Académique Documents
Professionnel Documents
Culture Documents
Contributi di:
Rafael Benlliure Tbar, Andrea Borsari, Manlio Della Serra, Olivier Feron, Alberto Fragio,
Diego Giordano, Matas Gonzlez, Csar Gonzlez Cantn, Emanuela Mazzi, Vida Pavesich,
Martina Philippi, Antonio Rivera Garca, Jos Luis Villacaas
multilingual book
HANS BLUMENBERG
Index
009
Diego Giordano
Decentramento antropologico
e neutralizzazione simbolica
027
Alberto Fragio
Das berleben der bergnge
Nuevos paradigmas de anlisis
de la obra de Hans Blumenberg
Saggio introduttivo
205
Index
237
Martina Philippi
Ein Spiel mit Selbstverstndlichkeit(en).
Formal-inhaltliche bergnge in
Blumenbergs philosophischen Miniaturen
263
Emanuela Mazzi
I pensieri astronoetici come laboratorio
per unantropologia sperimentale: la riflessione
di Hans Blumenberg sullimpresa spaziale
Contraposiciones y diferencias.
Sobre algunas posibilidades en la nocin
de tensin en el texto blumenberguiano
329
349
Andrea Borsari
Il Simmel antropologo
della Beschreibung: una noterella
104
significant here are the two aspects of human temporality disclosed for Blumenberg by his correct understanding of human
finitude: the necessity of delaying and the situation of not having
enough time. Secondly, both aspects have ethical consequences.
Thirdly, one of the two functions of philosophy would be for
Blumenberg of rethorical kind (metaphorology); Blumenberg
allignes so with the contemporary Renassaince of rethoric.
1. Ontology as metaphorology
105
106
14
15
knowledge as we will see later, would be its being disturbed by strong feelings
and passions, that are corporal realities
16
Cfr. Hans Blumenberg, The Legitimacy of the Modern Age, Robert
Wallace, trans. (Cambridge and London: MIT Press, 1985), 21819.
107
108
25
26
109
110
s we have just seen, Blumenberg wants to grant ontological weight to the human activity of creating cosmos.
As we will see in a moment, by calling this activity rhetoric
Blumenberg introduces anthropological themes at the very beginning of the history of thinking: in the well-known discussion
between Plato and the sophists, that is one about the relation between words and things,33 that is, about the very possibility of
ontology.
As we mentioned before, it is appropriate to locate
Blumenbergs attempt in the context of the so-called Renaissance
of rhetoric,34 where rhetoric is becoming, at the end of XX century, a new universal paradigm for every discipline, natural sci-
111
ences and philosophy alike.35 While for Plato and Aristotle rhetoric is limited to persuasion in matters of justice,36 Blumenberg
understands it as penetrating every human theoretical or practical
activity in order to introduce sense in the world, i.e., to generate
a cosmos.
In the light of Blumenberg, the secondary role played by rhetoric in both Platos and Aristotles philosophical systems derives
from the fact that access to Being is by them taken for granted.
Beyond the important differences between these two authors in
their respective ideas about rhetoric, Blumenberg considers that
their common cosmistical approach permits him to keep them
in view together. The possibility of relation to the Being and,
therefore, of a global knowledge, allows Plato and Aristotle to
discriminate between essences true knowledge (science) and appearances imperfect knowledge (opinion). The former emerges
from understanding of causes, while the latter is properly related
to belief.
Plato holds rhetoric to be in the ambit of belief ().37
This would not be negative at all under the condition that rhetoric
stayed within its limits. But the sophist claims rhetoric to be the
most perfect kind of knowledge. In this way, according to Plato,
a sophist leads people to confuse justice with the appearance of
justice, the same way that cookery fakes medicine, sophistry pol For instance: S. Ijsseling, Rhetorik und Philosophie. Eine historischsystematische Einfhrung (Stuttgart-Bad Cannstatt, 1988); A.G. Gross, The
Rhetoric of Science (Massachusets: Cambridge, 1990).
