Académique Documents
Professionnel Documents
Culture Documents
Teoria della
divisione dell'ottava in parti uguali", Rivista Musicale Italiana vol. 18,
1911, pp. 382-420.
Alaleona, D. "Le tonalit neutre e l'arte di stupore", Rivista Musicale
Italiana vol. 18, 1911, pp. 769-838.
Albra, Philippe. "Ivan Wyschnegradsky 'Quatuor no.1' opus 13 (192324)", Concert 10, Contrechamps, Genve, 2000.
Albini, Giovanni and Samuele Antonini. "Hamiltonian Cycles in the
Topological Dual of the Tonnetz", 2nd International Conference
Mathematics and Computation in Music, 19-22 June 2009, Yale
University, New Haven CN.
d'Albiz, Joseph Lubet. Cration Harmonique. toile musicale
compose pour piano ou orgue quarts de ton. BN Vm (8) 532, Paris,
1858. (Recueil factice)
Albrecht, Jan. "Essays ber Kunst. Ein Teufelsgesprch ber die
Zukunft der Musik (zu Thomas Manns Roman Doktor Faustus)", Zbornik
filosoficke fakulty university Komenskeho vol. 22, Bratislava, 1971, pp.
99-137.
Albritton, Jerry Samuel. A historical survey of important tuning systems
in Western music. MM diss. Florida State U., Tallahassee, 1969.
d'Alembert, Jean Henri. lments de musique thorique et pratique,
suivant les principes de M. Rameau, claircis dvelopps et simplifis.
David l'Ain, Paris, 1752, 171 pages. Nouvelle dition, revue, corrige,
Jean Marie Bruysset, Lyon, 1759, 1762, 1766, 1772, 1779, 236 pages.
German translation by F.W. Marpurg, Leipzig, 1757.
d'Alembert, Jean Henri. Rponse de M. d'Alembert une lettre
imprime de M. Rameau. Paris, 1762.
Alessi, Rosario. Sonometro. Misura matematica del suono musicale.
Metodo torico per la giusta divisione della scala cromatica...per
accordare i pianoforti. A. Morano, Naples, 1881.
Alexjander, Susan. "DNA tunings", Experimental Musical
Instruments vol. 8 no. 2, Sept. 1992, pp. 30-31.
Alexjander, Susan. "The Infrared Frequencies of DNA Bases, as
Science and Art",Engineering in Medicine and Biology Magazine, IEEE,
March/April 1999, pp. 74-75.
al-Farabi. Kitab al-musiqa al-kabir. Reprint Gattas 'Abd al-Malik
Hashaba, Dar al-katib al-'arabi, Cairo, 1967. French translation by F.R.
d'Erlanger, 1930. Reprint Ed. Eckhard Neubauer, Frankfurt a.M., 1998,
482 pages.
Algaraz, Jos Antonio. "A Propsito de Julin Carrillo", Heterofona vol.
8 no. 31, 1975, pp. 20-23.
Allain-Dupr, Philippe. "Jobin versus Lehman", WWW, 2005.
Allan, G.E. "The Musical Scale of the Highland
Bagpipe", Philosophical Magazinevol. 29, 1940, pp. 154-161.
Alldahl, Per-Gunnar. Korintonation: Du skall icke sjunga falskt mot din
nsta. SKS musikbcker no. 5. Gehrman, Stockholm, 1990, 142 pages.
Arntzen, Kees. "Softness in the air. About Ton Bruynl", Keynotes vol.
30 no. 2, June 1996, pp. 12-15.
Arrachart, Jean-Marc. "La musique, la posie, les
mathmatiques", Premier Cahier Ivan Wyschnegradsky, Paris, March
1985, pp. 83-86.
Arslan, Fazli. Safi al-Din al-Urmawi and the Theory of Music: Al-Risala
al-sharafiyya fi al-nisab al-ta'lifiyya. Content, Analysis and Influences.
Foundation for Science Technology and Civilisation, March 2007, 24
pages.
Artaud, Pierre-Yves. La flte. Jean-Claude Latts/Salabert, Paris,
1986.
Artaud, Pierre-Yves and Grard Geay. Fltes au prsent: Trait des
techniques contemporaines. Salabert, Paris, 1980.
Artusi, Giovanni Maria. L'Artusi, overo Delle imperfettioni della
moderna musica ragionamenti dui. Venice, 1600. Reprint 1969.
Artusi, Giovanni Maria. Considerationi musicali. Venice, 1603.
Arvidsen, Jrn K. "Eivind Grovens renstemte orgel med automatisk
toneoppvalg",Norsk kirkemusikk vol. 8, October 1982, pp. 295-303.
Ashley, Richard D. "Modelling ensemble performance: Dynamic just
intonation",Proceedings of the International Computer Music Conference,
San Jose, 1992. International Computer Music Association, San
Francisco, pp. 38-41.
Ashton, Anthony. Harmonograph: A Visual Guide to the Mathematics
of Music. Walker & Company, New York, 2003, 64 pages.
Asioli, Bonifazio. Osservazioni sul temperamento proprio
degl'istromenti stabili: Dirette agli accordatori di pianoforte ed organo.
Emilio Giusti, Milano, 1816.
Asioli, Bonifazio. Disinganno sulle osservazioni fatte sul
temperamento...in aggiunta al suo opusculo. Opera postuma. Ricordi,
Milano.
Asioli, Bonifazio. Anleitung, Clavierinstrumente zu Temperiren und auf
die leichteste Art ohne Beihlfe eines Meister rein und richtig zu
stimmen. Artaria, Vienna, c.1819.
Askenfelt, Anders (ed.) Five lectures on the acoustics of the piano.
Royal Swedish Academy of Music, 1990, WWW, 2000.
Asmussen, Robert. "Tuning by Ratios", WWW, 1997.
Asmussen, Robert. Periodicity of sinusoidal frequencies as a basis for
the analysis of Baroque and Classical harmony: a computer based study.
PhD diss., University of Leeds, September 2001, 289 pages.
Asmussen, Robert. "A Rule-based System for Tuning Chord
Progressions", WWW, 2008, 25 pages.
Asperen, Bob van. "Consonant or dissonant? - Reflections at the
keyboards of a Clavemusicum Omnitonum, cimbalo cromatico, and
'cembalo naturale'", Schweizer Jahrbuch fr Musikwissenschaft vol. 22,
2002, Schweizerische Musikforschende Gesellschaft, Peter Lang, Bern,
2003.
-B
Bates, Robert F., Mark Lindley and Kimberley Marshall. "The Stanford
Organ: A Synthesis of Views, The Stanford Eclectic
Tunings", Performance Practice Reviewvol. 5, 1992, pp. 159-197.
Bthory-Kitsz, Dennis. "Construal of Musical Process
Architecture", Consorting, June 1992.
Batish, Ashwin and S.D. Batish. Ragopedia: Exotic Scales of North
India. Batish Institute, 1989, 190 pages.
Battan, Suzette Mary. Alois Hba's 'Neue Harmonielehre des
diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und ZwlftelTonsystems'. PhD dissertation with annotated English translation,
Eastman School of Music, Rochester, 1980, 2 vols., 366 pages.
Baud-Bovy, Samuel. "L'accord de la lyre antique et la musique
populaire de la Grce moderne", Revue de musicologie vol 53 no. 1,
1967, pp. 3-20.
Baud-Bovy, Samuel. "Bourgault-Ducoudray et la musique grecque
ecclsiastique et profane", Schaeffner Festschrift, 1982, pp. 153-163.
Bavington, Peter and Miles Hellon. "Evidence of historical
temperament from fretted clavichords", Fellowship of Makers and
Researchers of Historical Instruments Quarterly no. 64, July 1991, pp.
55-58.
Bavington, Peter. "Clavichord tuning and maintenance 13: More
thoughts on temperament setting", The British Clavichord Society
Newsletter no. 20, June 2001, pp. 9-13.
Bavington, Peter. "The Temperament of the Donat Clavichord", WWW,
July 2002.
Bavington, Peter. "Two books on temperament. Ross W. Duffin: How
Equal Temperament Ruined Harmony, A.C.N. Mackenzie of Ord: The
Temperament of Keyboard Music: Its Character; its Musicality; and its
History (book reviews)", British Clavichord Society Newsletter vol. 41,
June 2008.
Bayer, Francis. De Schnberg Cage. Essai sur la notion d'espace
sonore dans la musique contemporaine. d. Klincksieck, Paris, 1981.
Bayer, Karl. Auflsung der Antinomie Tonalitt kontra Atonalitt,
Atonalitt kontra Tonalitt im Medium des Pytagoreischen Kommas und
reinen-edlen-Gesanges. Lbeck, 1980.
Beach, David Williams. The Harmonic Theories of Johann Philipp
Kirnberger: Their Origins and Influences. PhD diss., Yale University,
1974.
Beach, David Williams. "The Origins of Harmonic Analysis", Journal of
Music Theoryvol. 18, 1974, pp. 274-306.
Beach, David Williams. "Georg Andreas Sorge - Genealogia allegorica
intervallorum octavae diatono-chromaticae. Translation and
Edition", Theoria vol. 14, 2007, pp. 7-56.
Beal, Amy C. New Music, New Allies - American Experimental Music in
West Germany from the Zero Hour to Reunification. Berkeley CA, 2006.
Rika Maniates (ed.), University of Toronto Press, Toronto, 1997, pp. 97148.
Bowen, Meirion. "Harry Partch", Music and Musicians vol. 16, 1968,
pp. 20-25.
Boyd-Brent, John. "Harmony and Proportion", WWW, 1998.
Boyden, David Dodge. "Prelleur, Geminiani, and Just
Intonation", Journal of the American Musicological Society vol. 4 no. 3,
1951, pp. 202-219.
Boyden, David Dodge. "Tuning and Temperament. A Historical Survey
by J. Murray Barbour" (book review), The Musical Quarterly vol. 38 no. 3,
July 1952, pp. 451-457.
Boyes, Francis Bryan. Das Jank-Clavier in seiner vollkommenen
Ausfhrung. Staatliches Institut fr Musikforschung, Wien, 1894.
Bozkurt, Baris; Ozan Yarman, M. Kemal Karaosmanoglu and Can
Akkoc. "Weighing diverse theoretical models on Turkish Maqam Music
against pitch measurements: A comparison of peaks automatically
derived from frequency histograms with proposed scale tones", Journal
of New Music Research vol. 38 no. 1, March 2009, pp. 45-70.
Braatz, Thomas. "The Hnfling/Bmler Temperament a Trigger for
Bachs Well-Tempered Clavier?", WWW, 2005, 10 pages.
Bradt, Sebastian. "Mikroton", Logos Blad, part 1, April 2007 to part 6,
September 2007.
Brainin, Valeri. "Ein Brief ber gewisse Mglichkeiten der
mikrochromatischen Komposition in Zusammenhang mit denkbaren
Perspektiven der Evolution der Musiksprache" (in Russian), Musykalnaja
Akademia no. 3, Moskow, 1997. German translation by Melitta and
Rudolf Neumann, 12 pages.
Brandsma, Engbert. "ber die Tonverhltnisse in der Alten und Neuen
Musik",Bericht von III. Kongre der Internationalen Musikgesellschaft,
1909, p. 387.
Brandt Buys, Hans. Het Wohltemperirte Klavier van Johann Sebastian
Bach. Van Loghum Slaterus' Uitgeversmaatschappij, Arnhem, 1942, 322
pages.
Braun, Martin. "The gamelan pelog scale of Central Java as an
example of a non-harmonic musical scale", WWW, Aug 2002.
Braun, Martin. "Bell tuning in ancient China: a six-tone scale in a 12tone system based on fifths and thirds", WWW, June 2003.
Breed, Graham. "Documents on Alternative Tunings", WWW, 1998.
Breed, Graham. "Meantone Temperaments", WWW, 1999.
Breed, Graham. "Schismic Temperaments", WWW, 1999.
Breed, Graham. "Anomalous Saturated Suspensions", WWW, 1999.
Breed, Graham. "Octave Invariant Music Lattices", WWW, 1999.
Breed, Graham. "Lattices with Decimal Notation", WWW, 2001.
Breed, Graham. "Catalog of Linear Temperaments", WWW, 2001.
Breed, Graham. "Miracle keyboard mappings", WWW, 2001.
Breed, Graham. "How to Find Linear Temperaments", WWW, 2001.
Musiekgeschiedenis vol. 16, 1946, pp. 217-252; vol. 17, 1949, pp. 128157.
