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Transcribed by

Dr. Joseph D. Howell

(01:29)

D pedal...

Gmaj(add9)/D

Clarinet
in B b

&c

Eddie Daniels and


Gary Burton:
Benny Rides Again
GRP (GRD-9665)
Recorded January 1415, 1992
Hollywood, CA

"After You've Gone" (Creamer/Layton)


Eddie Daniels clarinet solo
w/Gary Burton-vibraphone, Mulgrew
Miller-piano, Marc Johnson-bass, and
Peter Erskine-drums.

# b n b b n # ()

Gbmaj7/D

Gmaj/D

Cmaj(add6)/D

Dmin7

>

# n

&

( )
4
Cmin7

Cmaj7

>
#

Gmaj9

&

>
> ^
> b ^
^

()

A13(b9)

&

>
^
#- >

E9(#11,b13)

>
^

F7

simile for
8th note lines
(see below)*...

G#min7(b5)

G7(b9)

# # # #
( )
(A 6/9)

D7

D7/F#

Amin7

12

G7(b9)

# b
# b b

b b b

&
b
G 6/9

16

Gmaj7(sus4)

Emaj/F#

B13

Emin7

A13(b9)

& b n
C 6/9

Cmin7

20

b #

# .
#


&
Gdim(Maj7)

24

Dmin7

G 6/9

Bmin7/G#

F7

E9(#5)

* The 8th notes are even, due to the fast tempo, and are overall legato with what sounds like very light tongueing on most, if not all, offbeats.
This tonguing can be used to emphasize these offbeats by accenting them, or to emphasize downbeats by "ghosting" the offbeats. In the case
of the ghosting moments, the tongue movement is more like "thaw" than "ta," for example. Natural accents and dynamics are used within a
general range of mp to mf, with a focus on homogenous tone.

(
&
Amin7

28

# ^

&
Gmaj9

32

^
^

D Pedal...

36

b( )

Gmaj7

&

.
#

F#min9

# #

Adim(Maj7)/D
^
>

- ^
#

Gmaj7(#11)/C#

Emin7

B7

F13(9)

Cmin9

Amin

Abdim(Maj7)/D

Gmaj7(no third)/D

&

b
3

b
) #

# #

E7(b9,#9,b13)

F#7(b9)

# b #
# #

Bdim(Maj7)/D

Cdim(Maj7)/D

G13(b9)

b # b
#

Bbdim(Maj7)/B

Ebmin7

Dmin7

G9(sus4)

40

Abmaj7/D
F7
b b b # b b
()
&
Ab(6/9)/C

C(maj)

G(6/9)/C

Cmin7

44

# b b b b b b n

b
#
()
& b
G#dim7

G 6/9

Gmaj13(9)/D

F9

E9(#5)

48

Amin9

( )#
#
()

&
A 6/9

A13(#9)

52

D7(b9,b5)

# # b # # # # n b n n
&
F#min11

G 6/9

56

&

60

Cmaj 6/9

.
J

Bmaj13(9)

/E

A7

Cmin7

Dmin7

F13(9)

G7(#5,#9)

G 6/9

&

^ ^

Ab (6/9)/D

64

&
Amin

G 6/9

Gmaj13(9)
^ . b n ^

E7(b9)

B(sus2)/E

E13(9,#11)
#^

Amin

C7(sus4)

F9

#.

#
# #
J
&

68

Emin9

Ab7(#5)/E

B13(b9)

A9(sus4)

Dmaj13(9)

72

Amin/G
Gmaj13(9)/D
D7(b9,b5)
b b
^

^
b ( ) # n b #
&
Gmaj7/D

76

Edim9
G7/D
Db13(9)
Dmin9
Cmaj

b n
^


&
G 6/9

80

Cmaj/B

C#dim7

end of solo...