The GREATWE MuUSiG COMPOSITION remlbiscenr ef a Talk dhsemmenc The chords -are to ‘be perorned by stroll rhe scritigs aicrass:ih bor clineericins ineclicaned by rhe arrows pointing up anddown. The rhythm ofthe chords echoes che accelvesi ata gesture of checellé’ In bars BQ 82. The-texrure Here ie sineifar i chee of the Mogarr rria [see Example 7.2), avich rheprincipal cheme being, givenco thecello; and che viola playlig the bassline, Ac:bar 99, vialin Teoritinues the rrelody, which firmeacancnwirh che celloeneryarbar 104. The ransirion, beginning arbart)5, to che recapirularion consists éfan*ironed out” version of the darned “martial” heme, being curtied Ingo e-four none: sixeench: note figures This is piled-ap from bectorn ca. topy so rhar ir evenraally appears. stmulpaneeusly in. fear keys: Are fella}, sharp th (wicta}, Dr [eiotin TH), atid Ben [willy 7) The AS neapiralacion fallaws che evenre oF Al in che sare order, borwirh everyching altered In corre tespece Thie firse midtlve [rhe dor. ced “niarrial? tenielwas-firer preserined byechecelloand violin T plavitig nwo ocraves aparn and ourlinimg the chord of F sharp, Mi Tn the space bervten yialln land che viola answered ih canon, playlig one ce rave apart Tn che hecaplinlarion, keginning’in ‘bar 122th cella-and yialin Ti play che same Feharp Mi docoed the mie, bur chie ritie- in double scape, fallyarciculacingeach mejorchand In parallelfour perc harriony’ Thus, we hear-asuecesstori of parallel major chords: F sharp Mi; & sharp M, Csharp Ml, BM er, (Helpfiilly, rhe srrings required ca play rhe double stops are Indicated In the violin Th pare Usirig Reman nutrerals, rhe srrivige-are numberad'frort che cop E <7, 4-0 =I, = Wa The 'ahawerié mide ber che vidla playing in ocrave double srops, above which-fiears violin T pleying che dered :cherie-in harmonics, Cowld Bardk have-had in mine esaldier whiseling ayauncy cone? Bandk-used aspects af rhe terval syseern Ina reweaway. Th this respect, he fad ae infuence of tany coripesers of differshr naricnalleies, incloding che English eoripeser Elizabech Wiaconchy. Her thirteen srring quarters delinear a litecime ofcreative curpur: She described her approach qouwriing for rhe sering quarcect [E]ec (hese ipo oehom magica atintellectas) air, abel nod atid a= aoned siaterrent of odes, an rapes aTRSTTEN, Sn mater er chgerphned expreston' oF emotion’ — rhe ahrmg: qaartet 2 perhape Themes tzans lying mediam ofall (4)