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Introduction
This article focuses on the effects of increasing the number of channels and bands in a hearing aid.
For a comprehensive review of topics related to compression, the reader is referred to Souza
(2002) or Kates (2008).
Most modern hearing aid manufacturers offer products at multiple technology levels. To a patient, a
difference in technology level often means a difference in cost. To an audiologist, a difference in
technology level may mean a difference in patient outcome. A feature commonly used by hearing
aid manufacturers and audiologists to differentiate one technology level from another is the number
of channels and bands available within a device. But, the audiologist and the patient both may
question the value of a greater number of channels and bands. This article reviews available
literature on the effects of number of channels and bands. Considerations related to hearing aid
development, audibility, speech understanding, and digital signal processing are discussed.
Increasing Channels and Bands: Development Considerations
For the purpose of this article, a hearing aid channel will be defined as a range of frequencies that
is created by a digital filter or series of digital filters within the hearing aid. In addition to expansion
and compression, most signal processing features such as digital noise reduction, feedback
suppression, and multichannel directionality operate on a channel-by-channel basis. Bands will be
defined simply as the number of adjustment "handles" provided in the programming software for
gain manipulation.
Increasing channels in a hearing aid has design implications that must be considered. For example,
as the number of channels increases, the processing complexity increases, which increases the
amount of time required for a hearing aid to process sounds. This processing delay can be
quantified as the group delay. For the purpose of this article, the group delay is referenced as the
time required for a sound to be processed by a hearing aid, effectively delaying amplified sound
path relative to the direct sound path. The signal processing implemented in modern hearing aids
typically requires a few milliseconds (msec). For example, in open-canal hearing aid fittings,
unamplified sound will pass around the hearing aid, entering a patient's ear canal without delay (the
direct path); whereas sound processed by the hearing aid will be slightly delayed in comparison. A
significant delay between the direct sound and the amplified sound may be perceived as degraded
sound quality or the perception of an echo. Stone and Moore (2008) suggest that delays as short as
3 to 6 msec may be noticeable to the average listener in an open-canal hearing aid fitting;
increasing this delay to 15-18 msec results in decreased sound quality that the patient may find to
be unacceptable.
The type of digital filter used in hearing aids affects these delays, resulting in frequency-specific
group delays that are greatest in the low frequencies and decrease with increasing frequency.
Figure 1 shows the group delay of current hearing aids available from six different manufacturers.
Group delay as a function of frequency is apparent for most manufacturers. Those hearing aids with
greatest numbers of channels show the longest processing delays. However, all of the hearing aids
shown in Figure 1 fall within the acceptable limits suggested by Stone and Moore (2008).
of compression channels plays an important role in the restoration of audibility. Figure 2a shows the
time-averaged frequency response of a classical music piece. Overlaid on this frequency response
are a series of boxes that represent hearing aid channels. In this example, the hearing aid is a
three-channel device. In a hearing aid using wide dynamic-range compression, more gain is applied
to soft sounds than louder sounds. In this example, more gain would be applied to channel three
than channels two or one. Within channel three, the level of the music sample falls by 30 dB
between 2200 Hz and 5000 Hz (as illustrated by the arrows in Figure 2a). However, because these
frequencies are contained within the same channel, the same amount of gain will be applied at both
frequencies.
Figure 2b displays the same frequency response of a classical music piece, but with boxes
representing eight hearing aid channels. In this eight channel hearing aid, the range between 2200
Hz and 5000 Hz contains three separate channels. With a finer channel resolution, the hearing aid
will estimate input level in each of the eight channels. Because input in the frequency range of
channel eight is lower than the input level for channel six, more gain will be applied to the frequency
range encompassed by channel eight, possibly improving audibility for the range of frequencies
within that channel while retaining comfort for the signal contribution from channels 6 and 7. In this
regard, increasing the number of hearing aid channels may improve the ability of the hearing aid to
selectively amplify frequencies and may improve the restoration of audibility. However, there may
be an optimal point at which a given number of channels will offer sufficient frequency resolution,
and additional channels would not provide further benefit and may possibly degrade performance.
Figure 2a. Level (dB) is plotted as a function of frequency (Hz) for a classical music sample. The
illustrated boxes represent the frequency distribution of a three-channel hearing aid. Red numbers
call attention to channel numbers, one, two, and three, and also to frequencies of interest.
Figure 2b. Level (dB) is plotted as a function of frequency (Hz) for a classical music sample. The
illustrated boxes represent the frequency distribution of an eight-channel hearing aid. Red numbers
call attention to channel numbers and also to frequencies of interest.
Woods and colleagues (2006) completed a retrospective analysis that evaluated the number of
hearing aid channels required to maximize predicted speech intelligibility for 957 audiograms. Their
findings suggest that the ideal number of bands will change with audiometric configuration, but a
hearing aid featuring nine channels should accommodate the majority of audiograms. Kates (2010)
used computer modeling to predict the effect of various compression parameters on speech quality
and intelligibility. He observed that increasing the number of channels from 3 to 18 significantly
improved speech audibility for a steeply sloping hearing loss. In the case of flat or mildly sloping
hearing loss, a benefit of increasing the number of channels from 3 to 18 was not observed.
Increasing the number of hearing aid channels will increase the ability to restore frequency-specific
audibility, particularly for steeply sloping audiograms. Using predictive metrics, researchers have
completed systematic investigations of this relationship. It appears that frequency-specific audibility
can be restored for flat or mildly sloping hearing loss with a three channel hearing aid; for patients
with a steeply sloping hearing loss, the ideal number of channels required for restoration of
audibility may fall between 9 and 18 channels.
