operation.
Set the computer sequencer to retransmit (echo) to the WK2 all the MIDI messages received. The sequencer parameter that controls this function may have a different name
depending on the software in use. Some common names are echo on, echo back,
patch thru, soft thru, etc.
By setting the track used to send data to the computer for Local Off operation, you disconnect communications between the WK2 keyboard and its sound generator. Consequently,
WK2 acts as a separate MIDI keyboard and independent sound generator. The echoing
function of the sequencer allows you to play the WK2 sound generator from the WK2
keyboard.
With the sequencers echoing function turned on and the WK2 Local Off parameter also set
to ON, two notes will be played by the WK2 sound generator for every single note generated by its keyboard.
The Computer port
You can use the COMPUTER port via a single serial cable instead of the MIDI IN and MIDI
OUT ports. The COMPUTER port disables the MIDI ports if connected.
Apple Macintosh
The Macintosh (or compatible) must communicate at the velocity of 1 MHz. Consult the
owners manual of the sequencer software for relevant information.
Use the standard Macintosh serial cable. Connect one end of the cable to the WK2 and the
other to the MODEM port of the Macintosh.
Set the COMPUTER parameter in Midi/General to MAC..
PC IBM
The IBM-PC (or compatible) can communicate at the velocity of 31250 baud (PC1) or 38400
baud (PC2).
Use standard serial cables DB8-DB9, DB8-DB25, or the optional Generalmusic cable to
connect the WK2 and the PCs serial port.
Set the COMPUTER parameter in MIDI/GENERAL to PC1 or PC2 as required.
70 Owners manual
THRU
OUT
WK2
IN
THRU
OUT
Computer
IN
CC32
PC
Style
32
0-7
00-07 (8 BEAT)
32
8-15
32
16-23
16-23 (ROCK)
32
24-31
24-31 (FUNK)
32
32-39
32-39 (DANCE 1)
32
40-47
40-47 (DANCE 2)
32
48-55
48-55 (JAZZ)
32
56-63
32
64-71
64-71 (TRAD 1)
32
72-79
72-79 (TRAD 2)
32
80-87
80-87 (LATIN 1)
32
88-95
88-95 (LATIN 2)
CC32
PC
Style
44
0-7
96-103
Fill ><
00
Fill <
01
Fill >
02
Intro
08
Ending
16
Midi 71
Var 1+2+3+4
24-27
Key Start
40
Fade In/Out
59
Rotary
61
Tempo increment
66
Tempo decrement
67
Next Performance
68
Previous Performance
69
Style control
Value
CC81
(On/Off
commands
CC81: 063 = OFF, 64127 = On
Fill ><
00
64
Fill <
01
65
Fill >
02
66
Intro
08
72
Ending
16
80
Harmony ON/OFF
32
96
Arrange ON/OFF 33
97
37
101
38
102
48
112
40
51
115
Fade In ON/OFF
59
123
function)
113
60
Rotary ON/OFF
twin
104
49
124
125
CC32
PC
56
1-7
72 Owners manual
CC32
PC
62
1-7
CC32
PC
48
1-63
Channel Lock
Midi 73
F0,2F,30,01,00,00,00,13,00,vv,F7
(vv= from 00h to 15h)
REVERB LEVEL
F0,2F,30,01,00,00,00,13,01,vv,F7
(vv= from 00h to 7Fh)
Note: The reverb volume selected from the instrument panel must be set to its maximum setting (127)
REVERB TIME
F0,2F,30,01,00,00,00,13,02,vv,F7
(vv= from 00h to 7Fh)
CHORUS CHANGE
F0,2F,30,01,00,00,00,13,05,vv,F7
(vv= from 00h to 15h)
CHORUS LEVEL
F0,2F,30,01,00,00,00,13,06,vv,F7
(vv= from 00h to 7Fh)
CHORUS RATE
F0,2F,30,01,00,00,00,13,07,vv,F7
(vv= from 00h to 7Fh)
CHORUS DEPTH
F0,2F,30,01,00,00,00,13,08,vv,F7
(vv= from 00h to 7Fh)
MASTER TUNE
F0,2F,30,01,00,00,00,07,00,vv,F7
(vv= standard value 40h + / - 40h )
IMPORTANT: All the numbers within the SysEx string must be expressed as HEXADECIMAL codes. Specific midi channels are not required for system exclusive messages.
74 Owners manual
16 bit
Sampling time :
approx. 6 seconds
1. Plug a Microphone or audio cable into the Mic jack (or an instrument to the Line jack.
2. Regulate the level of the signal with small twin GAIN control.
The twin knob independently controls the Mic and Line signals
At this point, you are ready to either sample the signal or activate the vocal Processor
(vocal harmonizer).
Sampling
Sampling 75
3. Press the SAMPLES button and assign the Sample to a keyboard track using the normal
sound assignment procedure already explained.
Your sample is memorised directly to the SAMPLES group. To select Samples via
MIDI, refer to the MIDI chapter, or use the Appendix tables.
The SAMPLES group corresponds to the battery-backed Sample RAM which maintains data after turning the instrument off. To safeguard your sample against cancellation, save your Samples to Floppy disk or Hard Disk using the procedures explained in the Disk chapter.
Every time you carry out a sampling operation, the entire RAM available for sampling is utilised (approx. 100 Ksamples).
REVERB
Allows you to control the amount of Reverb applied to the sample.
The Reverb effect applied depends on the Reverb Type selected in the Reverb DSP
unit.
Reverb >
The amount of Reverb applied can vary from 0 (sample with no effect) to 15 (sample
with maximum effect).
NB. Check that the REVERB display indicator is shown selected to hear the changes
applied to the parameter.