36
Cfr. Gorgias 454b, in Plato. Plato in Twelve Volumes, Vol. 3, W.R.M.
Lamb, trans. (Cambridge, MA: Harvard University Press; London: William
Heinemann Ltd. 1967). Vid. Sophist 233c 5, in Plato. Plato in Twelve Volumes,
Vol. 12, Harold N. Fowler, trans. (Cambridge, MA: Harvard University Press;
London: William Heinemann Ltd., 1921); Rhetoric 1355a 2124 fw., in
Aristotle in 23 Volumes, Vol. 22, J. H. Freese, trans. (Cambridge, MA: Harvard
University Press; London: William Heinemann Ltd., 1926). Greek versions:
Plato. Platonis Opera, John Burnet, ed. (Oxford: Oxford University Press,
1903); Ars Rhetorica. Aristotle, W. D. Ross (Oxford: Clarendon Press, 1959).
37
Gorgias 455a 12, where Plato says rhetoric is a sort of knowledge
based upon mere opinion ( ).
35
112
40
41
42
43
113
114
53
Vols.17, 18, Hugh Tredennick, tr. (Cambridge: MA, Harvard University Press;
London: William Heinemann Ltd., 1933, 1989): Nevertheless we consider that
knowledge and proficiency belong to art rather than to experience, and we assume that artists are wiser than men of mere experience (which implies that
in all cases wisdom depends rather upon knowledge); and this is because the
former know the cause, whereas the latter do not.
55
For instance, Rethoric I 10, where Aristotle comments on which and
how many are the causes of injustice; or Rethoric II 1, 1378a 612, for the
characteristics of an expert orator.
56
ib. III 1, 1404a 112.
57
ib. I 1, 1355b 15; vid. as well Peri sophistikon elenxion 1402a 23 and
fw.
58
Wardy, 10910.
59
Josef Knig, Einfhrung in das Studium des Aristoteles: an Hand einer
Interpretation seiner Schrift ber die Rhetorik (Freibur and Mnchen: Karl
Alber, 2002), 43.
115
116
117
Firstly, I show a general overview of the rhetorical elaboration of cosmos based in the symbolical features of language. Two
aspects are here considered: rhetoric as (1) instrument of configuration of reality and, more specifically, as (2) instrument of
instruments. As a result two Gorgian descriptions of rhetoric (as
art of elaborating speeches and as fighting instrument) and the
Aristotelian topoi are re-interpreted in ontological terms.
These two last points deal with the basic aspects of human
temporality for Blumenberg. Both of them are defined in respect
to the pressure that absolutism of reality imposes on human beings. In front of it human beings react structurally in two ways.
The first of themthis is the second stepconsiders human
beings as being swept out to a relationship with reality for what
it is not ready, and reacting by means of delaying entering in
contact with it. In this sense the rhetorical characteristic of not
going straightforward to the point, is reinterpreted ontologically
as art of delaying; also the platonic interpretation of rhetoric as
art of appearances.
The second of themthird stepregards rhetoric as providing a way of responding to the pressure of reality when there
are no more chances left to avoid it. In this case three more elements are ontologized: the topoi used in rhetorical speech; the
Aristotelian goal of easy learning; and the time constraints of
speech.
In every one of this points it is discussed where the peculiar rationality of rhetoric lies in by means of contrast with the
absolutist reason. In respect to that it is specially stressed the
role played by metaphor in rhetorical reasonability. On the other
hand, it is considered that each aspect of human temporality has
some consequences for ethical behavior.
Along the exposition, these three points are each examined
both at the ontological level and in its expression at the anthropological level.
118
119
75
76
77
78
73
Blumenberg, Paradigmen, 8.
Blumenberg, Approach, 432.
Blumenberg, Vollzhligkeit, 293.
Rothacker, Probleme, 137.
Plessner, Die Stufen, 442.
Helmut Plessner, Homo absconditus, in Roman Rocek and Oskar
Schatz, eds., Philosophische Anthropologie heute (Mnchen: Verlag, 1972),
54.
