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lrng & McQurde

CelebrationSeries
PERSPECTIVES'

Acknowledgements

of Musicwlshes
ScritJP16P'rh?s'The RovalConservatory
For their dedicatedeilorts In the creatronoI C'1l6rdtioh
and formerfacult!memberwith The
to thankcompilerscarolvnloneslsenroreramrnelfor RCMExamrnations
and facultvmember
Emeritusfor RCMExaminations
ol MusrclAastaLeveneiChrefExaminer
RoyalConsewatory
of
professor-UnivelSitv
assocrate
ot Music).and AndrewMarkowla.iiunct
emerituswith The Royalconservatory
wlth
examlner
and
seniol
of Music
School The RovalConseh-atorv
ioronto facultvmemberof the ClennGoLrld
RCMExamrnatlonsl
InadditionTheRoyalConserualoryolMuslcacknow|edeestheinvaluablea.jviceandsUggestlonsofre\riewelsReid
WdlkerDiannewernerDalewheelerand MirrcWidrrer
CorlevArneSahlenMargaret
Rebecca
Alexdrrder

fealurthiny one worksof art that spanthe Eutlrpean'rnd North


sprirsP.rspr,.trlPsi
Thecoversof cdl.6rdridn
ploiectis to nurturea broadjnterestin the
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carefui!ychosenand oleanlzdbr"
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presentsa commonlnemeIrorr d
levelso that achbook lRPr.rtotlSt!,rt's/ Elu/t'j and St(d&rlworftod*l
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art from
a rich colleclionof hisloncal modern and contemporary
The Art Calleryof Ont.rriopossesses
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excellentstartingpoint rsthe Galler!s websilewwwagonet
RobedFoneslCanadianb 19491
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Art Calleryof Ontario Toronto
PrceIam
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with financial
Purchased
ol the E WallaceFund 2002
andwith the assrslance
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ofthesestruclural
andhlsinvesljgaiion
andfepresentation
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Insysterns
RobertFonsis intrested
of visual
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painting.and sculptLrre
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culture.industridlconveniion.
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Attention
book to contrlbureto theil livelihood
Composrsauthors and publishersrely on revenuefrom salesof this
FoIlhis reasonthe
of theirduecompensation
the creators
deprives
the contentsof thispublication
Phot;copyine
ofthe lawafddo not photocopv
followtherntention
law Please
Dycopyright
is protcteo
materialinth is publication
mayleadto prosecution
of the publisher
of anvpartof thisbookwithoutthe permission
neproduction
of canada throuchthe Book PublishineIndustrv
th financialsupportof the Government
we acknowledge
dctivrtres
for our publishing
PlogfamIBPIDP)
Development
The FrederickHatrisMusicCo Limited
Road.Unit I
5865N{cLaughlin
Ontario
Mississauga.
L5Rl88 Canada
( 9 0 )5t 0 l - 1 5 9 t
com
wwwfredelickharrismusrc

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Celebration SeriesPerspectives@
The RoyalConservatory
of Music is pleasedto presentCelerrdtion
SeiesPerspectivesa
the iourth edition of
'fhe
this renownedpianoseries
Celebraliok
S?ridso
wasfirst publishedin ,987to internationalacclaim.
(2001) in particular
Subsequenteditions havebuilt on this success:Celebrulion
Seies@,
ThePianoOdgsseq1
tappedinto the wealthof new repertoireavailableat the dawnof the new millennium,and took into
accountthe changinginterestsand needsof teachers.This achievement
was recognized
when The
Frederick
HarrisMusicCo.,Limitedreceivedthe 2007MTNA-Frances
ClarkKeyboardPedagogy
Award
fot the Celebration
Se.leso
.
Celebrution
SeiesPersp?ctiy?so
is breathtakingin its scope,presentinga kaleidoscopicoverviewof keyboard
music from the last four centuries The graded PiairoRepertoire
b,ooksencompassearly elementaryto
(Preparatory
earlyintermediate
levels
to 4): intermediate
to late intermediate
levels(5 to 7)j and early
advanced
to advanced
levels(8 to l0). The repertoire
comprises
a carefullyselectedgroupingof pieces
from the Baroque,Classical,Romantic,20th-.a\d 2lst-centurystyle periods PianoStudies
/Etudes
bookspresentcompositions
especially
suitedfor buildingthe techniqueand musicalityrelevantto the
repertoireof each level.SludenlWorkbools
and the correspondingAtlsrrer
Book(Preparatoryto 8J aswell
as the outstandingrecordings
of the entireseries,areavailableto assistin the studyand enjoymentof
the music.fn addition,the comprehensive
pedagogical
Handbook
resource.
forTuchesis an invaluable

