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Pour ceux qui n'aiment pas Czerny...

Les tudes sont classes ( peu prs, le classement exact n'est pas possible) progressivement,
par niveau, de I VII. Certains recueils englobent plusieurs niveaux bien sur. Chaque niveau
correspond ca 1-1,5 anne d'tudes (sauf 0-2 qui peuvent aller bien plus vite), c'est selon les
capacits, les facilits et le travail de chacun.
Aprs (et pendant) - direct Liszt, Chopin, Debussy, Ligeti, Lutoslawski, Stravinsky, Ohana,
etc...
Pour situer ( peu prs) dans les cycles franais:
Cycle I - niveaux 00-02
Cycle II - niveaux 03-05
Cycle III - niveaux 06-07
Niveau 0 (les dbutants vraiment dbutants)
Louis Khler (1820-1886)
Die allerleichtesten bungsstcke, Op.190
Hermann Berens (1826-1880)
50 Piano Pieces for First Beginners, Op.70
Carl Czerny (1791-1857)
Erster Lehrmeister op.599

Niveau I
Louis Khler (1820-1886)
Die leichtesten Etden, Op.151
Henri Bertini (1798-1876)
25 Etudes, Op.137
Cornelius Gurlitt (1820-1901)
Die leichtesten Gelufigkeitsetuden fr Anfnger
Flix Le Couppey (18111887)
L'Alphabet op.17
Carl Czerny (1791-1857)
Les Cinq Doigts, Op.777
Hundert bungsstcke op.139
125 Exercises in Passage-playing, Op.261

Niveau II
Muzio (Mutius Philippus Vincentius Franciscus Xaverius

) Clementi (1752-1832)

Prludes et exercices - pour trs longtemps


Cornelius Gurlitt (1820-1901)
School of velocity for beginners
Louis Khler (1820-1886)
12 kleine Etden, Op.157
Die ersten Etden fr jeden Klavierschler als technische Grundlage der Virtuositt, Op.50
20 Kleine Etden, Op.60
Cornelius Gurlitt (1820-1901)
35 Leichte Etden, Op.130
Friedrich Burgm ller (1806-1874)
25 tudes faciles et progressives, Op.100
Jean-Baptiste Duvernoy (1802-1880)
Etudes op.176
Carl Czerny (1791-1857)
Etudes de Mcanisme, Op.849

Niveau III
Louis Khler (1820-1886)
12 Etden, Op.85
Kleine Schule der Gelufigkeit, Op.242 01
Kleine Schule der Gelufigkeit, Op.242 02
Neue Gelufigkeitsschule fr Klavier, Op.128 01
Neue Gelufigkeitsschule fr Klavier, Op.128 02
Friedrich Burgm ller (1806-1874)
Etudes op.105
Hermann Berens (1826-1880)
20 Etudes enfantines, Op.79
Ludvig Schytte (1848-1909)
Leichte charakteristische Etden, Op.95
25 Etudes modernes, faciles et progressives, Op.68
Henri Bertini (1798-1876)
25 Etudes faciles et progressives, Op.100
Stephen Heller (1813-1888)
30 Etudes Progressives, Op.46
25 Etudes Melodiques, Op.45
Albert Loeschhorn (1819-1905)

30 Melodische Etuden, Op.52


Universal Studies for the Medium Grade, Op.169
Etudes op.66
Giuseppe Concone (1801-1861)
25 Etudes mlodiques op.24
Benjamin Godard (1849-1895)
Etudes enfantines op.149-1
Thodore Lack (1846-1921)
La petite virtuosit op.172
Henry Lemoine (1786-1854)
Etudes op.37
Jean-Baptiste Duvernoy (1802-1880)
Preparatory School of Velocity, Op.276
School of Mechanism, Op.120 01
School of Mechanism, Op.120 02
School of Mechanism, Op.120 03

Carl Czerny (1791-1857)


Etden fr die linke Hand op.718
110 Progressive Excercises, Op.453 01
110 Progressive Excercises, Op.453 02

