UNIVERSIDADE DO VALE DO RIO DOS SINOS

IDENTIFICAO
Programa de Ps-Graduao em Cincias da Comunicao
Disciplina: Seminrio Intensivo II da LP1 - Arqueologia nas Mdias
Semestre: 2015/1
Carga horria: 30h
Crditos: 2
rea temtica:
Cdigo da disciplina: MS13001-00080 e DT13001-00075
Requisitos de matrcula:
Professores: Dr. Gustavo Daudt Fischer e Dr. Joo Ladeira

EMENTA
Os seminrios configuram-se

como espao

de reflexo

sobre

temticas

desenvolvidas nas pesquisas de professores do PPG e podem ser oferecidos com

foco na rea de Concentrao ou com especificidades das Linhas de Pesquisa.

CONTEDO PROGRAMTICO
Arqueologia da mdia: teoria/mtodo/disciplina [?] pensar a tecnocultura
Arqueologia em Foucault
Histria em Benjamin
O Cinema, o olhar e os sentidos: new film theory
Software studies
Telas e interfaces
Tempo profundo e Entreatos em Zielinski
Arquivo
Kittler e as mdias

BIBLIOGRAFIA BSICA (at 10 obras)

BIBLIOGRAFIA COMPLEMENTAR

Av. Unisinos, 950 Caixa Postal 275

Fone: (51) 3590 8476

CEP 93022-000 So Leopoldo Rio Grande do Sul

Fax: (51) 3590 8486 http://www.unisinos.br

Brasil

UNIVERSIDADE DO VALE DO RIO DOS SINOS

CRONOGRAMA
Aula
1

Data Tema

Leituras

16/03 Arqueologia da mdia:

Obrigatria:
SHAW, D. B. Introduction: Technology
And Social Realities. In: Technoculture:
The Key Concepts. Oxford: Bloomsbury
Academic, 2008

teoria/mtodo/discipli
na [?] pensar a
tecnocultura

ERKKI, Huhtamo; PARIKKA, Jussi. An

archaeology of media archaeology. In:
ERKKI, Huhtamo; PARIKKA, Jussi (Orgs).
Media archaeology. Media archaeology:
approaches, applications and implications.
Berkeley and Los Angeles, California:
University of California Press, 2011. (p. 121)
Opcional:
FELINTO, Erick. Em busca do tempo
perdido. O sequestro da histria na
cibercultura e os desafios da teoria da
mdia. In: Matrizes MATRIZes, Vol. 4, No 2
(2011).
Disponvel em:
http://www.matrizes.usp.br/index.php/matri
zes/article/view/63 Acesso maro/2015

23/3 Arqueologia em
Foucault

Obrigatria:
SHERIDAN, A. Archeological theory of
knowledge. In: Michel Foucault the will to
truth. London; New York: Tavistock, 1990.
Opcional:
DREYFUS, H.; RABINOW, P. Michel
Foucault: Beyond Structuralism and
Hermeneutics. Chicago: University of
Chicago Press, 1983, c. 3 Towards a theory
of discursive practice
FOUCAULT, M. A arqueologia do saber.
Rio de Janeiro: Forense Universitria, 1969;
Formao dos objetos; Definir o enunciado,
p. 89-99; A funo enunciativa, p. 99-120;
A descrio dos enunciados, p. 120-134

Av. Unisinos, 950 Caixa Postal 275

Fone: (51) 3590 8476

CEP 93022-000 So Leopoldo Rio Grande do Sul

Fax: (51) 3590 8486 http://www.unisinos.br

Brasil

UNIVERSIDADE DO VALE DO RIO DOS SINOS

30/3 Histria em Benjamin

Obrigatria
GAGNEBIN, J. M. Origem, original,
traduo. In: Histria e narrao em
Walter Benjamin. So Paulo: Perspectiva,
1994.
Opcional:
BUCK-MORSS, S. Origen de la dialctica
negativa. Mxico: Sieglo Veintiuno, 1973;
p. 102-139

6/4 O Cinema, o olhar e os

sentidos: new film
theory

Obrigatrias:
ELSAESSER, T.; HAGENER, M. Film
Theory: An Introduction Through the
Senses. London: Routledge, 2009. C. 7,
Cinema as brain - mind and body, p. 149169
CRARY, J. Techniques of the Observer:
On Vision and Modernity in the
Nineteenth Century. Cambridge: The MIT
Press, 1992. C. 4, Techniques of the
observer, p. 97-136

13/4 Software studies

Obrigatrias
FULLER, MATTHEW. Behind the Blip:
Software as Culture (Some Routes
into
Software Criticism, More Ways Out)
In: Behind the blip: Essays on the culture of
software. Autonomedia, 2003.

