PATSEY AUDITION PACKET

Keyboard l/Conductor

Spamalot

Tour

ALWAYS LOOK ON THE

BRIGHT SIDE OF LIFE
ARTHUR: Three, go home.
But no. I'm so depressed.
PATSY: Cheer up sire.
You Know wnat tfiey say..

ARTHUR: What do they say, Patsy?

PATSY:

lzl
"

Collavoce

in
FIGTI

,tua-____Some things

*cto.k

lF

lile

are bad.

Thev

make you mad.

can

Cl, Vln,

nfY

K3 g11z

O - ther things

Gtr, Cl,
59(t3)

uJli'*'

just make you swear

and

curse.

no--

ilbs

When

you're

che-wing on life's gristle,

Flt, K2: Celeste (+8va

Bm

E13be

FLAimes-l
$ast
Pf
I motor)

help things

A6

F#'

|iAaEa
Bm7

tum out for

the

FfmT

Kbd. l/Cond.

2.

ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE

Al-ways look

on- the

bright

Horn solo

Ffmz
+Hi-hat backbeat

Bm7

BM7

Eg

16
look

on-

side- of life-

the

Horn solo

Bs. Cl.

.]:
Bm7

F#*

Eg

E4

seems

jol - ly

Arthurrs lousy whistle

rot - ten,

- 122-

17

E7

3.

ALWAYS LOOK ON THE BRIGHT SIDE OF LIF.E

Spamalot - Tour

zl

that's to laugh and smile and dance

and sing,

When vou,re
FIt, Glock, K2

fee -

ling

in

the dumps,

Vln, K3

j-

'--Bm7

='

DtE

ETbs

(Hi hat more active)

Don't be sil-ly chumps,_

purse your lips and whis+le,

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lI,

)'

1.

87trDm6il
sus

BnTE

rLym.

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V.S.

-123-

Kbd. l/Cond.

E;l

|-j3l

.,

4.

ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE

PATSY & KNTGHTS:

Al - ways

look

on-

Whistle

the

bright

side-

ctar.

l.1_

f'

Ao ,

AI - ways

look

on-

Spamalot - Tour

Bm7

Ffrt_

E7

the

Vln, K3 14

r.
,
+Flute--

q -DA= ==
I
vl tp
---- ll-

JF

II
E
And

death's the

fi -

nal

word.

You

must

al-ways face the cur-tain

with

OooYh,K2

) !|.i|l

-]-

cl, Hn,
Tbn., ip

\\_-__/
Bm7

\\-__//
ETbe

Ffmzt----z

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| \__r'/

ETbs

PATSY:
ARTHUR:
PATSY:
ARTHUR:

Oh no you're not
So all alone
I'm here you twot.
All by myself I'm all alone

2-9-29
The Stage

fills with Knights.

KNIGHTS:
ARTHUR:
KNIGHTS:
ARTHUR:
KNIGHTS:

He's all alone!

I'm all alone
All by himself
All by myself
There is no one here beside him
He's all alone
I'm all alone
Apart from us
No one to comfort him or guide him
Each one of us is all alone
So what are we to do
In order to get through?
We must be lonely side by side
It's a perfe ct way to hide.
We're all alone
We're all alone
Yes all alone
So all alone
Each by ourselves
We're all
AIone.

ARTHUR:
KNIGHTS:
ARTHUR:

KNIGHTS:
ARTHUR:
KNIGHTS:
ARTHUR:

7 Lady

Lt\Dy:

ofthe Lake descends the stairs.

But you're not arone Arthur. Haven,t you noticed?
I've been

with you allthe time. Who gave you the sword, who
made you
King, who welcomed you to Camelot, who helped you
off on your
quest?

Arthur realizing it was her.

Sure
and

ARTHUR:

I've

been

off

I always have

Patsy,

stage for far too long but

been.

I'm not alone.

I am here to herp you

PATSY:
ARTHUR:

No, sir.
The Lady of the Lake has been with me
ail the time.

2-9-30

LADY:

And so has Patsv.

ARTHUR:

Ah, yes but...Patsy's family.

LADY:

You see, Arthur dear, we're all here to help each other.

ARTHUR:

Can you help me put on a Broadway show?

LADY:

Yes. You're in a Broadwav show.

Sparkling stage Effect. Arthur looks out at the audience.

ARTHUR:

Oh mv.

LADY:

You've been in a Broadwav show all the time.

ARTHUR:

Oh. Who knew? (To audience) Are there any Jews

PATSY:

The truth is. Sire.

ARTHUR:

You are?

PATSY:

Yes, sire, on my mother's side.

ARTHUR:

Well why didn't you say so?

PATSY:

Well, It's not the sort of thing you say to a heavily armed

I'm

here?

Jewish.

Christian.

ARTHUR:

So now what?

LADY:

Well you have to finish the show. It is a musical, so you

have to find the Grail and end with a wedding.

ARTHUR:

Well who could I possibly marry?

LADY:

Well, it would have to be someone who loved you and cared for
you enough to give you a sword, to make you King, to welcome

you to Camelot, to help you off on your quest...

He is a little slow off the mark. Patsy whispers in his ear.

2-9-31

ARTHUR:

You?

LADY:

Oh, that's an idea.

ARTHUR:

But I thought you were a fairy.

LADY

Oh no, that's Lancelot. Oh you missed that scene. Anyway,

Arthur, I'm as human as you are.

ARTHUR:

And you would consent to be my bride?

LADY:

Are you asking?

ARTHUR:

Are you saying yes?

LADY:

Oh Arthur.

They embrace. They lean

infor a

kiss and suddenly

turn away to sing.