A Note on Edidrg and Performance Practice


Most Baroqueand earlyClassical
composerswrotetew dynamics,articula[ion.or other performance
indicationsin their scores.Interpretation
was left up to the performer,
with the expectation
that the
performance
practicewas understood.
Eveninto the lgth century,composersscorescouldvaryfrom
copy to copy or edition to edition. The edrtos of CelebruIion
SeiesPe6pe.tives@
have consulted original
sourceswhereverpossibleand havekepteditorialadditionsto a minimum.
Metronomemarkingsincludea rangeto assistthe studentand teacherin arrivingat a suitabletempo
for eachpiece.Editorialmarkings,
includingfingeringand the executionof ornaments,
are intendedto
be helpiulratherthan definitive.
Thiseditionfollowsthe policythat the bar line cancelsaccidentals.
In accordance
with currentpractice,
cautionary
accidentals
areaddedonly in casesof possibleambiguity
Studentsand teachersshould referto the companionguides-the Student
Warhboohs
and the Handboak
Teaches-tot
fltther
pedagogical
discussion
of
style
and
elements.Forexamination
requirements
of
for
The RoyalConservatory
of Musicand the NationalMusicCertificate
Programpleasereferto the pia,lo
Sallab
us,2008Ed,itio
n.
Dr. Tish Sauerbrei
Editor-in-Chief

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Air in D Minor
HWV 461
George Frederic Handel
(168s 1759)

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Left-hand notes may be played detached.

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March in D Major
BIAIVAnh. 122

a =r32-114

Most quarter notes may b played detached.


Sorvce:Notenbw:hder A na Magdalet,rEndt (1725J

Carl Philipp Emanuel Bach


(17141788)

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William Babell
(1690 1723)

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oD.4, no. 8

Samuel Wesley
(1766 1837)
Vivace rJ = 96 - 108

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op. 36, ^o. 2
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(17s2-1832)

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Sonatinain F Major
op. 168,no. 1

Anton Diabelli
(1781-1858)

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Erkki Melartin
(1875 1937)

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Dancing on the Green

Cornelius Gurttt
(1820-1901)
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Original title: "Tenzchen im Freien"


So:.nce:Der elste Vortrag, op.270

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Anne Crosby
(b. 1968)
DelicatelyJ =69-76

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Soruce:In theMernnid s Ca en
O Copyright 2002The Frederick Harris Music Co., Limited, MississauSa,Ontario, Canada

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Nocfurne
Paul Sheftel
(b. 1933)
Slowly ) = 4 4 - 4 s
5

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Sotrce: lnterludes:MoodStudiesfor Piano


@Copyright 1975Carl Fischer,Inc., New York. AI rithts rcserved.Intemational coplright secued.
ReDrintedbv Dermission.

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26

Play It Again
Christopher Norton
(b. 1953)

Steadily .l = 120- 126


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'uJce,TheMicrojazz Collextion 2
O Copy ght 1997Boosey& Hawkes Music PublishersLtd. Reprinted by permission.

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Children's Game

B6IaBart6k
(1881-1945

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SouJ.et For Children, vol. 7


o Copyright 1947 Boosey & Hawkes Music Publishers Ltd. Reprinted by permission.

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Mdlodie
Alexandre Tansman
('1897-1986)

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Source:tJn s'amuseau piano,livre 1


@ Copyright 1960Universal Music Corp. Cop',right renewed.This arrangementcopyright @2007Universal
Music Corp- All rights reseffed. Reprinted by permission.

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Monkeys in the Tree

Boris Brlin
(1907,2001
Lively rl = 112- 120
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SovlJjcetMeet Ctnaclian Composersat the Piano


@Copyright (Renewed)Gordon V. Thompson Music. Exclusiveprint rights controlled by Alfred Publishing Co., Inc.
All rights reserved.Reprinted by permission of Alfred PublishinSCo.,Inc.

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Huppy Meeting
op-119,no. 15
Alexandr T. Grechaninov
(18&-1956)
Moderato, ma pocoagit^b ) =6-72

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l_2

Sow|JJce,
Crc dfathel's
Albuti, op.1l9 (1929)
O Copynght1924S.hott Music.Copyrightrenewed.All rightsreserved-Reprintedby permissionof European
AmericanMusic DstributorsLLC,soleUSand Canadianagentfor SchottMusic.

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Changing Bars
IstviinSzeldnyi
(1904't972
Molto allegro
l

f, energico
I

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ft

Sornce: Vierzig kleine Klarierct ckefiir Anfiinger II


O Copyright 1957Editio Musica Budapest.Reprinted by permission.

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38

Barcarole
David Duke
(b. 1950)
Slowly . D = r o s - r r e

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Soul.e: Music ol Our Tim(,book 4
O Copyright 1977Waterloo Music Company Limited, Waterloo, Ontario, Canada.Reprinted by permission.

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Chastushka
op. 89,no. 25
Dmitri Kabalevsky
('1904-'1987
)
Scherzando) = ll2-

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A,chastushka
is a naditional Russianform of rhlmed verse,usualy four lines long, often havint political or
humorouscontent,
Sowce:Children's
Adtunturcs,op.89
Permissionto reprint granted by G. Schirmer,Inc. (ArcA9; k Chant du Monde; and Moscow Music
PublisherFHarmonv for their resDectiveterritories.

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