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com

CONTENTS
The Ballad of Sara Berry .................................................. 126
Caralee ........................................................................................ 35
Crazytown ................................................................................. 5
Cut You a Piece ..................................................................... 113
Hemming and Hawing........................................................ 99
Leave, Luanne ......................................................................... 64
Mama, Let Me In..................................................................... 79
On Monday .............................................................................. 25
The Party Goes With You .............................................. 42
The Seraph ................................................................................ 56
Twisted Teeth........................................................................... 91
Why Must We Tell Them Why? ................................... 83

Additional arrangements by Michael Borth, Matt Hinkley and Jeremy Yaddaw


Proof Editors: Kenji Higashihama, Mike Ruckles, Ryan Thomas
Additional Proof Editing: Hali Alspach, Will Van Dyke, Sarah Ellis, David John Madore, Kelly Thomas!
2012 ARESSO MUSIC PUBLISHING (ASCAP). All rights reserved.
Any duplication, adaptation, arrangement, recording or public performance of the compositions contained
herein requires the written consent of the Publisher. No part of this book may be photocopied or reproduced
in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are
punishable by law.

35mm: A Musical Exhibition is available to license.


www.35mmTheMusical.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

Make Me Happy ..................................................................... 49

RYAN SCOTT OLIVER wrote the music and lyrics for 35mm,
Darling (as seen on the 10th season of NBCs The
Apprentice), and Mrs. Sharp (2008 Richard Rodgers
Award Winner, workshop at Playwrights Horizons starring
Jane Krakowski, directed by Michael Greif). His work has
been presented at the Kennedy Center, Joe's Pub, and the
New York Musical Theatre Festival, and has also been
heard Off-Broadway in We the People (TheatreWorksUSA), on the YouTube webseries The Batterys
Down (This is Your Life, et al; CD available through ShK-Boom Records), as well as in cabarets and showcases
around the world. He is the recipient of a 2008 Jonathan
Larson Grant, the 2007 Harold Adamson Award for
Excellence in Lyric Writing (ASCAP), and a 2007
Dramatists Guild Fellowship. He is represented by Jessica
Amato at the Gersh Agency. www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

MATTHEW MURPHY is a New York City-based photographer specializing in theater and dance. His work
appears regularly in the Arts and Leisure section of The
New York Times, and additional credits include Bravo TV,
New York Magazine, Playbill, Vanity Fair, The Village
Voice, Broadway.com, Broadway World, Dance Magazine,
The Financial Times, Dance Spirit Magazine, Movmnt
Magazine, Dance Teacher Magazine, Time Out New York
and The New York Post as well as numerous Broadway
shows. He is a former member of American Ballet Theatre.
For more information visit www.murphymade.com.

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

CRAZYTOWN
from 35mm: A Musical Exhibition

Music and Lyrics by


RYAN SCOTT OLIVER

Going Mad (q =92)


( N .C .)

b b 4F >
b
& b b 4
J
>
ENSEMBLE

S
A: Hoo hah

Hah

VOICES:*

- . J
<

Ding
. J

articulation sim.

Ding

Hoo hah

Ding Dong

Hah

Hoo hah

Ding Dong

Hah

Ding

Ding

Dong

Hah Woah-Oh Ding dong


Hah Woah-oh Ding dong
Hah Woah-Oh
Ding
dong

> - j j
bb b b 4F >j
V b 4 J Jj j j
J
J
J
J
T
>
>
<
B:
Hah Woah-Oh
Dong
Hah Woah-Oh
Dong
Hah Woah-Oh
Dong

b
& b b b b 44
bb 4
bbb 4

pDrms.

Ding
. J

Hah

Hah Woah-Oh Ding dong

bb b b j
j
V b

J
J

b
b bbb

Dong

b
& b bbb

Ding
.

Hoo Hah Hoo Hah

Ding Dong

Hah Woah-Oh

Hah

Hah

Hah Woah-Oh

Dong

dong

Hah Woah-Oh Oh Oh Oh Dong

Hah

Ding
.

Hah

Hah Woah-Oh

Ding

Ding

Dong

dong

Hah Woah-Oh Oh Oh Oh Dong

b >

Hoo Hah Hoo Hah

Ding

Ding

>

# >

* "Crazytown" was originally scored for 4 ensemble voices (SATB), but should be re-arranged for the voices on-hand. When the
voices are collected SATB onto one staff, men should sing the lowest pitch (or pitches in a 4-way split), 8va.

"Crazytown" - 1

Music and Lyrics 2009 by Ryan Scott Oliver. 2012 by ARESSO MUSIC PUBLISHING.
All rights reserved.

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

b
& b b b b
J
Hoo Hah

n > > n >


"n #

b
& b bbb

Ding
.

Hoo Hah Hoo Hah

Hah
Hah
Hah Woah-Oh

Ding
Ding

Dong
dong

bb b j
j
V bb
J
bb
&bbb

Hah Woah-Oh Oh Oh Oh Dong

b >

Ding
.

Hoo Hah Hoo Hah

Hah
Hah
Hah Woah-Oh

Ding
Ding

b >
b

Ding
Ding

Dong
dong

Dong
dong

Hah
Hah
Hah Woah-Oh

Ding
Ding

Ding
Ding

Hah
Hah
Hah Woah-Oh

Dong
dong

Hah Woah-Oh Oh Oh Oh Dong

j
j
n
J b

Hah Woah-Oh Oh Oh Oh Dong

Hah
Hah
Hah Woah-Oh

j
j

b j j

b
>
>>
Hoo Hah Hoo Hah Ding
Hoo Hah Hoo Hah Ding

bb b b
b

.
n

n b .
& b

J
? bb b
bb

Ding
b.
n

Hoo Hah Hoo Hah

n .
n
J .
>

n n
. . . .
>
Hoo Hah Hoo Hah Ding

b.
n

Dong
dong

Hah
Hah
Hah Woah-Oh

Ding
Ding

Dong
dong

j j
j j
j
bb b b j
n
n
n
V b b
J b
J b
J
Hah Woah-Oh Oh Oh Oh Dong

.
n

? bb b
bb
bb
& b b b

Hoo Hah Hoo Hah

b
V b bbb
bb
&bbb

? bb b
bb
"Crazytown" - 2

Ding

b.
n

Hah
Hah
Hah Woah-Oh

Ding
Ding

Hoo Hah Hoo Hah

Dong
dong

j
j
n
J b

Hah Woah-Oh Oh Oh Oh Dong

n
b

b
n
n
b
b
n b
b n
>

A
n
#

>
Hah Woah-Oh Oh Oh Oh Dong

b n

Hah
Hah
Hah Woah-Oh

Ding
Ding

Dong
dong

j
j
n
J b

>

Hoo

Ding

n b .

Hah Woah-Oh Oh Oh Oh Dong

Ding

b
.

n .
J
J

Hah
Hah Woah

Ding Dong
Ding dong

j
j
b
. n
J
J

Hah Woah-Oh Oh Oh Oh Dong

n

b

n
n
>

n.
n.
>

Hah Woah

Dong

n
b

.
.

>

>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

bb
&bbb

F #m(add4)

Hoo

b
& b bbb b .

Ding

Hah
Hah Woah

b
.

Ding Dong
Ding dong

j
bb b b j b .
V b
J
b
& b bbb

Hoo

n .

n J

Hah Woah

Dong

bb
&bbb

? bb
bbb

Drms. (cont.)

n n
n > n > >
>

b > >
b

"

G b5

b
V b bbb b
b
& b bbb

Take

bb
&bbb
? bb
bbb
"Crazytown" - 3

my

> >

Ooh

w
w

> b > > > b > >


brain

>>>>

SA
TB:

j
b
n b

Hmm

n b
>b n

G bsus

b n n b
> >
> >


Ooh

Down

the

>>

> > > >

# n ## . n n # # n n # a n #
n #
#
J

w
w

In - side

stroll

b J

hole

>
b j

Wah!
Wah!

b A

n > > >


>

Hah
Hah Woah

>

drain

f b b
b
b

to

>>>
b
J

Ahh



www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

bbbb

There's

.
.

Hah Woah

? bb b
b b n n

n > n > >
>
THE IDLE BOY:

>
b j
J
>

Wah!

j b .


n > n > >
>

b
V b bbb b

G b7

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b
V b bbb

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j
bb b b . # .

.
& bb
j

b
.
V b b b b .

b > ...
f
.

>.

>
n
J
j
b
b >

b
& b bbb

? bb b
bb

Ahh

D b7

Cra - zy- town

Ahh

D b7

fall there like

(You

b > ...

(You

A - lice)

D b7

A - lice)

A bsus

b b b b .
b
V b
J
B9

B9

b
.
& b b b b b b # .
an-thro-po-mor-phic cir - cus)

Cra-zy-town

b
.
V b b b b b . b ..
Ahh

an-thro-po-mor-phic cir - cus)

>
n
J
j
b
b
>

b b b b > ..
b
& b .
? bb b .
bb

>.
D b5

b
V b bbb

b > ... n >


J
j
. b
> . b
>

Edim(no3)

b
& b b b b " " b
>
>Biting,>agitated . .
F
? bb b
" r
bb
. b >
> >

"Crazytown" - 4

Ahh

am run-ning (mid a road)

>

..

Ahh

G b7

But

But

>


. . . . . . .
>

as I'm chased through a

"
. . . . . . .
>

Ahh

. .
. . . . .

(It's an

b . #

But

..

>
n
J
j
b
b >

.
.


(It's an

..

(It's an

> >

G b5

It ain't no Won- der-land.


j
b #
J
It ain't no Won- der-land.
j
b #

It ain't no Won- der-land.

!
!
b

A b5

A M7

j n n
. . >
>>

town

- .

psy - cho

tic.

n . .

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

an-thro-po-mor-phic cir - cus)

b b
J

.
.

B9

Cra - zy - town

>
b > ...
n
J
j
b .
b > > .

.
.

>

fall there like

D b7

A - lice)

fall there like

(You

..

B9

9
E b 7/G

b
N

V b bbb
b
& b bbb

There's a jeer-ing jack-al much like my moth-er,-cry-ing:

bb
& b b b n

bbbb

bb
&bbb

? bb b
bb
b
V b bbb

D b5

..

BOY."

BOY."

>

>>

E b 7/G

? bb b
b b n

"

. b > >

(Pounds)

(Yen)

A b5

I-DLE

I-DLE

A5

>>

n
n

(Dol - lars)

" " b "



>> . . >> . . . . . . .

(And there's mo - ney on the ground)

"BE-DE-DEEP BE-DE-DEEP YOU

>

G b5

Edim(no3)

w
b b b ggg A n ww
b
& b

"Crazytown" - 5

B b m/F

>

(But the jack - al's

close

n -

be - hind)

> > > >


www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

b
& b bbb

"BE-DE-DEEP BE-DE-DEEP YOU

Two voices:

? bb b
b b n

G b7

10
D b5

b
V b bbb

Edim(no3)

es - cape

from the dog

as

G b5

I dive Through a

bb
& b b b " " b " . . . . . . .
> >
. .
> >
? bb b
bb
> >

"

r
. b > >

E b 7/G

b n

? bb
b b b n

bbbb

&

bbbb

D b5

G b5

West.

"Crazytown" - 6

>>

b j
p

b b >
n b

snakes.

j
- J n . .

G b M7

b b

("BE-DE-DEEP BE-DE-DEEP")

>

>

A b5

A5

n n

"

And I'm bit - ten from the East (Which is pre-sent)

b " " b " . . . . . . .


> > . . >>

? bb
bbb

sea

("BE-DE-DEEP BE-DE-DEEP") the East from

E dim(no3)

A M7

"

. b > >

>>

P
n -

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

bbbb

of

b

V b bbb
bb
&bbb

stream

> >
B b m/F

And I rea-lize that this ri-ver is what se-pa-rates the

A b5

E b 7/G

b
V b bbb

bb
&bbb

To the West (Which is past

? bb b
b b n

D b7

b
V b bbb

B9

b
.
& b b b b b #

b
.
V b b b b .
b
& b bbb

? bb
bbb

D b7

b
.
V b bbb

>
n
J
j
b
b
>


.
.