CHORUS
Allows you to control the amount of Chorus (or other modulation effect) applied to the
sample.
Chorus >
The amount of Chorus effect applied can vary from 0 (sample with no effect) to 15
(sample with maximum effect).
NB. Check that the CHORUS display indicator is shown is selected to hear the changes
applied to the parameter.
I6 Volume >
VOLUME
Determines the general volume of the sample.
00 Pan
>
PAN
Determines the position of the sample within the stereo panorama.
Assignable values: L31 (all to the left) 00 (centre) R31 (all to the right), Mute (does
not play).
Note: The MUTE setting produces some interesting effects when you listen to the Sample with the REVERB and CHORUS effects active.
00 Tuning <
TUNING
Applies a fine tune to the sample, up to one semitone above or below the actual pitch.
Assignable values: -8 0 +8
76 Owners Manual
Cancelling samples
You can clear the Sample-RAM of all Samples with the INITSmp function found in the
MIDI/GENERAL pages.
2. Press the PAGE buttons as many times as necessary until you reach the INIT page, showing
the default ALL option.
InitALL>
3. Use the DIAL or the + / buttons of the right hand selection keypad to select the INITSmp
option.
InitSMP
4. Press ENTER to confirm, or ESCAPE to cancel the operation and exit the function.
Sampling 77
08
1. Assign a DRUMKIT or a SAMPLE to one of the real time tracks (Upper 1 or UPPER 2).
You can programme the effect, volume, etc., using the track edit pages as already
explained.
2. Press and HOLD the PAD button to which you wish to assign a Sound.
3. While still holding the Pad, press the key on the keyboard corresponding to the Sound you
wish to associate to the PAD.
4. Repeat the procedure for other PADS.
The resulting configuration will remain
5. Hold down STORE PERFORMANCE then press ENTER to store the PADS configuration to the
current Performance.
It is important to remember that the PADS are also used in Vocal Processor procedures, therefore, it is essential that the instrument is not currently set to Vocal Processor mode when you want to use the Pads to play the Sounds/Samples assigned
to them.
78 Owners Manual
3. Assign the track that you wish to associate to the Vocal Processor by pressing PAD 3 (Edit),
then using the +/ buttons of the right hand selection keypad to select the track.
It is best to use either of the keyboard tracks (Upper 1, Upper 2 or Lower), or in Song
mode, track 5.
4. Play and hold one or more notes on the keyboard and sing or speak into the microphone.
You will hear a harmonisation effect consisting of one or more voices that will depend on the current Vocal P preset.
NOTE: To activate the Vocal P. after loading a Song or MIDI File, it is sufficient to press
the Vocal P button and sing into the microphone with the song in play. If the harmonised
effect cannot be heard, check that the song track associated to the Vocal P (usually
track 5) corresponds to the track set in the Edit section (pad 3 - track 05).
PRESET
Hold down the VOCAL P. button for a few seconds to display the current Preset assigned to the function.
Use the PAGE buttons to select a different Preset.
To memorise a preferred preset together with other associated settings (track number,
Vocal volume etc...), save the settings to any of the 63 available Performances (hold
Store Performance then press Enter).
Sampling 79
80 Owners Manual
11 MIDI/General
To activate this function, press the Cursor buttons as many times as necessary until the
arrowhead to the left of the display is shown next to the MIDI/GENERAL menu function.
Once activated, use the PAGE buttons to select the MIDI/GENERAL parameters one
after the other.
PED SwUp1/2
PED St/Stop
PED FillA
PED Fill
PED FillB
PED Intro
PED Ending
VOL Pedal >
OO Tuning >
- KeyTouch: (00-127); the 3 digit display area shows a value between 0 and 127,
corresponding to the current velocity sensitivity setting for the keyboard. Use the
DIAL or the + and buttons of the right hand keypad to change the keyboards touch
sensitivity.
- Serial: when you connect the WK2 to a computer via a serial cable, you must
configure this parameter for the type of computer used (PC1, PC2, MAC).
Serial >
TV=PAL >
TV text
- TV=PAL: enables the video standard according to the television used. You
can choose between PAL (Europe) or NTSC (U.S.A.).
- TV text: enables the WK2 for the projection of Song lyrics onto an external
monitor or domestic TV set connected to the instruments RGB or S-VHS
ports. Use the DIAL or the + and buttons of the right hand keypad to select
the required setting.
Important: If you do not connect the serial port, set this parameter to OFF (default),
otherwise the MIDI interface will remain disabled for use.
Midi/General 81
MidiENT>
Press ENTER to gain access to the MIDI programming tasks and select the
required parameter with the + / buttons of the right hand keypad: Channel,
Local, Internal, G.Midi, Start/Stop, Chn.Lock and Dump.
After selecting the CHANNEL and LOCAL functions, press ENTER once more
to gain access to the relative parameters. Once terminated, press ESCAPE
to exit the function and return to the selection of the remaining MIDI functions.
The CHANNEL and LOCAL settings can be memorised to the Performances.
CHANNEL
- Channel: use this parameter to assign a MIDI channel to each track as required.
To activate this parameter (which relates to the individual tracks), press ENTER.
The 3 digit display shows the number of the track (e.g. 01 = track n. 1).
Select the tracks with the + or buttons.
C0I Track 01
Rotate the DIAL to assign a MIDI channel to the track or to set the Off status.
CI6 Common
C02 CHORD
After track 16, the +/ buttons select the Common track, then the Chord track,
both displayed with the associated channel number. Use the Dial to assign a
different MIDI channel to the Common and Chord track (the Chord track is
useful for MIDI accordions - refer to the relevant paragraph in the MIDI
chapter).