Bruyr, Jos. La belle histoire de la musique. Corra, Paris, 1946.
Bryennius, Manuel. Armonika. Constantinople, 1300. The harmonics of
Manuel Bryennius, G.H. Jonker (ed.), PhD thesis, Groningen University,
1970. Wolters-Noordhoff Publishing, Groningen, 1970, 454 pages.
Buch, Peter. "Favored cardinalities of scales", WWW, 15 pages.
Buchler, Michael. "Broken and Unbroken Interval Cycles and Their Use
in Determining Pitch-Class Set Resemblance", Perspectives of New
Music vol. 38 no. 2, summer 2000, pp. 52-87.
Bucht, Saku and Erkki Huovinen. "Perceived consonance of harmonic
intervals in 19-tone equal temperament", Proceedings of the Conference
on Interdisciplinary Musicology (CIM04), R. Parncutt; A. Kessler; F.
Zimmer (eds.), Graz, 15-18 April 2004.
Buck, Percy C. "Equal and Mean-Tone Temperament", in Acoustics for
Musicians, Clarendon Press, Oxford, 1918, pp. 91-106.
Buetens, Stanley. "On fretting a lute", Journal of the Lute Society of
America vol. 3, 1970, pp. 53-63.
Bukofzer, Manfred. "Przisionsmessungen an primitiven
Musikinstrumenten",Zeitschrift fr Physik vol. 99 no. 9-10, 1936, pp. 643665.
Bukofzer, Manfred. "Kann die 'Blasquintentheorie' zur Erklrung
exotischer Tonsysteme beitragen?", Anthropos vol. 32, Salzburg, 1937,
pp. 402-418.
Bukofzer, Manfred. "The evolution of Javanese tone systems", Papers
read at the International Congress of Musicology, New York, Sept. 1939,
New York, 1944, pp. 241-250.
Blow, George J. "Andreas Werckmeister", in New Grove Dictionary of
Music and Musicians, MacMillan, London, 1980.
Blow, George J. "Symposium on Seventeenth-Century Music
Theory", Journal of Music Theory vol. 16, 1972, pp. 36-47.
Bulyowsky, Michael (Mihly Bulyovszky de Dulycz). Brevis de
emendatione organi musici tractatio. Kurtze Vorstellung von
Verbesserung des Orgelwercks. Johann Eberhard Zetzner, Strasbourg,
1680, bilingual. Reprint: Frits Knuf, Buren, 1988, 121 pages. Reprint
Laaber Verlag, Bibliotheca Organologica 68, Laaber, 150 pages.
Bulyowsky, Michael. Neu-erfundenes vollkommenes fnff-faches
Clavier, bestehend aus fnff Reyhen der Palmulen und so genandten
Clavium, dessen eine gantze Octav XXXII. Commata begreifft, so alle in
geometrischer Continuen und ungetrenneten Progression aufeinander
gehen.... Paul Treu, Stuttgart, 1699.
Bulyowsky, Michael. Tastatura quinqueformis panarmonicometathetica. Theodor Hecht, Durlach, 1711.
Bulyowsky, Michael. Fnff-faches, vollstndiges Transponier-Clavier,
in einigen seinen Tugenden vorgestellt..... Theodor Hecht, Durlach, 1711.
-C
Canright, David. "Fret Choices for Just Intonation Guitars (or Fretting
about Fretting)",1/1 vol. 10 no. 3, fall 2000, pp. 18-21, 24.
Canright, David. "Performance: Concert in Celebration of the Chrysalis
New Music Studio - Instruments and Music by Cris Forster"
(review), 1/1 vol. 11 no. 4, spring 2004, pp. 19-20.
Canright, David. "John Schneider: Just Guitars" (CD review), 1/1 vol.
11 no. 4, spring 2004, pp. 21-22.
Cantagrel, Gilles. Les dfauts du temprament ingal de Silbermann.
Hachette, Paris, 1982.
Cantarini, A. "Intervalli enarmonici `enarmonium' e l'avvenire della
musica", Rivista Musicale Italiana vol. 29, 1922, pp. 349-354.
Cantrell, David W. "Arnault's Lute, the Modulus of Elasticity of
Mersenne's Gut, and the Downbearing Ratio", Galpin Society
Journal vol. 34, March 1981, pp. 147-148.
Capes, John Moore. An Essay on the Growth of the Musical Scale and
of Modern Harmony. Novello, Ewer & co, London, 1877, 144 pages.
Kessinger Publishing, 2009, 158 pages.
Capleton, Brian. "Why are pianos tuned to Equal Temperament, and
What is Equal Temperament? (Temperament without mathematics)",
WWW, 2005.
Capleton, Brian. "On falseness and paradigms for the nature of piano
tuning", WWW, 2005.
Capleton, Brian. Theory and practice of piano tuning. Amarilli Books,
West Malvern, 2008, 628 pages.
Capricornus, Samuel. Geistliche Harmonien. Stuttgart, 1659.
Capurso, Alfredo. "The Circular Harmonic System - C.HA.S., English
translation by Liz Poore, WWW, 2006, 13 pages.
Capurso, Alfredo. "Sonorous Algorithms, Sikania no. 249, July 2007,
pp. 79-81.
Capurso, Alfredo. "Un nuovo modello interpretativo di alcuni fenomeni
acustici: il sistema formale circolare armonico (Circular Harmonic System
C.HA.S.)", A new model of interpretation of some acoustic phenomena
(Circular Harmonic System C.HA.S.)", Quaderni di Ricerca in
Didattica no. 19, G.R.I.M. Department of Mathematics, University of
Palermo, 2009, pp. 58-83.
Capwell, Charles. "The Rags of North Indian Music: Their Structure
and Evolution by N.A. Jairazbhoy" (book review), Asian Music vol. 4 no.
2, 1973, pp. 19-26.
Caramuel Lobkowitz, Juan. Mathesis nova. Campania, 1670.
Caratolozzo, Francesco. "The pentadecaphonic system: an 'equal
tempered scale' with interesting properties", WWW, 2001.
Carey, Norman and David Clampitt. "Aspects of Well-Formed
Scales", Music Theory Spectrum vol. 11 no. 2, fall 1989, pp. 187-206.
Carey, Norman and David Clampitt. "Regions: A Theory of Tonal
Spaces in Early Medieval Treatises", Journal of Music Theory vol. 40 no.
1, 1996, pp. 113-147.
Catler, Jon. The Nature of Music. FreeNote Records, New York, 2003.
Caton, Margaret L. The classical Tasnif, a genre of Persian vocal
music. PhD diss., University of California, Los Angeles, 1983.
Caus, Salomon de. Institutions harmoniques. Diuise en deux parties.
En la premire sont monstres les proportions des intervalles
harmoniques et en la deuxiesme les compositions dicelles. Jan Norton,
Frankfurt, 1615, 59 pages.
Caus, Salomon de. Les raisons des forces mouvantes avec diffrentes
machines. Jan Norton, Frankfurt, 1615.
Cavalieri, Bonaventura. Centuria di vari problemi (...) per dimostrare
l'uso, et la facilita de' logaritmi (...) nella musica. Monti et Zenero,
Bologna, 1639.
Cavallini, Edoardo. "Breve nota sul pluricromatsmo", Rivista Musicale
Italiana, 1943, p. 247.
Cavallini, Edoardo. "Il Pluricromatsmo nell' evoluzione
musicale", Rivista Musicale Italiana, 1946, p. 130.
Cavallini, Edoardo. "Per un' intensa sull' unificazione dei segni
pluricromatici" (a more unified system of microtonal notation), Rivista
Musicale Italiana vol. 48 no. 4, Milan, 1946, pp. 516-522.
Cavallo, Tiberius. "Of the Temperament of those Musical Instruments,
in which the Tones, Keys, or Frets, are Fixed, as in the Harpsichord,
Organ, Guitar, &c.",Philosophical Transactions of the Royal Society of
London vol. 78, January 1788, pp. 238-254. excerpts.
Cazden, Norman. "Musical Consonance and Dissonance - a Cultural
Criterion",Journal of Aesthetics and Art Criticism vol. 4, 1945, pp. 3-11.
Cazden, Norman. Musical Consonance and Dissonance. PhD thesis,
Harvard University, 1947.
Cazden, Norman. "Tonal Function and Sonority in the Study of
Harmony", Journal of Research in Music Education vol. 2, 1954, pp. 2134.
Cazden, Norman. "Pythagoras and Aristoxenos reconciled", Journal of
the American Musicological Society vol. 11 nos. 2-3, 1958, pp. 91-105.
Cazden, Norman. "Musical Intervals and Simple Number
Ratios", Journal of Research In Music Education vol. 7 no. 2, 1959, pp.
197-220.
Cazden, Norman. "Sensory Theories of Musical Consonance", Journal
of Aesthetics and Art Criticism vol. 20, 1962, pp. 301-319.
Cazden, Norman. "The Definition of Consonance and
Dissonance", International Review of the Aesthetics and Sociology of
Music vol. 11 no. 2, 1980, pp. 123-168.
elik, Ahmet Emre. "Safiyddin Abdlmmin Urmevi'nin ses sistemi
teorisine matematiksel bir yaklasim", WWW, Sept. 2004.
elik, Ahmet Emre. "Rauf Yekta Bey deki 25/24 oranindaki bemol
sesinin incelenmesi", WWW, March 2007.
Centre for Microtonal Music and the Society for the Promotion of New
Music.Microtonality Manual. July 1991.
Chalmers, John H. Jr. "In Memoriam Ivor Darreg (1917-1994)", 1/1 vol.
8 no. 3, 1994, p. 20.
Chalmers, John H. Jr. "In Memoriam Ivor Darreg (19171994)", Experimental Musical Instruments vol. 9 no. 4, 1994, pp. 7-8.
Chalmers, John H. Jr. "The Wayward: Harry Partch at UCSD", 1/1 vol.
8 no. 4, 1994, pp. 20, 24.
Chalmers, John H. Jr. "Notes and Comments 16", Xenharmonikn vol.
16, autumn 1995, pp. 1-3.
Chalmers, John H. Jr. "Eduardo Sbat-Garibaldi: Principios de la
Gama Dinmica (book review)", Xenharmonikn vol. 16, autumn 1995,
pp. 126-127.
Chalmers, John H. Jr. "Oedipus and Revelation in the Courthouse
Park: Harry Partch's Two Music-Dramas on Classical Greek
Themes", Didaskalia vol. 3 no. 1, 1996.
Chalmers, John H. Jr. "Notes and Comments 17", Xenharmonikn vol.
17, spring 1998, pp. 1-3.
Chalmers, John H. Jr. "The Number of 23-Prime-Limit Superparticular
Ratios Less Than 10,000,000", Xenharmonikn vol. 17, spring 1998, pp.
111-115.
Chalmers, John H. Jr. "Notes and Comments 18", Xenharmonikn vol.
18, 2006, pp. 1-2.
Chamberlin, Robert. "Symposium in the Study of Tricesimoprimal
Music",Xenharmonikn vol. 5, spring 1976.
Chang, Chuan C. "Fundamentals of Piano Practice", WWW. German
translation by Edgar Lins "Klavier spielen - Grundlagen, bungen,
Praxistips", 2002. Polish translation, 2001.
Chantavoine, J. "L'Orient et la musique de l'avenir", Le Mnestrel no.
4490, March 1922.
Chao, Chuh Ah. Das zhouzeitliche Grab des Markgrafen Yi von Zeng
aus der Provinz Hubei, VR China mit besonderer Bercksichtigung der
Musikinstrumenten-Beigaben. MA diss., Music history: Hochschule fr
Musik und darstellende Kunst, Wien, 1982, 98 pages.
Chapman, Roger Edington Harmonie universelle: The Books on
Instruments. Martinus Nijhoff, The Hague, 1957. Partial English
translation of Mersenne (1636).
Chardon, Yves. "Essais propos de la justesse attractive", La Revue
Musicale vol. 13, 1932, p. 166 ff.
Charoensook, Sugree. Pitch Systems of Thai Music (in Thai), Mahidol
University, Bangkok, 2003.
Charoensook, Sugree, Sangad Pookhaothong, James Upton, Anak
Charanyananda, Sakchai Hirunrux and Sanong Klangphrasri. Research
for Standard Pitch and Scale of Thai Music. Mahidol University, Bangkok,
1997.
Charrier, Stphane. La cl des Sons ou comment accorder son piano.
Centre de Documentation pdagogique, Marseille, 1980.