79
Arnold Gehlen, Gesamtausgabe. Bd. 4: Philosophische Anthropologie
und Handlungslehre, Karl-Siegbert Rehberg, ed. (Frankfurt am Main:
Klostermann, 1983). Cfr. Hans Blumenberg, Ein mgliches Selbstverstndnis.
Aus dem Nachlass (Stuttgart: Reclam, 1997), 45 fw.
80
Blumenberg, Approach, 438. In Stoellgers opinion, this situates
Blumenberg in the Vico-tradition: Philip Stoellger, Metapher und Lebenswelt:
Hans Blumenbergs Metaphorologie als Lebenswelthermeneutik und ihr religionsphnomenologischer Horizont (Tbingen: Mohr Siebeck, 2000), 102
fw. Vico is the first author to make a process of construction of metaphors
into a model of adaptation of human behaviour to changing environment:
Ferdinand Fellman, Vico-Axiom. Der Mensch macht die Geschichte (Freiburg
i. Br, 1976), 169 fw.
81
This intuition is what underlies Platos criticism of the association be74
120
121
122
99
Hans Blumenberg, Sokrates und das objet ambigu. Paul Valrys
Auseinandersetzung mit der Tradition der Ontologie des sthetischen
Gegenstandes, Franz Wiedmann, ed., Epimeleia. Die Sorge der Philosophie
um den Menschen. Helmut Kuhn zum 65. Geburtstag (Mnchen: Pustet, 1964),
290. Blumenberg follows here the Ernst Cassirers criticism of Aristotles
epistemology, Substanzbegriff und Funktionsbegriff. Untersuchungen ber
die Grundfragen der Erkenntniskritik (Wissenschaftliche Buchgesellschaft:
Darmstadt, 19693 [1910]).
100
Cfr. Hans Blumenberg, Die erste Frage an den Menschen. All der
biologische Reichtum des Lebens verlangt eine konomie seiner Erklrung,
Frankfurter Allgemeine Zeitung 2.6.2001, 127. There is only one eternal truth
of human nature: the formal ontological movement (ontologische Bewegung)
between Instndigkeit and Gegenstndigkeit: Blumenberg, Legitimacy, 457
81.
101
Blumenberg, Lebenswelt, 13.
102
Blumenberg, Approach, 443.
123
105
106
107
103
104
Phaedrus 211de.
Sophist 234c ( ).
See Rhetoric I 19 9, 1367b 13 (geitnian).
Blumenberg, Ausblick, 98 and fw.
Blumenberg, Approach, 456. Blumenberg has a book completely de-
124
125
126
The irrationality of rhetoric can be more precisely outlined with Blumenbergs term Unbegreifflichkeit (unconceptuability)117. Because of that absolute metaphors (absolute
Metaphern)118 take a special place between metaphors, so-called
because they present both a global interpretation of world and
self, and resistance to be reduced to concepts.
(2) But language is not only a tool for the creation of sense,
but it is an instrument of instruments. Its peculiarity lies in
that every other instrumenteither mental or physicalexists
through language. It is not limited to just one function, like a
hammer or the knowledge about how to make cookies.
This was already perceived by Plato, Aristotle and the sophists. Plato criticizes what he considers an odd feature of rhetoric
based on considering words as imitations, as we have seen,
praised by sophists: their capability to speak about every topic as
if they know everything about every thing. In his criticism Plato
has probably Gorgias words in mind, rhetoric is to be understood
as a fighting instrument119 that might be used at wish either for
justice or injustice.120 The same is observed by Aristotle who, to
self-understanding but logically in destroying life itself. Blumenberg gives the
nazi genocide as an example: to consider people as animalsbased on scientific statementsbrought on the possibility of eliminating them like animals.
117
Blumenberg, Paradigmen, 21. This is to be understood in the context
of Kantian categories and referring primarily to concrete existence, that is not
located in the categories framework: Cassirer, Substanzbegriff, 403.
118
Blumenberg, Paradigmen, 13. As we mentioned at the very beginning,
metaphorologys object is the historical going over about variation of absolute
metaphors.
