Académique Documents
Professionnel Documents
Culture Documents
#275
OPETH
BRANT BJORK
WRETCH
WWW.NUCLEARBLASTSTORE.CO.UK
WWW.FACEBOOK.COM/NUCLEARBLAST.UK
FOLLOW US ON TWITTER
@NUCLEARBLASTEU
EDITORIAL
#275 OCT 2016
$TK.TK
LIFE OF MY OWN
CONSULTANT EDITOR
Kez Whelan kez@darkartsltd.com
DESIGN
PA TO MY
WRETCHED SPAWN
Rhiannon Yardley
HARLEY FLANAGAN
Harley Flanagan
HARLEY FLANAGANs incredible story is not just the history of New York
hardcore, of which he is a founding father, but a history of New York itself.
steve@darkartsltd.com
Its allSteve
here, an Newman
amazing series
of unlikely coincidences, catastrophes, accomplishments and associations. chances are if it happened in New York and it
was important and interesting? Harley Flanagan was somewhere in the room.
If you care anything about music history, punk rock, hardcore or just a ripping
Clare Shoesmith clare@darkartsltd.com
good story, this is the punch in the face you want and need.
Anthony Bourdain
PRODUCTION
LIFE &OFREVIEWS
MY OWNEDITOR
Life of My Own
WRECKING CREW
SNAPPERS
Dan Fellowes, Steve Gerrard, Dan Gray, Kane Hibberd, Rod Hunt,
Zen Inoya, Gobinder Jhitta, Marie Korner, Mark Latham,
Enda Madden, Al Overdrive, Al Pulford, Andre Purvis,
Christian Ravel, Antony Roberts, Ester Segarra, Alex Solca,
Emma Stone, Taya Uddin, Leigh van der Byl
SUBSCRIPTIONS
Tel: +44 (0) 1635 879 389
TO ADVERTISE IN TERRORZER
Contact miranda@darkartsltd.com / +44 (0) 20 7729 7666
WORLD DISTRIBUTION
Marketforce
Tel: +44 (0) 20 3148 3333
PRINTING
Wyndeham Heron
The views represented in this magazine are not necessarily those
of Dark Arts Ltd. Best endeavours have been taken in all cases to
represent faithfully the views of all contributors and interviewees.
The publisher accepts no responsibility for errors, omissions or the
consequences thereof.
This book is the punch in the face you want and need.
Anthony Bourdain
FERAL
HOUSE
HELEN MONEY
'BECOME ZERO'
(THRILL JOCKEY)
DARREN SADLER
(CONSULTANT EDITOR)
BRANT BJORK
KEZ WHELAN
(PRODUCTION/REVIEWS EDITOR)
URFAUST
JOSCARLOS SANTOS
SENIOR WRITER
The paper used in this publication is from a mill that carries chain
of custody and is from sustainable forests.
AWARDS
Print Media Management
Innovation in Publishing' Award 2005 - Highly Commended
ACE Press Awards
'Circulation Excellence and Endeavour' - Gold, 2008
p74
MASTODON
FEATURES
14. DARKTHRONE
One of the UKs finest, most fiercely independent hardcore acts are
finally ready to unleash their debut album
24. NEUROSIS
Scott Kelly talks us through new album Fires Within Fires and
performing in a new version of Shakespeares Hamlet
28. OPETH
p28
OPETH
32. WRETCH
From the ashes of The Gates Of Slumber, Wretch have risen to be of the
years best new doom acts
REGULARS
4. FRONTLINE
Wino gives us an update on The Obsesseds comeback
record, and Insomnium explain their epic new 40-minute
song
6. STUDIO REPORT
Benighted give us a little teaser on their forthcoming slab
of brutality
8. FEAR CANDY
Everything you need to know about this months artists who
are featured on this months slab of heaviness
The ex-Kyuss drummer kicks back to talk name changes and the
growing acceptance of marijuana
36. GOAT
72. DARK RECOLLECTIONS
The mighty Cirith Ungol remember the turbulent
times that produced their final album, the oft
overlooked Paradise Lost
74. LIVES
We report back from Bloodstock, Portugals
Amplifest and Blackpools Rebellion Festival
p56
After years trapped in legal hell, 40 Watt Suns stunning second album
is finally here Patrick Walker reveals all
44. EPICA
46. HALSHUG
The Norwegians explain their mental new album and getting drunk in
the night time
50. OATHBREAKER
TERRORIZER #275
48. OKKULTOKRATI
FAITH NO MORE
CONTENTS
EZ WHELAN
EDITED BY K
D
E
S
S
E
S
B
O
E
H
T
O TELLS
IN
W
.
D
E
R
C
A
S
M
U
ITH NEW ALB
W
K
C
A
B
E
R
A
NOW
D
E
IM
S
H
S
P
O
T
S
N
A
THE OBSE
C
G
IN
OTH
TERRORIZER WHY N
TERRORIZER #275
BULLET POINTS
Blzer have announced
that their highly anticipated
debut full-length will be entitled
Hero. Its not due out until
November 25th, but if you head
over to their Soundcloud page,
you can check out a brand new
ten minute song called I Am III.
www.Soundcloud.com/Bolzer/iam-iii
Dutch black metallers Urfaust will
release Empty Space Meditation next
month, their first full-length since 2010s
acclaimed Der Freiwillige Bettler and
fourth album overall.
CHANCES IN MY CAREER
AND I KNOW I WANT TO
MAKE THE MOST OF THIS
www.Facebook.com/UrfaustOfficial
Enslaved have just unveiled The
Sleeping Gods Thorn, a compilation
consisting of two EPs they released in 2010
and 2011 respectively. These songs were
recorded both in Solslottet Studio in Bergen,
as well as the band members own studios and
INSOMNIUM
TERRORIZER #275
Artist: Benighted
Title: Necrobreed
Studio: Kohlekeller studio, Seeheim,
Germany
Producers: Kristian Kohlmannslehner &
Benighted
Release date: February 2017
Label: Season Of Mist
eleven tracks. He already had what youd call that
Benighted touch, that mix of death and grind
with black elements so it felt pretty natural. Overall,
Id say the new one is more death metal and less
hardcore sounding than Carnivore Sublime.