-D-
Damm, Edward. "Hammer Dulcimer Tuning Tricks", The Big Red Book
of American Lutherie vol. 2, Guild of American Luthiers, Tacoma WA,
2000, p. 335.
Dammann, Rolf. "Zur Musiklehre des Andreas Werckmeister", Archiv
fr Musikwissenschaft vol. 11, Trossingen, 1954, pp. 206-237.
Dammann, Rolf. "Andreas Werckmeister", in Die Musik in Geschichte
und Gegenwart, Friedrich Blume, Kassel, 1968.
Dammann, Rolf. "Die Musica mathematica von Bartolus", Archiv fr
Musikwissenschaft vol. 26, 1969, pp. 140-162.
Dampierre, Eric de. "Sons ains, sons cadets: les sanza
d'Ebezagui", Schaeffner Festschrift, 1982, pp. 325-329.
Damschrder, David and David Russell Williams. Music Theory from
Zarlino to Schenker: a Bibliography and Guide. Pendragon Press,
Stuyvesant NY, 1990, 474 pages.
Danckerts, Ghiselin. Trattato di Ghisilino Danckerts, musico e cantore
cappellano della Cappella del Papa, sopra una differentia musica
sententiata, nella detta cappella, contro il perdente venerabile D. Nicola
Vicentino, per non haver potuto pruovare, che niun musico compositore
intende di che genere sia la musica che esso istesso compone, come si
era offerto. Con una dichiaratione facilissima sopra I tre generi di essa
musica, cio diatonico, chromatico et enharmonica, con alcuni essempi
a quattro voci in ciascun di questi generi separamente l'uno dal altro, et
anco misti di tutti tre I generi insieme, et molte altre cose musicali degne
da intendere. Et oltraci vi sono 20 cantilene a pi voci in diversi idiomi
dal medesimo authore nel solo genero diatonico composti. Unpublished,
Naples, 1551, 1556, 1559/1560. Biblioteca Vallicelliana, Ms. R. 56,
Rome.
Daniel, Walter K. and James Lisowski. "Two Commodore 64 Alternate
Tuning Programs", Electronic Musician vol. 2 no. 11, Nov. 1986 and Oct.
1987.
Danilou, Alain. Introduction to the Study of Musical Scales. The India
Society, London. Printed by A. Bose, Indian Press LTD, Benares, 1943.
Reprint by Oriental Books Reprint Corporation, New Delhi, 1979, 279
pages. New revised English edition with introduction by Sylvano
Bussotti Music and the Power of Sound. The Influence of Tuning and
Interval on Consciousness. Inner Traditions International, Rochester VM,
1995, 172 pages.
Danilou, Alain. Northern Indian Music. Barrie and Rockliff, London,
1951-1955, 2 vols. Reprinted under the title The Ragas of Northern
Indian Music, Barrie & Rockliff, Cresset Press, London, 1968. Munshiram
Manoharlal, New Delhi, 1980, 1991, 403 pages.
Danilou, Alain. A catalogue of recorded classical and traditional
Indian music with an introduction on Indian musical theory and
instruments = Catalogue de la musique indienne avec une introduction
sur la thorie et les instruments indiens. Unesco, Paris, 1952, 235 pages.
Darreg, Ivor. "Sing Your Way to Just Intonation", Interval vol. 1 no. 4+5,
spring-summer 1979, pp. 10-11.
Darreg, Ivor. "An Introduction to the Quartertone Guitar, by James
Schneider (book review)", Interval vol. 1 no. 4+5, spring-summer 1979,
pp. 42-44.
Darreg, Ivor. "A Case For Nineteen", 1979.
Darreg, Ivor. "Re-fretting & fret-lining", self-published, 1979.
Darreg, Ivor. "Detwelvulate!", Interval vol. 2 no. 1, fall 1979, pp. 14-17.
Darreg, Ivor. "Math, Music, and Logic", Interval vol. 2 no. 1, fall 1979,
p. 6.
Darreg, Ivor. "Paleontology: The 12-Toned Pianosaurus", Interval vol. 1
no. 3, winter 1979, pp. 24-25.
Darreg, Ivor. "Going without the Wind: The Electronic Keyboard
Oboe", Interval vol. 1 no. 3, winter 1979, pp. 18-21.
Darreg, Ivor. Xenharmonic Bulletin nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11,
12. Self-published, 1966-1993.
Darreg, Ivor. "Non-Twelve on the Clavichord", Interval vol. 1 no. 4+5,
1980, pp. 35-36, 45.
Darreg, Ivor. "Notation for Non-Twelve - part 1", Interval vol. 2 no. 2+3,
spring-summer 1980, pp. I8-I11.
Darreg, Ivor. "Notation for Non-Twelve - part 2", Interval vol. 2 no. 4,
fall 1980, p. 7.
Darreg, Ivor. "Tolerance", Interval vol. 2 no. 4, fall 1980, pp. 18-21.
Darreg, Ivor. "Julin Carrillo: Mexico's Microtonal Music Master
(translation and review)", Interval vol. 3 no. 1, fall 1980, pp. 13-17.
Darreg, Ivor. "Julin Carrillo: El infinito en las escalas y en los acordes
(review)",Interval vol. 3 no. 2, 1981, pp. 21-22.
Darreg, Ivor. "Owen Jorgensen: The Equal-Beating Temperaments
(book review)",Interval vol. 3 no. 2, 1981, pp. 20-21.
Darreg, Ivor. New Opportunities For the Musical Explorer. Selfpublished, 1981.
Darreg, Ivor. "Julin Carrillo's Notation", Interval vol. 3 no. 2, winter
1981, p. 19.
Darreg, Ivor. "What is a Mean Tone?", Interval vol. 3 no. 3, winter
1981, pp. 6-9.
Darreg, Ivor. "Musical Strings - part 1", Interval vol. 3 no. 3, winter
1981, pp. 11, 19.
Darreg, Ivor. "Relative Importance of some Equal Temperaments",
November 1981.
Darreg, Ivor. "Musical Strings - part 2", Interval vol. 3 no. 4, spring
1982, pp. 11-13.
Darreg, Ivor. "A Case for Nineteen", Interval vol. 3 no. 4, summer 1982,
pp. 7-8, 17.
Darreg, Ivor. "Non-Twelve on the Cello", Interval vol. 3 no. 4, summer
1982, pp. 14-15, 22-23.
Darreg, Ivor and Brian McLaren. "An Interview with Ivor Darreg about
'The Xenharmonic Frontier'", Xenharmonikn vol. 14, 1993.
Darreg, Ivor and Brian McLaren. "The complete musical writings of Ivor
Darreg", WWW, 1945-2001.
Dasgupta, Amiya. Applied Theory of Indian Music (North). California
Institute of the Arts, Valencia, 1977.
Dashow, James. "Spectra as Chords", Computer Music Journal vol. 4
no. 1, 1980, pp. 43-52.
Dashow, James. "Three Methods for the Digital Synthesis of Chordal
Structures with Non-Harmonic Partials", Interface vol. 7 no. 2-3, 1978,
pp. 69-94.
Dasypodius, Conradus (ed.) Euclides, Propositiones elementorum.
Strasbourg, 1570. Omnes omnium librorum propositiones, Strasbourg,
1571.
Datta, A.K. et al. "Sruti usage by old and contemporary singers in
Khyal: An objective approach", Proceedings of Frontiers of Research on
Speech and Music, Annamalai University, 8-9 January 2004.
Datta, A.K. et al. "Srutis from objective analysis of the performances of
Hindustani Music using Clustering Algorithm", Journal of the Acoustical
Society of India vol. 32, 2004.
Davidse, Ad. "Stevin: Theorie van de muziek", WWW, 2001.
Davies, Hugh. Entries for "Microtonal instruments" and "Just
intonation", The New Grove Dictionary of Musical Instruments, MacMillan
Press Limited, London, 1984. Second revised edition, London, 2000.
Davies, Hugh. "Storia ed evoluzione degli strumenti musicali
elettronici", Nuova Atlantide: il continente della musica elettronica 19001986, Biennale di Venezia, Venice, 1986, pp. 17-59.
Davies, Hugh. "New Instruments and Sound Sculptures", ECHO, The
Images of Sound, Het Apollohuis, Eindhoven, 1987, 144 pages. German
translation "Neue Instrumente und Klangskulpturen: Ein berblick", Ars
Electronica Katalog, 1987.
Davies, Hugh. "The Sound World, Instruments and Music of Luigi
Russolo", Lmc vol. 2 no. 2, The Expanding Medium, 1994.
Davis, James A. "The Beehive Keyboard: A Five Limit
Keyboard", Interval vol. 5 no. 2, spring 1986, pp. 10, 20.
Day, Charles Russell. The music and musical instruments of Southern
India and the Deccan. Novello, Ewer and Co., and Adams and Charles
Black, London, 1891. Reprint, Low Price Publications, Delhi, 1990, 181
pages.
Dean, Roger T. "Widening Unequal Tempered Microtonal Pitch Space
for Metaphoric and Cognitive Purposes with New Prime Number
Scales", Leonardo vol. 42 no. 1, February 2009, pp. 94-95.
DeArment, Cliff. "Gamelan Scales", WWW, 1995.
Dechevrens, A. "tude sur le systme musical chinois", Sammelbnde
der internationalen Musikgesellschaft vol. 2, 1901, pp. 484-551.
-E
-F
Huygens: the tuning with equal dieses), De Gids vol. 106 no. 2, 1942, pp.
164-171.
Fokker, A.D. "Tartini en de zevende harmonische" (Tartini and the
seventh harmonic),Caecilia en De Muziek vol. 100, 1943, pp. 78-80.
Fokker, A.D. Rekenkundige bespiegeling der muziek. (Arithmetical
reflection of music), Noorduijn, Gorinchem, 1945, 228 pages.
Fokker, A.D. "On equal temperament" [letter], Physica vol. 11, 1946,
pp. 447-448.
Fokker, A.D. "Over Cis en Des" (about C sharp and D flat), Mens en
Melodie vol. 2, 1947, p. 245.
Fokker, A.D. Les mathmatiques et la musique. Trois confrences.
Reprint from Archives du Muse Teyler vol. 10, Martinus Nijhoff, Den
Haag, 1947, pp. 1-32.
Fokker, A.D. Just intonation and the combination of harmonic diatonic
melodic groups. Martinus Nijhoff, Den Haag, 1949, 80 pages.
Fokker, A.D. "De middentoonstemming gedemonstreerd" (Meantone
tuning demonstrated), Mens en Melodie vol. 4, 1949, pp. 139-141.
Fokker, A.D. and Jan van Dijk. "Expriences musicales avec les
genres musicaux de Leonhard Euler contenant la septime harmonique"
(musical experiences with Leonhard Euler's musical genera containing
the seventh harmonic), Archives du Muse Teyler vol. 10 no. 3, 1951, pp.
133-146.
Fokker, A.D. "La gamme, la musique et le temprament gal", lecture
at la Sorbonne, Paris, 15 Jan. 1951. Archives du Muse Teyler vol. 10
no. 3, 1951, pp. 147-160.
Fokker, A.D. "Les possibilits d'une notation musicale de plus grande
prcision" (the possibility of a musical notation of much greater
precision). Voordracht voor de Nederlandse Vereniging voor
Muziekwetenschap, Utrecht, 10 december 1949.Archives du Muse
Teyler vol. 10 no. 3, 1951, pp. 161-171.
Fokker, A.D. "Les frquences dans le temprament gal trent-et-un
cinquimes de ton" (the frequencies of 31-tone equal
temperament), Archives du Muse Teyler vol. 10 no. 3, 1951, p. 172.
Fokker, A.D., Jan van Dijk and B.J.A. Pels. Recherches musicales,
thoriques et pratiques, Reprint from Archives du Muse Teyler vol. 10,
Martinus Nijhoff, Den Haag, 1951, pp. 133-184.
Fokker, A.D. "Un orgue demitons majeurs et mineurs plac au
Muse Teyler Haarlem" (an organ with major and minor semitones
situated in the Teylers Museum in Haarlem), Archives du Muse
Teyler vol. 10 no. 3, 1951, pp. 182-184.
Fokker, A.D. "Les gammes et le temprament gal", Acustica vol. 1,
1951, pp. 29-35.
Fokker, A.D. "Toonhoogte en intensiteit" (Pitch and intensity), Mens en
Melodie vol. 6, 1951, p. 73.
Fokker, A.D. "Selections from the harmonic lattice of perfect fifths and
major thirds containing 12, 19, 22, 31, 41 or 53 notes", Proceedings of
the KNAW, Series B, vol. 71, Amsterdam, 1968, pp. 251-266.