..

D b7

(You



B9

b > ...

.
.

>

D b7

B9

Cra-zy-town

j
b
.
V b b b b b . b ..
>
n
J
j
b
b
>

night-mare Tech-ni - co - lor)

"Crazytown" - 7

>
n
J
j
b
b
>

twist there like

Dor' - thy)



A bsus

.
J

night-mareTech-ni - co - lor)

? bb b .
bb
>.

j
b
#

J
(You twist there like
- thy)
j Dor'

Ahh

b > ... n >


J
j
. b

>. b >
Ahh

f b

I near - ly drown

in

>

> >

.
.
..

Ahh

>
J

> >

B9

b
.
& b b b b b b # .

b >.
& b b b b b ..

fu - ture)

11

D b7

B9

b . #

Cra - zy - town

..

Ahh

b > ...

Ahh

.
.

>

G b7

>
n
J
j
b
b
>


.
.


(It's a

..

(It's a

b b n
J
But

But

. .
. . . . .

But

>

j
b #
J
It ain't no kind of Oz.
j

b #


. . . . . . .
>

It ain't no kind of Oz.

It ain't no kind of Oz.

. .

. .

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

b > ...
f
.

>.

Ahh

Cra - zy - town

Ahh

and

bb b ggg A n www
& bb

B b m/F

12
D b5

b
V b bbb

Edim(no3)

sur - vive

from the stream

bb
&bbb

to

bbbb

N
> . .

>

E b/G

b
V b bbb

b b b pww
b
& b nw

dis - co - ver

. . b >

>

" r
. b > >

. . .

.
.

G b5

or - gy.

> >

G b7

Turn ing blue Turn ing to the i - dle

j
J #

Another:

All (div.):

You.

" r

. > >

>>

>

( )

C 7 b5

n nnn n
n nnn n

They drag me in - side

bb
j
& b b b N . . b . .
. . >> . .
. . >>
> >

. . > > . . . . . . > >

>

Yeah.

Turn-ing blue Turn-ing to Hey, i - dle

boy.

. > >

b
& b b b b ..

or - gy.

b b
N b

B b m/F

Edim(no3)

boy.

# n A
>

>

>

>

>

>

>

>

n nnn n
n nnn n

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

bb w
Vbbb

> >

cho - king

"Crazytown" - 8

One:

D b5

(N.C.)

Cho - king

All those fuck-ers I have fon-dled in my fan-ta-sies

b
& b b b b N . .
>>
P
? bb
b b b n

Beautifully

Ooh

? bb b
bb

b
>
F
? bb b
bb

>
&

F M7/A

$
S A:

T:

V
&

Pass - ing

&

ww? w

..
.

.
& ..

&

-
?

"Crazytown" - 9

ing


Till my

J J

b ww

Ooh

b www

is

phy

xi

so

ting

( )

>
nasty >

Ahhhh!!!

nasty

J J

E m7 b5

pal - pa - ble,

b.

J J

hard - on

As

B bsus2

Ooh

Stro - king, As - phy - xi - a - ting.

Ahhhh!!!

- - -

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

F M7

V .

Pass


Asus

As - phy - xi - a - ting me

P B:

Stro - king

/F

Stro - king

Pass - ing

13

14
D #8

V " # J
&
>
Hoo

I got - ta go

>

out

>

>

>

GASP

>

#
# >

>

# > # b >
# >
# n b 24
&
>

To a

!
!

24

F # dim

44

& 24
? 24

>

"Crazytown" - 10

In the

44

Got- ta go

Got- ta get out Got- ta go

>
>

E 7/D

GASP

Hah

.
#

>

>

Hoo

>
>

Hoo

GASP

>

>

GASP

>

Hah

!!!Tow-er of Doors!!!

44 #

44 j
#

V 24 44 . .
>

>
# >
# # .

Hoo

Hoo GASP

24 n 44

Wait You Please Can't Don't Leave Go Yet

go

>

>

>

Got-ta

Hah

>

>

Hoo

Variously:

Got-ta get

Hah

GASP Hoo GASP

>

>

>

42
42

2
#

j# n # 4

#

42

pock-et of my dressI've got a cop-per key. Dun - no the door it goeswithand that fact is kill-ing me. In the

44 j
#
#
>

>

#
#
>

>

" r
>
>
www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

GASP

V
>
Hoo
# >
& # J
f
? # j
#
>
V

15

V
&

pock - et

of

my

dress

I've

got

this

? j
#
#
>
V

no

the

Door

it

goes

>

with

and

eight - inch

that

fact

&

is

cop - per

"

r
>

kill - ing

key

but

dun -

>

me

That

&

F #5

"
"

pock - et

of

my

pock - et

of

my

dress,

&

&.
#
& # #
? ^
#
#

"Crazytown" - 11

>

A dim(no3)

got

this

"

.
b

fl

fl

I've

eight - inch

"

r
>

cop - per

the

In

the

key

but

I
In

dun the

>

got

this

key.

It's

an

In

the

in

fl

fl

b
b
www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

? j
#
#
>

16

F #5

the

Door

it

goes

pock - et

of

my

eight - inch

cop - per

no

&

pock - et

of

my

(&).
#
& # #
? ^
#
#

F #5

fl

with

and

that

fact

is

dress

I've

got

this

eight - inch

key

but

dun - no

I've

"

dress,

.
b

pock - et

of

my

dress

it

the

door

fact

is

kill - ing

&

key...

(&).
#
& # #

eight - inch

? ^
#
#
"Crazytown" - 12

cop - per

fl

the

me

that

in

the

pock - et

fl

Door

it

goes

with

and

got

dun - no

fl

fl

fact

that dun

that

.
b

and

and

with

key

goes

but

cop - per

eight - inch

key

the

an

fl

in

It's

this

that

key.

got

me

this

I've

kill - ing

got

I've

I've

A dim(no3)

this

got

fl

no

is

the

b
b

cop - per

key

and

go

kill - ing

me

that

in

the

of

my

dress

I've

got

this

Door

it

fl

this

goes

with

and

that

b
b

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

A dim(no3)

17

Door

to

Door

to

Door

to

Door

to

Door

and

woe

is

me

and

woe

is

of

my

dress

I've

got

this

eight - inch

key

and

go

Door

to

pock - et

&

eight - inch

key...

fact

& #w

is

cop - per

kill - ing

And

me

that

it's

kill

in

the

cop - per

key

and

go

Door

to

Door

to

Door

to

dress

I've

got

this

pock - et

of

my

ing

loco

F aug

A/E

n .

n .

me

and

woe

is

me

and

woe

is

me

and

woe

is

me

and

woe

is

Door

to

Door

to

Door

to

Door

to

Door

and

woe

is

me

and

woe

is

Door

and

woe

is

me

and

woe

is

me

and

woe

is

me

and

woe

is

Woe

is

me.

Woe

is

me.

Woe

is

me.

Woe

is

woe

is

me

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www.ryanscottoliver.com

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18

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j
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Ahh

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ex

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www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

no

ked,

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me

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www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

bb b b n
& b b n

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>>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

4
4

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b b b.
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> >

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

b
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>

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4

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^
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> > n > b

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^
b n
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>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

"Crazytown" - 20

>

j
>

bb 3
&bbb 4

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Hah

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25

ON MONDAY
from 35mm: A Musical Exhibition
Exuberant Pop-Rock (q =168)

& 44
>
f
? 44

(N.C.)

j
>

> >

>

&

?

>

Csus2

On

& ww
F
? . . . . . . . .
Dm

&

It's

&

Mon - day,

? . . . . . . . .

"On Monday" - 1

>

>

>

>

>

C sus

Mon - day,

>

..


>
>
>
>

>

met

you,

ww

liked

>


..

.
.

>

>

>

>

you,

liked

you

>
>
>
>
. . . . . . . . . . . . . . . . . . . . . . . .

bad

Am

day,

But

.
.

good

. . . . . . -

..
.

day

for

C5

.
.

us,

..
.
.

>

Music and Lyrics 2009 by Ryan Scott Oliver. 2011 ARESSO MUSIC PUBLISHING. All rights reserved.

Good

for

us.

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

>

>
>
..

>

>C

j
>

>C sus

Music and Lyrics by


RYAN SCOTT OLIVER

26
/B

C5

& j

/A

/G

j j

&
. .

. . . . .
>

. .

. . . . .
>

. .

. . . . .
>

. . . . . . . .

>

You would-n't let me kiss

?
>

>

Gsus

&

&

j
? .

>
>
Csus2

day,

..

>

called

&

>
>
>
? . . . . . . . . . .
Dm

&

You

&
?

text - ed

. . . . . . . .

"On Monday" - 2

You

were

..

C /F

my

kind

of

you,

>

Ig - nored


>

gg
ggg .
ggg .

> > gg - .
C sus

me,

Straight voice

Then Tues -

>

>

mail.

>
>
>
>
. . . . . . . . . . . . . . . . . . . . . .

Am

..
.

. . . . . .
-

.
.

back

guy.

ggg ...
gg -

you. And that is why

say

ing

"Play

hard

to

C5

..
.

get.

Rea - dy, set..."

> >

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

you. Would-n't let me kiss

>

&

you. Would-n't let me kiss

27
/B

C5

& j

You would-n't let me see

&
. . . . ... >
>
?

>
J
&

Gsus

/A

. .

. . . . .
>

. .

. . . . .
>

. . . . . . . .

>

you. Would-n't let me see

I've

been

&

j
? .

.
>

Csus2/D

& j

uh - ile

so

j

That

to

&


? j .

"On Monday" - 3

>

Still I

C/F

thought,

"You're the

ggg ...
gg ..

gg
ggg .
ggg .

> > gg - .

>

ju

take

F(add6)

best."

>

.
.
.

>

G/B

uh - I

time,

>

Csus2

>

Is

just

not

>

my

style.

.
.
.

'Cause

uh - I

G(add6)


J
my

Am

ve - ni(le)

C /E

you. Got so de- pressed

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

& .

G(add6)

you. Would-n't let me see

>

test,

&

j
j
? .
.

.
.

>
>
>
F(add6)

By your

C/E

/G

28

&

Am

G/B

C sus2

Csus2/D

G5

Ah,

&

Csus2

&

&
>
? . . .

>

Black coff - ee,

>

uh - ah

uh - ah,


>

Pure

Oh, Wednes - day,

&
?

"Hump"

Clean

& j

You would-n't let me take

&
. .
?
>

"On Monday" - 4

. . . . .
>

>

we

...

day,

But

/B

touch - ing.

>
>
. . . . . . . .
G

. . . . . .
-

. . . . . . . .
C5

talk - ing,

Am

uh ah - uh ah,

.
.
/A

just

C5

..
.

held hands,

We

held hands.

/G

> >
j

. .

. . . . .
>

. .

. . . . .
>

. . . . . . . .

>

you, Would-n't let me take

>

you, Would-n't let me take

you

A - way

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

uh - ah,

>
>
>
>
. . . . . . . . . . . . . . . . . . . . .

Dm

Csus

Come Wednes - day,

29

&

Gsus

for

the day,

F(add6)

& .

felt

&

j
? .

.
Csus2/D

uh - ile

so

&

Am

C /E

inch

ve - ni(le)

F(add6)

"On Monday" - 5

.
.
.

>

G/B

Csus2

uh - I

uh - I

.
.

time,

>

>

j


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C sus2/D

took



C /E

And

.
I

&


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stay."

G(add6)

of

Am

>

mile.

C sus2

G/B

>

gave an

&

? j .

got - ta

gg
ggg .
ggg .

> > gg - .

..

j

You

ggg ...
gg -

ju

"I

F(add6)


was

G(add6)

so


.
.

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

& j

G(add6)

You said,

&

j
j
? .
.

.
.

>
>
>
C/E

C/F

30
Am

&

ju

ve - ni(le)

uh - I

F(add6)

&

take

it

C sus2/D

G(add6)

>

&

C5

Then Thurs - day,

just

>

not

my

>

>

Fsus

Like

Tues - day,

Em

Am

>

G/B

C sus2

uh - ah

Your

uh - ah

uh - ah

style.