TERRORIZER #275
2. ((RSJ))
3. STILL FALLING
4. OUTRIGHT RESISTANCE
5. OPEN SURGERY
6. INDOMINUS
7. WHERES MY BIBLE
8. MERCYLESS
9. CALLIDICE
Facebook.com/GrandMassive
Facebook.com/FreezesDeyna
16. KLONQUE
TERRORIZER #275
Facebook.com/MythOfALife
Facebook.com/NebulaeComeSweet
KLONQUE
18. STONEHEAD
'Beyond The Persian Veil' from the selfreleased album 'From The End Of Heaven'
Sydneys Gods Of Eden push the limits of
creativity and technical ability. Utilising
acoustic guitars, orchestras, and electronic
soundscapes to give enormous depth to their
sound, their epic arrangements are full of
nuance, layers and richness. Lyrically they
explore concepts and alternate theories of the
truths that lie behind the veil of our modern
existence and dystopia.
Facebook.com/GodsOfEden
3. DAEMON PYRE
4. ENVENOMED
5. APPARITIONS OF
NULL
6. DARKER HALF
9. TABERAH
10. LAGERSTEIN
www.DarkerHalf.com
Facebook.com/Lagerstein
7. BLACK RHENO
11. HAZMAT
'No Time For Numb Nuts' from the selfreleased EP 'Let's Start a Cult'
Sydneys Northern Beaches are the perfect
location to discover the mixed up stylings
of Black Rheno. Mixing stoner, sludge,
grind and straight-up heavy metal, their
emphasis is on a heavy groove that gets
your body moving and your mind melting,
meshing it all into one epic crazy style of
dirty rock n roll.
www.HazmatMetal.com
www.BlackRheno.com
8. DEADSPACE
DEADSPACE
FRIA LOUCA
TERRORIZER #275
MONOLITHS
10
TERRORIZER #275
THE END
GATECREEPER
MORTICHNIA
TERRORIZER #275
SILVERCHILD
11
LUCIFERS HAMMER
12
TERRORIZER #275
ENDLESS SWARM
WE GET TO WORK WITH INCREDIBLE BANDS
FROM THE OTHER SIDE OF THE WORLD
GARGANJUA
HERIOT
DEMON BITCH
TERRORIZER #275
13
DARKTHRONE
14
TERRORIZER #275
Fans
Thunder
Norways
DARKTHRONEs
TERRORIZER
Artic
spoke to
and
TED
15
TERRORIZER #275
17
DARKTHRONE
18
TERRORIZER #275
RED FANG
AARON BEAM
TERRORIZER,
vocalist
tells
20
TERRORIZER #265
you every time but he does it with love. Its not like
come on assholes, play that shit better!. There were
a couple of times when I was playing a bass part and
he didnt feel I was engaged enough and wanted me
to play harder. I was concentrating too hard in staying
on the beat and not just playing with feeling so he
started grabbing my strings and pushing me while I was
playing. It changes your energy as you have to start
fighting him hes unorthodox but effective!
Taking the direct approach sonically was
invigorating for Aaron; something which is reflected in
the artwork for Only Ghosts.
John [Sherman, drums] is obsessed with geometric
patterns and simplicity. Our artwork has always been so
involved and complex and we wanted something more
stripped down. Its a reflection on the record because
there are no real overdubs. Its got a real live feel.
Only Ghosts is certainly darker lyrically, but Aaron
denies that the band have lost their fun loving side,
famed for silly music videos like Blood Like Cream,
TERRORIZER #265
21
LET IT DIE
FIERCELY INDEPENDENT, UK HARDCORE TRIO LET IT DIE ARE CARVING THEIR OWN PATH
IN THE UNDERGROUND CIRCLES AND SHOWING THAT STICKING TO YOUR GUNS CAN
REALLY PAY OFF. ARE YOU READY TO CLIMB ON BOARD?
Words: Serena Cherry Photo: Grace Johnston
ts a tiresomely obvious clich, but sometimes its
simply fucking true. If you want something done
right, youve got to do it yourself. Especially when
it comes to smashing brutal grind together with
metallic hardcore a recipe concocted and perfected
by Kettering's very own Let It Die.
We record everything ourselves, we book our
own shows, we release our own stuff, and we
support our friends in their endeavors, proudly
notes Red Sismey, chief screamer of the bludgeoning
noisy trio. In my mind DIY isnt just literally doing
everything yourself though, its about keeping things
grassroots and involving friends who have labels
or businesses that do things for the passion and
creative satisfaction of being part of a scene. DIY
isnt diluted or controlled by monetary gain.
Its a labour of love indeed, one that comes with
a massive side benefit of endless creative freedom.
Not to be all super-rebel-cool-guy about it,
but as soon as I start thinking about relinquishing
control and creative decisions to someone other
than the band itself I feel a little sick. Its just
natural for us to be DIY, I guess, and it has brought
us some incredible friendships and experiences
22
TERRORIZER #275
Everything
is possible
if you have
the right
mindset
NEUROSIS
Not only are NEUROSIS celebrating their 30th anniversary, but they are
showing no signs of stopping with the release of formidable new album
Fires Within Fires. Mouthpieces SCOTT KELLY and STEVE VON TILL
discuss its creation and address the future
Words: Ross Baker Photos: Stefaan Temmerman
24
TERRORIZER #275
MEMORY LAPSE
Scott Kelly on forgetting lyrics
to Push Me Onto The Sun at
Roadburn Festival
TERRORIZER #275
25
NEUROSIS
26
TERRORIZER #275
OPETH
28
TERRORIZER #275
Constantly
new album
Sorceress
sees the
under extreme
OPETHs
written
TERRORIZER #275
29
OPETH
30
TERRORIZER #275
WRETCH
Rising from the ashes of Indianapolis doom crew The Gates Of Slumber, Wretchs
KARL SIMON talks to Terrorizer about the dissolving of his former band, his best
friends death and how hes still walking the metal path
Words: Jos Carlos Santos
32
TERRORIZER #275
Did you have any particular musical idea in mind for Wretch
besides it being a sort of continuation of Gates? How does the
writing in this band differ to how youve been writing songs
throughout your career?
