Jay Ann Toledo Pilar

Subject Teacher

 Contemporary- Current, now, the present.

Art- Art is creation. Creating something
new, something original and something
different. It is doing something to change
a subject, to build. Art is life. It is creating
life on a material and making inanimate
objects to have life. To create art is to give
life (RAMON ORLINA-Glass Sculptor)

RUBRICS
B Group-

A Group-

CRITERIA

PERCENTAGE

Content

50%

Creativity

50%

What is
Art?

ART

AR
(Aryan to join or put together)

Artizein

Arkiskein

(Greek to prepare)

(Greek to put together)

ARS/ARTIS
(Latin)

SKILL

TECHNE
(Greek)

Contemporary Art
Produce by living artist and
contemporary to us.
Contemporary Art may become
Traditional and Academic art at some
point.

Instruction: Activity for 3 mins

Group of male and female.
CONTEMPORARY
PERIOD
Fill up the timeline using the ART CARD.

ROMANTIC
PERIOD
MODERN
PERIOD
RENAISSANCE
PERIOD
CHRISTIAN
PERIOD
ROMAN
PERIOD
GREEK
PERIOD

New Art Forms

ARTS through the Ages

Self Expression
CONTEMPORARY
PERIOD

Fine Arts
Genius and
Design

MODERN
PERIOD

Craftmanship

RENAISSANCE
PERIOD

Skill
Technique

CHRISTIAN
PERIOD
ROMAN
PERIOD

GREEK
PERIOD

ROMANTIC
PERIOD

T
I
M
E
L
I
N
E

1050 31 BC 753-509 BC 350 -1450AD 1400-1500 1700 - 1800 1800 - 1900 20th 21st Century

HISTORICAL OVERVIEW:
PHILIPPINE ART

VISUAL
ARTS

Painting

Sculpture

Architecture

PreConquest

Pottery,
Body
Adornment
and
Ornament
Pottery,
wood and
metal
carving

Spanish

Historical Overview
COLONIAL PERIODS
American
Japanese

INDEPENDENT REPUBLIC
Post-War
Contemporary

1521-1898

1898-1940

1941-1945

1946-1969

Religious
Portraiture

Landscape,
portrait, still life

Wartime
Scenes

Modern,
conservative,
abstract,
experimental, public
art

Propaganda

Religious figures
and carving

Free Standing,
relief, public

Indigenizing
and
Orientalizing
works

Dwellings
Church, plaza,
and houses
Civic building,
(Bahay
fortress, road and
kubo)
lighthouse
construction

City planning,
public works,
structures and
infrastructures

Public works

1970s present

Figurative, non
figurative, art for
art sake ,multimedia, mixed
media and
transmedia

Real Estate, safe housing,

condominiums, subdivisions, villages,
malls, commercial/business/convention
buildings

Stylistic overview
Form

Pre-colonial

Spanish/Islamic
colonial

Painting

Sculpture

Architecture

Religious
(animalist or
Islamic)
Community-based
Inter-ethic
relations
Collective history

Religious/devotio
nal
Secular
Formal
Naturalistic,
(Homegrown
miniaturismo,
guild)
Academic
Workship-related
and residential
Earthquake
baroque
Hispanic revivalist
(neogothic,
neoromanesque,
Islamic

American colonial

Modern

Post
contemporary

Classical, Idylitic,
Nostalgic

Incipient
Triumvirate
13 moderns,
abstract,
Surreal
Expressionist

Collaborative,
hyper-realist, new
painting

Abstract
Expressionism

Junk scrap, neoindigenous, sitespecific,

performance art,
hybrid

International
Industrializing,
eclectic

Filipino
Architecture
Urban planning
Economic zone,
Neovernacular,
Prefab,
Regionalist
cosmopolitan

Neoclassic, art
deco

Cultural Overview
Form

Indigenous
southeast Asian

Islamic or
Philippine Muslim

Folk or lowland

Painting
Sculpture
Architect

Rituals and governance

Colonial and post

colonial

Fine or worldbased
Museumcirculated, artist
centered gallery
distributed

Popular or urban
and mass based

Mass produced
market oriented

Painting

The Philippine artist Fernando

Amorsolo (1892 -1972) was a
portraitist and painter of rural
landscapes. He is best known
for his craftsmanship and
mastery in the use of light.

Lavandera

Lavendera (1957)
Amorsolo's bather represent the
epitome of Philippine beauty.
The wet drapery on this young
woman is both revealing and
sensuous. The flower is symbolic
of the woman herself.

Sculpture

Sculpture in the Philippines mirrors its culture

complex and diverse. The art in this area has been
influenced by many different cultures, the most
prevalent being the east Asian nations, such as
China. In Islamic traditions began to be shown in
these areas in the Philippine Islands near the 14th
century. However, its culture began to expand in
the recent decades from influences in the United
States and other western nations.

The sacred and the mythical, the physical and

the erotic, the magical and the mundane, the
religious and the profane, and music and
song all permeate the art of Filipina artist
Agnes Arellano. Drawing from rich personal
experience and an extraordinary range of
influences, she makes some of the most
dramatic art in Asia.
Best known for surrealist and expressionist
work in plaster (cast and directly modeled),
bronze, and cold-cast marble, Her work tends
to stress the integration of individual
elements into one totality or "inscape".
She has participated in international group
exhibitions in Berlin, Fukuoka, Havana,
Johannesburg, New York, Brisbane and
Singapore.

Temple to the Moon Goddess

Architecture

Tausug House: To the seafaring Tausug, Sulu, a house built on flat dry land or a
site that slopes towards Mecca is lucky. The one-room, gabled roof house is
known as bay sinug has a separate kitchen accessible through a side porch.

Ivatan House

Ivatans houses are up

made of limestone walls,
reeds, and cogon roofs

In your own opinion, what is your impression to the

given picture sculpture. (50 words)

The privileged dwelling of beauty in

our universe is the HUMAN
PERSON with its perfect body,
marvelous memory, capacity for the
arts, its love, virtue and wisdom.
For what do we praise in bodies?
Nothing else but beauty.
St. Augustine
Bishop and Doctor of the Church

Assignment
1. Give five(5) examples of Art in
Region 2.