Contents

Alternate Picking
BEEF
Combination Licks
Hybrid Picking
Chromatic Blues Licks
Partial Picking
String Skipping
J.S. Bachs Jesu, Joy Of Mans Desiring
Beethovens Fr Elise

3
10
15
26
32
36
42
45
47

Copyright 2002 Todd Duane. All rights reserved. No part of this CD ROM, including interior
design, cover design, text, graphics, or files may be reproduced or transmitted in any form,
by any means (electronic, or otherwise) without the prior written permission of the
publisher.

Alternate Picking

Alternate Picking #1 - Sequence of 4 on a Single String in Emin

# 4
& 4

simile

0 1 2 0

2 4

simile

0 2

J
&
3

10 7 8 10 12 8 10 12 14 10 12 14 15 12 14 15

17 14 15 17 19 15 17 19 20 17 19 20 22 19 20 22

Alternate Picking #2 - in E Mixolydian and E Blues

6 simile 6
### 4

&
4

E7

10 12 14

11 12 14 11 12 14

11

14 12 11 12 14

11 12 14 11 12 14

11

14 12

3 4 1
1 n 2 4 1 b n b n
#
##
&
2

11 12 14

11

14 12 11 12 14

11 12 14 12 14 15

12

15 14 12 14 15

b 1 n 2 4 b n b n b n

###
&
3

12 14 15

12

15 14 11 12 15 11 12 15 11 12 15 11 12 15

17

12 14 15

Alternate Picking #3 - in C Major

6 Simile 6
6

&4

C

10

10

10 12

10 12

&
2

13

4
&J
3

12 10

13

12

10

12

13

15

12 13

20

15

17 15

13

17

15 13

15

17 18

15

17

19

Alternate Picking #4
Cmaj7#11

# 4
& 4
6

20 12 15 17 15 12 19 12 15 17 15 12 20 12 15 17 15 12 19 12 15 17 15 12

Vivaldi "Spring" Lick

Transcribed for Guitar by Todd Duane

#### 2
&
4

Alternate Picking #5

7 12 7 12 7

####
&

7 12 7 12

11

11

11

11

11

14

14

11

14

14

####

&
5

11

12

12

11

12

12

11

11

13

11 16 11 16 11

13

11 16 11 16

Alternate Picking #5 - continued

####
&
6
6
8

11

13

11

14

11

14

11

13

11

14

11

14

12

BEEF

10

BEEF #1

## 4
& 4

Simile
n

1 4 2 1 1 4 3
1
17 22 19 17 14 19 17 14

# n # n n

4 3 1

18 17 15 18 17 15

16 15 14 16 15 14

16

15

14

R
6

##

&

6
1
4 2 1
6
6

BEEF #2

14
19 16 14 16 19

19 16 14

14
19 17 14 17 19

19 17 14

17 14 12

*add 7th strg

##
&

11

BEEF #3

# # 4
& 4
6

3 1

14

14
19 17 14 17 19

19 17 14 17 19

14 19 16 14 16 19

19 16 14 16 19

1
14

R
#
##
&
2

1 2

14
19 16 14 16 19

## J
&
3

19 16 14 16 19

12

simile

14 18 22 14 18 22 14 18 22 14 18 22 14

22

BEEF #4 - B diminished Scale

# # 4 n bSimile
n b b
& 4
#
13 15 16

13 14 16 14 13

16 15 13 16 15 13

16 14 13 14 16

13 15 16 13 15 16

13 14 16 14

# # b n b b b n
&

BEEF #4 - Harmony

16 18 19

16 17 19 17 16

19 18 16 19 18 16

13

19 17 16 17 19

16 18 19 16 18 19

16 17 19 17

BEEF #5 - Play on a Low B string of 7 string guitar

## 4
& 4n
b n
1

BEEF #5 - Harmony, play on a Low B string of 7 string guitar

##
b
& b
b

BEEF #6 - Play on a Low B string of 7 string guitar

## 3
& 4

* play on Low B and E String

0

14

# n
1

2 4

Combination Licks

15

Combination Lick #1

# 3 b n b n
5
& 4
4
6
6

14

12

12

12

12

14

11

12

15

12

15

17

# 5 b # b 4
& 4
4
2

15 17 18 18 17 15 17 15 12 15 12 11 11 12 15 12 15 17 15 17 18 18 17 15 17 15 12 15 12 11