Well, there were songs that had been written for
the next Gates full-length that I had been working
on for a long time. The idea was what it always had
been: to write the best songs we knew how to do.
With Wretch I wanted to open that up more to add in
influences that Jason didnt share and ways of writing
he didnt really want to mess with. I like to jam
he didnt: he was a writer, I was so envious of his
WRETCH IS WHAT
I ALWAYS WANTED
THE GATES OF
SLUMBER TO BE
All of the songs on this record are about you and Jason,
and your memories of him and what you guys went through
together do you think it will be hard for you to play
these songs because of that?
It has happened really, mostly when Im away
from Indianapolis, thats when I can kind of let
it go. We play here in town and I see friends and
associations come to mind and it hurts, its small
here, so small everyone knows everyone bad things
happening here ripple across the whole scene. One
face gone is noticed, and Jason was my brother. As
far as the songs becoming just songs, really since
I got sick of singing about comic book stuff they
arent just songs anymore, even the trivial things
Even without all the background, for the listener, the album
is a harrowing listen, and a very touching one as well. How
do you expect people to react to it?
I think most people have had a positive reaction
to it. It is dark, all of it, so youre not going to walk
away from it up or high on life, but maybe itll
help the listener purge a bit of black bile? I hope
its cathartic for folks. Im sure there are going to
be those who are going to shit all over it too, and
thats just life. I do this because I love it. If other
people do too its great. If not, oh well.
What are the plans, if any, for the future of Wretch? Is this
a band that will continue on and make more records?
Id like to, but Im only one part of the band,
TERRORIZER #275
33
BRANT BJORK
34
TERRORIZER #265
35
GOAT
36
TERRORIZER #275
Everything
is possible
if you have
the right
mindset
TRAP THEM
38
TERRORIZER #275
TERRORIZER #275
39
TRAP THEM
Brad all live within a mile of one another in
the Boston area, making it infinitely easier to
organise rehearsals and writing sessions so that
the resulting output becomes more than just
the Brian Izzi show, jokes the guitarist.
With the line-up weve had for the past
few years now, weve actually had rehearsals
every week, so its a little bit more normal. I
mean, I still bring most of the riffs, structures
and ideas to the other guys, but I really wanted
to involve Brad and Galen more on this album.
We played live and did a few weeks of shows
in 2015 and those guys have played drums and
bass for every song in our catalogue at this
point, so theyre better able to put things into
the context of what we do. Theres a better vibe
and understanding between each and everybody
that comes with having more time playing
together, so rather than writing everything in
my head or doing a demo and showing it to
everyone, I wanted to get everyones input. After
playing with these guys for a while, I got to
know their strengths and wanted to build off of
them to make sure this record is he explains,
followed by a pause. Blissfucker was kind of
long and epic and not all the songs could be
played live. This one has everything faster paced,
maybe a bit more like previous records and
builds off of what we have as a band and the
dynamic between everybody. The intent was to
make the songs leaner and meaner. Theyre all
intended to be live, like a set list thats meant
to be played from beginning to end. Its about
a 32 minute record and has all the peaks and
valleys of a good set and hits the marks of
what we personally think are the best aspects of
40
TERRORIZER #275
TERRORIZER #274
23
40 WATT SUN
After
42
TERRORIZER #275
I ABSOLUTELY
FELT LIKE
WALKING AWAY
FROM IT ALL.
IM A CHRONIC
WORRIER
TERRORIZER #275
43
EPICA
We
44
TERRORIZER #275
that.
Simones new-found anti-tech policy may not
be in keeping with the technological utopia that
she and her band create through their music and
lyrics, but she is proud that Epica have kept an eye
on the future with this latest recording.
Things like The Oculus Rift are becoming so
realistic, you cannot really distinguish which reality
is the true reality anymore and thats the red line
going through all our lyrics, she says. Artificial
intelligence is, in the end, going to take control
over humanity. Thats what the cornerstones are
in the lyrics of The Holographic Principle. This
is actually based on real research, so its not just
a fantasy idea, its really being worked on as we
speak and we just take the information that we
have and are going to philosophise about that
topic. I think its becoming more realistic because
technology is improving at a rapid rate.
Simone is a fan, however, of some of the
technological revolutions and has her eye on which
ones she would like to harness for Epica.
Im sure that many bands are investing in
how to lift up the live show experience to the next
level where people can see the show through those
Oculus Rift glasses so Im pretty sure that will be
something that will happen soon, as technology
is always much further than we think. Its quite
scary but I think a lot of people will be interested
in trying it out. When I go to the cinema I prefer
to see the movie in 2D than 3D because I get overstimulated. Even though I like technology Im very
old school, I dont like video games that are very
realistic, I want to know that Im playing a video
game and not lose myself completely in it.
Following on from the Dio Disciples concert at
Wacken this past summer where the band played
with a holographic Ronnie James, is this something
Simone could see Epica using? In the same way we
dont have to leave the house to buy our favourite
bands new album anymore, maybe were reaching
a point where we dont have to leave the house
to see them live. Why not beam them into our
bedrooms?
A holographic Epica? Simone laughs. We
have done streaming of our anniversary show,
so that people could get a ticket and watch the
show via live streaming, but with holograms? That
would be cool. Unfortunately that technology is
so expensive and still not very accessible, but who
knows? We are still a growing band and that could
be something we could invest in, in the future. As
for my dream of the future? Weve done shows on
a boat, like the 70,000 Tons Of Metal cruise, so
maybe we could do a show in space, so all species
in the universe could enjoy our music.