27/4 Telas e interfaces

CHUN, WENDY. Always already there, or

software as memory. In: Programmed
Visions. MIT Press, 2011.
Obrigatrias:
STRAUVEN, W. The observers dilemma: To
touch or not to touch. In: HUHTAMO, E.;
PARIKKA, J. (Eds.). . Media Archaeology:
Approaches, Applications, and
Implications. Berkeley: University of
California Press, 2011. p. 148163.
HUHTAMO, Erkki. Elements of

Av. Unisinos, 950 Caixa Postal 275

Fone: (51) 3590 8476

CEP 93022-000 So Leopoldo Rio Grande do Sul

Fax: (51) 3590 8486 http://www.unisinos.br

Brasil

UNIVERSIDADE DO VALE DO RIO DOS SINOS

Screenology. Screens. 9th International

Media Art Biennale WRO, v. 1, 2001.
Disponvel em:
http://gebseng.com/media_archeology/rea
ding_materials/Erkki_HuhtamoElements_of_Screenology.pdf Acesso
Maro/2015
Opcional:
GALLOWAY, A. R. The unworkable interface.
The Interface Effect. Cambridge: Polity,
2012. p. 25-53.
7

4/5 Tempo profundo e

entreatos em Zielinski

ZIELINSKI, S. No longer cinema, no

longer television. In: Audiovisions:
Cinema and Television as Entractes in
History. Amsterdam: Amsterdam University
Press, 1999.
ZIELINSKI, S. Deep time of the media:
toward an archaeology of hearing and
seeing by technical means. Cambridge,
Mass.: MIT Press, 2006.
(trecho a ser definido)

11/5 Arquivo

Obrigatrias:
DERRIDA, Jacques. Mal de arquivo: uma
impresso freudiana. Rio de Janeiro:
Relume Dumar, 2001.
(trecho a ser definido)
ERNST, Wolfgang. Discontinuites. Does
the archive become metaphorical in
multimedia space? In: Ernst, Wolfgang.
Digital memory and the archive. Ed. Jussi
Parikka. Minneapolis-London: University of
Minnesota Press, 2013.. P. 113-140.

18/5 Kittler e as mdias

Obrigatrias:
KITTLER, F. A. Gramophone, Film,
Typewriter. Redwood City: Stanford
University Press, 1999. Introduction, p. 120
WINTHROP-YOUNG, G. Kittler and the
Media. Cambridge: Polity, 2011; p. 52-82
Opcional:
KITTLER, F. A. Discourse Networks
1800/1900. Redwood City: Stanford
University Press, 1990.

Av. Unisinos, 950 Caixa Postal 275

Fone: (51) 3590 8476

CEP 93022-000 So Leopoldo Rio Grande do Sul

Fax: (51) 3590 8486 http://www.unisinos.br

Brasil

UNIVERSIDADE DO VALE DO RIO DOS SINOS

10

25/5 Apresentao de
resumos

Textos dos alunos.