Niveau IV
Friedrich Burgm ller (1806-1874)
Etudes op.109
Stephen Heller (1813-1888)
24 Etudes d'Expression et de Rhythme, Op.125
25 Etudes, Op.47
Cornelius Gurlitt (1820-1901)
20 Studies in Rhythm and Expression, Op.52
Ludvig Schytte (1848-1909)
Die Schule des modernen Klavierspiels, Op.174
Instruktive Vortrags-Studien, Op.90
Hermann Berens (1826-1880)
Neueste Schule der Gelufigkeit, Op.61
Edmund Neupert (1842-1888)
Etudes, Op.26

Giuseppe Concone (1801-1861)


20 Etudes chantantes op.30
Thodore Lack (1846-1921)
12 Etudes spciales pour la main gauche op.75
Etudes op.95
Joachim Raff (1822-1882)
30 Etudes progressives WoO.36
Carl Czerny (1791-1857)
Die Vorschule der Fingerfertigkeit, Op.636
Nouvelle ecole de la main gauche, Op.861
160 kurze bungen, Op.821 - bible pour trs longtemps
Grandi Studi di Perfezionamento, Op.409
L'Encouragement l'Etude, Op.684

Niveau V
Hermann Berens (1826-1880)
Die Schule der Tonleitern, Akkorde und Verzierungen, Op.88
Henri Bertini (1798-1876)
Etudes op.29 et 32
Etudes op.66
Franz Liszt (1811-1886)
tude en douze exercices, S.136
Frdric Chopin (1810-1849)
Trois nouvelles tudes (d. Kullak)
Stephen Heller (1813-1888)
Etudes op.90
Albert Loeschhorn (1819-1905)
30 Melodische Etuden, Op.38
Edmund Neupert (1842-1888)
Etudes op.19 01
Etudes op.19 02
Giuseppe Concone (1801-1861)
15 Etudes d'expression op.44
15 Etudes brillantes op.posth.
Benjamin Godard (1849-1895)
Etudes mlodiques op.149-2

Etudes rythmiques op.149-3


Thodore Lack (1846-1921)
Etudes artistiques op.91

Carl Czerny (1791-1857)


Schule der Gelufigkeit op.299
Schule des Legato und Staccato op.335
The Art of Preluding, Op.300 - manuel d'improvisation des cadences dans tous les styles.
6 Octavenstudien, Op.553

Niveau VI
Muzio Clementi (1752-1832)
Gradus ad Parnassum - incontournable!!!
Stephen Heller (1813-1888)
Etudes op.151
Etudes op.139
Moritz Moszkowski (1854-1925)
Esquisses Techniques, Op.97
Etudes op.78
Johann Baptist Cramer (1771-1858)
16 Nouvelles tudes, Op.81
et surtout:
Studio per il pianoforte
Ignaz Moscheles (1794-1870)
Mthode des Mthodes, Op.98 - avec des oeuvres de Liszt, Chopin, Pabst, Thalberg, Moscheles,
Dhler, Henselt, Mendelssohn, etc... Paris romantique de Louis Philippe
Anton Arensky (1861-1906)
4 Etudes, Op.41
12 Etudes, Op.74
Benjamin Godard (1849-1895)
Etudes artistiques op.42
Thodore Lack (1846-1921)
Etudes de bravoure op.43
Carl Czerny (1791-1857)
Die Kunst der Fingerfertigkeit op.740 (699)
Schule des Virtuosen op.365

Niveau VII

Stephen Heller (1813-1888)


21 Etudes Speciales after Chopin, Op.154
Isaac Albniz (1860-1909)
7 estudios en los tonos naturales mayores, Op.65
Moritz Moszkowski (1854-1925)
Etudes op.24
Per Aspera, 15 Etudes de Virtuosit, Op.72 - incontournables aussi
2 Concert Etudes, Op.48
Johann Baptist Cramer (1771-1858)
12 tudes op.107 (Hommage Mozart)
Ignaz Moscheles (1794-1870)
24 Etudes, Op.70
12 Etudes, Op.95
Benjamin Godard (1849-1895)
Etudes de concert op.149-4