# 4


& 4


6

12 10

7
12

12

10 12 10 12 15 15 12 10
14 12

16

12 14

Combination Lick #1 - continued

&
4

10 12 15 12 15 17 17 15 12

12 15 17 15 17 19 19 17 15
16 14 12 12 14 16

&
5

6
15 17 19 22 24
19 16 14 14 16 19

17

Combination Lick #2

#
## 4

&
4
# n #
E7

16

12

15

16

13

14

12

14

16

12

10

11

12

10

12

11

n
n

#
#

##

& n #
2

10

11

# # # 2
&
4
3

13

12

14

n
2

12

11

13

n
4

15

12

14

18

10

14

15

13

12

15

14

12

16

14

13

12

24

15

44

Combination Lick #22 - continued

b
# # # 4 n
b
&
4
A7

12

12

14

16

12

14

14

15

12

11

12

11

13

11

###

&

6
B7

9
9
9

12

11

14 12

12

12

4 3

17 14 12 14 12

7
6
7

19

9
14 11

14 12

14

14

B9

6
###
#
&
4

#### 4

&
4
7

Combination Lick #3

1 2 3

1 3 4

&

4 3 1

12 14 16 19 21 19 16 14 12 14 12 9

9 12 14

4 T

4 2

13 11

4 2

14 11

6

Simile
6
4

####

11

11

11 13

10 12 14

# # # #
&
3

11 12 14

12 14 16

12 14 16 14 16 17

20

14 16 17 16 17 19

16 17 19 17 19 21

Combination Lick #33 - continued

####
&
J
4

17

21

Combination Lick #4 - in A Blues

## 4
& 4

&

##

0
0

0
5

0
0

0
0

R
M
# # b n R b n n
&
3

10

22

Combination Lick #4 - continued

n b
## n
b

&
4

10

10

11

10

1
8

10

11

12

11

10

13

10

##

&

6
6
4 4
4 2 1 4 2 1
1 2 4 4 2 1

12 15 17 15 17 21 21 17 15 22 17 15 21 17 15

12 14 18
10 12 16 12 16 19

R
6
# #

&

4
6

4 3

17 15 12

2 4

18 14 12 14 18

12

4 2

18 14 12
19 16 12 16 12 10 12

23

# 4

& 4

Combination Lick #5

12
12

&

15

14

12

15

17

15

17

19

22

19

17

15

17

19

Simile

#
6

simile
19 15 17 19 17 15 17 14 15 17 15 14 15 12 14 15 14 12 14 11 12 14 12 11

6
6

#
b n b

&

6
3 1
3

15 10 12 15 12 10

12

12

24

10

10

6
# 6

&

8
b n b n
1 2 3 4
13 4
1 2
3 1 2
4
6

Combination Lick #5 - continued

# J
&
5

24

25

10

12

12 14

15 17 19 22
12 15 17

Hybrid Picking

26

Hybrid Picking #1 - Traditional Pentatonic pattern with hybrid picking

r
# # r r r r

&

10

10

7 10

Hybrid Picking #22

r r r r

r

2

&4

Am

5
5

Hybrid Picking #33

5
5

## 2

& 4

3
r
7

14
14
14 17 19

14 16 19

14 17 19
14 16 19

14 17 19

27

22

Hybrid Picking #4

##

&
7
4

r
7

simile

14
14 17 19

14 17 19

14 16 19

14

14

14
14 16 19

14 16 19

14 16 19

14 16 19

14 16 19

Hybrid Picking #5 - Arpeggios with hybrid picking and strings skipping

# 2
& 4
7

r
7

12

12

121519 121519
121519 121519

12

12

121619
121619 121619

28

121619

19
19
19
19
121519 121519 121519 121519

Hybrid Picking #6 - Triad Etude

3 3 3
3
3
3
3

&4

Simile
Am

Dm

C# Diminished

C
4

D
3

& # #
3

D# Diminished

&# # # #
3

11

29

11

11

7 11

r #
m

7 12

r
m

## 4 n#
n

& 4

Hybrid Picking #7 - Open string hybrid picking lick for 7 string guitar
r
m
m

&

##

0
0

30

0
0

Hybrid Picking #8

## 2 .
& 4 .

14

16

14

17
19

16

14

16

31

19

19

16

19

..