The Effect of Channel Number on Speech Recognition
Compression is regarded as a necessary technology in hearing aids, as it facilitates restoration of
audibility and comfortable listening levels for patients with a reduced dynamic range. While this
fundamental assumption is true, it may come as a surprise that years of research on compression
have not proven that improved clinical outcomes will universally be observed with the use of
compression. It seems that for every study showing improved speech recognition ability with the
use of compression, there is a study documenting how compression degrades speech recognition
ability.
The potential benefit of improved audibility with an increasing number of channels has been
discussed in this article. However, it is important to note the potential detrimental effects associated
with greater numbers of compression channels as well. As the number of compression channels
increase, the level differences of conversational speech are minimized. These level differences are
important cues for both normal hearing and hearing-impaired listeners (Moore & Glasburg, 1986).
These cues are most valuable for the perception of vowel sounds. In this regard, some studies have
documented improved audibility for vowels and improved understanding of vowel sounds with a
greater number of compression channels (Stelmachowicz, Kopun, Mace, & Lewis, 1995), while
other studies have shown poorer vowel recognition as a result of the distorted level differences that
occur with a greater number of compression channels (Franck, van Kreveld-Bos, & Dreschler,
1999). This reduction of level difference across the speech frequency spectrum is an important
topic; however, the focus of this discussion will remain on the beneficial impact of increasing
compression channels.
Yund and Buckles (1995) completed one of the most robust behavioral investigations into the
effects of increasing compression channels. Sixteen subjects with sensorineural hearing loss of
varying degrees and etiologies participated in their experiment. The authors included participants
with a broad range of hearing losses in an effort to examine any interactions between compression
characteristics and hearing loss configuration or severity. Test materials were based on the
Nonsense Syllable Test (NST; Resnick et al., 1975). Test stimuli, male and female talkers, were CV
or VC monosyllables that varied according to voicing (voiced or voiceless), consonant position
(initial or final) and vowel context (/a/, /i/, or /u/).
The authors found a significant interaction between number of channels and voice; increasing the
number of channels produced a greater improvement in discrimination for the male than it did for
the female voice. As noted above, speech-weighted noise has more energy in low frequencies,
which could be more effective at masking the male voice. Because gain reductions in a multichannel hearing aid are based on the level within a given channel, an instrument with fewer
channels would be expected to lose more low-frequency speech information in its attempts to
reduce gains applied to high-level, low-frequency noise. Instruments with a higher number of
processing channels would therefore be expected to have less of a detrimental effect on lowfrequency speech information.
Most importantly, there was a significant effect overall for the number of processing channels.
Speech discrimination clearly improved as the number of channels increased from 4 to 8 channels
and remained consistent above 8 channels. There was no significant interaction between number of
channels and signal-to-noise ratio; increases in the number of channels did not yield further
improvement or decrement for performance at poor signal-to-noise ratios.
Moore, Peters, and Stone (1999) investigated the interaction between number of compression
channels and the effect of background noise. The authors hypothesized that a fast-acting, multichannel hearing aid may be able to adapt to the temporal and spectral modulations of speech,
amplifying the "dips" within the speech signal, thus improving speech recognition for hearing
impaired listeners. For this reason, they proposed that increasing the number of channels may be
beneficial as it would allow for more discrete frequency ranges to be amplified. However, in general,
the observed benefits of compression were modest. The best performance was observed in
conditions using a background noise with spectral gaps and an eight-channel hearing aid.
Summary
The perceived value of many modern hearing aids is often associated with the number of channels
and bands. However, the variables that factor into patient outcomes related to increasing the
number of bands and channels are many, and the conclusions drawn by studies that have
investigated the effect of band and channel numbers on patient outcomes are, at best, equivocal.
Because increasing numbers of channels and bands is an accepted facet of more advanced
technology, it is worthwhile to focus on what the research suggests at this time.
Increasing the number of channels will increase processing load. This results in a concomitant
increase in processing delay. Considering that many hearing aids are fit in an open-canal
configuration, a delay at or below 5 msec is preferred; fortunately, this is the case for most available
hearing aids. Research in the area of bands, or the adjustment handles available in a hearing aid's
programming software, suggests that that seven bands are sufficient to shape a frequency
response to match prescribed targets for most configurations of hearing loss. In addition to number
of bands, a range of studies have investigated the impact that increasing the number of
compression channels has on restoration of audibility and speech recognition ability. These studies
suggest that hearing aids with as few as eight channels offer sufficient frequency resolution to
restore audibility, even in listening conditions with background noise. Hearing aids offering fewer
than eight channels may not offer sufficient frequency resolution to restore audibility of speech in
the cases of particular hearing loss configurations and stimulus types.
The possibility remains that signal processing techniques in hearing aids (e.g. feedback
suppression, digital noise reduction, directional microphones) may benefit from increasing the
number of processing channels. However, there does not appear to be a sufficient body of evidence
that supports or discounts this hypothesis within the limitations of modern hearing aid technology.
As hearing aid technology continues to advance it is likely that new hearing aids will be introduced
with increasing numbers of available processing channels. While the exact benefits of this signal
processing strategy may not be readily apparent, there remains opportunity for research studies to
document the interaction between the number of available channels in a hearing aid and a wide
variety of patient outcomes.
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