Carl Czerny (1791-1857)


Schule der linken Hand op.399

Etudes pour la main gauche seule


Louis Khler (1820-1886)
Schule der linken Hand, Op.302
Ludvig Birkedal-Barfod (1850-1937) (dans l'ordre de difficult)
Lette Studier for venstre Haand, Op.15
Etuder for venstre Haand, Op.8
Pianofortestudier for venstre Haand alene
Melodische Studien fr die linke Hand, Op.19
Hermann Berens (1826-1880)
Die Pflege der linken Hand, Op.89
Moritz Moszkowski (1854-1925)
12 Etudes for the Left Hand, Op.92

Il manque encore quelques recueils de Lschhorn, Duvernoy, Lemoine, je completerai plus


tard. Pour aujourd'hui - stop!
EDIT: J'ai ajout qques recueils de Czerny, pour situer. A suivre...

3 mai 2013: Je me suis rendue compte que certains liens d'IMSLP


sont briss. J'ai rectifiquelques uns, mais merci de m'en signaler
d'autres!
Hans von Blow order:
First grade: Schmitt's Op. 26, Heller's Op. 43
Second grade: Cramer, Heller's Opp. 46 and 47, Czerny's Daily Etudes and Etudes
for legato and stacatto
Third grade: Clementi's Gradus ad Parnassum, Moscheles Op. 70
Fourth Grade: Haberbier's Poetic Etudes, Henselt's Etudes Opp. 2 and 5, Moscheles's
Op. 75
Fifth grade: Chopin's Opp. 10 and 25, Preludes Op. 28
Sixth grade: Liszt's Paganini Etudes, Concert Etudes and 12 Trascendental Etudes
Seventh grade: Rubinstein's Etudes and Preludes, Alkan's 12 Grand Etudes.

1Anno
Etudes
BARTOK, Mikrokosmos vol. I
BEYER, op. 101
BERTINI, op. 137
CZERNY, op. 599
DUVERNOY, op. 176
KOHLER, op. 157
Canoni
TROMBONE, Primi canoni
POZZOLI, Primi esercizi in stile polifonico
KUNZ, 200 Piccoli canoni
J. S. BACH
Anna Magdalena's notebook
===============================================
===========================================
2Anno
Scales Major, minors in parallel motion
Etudes
CZERNY, op. 849, op. 636
DUVERNOY, op. 176, op. 120, op. 276

BARTOK, Mikrokosmos vol. II e III


BERTINI, op. 29
HELLER, op. 45

J. S. BACH
Anna Magdalena's notebook
Little preludes and fuguettas
Sonatine
CLEMENTI, Op. 36, 37, 38
KUHLAU, Sonatine e Sonate
DUSSEK, Sonatine e Sonate
MOZART, Sonatine Viennesi
===============================================
===========================================
3Anno
Scales Major, minors in parallel and contrary motion
Arpeggios

Etudes
CZERNY, op. 636, op. 299, op. 740
HELLER, Etudes op. 45,46,47
BERTINI, op. 32
BARTOK, Mikrokosmos vol. III, IV
J. S. BACH:
Two voices invention
French suites
Classical Sonatine or Sonatas
===============================================
===========================================
4Anno
Etudes
BERTINI, op. 134
CRAMER, 60 Etudes by Bulow
CZERNY, op. 299, op. 834, op. 740
LISZT, Etudes op. I