Chromatic Blues Licks

32

Chromatic Blues #1

4
#
&4

# n

3
1
2
1
3

2
1
3
1
2
1
3
A7

b n # #
&
2

10

Chromatic Blues #2 - C#7

n # m n
#

## # # 2 .

n .
# 4 .
.
&
6

14

12

12

11

33

12

1
9

11

12

11

Chromatic Blues #3

# # # # # . n # n # n # n .
# .
.
&
2

simile

10

13

10

10

13

10

Chromatic Blues #4

10

13

10

# # # # # n n # n
#
&
m

12

11

12

1
9

12

11

1
9

11

10

13

11
9

Chromatic Blues #5

## 4
& 4

n # n #
#
6

7 10

34

10

Chromatic Blues #6

## 2
& 4

n # n n #

#
6

6 7 10

7 9 8 7 8 9

9 8

7 8 9

7 8 9

Chromatic Blues #7

1 b 4 3 1 1 4 3 1 b

b b b n
# 2

& 4
15 18 17 15 12 17 15 12

16 15 12 16 15 12

15 14

# b b n b

b n b n
&
4

13 12

14 13 12 14 13 12

15 12

11

35

15 12

11

12

12 15 14 12

12

14 13 12 14

Partial Picking

36

 6 simile 6

# 2

& 4

Partial Picking #1

2 4 5

&

2 4 5 4 5 7

4 5 7

5 7 9

5 7 9 7 9 10

7 9 11

9 11 12

#

6

12 14 16

12 14 16 14 16 17

14 16 17

16 17 19

37

16 17 19 17 19 21

17 19 21 21

9 10 12 10 12 14

11 12 14

Partial Picking #2C

# 4 simile

& 4
6

5 2 4 5 4 2 7 4 5 7 5 4 9 5 7 9 7 5117 9119 7 12 9 111211 9 141112141211161214161412171416171614

# simile

&

Partial Picking #2B - Accent 1st of 6, or all legato

5 2 4 5 4 2 7 4 5 7 5 4 9 5 7 9 7 5117 9119 7 12 9 111211 9 141112141211161214161412171416171614

# simile

&

Partial Picking #2A - Alternate picked

5 2 4 5 4 2 7 4 5 7 5 4 9 5 7 9 7 5117 9119 7 12 9 111211 9 141112141211161214161412171416171614

38

Partial Picking #3

7
.
&8 .
J
Am

20

17

15

12

20

17

15

39

12

20

20

17

15

12

..

Partial Picking #4 - Blues Combination Lick in A

& 4 b n b
A7

# b

&
2

6 simile 6

# n #
&
3

40

b
6

Partial Picking #4 - continued

&

2
2
0

Partial Picking #5

E7

## 4

& 4
2

15

19

15

12

15

18

15

12

15

17

15

12

14

15

14

12

##

&
2

15 12 14 15

12

15 14 12 14
14

12
12

41

14

String Skipping

42

String Skipping #1

Bmin 11

## 2
& 4

22 19 17 14

19 16 14

14171922 24
141619

19 17 14

17 14 12

12 14 17

14 17 19

String Skipping #2 - "1st finger slide" string skipping Pentatonic scale

3 4

3 4 1
1
1
##

J
&
2

14 17 19 22

22 19 17 14

14 16 19 21

21 19 16 14

16

&

String Skipping #3

12 15 17 19

22 19 17 15 12

12 14 16 19

19 16 14 12

43

14

String Skipping #4 - Am Pentatonic with string skipping and hybrid picking

18 ..
..
& 16
Am

17
12
12 15 17

12 14 17

12
12 14 17

12 14 17

12 15 17

String Skipping #5

r
r

.
# 2 .