G5

"day

uh - ah

p
j

>

G5

off"

from me,





& . . . .
. .
. .
. .
. .
. . . .
F
gg wwww
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b
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ggg ww
g w
gg w"On Monday" - 6

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

Is

&

to

Ah

'Cause

? j .

uh - ile

uh - I

slow,

&

j

? .

Csus2/D

C /E

&

C sus2

&


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G/B

31
Dm

&

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D m/F

Fri - day

Am

bu - sy,

And

Sa

&
. .
. .
. . . . -
?g w
ggg ww
g
&
&
?

.
.

Am

Am

So let me go.

&

j j

D m/F

E m/G

&

You

are

?
J
p
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j

<
<
"On Monday" - 7

cute.

<

But

ju - ve- ni(le)

me, You don't wan - na take

!
!

A m7

<

w
F

with you?

/A

up

/B

..

But you said,

Slower (q =120)
C/E

..

What's

me,

me, You don't wan - na see

uh - I

U ?
!

"There's things I know...

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gg
ggg
gg w
gg w

G/B

C sus2



J
uh - I

j j
<
<

/D

uh - ile...

<

Don't you know the

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

& j

tur - day, too...

.
.

You don't wan - na kiss

..

A m/C

/G

32
D m/F

C /E

E m/G

& .

great - est

love

/A

&w

Em

/C

/G

/D

And take

/E

/B

&

Be

pa - tient

&

>
f
?

>

"On Monday" - 8

For that "one

>

>

- - - - - -

So take my hand.

/G

/A

.
- .
/C

(Tempo I)

- .
/B b

/C

mile,

day,"

/D

a mile,

>

>

>



- - - - - -

.

.

J-

Look, Lo - ver:

>

b.
b - .

Am

&
n - - - - - -
j
j

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.
- - .
- .
D m/F




- b - - - b - -

And then a - noth - er

D5

/F

Jb
It's

Sun - day.


. . . . >

> > >


. . . .
> > > >

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

/E

For just

/A

the trial

/C

P cresc. poco a poco


j

- . - -

Fsus

/B

w
&

.
- .

/F

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w

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/B

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p
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<
<
<
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33

C /E

F(add6)

& .

Come

with

G(add6)

me,

&


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.
>
>
>
C sus2/D

& j .

May - be it's not

Am

&
?

G/B

>

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uh - I

it

worth

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far

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uh - I

uh - I

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or

.
.

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>

>

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j .

Am

Wa

>

>

ah - ah

G5

Csus2

ah - ah

ah - ah

>

>

the aisle,

uh - I

your whi(le)

F(add6)

C sus2

j
j

&

"On Monday" - 9

make

I'll

G/B

uh - I

uh - I

j
j

ah

ah

!
!

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&w

&

? j .

uh - ile,

Am

34
G/B

&

Na

>

uh - uh,

wan - na

F M7




>
>

? n.
n
>
>
Csus2

>

>

>



#
>
>

>

>

kiss

>

you.

And

kiss

>

And

kiss

you.

And

kiss

And

>

kiss

>

> > >

you.

And

kiss

you.

>
>
>
>
. . . . . . . . . . . . . . . .
Am

>

> > > >

you.

you.

P
.
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.
.
.
.
.
.
.
.
.
.
.
.
?

"On Monday" - 10

>

Csus

& ww
ww
F dim. poco a poco
? . . . . . . . . . . . . . . . .

&

now.

.
.

..
.

And

kiss

you

.
.

..
.

Till

Mon - day.

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

And

&

Oh,

&

Dm

#
>

D add2

you

Asus

kiss

&

&

uh - uh

&

>

35

CARALEE
from 35mm: A Musical Exhibition
C # dim/
G

Playfully (q =132)

### # 4
& # 4
F
? ### # 4
# 4

. .
B6

# # # # F
& # J
B6

### #
& #

Ca - ra

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# j
B7

"Caralee" - 1

n
.

(Drop it)

is

j
.

J n . .
. .
#
C dim/G B / # B 6
F

n
.

(Drop it)

n .

B6

j .

. J n .
.
.
.
#

(Drop it)

j .
j .

n
# n . . J .
.
J . .
. .
.
.

.
.

G # m7/C #

Life

>

as

B/F #

n

C dim/G

A B /F #

C # dim/G B / #
F

(Ca - ra - lee don't suck on that)

a .

B /F #

ter - ror.

j .

a .
J n . .
. .
.

B/F # B 7

C # dim/G B / #
F

Ca - ra - lee

j n .

#
. J n . .
. .

### #
& #
? ### #

But

a .

C # dim/
G

j J

C dim/G B / # B 6
F

C # dim/G B / # B 6
F

j
.

J n . .
. .
#
Bm

J n .

(Sigh)

? ### #

lee

##
& # # # n
.

&

B6

/E

Pays the bills.

j
. . n
J . .

her "man - ny" beats

Music and Lyrics 2009 by Ryan Scott Oliver. 2011 ARESSO MUSIC PUBLISHING.
All rights reserved.

j
>

life

. # .
www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

### #

B /F #

Music and Lyrics by


RYAN SCOTT OLIVER

36

&

### #

G # m7/C #

# j j J

### #
& #

.
? ### #

>

on my fan - ny, still

### #
& #

B6

### #
& #
? ### #

>

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### #

# j

##
& # # # n
.
? ### #
"Caralee" - 2

(Spit)

C # dim/G B / #
F

n
J

a .

B/F #

Bm

Now, you

j .

# n . . J .
.
.

n .

/E

don't try

to take them. Try

>

to

bor

C # dim/G

. # .

/E

>

makes small cuts.

n .

row or break them and

B /F #

G # m7/C #

C # dim/G B / #
F

j .
j

.
. .
n

J . . .
J
.
.

Ca - ra - lee

B6

. j .
a
J n . .
. .

. j .
a
J n . .
. .

C # dim/G B / # B 6
F

>

C # dim/G B / #
F

With which

G # m7/C #

n
n
fl

(Spit)

fl
j

j .
J n . .

She kills.

(Thank you)

has toy scis - sors

j .

# a . . J n .
.
.
B7

B6

#
#

C # dim/G B / #
F

B6

>

. # .

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

### #
& #

Ca - ra - lee

Oy.

J
j

C # dim/G B /F #

j .

# a .
.
J n . .
.

### #
& # J

j
j
j

n
.. #

(Spit)

( )

J

C # m7 b5 /G

Ca - ra - lee...

. # . .

B6

&

G # m7/F #

/E

&

### #
### #

&

### #

Ca - ra - lee

B6

j
nn
>

n
>

a .

### #
& # ..
.
J J
? ### #
#
Ca - ra - lee

### #
& # J
B6

"Caralee" - 3

threw up and

C # dim/

G B /F #

n
J

Ca - ra - lee

? ### #

C # dim/G

knows the "F

j .

# a . .
J n . .
.

G # m7/C #

j

..

n .

Ca - ra

F #9(add13)

poo'd

...

..
.

Bm

>

Word."

..

Book.

Ca - ra - lee

G # m7

Woah - ooh oh - ooh,

Ca - ra - lee,

C # dim/G B / # B 6
F

In fact,

n .

on my Mac

lee,

. j .
a
J n . .
. .

>
j

F # m7/B

(Gent - ly,

&

Stabs your nuts.

B/ #
F

C # dim/G B / #
F

C # dim/G B / #
F

n
wrote

a song.

. j n .
. j .

J n . . a .
J n . .
. .
.
www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

A # m7(b5)
#
#
& # ##

##
& # ##

But re - peat - ed - ly.)

B6

(God - damn -it)


. .
J .

### #
& #
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# j J

# j j
..
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#

&

( )
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G # m7/F #

37

38

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B7

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.

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# n . . J .
.
.
G # m7/F #

# j J

B6

#
#

ap - pro



.
.

>

( )

C # m7 b5 /G

fl
j

n
n
fl

C # dim/G B / # G # m7/ #
C
F

j

.
.

Ca - ra

in

j
>

##
& # # # ..
.
? # # # # ..
# .

>
j

>



.
.

F # m7/B

G # m7

lee,

Ca - ra - lee,

n ..

J
J

may be Sa

tan.

>

/E

pri - ate ar - eas, But

. # .

. j .
a .
n . .
J

.

Fa - ther's Cha - ri - ty Ban - quet would be

F #9(add13)

hi - la - ri'us

# n #

know!)

act - 'lly

G # m7/C #

/E

Ca - ra - lee's

she

"Caralee" - 4

G # m7/C #

j
>

. # .

C # dim/G B / #
F

B6

wrong.

(But now we

. j .
a
J n . .
. .
( )

A # m7 b5

Ca - ra - lee


..

I think that

J J

Woah - ooh oh - ooh,

G # m7/C #

F # m7/B

j

..

Ca - ra

J
-

G # m7

lee,

Ca - ra - lee,

n ..
J
J

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

### #

B/F #

Heh, it's

# j j
..
J
#
? ## #
j
#

&

www.ryanscottoliver.com

( )

A # m7 b5

F #9(add13)

### #

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I swear to

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##
& # # # n
.

&

### #
& #
? ### #
"Caralee" - 5

A B/F #

>

C # dim/
G

/E

And

n .

to

feet

with,

to

>

eat with and spa - ghet

shout

"Ho

# .

G # m7/C #

>

a .

ti

B /F #

n .

/E

on-ly likes spa-ghet-ti.

. j .
a
J
. .



.
.
j

. # .
>
>

G # m7/C #

C # dim/
G

oh - ooh,

Ca - ra - lee

Woah - ooh

j J

/E

tan.

B /F # B 6

. j n .

J n . .
. .

G # m7/C #

Spa - ghet - ti

be - tween

>

j .

# n . . J .
.
.
G # m7/C #

Bm

Sa

to throw with, To get mush



.
.
j

. # .
>
>

mo"

and

/E

"No" with,

>

Oh,

. # .

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

### #
& #

### #

..
.

j .

# a . .
J n . .
.
B7

? ### #

She is

>
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likes spa - ghet - ti.

opt.

...

n
J

Ca - ra - lee

? ### #

God,

C # dim/ B / #
G
F

B6

### #

& # ..

.
J J
? ### #
#
Ca - ra - lee,

39

40

&

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&

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&

G # m7/F #

# j

Ca - ra

# j
..

n .
n
& n

&

Ca - ra - lee's

Am7(add9)

&
.
&

sim - ply

? .

"Caralee" - 6

need

lee

# n #

#
#

thir - ty

Ca - ra

fif - ty

dol- lars I'll

be

.
.

per - sua - sive,

she

could

help

to

-
J

bar - ter,

she's

>

you

sell

your

crack.

>

ve -

ry

ea

- sy

-
J

is

n nnn

n nnn

n nnn

> >

right back.

> >

>

..
.

mi - nutes, Here's

Mis - ter,

Or

if

you

>

sale,

But

please

don't

>

>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

J
j

for

? n
n
>

>

lee,

yours

N Gsus7/D

D m/F

F #sus7/E

41
D7(add13)/F #

&

. . . . . . # . .

. . . . . .

? #
# .

A m7

# >

send her in the mail be - cause she'll


#
# .

&

>

Now I'm

free,


I'm

free

w
& www

J
j j
.
? .
.
.

&

D dim/A b C /G

C6

&
f
?. .
N
.
"Caralee" - 7

>

( )

D m7 b5 /A b

b
b

.j .j . . . . .j
b

N
.

>

# . b . # .
n #
> . . n .

> n > b >


n b

so long for a while ha ha

D dim/A b C /G

>

>

> >

ha

>

Dsus7

D dim/A b C /G C 6

C6

>

b
b
>

E bsus

Of

Ca - ra - lee!

F #sus2/G

>
b bb n n >

.
.j j . .
.
.
.
.
. b N

b N
b b . b > N
.
>
.
>
.j

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

j
&

just come back to haunt you with her

aw - f'lly nice to meet you, thanks, and

> > > b >


b
J

A m7/G

.
.