J. S. BACH
Sinfonias
English suites
Sonate by MOZART, HAYDN, CLEMENTI, BEETHOVEN
===============================================
===========================================
5Anno Lower level board exam.
- Play one etude randomly selected between 13 prepared between the 4th
and 5th year of study. (Usually is few from Bertini, Cramer and Czerny op
740)
- Play one JS Bach selection extracted between:
3 Sinfonias, English suite in A minor and G minor.
- Play one piece randomly extracted between 3 italian harpsichordist
- One complete sonata selected between Mozart, Clementi or Beethoven (op
10 #1, op 10 #2, op 14 #2, op 27 n2)
- One piece selected between the following list:
CHOPIN, Bolero op. 19; Impromptu n. 1 op. 29; Valse op. 34 n. 1; Valse op.
42; Valse op. 64 n. 3; Valse op. 64 n. 2; Polacca in G# min.; 6 Preludes
WEBER, Rond brillante in Eb Maj.; Invitation a la valse op. 65
SCHUBERT, Impromptu in Eb Maj. op. 90 n. 2; Impromptu in Gb Maj. Op.90
n. 3.
SCHUMANN, Carnaval de Vienne; Papillons op. 2* Selection of 6 pieces
from Waldszenen or Albumblatter
LISZT, Rossignol; one of the Consolations
DEBUSSY, Childrens corner
- Scales Major, minors in parallel and contrary motion by one octave, one
third and one sixth.
===============================================
===========================================
6Anno
Scales double thirds and double sixths.
CLEMENTI, Gradus ad Parnassum

Etudes:
MOSCHELES
MENDELSSOHN
RUBINSTEIN
THALBERG
KESSLER
Toccata di CZERNY
D. SCARLATTI, Sonate.
J. S. BACH, Il WTC, vol. I.
Sonate:
BEETHOVEN
SCHUBERT
WEBER
MOZART
HAYDN
CLEMENTI.
===============================================
===========================================
7Anno
M. CLEMENTI, Gradus ad Parnassum.
D. SCARLATTI, Sonate.
J. S. BACH, WTC, vol.II.
Sonate:
BEETHOVEN
SCHUBERT
WEBER.
===============================================
===========================================
8Anno Intermediate Board Exam
- Execution of one brilliant Scarlatti sonata extracted from 3 studied
- Execution of one randomly selected etudes between the following one nn.
2, 5, 9, 14, 15, 16, 17, 21, 26, 30, 32, 36, 44, 47, 58, 63, 65, 78, 86, 87,

88, 95, 96 from Gradus ad Parnassum M. CLEMENTI.


- Execution of a Prelude and Fugue selected 24 hours before between 12
selected in WTC vol 1 and 12 selected in WTC vol 2
- Execution of an etude selected between 2 studied from the following list
MOSCHELES, 1, 3, 23 op. 70
CZERNY, Toccata op. 92
KESSLER, 1, 8, 10 op. 20
MENDELSSOHN, op. 104/b n. l; op. 104/a n. 2
THALBERG, op. 26 n. 1
RUBINSTEIN, any in op. 23
- One Beethoven sonata selected from the following list:
op 2 #3, op 7, op 10 #3, op 13, op 26, op 28, op 31 #1 and #2, op 53 and
op 81a
- One piece selected from the following list
WEBER, Finale of 1st Sonata (Moto perpetuo); Polonaise E Maj.
SCHUBERT, Impromptu in Bb Maj. op. 142
MENDELSSOHN, Variations Sacrieuses op. 54; Scherzo e capriccio in fa
diesis min.; Rondcapriccioso p. 14
SCHUMANN, Romanza op. 32 n. l; In der Nacht, Traumes Wirren
Aufschwung ,Phantasiestucke op. 12; Novelletta. op. 21 n. 2
- CHOPIN:
op. 10 nn. 3, 5, 8.
op. 25 nn. 1, 2, 9
Impromptu n. 3in solb magg. op. 51
Ballade n. 1 op. 23
Ballade n. 3 op. 47
Berceuse op. 5
Scherzo in si min. n. 1 op. 20
Scherzo in do diesis min. n. 3 op. 39
Andante spianato e Polacca brillante in mib magg. op. 22
- One piece selected from the following list:
BRAHMS, 2 rapsodie op. 79; Capriccio in B min; Intermezzi op. 117 (one)
GLUCK SAINT-SAANS, Capriccio su Alceste
SGAMBATI, Studio melodico
MARTUCCI, Studio op. 47
DEBUSSY, Jardins sous la pluie, Danseuses de Delphes
RAVEL, Minuetto e Rigaudon dal Tombeau de Couperin