After setting the MIDI channels, press ESCAPE to exit the CHANNEL function
and return to the selection of the MIDI functions. Using the +/ buttons of the
right hand keypad, the next function displayed is LOCAL. Press ENTER to
gain access to the Local function.
- Local: by means of the LOCAL ON/OFF function, you can decide whether or not
each track of the WK2 controls the internal sound generator. It is possible to independently disconnect each track from the internal sound engine.
Once accessed with ENTER, the 8 digit display shows the number of the
selected track. Rotate the DIAL to change the ON/OFF status of the Local
parameter and select the tracks with the + or buttons of the right hand
keypad.
LOCAL
Track 01
Once you have set your Local requirements, press ESCAPE to exit the Local
function and return to the selection of the MIDI functions with the +/ buttons
of the right hand keypad.
- Internal: when the WK2 sequencer is active, it depends on the internal CLOCK,
an internal device which synchronizes the Style, Song and Song Style tempo.
If you want to deactivate the internal CLOCK, the WK2 Tempo will correspond
to that set by an external device (computer, sequencer) connected via MIDI to
WK2. In this case, select the option External with the DIAL.
- G.Midi: by setting this General MIDI function to ON, the WK2 becomes compatible
with all MIDI files that are loaded into memory.
Internal
External
G.Midi
If you want to communicate via MIDI with non General MIDI instruments, it is
best to set the General MIDI parameter to OFF. Use the DIAL to toggle
between the ON and OFF status.
- Start/Stop: activating the START/STOP function allows the WK2 to be started by
an external device (computer, sequencer). Use the DIAL to toggle between ON and
OFF.
82 Owners Manual
St/Stop
- ChnLock: (ON/OFF) the CHANNEL LOCK parameters locks the MIDI channel
configuration of the current Performance for the entire instrument, overriding the
individual settings of all the other Performances. To use this function, first set the
ChnLock parameter to ON, then modify the MIDI channels. Using this method the
programmed setting remains intact and applies to the entire instrument. Use the
DIAL to toggle between ON and OFF.
Chn/Lock
If you want the instrument to power up with a ChannelLock setting, store the
ChannelLock setting to the first Performance.
- Dump: the DUMP function transmits all the data contained in the internal memory
of via MIDI to an external MIDI device. This is a second possibility of safeguarding
your programmed data.
Dump
For a detailed explanation of the MIDI Dump procedure, turn to the next page.
InitALL>
- InitALL: this parameter allows you to initialize your WK2 in order to restore the
default (factory-set) conditions.
InitPFM
InitSEQ
You can also restore a portion of the original memory by initializing the
Performances (PFM), the Sequencer (SEQ), or the Samples (SMP).
Rotate the DIAL to select the element that requires initialising, the press
ENTER twice to complete the procedure.
15-06-98
- rEL XX_XX_XX (DATE): This function (Release date) corresponds to the last page
of the MIDI/GENERAL section. Selecting this page shows the release date of the
last loaded WK2 operating system.
- Press ESCAPE to exit the current mode.
Midi/General 83
1) Connect the WK2 MIDI OUT port to the MIDI IN port of the external device.
MIDI
MIDI
THRU
OUT
IN
THRU
WK2
OUT
IN
Computer
DumpALL
DumpSEQ
DumpPFM
2) Select the DUMP parameter with the + or buttons of the right hand keypad and select
the type of data that you intend to transfer by rotating the DIAL (ALL, SEQ, PERF).
3) Start the recording procedure in the external device.