Fokker, A.D. "Periodieke herhalingen in het muzikaal harmonische
veld" (periodical repeats in the musical-harmonic field), Verslagen van de
gewone vergaderingen der afdeling Natuurkunde [van de KNAW] vol. 77
no. 9, Amsterdam, 1968, pp. 140-146.
Fokker, A.D. "Unison vectors and periodicity blocks in the threedimensional (3-5-7-) harmonic lattice of notes", Proceedings of the
KNAW, Series B, vol. 72, Amsterdam, 1969, pp. 153-168.
Fokker, A.D., Hans Kox, Joel Mandelbaum and R.H. Orton. "Report of
the Working Committee for Notation (IMS)", Report of the Tenth
Congress of the International Musicological Society, Ljubljana, 1967.
Brenreiter, Kassel, 1970, pp. 473-483.
Fokker, A.D., Hans Kox, Joel Mandelbaum and R.H. Orton, "Die
Notenschrift von 31 Disen in der Oktave" (The notation of 31 dieses to
the octave), Sonorum Speculumvol. 46, Amsterdam, 1971, pp. 31-47.
Fokker, A.D. "Acoustical analysis of a peal of thirteen Chinese
bells", Proceedings of the KNAW, Series B, vol. 74, 1971, pp. 257-262.
Fokker, A.D. "New rational musical scales", Eivind Groven. Heiderskrift
til 70-rsdagen 8. oktober 1971, Olav Fjalestad (ed.), Noregs Boklag,
Oslo, 1971, pp. 191-204.
Fokker, A.D. "Pleasant sequences by addition chords", Acustica vol.
28, 1973, pp. 3-4.
Fokker, A.D. Ab Ovo. Unpublished collection covering Fokker's life
work. Currently in the archives of the Huygens-Fokker Foundation,
Amsterdam.
Fokker, Jeroen. "De Archifoon: een computerprogramma voor
microtonale muziek",Jaarboek van de Stichting Huygens-Fokker, 1988,
Haarlem, pp. 37-50.
Folkers, Catherine. "Playing in Tune on a Baroque Flute", Traverso vol.
10 no. 1, January 1998.
Fongaard, Bjrn. 24-Toneuniversets Tonale Egenskaper og Dermed
Forbundne Musikalske Muligheter. (Machinenschr.) Oslo.
Fongaard, Bjrn. N-Toneuniverset: (2/1)^n/12 --> "infinity. Og Dets
Egenskaper Som Musikalsk Byggenmateriale. Oslo, 1967.
Fongaard, Bjrn. "Of the quarter-tone system and the micro-interval
system and their musical characteristics", Nutida musik vol. 3, 19721973, pp. 14-21.
Fonsque, Raymond. "Procd Fonsque de 24 sons par octave
assorti de la notion de 'super-temprament'", Paris, 1986.
Fontenelle, Bernard Le Bouyer de. Sur les systmes temprs de
musique. Paris, 1730.
Fonton, Charles. Der Essai sur la musique orientale von Charles
Fonton mit Zeichnungen von Adanson. Eckhard Neubauer (ed.), The
Science of Music in Islam vol. 4, Frankfurt a.M., 1999, 324 pages.
-G
Grijp, Louis Peter and Paul Scheepers (eds.) Van Aristoxenos tot
Stockhausen. Volume 1: Oudheid tot Renaissance. Volume 2: Van Barok
tot heden. Wolters-Noordhoff, Groningen, 1990, 1078 pages.
Grijp, Louis Peter. "Fret patterns of the cittern", Galpin Society
Journal vol. 34, March 1981, pp. 62-97.
Grnewald, Jrgen. "Mikrotonale Differenzen in den BachStimmungen", Berlin, WWW, 2000.
Grnewald, Jrgen. "Kellners Stimmanweisungen", Berlin, WWW,
2000.
Grnewald, Jrgen. 128 musikalische Temperaturen im mikrotonalen
Vergleich, Berlin, WWW, 2000.
Grnewald, Jrgen. Kellners Stimmanweisungen. Teil 1: Tabellen, Teil
2: Texte, Teil 3: Nachtrag, Verlag Pro BUSINESS GmbH, Berlin, 2006.
Grossman, Stefan. The book of guitar tunings: a practical study of
non-standard tunings for the folk, blues, jazz, and rock guitarists for new
sounds, new textures, and a freedom in lefthand fingering. Amsco Music
Pub. Co., New York, 1972, 96 pages.
Groven, Eivind. Naturskalaen. Tonale lover i norsk folkemusikk bundne
til seljeflyta. Norsk folkekulturs forlag, Skien, 1927. Also in Norsk
Folkekultur vol. 1315, Bergens Museum, Bergen, 19271929.
Groven, Eivind. "Det renstemte klaver. Eivind Grovens
revolusjonerende opfinnelse patentert i en rekke land", Tonekunst vol.
17/18, 1934, pp. 135-136.
Groven, Eivind. Temperering og renstemning. Dreyer, Oslo, 1948,
1968, 66 pages. English translation Equal Temperament and Pure
Tuning, Eget forlag, Oslo, 1969. German translation Temperierung und
Reinstimmung. Suttung, Tangen, 1973, 68 pages.
Groven, Eivind. "Temperering av tonesystemer", Fra fysikkens
verden vol. 1, Norsk fysisk selskap, Trondheim, 1948, pp. 24-34.
Groven, Eivind. "My Untempered Organ", Organ Institute Quarterly vol.
5 no. 3, summer 1955, pp. 34-40.
Groven, Eivind. Renstemningsautomaten. Universitetsfrlagets
Trykningssentral, Oslo, 1968.
Groven, Eivind. "Eivind Groven", Eivind Groven's Institute for Just
Intonation, WWW, 1993.
Gruber, Albion M. "Mersenne and Evolving Tonal Theory", Journal of
Music Theoryvol. 14 no. 1, spring 1970, pp. 36-67.
Gruber, Gerold W. "Review of the 3rd Congress for Music Theory,
Vienna, Austria, May 10-12 1996", Music Theory Online vol. 2 no. 7,
1996.
Grundmann, Bill. "Alternative Tuning and How We Hear", WWW, 2003.
Guarnieri, A. "La musica microtonale: origini e sviluppi di una
deviazione dal sistema temperato", programme notes with 'Il passato al
futuro', concert at Teatro La Fenice-Palazzo Grassi, Venice, 14 & 23
September 1986.
-H
Hill, Ralph David. "Just Intonation on a Home-Built Digital SynthesizerComputer",Interval vol. 4 no. 2, fall 1983, pp. 15-22.
Hill, Ralph David. Introduction to Nontraditional Harmony. 2-hr.
cassette and accompanying notes, self-published, Just Intonation
Network, 1984.
Hill, Ralph David. "An Example of the 48:49 Sixth-tone Step", 1/1 vol. 4
no. 4, fall 1988, p. 14.
Hill, Ralph David. "Study of Whole Tones in Two Parts", 1/1 vol. 5 no.
2, 1989, pp. 6-7.
Hill, Ralph David. "The Cro-Magnon Advanced Additive
Analysis/Resynthesis System", Proceedings of the 1991 International
Computer Music Conference, Montral, 1991, pp. 169-176.
Hiller, Lejaren A. "Electronic Synthesis of Microtonal
Music", Microtonal Music in America, Proceedings of the American
Society of University Composers vol. 2, Washington University, St. Louis
MO, April 1967, pp. 77-122.
Hindemith, Paul. Unterweisung im Tonsatz I, Theoretischer Teil.
Schott, 1937, 252 pages. Neue erweiterte Auflage, B. Schott's Shne,
Mainz, 1940, 260 pages.
Hipkins, Alfred James. "Observations on the Upper Partial Tones of a
Pianoforte String, Struck at One-Eighth of Its Length", Proceedings of the
Royal Society of London vol. 38, 1884-1885, pp. 83-85.
Hipkins, Alfred James. "Tuning", A Dictionary of Music and Musicians.
Macmillan and Co., London, 1893, pp. 187-190.
Hirano, Kenji. "Koto no chogen meisho o megutte" (Concerning the
names of koto tunings), Toyo ongaku kenkyu/Studies on Oriental
music vol. 54, 1989, pp. 107-114.
Hirano, Kenji and Taeko Hirano. "Tuning and placement of frets of
Heike-biwa and the transmission of heikyoku in the Edo era", Kindaichi
Haruhiko Hakase koki kinenronbunshu, Sanseido, Tokyo, 1984, pp. 123170.
Hirashima, Tatsushi. "Acoustic studies on pipe organ: I Fundamental
principles of organ and the instruments of Andreas Silbermann and his
son" (in Japanese), Kiyo?vol. 17, 1975, National Institute of Informatics,
pp. 23-72.
Hirashima, Tatsushi. "Temperament of Gregorian chants" (in
Japanese), Kiyo?, pp. 1-16.
Hirashima, Tatsushi. "Meantone and Japanese traditional music" (in
Japanese),Kiyo?, pp. 1-16.
Hirashima, Tatsushi. "On the history of tuning practice of the keyboard
instruments and its influence on the history of harmony" (in
Japanese), Kiyo? vol. 20, 1978, pp. 31-63.
Hirashima, Tatsushi. "Remarks on the German organ and the French
organ: with reference to the traditions of tuning and temperament" (in
Japanese), Kiyo? vol. 21, 1979, pp. 47-67.
-I
-J
Johnston, Ben. "Rational Structure in Music: part 2", 1/1 vol. 2 no. 4,
fall 1986, pp. 12-18.
Johnston, Ben. "Phases 1a", score and computer program, Source,
music of the avant garde vol. 1.
Johnston, Ben. "On extended Just Intonation", 1/1 vol. 7 no. 1, Sept
1991, pp. 6-7.
Johnston, Ben. "Just Intonation and Mere Intonation", 1/1 vol. 8 no. 4,
1994, pp. 18-19.
Johnston, Ben. "Microfest 2006 Keynote Speech", 1/1 vol. 12 no. 3, fall
2007, pp. 1, 3-15, 32.
Johnston, Ben. Maximum Clarity and Other Writings on Music. Bob
Gilmore (ed.), University of Illinois Press, Urbana and Chicago IL, 2006,
296 pages.
Johnston, Ian H. Measured Tones, the Interplay of Physics and Music.
Institute of Physics Publishing, Bristol/Philadelphia, 1989, 408 pages.
Reprint 1997.
Jks, Eerik. Contemporary understanding of Gregorian chant
conceptualisation and practice. PhD diss., University of York, Department
of Music, November 2009, 3 vols., 689 pages.
Jones, Arthur Morris. "Towards an assessment of the Javanese Pelog
scale",Ethnomusicology vol. 7 no. 1, 1963, pp. 22-25.
Jones, Arthur Morris. Africa and Indonesia. The Evidence of the
Xylophone and other Musical and Cultural Factors. E.J. Brill, Leiden,
1964, 294 pages.
Jones, Arthur Morris. "Panpipes and the equiheptatonic pitch", African
music vol. 6 no. 1, South Africa, 1980, pp. 62-69.
Jones, Arthur Morris. "Peruvian panpipe tunings: more on Haeberli's
data",Ethnomusicology vol. 25 no. 1, January 1981, pp. 105-107.
Jones, Arthur Taber. "End Corrections of Organ Pipes", Journal of the
Acoustical Society of America vol. 12 no. 3, 1941, pp. 387394.
Jones, Arthur Taber. "A Just Scale for Music", Journal of the Acoustical
Society of America vol. 18 no. 1, 1946, pp. 167169.
Jones, Clark. "Remarks on Just Intonation and Musical
Scales", Journal of the Acoustical Society of America, 1947, p. 727.
Jones, Philip P. and John Barnes. "Bach, and Werckmeister", Early
Music vol. 8 no. 4, October 1980, pp. 511-513.
Jones, Robert W. "Tuning the Macintosh", 1/1 vol. 2 no. 1, 1986, San
Francisco, pp. 6-7.
Jones, Sir William. Physiological disquisitions; or, Discourses on the
natural philosophy of the elements. J. Rivington, London, 1781.
Jones, Sir William. A Treatise on the Art of Music; in which the
elements of harmony and air are practically considered. Keymer,
Colchester, 1784. Longman, London, 1827.
Jones, Sir William. "On the musical modes of the Hindoos", Asiatick
Researches vol. 3, Calcutta, 1792, pp. 55-87. Reprint in Hindu Music
from Various Authors, S.M. Tagore (ed.), Calcutta, 1875, 1882,
-K
Kennedy, Keith. "The music system of the Fijians", Mankind vol. 1/2,
1931, p. 37.