The Holographic Principle is out now on
Nuclear Blast
www.Epica.nl
SUNDAY
27th
NOVEMBER
2016
O2 ACADEMY
ISLINGTON
LONDON
PLUS
SPECIAL
GUESTS
FEATHER S
& FLESH
Everything
is possible
if you have
the right
mindset
EU ROPEAN
TO U R
november 2016
23 LONDON O2 ACADEMY
ISLINGTON
24 LIVERPOOL O2 ACADEMY2
25 GLASGOW O2 ABC2
27 OXFORD O2 ACADEMY2
28 SHEFFIELD O2 ACADEMY2
avata r m e ta l . c o m
Winter Solstice
30
ANNIVERSARY TOUR
T H
PETER MURPHY
PLUS VERY SPECIAL GUESTS FOR NOVEMBER
1986
2016
U K & I R E L A N D 2 0 1 6
PLUS GUESTS
WEDNESDAY
9TH NOVEMBER 2016
O2 ACADEMY2 ISLINGTON
LONDON
04.10
OXFORD
O2 ACADEMY2
05.10
LIVERPOOL
ARTS CLUB
06.10
GLASGOW
O2 ABC2
SAT
SUN
MON
WED
THU
FRI
01
02
03
05
06
07
OCT
OCT
OCT
OCT
OCT
OCT
THE MISSIONUK.COM
A L B U M
O U T
3 0 T H
S E P T E M B E R
TUESDAY
13TH
DECEMBER
2016
O2 ACADEMY
ISLINGTON
LONDON
AN ACADEMY EVENTS
PRESENTATION
BY ARRANGEMENT WITH
THE FLAMING ARTS AGENCY
TICKETS AVAILABLE FROM TICKETWEB.CO.UK 0844 477 2000 & ALL USUAL AGENTS
HALSHUG
HALSHUGs
46
TERRORIZER #275
Everything
is possible
if you have
the right
mindset
OKKULTOKRATI
Somethings
your favourite
TV
Your
favourite band,
show If only there were some way of preserving what makes them so
its the
beloved d-beat that drives their truck load of vicious sonic soundscapes
48
TERRORIZER #275
OATHBREAKER
50
TERRORIZER #275
Yet
it is
Ghent that
OATHBREAKER dwell,
and castles of
It took us
two years to
figure out
how to not
make it sound
like a power
metal record!
TERRORIZER #275
51
THY CATAFALQUE
From
TERRORIZER
THY CATAFALQUE
creator
TAMS KTAI.
Meta
with the new album, and personally I think its a lot better than Sgrr.
I dont really say this much because I dont usually like listening to my
own material, but when I finished that album I experienced new heights
of creativity and power. I dont know what was happening during Sgrr
but I was really suffering and the new one was so much easier to do by
comparison. Strangely, I dont recall any difficulties writing, recording and
playing this record.
52
TERRORIZER #275
Everything
is possible
if you have
the right
mindset
IN AETERNUM
54
TERRORIZER #275
VULVODYNIA
TERRORIZER #275
55
10 PURE GENIUS
8-9 POT OF GOLD
6-7 PASSES THE TIME
4-5 PASS
2-3 PISS POOR
1 PILE OF SHITE
40 WATT SUN
Wider Than The Sky
RADIANCE
56
TERRORIZER #275
EMBRACE
THE DEATH
MARTIN VAN DRUNEN
ON THE NEW ALBUMS
DEVASTATING TITLE TRACK
I
ASPHYX
Incoming Death
CENTURY MEDIA
ABIGAIL
ANATA
ANCIIENTS
ASATTA
KAOSKVLT
SEASON OF MIST
BURNOUT PLANET
ts refreshing to have a
band remove the fucksgiven filter to extol good
ol sex, drugs and rock n
roll debauchery. That said
tongue-in-cheek homage is backed by inescapably
infectious blackened thrash of the filthiest order
makes signing any online petition to hang, draw
and castrate the loveable Yasuyuki Suzuki and
the Venom, Bulldozer, Motrhead and Sabbatworshipping trio he masterminds an internal
battle SJWs will agonise over. Does one maintain
the anally lodged stick and take to Facebook
to whine about Whiskey, Coke And Bitch, Sex
And Metal and Sweet Baby Metal Sluts despite
uncontrollably headbanging behind closed doors?
Regardless, well be here with our ids turned off,
raging like lunatics.
[8] KEVIN STEWART-PANKO
AGATUS
ANCIENT
ARX ATRATA
AUROCH
HELLS HEADBANGERS
SOULSELLER
SELF RELEASE
PROFOUND LORE
The Eternalist
Spiritus In Terra
Mute Books
TERRORIZER #275
57
RHYTHMS ROTATING
AT DIFFERENT RATES
LIKE DIFFERENT SIZED
GEARS
BRUJERIA
Pocho Aztlan
NUCLEAR BLAST
CHARRED WALLS OF
THE DAMNED
METAL BLADE
CEREBRAL FIX
CHURCH OF THE
COSMIC SKULL
Disaster Of Reality
XTREEM
Is Satan Real?
BILOCATION/KOZMIK ARTIFACTZ
PROPHECY
58
TERRORIZER #275
DEHUMANIZATION
DRUMMER TOMAS HAAKE ON RECORDING THE NEW ALBUM LIVE IN THE STUDIO
CROBOT
DEAD
NUCLEAR BLAST
WE EMPTY ROOMS
ALCEST
Kodama
hen Alcest dropped their new song
Oiseaux De Proie, fans of the French
blackgaze duo collectively rejoiced. After the
overwhelming prettiness of 2014s dream
pop opus Shelter, it appears that Alcest
have returned to the dark side, the colossal
seven minute single from Kodama perfectly
showcasing the kind of gut wrenching screams
that we havent heard from Neige since 2010s
cailles De Lune. Yes, thats right the harsh
vocals are back, the blastbeats are back,
and its powerful stuff indeed. But to say that
Kodama is merely a return to form would be
a disservice to this poetic post-black magnum
opus. What we are witnessing with our ears
here is a transcendental blend between old
Alcest and new. There may be just six tracks
MESHUGGAH
eing a bastard
offspring of Led
Zeppelin and Troubles
more free-spirited
moments has served many
a band well, and this US outfit are the latest
to catapult their grit n groove onto wax with
their third album since forming in 2011.