119
Gorgias 456d 1.
120
For Gorgias, rhetoric is not all about knowing a certain object, but
about knowing the right combination of words that has the desired effect on the
audience; see Marcello Zanatta, Larte del persuadere: la retorica in Platone e
Aristotele, 27, in Marcello Zanatta, ed., Aristotele. Retorica (Milano: Unicopli,
2002), 227. This vision is supported by Gorgias understanding of words meaning as being made of a very subtle stuff, that would cause a physical reaction in the listeners soul (Encommium of Helena, 14, quoted by Giuseppe
Mazzara, Gorgia: la Retorica del Verosimile (Academia Verlag: Sankt Agustin,
1999), 261). Words have thus a real effect on people.
127
121
122
what was said before, reveals a deep sense about the relation between the anthropological and ontological levels. The wide range of sounds of which human
voice is capablemade possible by the lack of instincts (Plessner, Die Stufen,
54)reveals the ontological sense at an anatomic level: that words can imitate things because language has played an important role in how we perceive
them. See also Plato, Cratylus 423b fw., in Plato. Plato in Twelve Volumes,
Vol. 12, Harold N. Fowler, trans. (Cambridge, MA: Harvard University Press;
London: William Heinemann Ltd. 1921): A name, then, it appears, is a vocal
imitation of that which is imitated, and he who imitates with his voice names
that which he imitates.
123
Blumenberg, Approach, 431 (original text: Form als Mittel,
Regelhaftigkeit als Organ).
124
Blumenberg, Lebenswelt und Technisierung unter Aspekten der
Phnomenologie (754), in Wirklichkeiten in denen wir leben. Aufstze und
eine Rede (Stuttgart: Reclam, 1981), 45. As an anatomical counterpart of this
anthropological flexibility of language, human beings happen uniquely to be in
possession of five finger hands, the instrument of instruments at the anatomical level.
128
127
128
125
129
Press, 2006), I.VIII; cfr. Bruno Accarino, Nomadi e no. Antropogenesi e potenzialismo in Hans Blumenberg, in Andrea Borsari (ed.), Hans Blumenberg.
Mito, metafora, modernit (Bologna: Ed. Il Mulino, 1999), 216, n. 36.
132
Gehlen, Der Mensch, 26.
133
Blumenberg, Hhlenausgnge, 25.
134
Blumenberg, Hhlenausgnge, 71.
135
Approach, 430.
136
, Sophist 235b3.
137
Cfr. Hans Blumenberg, Die Verfhrbarkeit des Philosophen (Frankfurt
am Main: Suhrkamp, 2000), 54.
130
On the one hand, human beings face situations of perplexity or of danger for which they are not biologically equipped.138
In front of them human beings respond not in a physical way,
like animals, but in a rhetorical one.139 For example, starting a
fight can be substituted by a slight raise of the eyebrow and have
the same effect. Human being does not know (or want) anymore
what to do in front of the requirements of reality, and therefore it
does what it can: to do as though it did something. Paraphrasing
the sentence attributed to Aristotle, the thought of fire does not
burn, it can be said that the action of symbolizing is not real so
far it introduces no change in reality; but it is on the contrary a
real action so far it helps human beings to live humanly. The
process of substituting physical accomplishments for verbal
[i.e. symbolic] ones is an anthropological radical.140 Examples
of this art of delaying are Greek myths. Myth establishes a daedal
set of rules and procedures to manage the relation among gods,
and between them and mortals; however, what myth is really intending to do is having divine, arbitrary, huge power (i.e. absolute power) closed into certain boundaries.141
On the other hand, through loss of instincts human beings are
deprived also of regulating and channeling means for their impulses that become exuberant and disorientated. Thus the stimuli
overabundance is matched by an impulsive overabundance.
That explains the common experience of being seized by a fit
of passion, which may bring us to lately regrettable decisions.
Hans Blumenberg, Wirklichkeitsbegriff und Staatstheorie, Schweizer
Monatshefte 48 (1968), 137.