Kent, Christopher. "Tuning & temperament and the British organ, 17501850: A century of change viewed through the repertoire", BIOS: Journal
of the British Institute of Organ Studies vol. 14, 1990, pp. 21-34.
Kent, Earle L. "Influence of irregular patterns in the inharmonicity of
piano tone partials upon piano tuning practice", Musical Acoustics, Piano
and Wind Instruments, Benchmark Papers in Acoustics vol. 9, reprinted
from Dokumentation Europiano Kongre Berlin 1965. 1966 by
Fordergemeinschaft Klavier e.V. Published by Dowden, Hutchinson &
Ross Inc., Stroudburg, Pennsylvania, 1977. Also in Das
Musikinstrument vol. 31, 1982, pp. 1008-1013.
Kepler, Johannes. Harmonices mundi (Weltharmonik). 1619.
Kergomard, J., and X. Meynial. "Systmes micro-intervalles pour les
instruments de musique vent avec trous latraux", Journale
Acoustique vol. 1, 1988, pp. 255-270.
Kessler, E.J., C. Hansen and R.N. Shepard. "Tonal schemata in the
perception of music in Bali and in the West", Music Perception vol. 2 no.
2, winter 1984, pp. 131-156.
Ketels, M. "Stemmingen", Musica Antiqua, 1984.
Khatschi, Khatschi. Der Dastgh, Studien zur neuen, persischen
Musik. Klner Beitrge zur Musikforschung, Band 19, Gustav Bosse
Verlag, Regensburg, 1962.
Khatschi, Khatschi. "Das Intervalsbildungsprinzip des persischen
Dastgh Shur",Jahrbuch fr musikalische Volks- und Vlkerkunde vol. 3,
1967, pp. 70-84, 128-133.
Khoshzamir, Mojtaba. Aspects of the Persian Tasnif. Unpublished
master thesis, UIUC, 1972.
Khoshzamir, Mojtaba. Ali Naqi Vaziri and his Influence on Music and
Music Education in Iran. Unpublished doctoral dissertation, UIUC, 1979.
Khramov, Mykhaylo. "Project Commator and
Sonantometry", Proceedings of the International Symposium Frontiers of
Research on Speach and Music (FRSM-2008), 20-21 February 2008,
Kolkata, pp. 133-140.
Khramov, Mykhaylo. "Approximation of 5-limit just intonation.
Computer MIDI Modeling in Negative Systems of Equal Divisions of the
Octave", Proceedings of the International Conference on Signal
Processing and Multimedia Applications (SIGMAP-2008), 26-29 July
2008, Porto, pp. 181-184.
Khramov, Mykhaylo. "Bayan and 31EDO system", WWW, 2009.
Kiesewetter, Rafael Georg. Die Musik der Araber, nach Originalquellen
dargestellt. Breitkopf und Hrtel, Leipzig, 1842. Reprint Breitkopf und
Hrtel, Wiesbaden, 1968, 1983. Sndig Reprint Verlag, Shaan, 1977.
Kiesewetter, Rafael Georg. "ber Tonmessungen und
Temperaturen", Ccilia no. 83, 1842.
-L
Leach, John. "The psaltery", The consort vol. 27, July 1971, pp. 39-49.
Ledang, Olai Kai. "Instrument-Player-Musik on the Norwegian folk
music", Studia instrumentorum Musica Popularis vol. 3, Stockholm,
1974.
Lederer, Muriel. "Mathematics Makes a New Music: This Experimenter
Uses 43 Notes to the Octave and Some Strange Home-Built Instruments
- to Create a Startling New Music", Science and Mathematics, December
1960, pp. 74-77.
Lee, Brian. "World Musics and Microtuning", WWW, 1993, 7 pages.
Lee, Brian. "Alternative Tunings and Free Range Eggs", WWW, 1994,
2 pages.
Lee, Brian. "Kathleen Schlesinger and Elsie Hamilton - Pioneers of
Just Intonation", WWW, 2006.
Lee, Riley Kelly. "How my harpsichord goes out of tune", Fellowship of
Makers and Researchers of Historical Instruments Quarterly no. 69,
October 1992, pp. 31-35.
Leedy, Douglas. "Owen Jorgensen: Tuning the historical
temperaments by ear (review)", Journal of the American Musical
Instrument Society vols. 5-6, 1979-80, pp. 197-200.
Leedy, Douglas. "Tuning Systems", The New Grove Dictionary of
American Musicvol. 4, Macmillan, London, 1980, pp. 420-426.
Leedy, Douglas. "Intervals in Recent Writings - A Review: Including the
New Grove Dictionary of Music and Musicians", Interval vol. 3 no. 3, pp.
20-23.
Leedy, Douglas. "Owen Jorgensen: The Equal-beating Temperaments:
A Handbook for Tuning Harpsichords and Forte-Pianos, with Tuning
Techniques and Tables of Fifteen Historical Temperaments (review)" and
"Herbert Anton Kellner: The Tuning of My Harpsichord (review)", Journal
of the American Musical Instrument Society vol. 7, 1981, pp. 121-129.
Leedy, Douglas. "In Praise of Other Intervals", Cum Notis
Variorum vols. 1-2 no. 59, Jan./Feb. 1982, pp. 7-10.
Leedy, Douglas. "New Music for an Old Temperament?", Interval vol. 4
no. 1, winter 1982-3, pp. 16-19.
Leedy, Douglas. "A Selective List of Source Materials on Alternative
Tuning Systems in American Music", Interval vol. 4 no. 4, 1983, pp. 7-9.
Leedy, Douglas. "String Quartet (1965-1975),
I.S.I.M.", Xenharmonikn vol. 9, 1985.
Leedy, Douglas. "A venerable temperament
rediscovered", Perspectives of New Music vol. 29 no. 2, summer 1991,
pp. 202-211.
Leedy, Douglas. "Giving Number a Voice", Xenharmonikn vol. 15,
autumn 1993, pp. 56-59.
Leedy, Douglas. "La Monte Young: The Second Dream of the HighTension Line Stepdown Transformer (CD review)", American Music vol.
11 no. 1, 1993, p. 126.
Lloyd, Llewelyn S. "The Artificial Scale", The Musical Times vol. 82 no.
1181, 1941, pp. 252-254.
Lloyd, Llewelyn S. "Musical Theory in Retrospect", J. Acoust. Soc.
Am. vol. 13 no. 1, July 1941, pp. 56-62.
Lloyd, Llewelyn S. "Modern Science and Musical Theory", Journal of
the Royal Society of Arts vol. 90, 1942, p. 591.
Lloyd, Llewelyn S. "Just Intonation Misconceived", Music and
Letters vol. 24 no. 3, 1943, pp. 133-144.
Lloyd, Llewelyn S. "The Problem of the Keyboard
Instrument", Philosophical Magazine vol. 7 no. 34, London, 1943, pp.
624-631, 674-684.
Lloyd, Llewelyn S. "The Lesson of Mean-Tone Tuning", The Music
Review vol. 5, 1944, p. 214.
Lloyd, Llewelyn S. "Pseudo-science in musical 'theory'", Proceedings
of the Musical Association vol. 70, 1944, pp. 35-51.
Lloyd, Llewelyn S. "The Myth of Equal-Stepped Scales in Primitive
Music", Music and Letters vol. 27 no. 2, 1946, p. 73.
Lloyd, Llewelyn S. "Hornbostel's Theory of Blown Fifths", Monthly
Musical Record, London, Jan/Feb 1946.
Lloyd, Llewelyn Southworth. Intervals, Scales and Temperaments.
With introduction by Hugh Boyle (ed.), Macdonald & Jane's, London,
1963, 322 pages. St. Martin's Press, London, 1978.
Lo-Bamijoko, Joy Ilfeoma Nwosu. A preliminary study of the
classification, tuning and educational implications of the standardization
of musical instruments in Africa: the Nigerian case. PhD diss., University
of Michigan, Ann Arbor, 1981, 251 pages.
Lo-Bamijoko, Joy Ilfeoma Nwosu. "Tuning methods of African musical
instruments: Some examples from Nigeria and Ghana", Nigeria
magazine vol. 142, 1982, pp. 15-24.
Lobo, Antsher. "Indian Musical 'ma-grama' of Bharata, World's only
Perfect Scale",Three Monographs on Music, Bombay and Baroda, 1980,
pp. 59-104, 95-151.
Lobo, Antsher. "The Universal Basic Scale of Unicentric
Tonality", Three Monographs on Music, Bombay and Baroda, 1980, pp.
1-24.
Lockwood, Lewis. "A Dispute on Accidentals in Sixteenth-Century
Rome", Analecta Musicologica vol. 2, 1965, pp. 24-40.
Loeb, David. "An Analytic Study of Japanese Koto Music", Music
Forum vol. 4, 1976, pp. 335-393.
Loehr, Johann Joseph. ber die Scheiblersche Erfindung berhaupt
und dessen Pianoforte- und Orgel-Stimmung Insbesondere. Schller,
Krefeld, 1837.
Loehr, Johann Joseph. An Essay on the Theory and Practice of Tuning
in general, and on Scheibler's Invention of Tuning Pianofortes and
Organs by the Metronome in particular. For the use of musicians, tuners,
-M-
Milne, Andrew J., Anthony Prechtl, Simon Holland, Robin Laney and
David B. Sharp. "Hex: Widening access to the compositional possibilities
of novel tunings", Computer Music Journal vol. 36 no. 1, 2012.
Milojkovic-Djuric, Jelena. "Hba's microtonal theories in
Yugoslavia", Cross currentsvol. 1, 1982, pp. 309-313.
Minet, Nicolas. "Les notes dans la gamme... Toujours? Pourquoi?",
WWW.
Ministre de lInstruction Publique, Royaume dgypte. Recueil des
travaux du Congrs de musique arabe, qui sest tenu au Caire en 1932
(Hg. 1350), sous le Haut Patronage de S. M. Fouad 1er, Roi dgypte.
Imprimerie Nationale, Boulac, Cairo, 1934.
Mioli, Piero. "Il clavicembalo: Organologia, accordatura, notazione,
diteggiatura (book review)", A.M.I.S. Antiquae musicae italicae
studiosi vol. 3 no. 5, Feb. 1987, pp. 20-25.
Miranda, Alejandro. A Practical Application of Tuning Practices in the
Preludes and Fugues of J.C.F. Fischer's 'Ariadne Musica'. Master thesis,
University of North Texas, 1999, 129 pages.
Miranda, Rick. Musical, Physical, and Mathematical Intervals. The
2010 Leonard Sulski Lecture College of the Holy Cross, 12 April 2010, 89
pages.
Mirelman, Sam and Theo J.H. Krispijn. "The Old Babylonian Tuning
Text UET VI/3 899.", Iraq vol. 71, 2009, pp. 43-52.
Mirelman, Sam. "Tuning Procedures in Ancient Iraq", Second
International Conference on Analytical Approaches to World Music,
Vancouver, 11-13 May 2012, 6 pages. Also in AAWM Journal vol. 2 no. 2,
2013, 14 pages.
Misch, Clemens and Rudolf Wille. "Stimmungslogiken auf MUTABOR:
Eine Programmiersprache", Mikrotne II, Edition Helbling, Innsbruck,
1988, pp. 87-94.
Misschaert, L. "Ekkehard Schulze-Kurz: Die Laute und ihre
Stimmungen (book review)", Musica Antiqua, 1992.
Missin, Pat. "Tuning and the Harmonica", WWW, 2006-2011.
Mitani, Yoko. "Kankoku no kin so ni tsuite-genkin to kayakin no
ongaku, I-III", Gakudovols. 327, 328, 329, Jan.-March 1969, pp. 5-10, 511, 4-11.
Mitani, Yoko. "Kin no chogen-ho no hensen", Toyo ongaku kenkyu vol.
41-42, August 1977, Japan, pp. 1-26.
Mitani, Yoko. "So no chogen-ho no hensen", Chang Festschrift, 1978,
pp. 441-469.
Mitani, Yoko. "Some melodic features of Chinese qin music", Music
and Tradition. Essays on Asian and other music presented to Laurence
Picken, Richard Widdess and R.F. Wolpert (eds.), 1981, pp. 123-142.
Mitchell, Danlee. "The Tuning of Harry Partch's 43-Tones-To-TheOctave Just Intonation Scale, and its Musical Endowments and
Consequences". Unpublished speech to the 106th meeting of the
Acoustical Society of America in San Diego, 1983.