&

sci-ssors and her smile and it's been

B b7(add13)

D sus7

? >

# >

# . .
&

throw her in the trash or try to

A m7

42

THE PARTY GOES WITH YOU


from 35mm: A Musical Exhibition

Andante (q =100)

? ### #
? ### #

##
& # ##

THE BROAD:

G# m

? # # # #
# J

We don't speak

? ### # .
#
B

? # # # #
# J

&

### #

? ### #
# J
? ### #

# .

"The Party Goes With You" - 1

got

and fa

j j j
j

-

G#m

C # m7

on

fa

should we?)

(mov-ing

G#m

-

J

j
.

Music and Lyrics 2010 by Ryan Scott Oliver. 2012 ARESSO MUSIC PUBLISHING.
All rights reserved.

J
ces,

F#

(Or work, or wives: un-hap-py lives.)

j j
j j j .

are lips

-

J

(Why

j
.

ces.

of hus - bands or homes.

-

J

G#m

j .

All we've

of names

G# m

We don't speak

# .

flaw-less-ly)

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

### #
& #

? ### #

G m
B
G m
- -

- -

- -

44

J
J
J
J
p espressivo
j
j
4 .
j .
j
.

Music and Lyrics by


RYAN SCOTT OLIVER

43

F #7

### #
& #

Hold-ing

? ### #
# J
? ### #
&

### #

se

# w
#

G# m

# .

G#m

? ### #
# J

At the

coun

? ### #
# J

"The Party Goes With You" - 2

ter

G# m

you stand

ing

C # m7

of

this bar.

(Speak-ea - sy,


J
.

G# m

(are you wait-ing for me?)

-

.

clothes.

G# m

our

-

.

I catch

? ### # .
#

# .

j
j j j

On the nights

? ### #

F#

hole - in-the-wall.)

J
.

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

# # # # B
& #

in

# # # # B
& #

crets

? # # # #
# J
? ### #

44

G# m

# # # # B
& #
j j

j j j j

We min- u - et

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gnac.)

Pro-hi - bi

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&

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>

#
. .>

"The Party Goes With You" - 3

>

pose,

j
.

G# m

j
.

But

-
&
J

C#

G#m

Ev'-ry - bo-dy

F#

knows,

>

G# m

j
#
>
j
.


>
>


>

C#

knows,

And damn it all,

j
.

Ev'-ry - bo-dy


>

It goes too.

ww
w

. .

j
j j
j
n
. .

The par-ty, well...

harm.

F#

ww
w

tion, but there's no

you strike your good - bye

# j .
.
J

(Your fav-'rite Ar-ma -

when

dy

j j

### # E
j
& #
j
### #

# j .
.
F J
? ### #
#
. .>
&

and bran

j j

Dar-ling.

j
#
>
>
j

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

### #

j
n
#.

to ci - ga - rette

F #7

G# m

45
F#

E
### #
& #

&

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j j
n .

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.
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#
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#

Clean-ing

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? ### # .
#
#

Wish-ing

"The Party Goes With You" - 4

up

with all

to

the mess

G#m

for vows

G#m

take back

. .

(Our fraught af - fair turned so - li-taire)

F#

mere-ly one

(La di da.)

G# m

in gold

es.

C# m

j j


? ### #
# J

# .

j
.

G#m

one my 'yes - es'

(Ach-ing to be

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

left

? # # # #
# J

? ### #

>

G# m

# # # # B
& #

. .

>

..
.

G# m

with you.

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&

The par - ty goes

# # # # B
& #

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46

&

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&

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### #

F#

yours)

#
#

j j

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&

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when

ry all

you strike your good

Ev' - ry

G# m

# .

knows,

"The Party Goes With You" - 5

And

j
.

>

Ev' - ry

j
..

damn it all,

bo-dy

j
#
>
j


>

It goes

ww
w


>

F#

well...

>

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knows,

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.

>

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>

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C#

G# m

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&
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re

pose,

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too.

bye

bo - dy

told.

F#

ww
w

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>
j
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#
&

j j

j j
n

The par - ty

j
..

goes

. .

>

. .

>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

### #

And have my sto

# j .
.
F J
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. . >
&

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&
&

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&

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you.

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F#

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# j

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j .

.

>

C#

"The Party Goes With You" - 6

This par - ty

Oh,

>

d' - you

s'-pose?

j j

>

F#

could

>

be

just

us

two?

ww
w

. .

>

F#

j j j j j

j n.

. .

Dar - ling,

j
j ..
#
>
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47

nose,

s'- pose?

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>

to

ww
w

d' - you

Dar - ling,

G# m

>

C#

we're danc - ing nose

# j ..
J

>
j

And I your wife...

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C#

j ? ww

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#
### #

with

# .
..

when

G#m

The gay-est par

>

ty

is sad, but true:

w
w

. .

. .

>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

### #

F#

48

&

### #

G# m

C#

# # # # j
& #
>
>
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&

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true:

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# w

&

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>

j
j
# j ..


>
>
>
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j
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j j

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in the

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J

"The Party Goes With You" - 7

F#

par - ty

. .

>

F#

>

G# m

>

- -

J

The life of the

j
.

. .

Non rit.

of my life.

with

..
.

j
.

- -

The par - ty goes

J
.

..
.

>


. . >

- -

J

j
.

# .

G# m

# .
# j
.

j j

with

j j n .

you.

par-ty

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>

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& #
J

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>

you.

? ### #

The par - ty goes

# j ..

..
J J

&

w
w

j

<

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

### #

# .

j j n .

It's

F#

49

MAKE ME HAPPY
from 35mm: A Musical Exhibition

Music and Lyrics by


RYAN SCOTT OLIVER

Not too fast (q =84)


(N.C.)

? 4
b 4
>
F
? b 44

>
!
&b

b b b b
. . . . . . . . . . . . &
> > >
> > > >
> > > >
> > > >

j b j b j b j b
> > >
> > > >
> > > >
> > > >
Eb

"

"

?b

> > > >


(!)
&b

make me hap - py

~~~~~

b
&
>

?b


b >
>

>

"Make Me Happy" - 1

all


. .

the time.

j
b j .
b .
b ...
# J

Woah-oh - oh! Ya

>


> > > > >
>
.

.
.

E bsus2

you know I'm a to - tal

b
.
b .

.
.

~~
~
~
~
~~~

#
>

>loco > > >

b
>

(And

HE: F sus7/E

dick.)

Music and Lyrics 2009 by Ryan Scott Oliver. 2012 by ARESSO MUSIC PUBLISHING.
All rights reserved.

F sus7/C

But - cha


. . . >

> .
www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

. b . b . .


& b
>.>.>.

Eb

"

50

&b

?b

Aw


. . . . .

>

A b5

& b b
& b gg b
gg b b
ggg
g
? b gggg
ggg b
gg b

b b ...
>

A little rocky

F/C

>
& b J

?b

>

4
&b 4

>


#
hap - py,

b7

Hap

>
b

~~~~~~

> . >
4
&b 4
f
? 4
b 4

>
>

"Make Me Happy" - 2

b B

>

j
b

. >

>

> ..
. ..
. b .

Ay,


>

C sus

way,

b b

..

>

> .

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Like when ya

pa, hap - pa, hap - py,

keep out of my god-damned

>

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trick.

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b . . . . . . b . n .
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way.

~~~

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p
j

b

>
>

4
4
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~~~~ 4
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>

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makes me

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time,"

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know I need my "a-lone

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make me hap - py all the time,

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51
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Get sexy
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&b

SHE:

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Make

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me

me

hap - py,

hap - py,

fl

fl

Oh

you

Oh

you

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fl

Make

me hap-py, Oh you

Make

me hap-py, Oh you

&b

hap - py,

me

fl

hap - py,

Make

me hap-py, hap - py.

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>

"Make Me Happy" - 3

fl

C (b9)

Oh

you

Oh

you

F sus7/E b

> b
>
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>

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.

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that is real - ly fuck - ing tough.)

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b .

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b b b
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fl
fl fl
fl
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fl fl
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me

F sus7/C

Still, ya


. >
> .

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

bw
& b gggg b ww
g

b
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make me hap - py all the time,

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know I'm fond of vent

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me

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hap - py,

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f
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>

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so

>
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b >

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j

Oh,

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let me have my fuck - ing

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way.

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>

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>
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>

makes

A little rocky

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Aw


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53
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me

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fl

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. . Make
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f
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.
.

>

you

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you

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you

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you

(And


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all the time.

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me

hap - py,

me

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Oh

b .

b .

Oh

you

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you

me

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me

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fl

twis - ted

fl

fl

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.
b

fl

F sus7/C

bitch.)

(And you know I'm a

Make

you know I'm a

fl

Make

b
b
fl

Make

b
b
fl

Oh

fl

Make

E bsus2

fl

hap - py,

me

&b

"Make Me Happy" - 5

&b

Make

But to

fuck-ing fuck.)

. >

> .

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

b
b
&

me

Make

&b

Breathy headvoice

&b

54
F

&b

hap - py all the time

. .
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is

- what-cha call a kind of

. . . .

But to make me hap-py

Bb9

b #

&b #
make me

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.
.

>
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j
j
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know I don't de-serve you, But pleasehave faith in me: I'm
P
j
b
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know I don't de-serve you, But pleasehave faith in me: I'm

"

"

"

& b 44 .

C sus

see,

4
& b 4 .

see,

& b 44
.
F
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fl

"Make Me Happy" - 6

R#
And I

^
j

b
A b5

6
4 n j j b

And I

work-ing to be worth-y, And soonyou'regon-na

j
46 n n j b

b b

44

work-ing to be worth-y, And soonyou'regon-na

46

46

b
b

44

You'll

see

You'll

see

I'm gon - na

I'm gon - na -


. . . . . . .

#

> > >

#

> > >

fl

fl

fl

44

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

?b

"

is what-cha call a change in luck.

b n

b
>
>
>
b >
b > .

b
.

&b

all the time,

switch.

55
F

&b
&b
&b
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make you hap - py.

>

.
.

life so hap - py,

life so hap - py,

will try,

B b7

b
.

In

Hap

In

pa, hap - pa, hap - py,

b
b

&

(Make me hap-py, Oh you


Breathy headvoice

E bsus2

Is

Is

love

love

b b


. >

> .

with...

with...

b #
> >

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Make me hap-py, hap - py)

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(N.C.)

Ba- by, I'm in love with

> . . . > .

#

> >

you.

. . >
b

.
..

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b
.

#
.

> . . . > . . .
^

b b b

fl
fl fl fl
fl fl fl
fl
(Make me hap-py, Oh you

You.

~~~
~~~~~~~~~

"Make Me Happy" - 7

Make me hap-py, hap - py)

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

& b

pa, hap - pa, hap - py,

b b

E b7

b .

Hap

F sus7/C

'Cause what I lack in fol - low through

F7

?b

j
& b # b

>
>
? b j #

>
>

&b


. . .

& b # b
&b

F/C

'Cause what I lack in fol - low through

make you hap - py.

will try,

E bsus2

56

THE SERAPH
from 35mm: A Musical Exhibition
Music and Lyrics by
RYAN SCOTT OLIVER
Folk song (q =76)

& b 44 j .
F

saw a de - vil be- fore

me, And he took me

& b 44 g w
gg ww
ggg Arpeggios roll down, like a guitar (where possible)
ggg P
? 4 ggg w
b 4 gg w
g
&b

walked

in - side

his sha

dow

and

face.

ggg
ggg
ggg
ggg

B b M7

4
&b 4
filled my life with sin

& b 44 g ww
ggg
ggg
? b 44 gggg ww

e - nough for the

kept

*This figure is not an improvisation.

J
C sus7

.
.

24

2 j
4
j
24
-

Music and Lyrics 2009 by Ryan Scott Oliver. 2011 ARESSO MUSIC PUBLISHING.
All rights reserved.

24

44

43

24

..
..

24 j 44

world a - round,

..

a - pace.

.
.
..

Csus7

.
.
Bb

Csus7

ggg
ggg
ggg
gg
g

.
..