139
At least so long as they are allowed to postpone it, as we will see in the
next section: cfr. Blumenberg, Die Sorge, 13.
140
Blumenberg, Approach, 438. Probably these ideas were taken from
Plessner, Homo absconditus, 75. It could then be asked what is the specific in
the eyebrow movement in comparison with certain threat signs in many animal
species. Although we cannot discuss that subject here, something about it will
be said later.
141
For example, Blumenberg considers politeism as a technique of weakening (Technik der Schwchung), Arbeit am Mythos, 142.
138
131
To avoid it human beings build delaying mechanisms in its behavior, both at individual (to give a sober second thought) and
institutional level.142
Another expression of the art of delaying is that the human
capacity for taking one thing for another is true also from a reverse standpoint: the capability of delegation (Delegation),143
so that we neednt do or know everything that is necessary for
self-preservation.144 In the pressure of rhetorical situation, to get
others to make what oneself should do (they consequently standing for us) is another means of not having to confront reality
ourselves.
What is rational in the art of delaying is, as we know, that it
corresponds to the logic of life. It is seen as irrational by both
scientific and some philosophical approaches as far as, from the
viewpoint of absolutist reason, existence has no reason to exist.
For example, while an aspect of technological progress is concentration of processes [with the] intention of saving time,145
so often in human affairs its more convenient to put off doing
something. What is technically possible need not be the most
timely. Human beings must lead a life of existential procrastination. Moreover, technological complexity can nowadays
be very much like the original situation of overabundance of
stimuli146 that we mentioned before. In such open-to-doubt situations, long political/rhetorical digressions can make uncertain
that the shortest line between two points is the human way as
well.147 Blumenberg reinterprets here Husserls analysis in Die
Some authors in the field of public rational choice interpret in this
way the institutional division, in congress and senate, of political choice-making process: Elster, J., Intertemporal choice and political thought, in G.
Loewenstein & J. Elster (eds.), Choice over time (New York: Russell Sage
Foundation, 1992), 3553.
143
Blumenberg, Vollzhligkeit, 420.
144
Blumenberg, Hhlenausgnge, 71.
145
Blumenberg, Approach, 44445.
146
Blumenberg, Begriffe, 111.
147
Hans Blumenberg, Gerade noch Klassiker. Glossen zu Fontane
142
132
Krisis, upon the irrationality of natural sciences and their technological appendix in the context of the need for a clarifying reflection about both the sense of the world and of human beings
and its action.148 According to Husserl, technology is led by an
active ignorance149 (it is enough to know how to use it, not why
it works as it does), it being needed of being put under the guidance of reason if it has to serve human interests.
Accordingly to Plato, rhetoric gives only an appearance of
explanation but not a real one at all. Blumenbergs belief is that
human life needs not investigate its causes, neither with a scientific nor philosophical approach, because it would run the risk of
discovering it has no sense. Rhetorical metaphors or myths are
not used to replace theory () but to make it unnecessary150 by
having us engaged.151 That is exactly what makes them rational.
Prisoners refusal to leave the platonic cave is not due to their
irrationality, but to not wanting to have a direct experience of
reality.152
Rhetoric can also take the form of philosophy when it performs
a rhetorical function; what has been the case, for Blumenberg, of
every philosophical system before his metaphorology, since they
all were, as it was mentioned before, cosmistic. That means, they
have played the game of entertaining us by promising imminent
answers to the important questions but actually never getting to
(Mnchen: Hanser, 1998), 122 (emphases added).
148
Edmund Husserl, Philosophie als strenge Wissenschaft (Frankfurt am
Main: Suhrkamp, 1981), 14. Cfr. Blumenberg, Lebenswelt, 26.
149
Blumenberg, Lebenswelt, 33.
150
Blumenberg, Hhlenausgnge, 168. As Gehlen explains (Der Mensch,
360), in the field of vital knowledge the usual way to elaborate perturbations
(for instance a burn) is not to investigate the causes of the event (why fire burns)
but rather a shock and the ensuing prevention (not to get too close to the bonfire
anymore).
151
Blumenberg, Hhlenausgnge, 164.