Moon, Parry. "A scale for specifying frequency levels in octaves and
semitones",Journal of the Acoust. Soc. of Am. vol. 25 no. 3, 1953, pp.
506515.
Moore, Brian C.J. An Introduction to the Psychology of Hearing.
Academic Press, London, 1982, 1997.
Moore, Brian C.J.; R.V. Peters and B.R. Glasberg. "Thresholds for
hearing mistuned partials as separate tones in harmonic
complexes", Journal of the Acoustical Society of America vol. 80 no. 2,
1986, pp. 479-483.
Moore, Brian C.J. "Audibility of Partials in Inharmonic Complex
Tones", Journal of the Acoustical Society of America vol. 93 no. 1, 1993,
pp. 452-461.
Moore, James L. Acoustics of Bar Percussion Instruments. PhD thesis,
Ohio State University, 1970. Permus Publications, Columbus OH, 1978,
164 pages.
Moorer, J.A. and J. Grey. "Lexicon of Analysed Tones", Computer
Music Journal vol. 1 no. 2, 1977, (Part I, violin tone), vol. 1 no. 3, 1977
(Part II, clarinet and oboe tones), vol. 2 no. 2, 1978 (Part III, the trumpet).
Moran, Patrick Edwin. The Theory Behind Chinese Music, WWW,
2004.
Morel, Alexandre-Jean. Principe acoustique nouveau et universal de la
thorie musicale, ou musique explique. Bachelier, Paris, 1816.
Morel, Alexandre-Jean. Observations sur la 'seule vraie thorie de la
musique' de M. de Momigny. Bachelier, Paris, 1822.
Moreno, Enrique I. Introduction to an expanded theory of tuning and
scales. The College Honors Program: research report, Univ. of Kansas,
1987.
Moreno, Enrique I. Expanded Tunings in Contemporary Music:
Theoretical Innovations and Practical Applications. Series: Studies in the
history and interpretation of music no. 30, Edwin Mellen Press, Lewiston
NY, 1992, 203 pages.
Moreno, Enrique I. "The Existence of Unexplored Dimensions of Pitch:
Expanded Chromas", Proceedings of the 17th International Computer
Music Conference, San Jose, 1992, pp. 402-403.
Moreno, Enrique I. "A Visual Model for Embedded Chroma Spaces:
Theory and Software Applications", Proceedings of the 20th International
Computer Music Conference, rhus, September 1994.
Moreno, Enrique I. "Expanded Chromas and the New Frontiers of
Tonality: An Introduction", Journal of New Music Research vol. 23 no. 3,
September 1994, pp. 235-244.
Moreno, Enrique Ignacio. Embedding Equal Pitch Spaces and the
Question of Expanded Chromas: an Experimental Approach. PhD thesis,
Stanford University, December 1995, 217 pages.
Moreux, Serge. "Ivan Wyschnegradsky ou le musicien ami des grands
nombres",Revue franaise de l'lite, 25 February 1948, Paris, p. 69.
Mundigl, Joseph. "Simba hin, Simba her - ohne Simba geht's nicht
mehr?!", ZeM Heftvol. 21, Freiburg, spring 1997, p. 9.
Mnnich, R. "Vor der Entwicklung der Riemann'schen Harmonielehre
und ihrem Verhltnis zu Oettingen und Stumpf", Riemann-Festschrift,
Leipzig, 1909.
Mnxelhaus, Barbara. Pythagoras Musicus. Zur Rezeption der
pythagoreischen Musiktheorie als quadrivialer Wissenschaft im
lateinischen Mittelalter. Verlag fr systematische Musikwissenschaft,
Bonn-Bad Godesberg, 1976, 286 pages.
Murail, Tristan. "La rvolution des sons complexes", Darmstdter
Beitrage zur neuen Musik, B. Schott's Shne, Mainz, 1980.
Murail, Tristan. "Spectres et Lutins", Darmstdter Beitrage zur neuen
Musik, B. Schott's Shne, Mainz, 1982.
Muraoka, Hanichi. "A Few Words Concerning Shohei Tanakas Tonal
Organ (A Tempered Enharmonium)" (in Japanese), Toyu-gakugei-zasshi,
1890.
Muris, Johannes de. Musica speculativa. 14th century. Coussemaker
(ed.), Durand, Paris, 1866-1876.
Muris, Johannes de. De tonis. 14th century. Martin Gerbert (ed.), Typis
San-Blasianis, St. Blaise, 1784. Reprint G. Olms Verlag, Hildesheim,
1963.
Murphy, Sylvia. "The Tuning of the Five-course Guitar", Galpin Society
Journal vol. 23, 1970, pp. 49-63.
Murschhauser, Franz Xaver. Academia musico-poetica bipartita.
Augsburg, 1721.
Murzin, Jevgeny. ANS - Elektronnyi instrument dlya kompozitorov.
Moskva, Soyuz Kompositorov RSFSR, 1965.
Musser, Don. "Taking the Guitar Beyond Equal Temperament", The Big
Red Book of American Lutherie vol. 3, Guild of American Luthiers,
Tacoma WA, 2004, p. 210.American Lutherie vol. 30, 1992, pp. 46-47.
Muzzulini, Daniel. "Leonhard Eulers
Konsonanztheorie", Musiktheorie vol. 9 no. 2, 1994. Laaber Verlag,
Laaber, Germany, 1994.
Muzzulini, Daniel. "Musical Modulation by Symmetries", Journal of
Music Theory vol. 39 no. 2, fall 1995, pp. 311327.
Mycielski, Jan. "Keyboards for Pure Music", Journal of the Acoustical
Society of America vol. 63 no. 6, June 1978, pp. 1933-1935.
Myers, Herbert. "Zacconi's Viola da Braccio Tunings", Galpin Society
Journal vol. 51, 1998, p. 244.
-N
Nowka, Dieter. Europische Kompositionsgeschichte. Material Verfahren - Komposition. Ecomed Verlagsgesellschaft, Landsberg/Lech,
1999, 887 pages.
Noyce, Ian. "Tuning the Guitar", The Big Red Book of American
Lutherie vol. 1, Guild of American Luthiers, Tacoma WA, 1999, p. 288.
Nunn, Tom. "The Entire Field of Sound", Interval vol. 1 no. 3, 1979, pp.
21-22.
Nunn, Tom. Liner notes for cassette Plate Techphonics. 1991.
Nunn, Tom. "'Bugbelly' - A T-Rodimba EPB", Experimental Musical
Instruments vol. 6 no. 1, June 1990, pp. 1, 14-16.
Nuri Uygun, Mehmet. Safiyddin Abdlmmin Urmev ve KitblEdvari. Kubbealti Nesriyati, Istanbul, 1999.
Nutz, Michel. "L'ordinateur pilote les synthtiseurs musicaux et leurs
accordages", WWW.
-O
O'Beirne, T.H. From Mozart to the bagpipe, with a small computer. Bar
& Stroud Ltd., Glasgow/London, 13 pages.
O'Connell, Walter. "Tone Spaces", Die Reihe "Retrospective" vol. 8,
English edition, Theodore Presser Company, 1968, pp. 35-67.
O'Connell, Walter. "The Tonality of the Golden Section: The
Symmetrization of Tone Space", Xenharmonikn vol. 15, 1993, pp. 3-18.
O'Donnell, John. "Bach's temperament, Occam's razor, and the
Neidhardt factor",Early Music vol. 34 no. 4, 2006, pp. 625-634. Open
letter by Thomas Dent to Early Music and O'Donnell 'Occams razor',
history and temperaments, 2008.
O'Keefe, Vincent. "Psycho-physical preference for harmonized musical
passages in the just and equal tempered systems", Perceptual and
Motor Skills vol. 40 no. 1, February 1975, pp. 192-194.
Oberegger, V. Note sur accordature Mesotonica et Barocca. Urbino,
1977.
Obouhow, Nicolas. "l'harmonie totale; Ivan Wyschnegradsky:
L'Ultrachromatisme et les espaces non octaviants", La Revue
Musicale vol. 290-291, 1972, Claude Ballif (ed.), Richard Masse, Paris.
Ochsenfeld, Gerhard. "ber mitteltnige Strukturen und ihre
Ambivalenz als Fundament der menschlichen Freiheit und Wrde",
WWW, Bonn, 1997.
Ochsenfeld, Gerhard. "Das pythagorische 'Moll'-System", WWW,
Bonn, 1997.
Ochsenfeld, Gerhard. "Das expansive Grundsystem musikalischer
Skalen", WWW, Bonn, 1997.
Ochsenfeld, Gerhard. "Zur harmonikalen Mittelstellung der dorischen
Skala innerhalb der Tonarten", WWW, Bonn, 1997.
Odington, Walter. De speculatione musice. 14th century. E. de
Coussemaker (ed.), Paris, 1854-1876. Reprint Olms, Hildesheim, 1963.
Osanai, Tadao. "Kanetsune-shi ni yoru heike-biwa 'yamaji' no onritsuchosa ni tsuite no gimon oyobi teisei shiron", Nippon Toyo Ongaku
Ronko, 1974, pp. 5-20.
Osserman, Robert. "Rational and irrational: music and
mathematics", Essays in Humanistic Mathematics, Mathematical
Association of America, 1993.
O'Sullivan, John. The Mathematics of Music: Music Theory, 12 Tone
Equal Temperament and its Origins Explained and Two New Alternative
Tuning Systems. 2nd edition, Pan Music Publishing, August 2010, 80
pages.
O'Sullivan, John. The Mathematics of Music and Raven Temperament.
Pan Music Publishing, September 2012, 57 pages.
Oteri, Frank. "In Memory Ivan Wyschnegradsky", Ear Magazine
East vol. 7 no. 5, New York, 1983, p. 19.
Otterstedt, Annette. Die englische Lyra-Viol: Instrument und Technik.
PhD diss., Technische U. Berlin, 1987. Brenreiter, Kassel, 1989, 278
pages.
Otterstrm, Thorvald. Eine Modulationstheorie. English translation A
Theory of Modulation, Da Capo Press Music Reprint Series, Da Capo
Press, New York, 1975.
Ouardi, M. Abdelhak. "Introduction la thorie des gammes et formes
instrumentales arabes", WWW.
Overmyer, Grace. "Quarter-Tones - and Less", The American
Mercury vol. 12, October 1927, pp. 207-210.
Overton, Ken. "Distinctions Between Just-tuned Key Areas within
Musical Contexts", WWW.
Owen, Barbara. "Pitch and Tuning in eighteenth- and nineteenthcentury American Organs", The Organ Yearbook vol. 15, 1984, pp. 5459.
Owen, Barbara. "An enharmonic harmonium by Joseph Alley", Reed
Organ Society Journal, fall 1987, p. 23.
Owens, Alfred Shabda. "Tuning in: Microtonality in electronic music--A
basic guide to alternate scales, temperaments, and microtuning using
synthesizers (book review)",Computer Music Journal vol. 13 no. 3, fall
1989, pp. 92-93.
Ozzard-Low, Patrick. 21st Century Orchestral Instruments. Acoustic
instruments for alternative tuning systems. Alternative Tuning Projects,
London, 1998.
-P
Paap, Wouter. "Prof. Dr. A.D. Fokker; naar een verjongd harmonisch
besef", Mens en Melodie vol. 27 no. 12, December 1972, pp. 367-369.
Padgham, Charles Arthur, P.D. Collins and G.K. Parker. "A Trial of
Unequal Temperaments on the Organ", JBIOS vol. 3, London, 1979, p.
73.
Plomp, Renier and Willem J.M. Levelt. "Tonal consonance and critical
bandwidth",Journal of the Acoustical Society of America vol. 38, 1965,
pp. 548-568.
Plomp, Renier and W.J.M. Levelt. "Perception of tonal
consonance", Studies in Perception, dedicated to M.A. Bouman,
Soesterberg, 1966, pp. 106-118.
Plomp, Renier. Experiments on tone perception. Institute for
perception, Soesterberg, 1966, 167 pages. Second edition: Aspects of
tone sensation: a psychological study, Academic Press, London, 1976,
167 pages.
Plomp, Renier. "Beats of mistuned consonances", Journal of the
Acoustical Society of America vol. 42 no. 2, 1967, pp. 442-474.
Plomp, Renier and A.M. Mimpen. "The ear as a frequency analyzer,
II.", Journal of the Acoustical Society of America vol. 43, 1968, pp. 764767.