Dm

"The Seraph" - 1

by the

Drowned,

44

43
43

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

& b ggg
ggg ww
ggg
? b gggg w
gg w

Bb

B b M7

j
3
4
b

& 4 4
.
F

44 ..
J

till by an An-gel

Se - raph

43 ggg ...
gg
ggg
g
? b 43 gggg .
ggg .
&b


b
&
-

leads me

? b g ww
ggg w
g

feel

him

& b

?b

ggg ww
gg w

"The Seraph" - 2

got

..
.

rest

ggg ww
gg w

kind

watch - es

.
Bb

of

soul

..
.

Dm

<
.
..

warm,

.
ggg ww
gg w

The

to

chest,

a - gainst my

<

keep.

<

The

sleep.

as

...

Dm

his Se - raph head,

F
J

(uh-'ound.)

He

some

..
.

thinks I've

& b

&b

on - ward,

An - gel

C sus7

Don't

know

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&b

gel

& b
F
? b gg ww
ggg w
F

found.

C7

44 gggg ww
gg

Refrain

An

I was

57

With purpose

58
Bb

&b

why

it should

..
.

& b

? b w

be,

but

& b j .
F

the

C sus7

An - gel,

"

G m7/F

bless'd.

by

j
.
F/C

am

& b g .
.

w.

ggg
.

gg
J
P
ggg
!

.
.
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gg w

Bb

now that de -vil's be-hind

& b gg
ggg
gg
ggg
? b gg
ggg w

..
.

4
&b 4
F

? b 44
w
"The Seraph" - 3

Hop-ing I'll

Se-raph re-mains

& b 44 ..
.

me,

to re-mind

trip and

I can

fall.

gg .. j
ggg

ggg
ggg .
j
ggg .

b

me

C sus7

have a high-er call.

42

44

2
4

42 ..

B b M7

Bb

!R

4
4
44

j
44

2
4
42

2
4

But the

44
44

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

& b .
F

And

& b 44
Dm

& b 44

.
.

good- ness

that

Csus

? b 44


B b M7

j
& b 43 44 .
F

and cool and clear and

hu - man

44 j .

..

-J
44 w
? b 43 j
.
& b 43

Refrain

An

& b
F
? b gg ww
ggg w
F

&b

? b g ww
ggg w
g
"The Seraph" - 4

leads me

on - ward,

gel

An - gel

& b

thinks I've

..
.

got

some

In dis - guise.

p r
.

He

Dm

ggg ww
gg w

kind

J
-
J

.
Bb

of

soul

..
.

<
.
..

The

sleep.

The

to

<

..
.

as

43

Csus7

watch - es

(uh - 'uise...)


43

.
42 .

C7

Wise

keep.

<

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com


&b
F

.
4 .
.

43

He e - xem - pli - fies,

.
..

59

j
42

j .

jour - ney toward a

Bb

60

&b

feel

him

& b

? gg ww
b gg w
g


rest

it should

..
.

& b

but

by

Freely
F5

&b

don't

& b w? b ww
"The Seraph" - 5

be - lieve

Don't

know

Csus7

An - gel,

G m7

"

am

j
.

.
.

& b b .
.
? b w

chest,

F/C

G m7/F

a - gainst my

.
ggg ww
gg w

the

warm,

bless'd.


in God.

I think

Fsus2/B b

Je - sus

gg .
ggg
ggg
ggg
g

was just

a man.

..
.
.

But

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

& b j .
F

be,

why

b w

his Se - raph head,

&b

Bb

..
.

Dm

61
Bb

Fsus2/A

& b b
with you in my life

I feel

?b

& b 44

Dm

Bb

& b

?b

as I'll

Bb

24

C sus7

.
>

ggg ww
ggg w

gel

lead

43

C7

get.

43

are


24

43

Mmm

. . . .

me

And

>

An

44

"

You

on - ward,

44

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

4
4 w

So

44 ...
J
f
J

Heav - en

b
& 4


? 3 .
b 4

..

42

24 j

re - gret.

4 j .
4

a Love as close to

or

.
.

B b M7

3
&b 4

&b

You've

2
4

j
-

Csus

fear

fl

shown me there is faith with - out

& b 44

fl

In time

"The Seraph" - 6

? b 44

C sus7

part of some hea -ven - ly plan.

& b ..
.

j
42 44

62
Dm

&b

hold

watch

? g w
b gg w
gg w

Bb

sleep.

soul

to

& b ...
<

? b ..
.

keep.

<

<

warm,

& b

? b g .
ggg
g

And

chest,

&b

.
?
b w
w

"The Seraph" - 7

know

ggg ww
gg w

when

Light

Di - vine,

Bb

An

C 7sus2

..
..

gel

w r
w

mine,

...

I'll

Some - how,

got

your hal - low'd head

High - est

I've

lay

think

..
.

you

why you

..
.

ggg ww
gg w

j .
..
.

don't

a - gainst my

be

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

& b .

Dm

&b

& b .

as

& b

63
F

&b

bless'd.

?b
w
w

bless'd.

.
.

"The Seraph" - 8

G m7 add4

>

G m7 add4

w
w.

.
.

>

be

I'll

be

be

w
w

I'll

.
.

I'll

?b
?b

>

# . .. w

G m7 add4

w
w

bless'd.

Bb

Rit.

Bb

- ( - ) UF
g r

ggg
ggg
ggg
j gggg
gg

gg

ggg
g u
G m7 add4

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&b

.
..

Fsus

? g w
b gg
g

Fsus

& b

..
.

bless'd.

&b

..
..

&b

&b

G m7

Fsus

64

LEAVE, LUANNE
from 35mm: A Musical Exhibition

? b 44 > > >


F
? 4
!
b 4
w
Southern Gothic Ghost Story (q =100)

G . . D
. .
m

Dm

Vb

Gm

Music and Lyrics by


RYAN SCOTT OLIVER

Dm

P
J

THE CAJUN:

.
.
? b . &

?b

w
w

B b5(add#4)

anne's fat lip is dry- ing.

& b
? j
b

j
V b n.
>

bleed-ing.

& b .

"Leave, Luanne" - 1

He

>
-

>

Bas-tard's ba-con fry- ing,

The

Dsus

B b5(add#4)

shouts, "Girl,

N
-

The

>

set the ta - ble."

But

F m/C

shi - ner 'round her eye's gone bust and

B b7

j
b

>.

he knows

>

Music and Lyrics 2010 by Ryan Scott Oliver. 2012 by ARESSO MUSIC PUBLISHING.
All rights reserved.

>
j

j

>
j

> .

j
3

she ain't a - ble:

Her

>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

Vb

Lu

65
Gm

Vb

arm's done broke,

&b
?b
Vb

soft - ly she's re

24 j

24

Dm

Why don't you march out that door?

Dm

44

peat-ing,

44

44

? #

..

>

>

>

Gm

Sou-thern wo-man, he ain't no good to you.

?
b

Am

Vb

you dy - ing

"Leave, Luanne" - 2

Lou - i - si - a - na wants war,

on her

ru - by plains;

Gm

Leave, Lu - anne.

? b

But it's

85

Lo - yal Lu-anne re

85 .

Am

.
5 ggg ..

8
and yet,

44
-

44

44

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

V b .

?b

And

sim.

?b

24

hung limp like yolk,

Leave, Lu - anne.

Bb

Am

66

4
Vb 4 w

Dm

mains.

Gm

Dm

E-ver

.
.
? 4 .
&
b 4

? b 44
w

- -

B b5(add#4)


Vb
J
J
since he got him laid off,

& b
? b j

>

Vb

>

B b5(add#4)

He

N
-

?b

"Leave, Luanne" - 3

42

No,

>
j

fool.

..

how he treats her, 'Cause a

but now he's

She don't fess

44

44

F m/C

j

>
>
j
j
.

>

j
b

>.

>

2
4
4 j 4

he was ne-ver nice,

she won't be a

42

Bb

B b7

and he beats her.

Am

rapes her,

Bi-ble verse says it won't get worse, And

& b j

& b . #

R
>
?b
j
.
Gm

sa-ni-ty just made off.

Dsus

cru - el.

His

D m/A

>

A7

You won't nev - er

#
#


> > >

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

j
V b n.

sim.

Dm

Vb

G m7

Leave Lu - anne, 'Cause ifyou walk out that door,

&b

LES VOIX EN DESSOUS:


(Always ghostly)

(V2:)
(V3:)

.
.

&b

?b

ww

>

>

V b .

>

Leave Lu - anne,

& b .
.

Leave Lu - anne,

G m7

Vb

>

>

ww

>

>

. . .

r >

> . . >
ww

j 5
4
8 4
Lo - yal Lu-anne re

>
5 g ..

&
8 gg .
g
J
b w

"Leave, Luanne" - 4

Am

5
8 .

4
4

brains,

.
.

Dm

- mains.

5
4
8 4 w

w
Lo - yal Lu-anne re

Am

Y' got heart where you should have had

And so:

sim.

No, you won't

> >
j
>
> n
j
. ww #

>
r .

..
.

Or he'll give you what-for.

>

&b

67

.
.

.

&

mains.

4
4 w

sim.

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

& b j
. .
>
? w
b w

Truck will be gun-nin' for you.


. > . . >.

His truckwill be gun-nin' for you.

"Leave Lu - anne."

Dm

68

Vb

E/D

p
b
& n
#

Some

Some

Dm

one's

one's

Vb

Gra

& b # n

Gra

ting,


N
Ne - ver

growl - ing,

D dim C

Aw

dy - ing

in a

Bbm
cresc.

fate

..

cresc.

Fate

Bb

Dy-ing

breath.

Oh,

.
#

#
n n #
J
b

b
b

#.

worse

than

..

worse

than

# ww

w
#

Southern Gothic Ghost Story (q =100)


Dm
P

Vb w

Gm

death.

& b ww

?b

ww

But

death.

?b

Dm

. .. .. ...




w

"Leave, Luanne" - 5

sim.

<

&

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&b

sigh - ing with bat - tered

Fm

Sigh - ing...

growl - ing,

Screams like

ting,

C aug

.
#

D dim

Dm

howl - ing...

E/D

& b # n n #
J

?b

howl - ing

C aug

B b5(add#4)

Vb
&b
?

69

months of

such

?b

>
j

>.

&b
?b

>

Creeps t'ward his

roped - up

to

lo - gi-cians;

re - trie- ver...

lab

And to -

plucks the kit - chen clea-ver...

N
-

>

B b5(add#4)

So she

J .
And

she

Slower, accel. poco a poco


(N.C.)

Vb
&b
?b

cuts the rope

"Leave, Luanne" - 6

And hope on hope,

"
She

G m7

starts to shout,

cresc.

Am

"Your dog's got out!"

She's

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For exclusive use by Elliott Mitchell Defensive7@hotmail.com

Vb

lay - men

>
j

log.

Turn

D sus

night the Bas - tard's sleep - ing like a

&b

j
>

F m/C

V b b

J
3

con - di - tions

B b7

70

Allarg.
(Dictated) A tempo (meno mosso) Rit.

G m7

Vb

Am

B b5

2
4
4 4 J

got her chance, with no back-glance, She

& b j
?

b
Em

# f .
# f

?#

.
.

ww

>

>

>

>

>

> .

>

>

w
w

jw

>

>

sim.

Leave Lu - anne,

Yougot a life left to live

"Leave Lu - anne."

&

? # ww

"Leave, Luanne" - 7



> . . >. >
ww

r > ..

.
.

>

..

.
.

> >
> > n j

ww #

House hang-in'offthe Golden Coast.

Em

In a house hang-in'offtheGol-den Coast.

> >

> > n j

.. ww #

A m7
F
#

V .

# P
& .
.

>

.
.

r > ..

.
.

>

n#

Em

jw

ww

>

A m7

Leave, Lu - anne!

Scream-ing, scream-ing,

j #
#

# n

# #
f
.

j j
4 #
n
4 w


. . . >
>

#
J

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

2 j
4
>

# n#

Bsus7 B 7

Asus

bog,

> >
2 > > 4
4 4

Leave, Lu - anne!

&

runs out to the

Tempo I

.
A

V
&
&

&

..

Leave, Lu - anne!

