Académique Documents
Professionnel Documents
Culture Documents
By:
Muhaamad Arief Dharmawan
07360141 / 4E
ENGLISH DEPARTMENT
2009
CHAPTER I
INRODUCTION
2.1 Literature
The word "literature" has different meanings depending on who is using it. It could
be applied broadly to mean any symbolic record, encompassing everything from images
and sculptures to letters. In a more narrow sense the term could mean only text composed
of letters, or other examples of symbolic written language (Egyptian hieroglyphs, for
example). An even more narrow interpretation is that text have a physical form, such as on
paper or some other portable form, to the exclusion of inscriptions or digital media. The
Muslim scholar and philosopher Imam Ja'far al-Sadiq (702-765 AD) defined "literature" as
follows: "Literature is the garment which one puts on what he says or writes so that it may
appear more attractive."Added that literature is a slice of life that has been given direction
and meaning, an artistic interpretation of the world according to the percipient's point of
views. Frequently, the texts that make up literature crossed over these boundaries. Russian
Formalist Roman Jakobson defines literature as "organized violence committed on
ordinary speech", highlighting literature's deviation from the day-to-day and conversational
structure of words. Illustrated stories, hypertexts, cave paintings and inscribed monuments
have all at one time or another pushed the boundaries of "literature."
People may perceive a difference between "literature" and some popular forms of
written work. The terms "literary fiction" and "literary merit" often serve to distinguish
between individual works. For example, almost all literate people perceive the works of
Charles Dickens as "literature," whereas some critics[citation needed] look down on the
works of Jeffrey Archer as unworthy of inclusion under the general heading of "English
literature." Critics may exclude works from the classification "literature," for example, on
the grounds of a poor standard of grammar and syntax, of an unbelievable or disjointed
story-line, or of inconsistent or unconvincing characters. Genre fiction (for example:
romance, crime, or science fiction) may also become excluded from consideration as
"literature."
2.2. Novel
2.2.1 Definition
A novel is a prose narrative work which is long enough to be printed as an
entire book. The novel is usually divided into smaller portions, called chapters. (A
short story, in contrast, is a narrative prose work which is short enough to be read in
one sitting, and is usually published in a magazine or anthology.) (Lukcs, Georg:
1971, 1916)
2.2.2 Sub-genres
There are many sub-genres of the novel. These include:
The detective novel
The romantic novel
The horror novel
The thriller novel
The science fiction novel
2.2.3 Elements of Novel
There will be several elements of Novel:
1. Setting : The background in which the story takes place. There are several
aspects to setting:
(a) Place: This is the geographical location of the story. Since novels are lengthy,
the story may move from one place to another. When asked to describe the setting,
you may give the general geographical location (e.g., in a novel which takes place
in numerous locations around Italy, you may mention only the country) or you may
describe several specific locations.
(b) Time: First, this refers to the period of history, if the story is set in the past. If
the story could happen now or at some recent unspecified time, we say that it is
"contemporary." If it is a science fiction story, it may be set in the future. When
describing setting, be as specific as the author is. Novels usually span (take place
over) a much longer period of time than short stories, so you may need to say that a
novel's setting in time is from 1937 to 1956. When describing the setting of a
portion of the novel, you may be able to specify the season, month, and even time
of day.
(c) Climate/Weather: This is an aspect of setting which is often forgotten, but it
can be important to the novel. If the story begins in the midst of a hurricane, it is
significant to the story.
(d) Lifestyle: This refers to the daily life of the characters. If a story takes place in
a particular historical period, the lifestyle of the characters (e.g., whether they are
poor farmers or residents of the court) is part of the setting.
2. Atmosphere: The mood or feeling of the story, the emotional quality that the
story gives to the reader. This is usually evoked by the setting and, like the setting,
may change throughout the novel. You may say that a novel opens with a
mysterious atmosphere, a gloomy atmosphere, a light, carefree atmosphere, etc.
3. Characters: the people, animal, robots, etc., who take part in the action of the
story.
4. Conflict: the struggle between opposing forces in the story. Conflict provides
interest and suspense. There are various types of conflict, which can usually be
categorized as one of the following:
(a) A Character Struggling Against Nature
(B) A Struggle Between Two Or More Characters
(C) A Struggle Between The Main Character And Some Aspect Of Society
(D) A Struggle Of Opposing Forces Within One Character
The reader usually follows the actions of one main character throughout the novel;
this character is referred to as the protagonist. The force with which the protagonist
is in conflict is called the antagonist. In the case of the fourth type of conflict listed,
the antagonist would be another internal force within the protagonist, e.g., self-
doubt.
5. Plot: The storyline; the ordered arrangement of incidents in a story. Plot arises
out of the conflict in the story, which builds to a climax.
6. Theme: the central idea in the story or novel. It can usually be expressed in a
short statement about human nature, life, or the universe.
This Chapter presents the research design, data and sources of data, research
subject, research instruments, data collection and data analysis of the present study.
Ary, Donald, Lucy Chisea Jacobs and Asghar Razavich, 1981. Introduction to Research in
Education. 3rd ed. New York: Holt Rinehart and Winston
Austin, J. L. 1962. How to do things with Words. Cambridge Harvard University Press.
Searle, John R. 1969. Speech Acts: An Eassay in The Philosophy of Language. London:
Cambridge University Press.
Burkhardt, Armin (ed.). Speech Acts, Meaning and Intentions: Critical Approaches to the
Philosophy of John R. Searle. Berlin / New York 1990