Plomp, Renier and J.J.M. Steeneken. "Interference between two
simple tones",Journal of the Acoustical Society of America vol. 43 no. 4,
1968, pp. 883884.
Plomp, Renier. Old and new data on tone perception. Instituut voor
Zintuigfysiologie, RVO-TNO, Report No. IZF1970-14, 1970, 57 pages.
Plomp, Renier, W.A. Wagenaar and A.M. Mimpen. "Musical interval
recognition with simultaneous tones", Acustica vol. 29, 1973, pp. 101109.
Plutarchus. De musica. 1st cent. Latin translation by Carlo Valgulio,
Brescia, 1507. H. Weil (ed.), Paris, 1900. Konrad Ziegler & Max Pohlenz
(eds.), Leipzig, 1966. English translation On Music by B.
Einarson, Plutarch's Moralia vol. 14, Harvard University Press,
Cambridge MA, 1967.
Podbielski, Jacek. "Znak tabulaturowy i dzwiek lutni w muzyce XVI
wieku: Analiza relacji w aspekcie wysokosci", Muzyka vol. 33 no. 4,
1988, pp. 67-79.
Podnos, Theodor H. "Woodwind Intonation", Woodwind Magazine vol.
2 no. 4, Dec. 1949.
Podnos, Theodor H. Bagpipes and Tunings. Detroit Monographs in
musicology, Information Coordinators, Detroit MI, 1974, 125 pages.
Podnos, Theodor H. Intonation for strings, winds, and singers: a sixmonth course. Scarecrow Press, Metuchen NJ, 1981, 195 pages.
Poel, Cees van der. "Technische aspecten van het 31-toons orgel
1950-2009",Thirty-One vol. 1, summer 2009, pp. 57-60.
Poensen, C. "De Wajang", Medelingen van wege het Nederlandsch
Zendelingen Genootschap vol. 16, 1872, pp. 75-116 & 218-220.
Pohlit, Stefan. Julien Jall Ed-Dine Weiss A New Qanun System: Its
Application in the Performance Practice of the Ensemble 'Al-Kindi' and in
Contemporary Western Music. PhD thesis, MIAM/Istanbul Technical
University, 2011, 316 pages.
Powers, Harold Stone. "M. Kolinski: The Origin of the Indian 22-Tone
System (book review)", Ethnomusicology vol. 6, 1962, pp. 222-228.
Powers, Harold Stone. "An historical and comparative approach to the
classification of ragas (with an appendix on ancient Indian tunings)",
University of California, Los Angeles, Institute of
Ethnomusicology, Selected reports vol. 1 no. 3, 1970, 78 pages.
Powers, Harold et al. "Tonal types and modal categories in
Renaissance polyphony",Journal of the American Musicological
Association vol. 34, 1981, pp. 428-470.
Praetorius, Michael. Syntagma musicum ex veterum & recentiorum
ecclesiasticorum authorum lectione, polyhistorum consignatione,
variarum linguarum notatione, hodierne seculi usurpatione, ipsius
denique music artis obsrvatione: in cantorum, organistarum,
organoporum, cterorumque; musiciam scientiam amantium &
tranctantium gratiam collectum; et secundum hunc generalem indicem
toti operi prfixum, in quatuor tomos distributum, Michaele Praetorio
Creutzbergensi ... Tomus Secundus: De organographia. Elias Holwein,
Wolfenbttel, 1618, 1619. Facsimile edition, Wilibald Gurlitt (ed.),
Documenta Musicologica, Brenreiter, Kassel, 1958-1959. English
translation by Harold Blumenfeld (ed.), Brenreiter, Kassel, 1962, Da
Capo Press, New York, 1986. Other English translation by David Z.
Crookes, Clarendon Press, Oxford, 1986.
Pratella, Balilla. Manifesto della musica futurista. 1911.
Prechtl, Anthony, Andrew J. Milne, Simon Holland, Robin Laney and
David B. Sharp. "A MIDI sequencer that widens access to the
compositional possibilities of novel tunings", Computer Music Journal vol
36 no. 1, spring 2012, pp. 42-54.
Prelleur, Peter. The art of playing on the violin with a new scale
shewing how to stop every note flat or sharp, exactly in tune and where
the shifts of the hand should be made. To which is added a collection of
the finest rigadoons, almands, sarabands, courants and opera airs
extant. Volume V of The modern musick master or, the universal
musician, T. Cobb, London, 1730, 1731. Facs. edition by Alexander Hyatt
(ed.), Documenta Musicologica (Reihe 1, vol. 27), Brenreiter, Kassel,
1965.
Pressing, Jeff. "Tuning System Design", Interval vol. 2 no. 2+3, 1980,
pp. I19-I22, I24.
Pressing, Jeff. "Cognitive Isomorphisms between Pitch and Rhythm in
World Musics: West Africa, the Balkans, Thailand and Western
Tonality, Studies in Music vol. 17, Nedlands, Australia, 1983, pp. 38-61.
Pressing, Jeff. Synthesizer Performance And Realtime Techniques.
Computer Music and Digital Audio Series vol. 8, John Strawn (ed.), A-R
Editions, 1992, 462 pages.
Preyer, Wilhelm Thierry. ber die Grenzen der Tonwahrnehmung.
Sammlung physiologischer Abhandlungen, I., Jena, 1876-77, 26 pages.
-Q
-R
Rich, Robert. "Tuning and Transposition on the Prophet Five", 1/1 vol.
1 no. 4, 1985, p. 4 ff.
Rich, Robert. "The Ensoniq EPS: A New Toy in Town", 1/1 vol. 4 no. 3,
summer 1988, pp. 2, 14.
Richard, P.J. La Gamme. Introduction l'tude de la musique. Librarie
Scientifique Hermann et cie, Paris, 1930, 231 pages.
Richards, Edwin Michael. Microtonal Systems for Clarinet: A Manual
for Composers and Performers. PhD diss., University of California, San
Diego, 1984, 326 pages. University Microfilms, Ann Arbor, Michigan,
1984.
Richardson, E.G. The Acoustics of Orchestral Instruments and of the
Organ. Arnold & Co., London, 1929.
Richardson, Louis Samuel. The Effect of Certain Harmonic
Considerations upon Tuning Preferences for the Major Third. PhD thesis,
Theory, Indiana University, 1963, 165 pages.
Riche, G.R. Baron de Prony. "Inconvnients du mode ordinaire de
reprsentation des intervalles musicaux", 1831.
Riche, G.R. Baron de Prony. Instruction Elmentaire sur les moyens
de calculer les intervalles musicaux. Firmin Didot, Paris, 1832.
Richter, Elisabeth. Franz Richter Herf - Ekmelische Musik. Die
Entwicklung der theoretischen Grundlagen und deren Anwendungen
dargestellt an ausgewhlten Kompositionen. Master thesis, Institut fr
Musikwissenschaft der Universitt Wien, February 1993, 80 pages.
Richter, G. "Posouzeni chyb ladeni u akordeonovych
dvojzvuku", Hudebni nastrojevol. 19 no. 5, October 1982, pp. 170-173.
Richter, G. "L vlivy hraciho tlaku na jakost ladeni akordeonu", Hudebni
nastroje vol. 19 no. 6, December 1982, pp. 208-211.
Richter, Karl. "Slendro-Pelog and the Conceptualization of Balinese
Music: Remarks on the Gambuh Tone System", Balinese Music in
Context: A Sixty-fifth Birthday Tribute to Hans Oesch, Danker
Schaareman (ed.), Forum Ethnomusicologicum 4, Amadeus Verlag,
Winterthur, 1992, pp. 195-220.
Richter, Lukas. Zur Wissenschaftslehre von der Musik bei Platon und
Aristoteles. Berlin, 1961.
Richter, Lukas. "Struktur und Rezeption antiker Planetenskalen", Die
Musikforschungvol. 52, 1999, pp. 289-306.
Richter Herf, Franz. "Das chromatische
Tonsystem", Musikerziehung vol. 21 no. 5, Vienna, May 1968, pp. 219220.
Richter Herf, Franz. "Zur Entdeckung neuer
Tonsysteme", Musikerziehung vol. 23 no. 5, Vienna, May 1970, pp. 218219.
Richter Herf, Franz and Rolf Maedel. Ekmelische Musik. Mglichkeiten
der Erweiterung unseres Tonsystems. Sonderdruck des Instituts fr
musikalische Grundlagenforschung an der Hochschule "Mozarteum",
Salzburg, 1972.
-S
-T
-U
-V
-W
Wegscheider, Kristian. "Zwei Stimmungsarten in einer Orgel Mglichkeiten der Realisierung", Restaurierungswerkstatt fr Orgeln
Kristian Wegscheider, Dresden, December 1996.
Wegscheider, Kristian. "H.C. Snerha und die Bach-Stimmung: Eine
unglaubliche Begebenheit aus dem Jahr 1973", Vom rechten Thon der
Orgeln und anderer Instrumente. Festschrift Christian Ahrens zum 60.
Geburtstag, Birgit Abels (ed.), Forschungs- und Gedenksttte HeinrichSchtz-Haus, Bad Kstritz, 2003, pp. 205-209.
Wegscheider, Kristian. Mit reinem Herzen - reine Terzen. WWW, 2007,
34 pages.
Wegscheider, Kristian. "The 'Secret' of Tuning Methods in
Organbuilding", The New Baroque Organ at the Orgelpark, Hans Fidom
(ed.), Orgelpark Research Reports vol. 5 no. 1, Orgelpark, Amsterdam,
2014, 84-139.
Weidenaar, Reynold Henry. The Telharmonium: A History of the First
Music Synthesizer, 1893-1918. PhD thesis, New York University, 1988.
Weidenaar, Reynold Henry. "The alternators of the Telharmonium,
1906",Proceedings of the International Computer Music Conference,
McGill University, Montral, 1991, pp. 311-314.
Weidenaar, Reynold Henry. Magic Music from the Telharmonium.
Based on the PhD thesis, The Scarecrow Press Inc., Metuchen NJ,
1995, 436 pages.
Weigel, Erhard. Tetractys, summum tum arithmeticae tum
philosophiae discursive compendium. Jena, 1673.
Weijer, Bard van de. "Stemmings-gevoelig", Volkskrant, 1 Nov 2013.
Weinberger, N.M. "Music and the Auditory System", The Psychology of
Music, Diana Deutsch (ed.), Academic Press, New York, 1999, p. 67.
Weinreich, Gabriel. "Coupled piano strings", Journal of the Acoustical
Society of America vol. 62, 1977, pp. 1474-1484.
Weinreich, Gabriel. "The coupled motions of piano strings", Scientific
American, Jan. 1996, pp. 94-102.
Weinreich, Gabriel. "Comment vibrent les cordes d'un piano?", Sons et
musique, 1980, pp. 40-48.
Weinstein, David. "Bohemiola: Tuning Specifications for the
Piano", Interval vol. 4 no. 1, pp. 26-27.
Weintraub, Andrew N. Constructing the Popular: Superstars,
Performance, and Cultural Authority in Sundanese Wayang Golek Purwa
of West Java, Indonesia. PhD diss., Univ. of California, Berkeley, 1997.
Weintraub, Andrew N. "Instruments of Power: 'Multi-Laras' Gamelan in
New Order Indonesia", Ethnomusicology vol. 45 no. 2, 2001, pp. 197227.
Weisethaunet, Hans. "Is There Such a Thing as the 'Blue
Note'?", Popular Music vol. 20, 2001, pp. 99-116.
Weisse, Fritz. "Der Bekanntheitsgrad der Lieder des EKG - Eine Frage
ihrer Intervallstruktur?", Musik und Kirche vol. 48 no. 2, 1978, pp. 65-70.
Weisstein, Eric W. "Eric's Treasure Trove of Music", WWW, 1999.
Wijk, Frank van. "De geschiedenis van het orgel", "De temperatuur van
'Alkmaars Groote Orgel' vanaf 1725", Het Orgel vol. 99 no. 3, May 2003,
pp. 13-16, 27-35.
Wijmenga, Gjalt. "A reason for a change", Music Notation News vol. 8
no. 4, MNMA, 1998, pp. 8-16.
Wijmenga, Gjalt. Systematiek projectie intervalreeksen op planimetrie
toetsenbord.part 1, part 2 and part 3, WWW, 2011, 43 pages.
Wijmenga, Gjalt. The fringe world of microtonal keyboards. WWW,
2013, 25 pages.
Wijmenga, Gjalt. Het Indische toetsenbord. WWW, 2015, 24 pages.