Leave Lu - anne!

#
#

You won't for- get nor for-give,


. >

ww

j 58

Am

ww

Bm

As

58

fin' - lly

Fin' - lly
# > 5 g ..

8 ggg .
&
J

>

.
.

>

Lu - anne

Lu - anne

5 .
8

44
w

es

es

E8

44
ww

capes.

..

44
w

capes.

4
4 w

U" ##
#

U" # #
#

## #

U"

U" # #

Hoedown Feel (L'istesso Tempo)


A/E
j
#

r
j
j
# # # > > > > n > > > > > > > # n # n >
n
&
f
#
? ##

!
!
!

>
# # # f .
.
.
.
J
V
J

> > >

Swim, Lu - anne.

>

> >

A 7/E

>j

j
# # # # n
& n ww

? ### .
.
..
..
>
>

"Leave, Luanne" - 8

Swim, Lu - anne.

And

r
j
# n # n

n ww

>

>

.
..

>

.
..

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

?#

And she don't feel the stings and rips and scrapes

j
. . . .
>
>

?#
V

71

B m7

72

###

V
### f
"
&

in thisswampof lee - ches,Go

as theprea - cherprea - ches,as

In thisswampof lee - ches,

As theprea - cherprea - ches,

# # # .
.
&
.
? ### w

### .
V
E

### j .
.
&
the

j
" # r n

? ### w

&
&

blood in-side

you rush - es. Left

Blood in-side

you rush - es

? ### w

"Leave, Luanne" - 9

.
..

the marsh

"

# # #

###

V
###

through

and

As

F#m

Left

bru

and

bru

j .
.

right,

and

All

in

thenight.

a light

and right

shes

As

"

the

shes

# n

.
..

.
E

yourmight,

# n #

light

Through the marsh

night.

j
.
.

. # n # n

..

Push

j ..
All

Un-

your might

n j " # r n

w

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

###

In

"

# n

F# m

73

V
&

###

###

til you reach

V
&

the bank.

P
j

F # 7/C #

###

? # # # ggg www
###

hair,

? # # # w j #

B b/F

stare

at

? ## w

B b5(add#4)

Tempo I

Vb

Bas - tard lies

& b
p
?
b

"Leave, Luanne" - 10

in

n b ww

bed now,

on your

42

42
2
4

Half

!
!

44

sad

44

4
4

n#

his wife

w
w

n# #

n# #

p n
n
nb
J
The

p
ggg www
ggg w

nn

n nb

is

Who beat you

there.

the Bas - tard

#
& #

feel a lit-tle yank

gggwwww
g

n n .

Till you

dead now.

42
42
2
4

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

Bsus7
dim.

Colla voce

A tempo (meno mosso)

## p

gg www
gg

> >

Poco rit.

And crawl on-to the bank,

And strick - en,

ww
w

A/C #

74

F m/C
B b7
Pj
4
2
V b 4 4 b

They say she

& b 42
? b 42

B b5(add#4)

thinks

& b
?b j

he

used

to

Gm

Vb

wife

Vb

love

her,

A life

But

>

Dm

#
& b .
.

push,

it

came

2
4

no

Grieve Lu - anne.

?
?

b
b

to

2
4 j

Gm

..

"Leave, Luanne" - 11

>

to

Dm

Now

. .. ..


&
sim.

ww

shove her,

4
4
!

care

44

>

4
4
?

He

one seems to

grieve Lu - anne.

B b5

24

And

wild de - spair.

>

case closed,

Am

dis - posed,

>.

in the swamp in

N.

j

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For exclusive use by Elliott Mitchell Defensive7@hotmail.com

44

Vb

&b

44

drowned her-self

j
>

D sus

75

B b5(add#4)

42 44


Vb
J

no one's on his shoul-der,

& b

p?b

B b7

42

42

j
N.

4
V b 4 b
& b 44
? b 44

and the air is dank

>
j

>.

?b

sli - ver...

G5

Vb

?
b
?b

"Leave, Luanne" - 12

A5

in the room

And a

42

N
-

fi - ery

Gm

And

&

fog

>

/A

From the mi - ry

bog

Pours

there the man

44

Slower, accel. poco a poco


/G

44

bo-dy starts to shi-ver... When the

>

42

In fact it's

B b5(add#4)

Yet his

>

In a stick - y gloom

>

and steam - ing.

>

D sus

>

win - dow cracks

& b

42 j 44

Am

sees Dead Lu- anne...


He's

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For exclusive use by Elliott Mitchell Defensive7@hotmail.com

Vb

mat - tress don't feel cold - er.

F m/C

Hell-ish hot,

44

44

But his

Allarg.
(Dictated)

76

B b5

Vb
4
Am

& b

ter-ri-fied,

?b

But he keeps his pride 'cuz he

42

4
4 J

B m7(b5)/A
j
V b .

D m/A

>

w
w

V b .
& b ..
.
>
?b

Vb
Am

&b

lo - yal Lu - anne

"Leave, Luanne" - 13

Am

Dm

re - mains

And re - mains

>

.j .

>

ww
w

w
w

w
w

and

>

j
.
Gm

ww

and

j
But

Bbm

> > # > n >


b # n b b
J

n b j

> > n > b >

Tempo I

re - mains and

& b
?

U
j

w
w

And she shows him her feet are bound in chains,

.
n ..
> >

>

w
w

"I come to set-tle a score."

ten.

re - mains

re - mains

>

and re - mains.

and re - mains.

. . .

>

>

.
.
.

And

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

said Lu - anne:

( )

B m7 b5 /A

D m/A

w
w

w
w

b ...
>

>

>

A7

A sus

Dm Cm B

'Cause ain't no one e-verloved you.

.
n ..

#
J

Gm

"Leave Lu - anne! Hell sent you back here for more?

Rit.

> > > > dream-ing. # .. And he starts scream-ing,


j
4


4 J

4
j
4
j
j j


>

Meno mosso (q =76)

& b ..
.
>
?b

knowsthat he ain't

42

A tempo (meno mosso)

~~~
~~~
~

Gm

Vb

E /D

f
& b n
#

Some - one's

howl - ing

Some - one's

^
ww>w ^
n
b
& # w
n

?b ^ ^
Vb

E/D

Gra - ting,

& b # n

Vb

>

>

Ne - ver

>

# n
>

>

> >
b



>

>

death. Lu - anne,

she cries her mis - 'ra-ble knell

r >

"Leave, Luanne" - 14

>

>

sim.

>

b
..

worse

than

worse

than

# ww
w

#.
..

A7


Gm

So that Bas-tards will ne - ver sleep a-gain.

>
>

cresc.

>

breath.

Bbm

b
N

&b


. > . . > .

>

Fate



>

she cries her mis - 'ra-ble knell

>

..

..

fate

j
& b ..

Bb

in a

Dy- ing

>

dy - ing

Fm

Oh,

Aw

death. Lu - anne,

D dim C

>


. J
Dm

77

sigh - ing with bat - tered

D dim C

>
b

Sigh - ing...

>

growl - ing,

Tempo I

Screams like

# n

>

F m6

Bas-tards will ne - ver sleep a-gain.

..
.

..

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

>ww ^
^
n
w
b

& # w
n
?

Gra - ting,

growl - ing,

howl - ing...

F m6

78

Vb

Dm

No

&b

Vb

Am

..

& b

cau - tion to the cruel-est of men

Cau-tion to the cruel-est of,

& b ..
?b

A tempo meno mosso

Vb

Dm

men!

.
& b ..
>

? b .
.
>
"Leave, Luanne" - 15

>

J
A



. .

>

>

( )

Cau - tion to the cruel:

souls down to Hell,

Molto rit.

D m/A

God loves Lu - anne!

>

>
>



> > > >
> >

>

A-

!
^

Praise be,

>

J
J

>j

>

Gm


. .

>

She pulls their

ww
ww

Souls down to Hell,

>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

'Prieve, Lu - anne!

re - prieve, Lu - anne!

> >
> n j
>


& b ww
?b

A tempo meno mosso

79

MAMA, LET ME IN
from 35mm: A Musical Exhibition

Very Slowly (q =72)

P
bb b b 4 b
& b 4

SOPRANO:

Ma - ma,

b b b 4P
b
& b 4

Ma - ma,

bb b b 4 P
V b 4
BASS:
? b b 4P
bbb 4

Why you

let me in.

hate me,

? bb
bbb

Why you

hate me,

hate me,

hate me,

Ma-ma, let me in.

Ma-ma, let me in.

Ma-ma, let me in.

Ma-ma, let me in.

Why you

let me in.

b
V b bbb

"Mama, Let Me In" - 1

Why you

and

Call

me

45 .

Call

me

5
4

Call

me

45

call

me

sin?

44

Ma- ma, why you call me

44

4
4

sin?

5 .
4

sin?

Music and Lyrics 2009 by Ryan Scott Oliver. 2012 ARESSO MUSIC PUBLISHING.
All rights reserved.

4
4

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

bbbb

Ma - ma,

b
& b bbb

let me in.

TENOR:

Ma - ma,

let me in.

ALTO:

Music and Lyrics by


RYAN SCOTT OLIVER

F
bb b b 4 b
& b 4

80

Ma - ma, don't

bb 4
&bbb 4

b b b 4 F
b
V b 4
sin?

Don't

shut

me

out.

me

? b b b 44
bb

shut

Ma - ma, don't

Ma - ma, don't

out.

am

am

shut

me

out.

shut

me

out.

am

b
& b bbb

b
& b bbb

Ma - ma don't shut me out.

? bb b
bb

-
Oh,

-
-

.
.

Oh,

Ma-ma, don't shut me out.

Oh,

bb 4 w
&bbb 4

cresc.

here,

43

shout?

shout?

My

cresc.

My

b
V b b b b 44

"Mama, Let Me In" - 2

bang

and shout?

,
,

am here.

43

N
43

44

44

44

Don't you hear my bang and

Don't you hear my bang and

34

f
J

My

bang

bang

and

shout,

My

My

bang

and

U
>

U
>

U>

U
>

and shout?

shout?

44

Don't you hear my bang and

cresc.

Don't you hear my bang and

cresc.

here.

am here.

My shout?

b
& b b b b 44

shout?

am here.

shout?

? bb 4
bbb 4

here,

Oh,

Ma-ma, don't shut me out.

am

shout?
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For exclusive use by Elliott Mitchell Defensive7@hotmail.com

b
b
V b bbb

here.

Ma-ma, don't shut me out.

P
b b b sub.
b

.
& b
b b sub. P
b
& b b .
Bless-ed

Bless-ed

b
V b bbb
? bb
bbb

Bless-ed

Bless-ed

Bless-ed

Bless-ed

Bless-ed

P
.

Bless - ed
sub.

be

the ba

Bless-ed

Bless-ed

Bless-ed

bb
& b b b . .
Bless-ed

Bless - ed

be

&

bbbb

b b b f
b
& b
V

bbbb

fight

fb .

fight.

f
? bb b
bb

the ba

Fight

"Mama, Let Me In" - 3

Bless-ed Bless - ed

Bless-ed Bless - ed

who,

Bless-ed Bless-ed,

bw

and

fight.

by

. .

Fight.

bw

Ooh,


in - to

Cry

As black bars hold tight,

As black bars hold tight,

Bless - ed she,

, P

, !P
- .

b - .

Bless - ed

Bless - ed

he,

he,

the night.

b -

Bless - ed she,

>
>

>

Cry - ing

Cry - ing

Cry - ing

the night.

As black bars hold tight, Hold

the night.

As black bars hold tight, Hold

Ooh,

Bless-ed

Bless-ed

f.

Bless-ed

cries

? b b . .
bbb
Bless-ed

who

Bless-ed

by

the night.

Cry

tight,

And

tight,

Will

Hold tight will

b -

U
b - .

nU

Bless-ed me.

Bless-ed me.

! U- .

"
"
"

Bless-ed me.

"

Bless-ed me.
www.ryanscottoliver.com

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b
V b bbb

Bless-ed

b
& b bbb . .