Comparisons with Trouble are well-founded
especially in the vocal stakes, although
Crobots concerns are rather earthier, and
their guitar hero antics dont quite match
Troubles legendary duo. Nonetheless, theres
a hell of a lot of guts and blue collar pride
to their tunes like on the sky-scraping
Hold On For Dear Life and Temple In The
Sky that mark the Pennsylvanians as solid
adherents to the cause of hard riffage.
[6] STEVE R. JONES
Untitle
REINFORCES THEIR
IMPORTANCE AND
RELEVANCE
DEMONCY
EPICA
NUCLEAR BLAST
inisterly slithering
out the pit in the
early dawn of the USBM
movement, Demoncy
conjured up a ghastly aura
with demo Faustian Dawn in 1993. The
original sound may be polished, but is still
ridden with filth and grime and the songs
have a primitive, lo-fi barrage about them
similar to originators such as Profanatica and
Von. Its the occult sensibilities traversed by
founder Ixithra and his assorted ghouls that
make this particularly worth revisiting. Along
with whispered, rasping vocals and thick
cloying bass the fetid miasma really gets
beneath the skin and exudes a grim and foul
atmosphere as it rumbles out its thoroughly
unpleasant Satanic Psalms. Ugh!
[7] PETE WOODS
DPARTE
GATECREEPER
SEASON OF MIST
RELAPSE
Faustian Dawn
Failure, Subside
Sonoran Deprivation
Sorceress
NUCLEAR BLAST
DEATHWISH INC.
FAITH IN OTHERS
I
J
J
andIand
you you
cant
cant it,Shit,
a fucking
joymade
to record
it, andand
a sheer
joy moving
listening
the
toThere
sayThere
that
since
I likerecord
to
think
know
Cant
getyou
anyhave
moreit!
positive than that?
beatbeat
thatthat
withwith
athan
stick.
a anyone
stick.
Every
Every
Baroness
Baroness
record
record
isI is toon.it.So
there
this
band
better
onthe
planet.Also,
GOAT
HALSHUG
ROCKET
SOUTHERN LORD
Requiem
OATHBREAKER
Rheia
he third opus from Belgium's Oathbreaker
is their longest yet, running at over an hour.
Theyve used this extra space much to their
advantage, creating a journey full of atmosphere
and variety. Rheia uses more clean sections
and Caro Tanghes voice sounds better than ever,
especially on the surreal folk of Stay Here. They
weave in shoegaze moments sounding somewhere
between Cocteau Twins and Deafheaven, but the
ethereal gloom of Rolo Tomassis Grievances
also comes to mind. Headbangers neednt gasp
though, as the use of softer, quieter parts make
the transitions into full on hardcore intensity even
more stunning. The combined punch of opener
10:56 into Second Son Of R. is monumentally
crushing, with Tanghe screaming like shes
being murdered in the finale. The loudQUIETloud
OPETH
Sort Sind
TERRORIZER #275
59
METAL AS ALL
FUCK
HEAVEN SHALL BURN
Wanderer
CENTURY MEDIA
HUNG ON HORNS
Slaves
SELF RELEASE
HELEN MONEY
INSOMNIUM
Become Zero
THRILL JOCKEY
Winters Gate
CENTURY MEDIA
SOULSELLER
SUICIDAL
TERRORIZER #275
60
NUCLEAR BLAST
JOHANSSON &
SPECKMANN
SUICIDAL
TENDENCIES
ver the years, Suicidal Tendencies have
undergone many transformations, and with
World Gone Mad, the evolution definitely continues
and even sees ex-Slayer drummer Dave Lombardo
joining their ranks. Unfortunately the album
opens with the weakest song of the collection,
the frantically quirky but throwaway Clap Like
Ozzy, but thankfully things rapidly improve from
thereon in, with The New Degeneration being as
heavy and moody as anything theyve recorded in
years, and Living For Life opening with a typically
menacing intro before exploding into some prime
hardcore thrash, Lombardos talents exploding
to the forefront in a flurry of incredible fills. The
band also have a new guitarist and bassist, who
both step up to the plate in fine fashion, and with
Mikes unmistakeable vocal delivery, this feels like
TESTAMENT
Brotherhood Of The Snake
KHEMMIS
Hunted
20 BUCK SPIN
he sophomore album
from the melodic doom
quartet hailing from the
cold of Denver, Colorado,
Khemmis have gone for
an even more melodic sound than last years
debut Absolution, taking inspiration from
traditional doom with clean vocals. For the
most part, Hunted is a very warm sounding
album. There are so many epic melodic leads,
solos and harmonised guitars that you may
feel like youve just uncovered a long lost Thin
Lizzy album, but a few awkward moments like
on Three Gates and Beyond The Door, where
extreme growling vocals crop up almost at
random, sound really out of place. If you like
strong melodicism in doom, this an enjoyable
yet somewhat muddled effort.
[6] CHRIS FRENCHIE FRENCH
CONSUMED BY
THE BUCOLIC
GRANDIOSITY
KNIFE HITS
Eris
KUOLEMANLAAKSO
M. Laakso Vol. 1:
The Gothic Tapes
KROH
LIES
Altars
DEVIZES
SVART
Abuse/Plague
SOUTHERN LORD
r, if youre an avowed
wax-snagger who thinks
CDs are lameoid technology
as outmoded as the spinning
jenny, just Plague the title
above refers to a compilation of these Bay Area
blisterers new one-sided twelve-inch (which
could easily fit on a seven-inch) and Abuse,
their 2014 debut EP. Together, these fifteen
songs clock in at a breathless twenty minutes,
and Lies play the kind of hardcore that makes a
virtue of its high-pressure compactness. Fastmoving, with metal-tipped guitar solos and a
bulldozing bass sound, they seem to draw on
Scandinavian crust as much as the misanthropic
mid-80s era of Poison Idea. Theres nothing you
could earnestly call progress between the two
EPs, but thats hardcore for ya.