English translation by Gjalt Wijmenga The Indian Keyboard, 2015, 24
pages.
Wilcox, A. Gordon. "Perfect Fourths as a Scalar Option", Perspectives
of New Musicvol. 5 no. 2, spring-summer 1967, pp. 141-145.
Wild, Jon. "Flat Interval Distribution and Other Generalisations of the
All-Interval Property", International Conference Mathematics and
Computation in Music, Berlin, May 2007, 7 pages.
Wild, Jon. "Pairwise Well-formed Scales and a Bestiary of Animals on
the Hexagonal Lattice", 2nd International Conference Mathematics and
Computation in Music, 19-22 June 2009, Yale University, New Haven
CN.
Wilding-White, R. "Tonality and scale theory", Journal of Music
Theory vol. 5 no. 2, 1961, pp. 275-286.
Wilke, Friedrich. "ber Stimmung der Orgeln", Allgemeine
musikalische Zeitung vol. 24, Leipzig, 1822, pp. 727-734, 751-754.
Wilkerson, Daniel Shawcross. "Harmony Explained: Progress Towards
A Scientific Theory of Music", arXiv 1202.4212v1, 20 Feb 2012.
Wilkinson, Scott R. Tuning In: Microtonality in Electronic Music; A
Basic Guide to Alternate Scales, Temperaments and Microtuning Using
Synthesizers. Hal Leonard Books, Milwaukee, 1988, 120 pages.
Will, Rodney H. A Proposed Graphic Notation for Harry Partch's
"Monophony". Mimeographed. Washington DC, 1983.
Willard, N. Augustus. A treatise upon the music of Hindoostan,
comprising a detail of the ancient theory and modern practice. Baptist
Mission Press, Calcutta, 1834, 8 vols. Reprint in W. Jones & N.A.
Willard, Music of India, Susil Gupta, Calcutta, 1962; S.M. Tagore
(ed.), Hindu Music from Various Authors, Chowkhamba, Varanasi, 1965,
pp. 1-122.
Wille, Rudolf. "Anstze einer mathematischen Musiktheorie", Vortrag
a.d. Tagung 'Mathematik und Musik', Darmstadt, 1975.
Wille, Rudolf. "Mathematik und Musiktheorie", Musik und Zahl, Verlag
fr systematische Musikwissenschaft, Bonn-Bad Godesberg, 1976, pp.
233-264.
Wille, Rudolf. Mathematische Sprache in der Musiktheorie. Feedback
Papers vol. 24, Feedback Studio Verlag, Kln, 1981, pp. 6-10.
Wolf, Daniel James. "What alternative tunings can do for you", WWW,
2006.
Wolf, Oskar. Sprache und Ohr. Akustisch-physiologische und
pathologische Studien. Braunschweig, 1871.
Wolfe, Joe. "How harmonic are harmonics?", WWW, 2000.
Wolfe, Joe. "Interference beats", WWW, 2000.
Wolfe, Joe. "Tartini tones and temperament: an introduction for
musicians", Tutti vol. 20, October 2011, pp. 2-3.
Wltje, C.L.H. Versuch einer rationellen Construction des modernen
Tonsystems. Schutze, Celle, 1832.
Wood, Alexander. The Physics of Music. Methuen & Co., London,
1950. Halsted, New York, 1975, 250 pages.
Wood, James. "Microtonality: Aesthetics and practicality", Musical
Times vol. 127 (no. 1719), June 1986, pp. 328-330.
Wood, James (ed.) Microtonality Manual. Centre for Microtonal Music
and the Society for the Promotion of New Music, London, July 1991.
Woodbury, Arthur. "Harry Partch: Corporeality and
Monophony", Source, music of the avant garde vol. 1 no. 2, July 1967,
Larry Austin (ed.), pp. 91-93.
Woolhouse, Wesley Stoker Barker. Essay on Musical Intervals,
Harmonics and the Temperament of the Musical Scale. J. Souter,
London, 1835, 96 pages.
Woolhouse, Wesley Stoker Barker. Treatise on Musical Intervals,
Temperament and the Elementary Principles of Music. Charles
Woolhouse, London, 1888.
Worrall, David. Physics and psychophysics of music. Course notes,
Australian Centre for the Arts and Technology, WWW, 1990.
Wozniak, Robert H. "Max Meyer and 'The Fundamental Laws of
Human Behavior'", WWW, 1997.
Wraight, Denzil and Christopher Stembridge. "Italian Split-Keyed
Instruments with Fewer than Nineteen Divisions to the
Octave", Performance Practice Review vol. 7 no. 2, 1994, pp. 150-181.
Wraight, Denzil. The Stringing of Italian Keyboard Instruments c.1500c.1650. PhD thesis, Musicology, Queen's University, Belfast, 1997, 3
vols., 792 pages.
Wraight, Denzil. "Establishing Pitch Relationships in Italian String
Keyboard Instruments", Proceedings of the conference Stimmton und
Transposition im 16.-18. Jahrhundert, Bremen, October 1999.
Wraight, Denzil. "The tuning of two 16th century italian
clavichords", Clavichord International vol. 1 no. 2, November 1997, pp.
49-53. Errata note in May 2000.
Wraight, Denzil. "The pitch relationships of Venetian string keyboard
instruments",Fiori Musicologi, Studi in onore di Luigi Ferdinando
Tagliavini nella ricorrenza del suo LXX compleanno, F. Seydoux, G.
Castellani and A. Leuthold (eds.), Editore Ptron, Bologna, 2001, pp.
573-604.
-X
-Y
Yarman, Ozan. Trk Makam Mzigi iin 79-Sesli Dzen ve Kuram (79tone Tuning & Theory for Turkish Maqam Music As a Solution to the NonConformance Between Current Model and Practice). PhD thesis, Istanbul
Technical University, Turkish Music State Conservatory Musicology
Department, Dec. 2007, 226 pages.
Yarman, Ozan. "A Comparative Evaluation of Pitch Notations in
Turkish Makam Music: Abjad Scale & 24-Tone Pythagorean Tuning 53
Equal Division of the Octave as a Common Grid", Journal of
Interdisciplinary Music Studies vol. 1 no. 2, fall 2007, pp. 43-61.
Yarman, Ozan. "Issues Regarding The Practice And Theory Of Turkish
Music And Their Solutions", Congress (invited paper), 5 March 2008,
Maka Yerleskesi, Istanbul Technical University, 2008.
Yarman, Ozan. "Trk Makam Mzigi'nde icra ile rtsen nazariyat
modeli arayisi: 34-ton esit taksimattan 79'lu sisteme, sabit-perdeli
dzenlerden bir yelpaze", Trk Mziginde Uygulama-Kuram Sorunlari ve
zmleri - Uluslararasi agrili Kongre Bildiriler Kitabi, IBB Yayinlari,
Istanbul, 2008, pp. 139-151.
Yarman, Ozan and S. Sehvar Besiroglu, "Trk Makam Mzigi'nde
nazariyat-icra rtsmezligine bir zm: 79-sesli dzen", Itdergisi/b
(Sosyal Bilimler) vol. 5 no. 2, 2008, pp. 23-34.
Yarman, Ozan. "Trk Makam Mzigi'ni bilgisayarda temsil etmeye
ynelik baslica yerli yazilimlar", II. Mzikte Temsil & Mziksel Temsil
Sempozyumu (22 Ekim 2010), Istanbul Teknik niversitesi, Maka
Yerleskesi, Istanbul. Porte Akademik vol. 1 no. 2, 2010, pp. 324-331.
Yarman, Ozan. Ses Dnyamizda Yeni Ufuklar (Nazariyat ve teknik
boyutuyla). Artes Yayinlari, Istanbul, 2010.
Yarman, Ozan. "Huruf-Notalarin, Ney Esas Alinarak, Dizekte Dogru
Ifade Edilmesi", I. Mzikte Temsil & Mziksel Temsil Sempozyumu (6
Ekim 2005), Istanbul Teknik niversitesi, Maka Yerleskesi, Sosyal
Tesisler, Istanbul. Porte Akademik vol. 1 no. 1, 2010, pp. 169-176.
Yarman, Ozan. "Cumhuriyetimiz'in ve Atatrkmz'n Ulusal Mzik
Egitiminden Esas Bekledigi, Bize zg Perdeler zerinden Mikrotonal
Polifoni Dzlemine Tasinmis Popler ve Halk Havalarimizdir", IX. Ulusal
Mzik Egitimi Sempozyumu (17 Aralik 2010), Marmara niversitesi,
Gztepe Yerleskesi, Istanbul. Trkiye'de Bugnden Yarina Mzik Egitimi
IX. UMES Bildiri Kitabi, 2010, pp. 735-745.
Yarman, Ozan. "From Bosphorus To Maraga: Theoretical Pursuits &
Applications That Strive For The Genuine In Expressing Maqams", II.
Uluslararasi Mzikoloji Sempozyumu 'Space of Mugham', 16 March
2011, "Sarq-Qarb", Baku, 2011, pp. 179-191.
Yarman, Ozan. "Iki Kemene ve Piyano Iin Ilk Bir agdas Yapit",
Uluslararasi Cneyd Orhan (I.), Kemene Sempozyumu (2010), Istanbul
Teknik niversitesi, Maka Yerleskesi, Sosyal Tesisler, Istanbul. Porte
Akademik vol. 2, no. 7, 2013, pp. 118-125.
Yarman, Ozan and M. Kemal Karaosmanoglu. "'Yarman-36 Makam
Tone-System' for Turkish Art Music", Turkic World Mathematical Society
-Z-
Hungaricae vol. 4 no. 1/2, Zoltn Kodly (ed.), Budapest, 1963, pp. 101128.
Zhang, Juzhong, Xinghua Xiao and Yun Kuen Lee. "The early
development of music. Analysis of the Jiahu bone flutes", Antiquity vol.
78 no. 302, 2004, pp. 769-778.
Zhu Zaiyu. Lxue xin shuo (A new theory of temperament). China,
1584.
Zhu Zaiyu. L L Ching I. China, 1595/1596.
Zia, Maria. "Musica e... Lineamenti di storia dell'acustica dalle origini
all'epoca moderna. Il Trattato di William Holder", Diastema vol. 1,
January 1992, pp. 44-46.
Zillhardt, Rainer. "Zur Problematik einer historisch bergeordneten
Strukturanalyse der Tonhhen", Mikrotne I, Edition Helbling, Innsbruck,
1986, pp. 69-106.
Zillhardt, Rainer. "Chroma als Beziehungsqualitt und als
Fundamental-eigenschaft. Fragen zur Przisierung und Abgrenzung
beider Begriffe", Mikrotne II, Edition Helbling, Innsbruck, 1988, pp. 125140.
Zillhardt, Rainer. "berlegungen zu den ueren und inneren
Bedingungen mikrotonaler Strukturen anhand von Luigi Nonos
Orchesterstck 'A Carlo Scarpa...'",Mikrotne IV, Filmkunst-Musikverlag,
Mnchen, 1993.
Zillhardt, Rainer. "Ein Verfahren zur mehrdimensionalen Darstellung
von Tonhhenstrukturen", Musikwissenschaft - Musikpraxis. Festschrift
fr Horst-Peter Hesse zum 65. Geburtstag, Kai Bachmann and Wolfgang
Thies (eds.), Verlag Mller-Speiser, Anif, 2000.
Zimmermann, Bernd Alois. Intervall und Zeit. Christof Bitter (ed.),
Schott Verlag, Mainz, 1974.
Zipp, Friedrich. Vom Wesen der Musik. Grundlagen musikalischer
Schaffens und Erlebens. Mller, Heidelberg, 1974, 91 pages.
Zonis, Ella. "Contemporary art music in Persia", Musical Quarterly vol.
51, 1965, pp. 638-648.
Zonis, Ella. Persian Music: A Study of the History, Theory and Practice
of Contemporary Art Music in Persia. PhD diss., Brandeis University,
1968.
Zonis, Ella. "Classical Persian Music Today", Iran Faces the Seventies,
Ehsan Yar-Shater (ed.), Praeger Publishers, New York, 1971, pp. 365379.
Zonis, Ella. Classical Persian Music: An Introduction. Harvard
University Press, Cambridge MA, 1973, 248 pages.
Zurfluh, Werner. "Kristallisierende Wassertropfen 9 - Lambdoma und
BK-Konzept", WWW, 2002.
Zwang, Grard. "Querelle de Diapasons", Paris, 1982.
Zwang, Grard. L'Oreille absolue et le diapason dit baroque. La Revue
musicale, Paris, 1984, 77 pages.