4) Press ENTER twice.
THRU
OUT
WK2
84 Owners Manual
MIDI
MIDI
IN
THRU
OUT
IN
Computer
Reference
Section
Technical Specifications
Index
Modes :
Sounds :
Polyphony :
Split :
Edit :
Digital Effects :
Harmony :
Sustain :
Demo :
Automatic Styles :
Arranger :
Sequencer controls :
General controls :
Pitch bend/Modulation:
Single Touch Play :
Performance :
Pads :
Sequencer :
Disk :
Hard Disk
Sampling/Vocal Processor :
Optional harmonizer :
Karaoke :
Computer :
Midi :
Auxiliary jacks:
Amplification :
Dimensions :
Weight :
Supplied accessories :
Optional accessories :
Ref. 2
Index
A
Edit 80
Effect types 64
Effects 11
Ending 33
Enter / Escape 21
Equal/Mic 80
Extensions 42
B
Back-up copies 54
BANK 1, 2, 3 and 4 24
Bass To Lowest 35
Bypass 11
C
Cancellation of a Song 57
Cancelling samples 77
Change the sounds 8
Channel Lock 83
Chord 61
Chord Channel 67
Chord Lock (ChoLock) 37
Chord recognition modes 38
Chorus 11, 64
Clear function 57
Clear Song Style (User Song / Style) 63
Common Channel 67
Computer 19
Computer port 66, 70
Connections 7
Copy 52
Creating a new partition (New Part) 51
D
Damper 12, 19
Data Entry 21
Deactivating (bypassing) the effects 65
Delay 64
Delete 49
Demo 13
Digital Audio Sampler 75
Digital Signal Processor 64
Direct Access buttons 9
Direct Sound Memory 9
Direct Style Memory 31
Disk Formatting procedures 50
Disk handling information 54
Display 20
Displaying lyrics 59
Drumkits 17
Dump 83
F
Fade In/Out 34
FF / REW 57
Files 42
Fine tuning 26
Fingered 1 38
Fingered 2 38
Floppy Disk 42, 45
Floppy Disk formats 42
Format 1.44 Mb 50
Format 720 Kb 50
FreeStyle 38
Front Panel WK2 4
Full mode 22
G
General 81
General Effect volumes 12
GMX format 44
H
Hard Disk 42
Harmony 40
Headphones 11, 19
I
Initialize 83
Intro 33
K
Key Start 33
Keyboard mode 22
Keyboard tracks 22
L
Line jack 18
Listen to the Demo Styles 13
Listen to the Song Style playback 62
Load operations 45
Load procedure 45
Local 82
Lower 22
Lower Memory 35
Lyrics track 59
Index 3
M
Macintosh and compatibles 19
Master Volume 19
Melody off 57
Metronome 40
Mic jack 18
MIDI 18, 66, 81
MIDI applications 68
MIDI channels 66
MIDI events 56
MIDI file 43
MIDI Numeration 68
Modulation 11, 64
Multi-effects 64
Music Stand 19
S
S-VHS 19
Sample Edit parameters 76
Samples 17
Sampling procedure 75
Save operations 47
Save procedure 47
Saving MIDI Files 48
Saving the Tempo to a Performance 36
Select a Song 56
Select and playback a Song Style 60
Select Keyboard Sounds 24
Select Performances 9, 25
Select the effect types 64
Selecting Sounds 24
Selecting Styles 30
Selection of the sample 75
Send levels 65
Serial 81
Single Touch Play 10, 15
Single Touch Play settings 16
Slow/Fast Load 43
SMF 43
Song 13
Song mode 14, 15
Song Performance 16, 56
Song Playback 56
Song Style mode 14, 15
Song Style Performance 16
Song Style Performances 60
Song Style Recording 61
Song Styles 60
Songs 56
Sounds 17, 22, 24
Specifications 1
Split mode 22
Split Point 37
Standard MIDI File 43
Standard MIDI interface 18
Start / Stop 33
Store Performance 28, 39
Style Lock button 15
Style Performance 16
Style Tempo 36
Style/RealTime mode 14
Style/RealTime Performances 14
Style/Tempo Lock 39
Styles (WK2) 30
Sustain 40
Switch Upper 1/Upper 2 19
System Exclusive 74
System Reset 3
N
New split point 37
O
One finger 38
Orchestrate your playing 40
P
Pan 26
Partition formatting procedure 51
PC IBM 70
PC IBM and compatibles 19
Pedal 12
Pedals 12, 19
Performance 16, 25
Performance name 28
Performance parameters 26
Performance Recall 39
Piloting an expander with WK2 68
Piloting WK2 from a MIDI accordion 69
Pitch Bend 11
Pitch/Modulation ball 11
Play All Songs 57