Cry

Bless-ed

81

p
bb b b b
& b

82

b b p
b
& bb

Ma - ma, bring me close,

Ma - ma, bring me close,

b p
V b bbb
? b b p
bbb

Ma - ma, bring me close,

And Ma-ma, let me in,

love the child,

bb 4
&bbb 4

&

bbb
b
V b
? bb b
bb

the

- - .

sin-ner,

- - .

sin-ner,

Love

the

sin-ner,

"b

Love

love

love

love

love

And

love

And

ten.

"

Love

Love

the

ten.

ten.

4
4

44

And

4
4

love

the

ten.

love

love

love

love

ten.

ten.

U
w
U

Close to "n"

sin.
Close to "n"

sin.

the

sin.

the

sin.

the

ten.

love

love

Love

And

And

"

ten.

.
46

child,

44

And

And

6
4

And

"

b - - .

the

"Mama, Let Me In" - 4

Love

sin.

Love

Love the child,

Love the

b
& b bbb

Love the child,

? bb 4
bbb 4
bbbb

U
w
U
w

Close to "n"

Close to "n"

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

b
V b b b b 44

46 .

,6 . J
4

And Ma-ma, let me in,

Ma - ma, bring me close,

b
& b b b b 44

And Ma-ma, let me in,

And Ma-ma, let me in,

83

WHY MUST WE TELL THEM WHY?


from 35mm: A Musical Exhibition
Rock, with force (q =144)

>

& 44

>

>
> > > j >
J

&

f .
&
G5

Csus2

&

j
.

A 5/G

sim.


Am

b
J J

tell

them

Some re-quire

Fsus2

F
- -

an ex - pla-na - tion

F6

sim.

for Why we make


. .


. .

the things

we make,

. .
.
j

Why



b
.
.
. .

. .

*This song may be performed as a solo or as a group, and may be divided among soloists/ensembles as the performance requires.

"Why Must We Tell Them Why?" - 1

. . .


w

J
-

& j j j j j j j j j j j j j j j j





.
.
.
P > > > > > > > > .
?

why?

!
/A

w
w
ww

must we

? > >

Music and Lyrics 2012 by Ryan Scott Oliver. 2012 by ARESSO MUSIC PUBLISHING.
All rights reserved.


b
. b

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

> .
..

&

Why

>

? 44

>
>


Am

Music and Lyrics by


RYAN SCOTT OLIVER

84

A5/G

&


/A

F6

>> >> >> >


& j j j j j j j j
j
j
j
j
j
j
j
j

n


> >
> >
> > > > . . . .
rules must break,

& j

Csus2

tell

them

A5/G

&


/A

sim.

. . .

?


w
J
-

F6

each de - vi - a - tion? Why must we serve

j j

why?

F
- -


. . . .

/A

ex-cuse

Fsus2

& j j j j j j j j
j
j
j j
j j
j j

> > > > > > > >
?

. .
.
j
j j j j

them pre

fixe art,

Or



b
.
.
. .
. . . .

. .

F6


b
b
.

>> >> >> >


& j j j j j j j j
j
j
j
j
j
j
j
j

n
> > > > > > > > . . . .
prove each

part

"Why Must We Tell Them Why?" - 2

(art

la

carte)?


. . . .

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

Why

b
J J

ww

j
.

&

must we

>
& j ..

A5/G

whose sake?

w
ww

why

&
> >
? > >

> .
..

But

And for

85

Dsus7

C/E

& J

&

Look, all we're say - ing is

&

? ww
w

Fw
.
& .

D8

&

&
>
?>

>


J J

still

> >



.
.
.. ..
.
.

p Breathy
(look

>

>

>

close - ly)

"Why Must We Tell Them Why?" - 3

G5

Fsus2

and

w
ww

w
w


J J

>

..

>

..

> >

. . .
. . .

w

>

..

G5

fo - cus.

J . ..

Think, and you'll miss it. Think, and you'll miss it. Think, and you'll miss it.

> >
.
& .

. .
? .. . .

Wuh - oh.


.
.

..

..

j
> > >
> >

>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

P

& .. J J
Hold

.
C

we're say - ing is look.

w
w

Restrained
A m7

G5

All

Look. All we're say - ing is,

Gsus7

Look:

&

Fsus2

86

&

Why

must we

D8

Csus2

> .
..

&
>

w
ww

?>

>
& j ..

&

de-fy

&

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j j

ti - fy?

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F
-

J J

lit

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j .

tle numb...

F6

their rules

of thumb.

Gots

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.




b
.
.
. .


. .


. .

F6

j j
j j
j j



And beat dat drum...


b
. b

!
j

Make some - thing dumb...

>>>
& j j j j j j j j j j j j j j j j



n
. .
. .
> > > > > > > >
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.
.

. .
. .
.
.
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"Why Must We Tell Them Why?" - 4

. . .

sim.

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.

j j j j

j
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> > > >


w

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their forms and fix - tures, Not play-ing by

& j j j j
j
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j
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> > > >
P
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A5/G

Fsus2

> >> >



www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

Let's

jus

ww

A5/G

b
J J

87

b
& J
J
Make 'em see

Make 'em see

where we're com - ing from.

&

&
&

All

is

see.

A m7


& .. J J

j
> > > >

ww
w

fw

Hold

> >>
J

>

G5

See, all we're ask-ing is...

still

and

..
.

w
ww

w
w

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Oh, -

Think, and you'll miss it. Think, and you'll miss it. Think, and you'll miss it.

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>

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"Why Must We Tell Them Why?" - 5

.
.

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w
>

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>

>

. . .
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fo - cus!

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w
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Fsus2

All we're ask-ing is

See

div.

See.

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> > >

Wuh - oh.


.
.

> >>

> >

..

..

>>>> >

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

& ..

we're ask - ing

where we're com - ing from.

b
& J
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j j
J
C /E

Dsus7

88

D 8 Breathy

&

..

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Am

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w

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.

& gw
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P gggg
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j
&
Or it not

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..
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w
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what it

ought

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Am

Oh,

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w

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gg
ggg
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gg
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gg w
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Who's to say

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w

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w

w
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Am

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ggg ww

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ggg
ggg
gg w
gg w

to be?

It

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For exclusive use by Elliott Mitchell Defensive7@hotmail.com

ww
w

&

& www

Am

> > > > > j >


.. J
J J

!
J J ..
J
>
>
j
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j



sim.

> >

(look close-ly)

&
>

&

G5

89
(N.C.)/G

&
&
?

is what it is

and it is

what it's got

/A

is what it is

&w

!
F

&

& ww
w
&w

w
ww
w
w

"Why Must We Tell Them Why?" - 7

is what it is


> >>
> > >

>

Csus2

> ..
.

Why

> .
..

Why

> >
> >

>

>
& j ..

must we

w
ww

must we

ww

what it's got

tell

tell

to be.

to be.

&

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> > >

It's got

and it is

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it is.

to be. It

to be.

/A

What it is,

what it's got

j
>

to be.


It's got

It

n

J

them

why?

them

why?

?
www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

what it's got

/G

&
and it is

and it is

/F

is what it is

to be.

It

90

Fsus2

&

& ww
>
..
& ...
j

&
&

>
>
..
..
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.
.
j
j

All

we're ask - ing

G5


& .. J J

is

>

see.

ww
w

.
.

still

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.

w
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See

and

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w

Fsus2

fo - cus!

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w

D8

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>
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>

>

.
.

"Why Must We Tell Them Why?" - 8

>

> >


.
. .
. . .

>

ggg ww
ggg P
ggg w
ggg w

>


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.

Am

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ggg
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g

>


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> >

.
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J

gg ww
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gg

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> > >

Wuh - oh.


.
.

> >>

>

..

Think, and you'll miss it. Think, and you'll miss it. Think, and you'll miss it.

> >
.
& .

. .

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w
w
w
w

Gsus7

> >

..

..

>>>> >
w
w
w
w

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

See. All we're ask - ing is

* * >

fw

Hold

Sing 4x
(4th time a cappella)
A m7

& .. w

>
..
..
.

C /E

See, all we're ask - ing is...

w
ww

Fsus2

j j
J
J
D sus7

91

TWISTED TEETH
from 35mm: A Musical Exhibition

Music and Lyrics by


RYAN SCOTT OLIVER

Moderately (q =108)

A m7
F M7
A m7
F M7
A m7
F M7
A m7

4
F M7

&4

& 44 -

F M7

Am

NIGHTWALKER:

Am

Gsus

I met my Mis-ter as I night - walked the Park,

& ..
..

!. .
& J
J

cry-in' be-cause

& ...
?

"Twisted Teeth" - 1


So

no love would dare to come near,

Am

sor-ry to see him so a-lone

? j

D 7/F #

loco

42

42

and whis-pered

Music and Lyrics 2010 by Ryan Scott Oliver. 2012 ARESSO MUSIC PUBLISHING.
All rights reserved.

He was

. .
J
J

# ...
J

Gsus

in the dark.

And so I crept up a-stride,

F M7

Gsus

. .
J
J

C/E

Am

....

D m9

&

42

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

F M7

... ...
.

F M7

Gsus

& .. ..
.. .
?

92

2
&4

Gm

E b M7

4
4 w

Fsus7
3

this

in

& 24
b

his

.j . . . . . .

4 b
4 bw

j j

& j

A sus/F

Twis-ted Teeth.
HER MISTER:

44 w b
b ww

?2
4

ear:

&
?

E m/G

& 24 N

?2
4
"Twisted Teeth" - 2

Fm

es

E sus

nev - er

& 24 N

C /E

.
C7

44 b w

b.
44 ..

cape...

4 .
4
.

.
.
.

j
.

2
4

love in the sky,

b b ...

b b ..

Ab

Gsus

sup-ple-men-tal.

We made

. .

Fsus2


/A

Tongue

...

And as my world split a- gape


. . .

Lips like a sheath.

plunged them in-side,


.
.

Fsus2

. .

And now I'll

He's

b 24

24

b n

"
www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

C /E

&


.
.

? .

Ah

"Love

lips like a sheath, And your tongue sup-ple-men-tal."Then he

.
& ..

Twis-ted Teeth.

those

bet you're gen-tle; Your

E m7

&

A sus/F

Gsus

But I

/A

D m7

A sus/F

&

&

>o
J

.
& ..

? .

suck - ing me dry.


HER MISTER:

Suck-ing...

& -

A m7

&

D m9

All of our friends

&
.
.

- . .

"Twisted Teeth" - 3

suck-ing

...

say we look


.
.
- . . .

j

.
.

-
Am

fits in my fam-'ly like I fit

Hoo

.
-

Fit

From the

Gsus

in his cov-en.

.
.

J

in his cov-en.

D7

.
.
-

near - ly like twins,

- . .

j
j j
.

.
.

.

J

A m7

Am

Gsus

C /E

. j
&

Loves my lov-in'.

j
J

b b
J

F M7

loves my lov-in'. He

dry.

93

Gsus

wile of our eyes

.
.

j
. #

2
4

to the

42

.
42

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

I love my Mis-ter and he

.

J

>o
J

He's

Am

suck-ing me dry.

b J

/A

He's

& j j

& J

. j
.

Hoo

A sus/F

b b
J

& w

Gsus

F M7

&

dry...

/A

94

& 24

Gm

pale

44
w

of

& 24
b

our

j
44 w b
b ww

.j . . . . . .

44
b
bw

Asus/F

& j

Twis - ted
Teeth.
HER MISTER:

&

? .

Teeth.

&
/A

Gsus

Ah

sen - ti - men - tal, 'Cause since he

sen - ti - men - tal.

& ..
? .

"Twisted Teeth" - 4

C /E

When it was

"

Fsus2

j

. . .

E m7

And

our

&

Asus/F

lips like a sheath,

...

C/E

Lips like a sheath.

pulled me in - side,

..

Gsus

and it's gen-tle. Our

We make love,

D m7

But it ain't

Ain't

Fsus2

j

. . .

right as a rape,

"

We made

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

.
& ..

Twis - ted

/A

skins,

? 24

&

E b M7

Fsus7
3

95

Ab

& b
love in the sky

And now I'll

& b b ...