===============================================
===========================================
9Anno
Etudes:
CHOPIN
LISZT
SKRJABIN
RACHMANINOV
DEBUSSY
SAINT-SAANS
===============================================
===========================================
10Anno Final Board Exam for Diploma
Prepare one recital with a duration between 60 to 75 minutes selecting music
from each group of the following list:
Group n. 1
J. S. BACH, any composition for keyboard
Bach's transcriptions LISZT, TAUSIG, BUSONI, DALBERT
L. van BEETHOVEN, A sonata between op. 57 to op. 111; Diabelli variations
op. 120; Rondop. 129; C minor variations WOo 80.
Group n. 2
C. M. WEBER, Sonata n. 2 op. 39
F. SCHUBERT, Fantasia op. 15
R. SCHUMANN, Fantasia op. 17; Carnaval op. 9; Studi sinfonici op. 13
F. CHOPIN, Sonata op. 58; Sonata op. 35, 3 compositions selected between:
Ballata n. 2 op. 38; Ballata n. 4 op. 52; Polacca op. 44; Polacca op. 53;
Notturni Mazurche
F. LISZT, Sonata in B min; Scherzo e marcia; Mephisto Valse;
Trascendental etudes: Mazeppa o Feux Follets o n. 10; One of the 3 concert
etudes.
Group n. 3
J. BRAHMS, Paganini variations op. 35; Variations on a Handel theme;
Rhapsody in Eb Maj. op. 119 n. 4
C. SAINT- SAANS, 6 Etudes op. 111
C. FRANCK, Preludio, Corale e Fuga, oppure Preludio, Aria e Finale
CHABRIER, Bourre Fantastique
G. SGAMBATI, Preludio e Fuga Due studi da concerto (uno a scelta)
G. MARTUCCI, Tema con variazioni op. 58 Fantasia op. 51

M. E. BOSSI, Studio da concerto op. 137 n. 3 in sib min. Moto perpetuo.


Group 4
BALAKIREW, Islamey
LIAPOUNOW, Studi trascendentali
MUSORGSKIJ, Tableaux dune exposition
SKRJABIN, Studi Sonate
DEBUSSY, Preludi Estampes Studi Preludio, Sarabanda e Toccata
RAVEL, Alborada del Gracioso Sonatina Gaspard de la Nuit Jeux
deau
ALBENIZ, Iberia
STRAVINSKIJ, Sonata
BARTOK, Suite Allegro barbaro

Some suggestions:
*
*
*
*
*
*
*
*
*
*

Etude, Op. 823 No. 58


Etude Op. 141 No. 4
Etude Op. 47 No. 19
Etude Op. 45 No. 18
Etude Op. 29 No. 7
Etude Op. 29 No. 8
Etude Op. 47 No. 15
Etude Op. 46 No. 1
Etude Op. 37 No. 18
Etude in G Minor, Op. 91

Czerny
Gurlitt
Heller
Heller
Bertini
Bertini
Heller
Heller
Lemoine
No. 10
Moskowski

Czerny Study Op299 No22 - repeated notes. If it weren't for this study, I
wouldn't be able to to play the repeated notes part of La Campanella and
some other pieces that require this particular technique.
Liszt Etude Op1 No4 (The cocoon of Mazeppa) - study in 3rd. It's child's play
compared to Mazeppa.
I was going to say, you have a better chance of completing Scriabin's 12
etudes op8 than one set of Chopin's etudes.
Scriabin etudes - Op8 no8, 11. They're the slow ones. Op8 No12 is fantastic
and was the 1st Scriabin etude I learned.
Chopin Etude Op10 No9 - a stretch of the left hand, and the 1st Chopin etude
I learned on my own.

Hummel Op 125 No 16 in f#- ? if only specifically for the reason that you
state you struggle with octaves, this could help you quite a bit without it
being over the top difficult.

There are a lot of different Czerny studies, for different levels


Czerny op 599 can be introduced at grade 0-1
Czerny op 849 when that is done (grade 2-4)
Czerny op 299 when that one is done (grade 5-8)
Czerny op 740 when that one is done (lower diploma)