[7] NOEL GARDNER
WINTERFYLLETH
The Dark Hereafter
CANDLELIGHT/SPINEFARM
MAKE
Pilgrammage Of Loathing
WORMROT
DEVOUTER
Voices
EARACHE
62
TERRORIZER #275
MERCYLESS
Pathetic Divinity
KAOTOXIN
EP ROUND-UP
MORROW
Covenant Of Teeth
HALO OF FLIES/ALERTA ANTIFASCISTA/CHAOS RURALE
ith members of
Archivist, Carnist and
Light Bearer in their fold,
Morrow could be called a
crust supergroup, but that
would belittle what they are up to. Crafting
four epic and sprawling songs exploring
language and sounds through somber folk
strumming to gargantuan, soaring doomed
riffs into full-on d-beat crust apocalypse,
Covenant Of Teeth is indeed an epic
sounding album. Its like Neurosis if they had
skipped the prog stuff after Souls At Zero,
kept the anger from The Word As Law and
distilled it all in a feral stew of Tragedy and
Fall Of Efrafa. Yes, it is that good, that dark,
that brooding and, above all, its still punk
as fuck.
[8] ALEX BONIWELL
COLD SPRING
OOZING WOUND
PICTURES OF PAIN
THRILL JOCKEY
PITCH BLACK
Whatever Forever
World Demise
PAIN
RED FANG
SAINT VITUS
SKULLHOG/VIOLATION WOUND
NUCLEAR BLAST
RELAPSE
SEASON OF MIST
FATASS
Coming Home
64
PENNY RIMBAUDS
LACADMIE DES VANITS
bituary are back with two-track single Ten Thousand Ways To Die [7, Relapse],
their first new material since 2014s somewhat lacklustre Inked In Blood, and lo and
behold, theyre sounding rejuvenated. Loathe alternates between sickly, lurching doom
and that classic Obi bounce, whilst the title track offers up some particularly slimy lead guitar and
Tom G. aping riffery. Theyve even thrown in a whole host of live material as a bonus, of varying
degrees of sound quality. Its cool and all, but not exactly essential unlike the new Spectral
Voice/Phrenelith split [8.5, Iron Bonehead/Dark Descent]. Denvers Spectral
Voice nail that eerie Demigod-esque vibe perfectly before diving headlong into vast caverns of
demented Autopsy style death-doom, whilst Denmarks Phrenelith manage to summon an even
filthier sound, with their supremely guttural vocals and heavily detuned guitars recalling Pissgrave
or fellow countrymen Undergang.
Meanwhile, in the world of death metal demos, it seems the punks have beaten the longhairs
at their own game this month. Stateside, members of Iron Lung and Mind Eraser have clubbed
together to form Innumerable Forms and belch out the two track Promo 2016 [7, selfrelease], a lumbering and very primitive exercise in sheer brute force, whilst in the UK,
Savage Realm sees folk from Art Of Burning Water and Lich joining forces for Nocturnal
Savagery [9, self-release] one of the years gnarliest demo tapes so far. The vocals sound
genuinely evil, the guitar tone is amazing, the drums are totally ferocious, the four songs are
interestingly structured and the riff count is higher than a lot of full-lengths weve heard recently.
Seriously, just go buy it!
If its more blackened fare youre after, be sure to add Astrophoboss new EP Enthroned In
Flesh [7, Triumvirate] to your shopping list. The four melodic yet blisteringly furious tracks on
offer here feel even more refined and tightly honed than the competent Dissection worship of their
2014 debut album Remnants Of Forgotten Horrors and bode very well indeed for their next fulllength. Former Altar Of Plagues frontman James Kelly has a new release from his Wife project too,
though if youve been paying attention, you wont be expecting any black metal here. Wife allows
James to explore his love of electronic music, and though Standard Nature [7.5, Profound
Lore] feels a bit glitchier, chaotic and less song-based than his previous work under this name, the mixture of
James heavily processed vocals with stuttering staccato beats and futuristic synth sounds is still as thrilling
as ever.
Pallbearer also return with Fear And Fury [7, Profound Lore] this month, with one utterly
gorgeous original song providing all the beautiful vocal harmonies, devastatingly mournful riffs and heartfelt
songcraft weve come to expect from the band, and a pair of covers. Their version of Black Sabbaths Over
And Over is by far the more effective of the two, hinting at the vintage Ozzy sound more than the Dio-fronted
original, as their rendition of Type O Negatives Love You To Death falls flat, neither attaining the gothic
grandeur of the original or the bands own usual evocative atmosphere. Doom fiends should also be on the
lookout for Advorsus [8, Medusa Crush], the heroic debut EP from Sheffield trio Kurokuma. Three
tracks of uneasy psychedelic sludge with pulsing tribal rhythms, hoarse vocals, intricately layered and wildly
performed solos and massive Fleshpress-esque riffs, its heavy, fiercely unique stuff that will be enormously
refreshing if youre finding yourself burnt out on endless Eyehategod copycats.
Finally, if youre in the mood for something faster, Nepalese grinders Chepangs Lathi Charge [7.5,
Nerve Altar/Holy Goat/Cricket Cemetery] is lethal as fuck, dishing out a volley of abrasive,
dissonant grindcore faster than you can say Discordance Axis, with some punkier Wormrot style bits and a
delicious death-grind flavour la Assck on a couple of these tracks. If thats not enough to fulfil your craving
for blastbeats, Belgiums Reproach have you covered with Despair/Shittown [7.5, Crapoulet/
Awesome Vision], a vitriolic burst of crusty hardcore that isnt afraid to ramp up the tempo when it needs
to, kind of like The Exploited at twice the speed with more fastcore parts and Cro-Mags style mosh riffs. Yum!
WORDS: Kez Whelan
TERRORIZER #275
Only Ghosts
Live Vol. 2
ecorded in Europe in
2013, their second live
album presents Saint Vitus
in red-in-tooth-and-claw
style befitting of their punksteeped backstory. Without studio trickery, the
unadorned live mix leaves plenty of space for
Wino and Dave Chandler to battle it out in the
unmistakability stakes, with both sounding all
the better for the three decades of doom that
Live Vol. 2 draws from. Ditching the genres
more morbid affectations in favour of highenergy rocking, the vitality of their performance
has road-worn Born Too Late classics sounding
as fresh as newer material, with Dave Chandlers
psychedelic guitar whiteouts and Winos
commanding baritone levelling album chronology
for a consistently heavy Vitus experience.