Play direct from Disk or Hard Disk 43
Play / Stop 60, 61
Powezr On/Off 8
Powering up 8
Preliminary operations 8
Preload 43
Preset 79
Program the Performances 25
Programmable Pads 10, 78
Programmable Pads Assign 78
R
RealTime Performances 16
Rear Panel WK2 7
Reccord 61
Reference Section Ref. 1
Regulating the Mic/Line signal 75
Restore the original Performance settings 29
Reverb 11, 64
Reverb effect applied to the track 26
Reverbs 64
RGB 19
4 Reference
T
Tap Tempo 34
Technical Specifications WK2 Ref. 2
Tempo Lock 36, 39
Track Mute 80
U
Update your instrument 3
Upper 1 22
Upper 2, 22
Utility 52
Utility section 40
V
Variation 34
Velocity sensitivity setting 81
Video interface 19
Vocal harmonizer 79
Vocal Mute 80
Vocal Processor 18, 40, 75, 79
Vocal Processor Edit 79
Volume 12
Volume Pedal 26
W
WK2 in Song Mode with a computer(or external
sequencer) 70
WK2 sounds 17
Index 5
6 Reference
Appendix
Appendice
Appendix
Anhang
Bk 2 (Rom)
Bk 3 (Rom)
Bk 5 (SMP - RAM)
PianoMk1
PianoW2
E.G.Piano12
DetPiano2
ThinRhodx2
E.Piano32
Harpsich22
SynClav
PickPiano2
Pianoctave2
E.G.Piano22
Western2
E.Piano4
E.Piano5
Harpsich3
WowClav
0
1
2
3
4
5
6
7
CelestaPlk2
GlockVibes2
WineGls12
Vibes2
Marimba22
Xylophone2
SoftBell2
BarChimes
ToyPiano2
GlockChoir2
MusicBell
SynVibes
Mallet
XyloTribal2
Oohlalaa
Climbing2
161Draw2
1685Drw
SwOrgan*
Church22
PipeOrgan2
Accord1
Blusette
Cassotto
Organ1WX2
JazzOrgan32
SynOrg12
Organ3WX2
Organ42
Accord22
WestHarmon
OrganLfo2
SoloGtr
12StrGtr2
OctJzGtr2
ElGuitar1
Muted2
WhaGtr1
FuzzGtr
SlowHarmx2
VocalGtr2
SteelGtr1
Hawaiian
ChorusGtr2
Dyn.Muted*
5thOverdr2
HeavyGt2
HarmGtr32
AcoustcBs2
Dyn.Fingrd*
Dyn.Bass2*
AcidBass1
Dyn.Bass3*
WXBass2
SynBass3
SynBass4
AcousticBs3
Dyn.Bass1*
PckBass22
Flanged
SlapSynBs2
StopBass
TecknoBass2
RaveBass2
SlowViolin
BowedViola
SlowCello
BowedBass
OctTremolo2
OctPizz2
HarpDelay2
TimpaniEFX2
ViolinOrch2
ViolaPad2
CelloEns2
Staccato
Plectra
EchoPizz
Spacehar2
Dyn.Orch II*
StereoStrg2
StrgOrch2
SynStrg32
SynStrg42
VoiceUuh2
VoiceAah2
SkatVoices*
Rave2
StrgGlock2
St.SlwStrg
SynStrg52
Strings3
SlowUuh
SlowAah2
Vocoder2
Dyn.St.Hit
Bk 1 (Rom)
Bk 2 (Rom)
BRASS group
56
Trumpet
FlugelAttk
57
Trombone
Trombone3
58
Tuba
ShortTuba
59
MutedTrp1
MutedTrp2
60
FrenchHorn
Dyn.FrHorn*
61
Brass
Brass22
62
SynBrass12
SynBras22
2
63
SynBrass2
SlowHorn2
REED group
64
Soprano
Soprano2
65
SoftSax
SaxNoise2
66
TenorSax
OctaveSax2
67
BaritonSax
BaritDet2
68
Oboe
OboeChiff2
69
EnglisHorn2
EngHorn22
70
Bassoon
Bassoon2
71
Clarinet
ClarSolo
PIPE group
72
Piccolo
HardFlute12
73
Flute
Dyn.Flute1*
74
Recorder2
HardFlute22
75
PanFlute
PanFlute2
76
BottleBlow
BottleNois
77
Shakuhachi2 Shakupad2
78
Whistle
Whistle1WX
79
Ocarina
OcarinaPan2
SYN LEAD group
80
SquareWave2 Pulse12
81
SawWave
ObxFilter2
2
82
SynCalliop
Azimut2
2
83
ChiffLead
Chopper2
84
Charang
Jump2
85
SoloVox
FiltRes12
86
5thSawWave2Decay12
87
BassLead
Obx22
SYN PAD group
88
Fantasia2
NewAge2
89
WarmPad
Obx12
90
Polysynth2
Fantasy22
91
SpaceVoice
VocBells2
2
92
BowedGlass Prophet12
93
MetalPad2
Bright22
94
HaloPad2
Slave2
95
SweepPad
Machiner2
SYN SFX group
96
IceRain2
Noiseres
97
Soundtrack2 MoonWind2
98
Crystal
Wind2
2
99
Atmosphere Arp26000
100
Brightness
WithGas2
101
Goblin
Resonance2
102
EchoDrops
Synthex12
103
StarTheme2
StarTheme22
ETHNIC group
104
Sitar
SitarDet2
105
Banjo
BanjoOct2
106
Shamisen
ShamSitar2
107
Koto
Kanoun2
108
Kalimba
ShrtKalimb
109
Bagpipe
BagpipeEns2
110
Fiddle
Hukin
111
Shanai
BacktoWS2
Bk 3 (Rom)
Bk 5 (SMP - RAM)
FlugelHorn
WowTromb2
WowTuba
Dyn.MtTrp*
TotoHorns2
BrassRips
SyntHorn2
AttkHorn2
SoprFilter
SoftFilt
TenFilter
BariFilter
OboeFilter
HornFilter
BassoonFlt
ClarFilter