.
& 4 .

r 9

12
12
1215 17

12 14 17

12 15 19
17 14 12 14 17

17 15 1215 17

44

19

19 15 12

12
17 14 12 14 17

17 14 1214 17

J.S. Bach's
"Jesu, Joy Of Man's Desiring"

45

J.S. Bach's
"Jesu, Joy Of Man's Desiring"
Arranged for Guitar by Todd Duane

8va

g
I 12
8

k Vc V V V V V V V V V V V
V

T
A
B

12

11 14 12 12

1
12

3 3

14 14

1 1

VVVVVVVVVVVV

13 12 12 15 13

13

12

15 15

15 14 15

4 1
15 12

12 14

12

8va

g
V
I V V V V V V V V V V V
2

T
A
B

13 15

12

1 3

15 13 12

14

1 2

12

V V V V V V V V V
V
V
V

2 4

12 11 12 14

12

11 14

13 12

14

12

8va

g V V V
V V V V V V
I V
3 4 2 1 3 1 2 2 1 2
T
A
B

15 13 12
14

14 12

12

12 11 12

46

12 14

12 15 13

V V V V V V V V V V V V
2
13

1
12

15 15

15 14 15

15 12

12 14

1
12

Beethoven's
"Fr Elise"

47

Beethoven's
"Fr Elise"
Arranged for Guitar by Todd Duane

& 83

12

..

11

%
# n
12

11

12

12

15

13

14
12

12

&

12

13

12
12

&

11

14

13

12

14

14

12

12

15

14

12

# n

12

12

11

12

13

48

11

12

12

15

13

14

12

15

Take CODA 3rd repeat

11

14

14

12

1st Ending

#
12

10

12
12

12

11

..

2nd ending

10

&

10

12

&

&

12

15

12

13

13

13

..

49

Let ring......

#
11

13

11
0

24

rit.

14

14

12

D.S. al Fine

12

10

10

12

15

12

a tempo
11

rit.

12

12

10

14

12

15

12

15
12

15

13

16

13

12

12

13

14

Todd's Teaching Bio

In High School Todd gained much experience and many awards as a Trumpet player. He is
a self taught drummer and was the Jazz Band's bass guitarist. After High School graduation
Todd began teaching guitar at a music store in West.St Paul, Minnesota.
After 2 years of teaching a full schedule of students and gigging with local favorite band's
"The Regime" and "Hurricane Alice", Todd decided to further his musical education at the
Guitar Institute of Technology, (GIT) in Hollywood California. (One year earlier Todd was a
runner up in the Fender Guitar, GIT, Eric Clapton Scholarship Contest. He won a Fender
Strat and Twin Reverb.)
At GIT, Todd studied with many great guitar players including Paul Gilbert, Frank Gambale,
Jeff Berlin (Bass), Scott Henderson and others. There he immersed himself in his studies of
guitar, gigged in various bands, did studio session work, and eventually taught lessons at
the school. Todd even appeared in a Pepsi commercial!
During this time Todd was also recording and sending out home recorded demos that
showcased his unique guitar playing and songwriting skills. Some of these demos showed
up on internationally released compilation CD's, and gained him international exposure. It
eventually lead to his debut solo record on the highly regarded guitar instrumental label
Shrapnel Records.
After a 6 year stay in California, Todd was asked to become the Head of the Rock Guitar
department at The American Institute of Music, located in Vienna, Austria.
Todd stayed for 2 years then moved back to Minnesota to teach at Music Tech of
Minneapolis.
Todd now teaches a weekly schedule of between 50 and 60 private students of all ages,
levels and styles.
He has since recorded his 2nd all instrumental release, "Omnipresent". Todd also gigs and
records with the local band Touched, and is recording a 3rd all instrumental release.
Todd is endorsed by Ernie Ball Music Man Strings and guitars, Soldano Amplification, and
Dimarzio Pick-ups.
http://www.toddduane.com
todd@toddduane.com

50