[8] TIM HORROCKS
Split
SELF RELEASE
SELF RELEASE
SONATA ARCTICA
THY CATAFALQUE
NUCLEAR BLAST
SEASON OF MIST
STEVE GRIMMETTS
GRIM REAPER
TRUCKFIGHTERS
TRUE WIDOW
WOVENWAR
CENTURY MEDIA
RELAPSE
METAL BLADE
DISSONANCE
ruckfighters (appropriately
titled) fifth studio album
V sees the Swedes at the
height of their fuzzy powers.
The seven tracks on offer are
heavier, more anthemic, and just plain bigger
than ever. Calm Before The Storm blends
infectious, thick grooves with lush, meandering
guitars and Ozos laid back, smoother-than-ever
vocals. Hawkshaw bursts at the seams with
ballsy bass hooks, bombastic psych touches
and just the right amount of cowbell, whilst
The 1 is absolute classic Truckfighters from
start to end and The Contract is all about slow
build, chunky riffs and a ripper of a climax. It
drives hard, is solidly written, and undeniably
triumphant V earns them a spot on the
desert rock pantheon.
[8] JAY HAMPSHIRE
66
TERRORIZER #275
Meta
Avvolgere
Honor Is Dead
ZINE
DVDS
Whispering Eyes #3
ANDREW WALTER
IN FLAMES
COIL/CURRENT 93/
FOETUS/TEST DEPT.
The Sound Of Progress
COLD SPRING
BOOK
To Live Is To Die:
The Life And Death Of
Metallicas Cliff Burton
JOEL MCIVER
JAWBONE PRESS
68
TERRORIZER #275
ANAAL NATHRAKH
We ventured forth into
str ang er to T errori zer .
no
are
rs
nde
gri
ned
Birminghams finest blacke
Kenney the once-over
giv e D ave H unt and M ick
to
d
orl
rw
nde
U
he
T
of
the dar k cha mbe rs
Laverty & Miranda Yardley
Words: Miranda Yardley Pics: Becky
TREVOR JONES
& THE LONDON
PHILHARMONIC
ORCHESTRA
Theme From Excalibur FROM
Excalibur OST
(OLD WORLD, 1981)
TORMENTOR
Heaven FROM Anno Domini
(SELF-RELEASE, 1989)
70
TERRORIZER #275
NAPALM DEATH
MISTRESS
From Enslavement To
Enslavement To Obliteration
Trust
(EARACHE, 1988)
(EARACHE, 2005)
MOTIONLESS IN
WHITE
Synthetic Love FROM
Infamous
(FEARLESS, 2012)
BENEDICTION
I Am The Disease
FROM Organised
Chaos
MORGUE ORGY
The Modern Prometheus
FROM Murders Most Foul
(FETO, 2011)
OBSIDIAN
KINGDOM
Away/Absent FROM A
Year With No Summer
(SEASON OF MIST,
2016)
73%
FINAL SCORE: have
been in
DA RULES
TERRORIZER #275
71
DARK RECOLLECTIONS
CIRITH UNGOL
Paradise Lost
CIRITH UNGOLs
72
TERRORIZER #275
ROTTING CHRIST
BLOODSTOCK
CATTON HALL
FRIDAY
Swansea sludge monsters Hark open proceedings
with big groovy riffs and plenty of bottom end. Brand new
number Disintegrate proves a very effective wake-up call in
the already blazing sunshine. Comedy hour comes courtesy
of Gloryhammer and Evil Scarecrow. Cue daft
costumes on and off stage as everyone loses themselves
in the midst of interstellar warfare, battling away with
everything from invading unicorns to giant crabs.
SATYRICON
74
TERRORIZER #275
SATURDAY
With Mages steadily unfurling monolithic grooves
forming a suitably inert soundtrack to the various crippling
hangovers being valiantly suffered near the Sophie Stage this
morning, the crisp cleans and well-muscled chug of The
Raven Age make for pleasingly melodic, if rather generic
change of pace.
Performing double duty, Gregor Macintosh is a whirling
dervish, leading Vallenfyre through a titanic set of crusty
death metal. Intimate and devastating, the likes of Bereft
and Desecration hark back to the salad days of death metal
whilst pointing at its richly dystopian future. Akercocke
mount a triumphant comeback with Jason Mendona
especially looking revitalised from their sabbatical. Deftly
switching between brutal death blasts to intricate progressive
shapes, the main stage crowd lets the Londoners know how
dearly theyve been missed.
VENOM
SUNDAY
The various caterwauling punters heard playfully
mimicking Ghostbaths trademark banshee shrieks here
this morning might suggest a division of popular opinion,
but with their exquisite layering of velvet-thick distortion,
delicately cascading piano notes and wintry lashings of
tremolo, theirs is a rare and richly absorbing talent. With
heavy overreliance on murkily primitive brutality, US metalcore
icons Unearth bludgeon the senses into submission via
SLAYER
CORROSION OF CONFORMITY
ANTHRAX
TERRORIZER #275
75
ALUK TODOLO
NEUROSIS
AMPLIFEST
PORTO, PORTUGAL
FRIDAY
Amplifests sixth edition begins with bang, as the mighty
Aluk Todolo treat us to an extended set in the sweaty
basement of Cave 45, a great little venue just out of town.