HardFlt22
DynHiFlute2
Bubbler
Dyn.Pan
Tube
ShakuVoice2
Whistle3WX2
OcarinaSyn2
Pulse22
Lyle2
SynLead12
Digital2
SoundTrk2
FiltRes22
Decay22
Obx32
PPG2
AnlgPad2
Fantasy32
Angels2
Prophet22
Analogic2
Atmosphere2
Decay32
BigRoom
Slope2
SynLead22
GlockAthm2
PopUp2
NoGravity2
Synthex22
PowerBad2
SynSitar2
EthnicGtr2
SynSham
TrpClarin
SaxTrumpt
BrassEns2
FiddleBell2
VoiceSpect
Appendix A1
Bk 1 (Rom)
PERCUSSIVE group
112
TinkleBell2
113
Agogo
114
SteelDrums2
115
Woodblock
116
Taiko
117
Melo.Tom1
118
SynthDrum
119
ReverseCym
SFX group
120
GtFretNois
121
BreathNois
122
Seashore2
123
Bird
124
Telephone1
125
Helicopter2
126
Applause
127
GunShot
=
=
=
=
Bk 2 (Rom)
Bk 3 (Rom)
Dk_Stand.1D
Dk_RoomD
Dk_PowerD
Dk_Elect.D
Dk_HouseD
Dk_Jazz1D
Dk_BrushD
Dk_OrchD
Dk_Stand.2D
Dk_WSD
Dk_Std.1WXD
Dk_DanceD
Dk_TechnoD
Dk_Jazz2D
Dk_M1D
Dk_SY77D
Gtr.WhaWha
Zapp
TickTack
Scratch1
Telephone2
SynPerc32
HeartBeat
Explosion2
GtrNoise
KeyClick
Drop
Water
Door
Clackson2
PickScrape
Bomb
Bk 5 (SMP - RAM)
Single
Layer
Switch
Drumkit
A2 Appendix
User Styles
ROM STYLES
CC00 CC32 PC
CC00 CC32 PC
32
32
44
00
00-95 Style
8 BEAT
00
00-95 Style
00
96-103
JAZZ
96
User Style 1
00
8BtSTAND
48
SWING
97
User Style 2
01
8BtBALLAD
49
MID SWING
98
User Style 3
02
8BtFOLK
50
SLOW SWING
99
User Style 4
03
8BtHIT
51
BIG BAND 1
100
User Style 5
04
8BtMEDIUM
52
BIG BAND 2
101
User Style 6
05
8BtFUNKY
53
DIXIELAND
102
User Style 7
06
8BtMODERN
54
BROADWAY
103
User Style 8
07
8BtSWING
55
FOXTROT
08
16BtSTAND
56
BLUES
09
16BtBALLAD
57
SLOW BLUES
62
10
16BtFOLK
58
GOSPEL
104
Song Style 1
11
16BtPOP
59
WESTERN
105
Song Style 2
12
16BtFUNKY
60
R&B
106
Song Style 3
13
16BtHIT
61
BLUE GRASS
107
Song Style 4
14
16BtMEDIUM
62
COUNTRY
108
Song Style 5
15
16BtSWING
63
MARCH USA
109
Song Style 6
110
Song Style 7
16 BEAT
U.S. TRAD
ROCK
Song Styles
00
TRAD 1
104-110
16
HARDROCK
64
SLOW WALZ
17
SLOWROCK1
65
WIENER W
18
SLOWROCK2
66
FRENCH W
19
6/8BALLAD
67
ROMAGNA
56
20
BOOGIEW
68
MAZURKA
111
Song 1
21
ROCKn ROLL
69
POLKA
112
Song 2
22
SHUFFLE 1
70
BOEHMISH
113
Song 3
23
SHUFFLE 2
71
ITALY MARCH
114
Song 4
115
Song 5
FUNK
Songs
00
TRAD 2
111-117
24
FUNKY FUN
72
PASO DOBLE
116
Song 6
25
FUNKY ELECT
73
GERM POLKA
117
Song 7
26
FUNKY POP
74
TARANTELLA
27
FUNKY STAND
75
BAJON
28
ACID FUNK
76
HULLY GULLY
29
FUNKY BEAT
77
TWIST
48
30
FUNKY SOUL
78
CHARLESTON
31
FUNKY SWING
79
REGGAE
32
HEAVY DANCE
80
BOSSA
33
DISCO HIT
81
SOFT BOSSA
34
PIANO DANCE
82
SAMBA
35
DOWN BEAT
83
DISCO SAMBA
36
FAST DANCE
84
37
DISCO FUN
85
TANGO
38
PULSIN
86
RHUMBA
39
HOUSE
87
BEGUINE
MAMBO
DANCE1
Performances
00
00-62
00-62
Performance 1-63
LATIN 1
DANCE2
LATIN 2
40
TECNO MEREN
88
41
70 DISCO
89
SALSA
42
DIGITAL
90
MERENGUE
43
CLASSIC DISCO
91
MENEAITO
44
BAKER POP
92
GIPSY
45
RAP
93
FAST RHUMBA
46
EURO POP
94
CUMBIA
47
PARTY POP
95
CALYPSO
Appendix A3
Reverb table
Chorus table
Reverb
Chorus
CC16 - vv (vv=0)
CC16 - vv (vv=64)
01
Hall 2
01
Mono Delay 2
02
Hall 3
08
Stereo Delay 1
08
Warm Hall
09
Stereo Delay 2
09
Long Hall
16
Multitap Delay 1
10
Stereo Concert
17
Multitap Delay 2
16
Chamber
24
Ping-pong
32
Studio Room 1
25
Panmix
40
Studio Room 2
28
Dubbing
41
Studio Room 3
32
Chorus 1
48
Club Room 1
33
Chorus 2
56
Club Room 2
36
ChorusDelay 1
57
Club Room 3
37
ChorusDelay 2
64
Vocal
40
Ensemble 1
65
Metal Vocal
41
Ensemble 2
72
Plate 1
48
Phaser 1
73
Plate 2
49
Phaser 2
80
Church
56
Flanger 1
88
Mountains
57
Flanger 2
89
Falling
60
FlangerDelay 1
104
Early 1
61
FlangerDelay 2
105
Early 2
96
Rotary
A4 Appendix
DRUMKIT TABLES
25
26
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
DK_STAND1 113-2
ROLLSNARE
FINGERSNAP
ZAPP
GunShot
SCRATCH2
SCRATCH1
STICK
SQCLICK
HOUSERIM
MUTBELL