? b.
b .
A sus/F

&

>o
J

Suck-ing...

? .

j
&
&

Dry..

Suck-ing you dry.

& ....
? .

"Twisted Teeth" - 5

Fill me up

>

J
j

cape.

He's

2 3 4 . j .
4
4
. .
j

Gsus

Asus/F

b J

Gsus

>o
J

suck-ing...

dry.

n ..
.

/A

Gsus

He's...

b b
J

Suck-ing...

"

. j

/A

Gsus

Dry..

>j> >
b

b
j

A sus/F

with the love.

suck - ing me dry.

He's

. j

/A

b.
24 N b n 44 .. . . . . . . . . b n
J
nev-er es

b b
J

Asus/F

Suck-ing...

2
4
4 4 bw

He's

C7

Esus

Suck-ing you dry.

..
..

>

Fill me up

J
j

>j> >
b

b
with the love...

&

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

/A

dry...

.
& ..

suck - ing me dry.

&

E m/G F m

96

F M7

& j

Twis-ted

Teeth.

Twis-ted

Teeth.

&

&

& -

A m7

& -

F/G

&
&

F m/G

chi - seled shape.

> b > >



J J

&
J

>

"Twisted Teeth" - 6

>

A m7

They come

They come

>

>

>

Oh...

lips like a sheath.

F M7

chi - seled shape.

> >

and it's gen-tle. Our

Mak-ing love

G/F

oth-ers in-side, Can-died face,

Oth-ers in-side, Can-died face,

> > >


J J

> >

ww

?
G/A b

J
f

>

>

E M7/G #

b

in - to

our bed,

But they nev

in - to

our bed,

But they nev

> n > > n > >



bb >
n

>

b b

>
b b

We may bring

Ab

Mak-ing love

>

b
b

>
>
>
>

(N.C.)

>

>

er es - cape.

er es - cape.

b
We

b
We

b > > b > > > >


b

>>
b b b
>> > >
www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

A m7

lips like a sheath,

e-le - men-tal.

e-le - men-tal.

F M7

and it's gen-tle. Our

We make love

A m7

We make love

&
&

F M7

F M7

A m7

97
Asus/F

&

.
& ..

? .

Gsus

&
&

&

&

suck them all

Suck them all

& ....
? .

"Twisted Teeth" - 7

dry.

...

dry.

>

dry.

Fill - ing

up

with the love.

Suck them all dry...

Gsus

up

with the love.

Gsus

Fill - ing

/A

/A

dry.

>

b b

suck them all dry.

. j

We

>j > >

Just

> > >


b j


b

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

A sus/F

We

Oh,

..
..

suck them all

Asus/F

suck them all

b b

&

A sus/F

We

Oh,

? .

/A

Suck them all dry...

Gsus

suck them all dry.

&

/A

98
(N.C.)

&
&

me and my Mis-ter for the rest

"

&

? .

? . j

&

"Twisted Teeth" - 8

pj

Die, I

- -

#j

A m7

.
.


- -

"

with the love...

F M7

A m7

&

"

Fill me up

"

...

F M7

"

Gsus

Die, I

/A

Fill me up

A m7

"

did.

..

with the love...

Asus/F

'Cause I'd die for my Mis-ter, And in truth,

Gsus

F M7

Fill me up

j
. j

A m7

& - -

Ain't

with the love...

- -

"

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

.
& ..

"

Fill me up...

j

w

#w

&

/A

did.

F M7

se-crets get hid,

He's my Mis-ter for- ev-er, I for - ev - er his wife.

Ain't no

&

Asus/F

"

no doors get locked,

&

of our life.

"

&

99

HEMMING & HAWING


from 35mm: A Musical Exhibition
Easy (q . =120)
F #5

# 9
& # 8 . . .
- . - . - .
p
? # # 98
!
&

##

# .
& # ..
? ##

.
.

# .
& # ..

pull

&

##

? ##

..

.
.

a - way

A.

"Hemming & Hawing" - 1

.
.

.
.

did

..
.

.
.

j
# .

to- day,

.
.

'Cause I'm

.
.

j
n
..
.

..

..
.
.

like you

? ## .
.
#
& #

# .

proud

.. ..
. .

B m7

..
.

.
.
.

..
.

..
.
.

know

to

be

with

you

Though you

. .
.
.

.. . .
. .
.
.

..

.
.

(Well,

B m7

how

like

Music and Lyrics 2009 by Ryan Scott Oliver. 2012 by ARESSO MUSIC PUBLISHING.
All rights reserved.

. . .
P.

was.)

..

.
.

She would - n't

..

..
.
. . .
. .

..
.
.

..
.
.

MALE:

.
.

. .
. .

D.

. .

She would - n't

.
www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

##

. .
2
. .
.

!
..
.

j
.. .. . .
. . . .
D

- .

.. ..
- -

Music and Lyrics by


RYAN SCOTT OLIVER

100

&

##

#
& #

pitch

j
# .
a fit,

? ## .

&
&

##
##

friends,

? ##

#
& #

bitch

. .

"Hemming & Hawing" - 2

..
.

.
J

.
.
.

When

leave

And they'd like her,

Esus7

You're
GIRL:

so

not

You're

so

..
.

..
..

..
.
.

.
J

her

.
.
.

..
.

D sus2

!
..
.

a bit

'Cause she'd like them,

oh,

## .
& ..

.
? # # .
.

Would - n't

Aadd9/C #

# .

lone

with my

They'd like each oth-er.

And

D M7/F #

not

..
..

.
.

. .

fect.

fect.

.
..

.
.
.

per

per

..
..

Yeah,

.
..
.

.
..
.
.

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

##

101
A add9/C #

## .
&

#
& # .

oh

## .
& ..

.
? ## .
.
## .
&

Bm

#
& # .
oh,

..
.

? ## .
.
&

##

#
& #

..
.

..
.

Oh,

leave

.
.
.
A

..
.

..
.

... ... ...


the

..
..

ways.

..
.

.
.
Esus2

leave

..
.

..
.

.
.

!
.
.
.

.
.

.
.

you...

One

of

these

One

of

these

I'm gon - na

!
.

But

.
.

.
.

..
.

.
.

!
.

ways.

F# m

per - fect...

..
.

I'm gon - na

"Hemming & Hawing" - 3

..
.

.
.

the

be

She could

..
..

..
.

me count

..
..

you.

Let

me count

.
. .
J .

.
.

.. .. ..
. . .

Let

.
J

#
& #
? ##

F#m

E sus7

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

##

Oh,

D sus2

102

&

##

days.

#
& # .
&

days.

##

? ##

## .
&

#
& # .

Hem - ming

Hem - ming

## .
..
&

..
.

&

##

and

haw

ing,

.
.

and

..

? ##

j
j

haw

you,

.
.

"Hemming & Hawing" - 4

..
.
..

..
.

..
.

j .

Bm

..

..
.

..
.

Con - clu - sions

.
.

j n

..
.
.

you.

n
n

.
.
.

..
..
.
.

.
.
.

A- bout

..
..

.
.

..
.

ing

ing

..

been draw

.
- .

j j
n
..
..

been draw

A-bout

.
- .

.
- .

Con - clu - sions

.
.

j
.

ing,

you,

..
.

..
.

#
& # j .
#
& # .
..

a - bout

a - bout

.
.

Con -

you.

.
.
.

.
.
.

.
.

Con -

.
.

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

? ## .
.

G5

#
.
& #

#
& # .

demn - ing,

demn - ing,

#
.
& # ..

##
&

#
& #

ap - plaud

. .

..

&

Fight - ing

..
.

..
.

come

..
.

.
.

#
& # # j .
&

##

&

##

piss

me off

? ## .

#
& #
? ##

"Hemming & Hawing" - 5

not

(Like

knock

..
.

it off

.
.

you

this

when

tell

.
.

..
.

ing

..

.
.

. j

her

.
.

I'm

.
.

reach

..
.

j .

when

She would - n't

. .
.

morn - ing

..
.

.
.

To make the

through.

...

.
.
.

ing

dawn

be

# .

told

come

through.

j j

...

dawn

be

.
.

fawn - ing

...

j
n

and

.
.

come

..
.

j j
n

..
.

fawn - ing

point.

to

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113

CUT YOU A PIECE


from 35mm: A Musical Exhibition

With motion (q . =108)

Music and Lyrics by


RYAN SCOTT OLIVER



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Music and Lyrics 2009 by Ryan Scott Oliver. Copyright 2012 by ARESSO MUSIC PUBLISHING.
All rights reserved.

www.ryanscottoliver.com

114

A FRIEND OF
JULES AND JESSY:

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116
Dm

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117

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118

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126

THE BALLAD OF SARA BERRY


from 35mm: A Musical Exhibition
F#

Mysteriously (q =96)

# ## 4
& # # 4

E
p
j
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CHORUS:

### # 4
V # 4

Women:

pj
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!

> > > > > > > > > n >
f
>>> >>> >>>
n
n

Music and Lyrics 2009 by Ryan Scott Oliver. 2011 ARESSO MUSIC PUBLISHING.
All rights reserved.

>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

### #
& #

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# # # #
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legato
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RYAN SCOTT OLIVER

G #5

C #5 G #5

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127

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*Harmonize all voices similarly when only one staff is present, keeping the men in the middle and
high registers, and the women in the low and middle (belt range).
"The Ballad of Sara Berry" - 2

C#m


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> n .

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&

Hot bod, hot boy, cheer cap - tain,

hic - cup and hitch,

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Ju - lie Jen -

Ju - lie Jen -


>
www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

### #

po - pu - lar bitch.

>

>

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n
- - n

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>

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ta

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Our Sa - ra's se - nior year and

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>
www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

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129

&
&

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w

and

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>
>

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>

You thirst for

>

>

>

&

j j

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Mom."

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EVERYONE: (On these refrains, most ensemble women should go 8ve down.)

vote!

is

dis - ap - point

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& # J

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ty

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blood from the ro-ses in hand.


> >



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>

www.ryanscottoliver.com

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>

>

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you Queen of High School

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j .

for

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Ber - ry.

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.
.

Ber - ry.

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cont.

cont.

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

##
& # # #
>
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> #
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#
#
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"The Ballad of Sara Berry" - 6

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Sa - ra Ber - ry.

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poor

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for

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boy-friend be-hind,

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Poor,

&

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<
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n
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w
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for

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C#m

Sa - ra Ber - ry.

vote

>


Vote


>

sa - ni - ty was

Sa - ra. Choose

Sa - ra.

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

? ### #

To life un - prom - re - la -ted,

j j

Sa-ra.

Sa - ra was blind.

Vote

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G# m

near lost her mind.


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vote

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B5

131

132

&
&

### #
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&
&

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hung by

Till

then,

at

last,

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se

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<

"The Ballad of Sara Berry" - 7

n .

<

love

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-

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n
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ta - king

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J

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&

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

### #

G# m

a thread.

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? ### #
#
? ### #

? ### #
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133

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>

"The Ballad of Sara Berry" - 8

at

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F#

>


> >

F#

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>

You spoil for sash and scep - ter,

>

calm?

blood from the ro - ses in hand.

so

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>
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her Fa - ther said.

just

>

G# m


>

>

mu - sic to dance,


>

>

As they crown


>

>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

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G#m

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134

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>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

>

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one sing-le thought:

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"The Ballad of Sara Berry" - 10

Sa - ra was not.

Ju-lie...

>>>

Just se-ven rea-sons this crown's

Anne...

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n
n
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>

She stared in mir - rors think - ing

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not good as got,

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www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

>

ww

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rock:

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punch.

her

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w
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EVERYONE:

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CRUNCH.

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ww

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poi- soned

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for Qui - a - ra qui - et

.
.
.
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a

F
a
>

>

>

>

www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

## ##

"P" is for Pa - tri - cia drink-ing

Thus went

plot:

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VARIOUSLY:

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her

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five min - utes tops,

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"The Ballad of Sara Berry" - 12

j

j

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girl can bring an "N" for end by

(End hand claps)

w
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You got your crown,

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www.ryanscottoliver.com

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

&

spread 'round the school.

# & n #

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fl
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141