BIBLIOGRAFIA OBRIGATRIA

CHUN, WENDY. Always already there, or software as memory. In: Programmed Visions.
MIT Press, 2011.
CRARY, J. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century.
Cambridge: The MIT Press, 1992. C. 4, Techniques of the observer, p. 97-136
DERRIDA, Jacques. Mal de arquivo: uma impresso freudiana. Rio de Janeiro: Relume
Dumar, 2001.
FULLER, MATTHEW. Behind the Blip: Software as Culture (Some Routes into Software
Criticism, More Ways Out) In: Behind the blip: Essays on the culture of software.
Autonomedia, 2003.
GAGNEBIN, J. M. Origem, original, traduo. In: Histria e narrao em Walter Benjamin.
So Paulo: Perspectiva, 1994.
HUHTAMO, Erkki. Elements of Screenology. Screens. 9th International Media Art Biennale
WRO, v. 1, 2001.
KITTLER, F. A. Gramophone, Film, Typewriter. Redwood City: Stanford University Press,
1999. Introduction, p. 1-20
SHAW, D. B. Introduction: Technology And Social Realities. In: Technoculture: The Key
Concepts. Oxford: Bloomsbury Academic, 2008
SHERIDAN, A. Archeological theory of knowledge. In: Michel Foucault the will to truth.
London; New York: Tavistock, 1990.
WINTHROP-YOUNG, G. Kittler and the Media. Cambridge: Polity, 2011; p. 52-82
BIBLIOGRAFIA OPCIONAL

BUCK-MORSS, S. Origen de la dialctica negativa. Mxico: Sieglo Veintiuno, 1973; p. 102139

DREYFUS, H.; RABINOW, P. Michel Foucault: Beyond Structuralism and Hermeneutics.
Chicago: University of Chicago Press, 1983, c. 3 Towards a theory of discursive practice
ELSAESSER, T.; HAGENER, M. Film Theory: An Introduction Through the Senses.
London: Routledge, 2009. C. 7, Cinema as brain - mind and body, p. 149-169
ERKKI, Huhtamo; PARIKKA, Jussi. An archaeology of media archaeology. In: ERKKI,
Huhtamo; PARIKKA, Jussi (Orgs). Media archaeology. Media archaeology: approaches,
applications and implications. Berkeley and Los Angeles, California: University of California
Press, 2011. (p. 1-21)
ERNST, Wolfgang. Discontinuites. Does the archive become metaphorical in multimedia
space? In: Ernst, Wolfgang. Digital memory and the archive. Ed. Jussi Parikka. MinneapolisLondon: University of Minnesota Press, 2013.. P. 113-140.
FELINTO, Erick. Em busca do tempo perdido. O sequestro da histria na cibercultura e os
desafios da teoria da mdia. In: Matrizes MATRIZes, Vol. 4, No 2 (2011).
FOUCAULT, M. A arqueologia do saber. Rio de Janeiro: Forense Universitria, 1969;
Formao dos objetos; Definir o enunciado, p. 89-99; A funo enunciativa, p. 99-120; A
descrio dos enunciados, p. 120-134
Av. Unisinos, 950 Caixa Postal 275
Fone: (51) 3590 8476

CEP 93022-000 So Leopoldo Rio Grande do Sul

Fax: (51) 3590 8486 http://www.unisinos.br

Brasil

UNIVERSIDADE DO VALE DO RIO DOS SINOS

GALLOWAY, A. R. The unworkable interface. The Interface Effect. Cambridge: Polity, 2012.
p. 25-53.
KITTLER, F. A. Discourse Networks 1800/1900. Redwood City: Stanford University Press,
1990.
STRAUVEN, W. The observers dilemma: To touch or not to touch. In: HUHTAMO, E.;
PARIKKA, J. (Eds.). . Media Archaeology: Approaches, Applications, and Implications.
Berkeley: University of California Press, 2011. p. 148163.
ZIELINSKI, S. Deep time of the media: toward an archaeology of hearing and seeing by
technical means. Cambridge, Mass.: MIT Press, 2006.
ZIELINSKI, S. No longer cinema, no longer television. In: Audiovisions: Cinema and
Television as Entractes in History. Amsterdam: Amsterdam University Press, 1999.
AVALIAO
Os alunos sero avaliados pela frequncia em aula, realizao das leituras e
participao nos debates em aula, assim como pelo desenvolvimento de um
resumo a ser apresentado na ltima aula visando a entrega de um paper de 5
pginas cotejando os autores/conceitos debatidos com

seus projetos de

pesquisa, que se constitui como ltimo elemento de avaliao.

Av. Unisinos, 950 Caixa Postal 275

Fone: (51) 3590 8476

CEP 93022-000 So Leopoldo Rio Grande do Sul

Fax: (51) 3590 8486 http://www.unisinos.br

Brasil