BDSTD2
BDSTD1
RIMSHOT1
SDSTD1
HOUSECLAP
SDSTD4
TOMLOW
HHCLO1S
TOMLOW
HHPEDAL
TOMLOW
HHOPEN2
TOMLOW
TOMHIGH
CRASH
TOMHIGH
RIDECYM
CHINA
RIDECUP
TAMBSLP
SPLASH
COWBELL
CRASH
VIBRASLAP
RIDECYM
CONGASLAP
BONGOLOW
CONGAHSLAP
CONGAHIGH
CONGALOW
TIMBALES
TIMBLOW
AGOGO
AGOGO
CABASA
MARACAS
WHISTLE
WHISTLE
GUIROSHORT
GUIROLONG
CLAVES
WOODBLOCK
WOODBLOCK
QUICAHIGH
QUICALOW
TRIANSHORT
TRIANLONG
SHAKER
JINGLEBELL
WINDCHIMES
CASTANETS
MTSURDO
OPSURDO
DK_ROOM 114-2
<
<
<
<
<
<
<
<
<
<
BDROOM1
BDROOM1
<
SDROOM1
<
SDROOM2
TOMROOM
HHTGHT1
TOMROOM
<
TOMROOM
<
TOMROOM
TOMROOM
<
TOMROOM
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
DK_POWER 115-2
<
<
<
<
<
<
<
<
<
<
BDELECT1
BDROOM1
<
SDROOM2
<
SDSTD3
<
HHTGHT1
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
DK_ELECT. 116-2
<
<
<
<
<
<
<
<
<
<
BDELECT1
BDELECT1
<
SDELECT
<
SDROOM1
TOMELEC
<
TOMELEC
<
TOMELEC
HHOPEN1
TOMELEC
TOMELEC
<
TOMELEC
<
ReverseCym
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
DK_HOUSE 117-2
<
<
<
<
<
<
<
<
<
<
BDHOUSE2
BDHOUSE
HOUSERIM
<
<
HOUSESD2
HOUSETCON
HOUSEHH
HOUSETCON
HOUSEHH
HOUSETCON
HOUSERIDE
HOUSETCON
HOUSETCON
HOUSERIDE
HOUSETCON
<
<
<
<
<
HOUSECOWB
<
<
<
<
<
HOUSETCON
HOUSETCON
HOUSETCON
<
<
<
<
<
VOXHHCL
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
DK_JAZZ 118-2
<
<
<
<
<
<
<
<
<
<
<
BDJAZZ
<
SDJAZZ3
<
SDSTD3
TOMJAZZ
HHTGHT1
TOMJAZZ
<
TOMJAZZ
HHOPEN1
TOMJAZZ
TOMJAZZ
<
TOMJAZZ
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
HIGH Q
SLAP
SCRATCH PUSH
SCRATCH PULL
STICKS
SQUARE CLICK
METRO CLICK
METRO BELL
GUIT FRET N
GUIT CUT N UP
GUIT CUT N DW
STRING SLAP
FL.KEY CLICK
LAUGHING
SCREAMIN
PUNCH
HEART BT
FOOTSTEP1
FOOTSTEP2
APPLAUSE
DOOR CRAK
DOOR
SCRATCH
WIND CHIMES
CAR-ENGINE
CAR-STOP
CAR-PASS
CAR-CRASH
SIREN
TRAIN
JETPLANE
HELICOPTER
STARSHIP
GUN SHOT
MACHINE GUN
LASER GUN
EXPLOSION
DOG
HORSE
BIRDS
RAIN
THUNDER
WIND
SEASHORE
STREAM
BUBBLE
89
90
91
92
93
94
95
C7 96
97
98
99
100
101
102
103
104
105
106
107
C8 108
Appendix A5
Drumkit tables
DK_BRUSH 119-2
<
<
<
<
<
<
<
<
<
<
<
BDJAZZ
<
BRUSHTAP
BRUSHSLP
BRUSREV
TOMBRUSH
HHTGHT1
TOMBRUSH
<
TOMBRUSH
<
TOMBRUSH
TOMBRUSH
<
TOMBRUSH
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
25
26
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
DK_ORCH. 120-2
<
<
HHTGHT1
HHPEDAL
HHOPEN2
RIDECYM
<
<
<
<
BDSTD3
BDORCH
<
SDORCH
CASTANETS
SDORCH
TIMPANI
TIMPANI
TIMPANI
TIMPANI
TIMPANI
TIMPANI
TIMPANI
TIMPANI
TIMPANI
TIMPANI
TIMPANI
TIMPANI
TIMPANI
<
<
<
<
<
CRASHORCH
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
Applause
89
DK_STAND.2 113-3
<
<
<
<
<
<
<
<
<
<
BDSTD3
<
<
SDSTD4
<
SDSTD3
<
HHCLO2
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
DK_WS 114-3
BDPOWER
SDELECT
SDROOM2
SDSTD3
TOMHIGH
TOMHIGH
CABASA
<
TAMBSLP
<
COWBELL
RIMSHOT2
BDJAZZ
BRUSRIG
DYNSDJAZZ
BRUSHTAP
TOMJAZZ
TOMJAZZ
HHCLO1S
TOMJAZZ
HHPEDAL
WOODBLOCK
HHOPEN2
HOUSCLAP
BDSTD1
RIDECYM
SDSTD1
RIDECUP
TOMROOM
TOMROOM
SPLASH
TOMROOM
CRASH
VIBRASLAP
CHINA
FINGERSNAP
BONGOLOW
BONGOLOW
CONGASLAP
CONGAHIGH
CONGALOW
GUIROLONG
QUICALOW
TIMBALES
TIMBALES
AGOGO
TRIANLONG
WHISTLE
BDHOUSE1
NOISEPERC
HOUSSD1
VOICES1
VOICES 3
VOICES2
VOXHHCL
VOICES2
VOXHHCL
VOXTIP
VOXTAP
CLAKSON
DOLLYVOX
TAMBSLP
ROLLSNARE
SDORCH
HHCLO1S
CLAVES
CONGALOW
QUICAHIGH
AGOGO
STICK
STICK
STICK
STICK
90
91
92
93
94
95
C7 96
97
98
99
100
101
102
103
104
105
106
107
C8 108
A6 Appendix
Drumkit tables
25
26
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
DK_TECHNO 117-3
<
<
<
<
<
<
<
<
<
BDTEKNO
BDJAZZ
HOUSERIM
HOUSSD1
<
HOUSESD2
HOUSETCON
HHCLO2
HOUSETCON
HHTGHT1
HOUSETCON
HOUSERIDE
HOUSETCON
HOUSETCON
HHOPEN2
HOUSETCON
ReverseCym
<
<
<
<
HOUSECOWB
<
<
<
<
<
HOUSETCON
HOUSETCON
HOUSETCON