The trio are often referred to as a black metal band, and
whilst there are elements of that aesthetic here, their improvheavy, krautrock inspired sound really has more in common
with the likes of Fushitsusha or old Skullflower than they do,
say, Burzum or Mayhem, and theyre in particularly tranceALTARAGE
SATURDAY
At the Hard Club, a large venue right in Portos centre,
Lisbon trio Redemptus open the festival proper
in style with a bleak, tumultuous barrage of crusty
atmospheric sludge, bassist/vocalist P.R. screaming his
guts out with a wild, untamed fervour. Arriving slightly
later than planned, Minsks hulking great post-metal
vistas sound suitably crushing over on the Hard Clubs
larger stage, but its Spains Altarage who provide
the first genuine holy fuck! moment of the day. Clad
in creepy black hoods, the quartet unleash all hell with
their murky, Portal style death metal, as disorientating
riffs collide with some truly inhuman blastbeats
(seriously, in this heat, and under those robes, their
SUNDAY
Latvias Tesa impress with their intricately crafted
post-metal, their dense, cyclical riffs possessing a highly
hypnotic quality. As drummer Jnis Burmeisters whips out some
gnarly screams whilst battering his kit, its not hard to see why
Neurosis picked these guys as support for this Euro tour. By
comparison, Ghent misery merchants The Black Heart
76
TERRORIZER #265
OATHBREAKER
PRURIENT
MONDAY
Monday makes our transition back to reality a bit easier
with two fantastic performances at Passos Manuel, an old
cinema in the centre of town. The Leaving is Zatokrevs
Frederyk Rotters acoustic alter ego, and his gentle falsetto and
delicate finger-picked chords are worlds apart from his other
band, showcasing a whole new side to the musician. Tonight
is all about Steve Von Till though; still on a high from
yesterdays performance (last night was fucking awesome!
he beams at one point, to a roar of approval from the
crowd), he keeps the whole room rapt with several of his own
compositions and a beautiful version of Townes Van Zandts
Black Crow Blues, along with several anecdotes about the
meanings and origins of his songs. Its a fantastic, intimate
experience, and the perfect end to this extraordinary festival.
MINSK
TERRORIZER #265
77
DISCHARGE
REBELLION
FESTIVAL
WINTER GARDENS, BLACKPOOL
FRIDAY
The annual Rebellion Festival sees thousands of punks
from around the world converge on the cheese capital of the
Northwest (thats Blackpool, for the uninitiated), to chase around
four or five venues and see as many of the 150+ bands as they
can in four days.
Your reviewer arrives on the Friday evening, just in time
to see Discharge blowing away an expectant crowd on the
new open-air Tower Street stage, confirming they are back on
formidable form. The new album is plenty strong enough for
recently-penned songs to sit comfortably alongside the early
80s classics, but only a few were aired, the band preferring to
batter the crowd with relentlessly intense tracks from the first
LP, 12 and EPs.
In the more intimate setting of the Pavilion stage,
Paranoid Visions are their usual vitriolic self, and sound
great, ending with a rousing version of Ever Fallen In Love by
the Buzzcocks, Deko Dachau and Aoife Destruction both bringing
very different vibes to the vocal delivery that complement each
other wonderfully.
As usual, the UK Subs played to a full house on the Tower
stage, the crowd singing along to all the standards (Warhead in
song off their last album, Perfume And Piss, they then proceed
to rattle through all of their seminal Leather, Bristles, Studs
And Acne 12 (plus most of their early singles and the best
tracks from their first two LPs!) as if their lives depended upon
it. MDC tear it up in the Pavilion stage, their chaotic hardcore
punk a diatribe against ignorance and oppression, whilst The
Ruts are stunning in the Opera House; now a three-piece, they
play a 50/50 set of their old punk classics and their latter period
dub reggae.
The Damned play to a rammed Tower stage, sounding
better than ever, even if they couldnt be seen because of the
burgeoning throng, so its back to the Pavilion to see Steve
Ignorant joining Paranoid Visions for an enjoyable set
mainly consisting of material from their collaborative When?
album, though the surprise Crass covers make for a fitting and
exhilarating climax.
SUNDAY
Police Bastard have the unenviable slot of opening up
the main stage on Sunday morning, but pull it off with aplomb,
and soon have the growing crowd moshing to their heaving
metallic punk, vocalist Johnny Doom dryly noting, This is not my
usual Sunday morning routine!
Ably representing Belfast as always, The Defects
and The Outcasts make a great pairing in the Empress
Ballroom, both bands rattling through some well-loved classics,
The Defects also showcasing some new material that sounded
convincingly moody and urgent. The Adolescents suffer
somewhat with the curse of bad sound that unfortunately
plagues the highly-ceilinged Empress Ballroom, but that doesnt
stop the energy of their exuberant SoCal punk infecting the room,
the massive singalong to Amoeba as enjoyable as expected.
Dag Nasty are great on the outdoor stage, despite the
drizzle and wind. After waiting thirty years to see them, this
was almost a religious experience for many, and they dont
disappoint, playing all their classics note-perfectly with a
likeable self-deprecating honesty. Shame they cock up their
cover of Staring At The Rude Boys, but after such a stunning
set, no one cares.
Not sure where Jello Biafra finds his energy, but every
time he tours here, he gets better, peppering rampant newer
material with Dead Kennedys chestnuts like Californian Uber
Alles, Nazi Punks (Fuck Off!) and Riot. We even get Forkboy
by Lard, and Jello has a manic flamboyant stage presence that
puts performers half his age to shame, stage-diving and miming
his way through an incendiary set both jaw-droppingly raging
and brutally politically relevant. A definite highlight of the whole
festival, and two fingers up to anyone who says Rebellion is
nothing but safe nostalgia.
DAG NASTY
78
TERRORIZER #275
album
only
after their
nine months
but Noeth
mighty fine de
Welsh
Ac Anoeth, rising
doom crew MAMMOTH
Releasing second
yll
Y Proffwyd Dw
FLOATING
POINTS
WEED WIZARD
as
BASTARD arent
riffs.
slow as their
BALL
Vocalist JESSICA
ts inspired
tells us wha
(PLUTO, 2016)
MELVINS
THE SWORD
80
TERRORIZER #275
CAN
A History Of Bad
Men FROM A Senile
Animal
(IPECAC, 2006)
SONIC YOUTH
Cross The Breeze
FROM Daydream
Nation
(ENIGMA, 1988)
UFOMAMMUT
Stigma FROM
Idolum