152
It is of great interest how Blumenberg describes the situation of someone who leaves the cave: sunlight blinds him or her and as a result he or she
loses his or her world: the sun is the truth (finitude), which makes us realize
our world is a fake (cfr. Ontologische Distanz, 44).
133
134
unbearable for praxis.159 As Wardy points out, to enjoy a tragedy one must let himself into a disposition to be deceived.160 It
is not about sheer cynicism: it not only responds to the logic of
life, but to unavailability of knowledge of reality for any kind of
knowledge, also for the scientific one. The difference between
practical and theoretical knowledge is not in our access to reality or Beingas if theory were able to achieve the truth. Both
of them are insufficient accesses to Being, so that the only difference between them is that theory has an infinite time to concoct;161 accordingly we are allowed for not taking too seriously
its statements, because they may also change over time.162
These arguments have far-reaching consequences for ethics.
Contrary to the openness of human beings, for the absolutist
reason human life is supposed to have a specific target, whose
elucidation would be the task of the Platonic ethical science.
However, radical lack of a pre-determined telos of human life requires an understanding of a rhetorical kind that, since a complete determination of human life is not possible, takes detours
and persists and is re-elaborated during the whole lifetime.163 To
understand the rationality of human action is, from this standpoint, an introduction to every ethical problem. We should know
what we are doing in order to know whether it is what we should
be doing.164
However, an ethics that, like the Platonic one, takes the evidentness of the good as point of departure leaves no room for
rhetoricas the theory and practice of influencing behavior on
the assumption that we do not have access to definitive evidence
of the good.165 The Platonic man would feel warranted to say
Blumenberg, Approach, 451.
Wardy, 36.
161
Hans Blumenberg, Das Lachen der Thrakerin. Eine Urgeschichte der
159
160
135
136
173
174
175
176
177
178
171
172
137
machines.179
For Blumenberg, nevertheless, there are enough dangers and
pressures in reality to justify as to become a machine.180 Among
Aristotelian topoi, metaphors are the common places par excellence regarding its function of automatizing human behavior. As
I said, metaphors put something in front of listeners eyes, giving
him or her visualization, immediate understanding of it. Its simplicity181 provides a swift action guide which, as Blumenberg
says, induces [agent] to jump into another level.182
The metaphor of jump introduces again the topic of the rationality of rhetoric. Decision is described as a jump because it
involves abandoning the familiar ground towards terra ignota. In
every decision there is always a point of faithof irrationality,
from a scientific standpointand that is what Blumenberg wants
to emphasize. Metaphors help us take a course of action where
no clear course can be seen. As a surgeon, I might have doubts
about whether I should save the convicts life lying in front of
me. From a rational point of view, to be completely sure we
should know his whole future life course and weigh pros and
cons in terms of benefits for both him and society. This is clearly
impossible, not only because my lifetime is too short for that, but
because his life is all but an already-written story. Therefore, we
must resort to fables, anecdotes, fairy tales (metaphors) where
application of indisputable principles like do good, not bad
is the rule.
179
Kant, Kritik der praktischen Vernunft, Kritik der Urtheilskraft, 327:
aber Rednerkunst (ars oratoria) ist, als Kunst sich der Schwchen der Menschen
zu seinen Absichten zu bedienen (diese mgen immer so gut gemeint, oder auch
wirklich gut sein, als sie wollen).
180
Blumenberg, Approach, 455. The principle of insufficient reason
is identified by Blumenberg with the pascalian reason of effects (Raison
des effets), that regulates the natural and automated mechanism of ordinary
impulses: Hans Blumenberg, Das Recht des Scheins in den menschlichen
Ordnungen bei Pascal, Philosophisches Jahrbuch 57 (1947), 428.
181
Hans Blumenberg, Paradigma, grammatisch, in Wirklichkeiten in
denen wir leben. Aufstze und eine Rede (Stuttgart: Reclam, 1981), 159.
182
Blumenberg, Ausblick , 96.
138
139
140
195
196
194
141
200
201
142
208
209