DYNSDJAZZ
SDJAZZ2
<
<
<
VOXHHCL
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
89
90
91
92
93
94
95
C7 96
97
DK_JAZZ2 118-3
<
<
<
<
<
<
<
<
<
<
<
BDJAZZ
RIMSHOT2
SDJAZZ3
<
DYNSDJAZZ
TOMJAZZ
HHTGHT1
TOMJAZZ
<
TOMJAZZ
HHOPEN1
TOMJAZZ
TOMJAZZ
<
TOMJAZZ
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
DK_M1 119-3
DK_SY77. 120-3
<
BDROOM1
BDELECT1
BDHOUSE1
BDPOWER
SDSTD1
SDORCH
SDSTD3
HOUSSD1
SDROOM2
RIMSHOT1
SDROOM2
TOMLOW
TOMROOM
TOMLOW
TOMROOM
TOMHIGH
HHCLO1S
HOUSEHH
HHPEDAL
HOUSERIDE
HHOPEN2
TAMBOURINE
HOUSEHH
CRASH
CHINA
RIDECYM
RIDECUP
CABASA
VOXHHCL
HOUSCLAP
BONGOLOW
BONGOLOW
DARBKLOW
DARBKHIGH
CONGALOW
CONGAHIGH
TIMBALES
TRIANSHORT
TIMBALES
TRIANLONG
NOISEPERC
NOISEPERC
DOOR
NOISEPERC
SDSTD2
ROLLSNARE
SDSTD3
BDSTD2
BDROOM1
BDELECT1
BDPOWER
TOMLOW
TOMLOW
TOMHIGH
TOMHIGH
BDHOUSE1
BDSTD2
SDSTD1
TOMROOM
TOMROOM
SDSTD3
TOMROOM
RIMSHOT1
SDELECT
TOMROOM
HOUSECLAP
COWBELL
CABASA
HHCLO1S
TAMBOURINE
HHOPEN2
CRASH
ROLLSNARE
RIDECYM
RIDECUP
TubularBel
TubularBel
TubularBel
KITCHEN
KITCHEN
DARBKLOW
DARBKHIGH
BreathNois
BreathNois
VIBRASLAP
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
VOICES1
98
99
100
101
102
103
104
105
106
107
C8 108
Appendix A7
Cm
1. C
9. Cm
17. Cb5
C6
Cm6
10. Cm6
2. C6
Cm7
11. Cm7
Cm7b5
4. CM7b5
12. Cm7b5
Cadd9
22. C7b9
15. CmM7
Caug
16. Cdim
23. C7aug
Csus4
24. Csus4
C7aug
Cdim
8. Caug
C7b9
CmM7
7. C69
21. C79
14. Cm9
C69
C79
Cm9
6. CM79
20. C7b5
13. Cmadd9
CM79
C7b5
Cmadd9
5. Cadd9
C7sus4
19. C7sus4
CM7b5
A8 Appendix
C7
18. C7
CM7
3. CM
Cb5
Note
Number
Velocity
After
Touch
Pit/Mod
Control
Change
Program
Change
System Exclusive
System
Common
System
Real Time
Aux
Messages
Notes
Default
Changed
Default
Messages
Altered
True voice
Note ON
Note OFF
Keys
Chs
Model: WK2
Transmitted
1-16
1-16
Mode 3
X
*****
0-127
*****
o
o
x
x
o
0,32
Bank change
4
Foot controller
6,38
Data Entry
7
Volume
10
Pan
11
Expression Contr.
18,50
Oriental control
64
Damper Pedal
66
Sustain
67
Soft pedal
91
Reverb depth
93
Chorus depth
98-99
NRPN
100,101 RPN
Version: 1.00
Recognised
1-16
1-16
Mode 3
X
X
0-127
0-127
0-127
*****
o
Song Position
x
Song Select
x
Tune
x
Clock
o
Commands
o
Active sensing
o
All Suond Off
o
Reset All Contr.
o
Local ON OFF
o
All Note Off
o
These messages travel on the Common channel only
Remarks
1 MIDI IN; 1 THRU; OUT
EXTRA COMMON/CHORD CH.
o
o
x
o
o
0,32
Bank change
1
Modulation
4
Foot controller
6,38
Data Entry
7
Volume
10
Pan
11
Expression Controller
16,48 Effects selection
18,50 Oriental control
64
Damper Pedal
66
Sustain
67
Soft pedal
72
Attack time
73
Release time
74
Filter 1 cut-off freq.
91
Reverb depth
93
Chorus depth
98,99
NRPN
100,101 RPN
Cntrl 50 (ONE SHOT):
0
Fill Equal-Plus-Minus
8
Intro
16
End
24-27 Variations 1-2-3-4
40
Key start
59
Fade
61
Rotary slow/fast
66,67 Tempo inc. dec.
68,69 Performance inc. dec.
Bank
P.change
32-43
44-47
48-55
56-61
62
0-95
0-15
0-63
0-6
0-6
Internal styles.
Prog.Styles
Real time Perf.
Songs
Song Styles
Cntrl 51
ON [0,63] OFF[64,127]
0
Fill Equal-Plus-Minus
8
Intro
16
End
32
Harmony
33
Arrange
37
Arrange Memory
38
Lower Memory
40
Key start
48
Single touch play
49
Style Lock
51
Tempo Lock
59,60
Fade in-out
61
Rotary (OFF=slow)
0-127
True number
o
x
x
x
o
o
o
o
o
o
o
Start, Stop
Continue
o: YES x: NO
Appendix A9
Bank change.
CC01
Modulation.
CC06,38
Data Entry.
CC07
Main Volume.
CC10
Pan (panorama).
CC11
Expression.
CC16,48
Effects selection
CC17,49
Effects volume
CC18,50
CC32
BankSelect LSB.
CC64
Damper pedal.
CC66
CC67
Soft pedal.
CC71
Resonance.
CC72
Release Time.
CC73
Attack Time.
CC74
CC80
CC81
On/Off control
CC91
CC93
CC98,99
NRPN
CC100-101 RPN
A10 Appendix
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